Regarded by many as the best The Smiths live bootleg (and vastly superior to the 'contractually obligitory' live album Rank), this concert recording was from the second of two nights at the Los Angeles Universal Amphitheatre and performed on August 26th, 1986.
Circulated as a silver disc by 'Big Music' and titled Thank Your Lucky Stars. (Big Music :: BIG091) the CD version uses artwork reminiscent of The Smiths own album covers.
The NME reviewed this concert as follows - Los Angeles Universal Amphitheatre - August 25-26, 1986
Whoever said that misery loves company wasn't kidding - almost 12,000 people turned out for The Smiths' two-night stand in Los Angeles. What they heard were 24 perfect pop sparklers, exquisitely executed by maestro Johnny Marr, while the Most Miserable Man in Manchester camped around the stage, occasionally stopping to pose languidly across the monitors, nipples to the wind, to face his adoring public.
But this was a wondrous journey through The Smiths' songbook, from 'Hand In Glove' to 'Panic', with all those funny, depressing, and anguished points in between.
Listening to The Smiths on record forges such a bond of intimacy between Morrissey, the music, and the listener that hearing those same songs played live, in front of thousands of people, is like having your diaries read aloud in public. Sharing The Smiths can be painful.
The man Himself was at his most winsome, triggering a minor stage invasion by telling the restless crowd, "If you get stopped by a security guard, kiss him on the lips!"
After being pelted with enough flowers to start his own nursery, the Singer acceded to popular demand by divesting himself of his shirt, revealing, appropriately, the hairless, caved-in chest look usually associated with seven-stone weaklings. Morrissey was, by turns, foppish, funny, and effete, but never dull."
- Jane Garcia, New Musical Express
Source: Soundboard
Sound Quality: Very good stereo mp3@320kbps.
Genre: Indie Pop and Rock.
Set: Full set.
Set List:
01. Please, Please, Please Let Me Get What I Want
02. Still Ill
03. I Want The One I Can't Have
04. There Is A Light That Never Goes Out
05. How Soon Is Now
06. Frankly Mr Shankly
07. Panic
08. Stretch Out And Wait
09. The Boy With The Thorn In His Side
10. Is It Really So Strange
11. Cemetry Gates
12. Never Had No One Ever
13. Rubber Ring - What She Said
14. That Joke Isn't Funny Anymore
15. Heaven Knows I'm Miserable Now
16. The Queen Is Dead
17. Money Changes Everything
18. I Know It's Over
Website:Two Good Sites - Files Online HERE. Ask Me (Ask Me Ask Me)HERE.
Comments:
The will they or wont they debate over a reunion of The Smiths has dragged on through out this decade with incredible sums of money mentioned for a tour. Both Johnny Marr and Morrissey have repeatedly said in interviews that they will not reunite the band. With sums of £40 million being mentioned clearly it is not the money. The magic of The Smiths live in concert is atleast done justice by this concert recording.
This is Calexico in concert at the Roskilde Festival held annually south of Roskilde in Denmark, with this concert taking place on the 1st July 2000. They were joined on stage part way through the set by touring companions Mariachi Luz de Luna.
This show took place the evening after the tragic accident during the Pearl Jam set where nine fans were killed when the crowd surged. (Pearl Jam's song "Love Boat Captain" references the tragedy with the line "Lost nine friends we'll never know... two years ago today." When performed in concert, lead singer Eddie Vedder modifies the lyric to reflect the passage of time since the tragedy).
One of Calexico's founder members Joey Burns remembered the occasion as follows - "Calexico and members of Mariachi Luz de Luna travelled roughly 1,000 kilometers the night before our performance at Roskilde in Denmark on July 1, 2000. I am sure we had been up nearly the whole night partying and watching movies on the bus and were fast asleep upon arrival to the festival. When we all woke the next morning there was an unusual somber tone in the air as we began hearing the news and details of the tragedy that occured the night before during Pearl Jam's set on the main stage. We couldn't believe it and were all in shock. How could so many people die at one of Europe's most renown festivals?
Some bands decided to cancel and there was confusion at first whether or not the festival would continue. For a while we were all on hold not knowing what would happen. It was a very difficult decision, but the promoters of the festival decided to go on as scheduled.
