Royal Castles - KEG - Looms - Ziemba - Ashley Shadow (feat. Bonnie Prince Billy)

Royal Castles - Schönsee.

Produced by Zane Whitfield (The Glorious Sons, Sarah Harmer), this triumphant 90s rock anthem sparkles and uplifts, as it reminds us of our resilience as humans, and that sunnier days are always around the corner. We dedicate it to all of our grandparents, who worked so hard to give us a better life.

"Schönsee" means beautiful lake, named after the Russian-Mennonite colony in ode to drummer Katrin Sawatzky's ancestors, who made the Great Trek across Europe by caravan to escape religious persecution in WWII.

Prominently featuring the voice and songwriting of Katrin, who sings in both German and English, this song builds upon the German lullaby often sung to Katrin as a child, telling the story of curiosity, resilience, fear and hope for a better life.

"Schönsee" summons an inner feeling of safety and peace when the world around you feels chaotic. The feeling of triumph after tribulation. The elation of making it out alive.

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KEG - Farmhands.

Brighton based 7-piece Keg today announce their new single "Farmhands" alongside an otherworldly animated video directed by Andrew Howarth - which drops the septet into the "Smelve Village" - eventually succumbing to a sea-beast-version of the band's guitarist Frank Lindsay.

Keg have quickly seen their profile rise over the past 6 months, with widespread acclaim from BBC 6Music (Steve Lamacq, Huw Stephens), NME, So Young Magazine, DIY Magazine, Clash Magazine, The Line Of Best Fit and more, coinciding with a relentless touring schedule with acts including Squid, Talk Show, The Lounge Society, Opus Kink, Bull, Blue Bendy and LICE.

New single "Farmhands" was produced by the band and mixed by Sean Oakley (Show Me The Body, Sorry, Scalping, Kae Tempest) and is the latest single to be lifted from Keg's debut EP 'Assembly'.

Described by the band as: "a lovestory to St James Street [in Brighton] and its many erratic personalities and the eternal clash of oat flat whites and heroin poos" - "Farmhands" carefully builds from its driving, post-rock opening, singer Albert Haddenham riling against the gentrification of Brighton's city centre: ["My bamboo products quake in their cupboards / My macchiato spills over the plant ladder / All the greasy spoons hemmed in by bike shops / Their dishwashers shrink and fall down the drain"] - interspersed with trombone-laden breaks and moving towards an erratic brass-fuelled crescendo.

Speaking on the track's accompanying video, the band said: "In the summer in Brighton, the city council were giving homeless people train fare money to leave the city. I remember thinking this is an obscene solution to a really serious undeniable housing issue. The stark contrast of real poverty and gentrified coffee/juiceries is quite startling along most of the south coast, I’m sure everyone has an equivalent. The video came from us imagining the lyrics taking place in a small magical toadstool town of ‘smelves’ and seeing their reaction. If I could summon a sea beast I would."

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Looms - A Different Variety of Same (E.P).

What was originally written at the beginning of a supposed to be busy 2020 for Looms turned into a larger recording project as they navigated the pandemic. The themes of love, loss and isolation were in place pre-shutdown but turned out to be all too timely as they were eventually completed remotely.

The EP release includes two brand new tracks, "A Different Kind of Light" and "Nothin' Didn't Change," closing and coalescing with a sound that FLOOD Magazine noted it lands, "somewhere between the alt-country flavors of Wilco and the heartland rock inclinations of The War on Drugs."

The band shares:

Speaking a prayer of longing and uncertainty
Delicate ground crumbles at only the thought of steps
But the drum shows there is a path
As guitars churn and chug and swirl
Weaving the singular now…

Here is a bouquet of the gathered years
The countless unfolding of momentary togetherness
Standing in circles has been so important
To ring the bounds of the ancient well
And glimpse the divine as it slips
From the flat, black waters of the underneath
This is the sunken source of many tongues
Where our sciences and our spells are but a different variety of same.

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Photo - Ian Torres

Ziemba - Fear.

