Saturday, 7 May 2016

Saturday &: Juke Ross - David Ellington


Juke Ross - Not A Blade Of Grass.

Background - For over 100 years Venezuela has tried to claim that a vast swathe of Guyana, an area west of the Essequibo River that is home to indigenous villages and mining camps, abundant with deposits of gold, diamonds, bauxite and other minerals, belongs within its borders. Last year tensions escalated once again after Exxon Mobil, conducting work on behalf of the Guyanese government, discovered oil off the shores of the disputed land; Venezuela tried to stake a claim to the oil.

During another border dispute flare up in the 1970s one of Guyana's favourite musical sons - Dave Martins, was inspired by a Native American Chief's speech refusing to bow to the white man's invasion of their land and wrote a resistance song for his countrymen. It instantly connected with his people and became part of Guyanese folklore.

"The Chief spoke about his people’s love for their land," recalls Dave Martins, leader of the legendary Tradewinds. "That they would not give up one river, not one buffalo, not one valley, not even one blade of grass. In a flash, it hit me; that was the way to write the border song – it should talk about Guyanese love for Guyana and not mention Venezuela at all."

The lyrics are simply incredible. Beautifully crafted, defiant and relevant today to Guyana and just about anyone else who ain't into backing down. Guyana has also produced another musical son - Juke Ross, who possesses a voice that God took special time to pour out when he was depositing the gold, diamond and oil in the depths of Guyana. The universe will undoubtedly be hearing a lot more from Juke Ross in the future, but until such time he has, with Dave Martins' blessing, recorded a cover of Not A Blade Of Grass. The 2016 iteration sees Serani commanding the production and is being released in time for Guyana's 50th Independence Anniversary.

This is such a beautiful song, whether you know of the history behind it or not. Juke has an infectious voice, and the delicate harmonies and finely structured music that sit behind his vocals are a delight.

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David Ellington - Goin' To Church.

Background promo - Blue Canoe Records has released “Marbles From A Drawer”, from versatile keyboard player David Ellington. “Marbles From A Drawer”,produced by Coy Bowles of Zac Brown Band, features many acclaimed guests and focuses on smoky, keyboard-based blues that is contemporary while still maintaining an old school presence. David Ellington grew up in Connecticut learning in as many musical situations as possible. From garage bands to church and school bands, he viewed all of these musical experiences as  ways to learn. After high school, Mr. Ellington continued his education in Boston at Berklee College of Music. 

He moved to New Orleans,Louisiana in 1983 where he played and recorded with many local legends including Walter “Wolfman” Washington and Troi Bechet among others. Mr. Ellington also created afro cuban jazz group Chevere during his time in New Orleans. Cheer recording “Baila Mi Ritmo”was chosen by Times Picayune music critic Keith Spera as one of the Top 20 recordings of 2001. During this time, he continued learning as he studied under Ellis Marsalis.“Marbles From A Drawer” begins in sultry fashion with “Goin’ To Church”. Mr. Ellington captures the listener’s ear with an expanding groove that gets deeper and funkier as the track breathes. It fills senses while remaining simple at heart. As the keyboard foundation gives way to a sizzling guitar solo, the interplay between players gets bigger while maintaining its simplicity and catchy feel. At the end, the audience is left wanting more while their feet are still tapping.

On “98 Bottles”, Mr. Ellington features Clay Cook on vocals. Mr. Cook is famous for co writing hits with John Mayer including “No Such Thing” which won the 2003 ASCAP award for Most Performed Song. “98 Bottles” is a melancholy song about waiting remorsefully for a lost love. The haunting keyboard textures add to the wistful regret as the vocals build and fade. Ellington and Cook combine to move the listener as the track ends in a dream-like fade.

Not the whole song sadly but a flavour of what are eight fine songs on the recent album 'Marbles From A Drawer'. Worth a mention at the very least, and a style of music popular with a good number of our regular visitors.
 
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Friday, 6 May 2016

Friday Double: Penny for the Workhouse - Charlie Haley

Penny for the Workhouse - Smoker At The Window.

Background promo - Formed in 2012, the band's unique ‘Folk ‘n’ Roll’ style marries the energy of Indie rock with the captivating storytelling of Folk. With catchy lyrics and toe tapping drum beats, Penny For The Workhouse are bursting with personality, always making their audience feel part of their performance. 

Their self-released debut EP “Coins and Cards” (2012) was met with 5 star reviews on iTunes and also by Paul Weller, the Modfather himself!
In 2014, the band’s follow up EP “Jack The Gun Slinger and Other Tales” was recorded at The Animal Farm in London. Along with a sold out successful launch night at The Camden Enterprise, tracks from the EP were picked up for radio play and the band also donated the title track “Jack The Gun Slinger, Country Singer” to feature alongside the likes of Noel Gallagher on The Pete Quaife Foundation Charity CD, “Legends; Shoulder to Shoulder”. Later in 2014, the band were lucky enough to support folk legends Slim Chance at Dingwalls, Camden, celebrating the release of Ronnie Lane’s Greatest Hits Album. As well as this, the band was asked to support P.P. Arnold who was playing for the Christmas Mod Ball at The 100 club in London.

The Band have caused quite a stir on YouTube with their Punk cover of “Pick a Pocket” from the musical Oliver, by amassing nearly 10,000 views of the music video in just a couple of months thus collecting many new fans from across the globe.

2015 saw the band push forward with new material and have recorded their 3rd EP Live at SoundLab Studios, Essex and continued to gig throughout the UK showcasing their unique “Folk’n’Roll” style. Summer 2015 saw them perform at their first festival, Livestock Longdon in Gloucestershire alongside the likes of The Feeling, Scouting For Girls and The Hoosiers. The band continues to pick up new fans at every stop along the way, getting the world ready to start the Workhouse revolution!

Live Dates:

24th June - EP Launch, The Good Ship, Kilburn, London

There's something quite fun and mischievous about Penny For The Workhouse. Featured song 'Smoker At The Window' gives a good example of the energy that abounds in their music, which can be really hard to pin down into any one style. Upbeat and different a little bit punk and folk and country and rock'n'roll, the band deserves to be noticed.

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Charlie Haley - Today.

Background bio - Charlie Haley spent most of his young life playing live music, bouncing his clarion voice off the walls of college campuses, churches, coffee houses and even prisons around Illinois, long before he thought about recording his material for posterity. It is this old fashioned sense of craft that makes Haley’s sound appropriate for the times and also timeless.

Keeping his head down and focusing on his developing talent didn’t negate the opportunities that seemed to seek him out. His live performances drew invitations to play the Boone County Fair as well as the ICM awards in Nashville and after years of honing his chops on the road, Haley was ready to work his way into tracking his music. Reflecting on the steep learning curve the recording environment presented, Charlie asserts “the studio process is definitely an art form unto itself and I spent a long time capturing the emotional nuances I wanted in my vocal takes.”

His debut LP Soul Searching was released in 2013, which resulted in a groundswell of support from local fans and musicians, and Haley was soon backed by a dedicated rhythm section who began supporting him for an unmarked string of shows that stretched into the new year. In June of 2015 the whole band had a near death experience when their tour van’s cruise control shaft got stuck and the brakes froze. They flew through a construction zone going 90 miles per hour and almost crashed before Charlie flung it into neutral and pulled the key out.