Chan Marshall of Cat Power played before us early that afternoon all by herself on the same stage as us and
delivered a very heartfelt and moving set. She tapped into the spirit that everyone in the whole festival grounds was feeling with her soulful voice and minimal accompaniment. After experiencing her set, John Convertino and I decided to begin our set as a two piece (drums and guitar) and play an instrumental meditation in honor of those who had passed away. From there we slowly built up the dynamics of the set and it was clear that even though the crowd was in a state of mourning, they also wanted to celebrate, and so when the surprise guests of Mariachi Luz de Luna walked onstage, the whole crowd lit up. It was an amazing set, one we will never forget."
Source: Soundboard
Sound Quality: Very good stereo mp3@192kbps.
Genre: Americana, Indie rock, Alternative country, Roots rock, Tex-Mex.
Set: Full set.
Set List:
1: Introduction
2: Wash
3: The Ride, Part II
4: Service & Repair
5: Tulsa Telephone Book
6: Fade
7: Minas de Cobre
8: Ballad of Cable Hogue
9: Canción del Mariachi
10: El Picador
11: Frontera/Trigger
12: Hey Baby, Qué Paso
13: Stray
14: Cascabel
15: Crystal Frontier
Calexico is a Tucson, Arizona-based Americana / Alternative country band. The band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records, while their 2005 EP In the Reins recorded with Iron & Wine has reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi / conjunto / cumbia / Tejano music and also the Southwestern United States country music as well as '50s-'60s jazz and '90s-'00s post-rock, and they have been described by some as desert noir or indie rock. The band is named for the border town of Calexico, California.
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We start August with some great new songs and the first one has been on my personal playlist from the day I received it.
Dominant Legs call San Francisco home. Capitalizing on newfound free-time, as a result of being laid off from his job as an office assistant, Ryan Lynch began to write (and we quote) 'theglittering ballads and blurred-out pop songsthat, with the addition of Hannah Hunt, make Dominant Legs'.
Some background - Ryan Lynch, who is also the guitarist of Girls, and Hannah Hunt, both San Francisco Bay Area-natives, were introduced through mutual friends and began collaborating when Hannah Hunt moved back to California after studying Architecture in New York. Ryan Lynch had been honing the band’s misty, nostalgic sound for a while, experimenting with songwriting as a kid and having spent the previous few years playing guitar in another SF band. Hannah Hunt spent her childhood singing and performing; her eternal passion for music led her to dive back in after years of not performing. With Ryan Lynch on guitar and vocals, and Hannah Hunt on vocals and keys, Dominant Legs' sincere and dance-y pop songs tap into a sound that is at once naively sweet and self-consciously tragic.
Dominant Legs first EP Young at Love and Life will be released on Lefse Records August 17th, 2010.
Beehive Opinion: Love this song and look forward to the EP, both the musicianship and vocals suggest this band can really go further. Featured Track:Clawing Out Website:MySpace.
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And we quote - The Polyamorous Affair is a nomadic-by-way-of-Los Angeles duo who weave a rich fantasy world into their own mischievous brand of electronic pop. The duo which formed in Denmark in 2007 is comprised of Eddie Chacon and Sissy Sainte-Marie who currently divide their time between Copenhagen and Berlin.This summer they release their 3rd album, Strange Bedfellows. Widely acclaimed across the board from NME to Dazed Digital to bedroom bloggers, The Polyamorous Affair have become known for their strategic simplicity, chilly beats and warm vibes, all set in some bizarre frame of opulence. Their latest release finds the two conjuring up a strangely seductive electronic hybrid laced with haunting guitars and live percussion that pull you in, spellbound. Their live show is a multi-media experience featuring pioneering Visualist Mr. Cocoon.
Strange Bedfellows, the third release from The Polyamorous Affair finds the duo offering surprisingly few duets, instead each branching into two distinct styles. Eddie reconnects with his soul roots and traditional songwriting while Sissy taps into dreams and trails off on mystical disco byways.
Beehive Opinion: The duo extract and deliver tremendous atmosphere without over layering their music, whats more you can either dance or just chill to them! Featured Track:Hypnotized. Website:MySpace.
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Right them for the third song, we are taking a different direction and whats more we are going to do some serious name dropping!
Chad Hollister has opened for Bob Dylan, Paul Simon and Tom Petty, and in the fall (thats Autumn for us folk the other side of the pond) of 2009 he released Chad Hollister, his fourth CD. The self-titled disc was produced by Anthony J. Resta (Elton John, Collective Soul, Shawn Mullins).
Hollister’s musical style shines original with his percussive background. His personal lyrics are appreciative of a life on Mother Earth and his music is “pure sonic alchemy,” according to Anthony J. Resta.
In addition to opening for Bob Dylan, Pual Simon and Tom Petty, Chad Hollister has shared the stage with Warren Haynes (The Allman Brothers Band, Gov’t Mule), every PHISH member, Merl Saunders and Dave Mattacks (Jethro Tull, Paul McCartney, Fairport Convention).
Chad is on the rise, with “Grow,” a song from his Chad Hollister disc, having gotten midway up New Music Weekly magazine’s AC/Hot AC chart soon after its release.
Beehive Opinion: Who needs to name drop? I have to admit I did not know Chads music until recently and this has been a pleasant introduction, fine crafted songs, the guy stands on his own (mind you not a bad resume to be able to quote!). Featured Track: Grow Website:Official.
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Baltimore's Soft Cat is set to release their debut record with Friends Records in Fall 2010
Raised in Texas, Soft Cat’s Neil Sanzgiri combines as many people and resources as he can together to create a unique blend of influences and arrangements ranging from folk pop to classical baroque interpretations on the singer/songwriter genre.
As lead singer of the Dallas based psych-pop band Voot Cha Index (who recorded with The Polyphonic Spree bassist Mark Pirro) while still in high school, Neil Sanzgiri relocated to Baltimore, MD to attend college while still keeping contact with many of the Texas affiliations he had. After returning in summer of 2008, he formed Talking Tiger Mountain with members of Sleep Whale, Sunnybrook, Matthew & The Arrogant Sea, and a number of other Denton friends, creating monumental folk rock tales. Soft Cat retains many of the production styles learned from both of these bands and integrates it in his own view of what he calls “the sound of everything that never happened” from his favorite songs.
Wild Space is Soft Cat’s first album released through Friends Records. The ideas in this album are a collection of themes and explanations growing to a symphonic conclusion. As Neil explains it, “Any concentration of wilderness, growth, or life contained in a surviving ecosystem located in an urban setting is known as Wild Space. It is a non-domesticated area existing and dwelling as arcane emptiness. Wild Space creates fear from the unknown yet gives context to conformability. Organisms grow and cultivate while going unnoticed. Wild Space serves as the in between spaces in our lives.”
Beehives Opinion: We Like music that explores ideas and deserves recognition for being different without being self indulgant. We think Soft Cat are just about there, love them. Featured Track: Blackbird. Website: MySpace.
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Now if you are finding this 2010FM edition a little to gentle then we have a remedy for your ears.
We are informed - AWOLNATION is a riptide of head-banging dance beats, toe-tapping soul, biting lyrical cleverness and fiery rock romp that is poised to break all the rules of pop music. Who are we to argue..
..and theres more.. More than just a band, AWOLNATION is also an outlet for AWOL’s artistic outlook. To complement the band’s sound and musical aesthetic, AWOL has unearthed a series of Deep Danger and Lost Signal short films that combines the careful details and painterly attention of a Wes Anderson film with the sci-fi imagination and intergalactic absurdity of Barbarella, the movie. You can discover this just HERE.
Beehives Opinion: Woke us up. Turn it up loud. Featured Track: Burn It Down. Website:MySpace.
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A press release that calls the band 'bohemian-folk-punk' cannot fail to get our attention.
Indeed one review described The Gypsy Nomads as follows - “The arrangements feature strong roots in Eastern European and French folk, steam-punk imagery, post-punk, Siouxsie-style vocals and just the right sprinkling of straightforward punk rock. The result is irresistible, magically enchanting.” - Denver Thread
And there is more - The audacious bohemian-folk-punk duo The Gypsy Nomads, lovingly known to long-time fans as “Frenchy and the Punk”, revel in feverish punk-rock vigor, old world melodies, and vaudevillian decadence on their new album, ‘Happy Madness’ (Gilded Age Records / E.A. Recordings). Eugene Weekly praised the album highly, saying, “A sense of magic develops throughout this album, as The Gypsy Nomads explore the interplay between the past and the present,” while Blog Critics referred to the music as “a very unusual experience and an audial trip around the globe,” and Sepia Chord said "It's like the secret history of fairy tales as told in your favorite corner bar at a surreal after hours party".
Beehives Opinion: We are seriously loving this act, if Siouxsie has a musical sister this is her in the form of Samantha Stephenson and the highly talented 'punk rock' guitarist Scott Helland. Featured Track:Make Out. Website: Official.
Tour Dates:
August 7, 2010 - World of Fae Festival - South Elgin, Illinois
August 8, 2010 - World of Fae Festival - South Elgin, Illinois
September 17, 2010 - Mystickal Voyage Cafe - Nottingham, MD
September 18, 2010 - Mountain Mabon Festival - Clarksville, VA
September 24, 2010 - Earth Warriors Festival - Clarksville, OH
September 25, 2010 - Cirque A Circa - Grand Rapids, MI
October 9, 2010 - Halloween Witches Ball - Mount Holly, NJ
October 10, 2010 - StrowlersCon - Woburn, MA
October 23, 2010 - Celebrate Samhain - Peterborough, NH
November 6, 2010 - Pittsburgh Witches Ball - Pittsburgh, PA
November 13, 2010 - FaerieCon - Baltimore, MD
November 14, 2010 - FaerieCon - Baltimore, MD
November 19, 2010 - Steam Con - Seattle, WA
November 20, 2010 - Steam Con - Seattle, WA
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From the opening chords of the featured song by The Public Good, I was thinking 'sounds a bit like The Yardbirds' but in a good way. So no surprises when they mention growing up loving 'the British Invasion' bands from the 1960's.
Theres alot more to this band than just that aspect as their promo states - They are a band with something to say and their own way of saying it. Some of their songs, such as “(Imagine the Girlfriends I’d Have) If I Still Had Hair,” are fun and funny on first listen, as the balding singer wishes out loud that science could clone Bob Dylan’s “big fro.” But keep listening and the song’s poignant sense of longing and self-doubt becomes gently apparent.
Other songs, like “Black Ice,” from the group’s new release A Varied Program of Stereo Dynamics for Your Wild Nights Alone, are deadly serious from the opening riff. The song is drawn from bassist/vocalist Steve Ruppenthal’s reaction to a cancer diagnosis in his family. “It’s the little things in life that mean so much/ A tiny black spot that keeps us in touch,” he sings of an X-ray result that changes everything. “There’s no cheap emotion in that song,” says keyboardist/guitarist/vocalist Sam Esquith. “It’s not sentimental at all.”
But whether silly or sobering, The Public Good’s songs are always intelligent. For cynics who hold to the belief that smart rock & roll is some kind of an oxymoron, just one listen to The Public Good will put that fallacy to rest.
“… whip-smart power pop that's as long on wit as it is on hooks …catchy music with a scathing perspective, leavened by a dose of self-awareness.” IndyWeek Beehives Opinion: Can't fault IndyWeek would add 'gritty, no nonsense' and a few other cliche's - you get the message, deserve to be heard. Featured Track:You Looked Good. Website: Official.
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The Humms release their debut album 'Lemonland' this week (August 2nd). The background goes as follows - The Humms were formed in March of 2008 by Zeke Sayer with friend Tyler Glenn in Hartwell, GA. They recorded the first songs in Zeke’s studio which was (at the time) housed in a 1950’s mobile home using an extension cord for power and was self- proclaimed to be haunted by the previous owner of the property who died right outside the door. Two months later in May they added a drummer, John Bleech. They practiced in Zeke’s living room for five months, often playing for whoever happened to be around the house during parties on the weekends. In October, they played their first official show at Tasty World in Athens, GA.
In 2009, the band relocated to Athens, GA and gained a slim but sturdy following from playing the local clubs like Caledonia Lounge and the 40 Watt. In November directly after a show, Tyler and John left the band due to undisclosed reasons. Sayer moved back to his home studio in Shoal Creek, GA and began work on the first Humms record intitled “Lemonland”. After 5 months of work on the debut, the Humms saw a live format once again thanks to Kentucky native Jessica Miller on Bass Guitar and West Coast drummer “Ziggy Zag” of the band Pipsqueak.
Following up from their super limited EP 'Are You Dead?' (2009, Odd Box Records) which was voted #2 in the Sounds XP writers poll for 2009. The Humms return with their debut full length LP. Part-psychobilly, part-garage rock, even a hint of primeval Nashville, The Humms are an Athens, Georgia (US) trio who make loud music about murder, drugs, drunks, ghost, hippies, colours and of course…love. Their lysergic graveyard take on rock’n'roll is equally informed by rockabilly, Big Star and the Nuggets compilations.
Lemonland is 18 songs that are inspired by the great and good from the past whilst managing to sound as fresh as anything released in 2010. This is timeless rock n roll music that will bring goosebumps out on all those that still can get a thrill at sheer the beauty of rock n roll.
Beehives Opinion: It's yet one more release we keep giving another listen too, loads of energy, somewhere between garage rock, power pop and their own place. Featured Track:Dont Think About Death.