El Paso-based artist, Ziemba – a moniker for songwriter, producer, vocalist and pianist, René Kladzyk – is sharing her new single, "Fear" alongside details of a new album titled Unsubtle Magic which is set for release on December 10, 2021, via Sister Polygon Records. The new record arrives as the latest installment of Kladzyk's Ziemba project following previous releases that found support at Pitchfork, i-D, FADER, Stereogum, Vogue, Bandcamp Daily and more.

This first single acts as a fitting introduction to the musically eclectic album which touches on zany New Wave, baroque-pop and 1970s art-rock. Kladzyk's upright Steinway piano sits at the beating center of "Fear," flanked by fuzzy guitars and emphatic percussion.

Speaking about the single, Kladzyk explains: "One time a psychic told me that a curse was placed on me in the womb, and of course that was bullshit, she tried to sell me $800 in crystal therapy to lift the curse. But at the same time, intergenerational legacies of addiction, abuse, trauma and mental illness seep out at very inconvenient moments and for me often take the form of wondering if I’m cursed to destroy myself or the ones I love, just like some of my ancestors. This song is a journal entry from a day I felt very weighed down by that baggage.

"Musically, "Fear" is indebted to The Roches, the Plastic Ono Band, Richard and Linda Thompson, and John Cale. Arranging it was a fun and intuitive process in collaboration with Don Godwin, and it arrived pretty naturally at its final state."

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Ashley Shadow (feat. Bonnie Prince Billy) - Don't Slow Me Down.

The Vancouver, B.C.-based songwriter, Ashley Shadowhas just shared the video for her recent Pitchfork, Stereogum and Brooklyn Vegan-tipped single, "Don't Slow Me Down" (feat Bonnie "Prince" Billy). The visual piece, directed by Tyler McLeod, comes off the back of critical acclaim for the recent album, Only the End – out now via Felte – which found positive support from Pitchfork, MOJO, Stereogum, Brooklyn Vegan, All Music, Secret Meeting and more upon release.

The video is a moving addition to the music. Filmed separately it finds Ashley and Bonnie "Prince" Billy (aka Will Oldham) connecting in isolation to produce something that touches on nostalgic references, presented with stuttering tape reels and analog effects.

Speaking about the making of the video, Ashley says: "Since we had trouble connecting in the flesh with Will Oldham we decided to get creative with our approach to this video. I asked Will to send some footage to the song with little direction and said to get as weird as he wanted with it, he’s a professional.

When Will’s footage arrived Tyler McLeod and I were pumped up and the gears started turning. The creative juices were flowing and it all unfolded a wave of cosmic vibrations. Through analog effects and nostalgic references the video took on its own life and we succumbed to the creative forces of multi-dimensional techniques. Thus a video was born."

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The Kut - Reptaliens - Roni Bar Hadas - Melted Wings - Abby Sage

The Kut - ANIMO.

Rock solo artist The Kut (PhD) has announced a US distribution deal with Amplified (Alliance / AMPED / MNRK), for her hotly anticipated second album and released a brand new video single ANIMO.

Meaning ‘courage’ or ‘spirit’, ANIMO and the accompanying music video were released yesterday and funded by Arts Council England. Dubbed by NYC Takeover as ‘the revolution waiting to erupt’ the latest Kut single is fierce; pepper sprayed with haunting melodies, driving beats and unapologetically packed with grrrl power.

Written in support of recent women’s rights demonstrations in the UK, the single is the first of a series of releases, leading up to The Kut second album, due June 2022. The forthcoming album features all seven members of her collective of women in music, with the ANIMO single featuring Diana Bartmann (drums), Jennifer Sanin (bass/vocals) and Alison Wood (guitar/bass) performing alongside The Kut.

The Kut’s debut album ‘Valley of Thorns’ was produced by James LeRock Loughrey (Skindred, White Zombie, Bjork) and spent two weeks in the UK Rock Albums Chart (No.7) and No. 18 in the Independent Albums Chart. The album was distributed via Cargo Records, who stay on as UK & Europe distributor.

Her latest single hit the UK Sales Chart on Christmas Day (No.65) and spent four weeks in the Physical Chart (No.10).  These releases have spawned significant interest in the UK and USA, including support from Kerrang!, BBC Introducing, Total Rock, Hard Rock Hell, Planet Rock, Metal Hammer, Sirius XM, AAA, College stations, with videos selected for playlist by MTV USA, MTV-U, LATV, AXSTV & Music Choice.

