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| Photo - Joanna L. Uruchima IG |
'Figure It Out' softly unfolds into a beautiful song where the vocals draw the listener in, at times embedded within the music and then energizing and taking the lead. The musicianship is really good, and the overall production notable. As a personal introduction to the band Beehive Candy have no hesitation in encouraging checking these folk out further, something we have to do!
Poster Girl is an Alternative Rock band formed in 2023 in Chicago, IL. The band blends gritty 2000s indie rock with the raw pulse of ’90s alternative — all wrapped in dreamy, emotive vocals and warped nostalgia. Airy melodies float above distorted layers, weaving together something honest, haunting, and a little hopeful.
It’s music for late-night drives, existential spirals, and chasing something just out of reach. Poster Girl has been compared to artists like: The Cranberries, Beabadoobee, Beach Bunny, Rilo Kiley, Snail Mail, and Mazzy Star. Poster Girl has opened for National and Regional acts including: Macy Gray, The Rubens, Tom Sandoval, Aly & Aj, and others.
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Irish songwriter A.S. Fanning released 'Today Is For Forgetting' yesterday November 14th, the second single from his forthcoming fourth studio album Take Me Back To Nowhere (February 6th, K&F Records).
Where the first single 'Romance' explored emotional desolation through stark landscapes, 'Today Is For Forgetting' ventures into stranger territory—a psychedelic meditation on consciousness, time, and the spaces between realities. Propelled by bouncy synths and Fanning's resonant baritone, the track creates a disorienting atmosphere that mirrors its subject matter: the experience of existing outside linear time.
"This song is about the psychedelic experience, and the feeling of entering some kind of no-man's-land between this life and the next—or another dimension of existence, not black or white, but grey," Fanning explains.
Central to the song is what Fanning calls "an explosion of instants"—a vision of time not as a straight line but as fragments swirling simultaneously around a bewildered observer. "There's no consecutive sequence in the way time runs. There's just a central character with various moments and timelines swirling all around him, and it somehow falls upon him to make things make sense."
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Baja, California-based artist Sia Shells invites listeners to dive deep into their strength and surrender with "Riding The Wave" – an ethereal, ocean-inspired pop anthem that captures the power of resilience, transformation, and trust in the tides of life. Blending her signature mermaid pop aesthetic with dreamlike production and soulful vocals, Sia Shells conjures a sonic spell for anyone struggling to stay afloat.
"'Riding The Wave' is all about keeping your head above water throughout the current of life, especially when it pulls you down and it's hard to see the surface," she explains. "It's about resilience, change, and finding the strength to overcome it all while evoking the mysterious and beautiful imagery of the ocean."
Crafted to mirror the ocean's ebb and flow, the song's composition moves between whispering vocals – representing the wind – and a swelling, powerful crescendo that embodies the sea itself. Produced with a touch of nostalgic warmth, the track feels like a safe, familiar space for reflection and renewal. "I wanted a nostalgic feel to the song, so it feels like a familiar, safe space for people to hold onto when they're feeling like they're drowning or carried away by the tides of their life," Sia Shells shares.
"Riding The Wave" continues Sia Shells' exploration of the mystical and the mindful – a reminder that, like the sea, we are vast, deep, and ever-changing. "Open your arms as wide as the horizon meets the sea," she says. "You are strong enough to ride the wave."
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‘Follow the Sun’ is the first instalment from the album and animated film ‘Snail in the Clouds’ by Michele Ducci and Letizia Mandolesi. The album and film tell the story of a planet called Snail, inhabited by hybrids – primarily a mixture between scorpions, snails and humans – who lead a life according to the style of Pythagoras, devoted to music. There is also a cloud man named Agostos, a writer of musical operettas, who together with a talking smoke machine called Doctor Subtilis, begins to kill all hybrids, targeting in particular the hybrid musician Diodoros and his band, in an effort to steal the ark of melodies, an ancient ship that allows the whole planet to survive with music and joy.
