Fushia - Quarry - Famous - Llovers

Fushia are twin sisters Mathilde and Nathalie, there new single 'Gold' matches their description of dreamy poetic pop, in addition I think it fair to say, you can add very catchy.

'Everything And Its Opposite' from Quarry is a feisty indie rocker, with intriguing lyrics and a clever video to match.

Our first taste of Famous was in April with the very impressive 'Jacks House'. Now we have 'Forever' with the striking vocals grabbing my attention immediately, the band adding melody and a steady rhythmic beat.

Llovers melodic indie rock is refreshing, the vocals and music are loaded with hooks, it's unsurprising that the band are getting plenty of attention both on line and on BBC radio.
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Fushia - Gold.

Fushia consists of twin sisters Mathilde & Nathalie. Mathilde lives in Stockholm and Nathalie in London. Together they create a dreamy and poetic pop that can be likened to Lorde, Aurora, Halsey and Sia.

Gold considers that little green-eyed monster inside every single one of us that’s never satisfied. We’ve all heard it, and it’s scary how that voice simply tends to control you more and more once you first start listening to it. We wanted to remind ourselves that life is so much more than what the media - and most of the world around us - tell us. We want to dissociate ourselves from the easy option of just playing along like blindfolded puppets.

Fushia delicately draws you into their dreamy and poetic universe where clear vocals meet quirky and powerful drums. Behind the name is the two Danish identical twin sisters, Nathalie, and Mathilde who, despite having grown up in Denmark, now respectively live in Stockholm and London.In the last two years the sisters have created their new music by sending ideas back and forth over the North Sea via Skype, drawing inspiration from the two cities’ environments and cultures.

The 22-year-old sisters speak up about their relationship with feminism, greed, and hopelessness and reflect on how it is to live in a world where people suffocate in possibilities and where time is the most valuable currency. Having often had this recurrent daydream of wanting to escape society’s pressures and go hide under a rock, along the way the sisters learned that vulnerability can be just as powerful as strength and that they can use their defiance to create art.

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Quarry - Everything And Its Opposite.

Indie-Rock Singer-Songwriter Quarry releases a New Animated Music Video for the second single “Everything And Its Opposite”, taken from the album "Super Arcade", out everywhere via Lowfieye. Quarry portrays the paradoxes of this age through important figures in history, as if they were alive today. They act weird  to adapt themselves to the modern society, doing the opposite of what is expected of them. The directors Vincenzo Campisi and Francesco Quadri created a surreal video with beautiful visuals and illustrations to emphasize the sarcastic mood of “Everything And Its Opposite”.

A warehouse filled with old pinball machines and arcade games where a musician installed a recording studio and threw himself into writing songs and running sound experiments. That’s how "Super Arcade" was conceived. A very special environment to make a very special record. This place inspired the title and set the mood for the new album of the London-based indie-rock singer-songwriter and multi-instrumentalist Vittorio Tolomeo, also known as Quarry now.

“For a musician, a place to make music is a continuous journey in unexplored galaxies, it's freedom, it’s shelter,” explains Quarry. “Making the record in such a strange place was necessary to stop time and detach myself from the unnecessary things of this age. I realized that I wanted to express the value of awkwardness. When I think about the invasion of bloggers of nothingness, talent shows, false myths and ephemeral notoriety, I get comfortable with being out of place and out of time.”

On this album, tracks like "Everything And Its Opposite" and the titular cut create a surreal picture of digital monopolies and their algorithms which influence every aspect of our existence, while "Haters Online" and "Firefighter" target social media and the border between virtual and real. Elsewhere, "Man With The Scars" pays tribute to David Bowie, and the visionary ballad "Sweet Alien On Creamy Skis" celebrates those who still believe in a (real) turning point on the road to peace on the planet. But no matter how heavy or sarcastic a subject is, the music is infectious throughout, combining slashing guitars, distorted bass lines and steady beat with melodic hooks, because Quarry is a firm believer that a right 3-minute song can change someone's life, and you can’t go wrong with an alternative pop-rock confection, if it’s deliciously dirty and punchy. On most of the "Super Arcade" numbers, Quarry played all the instruments, but he’s going to return to the stage to perform with his band in various European venues in the Spring and in America in the Summer.


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Famous - Forever.

London’s Famous reveal new single Forever ahead of debut mini-album England. Their softest-edged cut to date, it’s a literary tinged art-rock tune eschewing the panicked chaos of previous releases in favour of an almost maudlin sentimentality. Forever tugs at your emotions, owing to vocalist Jack Merrett’s by turns resigned, matter-of-fact and desperate vocals, reminiscent of a Heroes-era David Bowie or Pavement’s Stephen Malkmus. He explains the reasoning:

“I wrote Forever about a year ago, whilst reading Goethe’s The Sorrows of Young Werther; a very beautiful but very ridiculous story about unrequited love.  The more I read, the more the story started to resemble a situation in my own life.  So I took the character’s names and, with that anonymity, was able to speak more cuttingly about my experiences.  This is definitely where Famous is going directionally; gushing, slower songs with a big emphasis on lyricism. It’s ultimately quite a conventional love song, if very grandiose. It’s something I’m very proud of”.

Forever develops on a distinctively hyperbolic, mythic re-imagination of urban life which lies at the heart of Famous’ upcoming mini-album ‘England’. Merrett finds it therapeutic; using theatricality and the emotional authority of art to navigate the chaos of anxiety.

Famous don’t chase subtlety per say. Their renowned live performances are huge, brash affairs; recalling the sad grandeur of a Vegas-era Elvis.  This music is, nonetheless, thoughtful and surprising - the band are strongly associated with the London arts-scene behind the Guardian 4* rated experimental theatre piece Ubu, also garnering acclaim from i-D.  Indeed, Ubu director Peter Price directed Forever’s poignant, rural video.


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Llovers - Coming Loose.

Fast establishing themselves as one of the North East’s finest emerging acts, Teesside quintet Llovers kick off what promises to be an exhilarating summer with the announcement of their debut EP Things That I Don’t Understand, preceded by sparkling lead single Coming Loose, out via Think Tank? Records on 24th May.

Swaggering and infectious in equal measure, the group’s latest release amplifies recent comparisons to the likes of MGMT, Tame Impala and The 1975, mixing infectious indie licks with a dose of psychedelia and arrives ahead of their slot at BBC Radio 1’s Big Weekend alongside Dylan Cartlidge, Slowthai and The Orielles later this month.

