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| Photo - Marthe Thu |
Northern Norwegian duo Konradsen the project of Jenny Marie Sabel and Eirik Vildgren - have now released their new album ‘Hunt, Gather’ via Norwegian independent label 777 Music. Konradsen will celebrate the release of their third album with a unique headline show at Oslo's MUNCH Museum on 10th April. Featuring collaborations with Gia Margaret, Angie McMahon, Bruce Hornsby and Beharie, 'Hunt, Gather' sees Konradsen expand on their distinctive indie/folk-pop - where organic instrumentation meets subtle electronics, and intimate songwriting unfolds with cinematic scope.
Written between studio sessions and Jenny’s home in Northern Norway, the album reflects a shift toward a more instinctive, atmosphere-led process. Across its ten tracks, Konradsen explore themes of adulthood, responsibility and the search for grounding - choosing closeness, protecting relationships and asking difficult questions about the lives we build.
Konradsen's music treats everyday detail with cinematic patience - folding observations, overheard voices and small domestic details into arrangements that feel intentional without ever sounding forced. Jenny Marie Sabel’s voice carries a rare steadiness - intimate without tipping into sentimentality - while Eirik Vildgren’s production feels tactile, curious and understated. Across their discography, they’ve built a space where emotional clarity and subtle production sit side by side, creating songs that stay close to the body while thinking far beyond it.
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Liya Shapiro is a London-based singer-songwriter exploring the depths of love, identity, mental health and emotional fragility through her music. Having studied the history of art, fashion, and anthropology, each field tangibly shapes her artistry: art informs the way she hears and interprets sound; fashion fuels the visual identity she directs; and anthropology helps her explore the human condition. Through layered storytelling and intentional creative direction, she builds a world that is deeply personal and reflective of her journey to self-worth.
The title-track from her upcoming EP, “Another Woman,” channels that same introspection, diving into the ache of unrequited love. Written after she thought she had already healed, the song was sparked by discovering that the person she once loved had moved on. “Watching someone you once loved be with someone else when you never even got the chance. Knowing it’s irrational, that you don’t even love them anymore, but feeling it anyway.” The lyrics confront that contradiction head on, as she sings, “I don’t love you anymore, not at all. But why does it still hurt somewhere deep in my heart when I see you embraced by another.” The song captures not just the emptiness of unshared love, but also the way struggles with self-worth can intensify that longing. While the single reflects on past pain, it also hints at transformation. The EP as a whole explores both closure and new beginnings, she’s now another woman, not only looking back, but moving forward.
Sonically, “Another Woman” captures this uncomfortable ache. The track’s chamber rock sound mirrors that emotional ebb and flow, showcasing soft, melancholic verses that swell into a crescendo, delivering something that is raw and frustrated, yet cathartic. Her vocals feel effortless yet theatrical, full of character and feeling, while the live-recorded instruments add a visceral authenticity.
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Between their innovative arrangements, instrument swapping, scope of emotions and experiences conveyed in their songwriting, and an eclectic group of old friends and collaborators, NYC-based trio Bandits on the Run are truly living up to what they call their “ethos of artmaking” on their new album, Rough Magic.
With rotating lead vocals and varied instrumentation, Adrian Blake Enscoe (guitar & suitcase drum), Sydney Shepherd (cello), and Regina Strayhorn (accordion) combine to evoke the 60s and 70s spirit of bands like Fleetwood Mac while also carrying the sonic inventiveness of the modern folk power pop acts like First Aid Kit and Bonnie Light Horsemen, and trios like I'm With Her featuring impeccable harmonies and elevated songwriting so good they make the balancing act seem simple. The band's sophomore full-length, Rough Magic, is about friends — how we connect with them (or fail to), how we fight with them, and most importantly, how we love them. It's a testament and a celebration of what's possible when making something from nothing with your nearest and dearest. Relationships, old and new, are the heart of this LP.
“The cheat code for us has always been that if you surround yourself with good people, chances are the art will be something you're proud of,” Strayhorn shares. “And we are so incredibly proud of Rough Magic.” The song strips away the band's frequent kaleidoscope of instrumentation to the bare essentials just guitar and three vocals; their rawest selves speaking straight to the listener. “'Rough Magic' is a message to slow down, release, and trust the timing is just right to share what's inside you. And that those who see your magic will be there sharing in it with you. And what better thing could one dream up than that?”
