Six Of The Best: The Last Exposure - Uncle Lucius - Parlour Tricks - Soft Ledges - Anna Atkinson - Scott Taylor

The Last Exposure - Human.

Background - The Last Exposure releases their brand new single ’Human’, following the success of their debut ‘Echo’, ’Human’ is an uplifting song about not feeling as though one belongs in their body and does not in fact feel human. The Last Exposure offer an early 90’s alternative rock punch fronted by sassy and powerful vocals. They take pride in their performance - its rock, it’s loud and it’s fierce.

The Sydney band has been playing gigs in the city, non-stop since it’s inception in 2015, in that short life span supporting the likes of Hands like Houses, L-Fresh the Lion, Columbus, Camp Cope and Philadelphia’s Cayetana. The band met while studying their music degrees at university, travelling up to two hours each way just to rehearse and write together. With finishing their courses, they decided to take their original material and continue as The Last Exposure.

Chelsea Barnes, singer, says, “It’s a song about getting to the bottom, feeling that low and really hating yourself for it! I wanted the song to be uplifting. I wanted it to say ‘Well hey, you may feel low but you’re not alone and you’re beautiful’.”

The band recorded and produced the single with Australian record producer Lachlan Mitchell at Parliament Studios (formerly Jungle) in Leichhardt, Sydney. Facebook here.

Mixing power and passion 'Human' is a fine rocker of a song. There's a video for it (here), for me however the audio stands on it's own, in a fine alt rock piece.

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Uncle Lucius - Don't Own The Right.

Background - Following the success of their recent single ‘Age of Reason’ and the response to its cinematic video, Uncle Lucius have confirmed the next UK/Europe single from their latest album ‘The Light’ (Boo Clap/Thirty Tigers) as a double A-Side: ‘Don’t Own The Right’/‘Flood Then Fade Away’. The band have also confirmed a full list of European tour dates in October & November including seven UK dates, with support from Curse of Lono:
                                                                       
31st Oct - Greystones, Sheffeld 
1st Nov - Fat Lils, Witney (nr Oxford)
2rd Nov - Maze, Nottingham 
3rd Nov - Academy 2, London
4th Nov - Prince Albert, Brighton
6th Nov - Hug & Pint, Glasgow
7th Nov - Musician, Leicester  

In their own words: “We are beyond psyched about our return to the UK. After touring relentlessly in the states for the better part of a decade, we have become a bit jaded with most of the American audience. It seems the majority of people here have fallen victim to the blatant pandering and watered down lyricism of popular music that has, by design, taken over the mainstream. Our first foray into Europe earlier this year showed us that there is an audience that actually listens to and ‘gets’ our intentions. We are thankful for another opportunity to meet and perform for this crowd.” Website here.

'Don't Own The Right' has a fine if slightly surreal video, but oh boy! I just love the song. Vocals are naturally good and the band just buzzes with raw rock energy!

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Parlour Tricks - (what i think about when i think about) Bodies.

Background - Saying Farewell to Parlour Tricks, NYC act debut final EP: (what I think about when I think about) Bodies.
   
Described as "a sonic fusion of HAIM and Lucius", and with a knack for creating impossibly infectious harmonies layered over building drum lines, Parlour Tricks captured the hearts of audiences in their hometown of New York and beyond.

This week, they arrive with their new EP, (what i think about when i think about) Bodies - a bittersweet collection of tracks that marks the final release for the band who have announced that they will be disbanding.

"I want to tell you about those nights in the studio, in Nashville and in New York, when everything gelled beautifully, when we felt the enormity of making something good.   I want to explain these things, but even then it wouldn’t paint a full picture.  You had to be there. We were lucky enough to be there." - Parlour Tricks frontwoman, Lily Cato. Website here.

So it's a fond farewell to Parlour Tricks, it's been a while since we featured them and you can listen to the full EP below from what is was a consistently good source of beautiful songs. Enjoy '(what i think about when i think about) Bodies'.

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Soft Ledges - Seven Stories.

Background - Chicago's Soft Ledges make dark, angular, delicate music with the belief that the secret to lost is found and the only way in is through. Formed in 2015 by songwriter Shelley Miller (vox/piano/guitar) and Chris Geisler (bass), the band (joined at live shows by drummer Raul Cotaquispe) is set to release their self-titled debut album November 18.

Miller and Geisler, both veterans of the Chicago music scene (Miller as a singer/songwriter, Geisler in the Hamburglars, TAFKAV and several other punk bands), started Soft Ledges with a mission to make brave, honest music beyond the bounds of genre...and to challenge the self-perceived limits of what they were "allowed" to do as musicians and people. 

The result?  Miller's fevered, urgent whispers and screams on La Niña and Seven Stories.  Geisler's bowed electric bass, awash in reverb, on Highlight Reel. Fingerpicking and distortion pedals.  Last call, last chance lullabies.

Soft Ledges recorded their debut album spring 2016 at Kingsize Soundlabs (Chicago, IL) with engineer John Abbey (who also mixed and mastered). On it, Miller sings and plays drums, guitar, piano and several other instruments, while Geisler plays bass, plus guitar and drums on a couple tracks.

'Seven Stories' is just one element of the debut album due soon. Soft Ledges explore different themes, sometimes potent and feisty, sometimes in a more understated manner, with moods shifting from song to song. It's one of those albums where it's hard to predict whats to follow and I like that, especially if the quality is there. In this case it's there in bucket loads.

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Anna Atkinson - Snowshoe.

Background from Anna Atkinson - 'Sky Stacked Full' is an album about possibility. Musings on childhood memories, human connection, anxiety, the joys and perils of solitude, death - what it means to be in the world.

The songs were written over a span of ten years. There is a song I wrote for my father seven years after he died. There is a song I wrote for my mother three years before she died.

I'm fascinated by endeavours that take a long time. Slow moving, sometimes imperceptibly slow. Like quilting, writing a novel, making an album. Things for which there is no virtue in hurrying. Baking bread, snowshoeing up a mountain, knitting, gardening, growing up. In fact, they are processes we cannot hurry, try as we might.

The album was recorded over a period of five months at CBC Studio 211 in Toronto, and features the playing of co-producer and guitarist David Occhipinti. Facebook here.

Earlier this month we featured 'When We Were Young' by Anna Atkinson stating at the time that "the forthcoming album is eagerly awaited".  First track on the album is 'Snowshoe' and it is beautiful, as is the whole collection of songs. Vocals are wonderful, the song arrangements allow every element to shine through, and the creativity is there in each melodic piece. Well worth checking out.

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Scott Taylor - Tennessee.

Background - Born in Washington DC and raised in Virginia, Scott Taylor plays the true blues; stirred up in Motown hot sauce, simmered in funk and seasoned with southern soul.