After the smoke cleared from the accident, Charlie felt it was time to get off the road and back in the studio. The close call seemed to influence the new material, recorded in St. Charles at Skyblynde Studios with producer Gregory Hyde, and the resulting LP was titled Today - a call to not let life pass you by. “People are capable of so much more than we realize and we are often meant for infinitely more than we accomplish” says the songwriter.

While Haley is admittedly a bit of an introvert, he readily recognizes the strength music gives him to communicate. “I’m not the greatest orator but a switch goes on when I play music that allows me to express myself more fluidly” he notes. “I feel music is the perfect form of communication... If done right.” Today EP Release date: May 27, 2016.

Title track and one of six songs on the new EP 'Today' lets you in on Charlie Haley's music which centres around a mixture of rock and power pop. Ironically considering the road accident mentioned above, I would describe the EP as great driving music, probably because of the pace and energy. It's straight down the line sound works well, making for a fine collection of songs.

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Thursday, 5 May 2016

Genre Wander: Sinderins - We Are Bandicoot - The Fontaines - TheROAMies

Sinderins - Fayre.

Background promo - The band’s name is taken from a confluence of roads in the band’s home town of Dundee.  Very appropriate this is too, since this band is truly the result of a meeting and a meshing of talents and minds. Producer Matt Lawrence allowed the band to capture the essence of what makes the music special, distilling not only the foam and the energy, but also the eeriness and otherness that sits at the heart of their sound. With hundreds of gigs already chalked up, and the schedule for 2016 filling fast–don’t doubt their commitment.

The single is energetic and cheerful, with an uplifting tone. Vocalist, David, manages to highlight the incredible ability to his vocal range and it’s clear to see the amount of talent that Sinderins have is extraordinary.

On Fayre, David Webster hits and sustains a high note across four bars. Initial attempts to record this fell short so, channelling something he had read about Thom Yorke leaping into a fjord, Webster asked his band mates to douse him in ice water before he ran to the mic.  That first take is the one that was used on the final record…

With Fayre the band have created something that draws on tradition; the tradition of the Folk scene, sure, and on their own personal histories. It is where ideas, techniques, traditions and friends – old and new – come together. Fayre is taken from Sinderins upcoming album and will be available at all the usual places from 13th May with the album to drop in June.

Tour Dates:
Tues 17th May – The Groucho Club, London
Wed 22nd June – Mad Hatters, Inverness
Thur 23rd June – Café Drummond, Aberdeen
Fri 24th June – Venue TBC, Dundee?
Sat 25th June – King Tuts, Glasgow
Sun 26th June– King Tut’s, Glasgow

'Fayre' may well be dominated by the incredible vocals of David Webster, however that is in part down to the superb musicianship, that provides such a professional and powerful backdrop. What a fantastic song, yet another must have album beckons.

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We Are Bandicoot - The Reason.

Background promo - Kent five-piece We Are Bandicoot have been topping the lists of Indie taste makers throughout 2016. The raucous new single “The Reason” out Monday 16th May shows just why the young experimental muso’s are causing such a song and dance, literally.

God only knows how many amps We Are Bandicoot must have blown up in the making of “The Reason”, the grooving, fuzz-heavy powerhouse of an indie-rock banger. The downright erotic guitars pulled straight from the top shelf of guitar tones, crashing drums and inventive vocal hooks and harmonies have secured the attention of more than just the Internet’s most revered bloggers.

Not content with invading our screens, We Are Bandicoot are now attacking the airwaves with multiple spins on BBC Introducing from Tom Robinson and plays coming from far and wide with the likes of Radio Kaos Caribou in France and The Justin Wayne Show in Montana, both champions of the band.

Following shows with Broken Records, Moullettes and Heg & The Wolf Chorus, the trendsetters from the South East will be on the road throughout May & June including a special show at The Great Escape Festival. “The Reason” is released by Blizzard Records on 16th May 2016.

19/05      Brighton, The Great Escape
20/05      Milton Keynes, The Stables - Supporting Heg & The Wolf Chorus
02/06      London, Dublin Castle
05/06      London, Slaughtered Lamb
07/06      London, Alley Cat Bar
23/06      Maidstone, Earls - Single Release Show
25/06      London, The Garage - Supporting The Phantom Sound

We Are Bandicoot have created something quite wonderful with the song 'The Reason'. Vocals and harmonies are carefree yet powerful and the band play with equal cheer and swagger, it's a good one.

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The Fontaines - Cold.

Background promo - If, after listening to The Fontaines’ debut EP, you find yourself at a loss for how to describe them, don’t worry. The brother-sister duo (Charlotte, 21, sings; Hank, 26, plays guitar) don’t want to make music that’s easy to pin down. “We call it New-Wop,” Hank says, adding that the he really wants his music to be “swoon-worthy,” to have that indescribable sense of a song taking over your heart, a feeling he’s had when listening to Miles Davis...and Beach House. For Charlotte, it was hearing The Drifters in grade school that made her realise what kind of sound she wanted to play with in her own music.

Hank moved to Los Angeles in 2008; partially for his health, but also, he adds, because he “wanted to live in a culturally important city where I could be in warm weather and still go out and hear rock n' roll at night.” Charlotte, who always knew she wanted to sing (perhaps because she shares a birthday with Frank Sinatra), followed suit after she graduated high school, determined to follow her brother into the music business.  Charlotte found herself inspired as she watched him “play every dive bar and small social gathering in town.”  Hank says of the early years, “She and I both knew that getting up on stage to perform always beats sitting around and then regretting it afterward.”  It simply made sense to join forces.

Charlotte came up with the name, chosen for reasons as eclectic as their music: she was inspired by Trip Fontaine, a gentlemanly but troubled character from Jeffrey Eugenidies’ 'The Virgin Suicides'; the French poet Jean de la Fontaine; and, finally, Johnny Fontaine, the Frank Sinatra pastiche from 'The Godfather', because she loved his “over the-top persona”.

 By 2015, The Fontaines were playing wherever and whenever they could.  “We try to make our shows as unpredictable and spontaneous as possible; we’re constantly pushing ourselves to step it up.”  They also began to write compulsively. Hank estimates they’ve written over 300 songs in two years.  'Dusty Springfield', which is set to be the group’s fourth single, was written the night before it was recorded. “We actually already had a different song with the name ‘Dusty Springfield’,” Hank explained.  “We didn't like it, but we still wanted to record a song inspired by her.  The other guys in the band were shocked when we showed up to record a new song with the same title.”  The Fontaines’ self-produced new songs were recorded in downtown L.A. and mixed by Matt Linesch (Edward Sharpe & The Magnetic Zeroes).

'The Fontaines EP' recently reached #121 on the CMJ college radio charts, #14 on the KKBB specialty radio charts, and #48 on the FMQB specialty radio charts.  In addition, "Paul Newman" was recently debuted as "Today's Top Tune" on KCRW's Morning Becomes Eclectic.  The band made their CMJ debut in 2015 and will be appearing at this year's Canadian Music Week and other international festivals. The Fontaines will release their second EP, 'II' on June 24th 2016.

The featured song 'Cold' showcases The Fontaines "new wop" sound pretty well. There's one softer, gentler song on the new EP the other two tracks have the positive spontaneous vibes of 'Cold' which really does come across as having a modern twist, on a timeless classic sound.

