KIN - Massage
Ambient indie pop band KIN return with their most ambitious single yet, The Runaways. Following the success of their first three singles, which have been collectively streamed over 310,000k times on Spotify, their new track, unleashed last Friday, is a pulsating pop anthem with dreamy guitar riffs, beautiful melodies, and mesmerising beats. The song is produced by Josh Tyrrell (Lana Del Rey, Mark Ronson, Tony Visconti) and released with 3tone Music.
The band is formed of Grace (performance maker and model), Ritu (lead in the Netflix series The Umbrella Academy and star in the film Red Notice alongside Ryan Reynolds, Gal Gadot and Dwayne Johnson) and Adam (last seen on stage at the National Theatre).
Their music blends electronic keys and catchy guitar riffs to produce a sound that is unique, dynamic, and constantly evolving. Influences include indie powerhouses such as The XX, Warpaint, Still Corners and Foals as well as female-fronted bands like Chromatics, Cocteau Twins and Soccer Mommy.
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Just a few months after releasing their acclaimed second album Still Life, Los Angeles indie-pop band Massage returns with Lane Lines — a six-track EP out in early 2022 on Mt.St.Mtn. (Cindy, Flowertown, Blues Lawyer) that finds the quintet expanding on their Sarah-meets-Creation Records sound with new touches of soft psychedelia, Feelies-ish frenzy and Haçienda-era escapism.
"This sparkling homage to New Order's Ibiza period is the first single off Massage's new Lane Lines EP. If the first Pains album is your favorite, Massage are very much in that vein, but with a little more emphasis on '80s British indie, from Mary Chain noise to Field Mice preciousness. The lead track, 'In Gray & Blue,' is a warm, melodic winner that draws from a very specific influence -- the guitary half of New Order's 1989 Ibiza-made album Technique."
The band didn’t plan to follow Still Lines so quickly. But after the pandemic further delayed that multi-year project, Alex Naidus (guitar, vocals, former Pains of Being Pure at Heart), Andrew Romano (guitar, vocals), Gabrielle Ferrer (keyboards, percussion, vocals), David Rager (bass) and Natalie de Almeida (drums) leapt at the chance to make music together again in real life and started gathering on random summer evenings in the tiny rehearsal-space studio of producer-composer Andrew Brassell (Susanna Hoffs) with no clear goal in mind.
Lane Lines is the surprise product of those informal sessions — a flash of pent-up creative energy that serves as both a companion piece to Still Life and an exploration of textures and influences that didn’t quite fit the full-length but have always been deeply embedded in the band’s DNA, with new echoes of 1980s artists that sought to refract the 1960s through their own skewed prisms: Flying Nun, the Paisley Underground, The Feelies covering The Beatles, “Second Summer of Love” New Order.
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