Resa Saffa Park - Big Little Lions - Disgusting Sisters - Rosina Cove - Living Hour - Lottie McLeod

Photo - Henriette Sagjord

Resa Saffa Park - Standing Still.

Emerging cinematic indie singer/songwriter Resa Saffa Park releases her new single 'Standing Still', the latest glimpse of her forthcoming album Kendra, out 6 November via Ja. Group. Wrapped in smoky production, softly echoing guitars and an unhurried groove, 'Standing Still' wrestles with inertia, slowly gathering emotional tension. 

Speaking about the song, Resa Saffa Park said: "Standing Still is a song about the fear of stagnation and a fading sense of self-worth. It's about how even simple things can start to feel threatening when you lose movement and direction."

A graduate of the Liverpool Institute for Performing Arts, Resa returned to her home city of Oslo to write her new album Kendra. Written largely in her apartment over the course of a year, the album finds her paying closer attention to the people around her. Across twelve songs, she keeps returning to the same question: "how do we understand ourselves through other people?"

Cinematic indie steeped in jazz, trip-hop, noir-pop and soul, Resa Saffa Park's music sits at a distinctive intersection of influences, in the orbit of Tamino, Michelle Gurevich and Portishead, with inspiration drawn from Billie Holiday, Chet Baker, Nirvana, Mitski and Julia Jacklin.

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Big Little Lions - No One Is Mad At You.

Big Little Lions continue to release monthly singles & Beehive Candy are starting to run out of new things to say, except they are on one incredible roll of creativity this year. September's song is for anyone who has the underlying feeling that they are trouble and someone is mad at them. It's nice to be reminded that this is probably not the case and we hope this will give the listeners a break from any critical self talk.

For those new to them... Big Little Lions are an award winning duo who were born out of a collaboration that won them a JUNO Award in 2014. Since then they have been cranking out infectious folk pop songs that are jam-packed with emotion and tight harmonies that sound like the product of two people working side-by-side instead of living in different countries. 

They have released 7 albums to date, which have garnered them awards and nominations including the CFMA Ensemble of the Year, Independent Music Awards Americana Sing of the Year and John Lennon Songwriting Competition Song of the Year. Their critically acclaimed music has appeared on the CBC’s Top 20 and featured on shows like q and Vinyl Cafe. The duo consists of Paul Otten and Helen Austin, both hugely prolific songwriters - their music has been placed in hundreds of movie trailers, ads, network TV shows.

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Photo - Pierpaolo Saccomandi

Disgusting Sisters - Waste Of Space.

Disgusting Sisters have just shared the new single "Waste Of Space" taken from their upcoming debut album Skin & Blisters, which will be released October 30 on Source Records. "Waste Of Space" is another slice of intrigue that explores the world of Disgusting Sisters. As ever with Disgusting Sisters, influences span electro to emo but the horror and the humor are always evident. 

On the new single, Disgusting Sisters say - “'Waste of Space' is about forgetting someone after a breakup, like your brain is a hard drive that’s run out of storage. All the unused data gets wiped and the memories are gone. You were never worth the upgrade - you were just a waste of space"

Skin and Blisters: a record that comes good on all the tongue-in-cheek, slightly gruesome yet perpetually entertaining promise that their name - partly a homage to Succession’s Disgusting Brothers; partly a reference to the “bad sisters from Cinderella because we kind of feel like them on stage” - suggests. Across 10 tracks, the pair aim their lasers at hopeless exes and sugar daddies; productivity punishers and the sad drudge of the 9-5. Their delivery is riddled with deadpan absurdity, but at their core, Disgusting Sisters mean every word. “I hope people can relate to the songs because they really come from inside us,” says Josephine. “All the lyrics are inspired by real moments. We're not trying to pretend and I think that's what makes us kind of fresh - we're just being ourselves.”

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Photo -Travis Nesbitt

Rosina Cove - Kenwood.
 
Rosina Cove is an Edmonton, Alberta-based musical collective led by singer-songwriter Peter Stone and close friends Vicky Berg and Drew Malcolm that offers unpretentious Canadiana with a big heart. Debuting in 2023 with the album Someday We Will Make It There, the group is now poised to release the follow-up, Left Of Me, at the start of 2027.

The first single, “Kenwood,” is a prime example of Rosina Cove’s instantly engaging sound, with its blend of bright jangle-pop and breezy folk-rock, highlighted by expressive harmonies and sparkling production, courtesy of Harry Gregg, also a member of Juno nominees Second Hand Dreamcar. Peter Stone describes it as a song about unexpectedly finding love in the aftermath of an abusive relationship.