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TheROAMies - Me and My Shadow.

Background bio - The ROAMies are a refreshing listening experience and an adventure for your soul. This fun duo/band's music is a playful marriage of Alexa James' hooky melodies, upbeat lyrics and unique vocals with Rory Partin's soulful voice and heartfelt lyrics fused into a one of a kind sound. After touring together, fans continually asked them to combine their sound into one. Honoring that request, The ROAMies was formed. Deeply rooted by their passion for travel, adventure and people, they’re a duo that you will definitely want to "follow," "like," and "subscribe" to as they ROAM around the world.

Alexa James has recorded several professional studio albums, has had a #1 song and five other Top 10 songs. She was named Hot Adult Contemporary Artist of the Year with the L.A. Music Awards. Rory Partin has also garnered a #1 radio single and has performed in over 30 countries. His soulful vocals and piano-based grooves leave you wanting more! They recently won the award for Best Theme Song in a Comedy at the LA Webfest and Best Soundtrack at the Maverick Movie Awards. Once you see this duo live, you will know this is just the beginning of an enjoyable adventure.

May 7th @ Masia de la Vinya, Temecula, CA- 12:00-4:00
June 10th @Moonlight on The Mountain, Birmingham, AL
June 11th Rory Partin's Big Band plays at Centennial Park in Nashville, TN
June 12th @Chattanooga Farmers Market, Chattanooga, TN
June 13th @Blue Plate Special in Knoxville, TN  at noon!

Our official US 40-date summer tour starts June 30th- here are a few sneak peaks:
July 5th- Inside The Music Room Radio Show, Dallas, TX
July 20th- Rockwood Music Hall, New York City, NY
August 12th - Gray's on Main, Franklin, TN
August 13th- Smith's Olde Bar, Atlanta Room, Atlanta, GA
August 31st- Mercury Cafe, Denver, CO

The duo say of the song 'Me and My Shadow' - "It's a fun little ditty that we covered. Frank Sinatra and Sammy Davis, Jr. did a great version of the song (of course) We used their version to inspire our own. ". It's a fun version and what's more it's free to download, everyone's a winner with this charming version!

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Wednesday, 4 May 2016

Double Delights: Cerise - Popincourt

Cerise - St. Nick.

Background promo - LA by way of Chicago songstress Cerise is set to release her debut album 'Smoke Screen Dreams,' on June 24. 

Although music has been integral to Cerise's life since as far back as she can remember, it was her teenage days spent listening to such dark and romantic luminaries as The Cure, Bauhaus and Siouxsie And The Banshees that had the most dramatic effect. "That was the first time music really spoke to me," she remembers. "The darkness and beauty of those bands seduced me into this other world and having a big interest in music. But it always seemed like it was the hardest thing in the world to actually do. To me, being a musician in a band seemed like being a ballerina- like you had to be trained for it from the age of six to become this amazing artist."

With Cerise's interests in modelling and photography initially taking a front seat, any thoughts of being a musician were put on the back burner until she met Peter Gabriel protégé Joseph Arthur in 2003. The Ohioan singer-songwriter taught Cerise the key idea that anyone could be a musician, and there's never a better time to be a musician than right now. "He's happy to try anything and write a song with anyone if the inspiration is there. So I would hang out with him a lot and just help with some vocals or whatever else he needed at the time. That got me interested in how music is created. Before that, it was a process that was hidden from me." It was a laissezfaire attitude to creativity that Cerise put into practise herself when she decided to buy a guitar as a present for herself. Within three weeks, she was writing her own songs under the continued encouragement and mentorship of Arthur. It was then that Cerise began to realise that even if you do put your favourite artists on a pedestal, trying to clamber up to that level yourself is the most challenging and exciting journey that anyone can ever undertake.

Some of the songs on Cerise's upcoming album have been crafted over a period of several years but her decision to work long and hard before unveiling her music publicly is already paying off. Helped by the mixing talents of Matt Boynton (Bat For Lashes/MGMT), layers of sound and texture gives her music a cryptic, dreamlike allure while Cerise's voice also helps enhance the ethereal feel by managing to inhabit a starkly beautiful place somewhere between Nico and Hope Sandoval. That otherworldly feel is something that Cerise is determined to bring to her live performance too. "I'm trying to create an atmosphere when I'm on stage," she concludes. "I like it when a live show has a feeling that envelops you and takes you to another place entirely. That's the thing I loved about the bands I heard growing up- the way they could transport you without you even realising."

The song 'St. Nick' is one of two songs I have heard from the forthcoming nine track album, and both bode well for the release. With the featured song there is a darker brooding feel within the music that makes for an excellent backdrop to Cerise's vocals. My impression across the two songs is that of dream pop with some deeper vibes, all good so far.

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Popincourt - I Found Out.

Background promo - Some try all their lives to record the new “Village Green” (The Kinks) or the new “Never mind the bollocks”‘ (The Sex Pistols). Popincourt would prefer a follow up to “Café bleu” (The Style Council). The project might seem less ambitious but it is certainly more original, probably more realistic and no less genuine for someone who has always been influenced by Paul Weller. A man not only attached to the heritage of Small Faces, The Herd, and The Jam, but one who also lives in the 21st century – without dismissing the 80s, or at least what remains worth listening in 2016, such as The Style Council therefore, Elvis Costello, XTC or Aztec Camera (the aerial guitars of ‘The Risk of losing you’ or ‘I found out’); the 90s and the touch of British jazz that the trumpets bring to ‘A new dimension to modern love’, acid jazz maybe, he would rather call it ‘Blue eyed soul’; the 2000s and a Burgalat production, full of vintage keyboards (wurlitzer, philicorda…) and sophisticated cords like on ‘The First flower of spring’.

Popincourt was created over several years. From the first bands in Rouen, Nantes, Bordeaux and Paris, before a formative exile to London, where he founded ‘les Hommes Responsables’ with Phil King, ex bass player of Lush and Jesus & Mary Chain, followed a return to France where he will collaborate with Perio and play the organ in concert with French Boutik. During all these years, the man himself had time to appreciate what makes a difference: an entire devotion to the verse/chorus/transition above and beyond technical virtuosity; the overall importance of melodies; the groove in the service of the songs, not the other way round. The repertoire is built over a decade. An unreleased EP to taste the water in 2013, before moving to the next level. A small team is formed with people met at concerts. Hervé Bouétard, the drummer of Bertrand Burgalat, is behind the drums . Ken Stringfellow on the bass following his time with the Posies, Big Star and R.E.M. Gabriela Giacoman, the singer of French Boutik, is doing the backing vocals. Sébastien Souchois, the composer of the soundtracks for ‘Candidat’ and ‘Mes amis, mes amours’, arranged the brass and supervises the production. Finally it is at the studios of Nicolas Dufournet, ex-business partner of Michel Gondry and Etienne Charry at the heart of Oui Oui, that the Popincourt’s album is recorded.

To sing about love stories is not always easy, but here is someone who has lived more than 25 years without succumbing to the model that so often makes French rock ridiculous. In fact he sings in English claiming “It is easier and more natural in terms of what I listen to”. A French album for the British maybe, but certainly not a revival album!