The singer-songwriter has spent a life entrenched in music. After years spent with his youth choir, Taylor began his professional career backing headlining artists who toured the Northwest and has also collaborated with Cover Girls, Joyce Sims, Little Louie Vega, and Barbara Tucker of Strictly Rhythm Records. He bounced around several notable blues labels as he honed his solo style, finally hitting the UK dance charts with his 1991 single “Not So Far Away” on Back Beat Records.

Most recently Scott has found a home at Fetal Records out of Annapolis where he is putting the finishing touches on his first album for the label, a collection of songs he describes as “unfiltered and strait from the gut”. The bluesman has been laboriously tracking his new material, collaborating with blues guitar virtuoso Tony Fazio with Charlie Sayles playing harmonica on several tracks, while still finding time to play piano at Church on Sundays. Facebook here.

If you like your blues natural and with all the vital roots and passion then 'Tennessee' gives a flavour of what's in store on the first album. Scott Taylor is the real deal, and well worth keeping an ear out for.

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Weekend Wonders: Trudy and the Romance - Will Johnson - Bad Reed - Blood and Glass - whenyoung - Joana Serrat - Gemology

Trudy and the Romance - My Baby's Gone Away.

Background promo - With a Big Moon support slot this autumn and SXSW in the bag, Trudy and the Romance’s scurvy ascent has been as pestilent as the plague, infecting hearts and minds everywhere. Labelled ‘50s mutant pop’ by assorted members of the press, their previous single ‘He Sings’ sallied lecherously up to number 7 on the UK Spotify viral charts. Their freakbeat flavoured skiffle clearly strikes a chord with legions of mutant fans everywhere and is a broken bottle to the face of blind conformity.

6Music’s Steve Lamacq is a bona fide fan. After seeing them live at their packed-out debut London headline show at The Victoria this July he promptly made them artist of the week. Further feverish support on the wireless has come from Radio 1’s Huw Stephens who included ‘He Sings’ in his Best of BBC Introducing, John Kennedy at Radio X and further afield in LA's KCRW.

With more material in the works and more gigging before the year is out, whatever Trudy and the Romance are cooking up will be a drunken witch’s brew of lovesick sea shanties and rabble rousing ditties. To all those who thought the age of romance in music is long dead, Trudy and the Romance stand defiant as mutated specimens of a bygone era. Website here.

Live dates:
29 October Wah Wah Hut, Glasgow *The Big Moon
30 October Picture House Social, Sheffield *The Big Moon
01 November The Bodega Social Club, Nottingham *The Big Moon
02 November Waterfront, Norwich *The Big Moon
03 November Scala, London *The Big Moon
04 November Sticky Mike’s Frog Bar, Brighton
05 November Yellow Arch, Sheffield *Slow Club
18 November 02 Academy 2, Liverpool *Supporting Honeyblood
25 November The Finsbury, London *Rockfeedback Club Night
13 - 19 March, SXSW, Austin, US.

' My Baby's Gone Away' has a thumping beat from the first chord, and eclectic vocals and harmonies that dance above some delightful bar room bluesy rock. It's natural and engaging and I would guess, just perfect for performing live.

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Will Johnson - Nervousness Fangs.

Background - “Nervousness Fangs” is Johnson’s first output since his 2016 Record Store Day 7” single “Inclined”, which is currently in contention for a 2017 Grammy nomination for Best American Roots Performance. If you’re a Grammy voter, please do keep him in mind! ;)

Perhaps best known as the drummer in the indie rock super group Monsters of Folk alongside Jim James, Conor Oberst, M. Ward and Mike Mogis, Will Johnson has had an incredible career as a singer-songwriter and musician. 

He’s fronted various influential indie bands like Funland, Centro-matic and South San Gabriel, along with collaborating with legendary artists like Jason Molina on their joint Molina and Johnson album in 2009 (Secretly Canadian). He also teamed up with Jay Farrar, Jim James and more on the Woody Guthrie archive project New Multitudes, a project that created a tribute album of new music from Guthrie’s unrecorded lyrics to commemorate the 100th anniversary of Guthrie’s birth. Facebook here.

Live Dates:
11/05 - Dallas, TX - Tree’s #
11/30 - Athens, GA - Georgia Theatre (Sold out) %
12/01 - Athens, GA - Georgia Theatre (Sold out) %
12/02 - Athens, GA - Georgia Theatre (Sold out) %
12/15 - Montgomery, AL - Montgomery Performing Arts Centre %
12/16 - Lafayette, LA - Acadiana Center For The Arts %
12/17 - Thackerville, OK - WinStar World Casino %
# - w/ Bob Mould
% - w/ Jason Isbell

'Nervousness Fangs' is a fine acoustically driven song. Will Johnson's definitive vocals are backed by gentle vocal harmonies, in what is a beautiful roots based song.

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Bad Reed - Stained Glass.

Background - Paris, Ontario pseudo-rockers Bad Reed channel a multitude of popular influences into unique snapshots of passion. Small-town art-pop going big places...

The quartet released their first professional studio EP mid-2015 online for free and are now touring south east Canada supporting this new music release. The group's second release is slated to hit the market in early 2017.
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"Their self-titled EP is just three songs long but provides vivid glimpses into their sound, which has    a strong melodic drive and an equally forceful punch of power guitar lines." -Chris Kompanek, The Huffington Post, January 27, 2016

Bad Reed is Costa Chatzis on percussion, Austin Sharpe on bass, Sydney Sollazzo on vocals and keyboards, and Graham Walker on guitars. Hailing from small towns and diverse backgrounds, this group consists of members with varying music tastes. Their sounds are likened to acts from Hozier andJack White to Snarky Puppy, The Mars Volta and Amy Winehouse.

Bad Reed is engaging and danceable. Overcoming the odds and getting even. Bad Reed is coming for you... Expect to hear them on more radio stations, to see them touring farther, and hitting harder for years to come. Website here.

Latest single 'Stained Glass' kicks off with a deep bass line and builds as band and vocals kick in. It's a funky rocker, production is meaty and clear, and there is enough melody to support the very real energy that runs throughout the track.

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Blood and Glass - Whiskey.

Background - Blood and Glass will have a new video for Whiskey, the first track off the album Punk Shadows which is set for release in winter 2017 on Simone Records. The video, directed by visual artist Brigitte Henry, draws us into a world of lost disco, as kitsch and strange as a David Lynch film, in which Morgan and Lisa play ghostlike characters. Just like the song, the clip is both sombre and playful.

Blood and Glass is moody punk fronted by a woman, but this is in no way girly music. Their song Whiskey was written for the guy in the Pink Floyd tee shirt sitting alone at the bar. The over-thinker. The one who enjoy s being an oddball. The one who goes home alone every night and falls asleep with his hand down his pants. So, in fact, this song is for all of us; we've all been that guy once or twice.

Punk is not a hair style. It is not a fashion statement. Punk is the expression of inner freedom, says Lisa Moore, front woman of Blood and Glass. Their upcoming album, Punk Shadows is catchy and moody at once. It is playful and full of colour yet cinematic and full of emotion. Website here.

With a dark thunderous beat and breathy vocals 'Whiskey' is somewhat hypnotic, until the chorus line takes the listener into another place. The video perfectly captures the songs feel, intriguing and seductive, and with very deep hooks.

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whenyoung - Actor.

Background - Irish trio whenyoung have announced their second single Actor, which will impact on 25th November. Actor is the follow-up to debut single See How They Run and is an immediate burst of melodic rock ‘n’ roll with a swarm of unruly jangly guitars, commanding drums and sweet yet punchy vocals. Despite an untainted youthful sound, lyrically the song has a profound meaning. The band say;

“Actor is about contorting your character to fit into a disfigured view of the perfect self in order to belong. It's about acting every day and projecting artificial images of yourself through social media and in real life interactions with others. This helps to reassure you that you are important, relevant, interesting and necessary but behind it all there’s a sinking feeling. It’s not you. It’s an act. It’s tiring.” “These days we’re all doing it. It seems to be essential but there has to be another way, an honest existence.”

whenyoung are Aoife Power (Vocals/Bass), Niall Burns (Guitar) and Andrew Flood (Drums) who originate from Limerick in Ireland but are currently based in London.

First meeting as teenagers, sneaking into the only indie bar of their city in Ireland, they bonded over cheap vodka and The Velvet Underground. Soon after, Niall moved to London, with Andrew and Aoife quickly following, and here they began writing songs together. After a handful of packed out London shows, Whenyoung have just announced a further date at Shacklewell Arms on 24th November. Facebook here.

I like 'Actor'. It's melodic, powerful (but not overpowering) and the balance between Aoife's melodic vocals and the bands potent performance is just right.

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Joana Serrat - Cloudy Heart feat. Neil Halstead.

Background - Spanish songstress Joana Serrat has revealed her new video for 'Cloudy Heart’, directed by Manson. The song, taken from Joana’s 2016 album Cross The Verge, is a shimmering pop-like duet with Neil Halstead (Slowdive, Mojave 3) and also features The Wooden Sky’s Gavin Gardiner on guitar. Describing the inspiration behind the video, Joana explains:

“We wanted to capture the contrast of the song’s lyrics by matching them with the dark and the light in the video. I like the fact that we also shot some of it on the beach (it’s actually a really cool detail that links me to Neil [Halstead]’s home) and it’s beautiful the idea of singing to someone that you can’t see but you can feel. I love all the superimposed images that represent the chaos and doubts of the multiple people we can become when nothing’s clear. I love that dusky Lynch road. The heart’s paths are not clear and easy.” 

Following on from her September shows opening for The Jayhawks, Joana Serrat has been confirmed to support The Handsome Family in Europe in February, which will be immediately followed by three headlining shows in The Netherlands, before heading to Austin, TX in March for her SXSW debut. UK dates TBA. Facebook here.

'Cloudy Heart' reminds me in part of a gentle Camera Obscura song. Nothing wrong with that, the comparison benchmark is set high, and it's a long way accent wise from Spain to Scotland. This is a beautiful melodic song, the video captures the mood very well, and I'm left hoping Joana and Neil might consider another collaboration.

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Gemology - Come Around.

Background - The brand-new dream-pop single from Gemology, a collaborative bi-coastal duo comprised of NYC’s prolific singer/songwriter Joanie Wolkoff, and LA-based producer/multi-instrumentalist Natasha Chitayat. "Come Around” stands still in time with joyful synth accents, radiant guitar, ethereal vocals and a gripping message that radiates a steady glow even under the duresses of our current reality.

Wolkoff and Chitayat are not your average pen pals. The two first shook hands in 2014 while they were trapped in a Brooklyn recording studio during a torrential rain storm. By the time the storm had passed Gemology was officially alive and kicking, followed soon after by their anthemic first single, "First & Last”

In their words, “We wrote "Come Around" together through the digital ether with an entire continent between us. When we do hang out on the same soil, we get to be our giddy, goofball old-soul selves and get fired up over bubble tea and urban wildlife... and of course, we dish the dirt about love. We wanted to capture that energy and gift it, distilled in a song, to people at any age, in any location or any walk of life. "Come Around" is a love song shimmering with uncertainty and euphoria.” Facebook here.

'Come Around' has a melodic synthy musical background that comes to life even more with the dreamy vocals. Oozing with atmosphere, this is a delightful and soothing song.

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Quality Not Quantity: Candi's Dog - Bryde - Ebbot Lundberg & The Indigo Children

Candi's Dog - A Light Has Gone Out.

Background promo - Tyneside trio Candi's Dog specialise in acoustic Folk-Pop, combining inventive structures with ludicrously catchy melodies in the essential “A Light Has Gone Out”, released Friday 25th November 2016.

“A Light Has Gone Out” demonstrates Candi’s Dog at the very top of their unique Folk-Pop game with crisp, upbeat melodies and warming harmonies generously supplying a comforting air of familiarity whilst simultaneously providing a fresh take on the Folk-Pop genre. With crystal-clear tones combined with bucket loads of untouchable sincerity, the resulting mash-up is akin to the likes of Bright Eyes and Fleetwood Mac along with the lyrical qualities of Ed Sheeran and Bob Dylan.

It’s just too damn hard not to like these fellows as audiences have been finding out. After supporting The Sons Of Pitches, winners of BBC TV’s ‘The Naked Choir’ on their sold out shows earlier this year, Candi’s Dog are back by popular demand, well and truly winning over the masses and utterly depleting their CD supplies in the process.

Favouring the DIY approach, Candi’s Dog have not only opted to make their own instruments but after being left with underwhelming results at the hands of recording studios, the band have taken to home recording. The decision has clearly paid off with the brilliantly catchy single “A Light Has Gone Out” fresh off the production line, showcasing the song craft of twin brothers, Matthew and Daniel Slee, and Stephen Justice. Facebook here.

We featured Candi's Dog back in February this year. 'A Light Has Gone Out' continues to demonstrate that their take on folk pop based music, is both enjoyable and imaginative. The track reminds me in part of one well known South East London band who have structured songs along these lines in times gone by, consider that a complement albeit I won't squeeze readers, as to whom I refer.

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Bryde - Wouldn't That Make You Feel Good?

Background - Following up from rabble stomper ‘Honey’, London artist Bryde reveals a second track from her upcoming EP. ‘Wouldn’t That Make You Feel Good?’ channels an intimate woosy blues dynamic with an injection of a towering guitar episode bearing the indelible stamp of Bill Ryder-Jones. Such dynamism shows Bryde pushing boundaries emphatically, exploring a grittiness now becoming synonymous with her songwriting.

Since setting out as Bryde, Sarah Howells has proven herself to be one of the most singular vocalists and songwriters in British indie rock. She’s a powerful projectionist with a tonal range that will likely see her drawing a few comparisons to her international axe-wielding peers Angel Olsen, Mitski and St Vincent. With additional overseas artists such as Whitney, Julia Jacklin and Big Thief enjoying a speedily growing audience, Bryde is without doubt a key UK based voice in this space as she continues to build momentum around an unmistakable offering.