“‘Kenwood’ is a reflection on how new love is sometimes built one small moment at a time,” he says. “Learning how someone takes their coffee, sharing stories over cider, listening to records together, and slowly discovering what it feels like to be safe in another person’s presence. What begins as a slow dance of companionship becomes connection, and connection becomes a place to breathe, to soften, and to begin healing from the trauma of what came before.”

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Photo - Lucas Pingitore

Living Hour - Magnet (EP).

Winnipeg's indie rock quintet, Living Hour release their  Magnet EP, this week via Keeled Scales / Paper Bag Records. The four-track release is a collection of b-sides and previously unearthed demos channelled from the work on Someday is Today (2022), and 2025's Internal Drone Infinity, which is one of ten Canadian albums nominated for The Meridian Prize, being awarded next weekend, as part of BreakOut West. The quintet shares a dreamy visualizer for lulling EP track, “Good Afternoon.”

The bundle of phrases that make up the EP are from an incubation period of a lot of TV, projecting movies for work, and general dissociative activities. “I was thinking about how people are magnets if they want to be. Attracting what they think about most, interact with or watch on screens,” says lead singer and lyricist, Sam Sarty. The band previewed with the EP's title-track “Magnet” earlier this month, and Sam expands more on “Half Can,” noting; “At the beginning of the song, I get the image in my mind about a flat, straight ahead, snowy, dark highway going for infinity converging to an ominous black point, high beams flashing sheets of snow blowing across the cement in front of a truck.”

Living Hour transforms the passage of time into something both urgent and sacred. Anchored by Sam Sarty’s vivid lyricism, shaped by years as a projectionist conjuring stories in a dark theater, the band explores the quiet magic hidden in everyday life. The band drifts between dreamy noise rock, folky slowcore, and fuzzy indie-pop, coining a genre all their own: “yearn-core.” With wistful vocals, textural distortion, and poetic detail, Living Hour capture the ache of memory, the mess of feeling, and the beauty in what remains. 


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Photo - Ghina Sari

Lottie McLeod - The Boathouse (EP).

Following an intimate launch party at its namesake venue yesterday, Magan-djin/Brisbane-based singer-songwriter Lottie McLeod now shares her long-awaited The Boathouse EP via ABC Music, a intimate coming-of-age "for people who love to feel deeply" drawing from indie, alt-pop, folk and beyond - signalling a young artist coming out of her shell, stepping into the confidence to follow her own path and express herself openly, making McLeod's much-praised ability to make the personal feel universal stronger than ever. 

It arrives ahead of a newly-announced London headline date in December presented by Joy Promotions expanding her headline EP tour kicking off in October across so-called VIC, NSW & QLD with her hometown date expanding venue due to a rapid sell-out, and off the back of a nomination for the Emerging Artist Award via Australian Women In Music Awards plus mammoth support announcements with The Tullamarines and Peter Garrett & The Alter Egos across November - all live dates below. 

Featuring alt/folk-pop focus track + video 'Thomas' as well as previous singles triple j's #1-most-played track 'Wednesdays at the Waterloo', 'Sunburnt', and 'Important To You', The Boathouse EP is out now via ABC Music.


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The Morning Line - Ungus Ungus Ungus - Part Time Signals - Laurelyn Dossett - Brooke Annibale - Disgusting Sisters

The Morning Line - Spellbound.

With a new album announced for release next month, veteran Northern California indie rockers The Morning Line and Big Stir Records bring you the second single to preview the record. “Spellbound,” with its textured guitars and plaintively melodic vocals, is a moody but lovely change of pace from “Anhedonia,” the band's previous indie hit single, and together they hint at the stylistic depth the band displays on the new album Stars. The single is released this weekend (three weeks ahead of the release of the full-length record's street date).

Frontman Stephen Smith reveals the intention behind the track. “It's about someone re-entering the world, after a period of loneliness, upset, or treatment.” He goes on to point out some details that listeners, whether hearing the song for the first time now or when its original version appeared on the band's 2007 debut album Stay My Satellite, might overlook: “One word people often miss when listening to it is 'Darien,' the Connecticut town. The song was featured on the soundtrack of the 2012 film Just Like Being There, a documentary about the makers of rock show posters. It is the only The Morning Line song with horns – a trumpet part that leads the song to its end. It’s anthemic and earnest.” 