Drawing widespread acclaim throughout the online community (NME, DIY, The Line Of Best Fit, Clash, Dork, Wonderland) and across the airwaves (BBC Radio, 1, BBC 6 Music) over the last 18 months with a series of early releases, the band have already demonstrated their buoyant live potential supporting acts including Sundara Karma, Dream Wife and VANT and look set to lay down a real marker as they edge towards the arrival of their debut EP.

Speaking ahead of the release, co-frontman Jack Brooks stated: “Coming Loose deals with the anxieties that can come from being in a relationship, specifically one in which there’s little affection given from a paramour on the surface. It describes these feelings while also establishing which is used as a form of comfort within the narrative of the track”. Produced by Chad Male (Cape Cub), Llovers’ Coming Loose is out 24th May via Think Tank? Records and will be available on all digital platforms.

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Kluster - Jamie Lynn Vessels - Stop.drop.rewind

We featured Kluster a couple of times in 2018 and now they return with 'Wild' an imaginative song that is hard to categorise in any one genre, it's creative and engaging nonetheless.

Jamie Lynn Vessels has just shared 'Cloak and Dagger' a brooding rocker that builds with intensity and emotion, her simmering vocals are just right for natural rock songs.

Another band who have been on Beehive Candy twice before are Stop.drop.rewind and their latest song 'Floating Stone' makes a third appearance inevitable as this expansive rocker comes fuelled with plenty of hooks.
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Kluster - Wild.

Kluster was founded by four friends and a virtual drummer in Malmö 2014, a real life drummer joined in shortly afterwards and the gang was complete. Since, the quintet has been active on as well the Malmö indie scene as playing shows in Berlin, Copenhagen, Stockholm, supporting acts such as Frankie Cosmos and Nicole Sabouné. Debut album civic was released last summer and Kluster received praise from BBC Radio 6, major swedish music magazines and more.  Since releasing their debut LP the band have become deeply involved within their local scene through running 'Fubbik' - a live music club night for Malmö bands only. Today, the debut is followed by new single Wild, including the bands first music video, out on all platforms via Rama Lama Records.

Wild is yet another glimpse of Kluster's playful sound - a melting pot of broad influences such as pop, punk, noise, lo-fi, indie and jazz. According to the band, "Wild is about the harvest of wild berries, giving you stains that never go away. But also about the longing for the fox that lives alone in the wild. In Chinese culture, the fox can also symbolize a being with magical powers, a messenger from the spirit world or the dead. The song can generally be said to be an ongoing inner trial, with memory images having impact as they appear in the dazzling summer light seen from above.".

The members have a history as academic jazz players, forming Kluster after longing to find a collective process free from strict genre playbooks and narrow-minded academic rules. A process that resulted in Kluster's captivating characteristic dynamic and turning points, alternating from melodious to dissonance, complex to simple.

The video is made by designer duo Angelina Petrovic and Jonna Jansson who explores whats ugly, weird, disgusting and nice. Kluster consist of Linnea Hall (vocals), Pontus Örnstrand (keyboard), Sebastian Hegedüs (guitar), Adam Jonsson (guitar) and Andreas Pollak (drums) and are available for interviews and other requests.


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Jamie Lynn Vessels - Cloak and Dagger.

Originally from Raleigh, North Carolina, Jamie graduated with an undergraduate and Master's Degree in Criminal Justice during a stint in the Northeast. Piano, guitar, songwriting - and even a brief foray with the trombone - were never far from her throughout her formative and academic years. Torn between two paths, Jamie's passion for, and calling to, a life of music drove her to find her artistic home in New Orleans.

Several years after making the move to the Crescent City, 2018 and 2019 have seen the formation of an entirely new band and sound, with fresh energy and material.

This shift caught the attention of peers and fans alike, giving the six-foot rock Amazon well-deserved attention in the indie world as a songstress, performer, and vocalist, both abroad and at home.

Likened to Lzzy Hale (Halestorm), Jamie has the rare ability to captivate and enrapture with a combination of her stage presence, lyrical prowess, electrifying rhythms, and a voice both raw and soulfully soothing. It's not just a concert - it's an experience.


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Stop.drop.rewind - Floating Stone.

Stop.drop.rewind tell us - "Our latest single, "Floating Stone," is out and already gaining praise for its mature take on our signature sound. It's a slow-burner; the music and lyrics reflect the ups-and-downs and perseverance required for a life in bands. This is personal territory for us- DJ, the guitar player/lyricist, and I taught ourselves to play together and have been making music for almost 20 years".

Stop.drop.rewind is the primary musical outlet for four like-minded individuals currently residing in northwest Indiana who believe that music should be innovative, inclusive, and above all else, shared. After nearly twenty years of education, practice, and cooperative songwriting, stop.drop.rewind has come together to confound those who try to define them, bringing their unique brand of jazz-tinged progressive pop rock to audiences across the Midwest and beyond.

Kris Lohn and DJ Crenson met in 2000 in Baltimore, Maryland when they were both 11 years old. It didn’t take them long after that to get instruments in their hands, as they started their first band together that same year. They spent their formative years taking in everything the blossoming Baltimore scene had to offer, coming up with the likes of All Time Low and You, Me, and Everyone We Know before relocating to northwest Indiana for college. It was there that stop.drop.rewind formally began.

After writing songs and performing around the region throughout college, the group solidified their rhythm section by adding region native Andy Sutton on drums and releasing Polarity, their 2016 EP. The success of this release afforded them the opportunity to begin regular South by Southwest appearances and perform with the likes of Secondhand Serenade, The Spill Canvas, Hawthorne Heights, Red Jumpsuit Apparatus, Soul Asylum, Halifax, and Amber Pacific, and in 2018 they released their first full length album, entitled Element & Aftermath. Shortly thereafter, their lineup was finally completed with the addition of fellow region transplant Matt Alley, who moved to Indiana from South Carolina to pursue his own musical education. This quartet of musicians is determined to share their music with anyone eager to listen, with plenty to love for fans of pop and prog rock alike.

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SK - Sonia Stein

SK has shared 'Nostalgia' a smooth and enticing mixture of soul and cool jazz and some beautifully natural vocals, giving the song originality and style.

'London Used To Feel So Cool' from Sonia Stein has one very catchy chorus line and a superb musical arrangement that allows every element to shine through.
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SK - Nostalgia.