Praise for the Welsh songwriter has been well-bestowed from outlets like Consequence of Sound, The Line Of Best Fit, Nylon, 6Music and Radio 1. EP2 is to be released on the 4th of November via Tipping Point Records and having recently played her biggest London headline show at The Courtyard (Shoreditch) Bryde now heads out on tour around the UK. Website here.

Tour dates:
13.10 – London, The Courtyard Theatre
01.11 – Brightom, The Hope And Ruin
02.11 – Cardiff, Clwb Ifor Bach
03.11 – Bristol, The Old Bookshop
04.11 – Southampton, The Notes Cafe
06.11 – Glasgow, Broadcast
07.11 – Newcastle, Head Of Steam
08.11 – Manchester, Fallow Cafe
09.11 – Leeds, Oporto
10.11 – Birmingham, Sunflower Lounge
17.11 – Norwich, The Shoe Factory Social Club.

'Wouldn't That Make You Feel Good?' demonstrates the versatile vocals of Bryde, who can switch from earthy and passionately edgy through to softer sweeter vocals within a couple of guitar licks. In fact the guitar and vocal juxtaposition makes this one very interesting and likable song.

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Ebbot Lundberg & The Indigo Children - Backdrop People.

Background - Ebbot Lundberg & The Indigo Children drop new album ‘For The Ages To Come’ in the UK, December 2nd. Most well-known as the charismatic former Soundtrack Of Our Lives (SOOL) and Union Carbide Productions frontman, Ebbot Lundberg is finally set to unleash his first full solo release in the UK. Having teamed up with Grammy-nominated band The Indigo Children ‘For The Ages To Come’ will impact December 2nd. Self-produced and recorded throughout last year in his native Gothenburg, the album is over-flowing with Lundberg’s trademark ear for melody; ‘For The Ages To Come’ is the musical odyssey we have come to expect, but has its roots firmly planted in the 1960s beat movement, with lyrical themes and hooks to match.

Witness the effervescence of ‘To Be Continued’, or the raucous pop stomp that is ‘Backdrop People;’ this is clearly an album overflowing with energy and vigour, a vibrancy that Lundberg was keen to capture on record. “The Indigo Children actually supported SOOL a few years ago,” explains Lundberg, “They astounded us with their sheer energy. When it came to deciding who I wanted to work with on this record, there was only one option in my mind…” ‘For The Ages To Come’ represents the first solo release for Lundberg since the epic 43 minute long song ‘There’s Only One Of Us Here’, and to mark the occasion, he is set to play songs from the album at a headline show in London Upstairs At The Garage on December 4th.

It is clear the album represents the beginning of a journey for Lundberg; “This represents where I am, and where I am going. It is the first album, but certainly not the last.” In fact, Lundberg’s creative output shows little sign of abating; whilst already writing songs for the follow-up album, he is also collaborating with members of Spiritualized and legendary Nirvana producer Butch Vig on a project to see the light of day next year. For Ebbot Lundberg, it is clear that age is a barrier to neither creative output nor excellence; for that we need only witness ‘For The Ages To Come’ as living proof.

First taste of the forthcoming album and 'Backdrop People' is a genre mash of feisty folk rock vocals set against something of an alt or maybe indie rock background. Full of chord changing hooks and growing in power as the track unfolds, it's a total tease for what's to follow.

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Midweek Muse: Otis English - Redspencer - Hand Habits - Carroll - Pepperhead

Otis English - Trigger.

Background promo - This past August, Otis English made his debut with “Young Kids, Old Love,” a breakout hit that quickly climbed to #1 on Hype Machine, was added to Spotify’s New Music Friday among other coveted playlists moving the song into both the Global and Top 20 US viral charts, and was part of Apple Music’s “Best Of The Week,” giving the song a cumulative 1M streams to date.

With his upcoming single, “Trigger,” scheduled for release on October 24th, Otis continues to speak to the darkness within while simultaneously dragging you into the light. With a big voice, beautifully twisted lyrics and a natural storyteller approach to performing, Otis has arrived in time to replenish the current well of truly meaningful artists. If his voice doesn’t break your heart, his lyrics, a window into his strange and nomadic history, definitely will.

Otis’ upbringing was far from ordinary. His history reads more like a chain of mishaps and tragedies than it does the upbringing of a songwriter. From accidentally burning down his childhood home to watching his father’s health drastically deteriorate while living out of his car, Otis doesn't glaze over the negative and the challenging parts of life. Instead, he takes those experiences and makes them bloom into beautiful melodies. With a pen and a guitar, he turns discomfort into something beautiful and relatable.

This wanderer now sets out a bold, new adventure. Otis will be releasing his debut EP in collaboration with indie label Crooked Paintings. This upcoming collection of songs is cinematic, but unapologetically gritty in the best kind of way. It’s catchy, inspired, and exactly what you want to hear from an artist who demands your attention, not with antics, but with honest, insightful stories and an undeniable voice. Facebook here.

Our second song feature for Otis English and this time with 'Trigger'. Last time around (back in August) we spoke of  "unrestrained commitment and very distinctive vocals" the latest song confirms that was no one off. Trigger adds passion and power to the equation and it's no surprise the song is getting a good number of plays in just a couple of days.

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Redspencer - Rainbows.

Background - In late 2013, rural-born brothers Dave and Aiden McMillian traded the sun-drenched plains of northern New South Wales for the rich cultural tapestry — and comparatively dreary weather — of Melbourne. 2015 sees the two siblings (alongside Andre Franco on bass, and Alex Buchanan on guitar) continue to draw influence from their provenance in Redspencer.

The four-piece’s eponymous debut EP is a hark back to the band’s humble beginnings, evoking images of balmy, mid-summer drives along the coast with the windows down. The sunny, reverb-swathed guitar- pop of lead single ‘Happy Slow Riverbends’ captures that image to a tee, rousing comparisons to the likes of Spoon and Real Estate. Latest single ‘Fuss’ (taken from their forthcoming debut LP) however, channels the trademark non-chalance of ‘90s cult-classics Yo La Tengo — complete with jangling guitars and mellow harmonies, blanketed with layers of groggy analogue synth. Below the surface lies the poignant musings of songwriter Dave McMillan, whose lyrics have been described as “existentialism for the everyman”. It makes for an undeniably arresting, and at times, all too earnest combo.

Despite only having a four-track EP to their name, Redspencer have already garnered avid praise from the likes of NME, CMJ, Triple J, Indie Shuffle, and Time Out New York with ‘Ride It Out’ included at #14 in their Best Songs of 2015. With festival appearances at Brisbane’s Big Day Out, By The Meadow, Camp Casual, and Laneway Festival’s annual Live Music Safari – not to mention tour supports with Guantanamo Baywatch, The Preatures and Holy Holy – to their name, Redspencer are soon to be firing on all cylinders as they gear up for the release of their keenly anticipated debut album. Facebook here.

The new single 'Rainbows' is taken from the forthcoming album 'Perks'. Easy going vocals and harmonies are backed by an equally relaxed guitar lead music arrangement. Sometimes the most catchy songs are the ones that don't over do the layers, I think this song, is a case in point.

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Hand Habits - All The While.

Background - "Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with  pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles - it is appropriate that this album was recorded by Meg herself - for Meg, who has an acute ear for detail, has touched every corner, has seen every vision 'til its end. 

Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you - a bath, and Meg's whisper has made its way inside you. Like many bedroom-debuts before it (The Microphones, Jessica Pratt, Little Wings, Grouper)  let this be the first of many to come, for Meg has music in her touch - and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; 'hold you like a flower, hold you like an hour glass'."- Kevin Morby. Facebook here.

A gentle guitar lead introduction swiftly followed by Meg Duffy's dreamy vocals takes the listener into 'All The While'. The song is melodic and develops in power, without losing the sensitive calm feeling, which may sound like a contradiction, in which case please listen and see if you get my drift.

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Carroll - Talking To My Own Mirage.

Background - Carroll have recently upped sticks and moved from Minneapolis to Philadelphia to sleep on people’s floors and write their new album As Far As Gardens Go. Produced by the band and mixed by Jon Low (he’s worked on things for The National and The War On Drugs), their second full-length release is due for release on November 11th via Shattered Orb.

First taste of As Far As Gardens Go is found in the form of "Talking to My Own Mirage," (aka the first song to be lifted from the album). Here’s what Carroll has to say about the track:

"Talking to My Own Mirage’ is meditation on the distances that separate all of us. A song about accepting the pull of the unknown and embracing its consequences. People drift and we’re left staring down infinite copies of ourselves, floating above it all in effortless tandem". Website here.

Upcoming shows:
October 29 - Brooklyn, NY at Elvis Guesthouse w/FRAME
November 11 - Philadelphia, PA at The Barbary
November 12 - Philadelphia, PA at Sofar Anniversary Show
December 2 - Philadelphia, PA at All Nite Diner.

'Talking To My Own Mirage' mixes delightful vocals with a vibrant soundtrack that is comprised of sweeping guitars and synths and a vibrant rhythm. Totally catchy, if the album reflect these traits the band deserve to be noticed.

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Pepperhead - See Through You.

Background - Sydney based alternative rock band Pepperhead got together in 2015 quickly writing and recording their debut EP 'The Housefox Sessions' and making their live debut in 2016, rocking the legendary Annandale Hotel. The first single ‘See Through You’ is no-nonsense alternative modern rock at its finest. A pop, punk, grunge masterpiece, each listen highlights a new muse making it hard to pin to a specific genre or comparison ‘sounds like’.

Close your eyes and you could imagine a Debbie Harry-fronted Ramones at CBGB’s in the 70s, at the same time, the EP evokes a “Foo Fighters meets the Strokes” sound and style, making it modern, different yet familiar and instantly catchy. Louisa Thomas (vocals) says, “‘See Through You’ is one of the first songs we wrote and therefore a straightforward choice for our debut single. Its also a pretty good benchmark for our live sound which we really wanted to capture in recording, and a massive thanks goes to Ryan at Housefox Studios for getting it down.”

'The Housefox Sessions' EP was recorded at Housefox Studios on Sydney's Northern Beaches by Ryan Miller, mixed by Shane Edwards at Karma Sound Studios in Thailand and mastered by Rick O’Neil at Turtlerock in Sydney. Pepperhead is Mark Trevena (drums), Dan Walker (bass), Kieron Haycock (guitar) and Louisa Thomas (vocals). "The Housefox Sessions" EP will be released 28th of October. Website here.

'See Through You' is typical of the straight down the line rock songs to be found on The Housefox Sessions EP. As you can see on the video for their first single, the band just get on and play, doing their thing, without any pretentiousness. This is one fine rocking EP.

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BeeVids: The Montreals - The Soonest - Arrow

The Montreals - Indigo Club.

Background promo - Founded in late-2015, The Montreals humbly went about forging an eclectic sound, splicing subtle jazz and Brit-rock influences over catchy guitar work and melodic vocals. They’re excited to share their new single ‘Indigo Club’ released through Marshmallow Pavement Records, and premiered last Friday through aaabackstage.com. It’s the first taste from the soon to be released eponymous Indigo Club EP.

Just this year the band has caught support slots for the likes of Alpine, Andy Bull, Hey Geronimo, John Steel Singers, and Last Dinosaurs. The collective was also recently named one of triple j Unearthed’s Spotlight Artists. The EP was mixed by Magoo (The Jungle Giants, Art vs. Science) and mastered by Steve Smart of Studio 301 (British India, Vance Joy).

“Lyrically, ‘Indigo Club’, was triggered by a professedly drunken night in a swanky bar; I was swiftly kicked out and hit the sidewalk for some quality me time. The Indigo Club EP looks upon our fumbling early twenties; wrestling with the glamorous and ill-sighted aspects of youth and regret,” says lead singer Stefan on the genesis of the track.

Look for the announcement of an upcoming East Coast tour in early-2017 from the band. “Indigo Club” will be released 28th of October 2016. Facebook here.

Bright jangly guitars mixed with melodic vocals give 'Indigo Club' an all important lift, that gets the song noticed. The story telling video, gives the song an additional dimension, leaving me looking forward to hearing more from this band.

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The Soonest - Start A War.

Background - Musical project, The Soonest, led by San Francisco based musician Young Lee, makes its debut with their full length album, Doors to the City. Having released a handful of EPs recorded at traditional recording studios, the band took historical note and moved their recording equipment into an empty church in San Francisco. 

The high wooden ceilings helped to create that organic timeless sound that modern plug ins and digital reverb seek to achieve. Mixed by Greg Francis and mastered by TW Walsh, the album showcases the layer heavy sound that the band became known for along with their use of multiple vocal tracks. Consisting of musicians from groups such as Waters, Hazel English, Doe Eye, There’s Talk and Elsa y Elmar, The Soonest has always been open to incorporating musicians from different backgrounds in creating a familiar sound through the combination of their different writing perspectives.

With the previous EPs and other bands, The Soonest has attracted the attention of many in seeking original music for use in sync. Most recently, Young Lee was asked to score a film documentary, Weaving Shibusa  that is due to release in the fall of 2016 and incorporates his post rock instrumental influenced sounds. With the release of this album, The Soonest is set to take the project into overdrive with an album that can finally match the dynamic of their live shows. Facebook here.

'Start A War' is a fine reminder of the quality of the recently released 'Doors To The City' album. And now with a lyric video if your up for a sing along then feel free, mind you the vocals on the song are gonna be hard to better.

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Arrow - The Maze.

Background - Danish two piece band Arrow originates from two different sides of the Copenhagen music scene, but come together in their affection for well-written, melodic, alternative pop.

