Sunday, 23 April 2017

Emily Keener - Rips - Spirit Bunny - Northern National - Vulgarians

Emily Keener - Light & Sound.

Background - Emily Keener is a eighteen-year-old singer/songwriter from Wakeman, OH. Since her exciting journey into the Top 12 on NBC’s The Voice, Emily has been writing and recording diligently in an effort to capture the energy of this most transformative year.

Emily started playing the guitar when she was 11 years old and began writing songs when she was almost 12. A natural curiosity and passion for music quickly got her performing frequently and writing constantly. Almost 6 years later, she has written over 100 original songs and released three EPs and two LPs. Her songs are distinctly original, and the ideas she manages to express in them belie a soul that seems to be much older than seventeen. Before training with renowned vocal coach, Joan Ellison and master guitarist, Tony Schaffer, Emily was entirely self-taught and thrived on the time she spent locked away with a guitar and a notebook.

Quote From Emily: "'Light & Sound' was so much fun to create. The open space we filmed in and the lighthearted lyrics really meshed together well, and I was very happy to have friends working on it with me. The director, Andrew Schaeffer (Monocle), is a stand-up fella and he does great work. Kassandra Lee choreographed her dance routine, and performed it wonderfully. The whole video has an easygoing charm and it always makes me smile.” