Saturday, 16 January 2021

Jo Yonderly - Mark Elliott - Turkey The Bird - Souly Us - Loumy - William The Conqueror - Kalbells

Jo Yonderly - Dead inside the inside.

The long time missing underground artist Jo Yonderly has finally been found! After years of searching, the man behind the mystical and enchanting demos that reached the Rama Lama HQ some time ago have been tracked down in Malmö, Sweden. 

This with great help from Djoana Djones who is currently making a documentary about the journey, the first teaser is available to see here. ‘Dead inside the inside’ is the first track to reach the public’s ears from a forthcoming debut album.

‘Dead inside the inside’ is something you’d imagine to be a classic, but hard to define from what decade, or is it even from the future? It hits you right from the start and as the title line echoes in eternity you really get the feeling of being “dead inside”.

We asked Jo Yonderly to describe Dead inside the inside for this press release and he said: "I generally don't like blogs and papers, and so it evens out, but if you have to quote me, tell them it's about the abscense of mental health".

Dead inside the outside is out now on all platforms through Rama Lama Record.

 

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Mark Elliott - Talk to Yourself.

Mark Elliott's “Talk to Yourself” The Runaway Home member’s latest single begins with a mellow guitar intro evocative of Chris Stapleton’s Jazzmaster on “Tennessee Whiskey.”  The groove will immediately bring you into the bluesy, guitar-forward, country space occupied by Keith Urban’s “Blue Ain’t Your Color” and Hunter Hayes’ “Rainy Season.” However, “Talk to Yourself” is far from a sad song about a downhearted girl or a failing relationship. 

It’s a heartfelt, comforting waltz that reassures you “it’ll all work out if you try” and treat yourself like a good mother or kind friend would. With his earnest, soulful voice, Elliott comes across as exactly such a figure. Accompanied by American Idol alum Melinda Doolittle, the Americana singer-songwriter delivers just the track we need to help us recover from a long and hectic year.


Mark Elliott is a Nashville-based singer, songwriter, author, and principal vocalist/guitarist for the Americana band Runaway Home. He has written for some of Nashville’s top publishing houses, including Sony-Tree, Maypop, and Bluewater Music. He’s a winner of the coveted Kerrville New Folk Award and had songs covered by both indie and major-label artists. Mark’s book, The Sons of Starmount: Memoir of a Ten-Year-Old Boy, is out in paperback and audiobook.


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Turkey The Bird - Cave Rave.

Turkey The Bird, the band feat. Andre Manella from Switzerland is on guitar, is New Zealand's answer to Simon & Garfunkel (if & was a musician too). They write catchy folk songs with stunning rich melodies. Songs that tell uplifting stories about love and life. You can hear them on their new single 'Cave Rave'. But this time, life proved its quite dramatic side. 

Cave Rave is based on a true story. It's a song about a sailing trip through the Pacific in 2014, when their boat «Sol» was hit by a storm. The trio remembers those days in serious trouble: «Our yacht was beached and scrapped. Whilst waiting for rescue, a number of small people gave us refuge in their dwelling. It was a home carved by hand into the side of a cliff, and this is a song in their memory.»

Turkey The Bird are spread around the globe, creating beautiful three part harmonies and toe tapping rhythms: Andre Manella from Switzerland is on guitar, bass and percussion. Adrian Whelan from Ireland is on guitar, bass and spoons, and Sol Bear Coulton, the token kiwi, on Banjo.


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Souly Us - Everything Has Changed.

Rising Australian country duo Souly Us have released the music video for their latest single “Everything Has Changed.” The video, which features gorgeous scenes of members Ben and Kate performing on the Aussie shores, made its Australian debut on MTV and CMT last night. The corresponding single was recorded by the couple in lockdown and was released this past December on all digital and streaming platforms.

“Everything Has Changed” combines the duo’s signature country sound with a strong indie influence to create a truly unique and captivating soundscape. The song opens up with bright acoustic guitar and clean electric guitar accompanied by a locked-in rhythm section. Kate’s vocals provide a beautiful and soothing melody to complement the instrumentals. Considering how mellow the beginning of the song is, it feels fitting that the corresponding scenes of the music video are set in the couple’s home.

The chorus finds the 2020 Akademia Music Award winners barefoot on the rocky beaches of their hometown singing about how “everything has changed.”

“We are from Inverloch, a beautiful coastal town in southern Victoria, Australia. Living by the beach has definitely had an influence on the music we create, especially lyrically. We often speak of beach surroundings and we even go there to write sometimes! It’s amazing the inspiration that comes to you just by sitting there, breathing in the ocean air and watching the waves hit the shore.” - (Ben Mawdsley, Souly Us)

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Loumy - What I Need.

Her last singles made it into the playlists of various radios, even abroad. Now Zurich-based Loumy is following this success with «What I Need», her intense dreampop-inspired ep. Rarely you hear such intimate and dreamy music coming from Switzerland, in the feel of Heather Nova.

«What I need», the leading-song of the ep, is about self-sabotage and represents a conversation between Loumy's reasonable, rational side and her emotional, impulsive one. While the emotional side has known for a long time that certain things are not working, she still is holding on them, looking for reasons and explanations. Meanwhile all rational warnings are set to fail.

Loumy's career started writing her own songs at the age of 15. Soon she founded the duo Tales of Two with a friend. First concerts and an EP followed. For three years now Loumy has been pursuing her solo career, which led to the release of her first single «December» in 2019.

Winning a singer-songwriter competition of HoneyBee Records, Loumy got the chance to record one of her own songs with five other artists in early 2020: «Moonlight» once marked the beginning of her career. One she's now continuing with her new ep «What I need».

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William The Conqueror - Quiet Life.

Acclaimed UK band William The Conqueror announce their new album Maverick Thinker will release on March 5th through Chrysalis Records. The band also shared their new single "Quiet Life," a charming, slow-building lament that broadens out like a rolling landscape with a fuzz and crunch that gets toned down for something altogether more reflective.

Of the new single, frontman Ruarri Joseph stated, "With 'Quiet Life,' we wanted to step outside the sound of the trio and build some walls, add some layers for this one. It's a trippy, fuzzy wander down someone else's memory lane, so we went cinematic."

"The video is a time capsule of a very strange morning back in March 2020," he continued. "My friend and filmmaker Luke had just arrived in LA from Sydney to shoot some super 8 of us in the studio, but as soon as he arrived, the studio shut down and we all had to leave. We had a few hours before our new flights, so we headed to Venice Beach thinking it'd be a cool, buzzing place to get some shots and turn some film over. I guess having been in the studio bubble for the past week, we hadn't had a reference for this 'pandemic' we kept hearing about. Wandering around an empty Venice Beach was a rough landing for sure. Consider the bubble well and truly burst. And full props to Luke for flying from Sydney to LA and back in the space of two days and not complaining once (at least not to us anyway)."

Maverick Thinker was recorded out in LA (alongside producer Joseph Lorge) at the legendary Sound City Studios right ahead of last year's March lockdown, and put the band behind the glass and treading the same carpet as Nirvana, Johnny Cash, Neil Young, and Fleetwood Mac. A cursory listen to this new record suggests they might well have inhaled the spirit of them all. But to compare them with the greats does the West Country's William The Conqueror a disservice for they sound unlike any of the above. These are slinky, swampy rock 'n roll songs, razor sharp, dripping with the blues and an oft sardonic vocal delivery by Ruarri, the band's songwriter chief and lead vocalist. Written in the English countryside, it's made for sticky basement bar room stages where they dare to come alive with a vision of bigger rooms and broader stages. Taking that zest to tape has lost none of that fervour.

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Kalbells - Purplepink.

Kalbells—led by Kalmia Traver (of Rubblebucket) with her bandmates Angelica Bess (Body Language), Zoë Brecher (Hushpuppy, Sad13), and Sarah Pedinotti (Okkervil River, LipTalk)—have announced the release of their sophomore album Max Heart, out March 26 on NNA Tapes.

Max Heart explores what happens when we let go of what doesn’t serve us in order to leave space for the blessings that do. The album’s ten vibrant and subtly layered tracks of mesmerizing psychedelic synth pop (co-engineered with Luke Temple) were birthed from the band’s practice of listening and accountability, rejoicing in their queerness, and promoting each other to be their most genuine selves. Max Heart is a portrait of badass women harnessing their improvisational magic.

A prime example of Kalbells furthering their sum energies is the effervescent funk of lead single “Purplepink,” out today. Co-written between Traver, Bess, and Pedinotti, a hyper synth bass darts around elongated keyboard sighs. The video, conceptualized and directed by Lisa Schatz, features 3D animated rocket ships, faceless furry creatures, a 30 foot glittery hologram of Maddie Rice (Jon Batiste’s Stay Human, Saturday Night Live Band) shredding on guitar, and Kalbells as warrior space queens. Read the full bio here.

Max Heart is available to pre-order on standard black & "Salty Pickle" green vinyl, as well as on compact disc and digital formats here. The album will be available on "Red Marker" red vinyl exclusively from local indie record stores.

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Wednesday, 13 January 2021

Home Counties - Mush - Minor Moon - The Mandevilles

Home Counties - Modern Yuppies.

Home Counties release their new single "Modern Yuppies", the first of two self-produced singles to be released via Alcopop! Records – following hot on the heels of the band’s debut EP ‘Redevelopment’ which arrived in September 2020.

“Modern Yuppies”, premiered earlier today on Matt Wilkinson's Apple Music 1 show, sees the band move away from the indie guitar-laden sound of their debut EP, and instead embrace their playful aptitude for synth-driven, post-funk hooks.

Speaking on the shift in direction, singer Will Harrison commented: "Synths and drum machines were already something we were very keen to explore and 2020 provided us with an unexpected amount of free time to experiment. We dialled the disco influences up to the max and totally embraced that 70’s-cop-drama vibe for this pair of stand-alone singles. It feels like a bold declaration of who we are and it definitely gives a clearer taste of where we’re heading for our next EP”.

Since forming in January 2020, the band have distinguished themselves as a key act to watch, with radio support from Huw Stephens and Jack Saunders (BBC Radio 1), Amy Lame and Tom Robinson (BBC 6 Music) and Matt Wilkinson (Beats 1), along with press support from DIY Magazine, Loud & Quiet, NME, Clash Magazine, So Young Magazine, YUCK, Gigwise and more.

With regards to the single’s lyrical content, Will commented: “The song is a comparison between the young urban professionals of the 1980s to those of today. It discusses the differences, the way that arrogance and conservatism have made way for self-doubt and socially ‘liberal’ political positions. Ultimately however, they are both plagued by the same condition - of constantly needing more.”

“Modern Yuppies” provides an exciting first glimpse of a band evolving beyond their indie roots by combining their aptness for angular guitar work with a more flamboyant sonic vision that somehow sounds eccentrically retro whilst being bizarrely surrealistic.

Home Counties are: Will Harrison (vocals/guitar), Conor Kearney (guitar/vocals), Barn Peiser Pepin (synth/percussion/vocals), Sam Woodroffe (bass/synth) and Dan Hearn (drums).

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Mush - Seven Trumpets.

Leeds-based art-rock trio, Mush who are releasing their new single "Seven Trumpets" – it's the latest to be lifted from their new album, Lines Redacted which drops on Feb 12 via Memphis Industries.

Lines Redacted sets a different tone from their 2020 debut, 3D Routine (tipped in Rough Trade's Best Albums of 2020 and at Stereogum, BBC 6, Loud & Quiet, Uncut, Q, Paste, DIY, etc) – the first record was very much a product of its environment – in part sculpted by the band's often fraught live shows with Girl Band, The Lovely Eggs and Stereolab – looking to weigh in on the very real socialist option that was on the table in the UK at the time, this new one is something of the present-day dystopia, documenting the redacted and confusing environment that we now live in. We announced the record in November 2020 with the first single "Blunt Instruments" which had some nice tips at NPR, The Line of Best Fit, Brooklyn Vegan, Alt Citizen, Loud & Quiet, etc – it also bagged the 6 Music playlist and was tipped by Jack Saunders at Radio 1 (tipped the band as his "Next Wave").

Dan Hyndman, the main songwriter of the band, has written the album – dubbed a "Manifesto for Misinformation" – as something of a loose concept record with several protagonists telling different dystopian tales across its 12 tracks. It poses as a sarcastic reflection on the world around us using cynicism as a form of coping mechanism with a razor-sharp. Despite zero opportunity to tour this year, Mush have remained prolific releasing a duo of EPs and now two albums in just under a year with this latest record finding Lee Smith (The Cribs, Pulled Apart By Horses) tackling mixing duties.


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Minor Moon - No Lightning Fix.

Minor Moon--the Chicago-based folk rock / alt-country / cosmic Americana group led by multi-instrumentalist Sam Cantor--will release Tethers, their third full length album, on March 26 via Ruination Record Co. & Whatever's Clever.

Tethers came out of a period of upheaval for Cantor, a time where he had to confront uncomfortable personal realities. Following the disorienting dissolution of a long-term relationship, he sought help from regular therapy sessions and the wisdom of close friends and family, and slowly gained some clarity and steady footing. This process led to Cantor constructing a psychedelic and knotty sci-fi world in his lyrics in order to write about what he was going through with more freedom and imagination. "Minor Moon songs have always had this arc of discovery and I've always used them as a way to dive into really personal, philosophical, or emotional problems," says Cantor. "It's about finding some truth looking inward."

"No Lightning Fix," out today, serves as a thesis statement for Tethers, as the song's narrator finds himself lost in a spiritual purgatory with no obvious way out. Accompanied by intricate fingerstyle guitar and warm-hued swells of organ, steel guitar, and backing vocals, the narrator accepts that there is no easy solution to their quandary--"no lightning fix," that is--before the track zig-zags into a Ry Cooder esque choogle and fades away to watery strings. Featuring V.V. Lightbody on backing vocals and Macie Stewart (of Ohmme) on violin, "No Lightning Fix" is an instance of progressive songwriting and layered story-telling with an earthy, alt-country influenced palette of sounds.

Tethers will be released on March 26 on soft red vinyl, limited edition tapes and CDs, and on digital formats.

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The Mandevilles - Lightning.

It’s been more than five years since the release of our last record, Windows and Stones. We took our time because we wanted to. Sure, that sounds selfish and a bit self-indulgent, but it’s true. The songs on this record have been in the making for the better part of two years.

We cultivated such an amazing working and personal friendship with our co-producer Neil Morrissey, and his former bandmate Ryan Defoe over the last two years. The writing, recording, and production process has never felt so natural. Neil and Ryan’s style of writing and arrangement was very similar to ours, so it was an instant connection.

This record features a lot of experimentation. We got to stretch our repertoire out and really get to use everyone’s abilities in a way that we haven’t before. The songs really came to life because nobody knew what was about to happen. You’ll hear a difference, but know that everything you hear was thought of, and is there because we wanted it to be.

We’ll be releasing tracks from the album with a still-to-be-determined release date for the rest of the record.

Thank you from the bottom of our hearts,

Serena, Dan, Nick, Brett, and Taylor

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Tuesday, 12 January 2021

Kristina Stazaker - Psymon Spine - The Barettas - Amy Speace

Kristina Stazaker - Silence and Slumber.

Kristina Stazaker released her new album, Follow Me, on the 18th of December 2020. The artist, who has drawn favourable comparisons to such luminaries as PJ Harvey, Anna Calvi, Tori Amos & Kate Bush, writes songs filled with raw emotion that guides the listener through rough, dark seas and enables them to explore mystical realms.

Silence and Slumber
In his dreams, he is laughing and playing his songs
To the crowds who adore him, throwing roses and cheers
In his dreams, he's the king of his land
But when he wakes up, to the nightmare he goes

Kristina Stazaker is a UK-based Singer/Songwriter who has been performing for over 5 years now as a side project and passion. Since 2015, She has been bringing her unique solo and acoustic sounds to crowds wherever she can. Showcased as "feministic anti-folk which nobody can actually describe", her muses have roots in old-time folk, punk and alternative indie. 

Her captivating performances take the audience back to when deep nature and primal instinct ruled our lifestyles. The performances take you from the woodland to the sea and the time signature changes provide turbulence in the audiences' journey.

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Psymon Spine - Jumprope.

Psymon Spine have shared their new single and music video “Jumprope.” The track features Psymon Spine vocalist Sabine Holler  delivering clever commentary on city life (which can be demanding and constant, not unlike jumprope-ing) over a driving beat and funk-inspired bassline that calls to mind LCD Soundsystem and Talking Heads.

Sabine Holler explains how the Jennifer Medin-directed video came about: “Due to Covid restrictions, I’ve been staying in Germany (where I lived before coming to New York) while the rest of the band is in the states. We asked Jen to come up with an idea for a music video that would connect us between continents. Jen joined the rest of the band in Montauk, where they were staying at our friend’s beach house, working on new music. 

Meanwhile in Berlin, I had my two (also very talented) friends Alicia Perez and Maria Arespacochaga film and direct me doing my parts per Jen’s overall vision. We thought the brutalist German architecture, along with my angular dance/exercise moves, would be a funny contrast to the soft fall colors of Montauk where the boys were at the time.”Fusing psychedelic pop and the deep grooves of dance music, Psymon Spine’s music oozes with melodic hugeness—but the places this Brooklyn electronic pop outfit takes their songs is truly out there, exploring complicated feelings through a singular approach to left-of-center dance sounds. 

Only a year ago, band members Noah and Sabine were playing in the dream-pop group Barrie, who broke out following a string of buzz-making singles, but Charismatic Megafauna proves that Psymon Spine are on a different journey, exploring sounds ranging from disco to early techno and motorik's incessant pulse. Psymon Spine put their own addictive stamp on the sounds of the past, with surprises at every turn and the type of lush synth work that could only come from brilliant students of dance music. Reflecting optimism and catharsis, Charismatic Megafauna is a heady trip through left-field pop that packs its own emotional wallop.


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The Barettas - Touchè.

Hamilton rock duo The Barettas have returned with a new single, “Touché”. The track is an upbeat pump up song that’s been paired with a performance video.

If you like the novelty of a dynamic duo you’re in the right place! The Barettas have been resurrected and are back from the grave. 

And we’re aiming right in between the music industries eyes! Bang Bang, baby.


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Amy Speace - There Used To Be Horses Here.

Looking back on a twelve-month span between her son’s first birthday and the loss of her father, award-winning singer and songwriter Amy Speace culled eleven new songs directly from her depth of personal experiences—childhood memories, coming of age in New York City, and losing a parent while learning to become one—to create her new full-length album, There Used to Be Horses Here; out April 30th on Proper Records/Wind Bone Records. While many of the subjects on the album are heavy, There Used to Be Horses Here isn’t a sad record. Instead, it’s a direct reflection of that year in Speace’s life, propelled by a playwright’s eye for detail, a performer’s gift of vocal delivery, a poet’s talent for concise writing, and the extraordinary musicianship of collaborators, The Orphan Brigade. The end result is a sum much greater than its parts; a calling card for fans and critics alike to ask themselves whether Speace still fits only into the folksinger box she’s long been placed in—or perhaps, with this new album, she deserves to be seen in a new light. 

In its most powerful moments, There Used to Be Horses Here sets Speace’s majestic voice to symphonic arrangements, yet her songwriting remains intimate and emotional. As a fan and friend of the Nashville band The Orphan Brigade, she invited its three members—Neilson Hubbard, Ben Glover, and Joshua Britt—to collaborate as songwriters and co-producers, inspired by their persistent rhythms and sweeping sonic palette. Remembering her vocal sessions, Speace says simply, “While I was singing over what those guys were playing, it made me feel like I was flying.” Speace observes that every vocal performance on the album is the first or second take, and that the musicians in the room are finding their way in the moment. The approach sums up her goal as a producer: “You need to make sure you press ‘Record’ while musicians are fumbling, because while they’re trying it out is when the magic happens. You should never let anything be perfect.”

There Used to Be Horses Here is an album and exhibition of songcrafting that Speace is immensely proud of. “The best songs I have written have been since my son was born when I thought I was going to lose all creative powers to mothering—and it didn’t happen,” she says. “It kicked it into high gear and made me think, ‘I may not have much time left on the planet. Maybe I should just get to the point.’” When There Used to Be Horses Here winds down to its end, listeners will look back over the eleven-song journey to see Speace’s knack for vibrant storytelling and ability to capture hardship in beautiful detail on display; her craft sharper and more meaningful than ever before.

There Used to Be Horses Here In Amy’s Words: “A month after I turned 50, I gave birth to my son, Huckleberry. My father was present for the birth and held him within hours. My Dad was 81 years old and we both knew my Dad would not see my son grow up. In the year between my son’s birth and my father’s death, these songs spilled out of me. I grieved in writing. I wanted to illuminate my father and his stories, from the horse farm near his home that was bulldozed to make room for condos (“There Used To Be Horses Here”) to his memory of a car ride that came back to him in a dream the night before he died (“Down The Trail”) to a photograph found in an old album (“Father’s Day”). I wrote to my son as I nested with him in the morning (“One Year”, “Mother Is A Country”). I sang to our ailing world as the pandemic raged around us (Warren Zevon’s “Don’t Let Us Get Sick”).