With dense lyrical and musical touches like this, the song still packs a visceral and emotional punch as its layers ebb and flow. It's another side of The Morning Line's fascinating take on guitar pop and just one of 21 examples on display on Stars, a record that's rapidly emerging as an essential event on 2026's indie rock calendar.  

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Ungus Ungus Ungus - The Fun House (Album).

Musical contortionists Ungus Ungus Ungus return to bending boundaries with more of their signature mind-tickling tracks on their seventh studio album 'The Fun House', out yesterday August 28th.

With six full-length albums under their belt and having taken the stage at an array of internationally regarded festivals, including Woodford Folk, Port Fairy Folk and Rainbow Serpent, Ungus Ungus Ungus are back with an electrifying album that promises to deliver an unpredictable and enlivening experience, at times intentionally disorienting in its stylistic turns but always staying on track to a good time - much like the fairground ride from which the album takes its name.

With players based across three states, the Naarm/Melbourne-centred band returns with their shapeshifting, dancefloor-friendly sound. Conceptually, the album explores foundational dimensions of life together with its assorted peaks, valleys and contrasting flavours. Bandleader Max Schollar-Root says of the album: “As a band that plays fast and loose with genre, we have held nothing back stylistically, taking the listener on a journey from our signature circus party freak folk through psychedelic dub, funky hip-hop, electro swing, drum and bass, and ambient spaciousness.”

The album opens with ‘Funlerable’, a driving, moody track featuring circus organs and haunting vocals that speak to the duality of joy and vulnerability as an oscillating feature of life. ‘Poltergeist’ follows with a theatrical lament to lost love that builds from a slow cabaret feel to an uptempo frenzy. ‘Dr Quiet’ slows down the pace, giving way to atmospheric dub and sensuous, leisurely horns, setting the scene for the conceptual funk odyssey of ‘Wishes Three’, a foray into the foundations of where food comes from through deep grooves, group vocals and character-driven lyrics.

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Part Time Signals - Green Light.

'Green Light' is the first single from 'Part Time Signals’ upcoming album 'Duck’s Back, Baby'. Placed as the opening track to their new album, Green Light symbolises the urge to get moving after remaining stagnant for quite some time. It’s like checking your watch and feeling like time is standing still but taking comfort in the knowledge that a green light will eventually shine. The song features layers of warbly guitars and keyboards, vocals drenched in spring reverb, luscious harmonies and crisp saturated drums. 

The band self-recorded Green Light at Giant Wafer Studios, and it features additional instrumentation from Stephen Black (flute & clarinet), Rhodri Brooks (pedal steel) and David Newington (vibraphone). Duck’s Back, Baby is the brand new album from Part Time Signals and the follow-up to their debut album Another Day In Paradise and EP The Window. It was self-recorded over an intensive five days at Giant Wafer Studios in Mid Wales, with subsequent additional recordings made at their rehearsal space and homes.
                 
The band say, “We’ve been quietly chipping away at this album for a few years, assembling it piece by piece since the initial studio session. In its essence it’s a collection of songs that reflect some of the many aspects of the human condition, and listening from start to finish there are plenty of dots to be connected.”
                       
With the main recording session being the band’s first time recording in a professional studio together, they explored the extensive instrumentation and equipment at hand to create different textures and atmospheres, further developing their sound. During subsequent sessions back in Cardiff, the band recorded additional performances from David Newington (vibraphone), Rhodri Brooks (pedal steel) and Stephen Black (clarinet, flute, saxophones).

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Photo - Matthew Chenet

Laurelyn Dossett - How Many Moons? (Album).

After more than three decades writing songs for Grammy Award–winning artists and fostering some of the top talent in a rich North Carolina scene, Merlefest favorite Laurelyn Dossett is finally ready to step out for her debut solo album How Many Moons? The album, produced by M.C. Taylor of Hiss Golden Messenger, is set for an August 28 release via Sycamore Road. Taylor says, “Laurelyn Dossett is a songwriter and human that I find immensely inspiring. A survivor and a wonder-er. I know she has played a huge part in the lives of so many creative people, and I'm honored to have played a part in her new album.”