It’s no secret that the sounds of Soul & Jazz, have crept back into the forefronts of our musical palette of late.

A new wave of UK artists have been trailblazing the way for a modern twist on the retro genres, leaving fans guessing who the next big name on the scene could be. You want our bet, it’s London-based songwriter SK.

Born and raised in Luton, SK was brought up on her family’s vinyl collection. Immersed in soul music from a young age, she was raised on the sounds of Aretha Franklin and Donny Hathaway. As she approached her teenage years, her tastes evolved towards the jazzier sounds of the musical spectrum. She also developed an appreciation of R’n’B after suffering a heartbreak. All of this, soon became the foundation for her artistic journey as an adult.

Ahead of her first single launch, SK has spent the last few years perfecting her solo material while touring with her band, The Kings. Her first solo excursion is the outstanding new single ‘Nostalgia’. It’s a track that seems to draw on all her musical love affairs over the years. While exquisitely produced, the track has a live performance feel to it, using organic textures and live drum sounds. It’s a vintage take, with a contemporary production.

"Nostalgia was written when I was in my last relationship, it’s about yearning for the infinite possibilities of the beginning and realising after it was over that the only thing I really had the entire time was those memories"

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Sonia Stein - London Used To Feel So Cool.

London based songstress Sonia Stein is an exciting new pop voice. Despite a restless upbringing of traversing across continents (Berlin, Poland, America) the music Sonia Stein creates is beautifully anchored.

Quietly determined she creates the sort of songs that are full of drama and emotional complexities describing ‘One Of Those Things’ as being about, ‘The stage of denial about the end of a relationship with someone or something. You hold onto it out of comfort and fear, hoping if you wait a little longer, some semblance of what you had in the first place will show up again. ‘

Produced by Liam Howe (FKA Twigs, Adele, Jessie Ware) the slow-burn R&B-tinged songs on her debut EP ‘One Of Those Things’ feature four songs of exquisite balladry through to the delicious pop of later track ‘Do You Love Me’.

Her songs unfurl themselves delicately, slowly creeping up on you when you least expect it. Like a sort of quiet devastation, these are songs that work their way into your subconscious and never let go.

London Used To Feel So Cool is a song about how places change after having been there with a loved one/someone special. If they felt exciting or fun before, now they feel incomplete without that person there. This is a lighthearted song about falling in love, not about heartbreak of losing someone.

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Wasuremono - Diamond Thug - Hanna Barakat

We featured the song 'Are You OK?' by Wasuremono two months ago and the new single 'Self-Help' is a much welcome follow up from the band, this time with an anthemic vibe & engaging melodic chorus.

Diamond Thug have a new single called 'Aphotic Waters', following on from 'Tell Me' which we shared just a week ago, as the band continue to build deserved interest in their Gaiafy EP due out this coming week.

Finally we have 'Damage Done' by Hanna Barakat a melodic rocker that gradually builds into a powerful and hook fuelled piece.

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Wasuremono - Self Help.

Wasuremono have released a brand new single entitled 'Self-Help' after 6 Music's Steve Lamacq gave the track it's first spin on his show last week. The track is taken from their recently announced upcoming album 'Are You OK?' that will be released on June 14th via The Wilderness Records. The brainchild of Wasuremono, William Southward, explained the meaning behind the song:

"'Self-Help', was the last song to be written. It’s got a Prince kinda vibe, but with low tuned guitars and gospel influenced backing vocals, with call and response. The running theme is one of optimism and feeling less alone, but there is also a sense of urgency to this song, of reaching out; “All I really wanna say, is I wanna help ya’. Essentially, it’s an uplifting and jubilant song that’s supposed to make you feel good and feel like we are all in it together. The hard panned toms of the Linn give it space to breathe and a slightly tribal feel too in the choruses."

Previous singles, 'Are You OK?' and 'Lonely Type' have been picked up by the likes of 6 Music's Lauren Laverne, Steve Lamacq, and Radio 1's Huw Stephens, and Dork recently described the release as "...sure to be a riot of synths and fun. A magic combo".

With the enlistment of friends Madelaine Ryan, Isaac Phillips, and Phoebe Phillips, Southward’s songs come to life. Wasuremono will be performing across the UK this summer in support of 'Are You OK?', with stops at festivals including Live at Leeds, The Great Escape, Bluedot, and Dot To Dot, as well as a headline show at the Sebright Arms in London on June 19th.

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Diamond Thug - Aphotic Waters.

Formed in a basement in Kommetjie, a small surf town on the southern tip of Africa, Diamond Thug combine Sub-Saharan rhythms with indie pop dreamscapes, with a vitality and energy bursting from the seams of each track that becomes juxtaposed with melancholic themes.

Lead singer Chantel Van T’s luscious vocals wash over layers of guitar, synth-bass and pounding drums with a certain quiet power. When Chantel was a teenager, she wanted to be a quantum physicist, which may explain some of Diamond Thug’s lyrical subjects.

The band’s debut album Apastron was set within the depths of space, with celestial bodies and laws of planetary motion being used as metaphors for earth-bound problems. New EP Gaiafy turns inward to human experience, pairing nihilism and existential crises with allusions to climate change.

On the new single, the band tells us that “the Aphotic zone is defined as the depths of the oceans,
void of any light. Musically we’re drawing comparisons to Evolution through the cyclical but progressive song-structure. Solace is found through the belief that although we feel distance and unfamiliarity between ourselves, all of our fates are connected.” Gaiafy EP due for release May 24th 2019.

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Hanna Barakat - Damage Done.

Austin-based, hard/alternative artist, Hanna Barakat, announces her new single, “Damage Done,” ahead of the upcoming album, Siren, due out August 16, 2019, produced by John Moyer (Disturbed).

Born in Texas to an American mother and a Lebanese father, Barakat spent her early years traveling around the world with her family. Barakat pays homage to her roots  on the album.

The album was produced by John Moyer, bassist from famed hard rock band, Disturbed, mixed by Martin Nessi (Michael Jackson estate, Ariana Grande, Josh Groban, Celine Dion, Andrea Bocelli, Ricky Martin, Kelly Clarkson), and mastered by Ted Jansen of Sterling Sound (Disturbed, Evanescence, Three Days Grace, Breaking Benjamin, Halestorm, Pat Metheny).

Barakat states on "Damage Done:" - “Relationships are inherently messy, sometimes riddled with indecisiveness, and most commonly, clouded by sexual passion. Knowing what is right for you in a relationship, long term, is not always clear, leaving you struggling with your own intuition to resist falling back into something familiar or comfortable. ‘Damage Done’ is a song driven by passion – a story between ex-lovers, falling back into old patterns, knowing they may not gain anything from their encounter but still feeling alive and loving every single moment of passion they share together. The guitars start us on the journey, gently, but dive into long dramatic riffs as the story develops. As the vocals begin to overlap and build, the chaos created between lovers is reflected in the cacophony of sounds, driving us clear to the dramatic end.”

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Native Harrow - Silverbacks

Native Harrow new song 'Something You Have' has something of a blues feel to it musically, the vocals add additional melody and some heartfelt beauty.

Silverbacks make their third appearance on Beehive Candy with 'Pink Tide' where a chunky rhythm supports some semi spoken vocals as the bands notable style of rock continues to impress.
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Native Harrow - Something You Have.

Devin Tuel may consider herself to be an artist meant for a different time but the singer-songwriter, residing in rural Pennsylvania, now finds herself inhabiting her own true place as she shares the first single from her debut Loose album Happier Now released under her nom de plume, Native Harrow.

Speaking about the single, singer and composer Devin Tuel says Something You Have is written "about a relationship where there is an unbalanced amount of focus on one person. Giving and giving, and giving more even after you’ve sworn not to. Some people seem to have a certain magic about them where they can do no wrong. They are never punished for being a bad friend, lover, child, sibling, etc. I really started protecting my heart and my time this year and at the same time ruminated on the desire I always have to experience emotion as someone else. I struggle with anxiety and bouts of the blues and I look at others from time to time and think, "wow I’d love to know what it’s like to feel this the way you do."

Native Harrow cuts out clear and vibrant narratives on fear, love, the open road, ill-fated relationships, and coping with the state of the world. “I wanted to share that I made it out of my own thunderstorm.” says Tuel. “I had experienced the high peaks and very low valleys of my twenties. I saw more of the world on my own, got through challenges, revelled in true moments of triumph… but all the while the world around me was growing louder, wilder, and scarier. Music for me is a place to be soft. This album was my place to feel it all.”

Happier Now will receive its European release via Loose (Damien Jurado, Courtney Marie Andrews, Israel Nash, The Handsome Family) on 2nd August 2019.


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Silverbacks - Pink Tide.

Silverbacks are continuing their fruitful studio partnership with Girl Band’s Daniel Fox with the propelling new track ‘Pink Tide’ that is out now.

“Pink Tide is a song about trendy and stylish revolutions that lack substance and never fully materialise. The chorus is inspired by a YouTube compilation I came across called 'Make Way for The Queens Guard!!!'.

It's pretty much the Queen's Guard yelling the video title every time a tourist impedes them from completing their duty. I told Kilian about the video before he went on a short trip to London and upon his visit to Buckingham Palace he shouted out the line. His moment of inspiration wasn't very well received so we made it into a chorus.

Musically, we had been messing around with the outro guitar riff for a few weeks which we initially attached to another demo, poorly named 'Mark E. Smith Eats His Purple Crayon'. In the end we realised that the riff deserved better, and we started writing what eventually became Pink Tide.”

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Annabel Allum - Scott Lavene - Merival - Spirit Family Reunion - Grace Gillespie

Annabel Allum makes her fourth appearance on Beehive Candy more a less a year to the day since we last enjoyed a song from her. 'You Got It Good' is another typically emotion packed song, her vocals as earnest as ever and the music equally determined.

'Superclean' from Scott Lavene is accompanied by an engaging video full of low budget moments, that just add to the charm of this hook laden song,

Back in April we shared 'I With Mine' by Merival and now we have 'No Brakes' where the vocals are absolutely stunning as is the refreshing musical backdrop.

Spirit Family Reunion have just released the first taste of their forthcoming album with 'One Way Ticket' a wonderful American folk piece which just fills the room with Americana goodness.

Finally today, Grace Gillespie has released 'I'm Your Man' a song that sits somewhere between Indie pop, rock or even folk, it's might be hard to pigeonhole, but it's an equally addictive and pleasing tune.
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Annabel Allum - You Got It Good.

From playing local pubs in Guildford 6 nights a week, to acclaimed performances around the world, it’d be tempting to call Annabel Allum’s rise a whirlwind. However to do so would belie the steady growth and legwork put in by one of the UK’s most exciting up-and-comers. From single to single Annabel has evolved and added exciting extra facets to her trademark punky sound. Upcoming release You Got It Good, out via cult London label Killing Moon, is the latest peak in her canon of vital, snarling songs.

A common theme throughout her releases is the ease with which tracks boiling over with righteous anger can sit side by side with touchingly sentimental tracks dedicated to friends and family. You Got It Good, with its bouncy 90s style treads that tightrope with aplomb. Annabel explains the origins of the track:

"I wrote this song after a friend came to me in a very low state. This is the conversation I had with them. Sometimes we need to go through hardship to grow as people, and understand ourselves & the world around us better. To adapt & learn from negative situations allows us to appreciate life more."

Long marked out as one to watch, the swell of praise for Annabel Allum from all corners is resounding. Long-time championed by BBC Radio 1, she’s made the daytime playlist, had a live session at the iconic Maida Vale studios as well as performing on their SXSW stage, a festival which she’s now taken by storm twice. Other notable shows include a dream-come-true emotional performance at Reading festival, as well as The Great Escape; tours with Nadine Shah, Sleeper and Beth Ditto have been the perfect way to cut her teeth in the presence of esteemed artists.

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Scott Lavene - Superclean.

Scott Lavene returns his new single Superclean, the latest track to be taken from his forthcoming album Broke that is set for release on 7th June on CD, LP and digital. 

Speaking of his latest release, Lavene says “It’s a pop bop, a strut. I wanted to write a song that was less literal than others I write. I wrote it one morning during the recording of the album, in the kitchen of the producer who was letting me stay at his house. It’s about feeling good, a new chapter, eternal optimism, escape.” 

Growing up in the eighties his first musical memories were the Stray Cats thrilling rush ‘Runaway Boys’ when he was at nursery before sparking off on The Clash on the Levis ads and Otis Reading, Beatles, Stones and all the classics before embracing the kind of eclectic musical trip that his own songs reflect.

‘I like everything from cheesy pop, hip hop, British music from sixties and seventies Ian Dury, to underground stuff like Suicide and the Membranes. When I first had a band I tried to be something I’m not, cool, hip. indie, like the Kills or The Strokes but I’m not cool and I don’t write songs like that. I’m just a fella from Essex and when I started writing stories and songs about my own life and what I’d seen it all clicked.’

To support the release of his new album Scott Lavene is heading out on the road with his newly formed backing band The Pub Garden.


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Merival - No Brakes.

The new track is shared in-line with news of her debut album, 'Lesson' (out August 2, 2019) which comes produced by Sam Gleason (Charlotte Cornfield, Omhouse). 'No Brakes' sonically finds Merival - who's previous collabs include members of Born Ruffians and Teen Daze - rubbing shoulders with the likes of Haley Heynderickx, Adrianne Lenker and Marissa Nadler; bewitching melodies are intertwined with icy vocals and carousel-like rhythms, all topped off with a slightly tongue-in-cheek video.

Anna is quite open about her mental health and 'No Brakes' explores the writing process when battling these demons. Lyrically, it encapsulates the insecurity that comes with artistry and the perception of 'bad art vs good art', and 'mental anguish vs stability' - whether an artist needs to be in a darker psychological place to conjure up 'good' or credible music.

Speaking about the track, Merival says: “The video for 'No Brakes' was a fun flip around from the track. Whereas lyrically we had a serious subject: depression, and does feeling worse make better art? — This topic was given a spin with contrasting musical elements, for the video we took a kind of goofy narrative and tried to lend some gravitas to the actions around it.”


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Spirit Family Reunion - One Way Ticket.

Nepoer Folk Festival faves Spirit Family Reunion are set to return with 'Ride Free' their first album in four years. Fans will notice a wider variety of instrumentation on a number of songs, from electric guitar to a horn section on “Gradual Power,” though their signature harmonies, Maggie Carson’s banjo, and Stephen Weinheimer’s washboard are alive and well.

Banjo player Maggie Carson contributes lead vocals to the rousing old-time tune “When I Get Home” while washboard man Stephen Weinheimer sings vulnerably about a moment of self-doubt in “Moon In The Mirror.” The insightful “Gradual Power” finds the band exploring the cyclical nature of things. Nick Panken wrote “Come Our Way” towards the end of 2016, exploring the balance between individual action and acceptance on the course of events. The band continues its commitment to traditional folk music with a rousing interpretation of the cowboy classic “Whoopie Ti Yi To.”

Of the single, Panken says, “This is a song about self empowerment, solidarity among outcasts, a thirst for trespassing borders that uphold convention. Being alive is the only permission you need to be here. That is your one way ticket, and it’s as valid as the rest. Though our societies invent criteria that inflict very real suffering upon a multitude of beings, we are all entitled to claim dignified lives simply because we are here. Ultimately this is more real than any fabricated rule or restriction, and this song suggests that the validation you need is contained within you.”

Spirit Family Reunion has played Austin City Limits and headlined the Brooklyn Folk Fest; performed an NPR Tiny Desk Concert; joined tours with Hurray for the Riff Raff, The Alabama Shakes, and Levon Helm; and been streamed well over two million times on Spotify.


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Grace Gillespie - I'm Your Man.

London based artist and producer Grace Gillespie is releasing her new single ‘I’m Your Man’, announcing her debut EP ‘Pretending’.

After “a very musically immersive experience” touring as part of Pixx’s live line up “getting to play alongside the likes of - Nilufer Yanya, Sorry, Cosmo Pyke and Trudy and the Romance”, South London based Grace Gillespie is exploring the world of psych-pop with her new solo material.

Releasing her take on a woozy, romantic ballad, a self-proclaimed “pyjama clad, songwriter living in a fictional apocalyptic world”, the track was born from Grace’s job hunt : “I could imagine an interview scenario where I was dressed up very sharply and was selling myself in an Elvis voice, shaking all their hands: look no further I'm Your Man.” 

Originally from Devon, Grace was constantly surrounded by art: “Both my parents, my grandmothers, my grandpa, auntie and great aunt are all incredible painters, sculptors, print-makers.”

As a child, the most influential gallery she could visit was her own home, filled with visual art by her parents. She explains, “childishly, I liked seeing how the work that related to me – paintings that my mother or father had painted in the years before I was born or in the years when I was very young.”

“For me, all music - my own song writing as well as much of the music I have listened to throughout my life - is attached permanently to specific images and locations,” she continues, carrying on the artistic tradition.

‘I’m Your Man’ is available on all online platforms on 17th May, is the first track from Grace’s debut EP ‘Pretending’ out 28th July on Kaleidoscope.

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Scary Hours - Gathering of Strangers

Just a couple of songs today. First off we have Scary Hours with 'The Real Disease' a song with a message that is conveyed through thoughtful lyrics and some robust musicianship.

Gathering Of Strangers have shared an acoustic live session version of 'Lady' and although I am a little short on info about the band, the video and song stand on their own merit, this is refined alt rock.

Scary Hours - The Real Disease.

Scary Hours create unsettling and raw anti-folk, rich with socio-political humor and the confrontational spirit of punk and hardcore.

Band spearhead Ryan Struck is officially from Jersey, but his songwriting is chock full of references to work life in NYC. The term “Scary Hours” is actually pulled from the Wu Tang Clan track from their 97’ album Forever. It seemed appropriate considering the hours Ryan was working in the city and also references the late hours of a party, when everyone is most intoxicated and you’re not sure what you did the next day. Often Ryan would find voice recordings from those nights that he didn’t remember making and the bones of Scary Hours debut album, Live to Serve, were built on those memos.

Struck cut his teeth in various punk and hardcore bands through his teen years and early 20’s and is currently a sought after multi-instrumentalist who moonlights on bass with The 65’s and drums in Voice of Doom. Reluctant to coin himself as a solo artist, Scary Hours was conceptualized with the intent of writing stripped down acoustic songs, and while it contains some of the jingle and gloss of punk-tinged acoustic pop, Scary Hours debut album is more basement show than coffee shop - Elvis Costello meets Lawrence Arms or possibly a Bukowski-esque Bright Eyes.

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Gathering of Strangers - Lady (Acoustic Session).

Manchester fivepiece Gathering of Strangers’ new acoustic video of their song ‘Lady’.

It’s a big anthemic alt rock track and this is a great stripped down version which showcases lead singer Conor’s husky vocal.

Produced by Thomas Twemlow at Hope Mill Studios, Manchester. Video produced by Oscar Bernstein.


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MwS - Eva & the Vagabond Tales - Future Rootz

MwS have shared 'Moonlight' a smooth, melodic and soulful song with that all important wow factor that makes the piece stand out.

'Sea Will Return You' is from the Southern California folk ensemble Eve & The Vagabond Tales. The vocals are beautifully melodic and the bands musical structure is wonderful and full of Americana refinement.

We don't often feature remixes however Future Rootz have created some really enticing music that is just crammed with quality and fresh creativity, it's just got to be shared, this really is exceptional!
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MwS - Moonlight.

Although the pair recount working with other talented musicians and producers, the scene is unquestionably stronger on the British Isles so a move was always on the cards. However, the whole plan was nearly derailed early on as the pair booked tickets into the UK on the very day we decided to leave the European Union. It’s a wound reopened recently with the uncertainty in the air around the subject and growing worry about the position of touring musicians in the UK.

"The Brexit decision made us feel a bit uneasy about heading to the UK only at the beginning... We have a lot of faith in London, which we know is a very open city that somehow needs people from all over the world. We knew that this was the place for our music so we had to make it happen regardless. In the last months though, there is a lot of worry around Brexit for touring musicians."

The duo first graced the airwaves with their debut EP ‘Swim’. Written and produced between the UK and Italy, with a carefully curated roster of different artists and producers.. The project has since racked up over 600K Streams on Spotify and had support from the likes of Complex, Clash, BBC 6 Music, The BBC Introducing Mixtape, Amazing Radio. They followed up with the beachy, pop-soul leaning ‘Island’. Produced by Grammy winning Aamir Yaqub (Ne-Yo, Rihanna, Will.I.Am) - Island was their first release solely created in the UK. Spotify got behind the track again, with support on their influential “Alternative R’n’B” playlist.

Looking forward to 2019, Giulia and Francesco are looking to take their art to the next level with a string of single releases and a full EP in the summer months. Their last singles were both supported on a number of official Spotify Playlists. This led to support from Jamz Supernova on BBC Radio 1Xtra and BBC Introducing London. The duo are looking to expand on their live presence this year, with live dates for Wilderness Festival confirmed, as well as a fast-selling London headline show. Although their next single is titled ‘Moonlight’ - it’s an exquisite piece of sunshine alt-pop, with a disco feel.

On the track, the duo state: “Moonlight was inspired by a dream Giulia had after watching La La Land. Most of the images come straight from the surreal atmosphere of dreams, where you can sometimes meet ‘your self’ and find the courage to break out of your comfort zone. The song is also an invitation to focus on the positive side of things in order to reach your full potential.

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Eva & the Vagabond Tales - Sea Will Return You.

Eva & The Vagabond Tales, a folk ensemble based in Southern California and led by charismatic Russian-born Eva Mikhailovna, are set to release a new album, their second in May.  Titled Uncharted Ocean, the album features ten original songs that combine western, old folk and ragtime traditions into a musical melting pot, creating a unique and alluring sound that transcends time and continents. 

David Fleming of NPR describes their sound as having “the feel of old Europe.”  Performing alongside Eva as The Vagabonds are Jake Pflum on percussion, Alan Arteaga on electric guitar, banjo and ukulele, Jasmine Capitulo on accordion and Benjamin Purper on bass. Produced by Charles Newman (The Magnetic Fields, The Bones of J.R. Jones), the album also includes Claudia Chopek (Father John Misty, Moby) on violin and viola, Christian Dupree (Jack Johnson) on cello, and Logan Coale (Natalie Merchant) on upright bass. 

The song “Sea Will Return You” was released as a single digitally on May 10.  Uncharted Ocean will be released digitally, on CD and on “Sea Green” vinyl on May 17.  The band will play a special album release showcase at Hotel Café on May 15. The video was directed by Mikhailovna with the help of Pflum and aerial camera operator Miguel Galindo.

Says Mikhailovna: “This album combines songs from every season in my life. The songs were written over a period of ten years, and some of the instrument tracks we managed to salvage are so ancient that you can almost hear the hours trying to catch up with you as you listen to it. Layering the new crispy clear recordings on top of the older ones gave the album a lot of character.

A lot of these songs have a reoccurring theme of the ocean. There are songs about someone sailing away and never coming back, a mysterious lighthouse where you have to watch your every step, someone who would rather stay comfortable in shallow waters, and a song about memories sinking into the deepest parts of the ocean where nobody can find them. I liked the name “Uncharted Ocean” not only because of the ocean metaphors, but also because this album was like uncharted territory in my own life. This was my first time working with a producer, and my first time letting someone else enhance my songs, pushing them in directions I didn’t think they could go. “


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Future Rootz - What Goes Up Remixed.

Future Rootz is a collective of Chicago-based mixed media DJs who spin and remix global roots, tropical bass, world electronic and Latin house music. The collective produces events in Chicago highlighting local and international artists and DJs from all over the world. Future Rootz just released its first record as a label, What Goes Up (Remixed), on limited-edition vinyl.

What Goes Up (Remixed), which includes remixes by Maga Bo, Ron Trent, AfroQbano, Sound Culture, Sol Power Sound, Kevin Ford and Jose Marquez, is a companion piece to 2017’s What Goes Up.

True to its original intent as an evolving musical experiment, Chicago Afrobeat Project now angles its afrobeat roots sideways, pushing a vocal-heavy band that drips with slippery funk and rhythmic hiphop. After years working with Tony Allen, master drummer behind Fela Kuti and the creator of Afrobeat, the group’s grasp of the musical form is uncontested. It’s the deviation from tradition that continues to make the band’s sound contemporary and relevant.

With the addition of male emcee Legit and female vocalist Rhea the Second, tightly executed hip-hop verses scatter across the top of CAbP’s bubbling Afrobeat rhythms. Rhea’s soaring vocal melodies intersect with the full horn section, which at times will either punctuate to emphasize these vocals or intertwine with the vocal melody itself. The sound is rich, and there’s a lot to sink your teeth into whether you’re a fan of Fela or the burgeoning young Chicago hiphop scene.

The group began in 2002 as a collective of musicians sharing a common interest in West African rhythms. Quickly they realized that mixing Afrobeat with Chicago house, indie rock, hip-hop and jazz opened new avenues for experimentation.