The above comment in the final paragraph "A French album for the British maybe" brought an instant smile to my face. OK so we Brits and our neighbours have a little bit of history, but why not? The song 'I Found Out' certainly has the influences of some fine British bands, and stands on it's own right, as one very catchy melodic pop/rock song. I shall return the complement and play some fine Françoise Hardy or possibly even Serge Gainsbourg songs later today...

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Tuesday, 3 May 2016

Quality Not Quantity: Monk Tamony - Post Death Soundtrack

Monk Tamony - Leaders.

Background promo - NYC indie duo, Monk Tamony, officially releases the next instalment off their forthcoming self-titled debut EP, Monk Tamony.

“Leaders” follows debut single, “Back Of The Building." Pancakes & Whiskey raved of “Back Of The Building," The track is rife with rolling guitar riffs and a solid back beat which gets our blood pumping for more from this new exciting duo.” Comprised of TJ Rosenthal (Vocals, Guitar) and Joe Zdaa (Drum, Vocals), the stellar, two-piece band produces super charged, hard-driving rock with unmistakable New York City attitude.

Zdaa and Rosenthal first met in 2002 at Dark Room, a discreetly hidden bar on Ludlow Street on Manhattan’s Lower East Side. “Joe was a bartender,” describes Rosenthal. “And I was a DJ and a regular patron. It was always a scene, and I’d go some nights just make sure I wasn’t missing anything.”

In the fall of 2015, Monk Tamony put the finishing touches on their debut EP. The dynamic duo has already garnered new fans along both coasts and while Zdaa and Rosenthal might call Monk Tamony a happy accident, it’s clear that they’re purposeful about their craft. Their EP is coming later this summer and will be available for purchase on vinyl.

“I can’t wait to see where the Monk Tamony story goes,” shares Rosenthal. “The fun part is not knowing. But, as long as we continue to make songs that mean something to us, we’ll continue to put them out there.”

With deep drums and a bass line that resonates 'Leaders' has a full on rock vibe throughout. There's a modern slant within the track, accompanied by a striking classic riff and vocals that plead for your attention. Good old solid rock, done well.

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Post Death Soundtrack - You Can't Go Back.

Background bio - Post Death Soundtrack is a Canadian inter-city music collective consisting of Kenneth Buck, Steve Moore and Jon Ireson. Founded in Calgary in 2007 by Buck and Moore, the band now operates out of Vancouver, Calgary and Toronto using the magic of the internet to collaborate across the country. The group creates thought-provoking music by weaving together electronic, industrial, pop and rock sounds. Side-line.com calls their sound “indefinable" while Reflections of Darkness calls them "by no means music for simple minds”.

On September 16, 2008, founding members Buck and Moore released Post Death Soundtrack’s debut full length album Music as Weaponry. Taking influence from bands like Massive Attack and Skinny Puppy, ‘Music as Weaponry’ earned top reviews from publications such as Industrial.org, Side-line Magazine and Sphere Magazine who called the record "a chaotic concoction of crossover madness" adding "this is the soundtrack to your escape from the average". Their popular cover of Dead Can Dance's ‘Anywhere Out Of The World’ was met with praise overseas in Europe.

Also that year, the group recruited bassist and producer Jon Ireson with whom Buck and Moore had shared various stages with in previous incarnations. Jon, in turn brought on Colin Everall to help out on piano and drums. In 2010, Post Death Soundtrack released their single ‘Ultraviolence’ with accompanying video, directed by Jeevin Johal. Along with the release of new music (‘Little Alice’ and ‘Our Time Is Now’) and a series of remixes from Music as Weaponry, the band assembled for a rare live performance opening for industrial pioneers Front Line Assembly.

Now after a 3 year hiatus, Post Death Soundtrack is back with The Unlearning Curve. The latest 9 track collection is an eclectic narrative about dropping concepts, healing and venturing into the unknown. Equal parts Alice in Wonderland, J. Krishnamurti and dream language, The Unlearning Curve pulls as much from psych era Beatles and David Bowie as it does from modern industrial rock. The record was recorded at a number of studios, primarily in Vancouver. It was mastered at Suite Sound Labs, Vancouver and the album cover is an original painting by Toronto artist Kayla Aileen Brown. The album is available as a free download as well as in limited edition vinyl format.

The featured track 'You Can't Go Back' gives some feel of the depth and creativity from the new album (Release date: May 27, 2016). That said the album takes off in so many different and wonderful directions, it's hard to think where to begin to describe it. As an indicator think of an album that travels from psychedelic rock to trip hop, via electronic and other places and your headed somewhere in the right direction. Whatever the categories, it's got me hooked.

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Monday, 2 May 2016

Three Good Ones: Winters End - Bad Sounds - Joana Serrat

Winters End - Thoughts.

Background promo - Winters End have released their new single Thoughts, the follow-up single to their critically acclaimed 2015 single Mayfair. Comprised of siblings Marissa and Christopher Pinto, Winters End are a Sydney-based indie, electronic duo. Formed in October 2011, they have toured twice internationally for the Indie Week Music Festival in Canada and the Youbloom Music Festival in Los Angeles in 2014.

Winters End's follow-up release to their critically acclaimed 2015 single Mayfair, comes in the form of Thoughts. Thoughts was recorded in Sydney at A Sharp studios and Studios 301 with esteemed record producer Lachlan Mitchell (The Jezabels, The Whitlams, The Vines).

 If you combined the wistful synth sounds of Stevie Nicks, Peter Gabriel and Kate Bush and added an Adele-like narrative, complete with heart wrenching and honest lyrics, the result would be Thoughts.
Thoughts is a beautiful piano-based track which starts sparsely and progresses with layers of synths and strings, expressive drumming, and a soaring lead vocal. This progression results in the creation of the 'big' sound that Winters End have become known for.

It was last August that we had the pleasure of featuring Winters End for the first time, back then we described the track Mayfair as "a powerful and stirring song". New single 'Thoughts' continues to see the duo develop and produce high quality indie pop, the latest offering is both melodic and powerful, if anything surpassing their previous work.
 
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Bad Sounds - Avalanche.

Background promo - Following debut single 'I Feel' in December 2015, and receiving praise from everyone from The Line Of Best Fit to Noisey and radio spins from Zane Lowe (Next Hype), Phil Taggart, Annie Mac and Huw Stephens at Radio 1, Bad Sounds return with the release of new single ‘Avalanche', out 29th April via Killing Moon Records.

Co-produced by Duncan Mills (Peace/Spector), the Bath based 5-piece take their upbeat-pop sound to new levels; fusing cheerful pop hooks, fuzzy guitar lines and an undeniably addictive chorus, bringing sounds of the 70's and 80's into the 90's Brit-Pop era, with a twist.

Bad Sounds play a run of UK festivals in support of the single including appearances at Field Day, Dot To Dot and The Great Escape.

UK Tour Dates are as follows:

20 May - The Great Escape, Brighton
28 May - Dot To Dot, Bristol
12 June - Field Day, London
2 September - Festival No. 6, Portmeirion.

This is one of those instantly addictive songs. In fact the above promo has pretty much used up all the immediately apparent descriptions of what is such an uplifting song. If you have not got the energy to dance to it, then just enjoy the enormous smile it puts on your face.

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Joana Serrat - Cloudy Heart ft. Neil Halstead.

Background - Joana Serrat on Cloudy Heart - "Cloudy Heart was built together by David Giménez and myself. The song talks about the very moment when a couple feels like strangers, after coming out of a long journey through darkness together. I like the light that chorus spreads around and the strength that suddenly appears in this part. I feel that it's a generous and genuine song.

While we were writing it, we knew Neil Halstead (Slowdive / Mojave 3) should sing in this song. We met whilst playing in the same festival in Barcelona few years ago. Neil listened to the demo version and said yes immediately. He then went on to play electric guitars on two other tracks on the album - Lonely Heart Reverb and Lover."

It's not surprising that Joana has already received considerable attention both in the mainstream music press and on radio. This is such a gorgeous song, simple as that really, a gorgeous song.

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Sunday, 1 May 2016

Sunday Selection: Stone Cold Fox - Auna Sims - Adeline Hotel - The Maytags

Stone Cold Fox - Contagion.

Background words - The best kind of road trips are the ones that are spontaneous. You know where you want to go, you have a final destination in mind - you just don’t necessarily know how you’re going to get there. But that’s OK, because it’s all about the journey, right? Brooklyn-based four piece, Stone Cold Fox want to take a road trip with you- they’ll get you to where you want to go, you just gotta let them take the wheel, because in the end whatever will be, will be. And the soundtrack? Their forthcoming EP, Tunnel Vision.

Tunnel Vision is a stunning contradiction- a collection of journeys made up of distorted dance synths that bleed with a rock-heavy heart. Written, recorded and produced over a period of two years, the sound of Tunnel Vision resembles a mindset that is anything but narrow minded- instead, it’s a collection of tracks that skew in every which way, that ultimately steer back to it’s original course to create a wistful, cohesive sound. “Tracks started as total rock songs, then turned into chilled electro songs, eventually finding its way somewhere comfortably in the middle,” explains guitarist and vocalist Kevin. “They find middle ground with a rock core and a dancey pulse,” he adds. So, imagine a world where John Lennon is rose from the dead and conceived a love child with The Strokes while listening to LCD Soundsystem and Beat Connection - that’s the kind of world that Tunnel Vision creates.

'Contagion' is synth pop which leans towards indie rock if you follow? It's the first song on the five track EP 'Tunnel Vision' and each track is equal to the quality of the featured song. Hard to easily categorise, the last sentence in the promo piece above is not that wide of the mark.

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Auna Sims - Dance The Extra Mile.

Background bio - Auna Sims' second song, "Dance The Extra Mile" picks up where her first left off, giving us a first row seat to her musical journey. She is off and running, or dancing, as the case may be. In "Right Place," there was an earnest exploration of performance, creation and identity.  "I wrote this song when I was struggling with the 'Why try again' questions," said Sims of the first material she had released. Now that musical identity seems to have found itself a bit more. "This song is about unapologetic joy in perseverance."  

She had to suffer through adversity from an unknown source to make her work.  She grew up in a home infused with music, the oldest of ten musically gifted children. She herself was a prodigiously talented child and studied classical music and piano throughout her youth. As she embarked on her formal secondary education in music an idiopathic hand and arm injury made playing piano impossible for her, just days before she was to audition for the head of the Atlanta Symphony. Auna was devastated.  But she persevered.  "The struggles lead me to my crumbs of truth and those crumbs tend to grow and turn into hope," she says of the undying love of music that impelled her to create music however she could.

As she continued her journey, music consumed Auna, Her tastes broadened and she began to consume a wide ranging array of pop music. Shortly thereafter, she began to play the piano one-handed and write songs with pop structures. She developed her voice and what she could do with performance, limited though she may be.  The music she kept to herself as she compiled composition upon composition. Throughout, she asked herself, "Does success determine art or is the drive to create and express the true beauty?" she asked.   Now she says, "That mile is calling, and it must be danced, sung, written, found, lost, explored, reached, and ultimately released in order to become the courage and comfort I crave for myself and wish to share."

I really like 'Dance The Extra Mile' however I am struggling to describe quite what it is, that makes it stand out from the crowd. Auna has a distinct and commanding voice that appeals, and musically there is an attractive melody. I suppose it is the commitment, the sheer level of emotion, that gives the song that extra kick, looking forward to hearing more.

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Adeline Hotel - Near You.

Background words - Adeline Hotel is the project of songwriter Daniel Knishkowy. It's Alright, Just The Same (May 13 via Wild Kindness Record Co.) was produced by guitarist/composer Will Stratton and recorded at the Buddy Project in Queens, NY and Will's house in Beacon, NY. It's Alright, Just The Same maintains the intimacy of How Strange It Is To See EP while expanding the band arrangements.

Like all Adeline Hotel work to date, the record is fundamentally concerned with the balance between people and place;about the desire for change and the need for stability;getting high in your ex's apartment and laughing at the Silver Jews;constant questioning and trying to get out of your head;driving through the rain as spring becomes summer;making your world just that little bit larger; about singing along to Big Star with your best friend.

'Near You' is the second of nine songs on the forthcoming release 'It's Alright, Just The Same' and the second single release. The album is a collection of really well constructed folk and folk rock orientated songs, that centre around Daniel Knishkowy's fine vocals, plus the musicianship is first class. A good single from a very good album.


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The Maytags - Marry Ya.

Background promo - Des Moines retro-soul outfit The Maytags announce debut full length, Love Lines, available July 1, 2016 via independent release, and share the album's first single, "Marry Ya." 

Love Lines smoulders with the intensity of a relationship that just ended. Recorded at Nashville's The Bomb Shelter with Andrija Tokic, who has also recorded Benjamin Booker and Alabama Shakes, the album sees Smith achieving a bit of the latter band's gut-busting, almost-preternatural howling on cathartic opener "Pushing Up Rivers." A three-part "Suite for Green Eyes," written as a whole by Smith and Tim Sanders (sax), inhabits the aftermath of a breakup: bitter sweet acceptance, tempestuous reflection, and the lustful confusion of running into an ex once it's all over.

As much as Love Lines is born out of a breakup, it's also an artifact of a seven-piece band that has been honing its chops on the road. "Musically we worked our asses off on this," Dustin Smith says. "Me and Tim got together for the initial writing sessions and really tried to draw a lot of inspiration from the Daptone crew, Stax, Al Green. Just to name a few." The songs were then taken to the band and arranged as a unit, with each member having creative input on each song. The Maytags then tracked the whole album to 2 inch tape in less than 30 hours." That follows December 2014's Nova EP, recorded at the same studio and tracked to 2 inch tape in 19 hours

Dustin Smith's lyrics often reference the cultural geography of his home town Des Moines, Iowa, a music and arts community with a rising national profile highlighted by praise from the Talking Heads' David Byrne and glowing explorations from Politico and The Atlantic. But Smith's words also help evoke the Maytags' journey to this sultry nine-song set, one that also runs through Smith's time in New York — where studied jazz as a drummer — and the band's recording sessions in Tennessee. Other band members have roots in St. Louis; all studied jazz, mainly in central and northern Iowa. If there can be a New South, then there can be a sound that's Midwest Nouveau. 