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Photo - Dan Crayonton

Reptaliens - Like A Dog.

Portland band Reptaliens announce its new LP Captured Tracks with the single & video "Like a Dog" The video is a homage to 90s tv tropes and public access television.

Reptaliens are ready to be direct. After exploring surreal realms of high-concept synth-pop across two acclaimed albums, the Portland, Oregon, duo found newfound clarity in a stark, grounded approach. That may seem unexpected for such a colorful act—known for heady lyrics about conspiracy theories and transhumanism—but Cole and Bambi Browning have streamlined to the lean, propulsive essentials on their self-produced new LP, Multiverse.

Shelving the dreamy synths altogether and working without their other bandmates due to lockdown, Reptaliens reset, picking up their guitars and emphasizing the catchy attack that’s been there all along. Drawing inspiration from the spontaneous energy of the ’90s alternative canon, the pair hit a surge in momentum after a casual-turned-revelatory listen to Jane’s Addiction’s 1990 classic “Been Caught Stealing.” Without even aiming to make a Reptaliens song, they wound up penning the set’s lead single “Like a Dog,” a sun-soaked groove-bomb that’s blissfully unencumbered by sonic baggage. “That really kicked it off,” Cole recalls. “It was so fast and easy and fun that we said, ‘Let’s do more like that.’”

Oregon natives Bambi and Cole started Reptaliens in the mid-2010s as a multi-faceted vehicle for their most adventurous urges. Across their first two Captured Tracks albums —FM-2030 (2017) and VALIS (2019)—they established themselves as dedicated dreamers and deep thinkers, filling their wooly, homespun synth-pop with meditations on outré science fiction and philosophy. With some help from friends, they’ve been able to tackle big questions and explore vast sound worlds. Tapping Julian Kowalski (guitar), Bryson Hansen (synth), and Tyler Vergian (drums) for their previous albums and shows, Reptaliens have bewitched crowds during extended national tours with STRFKR, Turnover, and Turnstile.

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Roni Bar Hadas - Fear.

Roni tells us: "I have always had a complicated relationship with putting my own self care needs before others' expectations or demands of me. Suffering from writer's block last year, I found myself with a new focus to liberate myself from self-criticism."

"Fear" has a deliberate air of empowerment and was written from a place of happiness, breaking my cycle of only writing during low periods. Recording it at home allowed me to go in with greater freedom of mind in a more relaxed setting - free to create something I could dance to.

If I decide to try being healthy, it better be because of me.

This lyric signifies my understanding and constant striving to remember to be mindful of my own needs, so that the motivation for my self care stems from within myself.

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Melted Wings - Capture Love.

Melted Wings is the multi-genre musical project of Michael Wynn, guitarist and founding member of bands Trains of Winter and Vicky von Vicky, who were active in the Kingston and Toronto music scenes in the 90’s and early 2000s.

After several years of not making music, Melted Wings has had a prolific output of songs since 2017, releasing multiple singles and EPs, along with a new album set to come out in early 2022. It all began after playing a handful of songs for a friend of his late father’s in 2017, who encouraged and challenged Wynn to keep making new music. From this initial boost, Melted Wings was born, and the first EP, The Bane of My Existence, was completed and released.

Each album and EP has had broad musical and genre-twisting influences. From folk, country, rock, pop, funk, disco, and alternative, to new wave, electronic, and EDM. From Johnny Cash, Pixies, ABBA, and Grease, to Handsome Furs, Depeche Mode, and TRST. The songs have gravitated lyrically towards love, unrequited love, broken relationships, social issues, and the impact of human existence. Wynn tends to latch onto catchy and quirky phrases, such as “You are the fire that fuels the flames of all my fears,” in “Bane of My Existence,” or “Oh when you run don’t slip and fall, you’ll scrape your skin, bare bums and all,” from the streakers in “Rolling Night.”

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photo - cloudytots

Abby Sage - Fever Dream.