Fast-forward hundreds of tour dates and five studio releases later, and the group has found ways of interpreting Afrobeat through American urban sounds. Through it all, CAbP has been at the center of the emergence of the North American Afrobeat scene. On its newest releases, What Goes Up Remixed (2019) and What Goes Up (2017), the band features special guest Tony Allen, as well as many Chicago vocalists and MCs.

Allen, once exclaimed by Brian Eno as “perhaps the greatest drummer who ever lived,” plays kit on all 10 tracks, recording his signature beats behind the band and vocalists. This collaboration makes Chicago Afrobeat Project the first American Afrobeat band to produce a full-length studio record with Tony Allen.

Taking the vocal helm on the album are Akenya (Noname, Chance the Rapper), JC Brooks, Kiara Lanier, Legit (Chance the Rapper), Ugochi, Oranmiyan and Rico Sisney/Maggie Vagle (Sidewalk Chalk). The band’s new vocal-laden approach makes the songs on What Goes Up concise and intentional, and markedly different from CAbP’s prior recordings.

A staple of the American live music scene for years, the band’s live show now combines its historically instrumental style with the new vocal approach. Crowds feed off the spontaneity of the soloists and enthusiasm of the band.

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The Curls - Diamond Thug - Jeanines

The Curls new single 'Lemon Lime' is a rhythmic psych/indie pop song with bags of originality. The fabulous musical arrangement competes with some slightly quirky but pleasing vocals, all coming together just right.

It's been over a year since we last featured Diamond Thug, this being their forth appearance on Beehive Candy. We have the new video for their recent release 'Tell Me', the band's distinct sound and quality continues to impress and appeal.

Jeanines emphasis on short to the point bursts of indie music are nonetheless very catchy, you just have to play each song twice, that's all!
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The Curls - Lemon Lime.

Chicago, Psych-Pop band The Curls have debut their new single "Lemon Lime". The track comes off their forthcoming album Bounce House due out June 7th, 2019 on Diversion Records.

The Curls hail from Chicago but seem to mentally reside in outer space or perhaps the lush palm tree lined hills of Hollyweird. An all-star cast of accomplished Chicago musicians led by songwriter Mick Fansler, the group blends genres like these health nuts blend their smoothies. As such, their music has been labeled Psych Pop, Art Rock, Nu-Angular Guitar and even Hardcore Experimental Power Adult Contemporary.

After being praised by Stereogum, Pitchfork, Under The Radar, The 405, and more, and following their 2017 album, Super Unit, The Curls have been avidly playing prominent music festivals including 2018's Pitchfork Music Festival and this year's SXSW, leading them to share stages with popular music greats like Tame Impala, Courtney Barnett,  Maps and Atlases, and Post Animal.

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Diamond Thug - Tell Me.

Formed in a basement in Kommetjie, a small surf town on the southern tip of Africa, Diamond Thug combine Sub-Saharan rhythms with indie pop dreamscapes, with a vitality and energy bursting from the seams of each track that becomes juxtaposed with melancholic themes.

Lead singer Chantel Van T’s luscious vocals wash over layers of guitar, synth-bass and pounding drums with a certain quiet power. When Chantel was a teenager, she wanted to be a quantum physicist, which may explain some of Diamond Thug’s lyrical subjects.

The band’s debut album Apastron was set within the depths of space, with celestial bodies and laws of planetary motion being used as metaphors for earth-bound problems. New EP Gaiafy turns inward to human experience, pairing nihilism and existential crises with allusions to climate change.

The band tell us that new track ‘Tell Me’ is “an empathetic song, dealing with the acceptance that suffering is a shared experience of all of life, albeit to differing degrees. Through our suffering, we are healed and can offer our healing to others in the form of sharing experiences.”


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Jeanines - Winter In The Dark.

Brooklyn's Jeanines specialize in ultra-short bursts of energetic but melancholy minor-key pop. With influences that run deep into the most crucial tributaries of DIY pop — Messthethics, the Television Personalities, Marine Girls, early Pastels, Dolly Mixture — they've crafted a style that is as individual as it is just plain pleasurable. Alicia Jeanine's pure, unaffected voice muses wistfully on the illusions of time, while My Teenage Stride/Mick Trouble mastermind Jed Smith's frantic Motown-esque drumming and inventive bass playing provide a thrilling rhythmic foundation.

"Winter In The Dark" and a lovely, jaunty cover of The Siddeleys' "Falling Off Of My Feet Again" provide great insight into what Jeanines are about. 60s-meet-80s melodies combine with timeless guitar jangle in a way that recalls everything from The Aislers Set and Saturday Looks Good To Me to more recent DIY pop groups like Parsnip and Chook Race. Album opener "Either Way," "Hits The Bone" and "Where We Go" hearken back to some of the most intriguing bands of the C86/C88 era, when bands like Jesse Garon & The Desperadoes crafted perfect pop gems enlivened by the inspiration of punk.

Gorgeous songs like "Where I Stand," "Too Late" and "In This House" are windows into Alicia's lyrical style and inspiration. She expands: "I'm kind of obsessed with mortality and how weird the passage of time is so I think my lyrics reflect that. I definitely lean into that kind of melancholy state of mind when trying to think of lyrics, while trying to avoid cliches!" The marriage of the minor-key melodies and melancholic lyrics is powerful and make Alicia's songs all the more memorable, especially so on songs like "No Home," with its echoes of girl harmony post-punk groups like Grass Widow and Household.

Clearly, with 16 great songs included, there is a lot at work here on this standout debut album. Jeanines have been compared to such cult pop icons as Dear Nora, Black Tambourine, and more recent acts like Veronica Falls and Girl Ray, but their dark, modal melodies and pensive, philosophical lyrics, along with Smith's versatile but ever-economical musicality, ensure them a place of their own in today's crowded but boisterously healthy DIY pop scene.

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Lookalikes - Diving At Dawn - Lord Sonny the Unifier - Nathan & Jessie

'Wild Things' is the debut single from Lookalikes a duo made up of Al Currie and Joel Skurrie. It's an impressive indie piece with plenty of depth, power and some fine vocals.

Diving At Dawn has shared 'The Humbling of a Good Man' an expansive sounding and well arranged song with plenty of melodic hooks and some excellent story line lyrics.

From Lord Sonny The Unifier we have the new album 'Final Notice!' which is accompanied by a short biography (see below) that adds some real insight into the album and it's final arrival. As for the music, well the collection strides across differing rock genres, expect plenty of imagination and a truck load of hooks along the way.

We shared a couple of songs from Nathan & Jessie last month and 'Worse Than Worse' makes for a fabulous third track to include, their infectious warmth and delicious vibes are hard to resist.
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Lookalikes - Wild Things.

Emerging from Melbourne’s vast musical melting pot, duo Lookalikes prove they are far from ordinary with their unique debut single ‘Wild Things’.

Surging with joy and oozing charm, the electric indie bop swoops in with an onslaught of groovy bass tones, folk-spiked guitar riffs, and gliding harmonies. The first glimpse into their upcoming EP, it’s refreshing to see their inception have such clarity and vision.

Taking pointers from Maurice Sendak’s famous novel, ‘Wild Things’ encourages the listener to stand up for what they believe in, and truly be themselves. “It's about strengthening your character and letting your walls come down in doing so. It’s throwing away the feeling of everyone being against you and throwing down your barricades to express yourself free of judgement,” singer Al Currie explains.

Lookalikes is the project of Al Currie and Joel Skurrie, both of whom have been heavily involved in music since a young age. Beginning their collaboration in 2016, the grand reveal of 'Wild Things' proves that their years of hard work has paid off masterfully.

With the launch of their live shows and debut EP still yet to come, there’s lots to look forward to from the pair; a promise these Lookalikes will be familiar faces in no time.

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Diving At Dawn - The Humbling of a Good Man.

Featuring an orchestral accompaniment recorded over Skype (potentially the worlds first skype-orchestra), we have the new video to accompany the debut single ‘The Humbling Of A Good Man’ from Diving At Dawn (a new project from Pete Hobbs of The Boy Least Likely To).

Talking about the track, Pete explains "'The Humbling of a Good Man' is a soundtrack to everyday life. Dreams fall by the wayside, ambitions get cut to the quick and lives aren’t lived to the fullest. The song finds the protagonist at the end of a journey, the end of a dream, crash landing back into suburbia and trying to make sense of where he’s been and what’s to come”.

Released just this week, Pete goes on to explain the inspiration for the video.  “The Humbling of a Good Man is a song about a guy realising that his dreams and ambitions aren’t going to be fulfilled and contemplating what his future will look like. For the video I moved the character slightly on into the future, hopefully showing that whatever happens in life there is always some light at the end of the tunnel.”


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Lord Sonny the Unifier - FINAL NOTICE!

Brooklyn-based alternative rock band Lord Sonny The Unifier is lead by Gregory Jiritano. Jiritano began playing guitar at age 8, formed his first band band at age 12, and began playing in NYC bars at age 16. After the loss of his recording studio a fire in 2015, he had to throw in the towel - and his unfinished album - or regroup. He regrouped. Jiritano conspired with good friend Carmine Covelli to play drums, soon met Tyler Wood, a keyboard-wizard-freak and sound guru, Tyler swore by his good friend Derek Nievergelt on Bass, and thus Lord Sonny the Unifier was formed...and album completed.

"I began playing guitar at age 8 and so I cannot remember life without a guitar in my hands or very nearby. It was a $20 acoustic guitar my mother brought me back from Mexico. After moving on to an electric guitar, I joined a band at age 12 and miraculously we got gigs at schools, local fairs and church basements. At 16 I began playing in bars in NYC and the surrounding boroughs. 2 years later I began writing, and it was at this time I got very interested in the recording process and decided it would be best if I owned my own recording equipment in order to be a self reliant musician and to begin sonic experiments without restrictions, either by studio cost and time restraints or record label handicaps. It was also then that I decided it would be best to concentrate solely on my own songs and projects and not be distracted by playing other peoples music in other bands no matter how lucrative or exciting the prospect might be.

"And so began the real journey. I spent those early years working with John Schumann (who later started an effects pedal company called Schumann Electronics) I isolated this band in the mountains of Massachusetts and wrote and recorded using only modified analog effects and stringed electric instruments aided by John’s electronic wizardry often over dubbing up to 40 guitars. It was a time of extreme sonic experimentation. We worked for 6 years recording there on a 24 track 2inch tape machine using only analog outboard gear and stringed instruments…even the drum sounds were produced by stringed instruments.

"Unfortunately, none of this music was released and due to its’ extreme recording techniques we never performed live and we then went our separate ways. I moved the studio back to Brooklyn and began a solo project playing all the instruments and limiting the guitar tracks to 12 or so and after 3 years that recording was also complete. Misfortune again struck and as I was plotting its’ release and promotion the building the studio was in caught fire and burnt to the ground and everything I had purchased to pursue the dream of recording was gone. I now had no money to promote this just completed album and so it too was abandoned. I needed to regroup in order to plot the next step.

"The next step is this new release FINAL NOTICE! I decided to not purchase a new studio but rather to use ones available to me and to pay up front as in the end it would be a more expedient way to accomplish the recordings. I’d plotted with my good friend Carmine Covelli to play drums and soon thereafter met Tyler Wood who is a keyboard wizard freak and also a sound guru in the studio. It was he who swore by his good friend Derek Nievergelt on Bass and so Lord Sonny the Unifier was created.



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Nathan & Jessie - Worse Than Worse.

Nathan & Jessie are chronic world travelers, drawing inspiration from all they’ve encounter on their wayfaring journey. They have played in dive bars around the California desert, in the streets of New Orleans, on the subways of NYC, and listening rooms rooms and performing arts centers across the globe including Mexico City and Paris.

Along the way, they’ve picked up awards for ‘Best Blues’ and ‘Best Country’ Song at the Temecula Valley Music Awards, recorded live sessions for Acoustic Guitar Magazine and Nashville’s WMOT Roots Radio, and played alongside folk luminaries like Handmade Moments and Dustbowl Revival.

Their sophomore release, You’re the Star, is the follow-up to their incredibly self-assured 2018 debut, That’ll Never Be Me. Many of the songs on the new LP were crafted late at night while on tour. Tired and cold, often with nowhere to go, fingerpicking and singing to a new city, Nathan & Jessie comforted each other with their music.

That warmth and sense of well-being can be felt in the resulting recordings. It’s if Django Reinhardt and Peggy Lee decided to pull their material from the Great American Songbook - it’s chock full of style, yet there is little pretense with these two. They are simply sharing their lives through their music and, fortunately for us, these two individuals lead their lives in a very unique way.

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