Tuesday, 5 October 2021

Matt Epp and Isaac Murdoch - Selkie - Brei Carter - Sarko Montaug

Matt Epp and Isaac Murdoch - Everything We Need.

Isaac Murdoch (Bomgiizhik) is an Anishinaabe Ojibway artist and community organizer from Serpent River First Nation – a member of the Fish Clan – where he grew up in the traditional setting of hunting and gathering on the land. A world-renowned visual artist, Murdoch is perhaps best known to his tens of thousands of followers as a engaging storyteller – recounting live and online the many tales taught to him by his Elders in an effort to reach the heart of the human spirit so that we may all reconnect with, and be stewards for, the land. He currently lives in the forest at the cultural revitalization camp called Nimkii Aazhibikoong, an Indigenous community that focuses on traditional language, art, and land-based activities.

International touring artist and award-winning songwriter Matt Epp is the quintessential troubadour of the Canadian prairies, who has won the admiration of an audience that spans the globe. A stark and confessional songwriter endowed with an infinite capacity to engage an audience, Epp’s performances encourage a sense of connection and community, where every listener leaves as a friend. He is one of the gifted forerunners defining the future landscape of Canadian music – no doubt contributing to his Grand Prize win at the International Songwriting Competition in 2017. A seasoned collaborator and activist, Matt’s music has been on regular rotation on CBC, Sirius XM, and community radio for over a decade.

You Were Chosen To Be Here kick starts a grassroots unity-seeking movement through collaborative live performances between Isaac Murdoch and Matt Epp under the name ‘Revolution of the Heart’, which will begin traveling across Canada (in person and virtually) later this year. A true weaving of community, storytelling, art, and healing. Stay tuned for tour dates.

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Selkie - Beatroot.

Glasgow’s Berlin-based Selkie returns bewildering second single ‘Beetroot’, which sees singer/songwriter Kristina Cox experimenting with more electronic sounds to create an effortless, liquid atmosphere, that transports you to otherworldly wonder.

Following on from her dark and dreamy debut single ‘Seeking’ (September 2021), ‘Beatroot’ holds a trip hop flavour. It is representative of a place Selkie inhabited at the time of writing: calm confusion, wild curiosity, burning desire. The low-growling bassline and melting fluidity of the synths paired with haunting, layered vocals are the perfect soundtrack for moments of introspection and searching the mysterious world of the intangible.

‘Beatroot’ is a collaboration with Glasgow based Kyle Daniel Lochhead, who comes from a lyric-writing artist background, and Patrick Cairns, a producer with a passion for analog synthesisers and creating beats. Both have influences in dub and trip hop genres which ties in perfectly with Selkie’s own musical style.

Originally hailing from the west coast of Scotland and currently based in Berlin, Selkie's music takes inspiration from the natural world. Selkie describes her songs as swaying like the ebb and flow of the ocean. The lush, and often dramatic backdrop of her homeland breathes life into her shimmering blend of electronic beats and electric guitar, as well as the spaces in between. Melding crystalline vocals and haunting harmonies with her knack for relatable storytelling, Selkie's ethereal dreamscapes won't just wash over you, they will pull you under and leave you gasping for air.

“The song began with Kyle's vision to bring the three of us together to write atmospheric music that would bewitch and enrapture people. Next came a loop Patrick made with the Moog Little Phatty, which he provisionally named ‘Beatroot’ - the name stuck, with jokes that our next collaboration would be called Raddish.

 

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Brei Carter - Gave Him A Girl.

Crossover country and southern pop recording artist Brei Carter is excited to release her new music video for “Gave Him a Girl,” a song which she proudly embraces her southern country roots. The song was recently heralded by journalist and country music historian Robert K. Oermann as “cute and catchy” in his weekly single review column for Music Row Magazine. The video also follows suit and hints at scenes from Brei's upbringing as a little girl, her family's influence on her, and shows the very authentic and vivacious southern persona she is building a reputation for.