Retro soul, blues, grooves, funk and a few other styles, make the bands debut album 'Love Lines' something very special. 'Marry Ya' is but a small sip from a full glass, when it comes to, what's in store on this fabulous album. Whilst the influences of others may be there, this band pick up on an idea and develop it into a song to remember. If any of the above mentioned genres and styles appeal to you, I urge that you check this album out in July, it's a good one!
 
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Saturday, 30 April 2016

Genre Mix: David Trull - Daniel Trakell - Dear Thieves - Broadway Sounds - Hunter As a Horse

David Trull - Beautiful World.

Background bio - Back in his high school days, with one faithful roadie and one faithful Fender amp in tow, David Trull was a regular feature at the Roadhouse in Webster Groves, MO. Every Tuesday, the Roadhouse Bar and Grill would have local blues hero Alvin Jett onstage to lead a jam session. David headed to the Roadhouse, rain or shine, for three years’ worth of Tuesdays. On that stage, David struck his musical roots in the soil of the blues. His great loves at that time were The Allman Brothers and The Derek Trucks Band; he was known to laugh in rapture at the grinding, throaty “breathing” of Derek Trucks’ guitar.

Years later, at college, David found a different kind of treasure: he discovered The Milk Carton Kids. Their blend of eclectic, punchy song‐writing and limpid melodies inspired him to write music more restrained, music more focused on lyrical power. He began by covering several of his favourites at an open mic night in the spring of 2013, where his rendition of “Michigan” was received with a standing‐o. Along with two friends, David formed a musical trio called Bourbon & Bitters. (By all accounts, he was the ‘bitters’ in the relationship.) This act was the vehicle for him to try his hand at song‐writing, and he wrote and performed over a dozen songs over the remainder of the semester, touring through Southern California in support of these new compositions. Upon graduation, he scraped up enough cash between graduation gifts and tips from local gigs and recorded his debut EP Sowing Season, which later became a popular add at CMJ stations. Those songs are about beginnings, David says, which seemed like a proper theme for his first effort.

David, now home in his native St. Louis, is no longer at the beginning of things. He has completed his first full length album, Coin Toss inspired by and composed during his hiking of the Camino de Santiago, an ancient pilgrimage route across France and Spain. He’s tasted some of life, and it’s a broad world, with many beautiful things in it; but at the same time, much is fragile and out of reach. The sweet certainties of childhood, which are so celebrated in Sowing Season, are harder to hold onto the further you go into the world we’ve inherited. The pain of losing those footholds will be on full display in his new album‐ but that shouldn’t surprise any of David’s devoted listeners. For a man with his feet in the blues, writing about loss, heartache, and the humour of it all is nothing less than second nature.

The full length album 'Coin Toss' (out June 3) is a pleasing collection of songs, of which the featured track 'Beautiful World' is pretty representative. With a predominately acoustic feel, if you like something a little more gentle and laid back, the quality of song writing and performance, makes this an attractive option.

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Daniel Trakell - Wasted Light.

Background promo - Daniel Trakell has spent the better part of the last decade writing and recording several albums and touring Australia and the world with Melbourne groups Fire Underground and Dancing Heals. As both bands came to an end, finding himself with an ever-growing collection of home demos and no outlet, Trakell went in to Abbotsford studio The Aviary to record his debut solo record with friend and talented producer/Gotye percussionist Joshua Barber.

First track off the forthcoming six-track EP is Wasted Light, which has already received glowing reviews and featured in mixtapes on such desirable blogs as I Heard A Whisper, Me And All My Friends, Being Blogged and The Revue, to name a few.  The Beatles-esque tune also received instant spins on Triple J, with the network’s Music Director and presenter Richard Kingsmill giving it four stars on Unearthed, while Home & Hosed host, Dom Alessio said, “It’s like Elliott Smith on a magical mystery tour.”

Daniel was recently announced as one of six winners of Triple J Unearthed's 2016 NIDA competition, selected to have a music video for another track from the EP produced by NIDA's finest filmmaking students.

Wasted Light features Joshua Barber on bass and drums, Nicholas Lam on guitar, strings by Jonathan Dreyfus and Nick Pietsch on trombone.  
Says Daniel, “Wasted Light was the last track I wrote for the EP, the demo was very much a straightforward piano and vocals song. When I brought it to Josh we felt it should have an extended outro, he laid down 2 sets of drum takes which gave us the Beatles-y direction and we built the rest over that.”

'Wasted Light' really does have a Beatles musical feel to it. Vocals are delicate and refreshing whilst the background music gradually builds into something quite special. The production is very good, as is the song.

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Dear Thieves - My Street.

Background promo - Dear Thieves are a hard hitting alternative indie two piece, hailing from Melbourne, Victoria. The band consists of Joel Hansen and Jesse Jones, who down sized from a four piece indie rock band in Brisbane, to take their business south of the Queensland border in 2013. Since then they have been prolifically fine tuning the two piece sound, to bring a unique and melodic change to the two piece outfit.

Their last self-titled EP, released in 2014 was described as “glistening indie rock, with a charged romanticism” and set the tone for their upcoming single “My Street”. The new single was recorded at Melbourne’s very own Head Gap Studios, and at the helm was head engineer, Neil Thompson. The song itself is about big nights and there big repercussions, drawn from artist experience.

With their high energy live shows, which leave no muscle dormant and no stone unturned, the boys are ready to take Dear Thieves to bigger, and much louder pastures.

Dear Thieves crank the music up with 'My Street' a blistering rock'n'roll piece. With the powerful sound that rock duo's can create, the pair deliver a well crafted song that strikes a good balance between noise and detail. 'My Street will be released 20th of May 2016.

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Broadway Sounds - Exclusive Love / Digital Influence.

Background promo With an impressive following in their native Australia, afro-infused electro-funk pioneers Broadway Sounds will finally be bringing their effervescent retro fun to the rest of the world, with an EP release scheduled ahead of some UK festival appearances this summer. The "Exclusive Love/Digital Influence" EP release will drop on 20th May via 100 Billion Wires and features the brand new title track.

Today the band are thrilled to share the new video for the track, alongside the news that they will be playing Glastonbury Festival on Saturday 25th June. Meeting at the intersection of afro rock, boogie funk, township jive, afro funk, kwela jazz, soca, RnB, folk and soul, Broadway Sounds are a new breed of psych-pop that push the boundaries and make it work.

100 Billion Wires is a new London based independent label project set up as a labour of love by 3 friends to support exciting new left field music from the grass roots. Drawing on their collective experience of working in labels, live and music publishing, across acts ranging from Young Fathers, ho99o9, Lee 'Scratch' Perry, Peanut Butter Wolf to The Fall, Shabazz Palaces, Metronomy & The Streets - eclectic tastes are reflected in the label's approach to releasing new music from emerging artists.

Broadway Sounds will play the following live dates this summer, with more to be announced shortly:

25th June - Glastonbury Festival, Somerset UK
15th July - Beatherder Festival, Lancashire UK
23rd July - Hootenanny, London UK
24th July - Secret Garden Party, Cambridgeshire UK

'Exclusive Love / Digital Influence' is a mixture of classic funky sounds with a more modern electro twist and even the odd Kraftwerk moment. It's fun and ticks a whole lot of boxes for me.


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Hunter As a Horse - Fallen Leaves.

