Kate Prendergast - Glass and Glue.
Kate Prendergast is a young, rising Irish multi-instrumentalist with a gift for crafting deeply evocative songs, blending indie folk, blues, country and alternative rock. Her music is a raw and soulful mix of personal reflection and sharp storytelling, shaped by influences ranging from Bob Dylan to Radiohead, Jeff Buckley and Kingfishr.
She burst onto the scene in 2024 with her debut single ‘Past Letters’, quickly followed by Undergrowth, Lavender Country, Ignition, and Retold Tale produced in collaboration with producer Declan Legge at Big Space Studios under the Stray Dog records label. Her songs have become staples on Irish, UK and International radio, resonating with listeners for their emotional depth and rich sonic textures. Whether performing solo or with a band, Kate captivates audiences with her haunting voice and magnetic stage presence.
Selected as a showcase artist for Your Roots are Showing – Ireland’s Folk Conference 2026, nominated by Radio Wigwam for Best Folk and Acoustic Act 2026 and with two new songs ‘Glass and Glue’ and ‘Perfect Plans’ to be released in early 2026, Kate continues to carve out her place in the music world – fearless, introspective, and impossible to ignore.
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Dani Ivory - Get Through.
Dani Ivory returns with “Get Through,” a raw, heartfelt anthem about choosing your partner even when love feels complicated, heavy, and far from perfect. The song captures a deeply specific yet universally understood emotion: standing beside the person you love as they struggle, knowing there’s only so much you can do, yet refusing to walk away anyway. Tinged with neo-soul, country and Americana influences, Ivory delivers another hit in a new landscape.
Ivory’s vocal lands with emotional weight from the very first lines, setting the tone with unfiltered honesty: “I really want to write a love song, but I can’t seem to get it right, I really want to tell you I miss you, but you’re drunk out of your mind.”
It’s a devastatingly real opening. There’s no attempt to soften the edges or romanticize the situation — she simply tells the truth. From there, the song deepens as Ivory makes clear that her love isn’t conditional or convenient: “There’s no other way around it, we can’t hop, skip, or go backward, we looked our whole damn lives and found it…”
One of the most powerful moments comes when Ivory turns the lens inward, acknowledging her own flaws and contradictions with striking vulnerability: “And I wish I was stronger not to enable you, but I’m human too, I’m no better than you, I still choose you, so you can meet me halfway and we can get through.”
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Leo Brazil - Unsinkable Sam.
Leo Brazil has been creating his own music since he was a child singing into a tape machine. Drawing on a love of classic pop, rock and roll and soul, Leo writes thoughtful songs with a lyrical focus and a confident musical individuality. Running a label out his home studio brewing up a unique and colourful evolution of sound, 2026 sees two album releases; the introspective wonky folk solo album Alone and the bombastically heavy psych-rock of the dinosaur inspired band Bone Wars. Leo plays keyboards, drums and violin but live he sticks to guitars and banjo to conjure up emotive ballads alongside rousing ear worms and foot stomping guitar freak outs.
'Unsinkable Sam' is the new release by Leo Brazil from album ‘Alone’ Out Now. Unsinkable Sam is a dreamy piece of folk rock with an alternative woozy psychedelic edge that explores dreams, memories and trauma through a naval tale from the second world war and stands as a tribute to animals caught up in humans' struggles and conflicts.
Unsinkable Sam was a cat aboard the battleship Bismarck during world war 2. After the ship was sunk he was picked up clinging to a piece of wreckage by HMS Cossack. He repeated the experience shortly afterwards when Cossack was torpedoed and then a final time when he was rescued from the sinking of Ark Royal. After his third sinking he retired to the navy base in Belfast.
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Birds Flying Backwards - If I Ever Needed Someone.
London-based six-piece Birds Flying Backwards return with ‘If I Ever Needed Someone’ (Today Feb 23rd), the fourth and final single from their forthcoming debut album Lovebirds, released March 11th via Real Love Recording Co. Building a reputation for their blend of alt-country, indie-folk and psychedelic-rock, Birds Flying Backwards are already firmly established as one to watch. The new single ‘If I Ever Needed Someone’ leans into the more folk and Americana side of the band's sound bringing an organic, earthy warmth through a layered acoustic guitar, banjo, piano, bass and drums.
Warm, worn-in sounding picked strings and the dual Joe and India’s radiant harmonies give the song a reflective yet quietly confident feel which is central to the overarching feel of the album. Speaking about the single, the band explain: “‘If I Ever Needed Someone’ is about finding yourself after heartbreak, and the resoluteness and self-assuredness that it takes to move on. Taking cues from Cut Worms, Daniel Romano and Wilco, it shifts the record from loss towards resolve - the moment when the dust finally settles.”
The track was mixed by Joe Wyatt at Abbey Road Studios, whose credits include The Smile and The Beatles Anthologies, and mastered by Timothy Stollenwork, known for his work with Kevin Morby, Drugdealer, John Andrews and The Yawns, and Arthur Russell, further enhancing the band’s warm, organic sound.
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Showing posts with label Dani Ivory. Show all posts
Showing posts with label Dani Ivory. Show all posts
Monday, 23 February 2026
Sunday, 11 January 2026
Konradsen - Howling Bells - Tyce Delk & Trinity Lake - Dani Ivory
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| Photo - Marthe Thu |
Northern Norwegian duo Konradsen - the project of Jenny Marie Sabel and Eirik Vildgren - just released their new single ‘Efficiency’, alongside an animated visual by Jacob Grönbech Jensen (Kelly Lee Owens, Prins Thomas). Arriving shortly after their recent collaboration with Gia Margaret, 'Nick of Time', the track provides a second glimpse of a new body of work expected later this year. Konradsen will mark the beginning of this new chapter with a special show at Oslo's MUNCH Museum on 10th April.