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Monday, 11 January 2021

Kate Koenig - Anya Hinkle - Tamara Williamson

Photo: Samantha Singh
Kate Koenig - Fell to stone.

Kate Koenig is a very hungry experimental-folk caterpillar that eats Fleet Foxes’ progressivism and Kate Bush’s iconoclasticism and Jeff Buckley’s zeal and Leonard Cohen’s disenchantment, and is still eating while you read this bio. 

She is also a fierce advocate for mental health awareness, which comes out in the deeply personal, introspective theater of her music.

Based in Brooklyn, she’s played at NYC’s Bowery Ballroom, Pete’s Candy Store, Pianos, Niagara, and Under St. Mark’s Theatre. 

In June of 2019, she released her debut album, Haircuts for Barbers, which can be found on all streaming platforms. On January 31st she will be releasing her sophomore album Etemenanki.

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Anya Hinkle - I Belong to the Band.

Sometimes even the most determinedly original artist finds a song from another source that speaks to her circumstances so powerfully that she must find a way to make it her own. For Organic Records’ Anya Hinkle, the passage of time and events has only made her new single, “I Belong To The Band,” even more meaningful, and there’s no one better equipped to tell its story than the singer/guitarist herself.

“I discovered ‘I Belong To The Band’ thanks to my friend and clawhammer banjo master John Herrmann, who gave me a recording of it by their old-time band, The Ruglifters,” she says. “The song resonated so deeply with me for its simplicity, its inclusiveness, and the sense of gratitude it imparts. It was written by Rev. Gary Davis and originally recorded with his signature fingerstyle blues guitar and powerful voice.

“When the personnel in my band Tellico turned over early in 2019, I began transitioning to performing under my own name. But I still had a full calendar of band shows I was scheduled to perform, including a European tour and official showcases at IBMA.

“I wasn’t exactly sure how I would pull it all off,” Hinkle continues, “but I somehow managed to find a group of musicians that showed up for me in every possible way that I needed. They allowed me to experience music with more gratitude than I have ever felt, making the best music I’ve ever made in my life, and the best I’ve ever felt making it. We performed this song at every show that we played.

“When Billy Cardine and I sat down to arrange it for the studio, Billy laid down a dobro lick that emanated from his joyful and fun-loving spirit. When we added Julian Pinelli (fiddle), Thomas Cassell (mandolin), Johnny Calamari (bass), and a 3-part gospel chorus of Mary Lucey, Julian Pinelli and myself, it intuitively had a swingy, playful, joyful New Orleans string band sound that really captures the feeling we discovered playing together last year. I sang 'Hallelujah, I belong to the band!' with all my heart when we walked into Crossroads Studio to record it with help from Jon Weisberger (producer) and Van Atkins (engineer).

“We have had so much and so many taken from us this year by COVID-19,” Hinkle concludes, “and our gratitude for those that have stood by us and been there for us during this difficult time is deeper than ever. We are grateful to those that have been essential workers and health care workers, and we acknowledge all of those that are struggling so hard to keep things together every way that they possibly can. We are going to get through this.


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Tamara Williamson - Blame.

Tamara Williamson has released seven albums in Canada and Europe. She produced, wrote and performed in the award winning production The Break-Up Diet and published a memoir of her life. She currently lives north of Toronto, Ontario.

Blame is on birds

Blame it on bats and pigs and humming bees

Hands and touch overseas

Blame it on Love, Blame it on rights and freedoms hold hands

Helping giving understanding

Blame it on trust, Blame it on truth and lies and giving up

Trying our best and holding up

Blame it on flue

Blame it on Antibodies viral load plazma R0 overload

Blame it on them, Blame it on leaders we elected in

People who are paid to keep quiet

Blame it on God, Blame it on your religion and not mine

Second coming and our health care

Blame it on Sex, Blame it on gender power netflicks crap

Entitled children and the bachelorette

Blame it on wealth, Blame it on greed and hate and my big kitchen

Being thin and a long erection

Blame it on fear , Blame it on winning and not earning stuff

Sales and fast food and eating shark fins

Blame it on man

Blame it on procreation and our brains

Search for meaning and first world problems.



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Greta Gaines - Pharmacists - Nelson Bragg

Photo - Stacie Huckeba Greta Gaines - Coming to Fruition. Greta Gaines is excited to announce the August 29th release of her new album. Bird...