Website: Official.
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Finally this time round something of a rarity to enjoy. Last year Arab Strap completed a previously unfinished and unreleased track called Daughters of Darkness. The song was included within the boxset from Chemikal Underground, "Scenes of a Sexual Nature" but doesn't appear on any previous albums or the reissues of "The Week Never Starts Round Here” and “Philophobia”.
Arab Strap were of course an indie rock band from Scotland that consisted of core members Aidan Moffat and Malcolm Middleton. The band were signed to independent record label Chemikal Underground, and split in 2006. As indicated by the title of Belle and Sebastian's third record, The Boy with the Arab Strap, and by Aidan Moffat's involvement in the two Reindeer Section albums, they were a central part of Glasgow's influential late 1990s music scene.
On August 17th, 2010 Chemikal Underground will reissue Arab Strap’s seminal first two albums “The Week Never Starts Round Here” and “Philophobia”. Not only do both albums include a bonus disk of previously unreleased BBC material, but the reissues also mark the first time Chemikal Underground have been able to offer these albums together digitally. They have kindly given us the OK to also share the final track.
And finally this time around Beehive Candy are advised of a brand new Arab Strap Reissues Twitter Contest. The contest, which takes place over Twitter will offer contestants the chance to unlock 5 exclusive videos from the inimitable Arab Strap front man, Aidan Moffat along with the chance to win an Arab Strap prize pack. To find out more click HERE. - Featured Track:Daughters Of Darkness.
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Toto may have gone through lead singers for a while like Spinal Tap went through drummers, however the incredible musicians that have made up the band down the years are in essence what Toto has always been about.
By the time of this concert performance at the Montreux Jazz Festival on the 5th July 1991 (venue The Casino, Montreux, Switzerland) , guitarist Steve Lukather had stepped up to the microphone and become the new front man.
Sadly this was one of the last live concerts with founder member and band drummer Jeff Porcaro who died a year later (Jeff tragically suffered an allergic reaction from a pesticide he was using in his garden). This recording has as a result, always been something of a collectors item for Toto fans.
In October 2009, the individual founding musicians of Toto were inducted into the Musicians Hall of Fame. Steve Lukather, David Paich, Steve Porcaro and David Hungate were present, with Mike Porcaro's and Jeff Porcaro's family members accepting their awards in absentia.
Source: Soundboard - FM Broadcast.
Sound Quality: Very good stereo mp3@160kbps.
Genre: Rock, pop rock, hard rock, jazz fusion.
Set: Full set.
Set List:
1. On The Run
2. Kingdom Of Desire
3. I’ll Be Over You
4. Africa
5. Jake To The Bone
6. Red House
7. Band Introduction
8. Rosanna
9. Hold The Line
10. I Want To Take You Higher
Line Up:
Jeff Porcaro: drums
Steve Lukather: guitar & vocals
David Paich: keyboards & vocals
Mike Porcaro: bass
Chris Trujillo: percussion
with Fred White, Jackie McGhee, Jenny Douglas, and John James.
Comments:
From wikipedia - Prior to the formation of the band, Toto members were regulars on albums by Steely Dan, Seals and Crofts, Boz Scaggs, Sonny and Cher, and many others, contributing to many of the most popular records of the 1970s. Keyboardist David Paich, son of famed musician and sessions player/arranger Marty Paich, rose to fame after having co-written Boz Scaggs's Silk Degrees album. Having played on many sessions with drummer Jeff Porcaro (the son of noted session percussionist Joe Porcaro, who he met while attending Grant High School in North Hollywood, California where they formed the band Rural Still Life), the two began to seriously discuss the possibility of forming their own band. They brought in bassist and fellow session vet David Hungate, having played with him on the road with Boz Scaggs. In addition, the duo asked guitarist Steve Lukather (who also played in Scaggs's band as a replacement for Les Dudek) and Jeff Porcaro's brother Steve Porcaro (keyboards) to join the team. Luke and Steve Porcaro also attended Grant High and in fact continued the band Rural Still Life (the name shortened to Still Life) after Paich & Jeff graduated. With the addition of former S.S. Fools singer Bobby Kimball, the group began to work on their first album in 1977 after signing with Columbia Records.
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Regarded by many as the best The Smiths live bootleg (and vastly superior to the 'contractually obligitory' live album Rank), this concert recording was from the second of two nights at the Los Angeles Universal Amphitheatre and performed on August 26th, 1986.