“Being your best self is being an original, and that’s so much better than being an imitation of someone else,” Carter said. “Girls, live in your skin and love who you are because with you everyone gets the best of both worlds!”

The video is also set to make its network TV premiere on Monday, October 11 on The Country Network, along with forthcoming airings on Country Music Today on The Heartland Network, and will also be added to the live-streaming rotation at Nashville Country Music TV.

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Sarko Montaug - We Live in the Sky.

"We Live In The Sky" was produced and mixed by Jorge Elbrecht (Japanese Breakfast, Wild Nothing). In it, Elbrecht weaves together stacks of melodies sung by both members of the duo propelled forward by swells of vintage synths.

The duo confides, "We let our relationship coast for too long and were faced with the classic timeline of how all tragedies form: gradually, then suddenly." The music video was filmed in a mid-century house as well as a high rise apartment building both in the Chicago area.  "We wanted the contrast of the house, preserved in the era of its time (early 60s), and the apartment in such a modern building to reinforce the concept of the past suddenly becoming the present."

While the indie pop duo Sarko Montaug may be new to the music realm, their name is not. Paying tribute to twin pillars of the 80s NYC art/nightlife scene - DJ Anita Sarko and Doorman Haoui Montaug - the group's focus is on creativity. Haoui and Anita were instrumental in providing space for artists like Beastie Boys and Madonna to perform when they were unknowns. They had incredible taste and understood the energetic release that can only be experienced in a night club full of the right amount of friends, strangers and icons.

The group currently resides in Chicago, but as constant nomads, could be moving on again by the time you read this. "No matter where we live we'll always be displaced Philadelphians,"  say the members (married partners Cristian and Jess Mora).  While most connected to new wave and other 80s genres, the group is following their creativity towards whichever musical style calls to it. "We'll always sound indie, even when we are trying to be pop and we'll always be trying to modernize the past."

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Sunday, 3 October 2021

Wendy Rae Fowler - Reb Fountain - Gustaf - Daisy Chute

Wendy Rae Fowler - Golden Brown.

Wendy Rae Fowler has shared a brand new single - her own unique rendition of the Stranglers’ classic, ‘Golden Brown’. Whilst maintaining all the twinkling emotion of the original, Wendy makes the cover completely her own; adding a distinctive whimsical allure, a truly spellbinding rendition, exuding its own haunting grace. You may not think you know Wendy Rae Fowler, but you do.

Wendy Rae Fowler penned and performed the theme music to one of your favorite dark-noir thrillers, The Killing (AMC), and her music has been featured on Orange is The New Black (Netflix). Her work has been variously described as “Brutal and Beautiful” by The Sunday Times and “Eerie and unforgettable” by The Guardian.

She was a founding member of We Fell To Earth and has collaborated with numerous bands and artists, including vocals on Queens Of The Stone Age’s ‘Feel Good Hit of The Summer’, Mark Lanegan (Bubblegum, Field Songs, Here Comes That Weird Chill), Eagles Of Death Metal (Death By Sexy) and Maya Jane Coles. Her music has also featured on the critically acclaimed film Jeune et Jolie and the BBC Documentary A Year in an English Garden: Flicker + Pulse. The single ‘This Is Not A Love Song’ off her new album has been recently featured on CW’s The Republic Of Sarah and she has just composed the original score for the documentary film Clay + Bone, featuring Will Self.


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Reb Fountain - Iris.

The day hath arrived. Iris, Reb Fountain's newest album, is officially out now! Yay! We have spent the week busily picking packing boxing and wrapping all of your records and CDs in anticipation for this day of days. Rest assured, if you haven't received yours yet, the couriers are busy! IRIS is coming like the Summer down under not too far away.

Reb also has today released the visual counterpart to this week's lead single, and title-track 'Iris'; the video directed and filmed by none other than Lola Fountain-Best.