Written while the duo were also composing for a short film rooted in Jenny’s home village Storfjord, ‘Efficiency’ grew out of a request for something “slightly souly” in 6/8 - inspired by jazz singer Solveig Slettahjell’s version of ‘Borrowed Time’ by John Lennon and Yoko Ono. The song ultimately wasn’t used in the film, but the constraint proved pivotal, pushing Konradsen into a register they might not have explored otherwise.
Produced with Hans Olav Settem and Marith Othilie Thorvik, ‘Efficiency’ features guest vocals from Norwegian singer-songwriter Beharie. Set against softly strummed guitars, sparing strings and unhurried percussion, his expressive delivery deepens the song’s emotional centre: a portrait of love that persists through routine rather than drama:
"'Efficiency' portrays a kind of love that isn’t always immediate or all-consuming, but one that endures nonetheless — a relationship where time, patience, and a willingness to see the beauty in each other’s imperfections are essential. It touches on a phase many people recognize: when the distance between two people can feel greater than before, yet the bond remains strong."
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| Photo - Orlando Cubitt |
UK-based Australian trio Howling Bells has just released their latest single 'Melbourne', marking the final release before the arrival of 'Strange Life', their first album in over 12 years, on 13th February.
Juanita explains: "Melbourne is a song about deep yearning and ultimately grief. It explores a unique inner conflict many of us feel when we leave our homes and families to start anew somewhere else. This aching can be especially intense when we’re faced with something traumatic and all we want is the safety and warm embrace of the familiar. I experienced a heightened version of this when I returned to Melbourne a few years ago to play some shows, having not been back for a while.
It felt slightly surreal and tragic being there without any family to share this with, as they had also left Australia over the years. Then, within 24 hours of touchdown, I got a call from a hospital in England telling me that my father, who was ill, had taken a turn for the worse, and so I had to pack up and return to the UK before I’d even played a show. It was brutal. I felt a thousand things that day, from the physical weight of having to lug around 2 huge suitcases full of merch I was planning to unload, to sitting alone in tears at the airport in Singapore during the layover.
All these experiences left me with a deep well of sadness and a longing to return to my homeland to find what it is I’d now lost forever. This is something I carry around with me every day. All it takes is the glimmer of the sun at a certain time of day, or the occasional scent of an eucalyptus tree, or the sharp twinge of nostalgia when I hear the melody of a particular song, to remind me of the sadness and beauty that is now my Australia".
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| Photo - Josef Lloyd |
Rising country star Tyce Delk shared a special duet version of his streaming hit “Adaline” with Oklahoma country-pop artist Trinity Lake. Her soulful vocals complement the blues-infected country ballad, which surpassed 1 million streams in under a week and currently sits at over 23 million U.S. streams to date (Luminate). “Being able to give 'Adaline' another life as a duet has been awesome,” shares Delk. “Trinity added another level to this song that it needed, couldn’t have thought of a better person for it. Thankful she was up for it!”
Lake adds: “I’ve been such a fan of Tyce and this song since he first started promoting it on social media. It’s been so cool getting to know Tyce on a personal level, and I’m super grateful he asked me to be a part of this reimagined version!”
Late last year, Delk released his debut EP Enough Ain’t Enough to praise from MusicRow, Country Central and Holler, who exclaimed, “The second you hear [Tyce] stretch out and land that opening ‘Baby’ on his debut single, ‘Adaline,’ he blows every other country singer around out of the water. His voice has a depth and power and an ability to lift a song up and send it somewhere otherworldly that few other singers in modern-day country music have.” Grounded in Delk’s Red Dirt New Mexico roots with Western swing touches and radio-ready hooks, the EP paired high-energy country stompers with tender ballads that showcased his rich, emotive voice.
A fourth-generation farmer, rancher and musician, Delk's soulful storytelling springs from a lifetime of wide-open skies and family heritage. Growing up amidst the rhythms of crops and cattle, and the melodies of swing-era music passed down through generations, Tyce’s artistic identity is steeped in generational legacy.
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Dani Ivory - Anymore.
Dani Ivory’s new single “Anymore” arrives with quiet intensity, capturing the moment when clarity finally cuts through confusion. Built around a rich piano line and unflinching vocal performance, the track unfolds like a confession, turning heartbreak into resolve. It’s tinged with folky, Americana-esque guitar textures, seamlessly blended with soul and pop elements, giving the song a warm, grounded feel without losing its modern edge.
The song centers on reclaiming autonomy and spirit after emotional control, with Ivory delivering lines that feel lived-in and resolute: “When I had a hunch you were creepin’ behind closed doors / I’m not yours / No, no, no, no / I’m not yours anymore.” Rather than dramatizing the breakup, Ivory leans into restraint, allowing honesty to do the heavy lifting.
Ivory shares, “I wrote ‘Anymore’ after leaving someone who mistook control for love. It’s about waking up from the fog of infatuation and excuses and realizing you’re done letting someone else’s insecurity cage you. It’s a reluctant release — part mourning, part reckoning — and ultimately a return to my true self. Even when you know it’s good for you, letting go can still hurt.”
That release shows up in the song’s smallest victories — the freedom to exist without fear or expectation: “When I step out on the street, I can be who I want to be / Makeup-free in my faded, beat-up jeans / ’Cause I ain’t got no one threatenin’ to leave.” Ivory also reflects on the future she once imagined, now left behind: “You had my heart beatin’ and even wedding dreamin’ / Until the sweetness turned sour.”
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