Background promo - A haunting, psychedelic synth-infused journey filled with stories of wolves, spirits and a first kiss shared in the woods, "The Two Magics”, is a powerful debut EP from Hunter As a Horse. The sound is distinctly their own - a surprisingly comfortable blend of folk, disco and pop with dark cinematic leanings.

Co-produced by Ewan Pearson, the release is the result of a year-long self-imposed exile from London to rural Italy. The band, Paul Gala on synths and machines and Mia van Wyk on vocals and guitar, moved south to “channel the gods of dark cinematic Italo disco” where they built a studio in an old farmhouse in Tuscany, previously owned by the local sorcerer “il terzo occhio” (he who has the third eye), and began writing and honing their sound in earnest.

The band cite influences as diverse as Nina Simone, Jimi Hendrix, Lali Puna and Johnny Cash, “anything arpeggiated” and of course are heavily influenced by Italo and the sounds of the 80s.

I am so, so impressed by the debut EP 'The Two Magics'. Featured song 'Fallen Leaves' is one of five mini masterpieces, as Hunter As A Horse develop intensely beautiful music. 

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Friday, 29 April 2016

Friday &: The Phantom Sound - The Redhill Valleys - Vague - Bencoolen - Manon Meurt

The Phantom Sound - Crushing.

Background promo - The Phantom Sound recall the best of the 70’s & 80’s with contributions from the Punk & New Wave hall of fame in the powerhouse of a single: “Crushing” out May 16th 2016. The band’s powerful sound and brooding vocals of songwriter Marisa Schlussel has seen the likes of BBC and Amazing radio jump on board the good ship Phantom.

“Crushing” the standout track from the band’s special edition release of debut album “The Phantom Sound”, begins with a truly defiant swagger befitting of the punk ethos. With the unstoppable momentum of an out-of-control steam locomotive, the track leads to its iconic chorus that would be at home at both grimy rock clubs and major summer festivals.

Following her dream of working with the very artists that inspire her, Schlussel sought out the legends of the late 70’s and 80’s Punk & New Wave movement, aspiring to make sure that they loved her music. As it turn’s out, they didn’t need much convincing with Ken Stringfellow (The Posies, R.E.M.) on producer duties, legendary drummer Clem Burke (Blondie) picking up the sticks and Pierre DeReeder (Rily Kiley) all keen to contribute to what has fast become an album dripping in era-defining talent, featuring icons from the past and future.

Marisa falls into the future icon bracket, set to follow in the footsteps of Punk Rock royalty. The powerful self-titled album bulges at the seams with huge, power punk rock influenced tunes grabbing the attention of the likes of BBC Introducing London with multiple spins from supporter Gary Crowley and Amazing Radio after winning the top voted song on Charlie Ashcroft’s Audition Show for “Get to Me”. The colossal album has also seen plays on Sirius XM Radio and Genya Ravan's show on Little Steven's Underground Garage Channel.

The strength of their sound has seen the band from London receive plaudits as far as Canada and the U.S. with radio success and an invite to play Canadian Music Week 2016, representing the UK in Toronto citing influences ranging from David Bowie, Roxy Music, Blondie and The Romones.

UK Dates:
19/05         Brighton           The Great Escape
23/06         Maidstone        Earl’s    
25/06         London            The Garage

'Crushing' has all the attitude of a punk laden rock'n'roll song. Vocals have that menacing edge and the band just play guitar driven rock, with the swagger a song like this needs.

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The Redhill Valleys - Wrong Way Turns Out Right.

Background from the band - We formed as The Redhill Valleys in the fall of 2014. Today, we're sharing our single and stream of our debut album. The self titled record is out today!

The three of us had worked and collaborated together in various situations over the years, but when we got together for the first time, it clicked. We found common ground in our writing and playing styles due to our shared love of Rock and Roll, Folk, vintage R&B, and classic Country. Before long we had twelve songs written that were eclectic, but still sounded like they belonged together.  We crafted this record, our debut, for a year in the recording studio. We wanted to straddle the line of getting it just right, but without it sounding stale or mechanical.

Wrong Way Turns Out Right is a special song to us. It's one of the earliest songs that was written for our record, and set the tone for many that followed. More significantly, it's the song that was the initial vehicle for us to find our collective voice. We knew we wanted to write songs with an emphasis on harmonies and this was the first song our voices really melded together - when we felt that we had something special. - Redhill Valleys (Cheslea, Danielle & Tim).

This has been a good week for albums and The Redhill Valleys debut is definitely one of them. That they have spent time on the album is born out by the quality and craft of every song. The mixture of musical styles each member brings to the band, comes together and leaves us with a selection of great music, the featured track being no exception!

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Vague - Vacation.

Background promo - Vienna five-piece, Vague have dropped their first UK single and video Vacation, through Siluh Records.

The five young guys from Austria produce sounds with heavy distortion, reminding of alternative indie scenes of the 80sand 90s on both sides of the Atlantic. They describe their music as often: blurry, melancholic, clever, combining indie ethics with traditional songwriting.

Vacation is a brilliant slice of indie pop, showcasing the band's innate ability to pen a hook, which compliments the voice of the lead singer. Reminiscing of a by gone time, the guitar driven song is moving, nostalgic and effortlessly cool.

Vague have released their first EP titled 'Tempdays' last year and 2016 sees them release their debut full length: 'In The Meantime'. Vacation is the the first release off the album, released via Siluh Records.

The press release references the retro feel of the 80/90's indie scene that comes across with the song 'Vacation'. A reasonable point of view, I would add that had it been released way back then, it would have been up with some of the best songs. It's a fine song, one that is as welcome in 2016 as any time past.

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Bencoolen - In Color.

Background promo - After months of rehearsals and shows, Bencoolen is gearing up to release their highly-anticipated new album, In Color, out Summer 2016. The 6-song record will feature the full spectrum of the band’s sound; from a gentle ballad, a reggae rock song, and heavier, “maximalist” rock. Recently the group has just launched the title track from the record, "In Color," which you can listen to and post, above.

Bencoolen was able to raise more than $6000 for the record, and has made a recent push to travel to new cities and universities to share their music. The band's sound, either recorded or live, will definitely touch Bencoolen listeners. Whether you are the lonely bartender on a Wednesday somewhere in New Jersey, or a rowdy fraternity house playing air guitars with us and singing songs you hadn’t yet heard; you have all of our energy. The hours of practice and of travel have garnered accolades from features in USA Today College, to opening for Cold War Kids, and more.

The first single, “In Color,” is simply a story about growing up. We are all born with creativity and color inside us, but as we learn, that beauty gets lost. When the bartender asks him, “What’s your name, what’re you in here for?,” The man simply says, “I’m the wind blowing through and I used to live in color” without identity or purpose for himself. As he drinks he wanders the bar, he looks at the beautiful pictures on the seemingly ordinary bartender’s walls. He then watches him work, content with where he is, and what he has done. That opportunity for self-reflection helps the man find inspiration to live beyond paying bills and doing the “right” thing to essentially find himself again.

Featured song 'In Color' has a distinct reggae feel to it, and some high quality musicianship accompanying the suitably adapted vocals. It's one of those songs that starts out well and just keeps on getting better!


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Manon Meurt - To Forget.