The namesake of her new album, Reb says on the single, “'Iris' is a love letter to my sisters and my many selves, an embrace that holds all the stories we never shared, a rainbow connection, a feminist arsenal, a space to rest, a prism for the heart. What’s in your heart that you dare not speak? If love be our currency, what stories we would tell?"


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Gustaf - Cruel.

Brooklyn art punks Gustaf have released their highly anticipated debut album, Audio Drag For Ego Slobs via Royal Mountain Records. Following love from the likes of NPR, DIY, NME, Paste, BrooklynVegan and more for their past singles "Best Behavior", "Book" and "The Motions", the band are sharing a final video for album standout "Cruel" ahead of their supporting run with IDLES throughout the US.

With further dates planned with new Royal Mountain label-mates Pillow Queens, as well as California legends Osees, Audio Drag For Ego Slobs sees Gustaf staking their claim as New York’s “hardest working…and most reliably fun bands” 

Vocalist Lydia Gammill expands on "Cruel", "When I started working out the lyrics for cruel, I liked the idea of someone getting mad at the sunlight for shining through their window. I wanted to play with the idea of someone victimizing themselves over a blessing. Ultimately "Cruel" became a ‘love’ song — or as it goes with a lot of Gustaf songs, an anti-love song."

She continues, "The protagonist in "Cruel" is unfairly upset at someone who gave them a glimpse of a good thing and then took it away. Now they’re left obsessing over the thrill of what could have been. They were content with what they already had, but once they knew something more was possible they became indignant over losing it. Selfishly musing that if they knew it would be like this, they would’ve rather not had the thing at all."

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Daisy Chute - Let Me Be Your Home.

Daisy Chute is a folk/Americana singer-songwriter, multi-instrumentalist and regular on the London music scene. Daisy's new single ‘Let Me Be Your Home’ is taken from her forthcoming new EP ‘Songs of Solace’.

’Let Me Be Your Home’ is the second in a concept EP entitled ‘Songs of Solace’ that follows the beginning, middle and end of a relationship and explores themes of mental health and depression. The EP features acoustic heartfelt songs with female vocal,   guitar, cello, violin & piano. 

Daisy says “Let me Be Your Home represents the honeymoon phase of the relationship. It's simply about being someone's safe place, their home. It's cosy and comforting, with a tinge of sadness hinted at with lyrics like 'when you find that life's too much to bear’”

While her musical roots were born out of her Scottish/American heritage, Daisy has had forays and extensive training in both the jazz and classical genres.  Whilst still at school Daisy signed to Universal/Decca as one quarter and lead vocalist of multi platinum selling band All Angels.
A mix of Celtic, American, Classical and Jazz backgrounds has since seen her feature across Film, TV, Game soundtracks ranging from The Sims 4, Tomb Raider, Shaun The Sheep the movie, 47 Ronin and Yesterday, to David Attenborough documentaries (A Perfect Planet) and Radiohead albums (session musician on A Moon Shaped Pool).

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Saturday, 2 October 2021

Parliamo - Late July - Lilly Hiatt - BlackieBlueBird

Parliamo - Echo In My Chamber.

Perth, Scotland based 6-piece Parliamo release their new single "Echo In My Chamber",  lifted from the band's upcoming EP 'The Parliamo Manifesto', out October 7th via Modern Sky (The Coral, The Lathums, Abbie Ozard).

Drawing from a plethora of influences from The Avalanches and Massive Attack to Super Furry Animals and The Beta Band – Parliamo bring together witty social commentary–styled lyricism with a distinctive songwriting approach very much of their own.

New single "Echo In My Chamber" represents the band's most high-reaching moment to date; an armoury of joyous harmonies, crunching indie-rock guitars and a chorus to rival the very best. Speaking on the new track the band said, "Echo In My Chamber is a story of infatuation rather than love, with the lyrics telling of a dichotomy within yourself as you struggle with how you really feel about someone. The chorus is essentially a conversation with oneself, as you grapple to remind yourself not to get too carried away too quickly."