How Many Moons is an embarrassment of sonic riches—and Dossett has clearly been saving her 12 best for her first. There’s everything on here from saucy, swampy, bluesy waltzes (“Tomorrow Won’t Remember”) to back-barn country rambles (lead single “How Many Moons”) and back-alley jazz-bar laments (“Run to the River”). “You and the Moon” has a gentle, ear-worm melody. She previously shared the heartbreaking single “Believe Me,” featuring producer M.C. Taylor. One could easily picture the song in a Norah Jones set. The serene lilt of “Glory Glory,  is an original song that features Taylor on electric and acoustic guitars and mandolin.

Dossett assembled a who’s-who of N.C. and regional players to help her deliver this stunning, eclectic solo debut. Players include Charly Lowry, artist and activist of the Lumbee and Tuscarora, who lends her vocals to “The Vision And The Call” (out June 29); Stephanie Coleman, a Brooklyn fiddler and musical partner of Nora Brown, whose worked with everyone from Rhiannon Giddens and Aoife O’Donovan to Béla Fleck; sacred steel legend DaShawn Hickman, whose pedal steel skills have wowed millions on America’s Got Talent; jazz/folk bassist Jason Sypher, whose list of notables includes Irma Thomas, Kermit Ruffins, and Clarence Gatemouth Brown, among many others; drummer Nick Falk (Molly Tuttle, The Wood Brothers, CAAMP and Hiss Golden Messenger); Riley Baugus (Willie Nelson, Alison Kraus and Robert Plant) and Taylor, who pitches in on acoustic/electric guitars and mandolin when he’s not behind the boards.

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Photo - Sasha Pedro

Brooke Annibale - Try Again.

Indie singer/songwriter Brooke Annibale has released her new single “Try Again.” The track is the latest to release off her forthcoming album Bolder Font, which is due out on September 17th. The emotional centerpiece to Bolder Font, “Try Again” finds Brooke turning the lens on her own complicated relationship with music after a series of disheartening and unexpected setbacks: the thing that has always healed her is also the thing that has wounded her. 

"There was a point between records where it actually pained me to work on music, which was an unfamiliar and unpleasant feeling,” stated Annibale. “Music has been my safe place since I was a teenager, the one thing I've always turned to. Losing that felt like losing a relationship. So that's exactly how I wrote about it — like I was talking directly to music itself, the way you'd speak to someone you were afraid of losing. The conversation in this song toggles between talking to myself and talking to music like it was a person slipping away. Somewhere in the making of this record, I found my way back to that safe space again.”

“Try Again” follows the release of the wry, nostalgic “Birthday,” which was featured on Atwood who raved “A gentle giant of a song, it carries years of memory on a brooding pulse, wrapping Annibale’s raw, unflinching songwriting in sweet warmth.” Annibale also recently released the electrifying, irresistible “Make You Mine,” as well as “Daily Dose,” a spirited reflection on unfiltered enthusiasm; “My Favorite Part,” the heartbreakingly vulnerable opening track; and the title track “Bolder Font,” which wrestles with the album’s underlying theme of self-worth and the gap between who we are and the identities that have been placed on us.

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Photo - Pierpaolo Saccomandi.

Disgusting Sisters - Not Cool.

Disgusting Sisters just shared their new single "Not Cool", taken from their upcoming debut album Skin & Blisters, which will be released October 30 on Source Records. "Not Cool" is, a punchy, hilarious new offering that blends tongue-in-cheek lyricism, addictive melodies and a strong dose of defiance. The single also references The Strokes, MDMA, Candy Crush and 36 year old men still buying boxers with their mum.  

On the new single, Disgusting Sisters say - "'Not Cool' is a song inspired by an ex boyfriend. We’ll let you decide if he’s cool or not. It’s also the first song we ever wrote as Disgusting Sisters, so it means a lot to us as it feels like the beginning of everything."

A lot of songwriters might use their craft as a means to process life, but not many end up with a wild end result like Disgusting Sisters. A winning mix of horror, humour, musical influences that span from electro to emo and a wealth of joint experience, it speaks to a childhood of pet rats and pranks; world-building and wicked games. The duo have already received press support from the likes of The Guardian, DIY and Clash as well plays at BBC Radio 1 and BBC 6Music. The album will arrive on Source Records, the iconic Anglo-French label historically home to artists including Air, Phoenix and Kings of Convenience.

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Sin Cos Tan - Drug Store Raid - Alice Geary - The Womack Sisters - Twin Bloom - Tipps And Obermiller - Disgusting Sisters

Sin Cos Tan - Icarian.