With its minimalistic production, moving vocals and nordic noir, ‘The Maze’ marks their first single as a duo. Mixed by Swedish legendary engineer Lasse Mårthén (Lykke Li, Peter, Bjorn and John), ‘The Maze’ is a haunting, dark pop song that stays with you long after it’s over.

The video for ‘The Maze’ is filmed by Danish artist and photographer Josefine Seifert. Staged in New York, the video features the mysterious artist Liz on a moving journey through the city. Through Josefine’s grainy lense, the song comes to life. Facebook here.

If your into a little Film Noir of the Nordic variety the music video for 'The Maze' has plenty of that. The song is a beauty as well, with superb vocals and a lush soundtrack.

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Quality Not Quantity: The Culture In Memoriam - Jackson Dyer

The Culture In Memoriam - The Little One (Marches On).

Background promo - The Little One (Marches On) is a song about the dreams you left behind. The dreams that gave you comfort and tucked you in at night when life showed itself from its ugly adult side. The dream of a better world and the dream of a worthy future. The dreams carried you and stood by your side during all those years growing up. But somewhere, in the middle of it all, you ran away from yourself. And you ran too fast. Never gave the dream, or the child in you, the chance they deserve. Years later, that little child pounds at you from the inside of your chest and bites your guts all these mornings when you’re going to that same workplace and to that same asshole that calls himself your boss. Listen up. Come back. The little one is still here. The little one misses you. The little one will continue to harass you from inside until you’re back. The little one marches on and shouts: be realistic and demand the impossible.

As a five-year-old Victor Håkansson began his musical journey, travelling around with a theater-society, playing tambourine. Now, four albums later, he continues as the “Chairman of the bored [sic]” in The Culture In Memoriam (TCIM), an organic collective of musicians based in Malmoe, Sweden.

The Little One (Marches On) was  released yesterday through Så Länge Skutan Kan Gå Records and will be available in all digital stores.The single is taken from The Culture In Memoriams new album, ”History's Dust”. The album is a grand tribute to a free life, far from monotonous wage-labour and alienating assembly lines.

Although bursting with full-blown instrumentation and pompous arrangements TCIM never loses it's intimacy and naked nearness to its listener. The latest album ”Rest in Pieces”, was hailed in unison by critics and audiences. The feministic single ”Sisters” obtained heavy rotation on Swedish national radio as well as on German radio. The band also got media attention with the single ”Jimmie”. TCIM also does frequent tours in Germany, Austria, Switzerland and Holland. More here.

'The Little One (Marches On)' gives the sense of marching, musically speaking, with a melodic and gently building song. Vocals sooth and the music is light and pleasing, this is my introduction to TCIM and I like it!

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Jackson Dyer - Pariahs.

Background - Australian singer, songwriter and producer Jackson Dyer releases his Compartments EP), along with final single 'Pariahs'. The single follows on from "Projection, Abstraction", "The Absolute", and "Steal Away". 'Pariahs' is a song that questions how we can be so distant from each other, even of our neighbours, in an age of densely populated cities and social media. The most stripped back and folk - oriented song on the EP, it references Dyer’s previous works and focuses on lyrical imagery - Jackson Dyer.

‘Compartments’ is an EP of self-­reflection that I wrote at a time when I faced a lot of uncertainty and questions about my place in the world. Far away from home, often spending long hours in my studio on the industrial outskirts of Berlin, it was a period of introspection when I experimented with production and songwriting. In this space, I wrestled with many of my misgivings about the music industry, the nature of humanity and my own personal motivations. The title ‘Compartments’ refers to the lyrics in ‘Pariahs’, which is about how close many people live to each other in cities and apartment blocks, but still lead very enclosed lives, unwilling to engage with even their neighbours. Ironically, I spent a long time in my own ‘Compartment’ writing these songs and it wasn’t until I collaborated with others that they really came alive. Facebook here.

'Pariahs' is the second track we have featured from the new 'Compartments' EP. Pariahs is the final single taken from the six track EP, and is a gentler acoustic song. As a whole the EP has the hallmark of quality where singer, songwriter Jackson Dyer mixes understated styles that complement his likable vocals, enabling each song to intrigue the listener, without overwhelming them.

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Alternative Take: I Wish I Was a Fish - Hundreds - Of Gentlemen & Cowards - Ex Reyes - Daphne Willis

I Wish I Was a Fish - Follow.

Background promo - Four intense and crazy days in San Fransisco - that was all it took for Stockholm based artist I Wish I Was A Fish, or songwriter/multiinstrumentalist Frida Teresia Svensson, to finish what is going to be released as her debut EP.

The solo project, which started out from an everlasting curiousity towards learning new instruments and finding out what they can do with the songs, finally transformed into shape when Frida met producer Elliott Peltzman during a trip to San Fransisco. Pretty soon after their first creative meeting Frida found herself working in Elliot's studio with a vision to create something where an acoustic live vibe meets an electronic landscape.

The material to be heard on the EP; and that is exemplified by new single "Follow", was written while Frida spent an autumn in Berlin. Some of the songs stems from reflections on society, while others are more personal recollections, a way to work through things that happens in life, that have slowly turned to be more political. A playfulness, a lot of fire and one or two water metaphors are what embodies I Wish I Was A Fish.

"Follow" is the first single out from I Wish I Was A Fish's debut EP. The single is out now on all digital platforms, with the EP to follow on December 2nd. Facebook here.

Oh I do like 'Follow'. Frida Teresia Svensson has both passion and commitment in her vocals whilst Elliott Peltzman on Synths & drums and Vince Dewald on Bass, deliver a feisty building soundtrack. The EP is definitely on the "must listen list" as of now.

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Hundreds - Spotless.

Background - Lonely, but powerful, "Spotless" is the second official single from their upcoming album. Based in Hamburg, Germany,  Hundreds have a knack for creating cinematic, unusual soundscapes, and 'Spotless' adds another element to their unique sound with a slightly cheerful, pop-take on their usual goosebump-inducing sound, which accompanies the listener into the night.

Siblings Eva and Philipp Milner catapulted to internet success after releasing self-titled debut album, Hundreds, in 2010. Despite having no budget or radio airplay, the pair became one of the greatest German indie pop stories in recent times.

Stemming from this success, Hundreds have played shows all over Europe, as well as international festivals like SXSW (US), Iceland Airwaves and The Great Escape (UK). Their live sets incorporate the wonderful cinematic influences which stem from Philipp's classical music studies, while also paying homage to the vibrant German techno scene.

With a sound reminiscent of Massive Attack, Dido or Radiohead, no comparison can really do them justice. Eva's haunting vocal soars over beautifully downtempo piano chords, creating a wonderfully Gothic ambiance. Philipp's piano chords and melodies against the backdrop of electronic soundscapes and rythmics immerse listeners in a deep and intense musical journey. Wilderness is out via Embassy of Music 04/11/2016. Hundreds will also be touring their new album in November - more info here. 