Today LA-via-Toronto singer/songwriter Abby Sage shares her EP "Fears of Yours & Mine."

The 6-track collection is a weighty emotional journey inspired by the trajectory of a relationship from start to finish. Here, Abby plainly expresses her feelings and anxious state of mind, an inward exploration that ultimately leads to self-love and discovery. Created with the help of producer Jeff Hazin (glaive, renforshort, Anna Sofia), the EP emanates quiet confidence and pulls at the details.

"I called the project 'Fears of Yours & Mine' because the whole thing plays upon fears and moments of doubt that l held within a relationship and the path I was on as a whole," Abby shares of the record. "Fear kept me from continuing one journey but pushed me directly into another. Part of that was the creation of this project. 'When I Leave,' 'Fever Dream,' and 'Space for Me' all touch on various problems and doubts within the relationship whereas 'Wasting Away,' 'Smoke Break,' and 'Residing in the Sky' speak on the ending of it all and the ultimate rediscovery of self."

The EP's focus single"Fever Dream" is a moody affair that finds Abby reaching through hazy synths for reassurance in a relationship that's not there. It's a song that burns with hushed intensity as we see Abby peering into a situation where things aren't reciprocated. "Maybe I need you like you don't need me," she intones.

"'There’s a fire in your mind I can’t deny the way it burns me too.' This line is my favorite because it encapsulates the feeling of trying to fix someone knowing the damage it is ultimately causing yourself," Abby shares.

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Favours - Parliamo - The Vaulted Skies - Black Pines

Favours - Escaping.

Favours is made up of Jacq Andrade, Alexander Zen and Mark Andrade. They released their first LP Made to Wait in 2020. Their song “Stowaway” was featured on Netflix and CBC Gem. Recently, Favours built a home recording studio in a former halfway house in Mimico. The studio serves as a practice space and home to Alex, as well as their central creative hub for all music videos and photography projects.

Favours’ EP, Left Behind, was released November 12th 2021 and it features a fresh dream pop, new wave sound inspired by their shared love of the 80’s new wave sound and a DIY post-punk feel. The band collaborated with a strong team for this upcoming EP. 

They enlisted the talents of Broken Social Scene’s Brendan Canning to play bass on the EP, the engineering chops of Tallies’ Dylan Franklin, who engineered the drums and bass, and the mixing prowess of Alexandre Bonenfont. Previous singles have been featured on NPR, David Dean Burkhart and charted #1 on Canadian College Radio.

Favours · Escaping

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Parliamo - The Parliamo Manifesto (E.P).

Perth, Scotland based 6-piece Parliamo release their eagerly anticipated new EP 'The Parliamo Manifesto' via Modern Sky (The Coral, The Lathums, Abbie Ozard). Drawing from a plethora of influences from The Avalanches and Massive Attack to Super Furry Animals and The Beta Band – Parliamo bring together witty social commentary–styled lyricism with a distinctive songwriting approach very much of their own.

Widely adored by their Scottish contemporaries including Walt Disco, Glasvegas, The Ninth Wave and VLURE, the band have also seen co-signs from The Libertines' Carl Barat, Primal Scream's Simone Butler and Scottish actor Robert Carlyle. They've inarguably backed this support up, quickly rising through the ranks of new Scottish acts with momentous back-to-back sold out at shows at Glasgow's King Tuts and Dundee's Hunter S Thomson.

The band's newly released EP 'The Parliamo Manifesto' is the culmination of over a year's songwriting and is a bold statement of intent from the 6 piece. Employing a charming tongue-in-cheek approach to some of the slightly darker aspects of life which young people face today, the record touches on the complications of religious pressure on "Catholic Guilt", spiraling addiction on "Who Needs a Reason?", mental health on "She’s Only Human" and the awkward beauty of young love on EP opener "Paul & Barry".

The baggy, swaggering sound of the band and the often darkly humorous nature of the lyrics, stands in stark contrast with some of the subject matter, echoing the band’s propensity for laughing in lieu of crying. In a world of such turmoil and uncertainty, ‘The Parliamo Manifesto’ aims to reconcile people with positivity through vibrant, energetic music, whilst providing a relatable commentary on the modern world and the inner workings of the minds of young people. With lyrics sometimes written and delivered in the Scottish vernacular, the record offers a somewhat unique perspective on the simultaneously charming and terrifying nature of modern life.