Sin Cos Tan release their new single Icarian today July 10. The track is the seventh taste of the duo’s forthcoming album Greed, which will be released on October 9 via All That Plazz.

Icarian takes the listener into the calmer, more wistful side of the album. Where the earlier singles carried more tension and sharper edges, the focus here is on melody, atmosphere and late-night shades. The result is a beautiful, melancholic synth-pop song whose strength is built with restraint.

Formed by producer-DJ Jori Hulkkonen and singer-songwriter Juho Paalosmaa, Sin Cos Tan are known for the way they bring together Nordic melancholy, classic pop melody and carefully crafted electronic production. In their music, nostalgia and futurism sit side by side, and their songs work equally well in headphones, in after-dark city settings and on the edge of the dancefloor. Icarian fits naturally into that continuum.

What matters in Sin Cos Tan’s music is precision without coldness. In Hulkkonen’s production, every sound is carefully considered, yet the whole thing still breathes. In Paalosmaa’s voice, there is warmth, distance and melancholy, all of which are central to the duo’s distinctive sound. 

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Drug Store Raid - Batz N' Bratz.

Helsinki band Drug Store Raid release Batz N’ Bratz, the third single from their forthcoming second album, Pop Songs For People Who Might Get Killed. The band have quickly become one of the more interesting new names in Finland’s alternative guitar scene, pulling together indie rock, post-punk, art rock and no wave with a sound that feels restless but controlled.

Batz N’ Bratz leans into a darker, more late-night mood. The track threads goth-surf-punk through flashes of jazz and metal, keeping the band’s angular edge while opening up something more melodic and faintly wistful underneath.

“There’s something restless and comforting about the song at the same time. It never quite settles into place, and that’s exactly where a lot of its beauty lies for us,” the band say.

The lyrics move through familiar Drug Store Raid territory: isolation, fear, fun and managed chaos. In the attic, bats and Bratz dolls are making out, though love is not really the point.

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Photo - Kez Pearl

Alice Geary - Singing About My Problems.

London Alternative-Pop-Indie solo artist Alice Geary returns with the vibrant, confessional new single ‘Singing About My Problems’ (July 9th) - a love letter to people with big feelings, who live inside their head. Touring as the bass player for rising shoegaze band deary, Geary has already cut her teeth opening for Slowdive and touring renowned venues across the UK. 

The new single ‘Singing About My Problems’ captures the honest, intimate songwriting that defines Alice Geary's artistry, finding beauty within the everyday highs and lows of life. Produced by Crysometimes frontwoman Megan Bush, the track highlights Geary's ability to combine emotional vulnerability with infectious, uplifting pop sensibilities.

Fusing raw, anthemic pop energy with a warm, guitar-led backdrop, atmospheric synth textures and spacious reverbs, the track showcases the blend of musical worlds that shape Geary's distinctive sound. Led by Geary’s angelic, yearning vocal melodies, the track balances an alternative edge with commercially minded, radio-ready hooks, while its introspective lyricism draws listeners into a deeply personal narrative. As comparable to Maggie Rogers and Phoebe Bridgers as it is to contemporary indie-pop and acoustic folk, ‘Singing About My Problems’ delivers gritty riffs, soaring vocals and heartfelt, story-driven songwriting at its very best. 

Talking about the single, Alice explains: “This single is a love letter to the people with big feelings, who live inside their head and anyone who needs a good old scream. This track is a reflection of the feeling of someone in their early 20s figuring out what they want to do with their lives, I didnʼt overthink it. Itʼs all about capturing that chaotic energy in your 20s. Started on my acoustic at home and sent to my producer Megan and they made it into the song it is today. Saw my vision! Recorded from home. And tracked the drums at 17B in Brighton. The vocals were done in my bedroom, with a blanket pinned to the walls to dampen the sound - very independent artist style.”

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The Womack Sisters - If I Let You.

The Womack Sisters just released their new single, "If I Let You," from their upcoming self-titled album, out August 14th. The Womack Sisters – Kucha, Zeimani, and BG Womack – were singing before they could walk. 

The Sisters grew up on the road. Their schools were stages and studios all over the world, where they sang behind their parents, Zekkariyas & Zeriiya (fka Womack & Womack), alongside their four siblings. Nowhere was home for long. No matter where they lived they were always surrounded by music and family.

Their 2026 self-titled debut album,The Womack Sisters, is the musical culmination of the Sisters’ long and winding journey to find themselves. Over an intensely soulful collection of tunes that harkens back to when pop music had substance, vibe and purpose, each of their distinct voices have their moments in the spotlight.