The music video for 'Spotless' works so well, for what is a really fine song. As the promo above suggests, Hundreds have developed what is clearly their own identifying sound, where comparisons come and go, whilst the music remains distinct and creative.

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Of Gentlemen & Cowards - Make It On Your Own.

Background from the band - Our band Of Gentlemen & Cowards is set to release our debut album, Modern Jukebox, on January 27, 2017 via Maisonneuve Music. Today we get to tease you with our new video.

'Make It On Your Own' started as a song about coming home after being away, and seeing your city and your life from the outside as you hadn't seen before. We wrote it as a reminder to ourselves of all the things we love but also the things we wish to change. During the two years we spent writing and recording this record the song took on a larger meaning for us and became a mantra for our band. You are never gonna get anywhere if you're waiting for a big break, and to truly be happy you'll need to reevaluate what success means to you. The music video follows four stories where the characters set out to accomplish their goals big and small, and though the outcome may not always be life changing, the act of pursuing the goal is celebrated as accomplishment in itself.

We formed in 2010. As a band we've seen ups and downs, including an appearance on Late Night With David Letterman and an ill-fated cruise ship gig that both broke our collective heart and yet transformed our sound into a more soulful one. Through it all, as Of Gentlemen & Cowards we've persevered our optimistic outlook. Website here.

'Make It On Your Own' may be something of a mantra for the band, it's also a good indie rock song. With an upbeat vibe at the core of this song, the band have clearly honed their craft, allowing the positives to shine through.

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Ex Reyes - Keeping U In Line.

Background - Ex Reyes is the psych-soul sound of music-dude Mikey Freedom Hart. It is a project that is based around musical community and the spark of collaboration; the inevitable result of many hours spent with talented friends in unlikely places. 

Ex Reyes is the subtle sophistication of the Beach Boys, the weirdness of psychedelic-era Temptations, the sonic experimentation of Phil Spektor and Delia Derbyshire, the free freneticism of dancehall, and the superb oddity of synthesizer-soaked dollar records, distilled into songs about real things.

Do Something EP, Ex Reyes' debut EP, was recorded over the past 5 years in hotel rooms, sheds, and proper studios all over the world--from Africa to New Orleans, Japan to Scandinavia--alongside Hart's travels as a top-tier session musician, sideman, and collaborator to such artists as Bleachers (Jack Antonoff), Santigold, The Cranberries, Sia, Mike D, Albert Hammond Jr., Adam Green, Sinkane, Dam Funk, and more. Website here.

'Keeping U In Line' was described to me as being structured like an old Motown song albeit with a more lo-fi feel. I'm guessing the person who wrote that is learning what buttons to push, to gain my interest! The good thing is, it's a really good description for what is a beautiful song. Mixing the old and new together with considerable sophistication, it gives a good feel of the quality on the new EP.

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Daphne Willis - Come Together (EP).

Background - Collaborating across multiple genres ranging from Soul-Rock and Pop to Hip Hop and Electronic Dance Music, classifying Daphne Willis in musical terms is no easy task. With infectious melodies delivered with lyrical precision and honesty, the songs and performances of Daphne Willis are sincere, compelling and relevant.

Raised in Chicago and relocated now to Nashville, Willis cites influences as varied as Elvis Costello and Michael Jackson, but her musical output cleverly incorporates such inspirations into a style that is refreshing and contemporary in a way that suits her songs best. Daphne is currently a Pop writer at Sony/ATV and continues to release music and tour as an Indie Artist.

Daphne released her first independent EP Matter of Time in September 2007; in a twist of fate, Vanguard Records head Kevin Welk heard a track on an American Airlines flight. This led to a record deal in 2008 and the release of her second EP, Exhibit A. To record her first full-length album, Daphne headed to the hills of Tennessee. She released What to Say in 2010, which was co-produced by Tim Lauer and Grammy winner Gary Paczosa. Album number two, Because I Can, came out in 2011 and reached the number two spot on iTunes’ Top 40 Singer/Songwriter Chart.

2014’s Live to Try features co-writes with Hunter Davis, Chris Faulk, Angela Lauer, John Oates (of Hall & Oates), Keri Barnes and Tim Lauer, while 2015’s Get It EP kicks off with the track “Done With Bein’ Done,” which Daphne co-wrote with Grammy winner Meghan Trainor.

Thus far, 2016 has been a banner year for Willis. She has released two singles (“Spider in the Roses,” a collaboration with frequent tour mate Sonia Leigh, and “The Struggle is Real,” which advocates mental health awareness) and turned in main stage performances at both LA Pride and Nashville Pride. Website here.

Come Together, is an acoustic EP that re-imagines five classic tracks by The Beatles. As soon as the first song (Eleanor Rigby) began to play, my attention was grabbed. Daphne Willis most certainly re-imagines these songs, with creativity and respect. Whilst we live in a world of remixes these days, I personally think it's a lot tougher to take five classic songs and give them an original take. The acoustic approach allows the original melodies to be heard, Daphne's vocals and arrangements give the songs a really special twist. Very impressive and enjoyable!

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Five Of The Finest: Phobophobes - Oh Malô - The Peep Tempel - Kristina Cottone - Flower Girl

Phobophobes - Human Baby.

Background promo - Brixton sleaze merchants Phobophobes’ new single ‘Human Baby’ due for release on November 11th on Ra-Ra Rok Records is already getting great love as Steve Lamacq’s single of the week on BBC 6 Music and it’s easy to see why with its wicked off-kilter Neil Hannon meets garage rock sound.

The fast rising band will be heading out on tour supporting Telegram between October 27 - November 3 where they will continue to offer their growing reputation and dedicated fans the sort of sleazy glam rhythms the band are becoming synonymous with, meshed with a pantheon of sounds from an eerie yet somewhat cheery afterlife.

The stunning B-side of the single is entitled ‘Free The Naked Rambler’ which has also gained 6 music airplay and is also the last track guitarist George Russell ever recorded with the band before his sudden and tragic death earlier this year. Both tracks will feature on their debut album released next year. Facebook here.

Phobophobes supporting Telegram UK Tour
OCT 27th Games Room, Brudenell Social Club, Leeds
OCT 28th Night & Day, Manchester
OCT 29th Think Tank, Newcastle
OCT 31st Hug & Pint, Glasgow
NOV 01st Hare & Hounds, Birmingham
NOV 02nd The Lousiana, Bristol
NOV 03rd Boston Music Rooms, London. 

If 'Human Baby' is how a band of Brixton sleaze merchants sound, then I'm all for Brixton sleaze merchant bands! Everything works on this hook laden song, with the immediate result of wanting to hear a whole lot more.

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Oh Malô - Miss You.

Background - Boston based four-piece Oh Malô (oh muh-low) are set to release video for enchanting single 'Miss You' taken from the band's stunning debut album 'As We Were' ahead of their upcoming east coast tour.