Background promo - Upstart Canadian imprint Label Obscura is proud to announce the vinyl reissue of the debut EP by Czech Republic shoegaze/ noise pop quartet Manon Meurt, making it available in North America for the first time.

These quickly rising shoegaze stars have played alongside The Raveonettes, The Ecstasy of Saint Teresa, LSD and the Search for God, and My Bloody Valentine. During the sound check for the latter, while Kevin Shields was still in the locker room, MBV’s sound engineer actually complained that Manon Meurt were playing too loud.

Manon Meurt is Vojtech Pejša (guitar, vocals), Káta Elznicová (vocals, guitar), Jirí Bendl (drums) and Jana Karlíková (bass guitar, giggler). They hail from the small Czech town of Rakovnik, located just outside of the capital, Prague. Inspired by the British shoegaze movement of the early 90s, bands such as My Bloody Valentine, Lush, Ride and Slowdive have clearly helped shape the band’s sound.

Originally self-released on vinyl in their native country in autumn 2014, this self-titled 6-track 12-inch record sold out shortly after its initial release and now fetches upwards of $50 USD via Discogs. This debut album shows the band in a number of different musical moods, from the rollicking opener “To Forget” to the dreamy atmospherics of both “‘94” and “Until You Can” and the show-stopping B-side closer “Blue Bird”, nicely bringing the album to a close and foreshadowing what lies ahead for this exciting new band.

Label Obscura, as a website and record label, was created with the goal of shining a light on some of their favorite labels, bands, and albums from the past and present, with a focus on indie rock that never got a vinyl release or is currently out of print.  This reissue will be limited to 200 copies on white vinyl in North America, and will be available through the label’s website and via select independent record retailers. All copies come packaged with a high quality plastic inner sleeve and a digital download card. It is also available digitally via the label's Bandcamp.

The song may have been around for a year plus, however the vinyl release should prove popular and remind us of the quality of the bands music. Shoegaze that morphs into dream pop, whatever the genre 'To Forget' captures the more powerful side of the band and makes for a great introduction.


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Suzerain - Identity (New Album - May 27th)

Suzerain - Always (Radio Mix).

Background promo - We live in a world that is rapidly changing around and within us. Each day is a time capsule: a snapshot of who and where we are at that precise moment. Perspective is key, but by nature human consciousness isn’t built to process experiences in such a manner. People can struggle to get a helicopter view when they’re stuck in the eye of the storm that is life. It’s a concept which London noise merchants Suzerain have been exploring with second album 'Identity' – their very own dystopian nightmare born from the winds of change.

“We made this album across two years,” reveals singer Thomas Pether. “So it took a while to break into something we wanted it to be. Identity is something that is difficult to grasp on a day-to-day basis, it can change but isn’t always obvious. For us, this album feels like our identity at the moment.”

“We wanted to strip away as much as possible,” continues guitarist Rich Summer. “It sounds like a cliché but the more we removed, the more it sounded like us. We have a tendency to try everything we can and see what sticks, but this time once we found the heart of the music, we stripped everything down to that one little nugget that was the identity of the track, in a way.”

Enlisting the talents of respected producer Steve Lyon (Depeche Mode, The Cure, Siouxsie Sioux), the electro rock outfit strived to create something truly exciting, something brand new, something so very now that its process pushed their artistic vision to its very limits. As the pieces slowly fitted into place, so did the understanding that identity is the invisible carpet beneath our feet: a journey of self-discovery, and how the results of such naked introspection place us in equilibrium with the other forces of life.

“It’s not a concept album by any stretch,” says Thomas. “But it certainly does have elements of that. Our track 'I Know You So Well' came from how we can be seen through our digital footprint in the world, and 'Hide Yourself' is about opening up to other people by not hiding yourself, by just being you. Which to be honest is something we all want to do! So there were many things that crossed over in actually defining ourselves on this record.”

“We recorded so many songs that didn’t make the album,” continues Rich. “We decided that if anything sounded like another band could have done it, we didn’t want to include it. The music had to be something that could only be done by us. And embracing that side of us was both a blessing and a curse! But the result is that anyone listening to this record would have to grab a whole group of genres to figure out where we belong.”

Suzerain release their new album 'Identity' on May 27th. The featured song 'Always' gives a good indication of the brooding sound the band create. They are adventurous and the album does not sit comfortably in any particular genre. As a result we are treated to a mixture of indie rock songs, instrumental tracks, and softer imaginative pieces. It's hard to think of any specific band to reference them against, as they test out so many different ideas. This for me is one really fine album, the band are extremely capable, vocals are seemingly customised to each song, and we have a group of people who are not trying to follow a specific format that stifles their imagination.

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Wednesday, 27 April 2016

Wednesday Rock Blast: The Lost Poets - This Party

The Lost Poets - Insubordia Pt. II.

Background bio - The Lost Poets - a mysterious dark impact from Sweden. Their faces are unknown and covered by a tar like substance. Wearing top hats and suits. Even though strange and dark, the music is full of beautiful melodies, positive elements and unique vocals.

The Lost Poets originates from Stockholm, Sweden. Their only release is an EP from 2014 "Insubordia", and the single "Mouth". Both received raving reviews internationally and in a very short time they have become hugely sought after.They are to be included in Dolph Lundgrens forthcoming feature film "Without YouI'm Nothing" and they opened for "Volto" (Tool drummer Danny Carey's band) at the infamous Viper Room on Sunset Boulevard merely weeks after arriving to Los Angeles. The Lost Poets are also currently working on the short film "Tales from Insubordia" and the children's book (!) "The Lost Poets".

The Lost Poets are a two-man extravaganza who brings the listener to another world. Through their mysterious appearances they express all emotions between everything and nothing. Truly beautiful, gritty raw and immensely powerful.

The ten track album has been out for a couple of months, but only came my way this week and is to good to pass by on. With a distinct & powerful earthy rock sound and a flare for creative songs, The Lost Poets are one potent band. Shades of early Pearl Jam through to even David Bowie, however that said they are more than capable of original pieces. Like the featured track, then you will love the album.


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This Party - Taste.

Background promo - A chance encounter at a Smiths tribute gig in early 2015 led to the formation of Brighton's This Party, a band that fuse sharp bass lines with infectious melodic hooks. Charismatic front man Matt is as well known for his energetic on-stage performances as he is for his strong vocals.

New single 'Taste' is two and half minutes of guitar driven indie rock. A clear statement of intent from a band that have very quickly established themselves as one of the UK's most exciting prospects. The single is the first release to come from the band's own record label Moscow Lets Go.

Produced by Junk Scientist (The Rakes, Larrikin Love), This Party's debut single 'Movie Nights' was picked up by BBC Introducing South and featured by BBC 6 Music's Steve Lamacq throughout Autumn 2015. 'Movie Nights' was selected by Gigslutz as their 'Track of the day' and featured by BBC Introducing South's Melita Dennett as a tip for 2016.

'Taste' is a two and a half minute blast, of classic British indie rock. Musically it's as tight as anything and the highly charged vocals add to this mini feast, of guitar driven rock.

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The Wildmans - Mollie Elizabeth - Jazmine Mary - Mariel Buckley

Photograph by Magnolia Ellenburg The Wildmans - Autumn 1941. The Wildmans will release Longtime Friend on July 11, 2025 via New West Record...