Parliamo · The Parliamo Manifesto

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The Vaulted Skies - What If I Were The Boy?

James Scott (Guitar, Vocals) talks us through the story of the song… “A long time ago, at a college far, far away, I was paired up on an acting assignment with one of the popular girls. While we were alone in a rehearsal space, she asked me if I wanted her to do something to me, using a phrase I didn’t understand at the time, because I was naive and innocent. I assumed it would involve some kind of physical pain or humiliation - like a wedgie! - so I said no.

I realise now of course, that she was propositioning me. Given that context, I also realise that she said something else that alluded to a very troubled home life. Knowing what I know now, while I still wouldn’t have taken her up on her offer (she was high, as usual), I wish I’d recognised the cry for help underneath it all. I don’t know what happened to her. I can’t find her on social media. Mutual friends
have lost touch with her.

I may be inventing a reality that never came to pass, and she might be perfectly fine; but this song captures the panic I felt when the memory of unwittingly rejecting her advances suddenly came back to me, which haunts me to this day.”

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Black Pines - Chains.

Following on from the enormous response to their breakthrough singles ‘Heaven’s Son’, ‘Power’ and ‘Hope’ last year, as well as their stripped-back collection ‘Isolation Tapes’ in early 2021, Essex-based outfit Black Pines are back once again to deliver their bluesy new release ‘Chains’.

Channeling a bold and atmospheric direction this time around, ‘Chains’ sees the five-piece return in stellar form. With its bold and soaring textures, shimmering hooks, and bouncing aesthetic, they are truly breaking out of their comfort zone on this blistering new effort.

Speaking about the new offering, they said, “This was the first track we created after our debut 3 singles. It marks a somewhat noticeable creative swerve, and a change of attitude when it comes to our songwriting - likely motivated by our Covid-induced isolation. It’s more fun and less forgiving, and pushes Tom’s vocals to new heights.

“Sonically, ‘Chains’ was born from a love of what Nothing But Thieves and Royal Blood had created recently, as well as paying homage to the pitch bending, tone destroying guitars of past players like Tom Morello or Prince!”

Black Pines · Chains

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Cousin Kula - Ovlov - SHEAL - Courtney Cotter King

Photo - Alfred Thirolle

Cousin Kula - Something So Sweet.

Bristol's Cousin Kula today release their new single "Something So Sweet", the final taster of their debut album Double Dinners, out November 26th via Rhythm Section.

With co-signs from the likes of BADBADNOTGOOD, Cousin Kula's forthcoming debut album Double Dinners follows their 2017 EP 'OODLES', 2019's 'STROODLES' EP, along with their 2020 'Casa Kula Cassette', which caught the attention of beloved tastemaker and DJ Bradley Zero who swiftly signed them to his Rhythm Section label.

New single "Something So Sweet" is a prime example of the band's undeniable ability to blur the lines between sweeping psychedelia and blissful jazz. Arguably the best showcase of Joe Milkinson's jazz drumming prowess, the track is wonderfully interspersed with stunning saxophone turns, intricate guitar passages and electrifying synths.

Speaking on the new single release the band said: "The production really stands out on this one and is testament to Doug’s hard work engineering and mixing the whole record from home. Most of the tunes on the album are live takes - Doug built his own ribbon mics, dozens of acoustic panels, and engineered the whole thing so that we could record everyone together from separate rooms in the house - all to get a live feel that lends itself so well to these tunes."

Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” CLASH Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees BADBADNOTGOOD to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date.

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Ovlov - Eat More.

We're a little over a week away from the release of Ovlov's third full length Buds, which will be out next Friday on Exploding In Sound. Their first new music following a long layoff after the release of their beloved 2018 LP TRU, the album has been one of the more heavily anticipated of the fall, earning praise from outlets like Pitchfork, NPR, FADER, Uproxx, Paste, MTV, BrooklynVegan, and Stereogum who ran a feature that dives into the band's history and influence last month. Today the band are sharing a final single from the record, a track entitled "Eat More."