‘Follow the Sun’ is a psychedelic-tinged pop song that evokes a ramble in the sunshine. Joining Michele and Letizia in the studio are Simon Milner (Is Tropical, Ysing), who performs and also recorded and produced the song at his 4am Studios, along with Shane Kennedy (Girl in the Year Above), Lou Jenkins and Bill Morris (Yowl, Ysing). GregoryBeBad also contributed to the lyrics.
The accompanying video focusses on the childhood of Diodoros and his band, with whom Diodoros is rehearsing for the festival called Holy Wood, where they will offer their melodies to immense space. Diodorus was born to a goddess who resembles the Greek mythological character Thetis, the mother of Achilles. In the video we see Diodoros trying to go beyond the curve in which experience flexes to become the experience of something and someone, in search of the source of life, the place where the sun has a home.
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| Photo - Ellen B |
East Anglian (England) based grunge-pop riser Gabby Rivers shares the title track from her anticipated upcoming EP What is the problem?, due 5th Feb 2026.
Crunching, distorted bass, fuzzy guitar lines, and gritty production create a driving blend of garage-rock and grunge under Gabby’s catchy melodies and angsty, honest lyricism. Displaying the alt-rock meets indie-pop approach which stylises her upcoming 7-track EP, the new single builds tension through its verses before delivering an anthemic, earworm chorus. At the midpoint, an explosive breakdown gives way to a dense, swelling guitar section, culminating in a triumphant chant that closes the track with full-force energy.
Speaking about the single Gabby explains: “What is the problem?’ is about the emotional weight of being close to someone who always seems to have an issue with everything, and makes those issues everyone else’s responsibility. It’s about the frustration of constantly picking up the pieces they leave behind, feeling like you’re expected to fix things that were never yours to begin with, and realizing how impossible that can be.
We wrote this track in the middle of the recording process for the EP, and it felt like the EP came together as a whole afterwards. It started out as a slow sad song on the acoustic guitar, but I told the band I wanted it to be angsty and angry. My guitarist came up with the lead part you hear in the middle, and we instantly connected with it. From there, the song took on a new life and I felt like our alternative rock sound really developed. We had so much fun in the recording process, lots of experimenting and recording so many group vocals.”
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| Photo - Jacques Feeney |
Mosaics have just shared their heartfelt new single ‘Sing Me To Sleep’ and announced their debut EP A Guiding Lie, is due in 2026. Having built a reputation for their blend of 90's rock revival with the shimmer of contemporary indie, observational lyricism and biting guitar work, the band continue to showcase anthemic vocal melodies and giant, stadium worthy indie-rock soundscapes.
Produced by Engineer & Producer - George Lloyd-Owen (asst. Nick Cave, The Last Dinner Party, Yungblud), Mixed by Luie Stylianou (Judas Priest) and mastered by Grammy award winning engineer Matt Colton (The Cure, Arctic Monkeys, Fontaines D.C.), the new single leans into a more emotive side of the band's writing, comparable to The Goo Goo Dolls’ ‘Iris’.
Speaking about the single, Owen Castillo (lead vocalist) explains: “'Sing Me To Sleep" was written earlier this year with an overwhelming feeling of disillusionment with life. The lyrics capture a desperate need for escape in the face of an increasing apathy towards the trappings of modernity. When Stu and I sat down to write after a couple months away, this song pretty much fell out of the sky, almost as if it was everything we'd been holding in during that time but couldn’t express through any other medium. It's about reaching desperately for the comfort from some unarmed third person, whilst processing (or struggling to process) a deeply held sense that something is not right, and probably hasn’t been for a while.”
Guitarist and fellow songwriter Stu adds: “In late June we piled into my car and set off from the city to record our debut EP with our close friend and talented engineer/producer George Lloyd-Owen. We truly had the best time, opting to turn our phones off and shut the world out for the duration of our time in the countryside (aside from watching Glastonbury coverage after finishing our takes, of course).
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