The quartet presents a shape-shifting sound through their dynamic arrangements as delicate vocals intertwine with ambient guitars and powerful, aggressive drums. They combine influences from rhythmically innovative indie outfits such as Bombay Bicycle Club and Local Natives, vocalists Patrick Watson and the late Jeff Buckley, and the chilling ambiance of Radiohead and Sigur Rós to create an unpredictable blend of timbres.

Singer/guitarist Brandon Hafetz explains the single as follows: "Miss You" was written during a very reflective period for me, the calm after the storm if you will. The song has a way of fooling your years into thinking you're listening to a happy and uplifting song though if you dig deeper past the musical front it still circles back to the themes of yearning and nostalgia that are present on our debut album 'As We Were'.

Over the past year, Oh Malô was nominated for “New Artist of the Year” at the 2015 Boston Music Awards, recorded live sessions for KEXP and Sofar Sounds New York, made showcase appearances at both CMJ and CMW and supported  several nationally touring acts such as From Indian Lakes, The Lighthouse and the Whaler and Halfnoise. Website here.

10/22 Washington, D.C.  @ Velvet Lounge
10/23 Lynchburg, VA @ Private Show
10/27 Pittsburgh, PA @ Mr. Roboto
10/29 Montreal, QC @ L'Escogriffe Bar Spectacle
11/3 Boston, MA @ O'Briens
11/4 Providence, RI @ AS220

'Miss You' is a beautiful and very melodic, totally catchy song. The band perform with ease, the vocals are pristine, with plenty of heart and soul, put all that together and we arrive with one extremely fine song.

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The Peep Tempel - Totality.

Background - The Peep Tempel is a rock band from Melbourne, Australia. The band’s line-up includes Blake Scott (vocals, guitar), Steven Carter (drums) and Stewart Rayner (bass guitar). After releasing two 7-inch singles The Peep Tempel released their debut album The Peep Tempel in February 2012, an EP Modern Professional in June 2013 and their second album Tales in October 2014 through Melbourne label Wing Sing.

The Peep Tempel formed as a two-piece in late 2008 by songwriter and guitarist Blake Scott and drummer Steven Carter, who were neighbours at the time. The Peep Tempel recorded their self-titled debut studio album in 2011 as a three-piece with engineers Clinton Kraus and Anna Laverty at Sing Sing South recording studio in Melbourne. Longtime collaborator and engineer Matt Duffy played bass during the recording session. In late 2011 Stewart Rayner joined the band to play bass guitar and the band toured both in Australia and Europe as a three-piece during 2012. Their 2012 debut album received critical praise and was nominated in the category of Best Independent Hard Rock or Punk Album at the 2012 AIR Independent Music Awards.

The Peep Tempel have earned a reputation as one of Australia’s most powerful and respected live acts, their performances has been described as both energetic and scabrous in equal doses. Testament to the band’s live reputation, was their nomination for Best Band and Best Live Band at the 2015 The Age Music Victoria Awards. During the previous Australian summer The Peep Tempel wrote their third album in their West Melbourne studio and again collaborated with engineer Anna Laverty (Nick Cave & The Bad Seeds, Courtney Barnett), to record and mix the album at Sing Sing Studios. Facebook here.

The second of ten songs on 'Joy' the featured track 'Totality' is powerful and honest in it's own right, and typifies the sheer quality found across this album. Feisty throughout and mixing punk attitude with intriguing lyrics, set against a potent rock background, this is real rock'n'roll.

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Kristina Cottone - Ukulele Love Song.

Background - Kristina Cottone is an indie-soul artist based in Chicago.  Known as the front woman and founding member for soul/rock band, Honey & the 45s, Kristina has performed throughout Chicago and the Midwest.  She continues her role with Honey & the 45s, and brings you her solo project, Kristina Cottone Music.

Surrounded by a family of performers, Kristina's interest in the arts and music began at young age. Her grandfather was a jazz singer and her aunt was an actress. Also pursuing the stage, Kristina holds a BFA in acting, and performed as company member with Chicago's Organic Theatre Company for 5 years before dedicating all of her time to music.

Honey & the 45s was awarded Best Blues/Jazz Band at the 2014 Chicago Independent Music Awards and has toured the Midwest and opened for such notable acts as Cold War Kids, Big Data, Smash Mouth, Andy Grammer, The Original Wailers and Eric Hutchinson. Kristina continues to play her favourite venues around Chicago and tour regionally with both Honey and KC Music. Website here.

Whilst three chord ukulele strummers in the audience at pop festivals should be rounded up and evicted (just my personal opinion) 'Ukulele Love Song' is an absolute delight and goes way beyond just the one instrument. Kristina's vocals are gorgeous, the melody equally and the video is also charming and fun.

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Flower Girl - Wading Online.

Background - Flower Girl have announced their upcoming album and shares the first track "Wading Online".  Their album 'Tuck In Your Tie-Dye' is due November 11 on BUFU Records. Like their namesake implies, Flower Girl is a celebration of youthful exuberance, tossing up sing-a-long anthems, and heady licks to decorate your path. Led by perennially grinning frontman Nick Morris, this NYC-based five-piece of hard-working chillers revels in an optimist high of contagious energy. With a sound that blends storytelling lyrics, catchy power pop hooks, understated alt-rock noodling, and a steady rhythm section grounded in a country backwoods feel, Flower Girl occupy a musical space all their own. Having accrued a hometown reputation for spreading smiles with raucous and revelatory live performances — featuring somersaults, whip cracks and lots of crowd dancing — these grown-up kids sure know how to start a party.
 
Buoyant and cheerful throughout, this colourful collection of sweet-hearted songs could warm the coals of a modern day scrooge with their impassioned appeals to have some just have some fun already. Akin to the vibes of Jonathan Richman and the be yourself spirit of 90’s Nickelodeon, Songs like "Let’s Build a Fort" drive that message home with cheeky refrains to escape the pretencion and pessimism of the city, pairing guitar licks, group calls and some well-placed cowbell. Likewise, the peppy pop of "Hi5’s" rejoices in the simple pleasure of slapping some skin and spreading the love.

You can almost hear the smile in Morris’ conversational croon. However, it's not all sunshine in Flower Girl’s world, as softer tracks like "Dorthy Says" and "2 Late 2 Be a Cowboy" feature a tinge of twangy country smoothness that betrays a quiet melancholy of missed opportunity, loneliness, and the dislocation of being a little guy in the big city. With most songs coming in under the 3 minute mark, these songs are compact and to the point. No breakout solos or meandering interludes distract from their overall message, just feel good vibes you won’t mind ricocheting around your skull like so many jumping jellybeans. So serve yourself a stack a flap jacks, pour on that sweet syrup and get ready to flip for Flower Girl. Facebook here.

'Wading Online' has feel good vibes through and through. The band sound loose and easy, which is just right for the vocals, and a song structure like this. Catchy, it's another really good tease, for a soon to be released album.

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