The band's upcoming debut EP 'The Parliamo Manifesto' is the culmination of over a year's songwriting and is a bold statement of intent from the 6 piece. Employing a charming tongue-in-cheek approach to some of the slightly darker aspects of life which young people face today, the record touches on the complications of religious pressure on "Catholic Guilt", spiralling addiction on "Who Needs a Reason?", mental health on "She’s Only Human" and the awkward beauty of young love on EP opener "Paul & Barry".

The baggy, swaggering sound of the band and the often darkly humorous nature of the lyrics, stands in stark contrast with some of the subject matter, echoing the band’s propensity for laughing in lieu of crying. In a world of such turmoil and uncertainty, with ‘The Parliamo Manifesto’ the band are aiming to reconcile people with positivity through vibrant, energetic music, whilst providing a relatable commentary on the modern world and the inner workings of the minds of young people.

Written and delivered in the Scottish vernacular, the record offers a somewhat unique perspective on the simultaneously charming and terrifying nature of modern life.

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Late July - Heartbeat.

Late July, is a Canadian singer-songwriter and actress. She is described variously as indie pop, orchestral pop, or alternative pop. Simone began writing music and singing at the age of 12 after an accident at school where a TV fell on her head crushing her vocal box.She is a multi-instrumentalist, playing guitar, drums, and piano.

Her debut EP, Side Swept, was released in 2010 and features the guitar, bass, and keyboard work of Adrian Ellis.From that EP, two singles were featured in the web series Out with Dad: "Side Swept" in season 1, episode 4 and "A Well Kept Secret" in season 1, episode 7. Her follow-up EP, Hospital Quiet, was released in 2011. The single "What's Left" was featured in season 2, episode 5  of the web series Out with Dad. 

The single "Truth or Dare" from her third EP, When the Curtain Falls, is on the soundtrack for the film How to Plan an Orgy in a Small Town. Her fourth EP, Marathon, was released in 2017.  Throughout 2019 and 2020, she has released a series of singles, including "Confetti",  "Calling to the Moon", and "Cloud and Crown". These singles along with several upcoming release will be included on her fifth EP, Oceania.

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Lilly Hiatt - Lately.

Lilly Hiatt will return with Lately on October 15th via New West Records. The 10-song set was co-produced by Lilly and her drummer Kate Haldrup at Death Ladder in East Nashville, TN. In celebration of “Cassette Week,” the cassette version of the album will be released a week early on Friday, October 8th. Lately is the follow up to Hiatt’s critically acclaimed Walking Proof, which was among the first records released to feel the full wrath of the soon-to-be raging pandemic that would bring the world to its knees. Despite the timing of its release, the long player was named a “Best Album of the Year” by Rolling Stone, No Depression, Magnet Magazine, Slant Magazine and more. 

NPR Music called Lilly “...one of the great 21st Century Southern Rockers,” saying, “...she’s a striving, self-made heroine of country-accented indie rock” while Rolling Stone said “Hiatt proves herself to be Nashville’s indie-rocker-to-watch on this collection of Big Star-worthy jangle anthems and introspective psych-folk.” Rolling Stone Country called the album “...exhilarating…” saying, “At once electrifying and dreamy, the follow-up to Hiatt’s breakout Trinity Lane cements her as a vital voice.” Pitchfork said, “...Walking Proof winds through moments of incandescent joy, gentleness, cathartic noise, and even unease...It’s as if Hiatt has emerged from a dark, uncertain period as a stronger, bolder artist, winding up with an album that encompasses a full spectrum of feeling as it rocks with abandon” while Paste Magazine said in their 8 out of 10 star review, “This is music to liberate yourself to.”

As each day passed following the release of Walking Proof, more events were postponed, moved, and ultimately canceled. The sudden stillness forced Lilly to take a long, deep look inside and despite having a new album just released, she went back to doing what she does best: she picked up the guitar and started to write. What could have been devastating ended up being therapeutic, and Lilly learned how to find fulfillment in quieter places versus the adrenalized life she was used to.

Today, The Boot premiered the video for the album’s title track. Lilly says, "'Lately' is all for you. I'd like to let you in on the strife and hope that came from the last year for me. The song is a dream that can come true, even if that dream changes over time. Dylan Reyes took the dream and turned it into a vivid trip for our video and here it is."

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BlackieBlueBird - The Love We Once Knew.

Copenhagen's dream pop duo BlackieBlueBird releases new single "The Love We Once Knew"

BlackieBlueBird are the vocalist Heidi Lindahl and the composer Nils Lassen; together they create delicate torch songs of reverb and echo that captivate the listener with resonating guitars, wailing harmonicas, maudlin mandolins and a choir of lonely mermaids that sporadically embraces Heidi's golden voice. The echoes of love and longing, hellos and deceiving goodbyes live within her unique and clear vibrato in a feel-good melancholic way.

The duo received great reviews worldwide for their two albums "Ghost River" and "Goodbye in July", led by the delicate and enchanting voice of Heidi Lindahl, where their sound has been compared to Nick Cave's "Murder Ballads" and Enya.

BlackieBlueBird are now back with the new single "The Love We Once Knew" which leverages the dreamy romanticism but preserves the melancholy of their previous works. The pandemic turmoil has led the duo to explore new avenues and enrich their sound with drums – a path that will hopefully lead to more songs for a brand-new album next year.

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Friday, 1 October 2021

Lost Tuesday Society - Annabel Gutherz - Charm of Finches - Sylvie

Lost Tuesday Society - Lights.

Swansea Folk-pop aficionados ‘Lost Tuesday Society’ have announced a brand new album entitled ‘Bee Skin Rug’ which will be released independently on Friday 22nd of October.

‘Lights’ the first single to be taken from the ‘Bee Skin Rug’ album is a terrific uplifting burst of energy that works as a fantastic preview of what we can expect from their new works. Harmony flooded and certainly becoming a real automatic-earworm, ‘Lights’ really excels and shows off ‘Lost Tuesday Society’s new material to a T, and accompanied with the production of acclaimed long-time friend and producer Joe Gibb, LTS are kitted out to establish themselves as a tour de force in their respected genres.

Lost Tuesday Society are Jay Browning (bass) Alfie Scheinman (guitar, flute, vocals) Sarah Birch (guitar, vocals) Darran Browning (guitar, vocals) Simon Jones (drums) Kate Ronconi (violin, vocals). Lost Tuesday Society are a 6 piece band who have collectively come from a variety of differing musical backgrounds and therefore bring with them a range of personal influences; from traditional and alternative folk, grunge and shoe-gaze, funk, psychedelia and rock.

The result is a unique blend of music with intricate compositions, strong hooks and melody lines combining in a huge dynamic sound that has people up on their feet.

With four vocalists (Sarah, Kate, Darran and Alfie) in the band the harmonies are interesting, beautiful and an important element to the Lost Tuesday Society sound. With a heavier back line and driving rhythm section ( Jay and Simon) and two accomplished guitarists (in Alfie and Darran) the new material presented today has a maturity and edge which is beautifully enhanced by weaving strings (Kate),flute(Alfie) and melodica (Sarah).


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Annabel Gutherz - Wild Side / Remnant.

Today, Montreal-based singer & songwriter Annabel Gutherz releases her debut album, Loose Ends. The 11-track record includes 6 previously released singles and 5 brand new tracks. The album was co-produced by Dominique Messier, a long time band member for Céline Dion and owner of Studio Piccolo in Montreal, Quebec.

Loose Ends is stylistically eclectic yet entirely authentic. It’s a comforting record that cathartically encapsulates life’s unfinished moments: “Many times in my life, I was unable to get closure. Instead, I was left to bear the weight of the words I never said and the inescapable memories that tethered me to my past, suspending time. Understanding my need to let go of these ‘loose ends,’ I turned to song,” Annabel says.

Throughout the album, Annabel explores these complex and imperfect defining life experiences with a diaristic touch. Her ardent and perspective storytelling is on full display, complimented by honeyed melodies, layered instrumentation and full-bodied vocals. She takes listeners on a journey as she writes from the heart with raw honesty and emotional conviction.

Annabel Gutherz made her debut in 2018 with the release of “Legends,” a philanthropic song whose proceeds are donated to education-based charities. After spending the past few years honing her musical talents at Berklee College of Music, the young singer-songwriter has come into her own as a promising artist to watch. On top of her musical endeavors and academic career, Annabel is the published author of children’s picture book series, Annie’s Pajammies. A portion of the proceeds from every Annie’s Pajammies unit sold is donated to help facilitate access to education in countries across the globe.

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Charm of Finches - Heavy.

Sister indie-folk duo Charm of Finches today share their new single "Heavy," which is off of their forthcoming album Wonderful Oblivion, set for release on October 22nd.

According to the sisters, "This song is an expression of the sadness and frustration we feel about the state of the world. The song reflects on how, in this modern world, we have in many ways lost our connection to nature. 

Consumerism and a culture of narcissism are coping mechanisms to fill the void where that future shock, emptiness and sadness would be." Featuring Mabel on vocals and cello, Ivy on vocals and violin, with Ledwell adding percussion, piano and synth bass, the song is beautifully melancholic and folk-inspired, delivering a timely and important message about our sacred connection with nature.

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Sylvie - Shooting Star.

Sylvie's self-titled debut EP is due out this Friday on Terrible Records, and today the band are sharing a final single from the EP, a track called "Shooting Star," ahead of its upcoming release. The EP was announced in July alongside a feature on Aquarium Drunkard and the release of a single from which the band take their name. 

That single is a cover of a song from an obscure 1970s record by Ian Matthews called Later That Same Year, and a track that serves as a partial inspiration for the band's existence. Before they adopted it as a name, the band (which is led by some time Drugdealer & Golden Daze member Benjamin Schwab and features Marina Allen and Sam Burton) started using the term "a Sylvie" to refer to "a song from the past that’s incredible but for whatever reason, is basically unknown," and the group's sound is a sort of homage to lost gems like Matthew's songs, and the recordings of Mad Anthony, the Southern California group that Benjamin's father John Schwab played in during the '70s.

The band's latest single shares a similar archival bent and an appreciation for the secret songwriting gems of both past and present Los Angeles. An unreleased song that Schwab first conceived of 10 years ago with a friend and fellow songwriter called Stanley Thiel, it's a track that took on personal significance to Schwab.

"This song was one that was floating around my world for a long time," Schwab explains. "It was conceived by my good friend Stanley Thiel a while ago. He is an unknown legendary songwriter in my eyes who has inspired me and other musicians around Los Angeles over the years. There are these songwriters like him who aren’t  in the scene and don’t really play the game, but who write incredible timeless songs. You won’t hear them unless you go looking for them. I wanted to put this song on some sort of a platform for people to hear and to acknowledge the song and him."

It was a mantra/anthem type song that our whole friend group knew and loved. It was never released, and my nostalgia for that period of my life was strong, remembering a time when collaboration and community was a lot easier than nowadays being in LA and pursuing music as a profession. The song was played many times by different people and
on a lot of camping trips where we would all sing it; I always loved that it brought people together. "

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Gilanares - El Tee - Baba Pen & The Bim Bam Band

Photo - Eden Mili Gilanares - your brain is in the sink (EP).   We have already featured a couple of songs from New York-based artist Gilan...