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| Photo - Megan Wyrill |
Hartlepool (England) rising five-piece Marketplace return with the razor sharp new single ‘Play Nice!’ (just out 20th February 2026). Releasing ahead of anticipated slots at New Colossus Festival (New York) and SXSW (Texas) this March, the band are riding a wave of critical acclaim into what is set to be a big 2026.
Produced by Chad Rodgers (Cape Cub, Finn Forster, Benjamin Francis Leftwich, Llovers, Loren Heat), ‘Play Nice!’ sees Marketplace deliver their bright, hook-laden alt-pop meets indie sound in all its glory. Bright guitar tones, subtle synths, driving drums and grounding bass create a buoyant breezy backdrop for the melodic and charismatic lead vocals. Equal parts cathartic and cutting, the track channels pent-up frustration into a punchy, guitar-driven diss track.
Vocalist Evie Rhodes explains: ““Play Nice! was born from being thrown into the kind of situation which I had not been in since secondary school, and the frustration of feeling like I was long past the point of dealing with interpersonal issues in that sort of immature, psychological, mean-girl way. In its most basic form, it is a diss track, which was something I would never have expected I’d do. It kind of demonstrates how checked out I’d become with the situation, in that it’s basically years of frustrations boiling up to the surface that I wished I’d been able to express at the time.”
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Released this weekend we have the new album 'Slow' released on the French label Too Good To Be true. We often expect change from a musician who has a reputation for being prolific. It's in the interstices, in the sound, the arrangement and the writing that we will have to listen with this new album entirely produced and mixed by Frank Rabeyrolles We also find our traveling companions Romain Delorme on bass, Sébastien Pasquet on drums and some appearances from Rémi Saboul.
In our last feature about Frank on Beehive Candy we had this to say: Ultimately, little is known about Frank Rabeyrolles. A discreet and unclassifiable figure on the French music scene, he first gained attention in 2004 with Life Behind the Window, the debut album from his project Double U. His dreamy, hybrid music, oscillating between pop, electronic, and songwriting, astonishes and seduces. He has been featured in Les Inrockuptibles and Libération and was named Album of the Month by Trax.
A prolific and insatiable artist, Frank Rabeyrolles has released a solid succession of albums first under Double U and then Franklin on various labels such as Sonar Kollektiv, Nocturne, Karat, and Plug Research, Wool Recordings His creative approach over the years, and now decades, could be seen as a yearning for artistic ritual driven by passion, but also as an existential necessity..
At the end of 2011, Frank Rabeyrolles decided to release a new album under his real name, and with it, a desire to reveal himself a little more. Between Experimental Pop, Lo-Fi Folk, and Ambient, Frank has never wanted or needed to choose. In early 2024, Frank Rabeyrolles returned to solitary work in the home studio, cultivating a gentle schizophrenia between tenderness, sonic roundness, echoes, spleen, and hope. The album "In Conversations" was released in February 2025 on Araki Records. After two albums recorded in a trio/quartet format, this new album marks a return to a certain pop bricolage and organic work created around layers of guitars.
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| Photo - Chapman Baehler |
Tedeschi Trucks Band (TTB), the GRAMMY Award-winning band led by the dynamic wife and husband duo of Susan Tedeschi and Derek Trucks, has released their new single “Who Am I,” the latest offering from their new studio album, Future Soul, out March 20th via Fantasy Records. Written by Tedeschi and Trucks along with two of the band’s key songwriters Mike Mattison and Gabe Dixon, “Who Am I” harkens back slightly to TTB’s hit “Midnight in Harlem” while also being its own beast.
“‘Who Am I’ feels a little bit like a dream to me,” shares Trucks. “The riff came naturally to me one of the mornings that we were all writing together up at our farm in Georgia. Susan immediately came up with the opening vocal melody and lyric and Gabe really took it to a beautiful place from there. It feels biographical and a bit surreal at the same time. I always love when a song can put you in between worlds.”
Known for its world-class musicianship, Tedeschi Trucks Band is Susan Tedeschi (guitar, vocals), Derek Trucks (guitar), Mike Mattison (guitar, vocals), Gabe Dixon (keys, vocals), Brandon Boone (bass), Tyler “Falcon” Greenwell (drums, percussion), Isaac Eady (drums, percussion), Mark Rivers (vocals, percussion), Alecia Chakour (vocals, percussion), Kebbi Williams (saxophone), Emmanuel Echem (trumpet) and Elizabeth Lea (trombone).
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Enigmatic, transatlantic gothic/industrial duo, Death By Love has announced the release of their full-length debut: a concept album called 444.
444 includes 11 tracks exploring themes of mysticism, identity, spiritual tension, and emotional rebirth. 444 is more than a record. It is a ritual of survival, transformation, and paradox wrapped in atmospheric electronics, heavy, hypnotic rhythms, and Middle Eastern-influenced vocal lines and instrumentation. 444 plunges listeners deep into shadow and transcendence. The album is a collision of goth, industrial, trip hop, and heavy Middle-Eastern influences, a soundscape that feels at once ancient and futuristic. 444 is not casual listening; it is an immersive, genre-bending dark odyssey.
The journey began in October 2024, when Inga and Peter converged in Warsaw, Poland, to record the first tracks: “Strong Inside” and “Temros.” Both songs were captured alongside cinematic music videos. “Strong Inside” emerged as the first single on the American label, Distortion Productions— setting the tone for what would become an ambitious 11-track cycle.
Crafted over the course of an entire year of transatlantic collaboration, 444 came to life through relentless back-and-forth file exchanges, a painstaking process that mirrors the album’s themes of endurance, distance, and connection. From the brooding trip hop of “Cosmic Power” to the industrial weight of “I Don’t”, and the spectral intimacy of “Sellenno”, the record moves between extremes - despair and transcendence, fragility and force.
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