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Twin Bloom - Twin Bloom (EP).

Twin Bloom makes indie rock that balances momentum with atmosphere, drifting between the glow of 80s new wave, the haze of shoegaze and the melodic pull of classic guitar pop. Based in Oakland, the band leans into warmth over sharp edges. Guitars shimmer and blur, melodies stick quickly, and close vocal harmonies give the songs a familiar, lived-in feel.

Influences like Teenage Fanclub, Alvvays, The Cure and The Strokes are present, but never foregrounded, filtered instead through a sensibility shaped by years of playing rooms, basements and clubs.

There’s patience in the band’s writing, but also a steady sense of drive. Songs unfold gradually, carried by chiming guitars and propulsive rhythms that keep things moving even as textures bloom and recede. The arrangements stay lean and focused, favoring clarity over excess and letting repetition, tone and melody do the work. The music feels emotionally grounded and immediate, well suited for hazy summer drives and warm, nostalgic nights that stretch on longer than expected.

Twin Bloom’s self-titled debut EP, (released today July 10), captures a moment of transition, caught between looking back and pushing forward. Lead single “Summer’s Gone” distills the band’s approach most clearly, pairing an easy, driving rhythm with a bittersweet sense of seasonal shift. Twin Bloom isn’t chasing trends or big statements. The band is focused on writing songs that stick, sound good turned up in the car and feel just as natural on the tenth listen as the first.

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Tipps And Obermiller - Little-Kid Heart (Album).

“Little-Kid Heart” is a record about what we all carry—old wounds, quiet hopes, and the parts of ourselves that never quite grow up, no matter how much life asks us to. Across ten songs, Tipps and Obermiller explore the tension between who we were, who we thought we’d be, and who we’re still becoming. The writing is intimate and specific, but the emotional landscape is unmistakably shared.

The album moves fluidly between humor and heartbreak. “Shopping Wrong” delivers its wisdom with a wry smile, while “Fresh Hell” captures the disorienting aftermath of a broken relationship that reopens something older and harder to name. Elsewhere, songs like “The Garden” widen the lens, holding beauty and fracture side by side, asking listeners to wrestle with both without turning away. There are no easy answers here—only honest ones.

At its core, “Little-Kid Heart” is about resilience—not the loud, triumphant kind, but the quieter version that shows up day after day. “Dance When You’re Broken” and “So Far From Alone” offer companionship in the darkest places, while “Not Enough” sits bravely in grief without trying to resolve it. Even in its heaviest moments, the record resists despair, choosing instead to stay present, to keep reaching. 

What ties it all together is a deep belief that we’re not alone in any of it. Whether through the gravitational pull of connection, the unexpected turn toward love, or the fragile hope at the center of “Love Letter,” the album keeps returning to the same idea: we’re all walking each other home. And if there’s hope here, it’s not that everything turns out the way we planned—but that, somehow, we learn to be okay anyway.

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Photo - Pierpaolo Saccomandi

Disgusting Sisters - Sorry Mister.

Disgusting Sisters announce their debut album Skin & Blisters, which will be released October 30 on Source Records. The duo (and real life sisters) also share new single "Sorry Mister".

A lot of songwriters might use their craft as a means to process life, but not many end up with a wild end result like Disgusting Sisters. A winning mix of horror, humor, musical influences that span from electro to emo and a wealth of joint experience, it speaks to a childhood of pet rats and pranks; world-building and wicked games. The duo have already received press support from the likes of The Guardian, DIY and Clash as well plays at BBC Radio 1 and BBC 6Music. The album will arrive on Source Records, the iconic Anglo-French label historically home to artists including Air, Phoenix and Kings of Convenience.

"Sorry Mister" is an infectious, wryly unapologetic indie-pop anthem imagining a chaotic night out filled with questionable men and one clear conclusion: “I don’t want to offend you, but I prefer my sister.” Raw, witty and crowd-tested, the track captures the duo’s electrifying live energy (following a run of standout UK shows.)

On the new single, Disgusting Sisters say - "Sorry Mister is inspired by those nights out where you constantly find yourself trying to reject unwanted attention. As a woman you’re often taught to smile, apologize, and avoid offending anyone even when you’re uncomfortable. We love the irony of "Sorry, Mister" because it plays on that contrast between politeness and the raw truth, celebrating female solidarity and the freedom to stop apologising for saying no"

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