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| Photo - Rebecca Miller |
This weekend, Layla Kaylif releases her new album Call Of The Yoni. Dripping in alt-rock, singer-songwriter vibes, the new album is an immersive experience for all that come across it. An organic mixture of world music built on Arabic instrumentation, chamber strings, and lyrics-forward composition, the new album by Layla Kaylif focuses conceptually on the "7-in-1 woman". Each track is a part of a continuous cycle that dissects different arenas of the female experience: innovation, eros, sovereignty, spirituality, roots, sight, and transformation.
The English-Arab singer-songwriter's new magnum opus Call Of The Yoni is a testimony to what genuine womanhood looks like. With each track completing a piece of the puzzle, the singer showcases her most vulnerable side yet. Aptly released during Women’s History month, the album features seven introspective tracks that analyze what womanhood means while offering a unique perspective on feminism.
Layla Kaylif is an English–Arab singer-songwriter and filmmaker known for her genre-bending, lyrics-first approach that blends poetry, pop, and cinematic storytelling. After studying Arabic at Oxford University, she signed with Edel Records and released the international hit "Shakespeare in Love", which received critical acclaim as BBC Radio's Record of the Week and a top ten success across Southeast Asia.
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Plain Mister Smith returns this weekend with a delicate indie-folk track called “Lucian and Francis.” Simply put, the track focuses on the majestic paintings of Lucian Freud and Francis Bacon, who often depicted raw, yet realistic portrayals of the human body.
Available now on most streaming platforms, “Lucian and Francis” is a chill tune that features the fluorescent vocals of Tyson Motsenbecker. His presence on “Lucian and Francis” packs a punch, as his textured vocals create a luscious sonic soundscape throughout. Featuring a pleasant mash of synths, mesmerizing guitar strums, and a poised drum beat, the new single by Plain Mister Smith feels like a perfect anthem to usher in the springtime.
Plain Mister Smith’s music continues to be simple, yet effective, focusing on cut and dry themes that penetrate deep within the soul. The new track perfectly captures the rush of dopamine and elation these legendary painters carved out. At its core, “Lucian and Francis” is a great tune for fine art buffs, as it highlights the amazing artwork humans can create with just a brush and some paint.
A veteran of Canadian indie scenes, Plain Mister Smith (formerly of Moev and Cinderpop, and current cellist with the Vancouver Philharmonic Orchestra) blends indie pop, baroque folk, and psychedelic sensibilities. His sound draws inspiration from an eclectic range of artists including The Beatles, Bryce Dessner, Matt Maltese, Led Zeppelin, and The Zombies, and even 20th-century classical composers like Prokofiev, who subtly influence his layered, string-laced arrangements.
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| Photo - Barry McCall |
Gráinne Duffy continues her steady rise as one of modern blues and roots music’s most compelling voices with the release of her new single, “Streets of Love” off her forthcoming Spring release, recorded at 64 Sound Studio in Los Angeles and co-produced by Justin Stanley and Marc Ford (The Black Crowes.)
Gráinne explains "This song was inspired by a beautiful bike trip around Amsterdam. I was there to see Lucinda Williams playing one of my favorite venues, The Paradiso. While I was cycling around I was watching the life of the people on the streets and all the beautiful interactions people were having, waving hi to one another, lovers kissing goodbye on the street, friends meeting each other at the traffic lights with their kids in the wooden baskets in the front and it was all so peaceful and humane. I loved that feeling of being an observer of that kind of humanity which exists everyday around us. We are constantly in these times bombarded with all the negative aspects of life from war to murder to horrible injustices in the world that we can forget that there’s actually another way to see the world in the very ordinary everyday exchanges between people which are often beautiful and full of love. That’s what this song is about really, my internal hippie speaking out I suppose! "
The Spring release was made in Los Angeles with producers Justin Stanley and Marc Ford (The Black Crowes), and you can hear that lived-in, analog warmth right away. It’s got some serious players behind it including drummer Kenny Aronoff (John Mellencamp, Bob Dylan, Bruce Springsteen, Paul McCartney), bassist Jørgen Carlsson (Gov’t Mule), keyboardist Peter Levin (Blind Boys of Alabama), Marc Ford, and Duffy’s longtime collaborator Paul Sherry. Duffy’s story starts back in County Monaghan, Ireland, where music filled the house instead of television — everything from Johnny Cash and Dolly Parton to B.B. King and Fleetwood Mac. You can still hear that mix in what she does now: blues at the center, but always pulling in other colors.
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