"'Eat more' is about that last person I fell in love with, and I wrote it once I realized I had fallen in love," explains Ovlov singer and lead songwriter Steve Hartlett. "They did not feel the same at the time, however. Thus it being so needy, lyrically. One of my favorite guitar parts I’ve ever written, though!"

Formed in 2009, Ovlov are the kind of cult phenomenon that seems to never stop growing despite the stop-start pattern of the band's existence. Led by songwriter and guitarist Steve Harlett, the Connecticut four-piece has released two LPs and a handful of EPs over the last decade and have broken up more times than they have made albums in that span, and yet their reputation (and with it their audience) has steadily expanded, largely as a result of a kind of grassroots, word-of-mouth excitement that feels of a piece with the band's DIY origins. Fixtures at now legendary Brooklyn venues like Shea Stadium, the band's two LPs (2013's AM and 2018's Tru which both saw release on the Brooklyn label Exploding In Sound) have seen them praised for picking up the torch of '90s indie rock groups like Dinosaur Jr. and Sebadoh, making what NPR described as "big, fuzzy rock n roll that you can drown in," while carving out a unique sound that has had a surprisingly persistent influence on the indie rock bands that came after them.

Recorded with the same producer and engineer who has handled every Ovlov album, Michael John Thomas III at his Black Lodge Studio in Brooklyn, Buds is the latest document of Ovlov’s slow and sturdy evolution. But this time, the band’s become even more of a family affair. Though Steve’s long been riffing alongside guitarist Morgan Luzzi, the band was started with Steve’s younger brother Theo on drums. This time around, their older brother Jon joined them on bass—and their dad, Ted, even stops in to rip a sax solo on “Cheer Up, Chihiro!” Considering the Hartlett brothers learned how to play music together, it’s a full circle moment as they all come together in service of making Ovlov’s most fully realized statement yet.

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SHEAL - Gravity.

Following her recent single, “Dark,” SHEAL is revealing a new, melodic piano-led ballad.

“‘Gravity’ is about what it’s like when you choose to love someone in spite of hurt and difference,” the artist explains. “Rather than running away from tenuous relationships, holding space for the other person to be themselves with all their flaws and beauty.”

While her previous single explores the experience of fear shrinking one’s inner world, “Gravity” charts its expansion through love.

Lilting clarinet and strings elevate the grace of this song’s gentle beauty, which is one of SHEAL’s most ambitious pieces, both lyrically and production-wise. It conveys the feeling of weightlessness at the centre of “Gravity.”

“I think a lot of my writing is me finding my voice. I’ve always been inspired by beauty and beauty in music, and that’s inspired me to create. My challenge was always finding my voice and feeling like I had something worthwhile to say.” explains SHEAL, Toronto-based singer-songwriter and multi-instrumentalist.

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Courtney Cotter King - Electric Feet.

Courtney Cotter King has just released her newest song "Electric Feet," a 50's and contemporary style jazz pop song about the happiness her children spread, especially when they dance.

Courtney dedicates “Electric Feet” to moms everywhere and the creative chaos that ensues with their children. Inspired by the “booty-slide-slide” (her oldest’s first signature dance move), it’s all about dancing along with kids’ endless energy, rather than trying to dim it down. From the same planet as Pharrell William’s “Happy” and Ray Lamontagne’s “You Are The Best Thing”, it’s one to lift the spirits with it’s upbeat fun from start to finish.

Courtney Cotter King was born with a piano as an appendage and is inevitably attached to the keys. A raw talent, with smooth vocals and lyrics beyond her years, Courtney commands a room with merit for listening. Courtney’s artistry at the piano drives her blue-eyed soul, singer-songwriter genre. Of her unique sound, Marmoset Music Publishing said, “Piano-driven arrangements informed by classical and jazz come off effortlessly, evoking both early 70s Stevie Wonder and 90s Tori Amos. Smart, soulful, and surprising, Courtney's tunes easily marry sound with story.” She has performed with a long list of artists including, Meghan Trainor, Melanie Safka, and Courtney Marie Andrews.

CourtneyCotterKing · Electric Feet

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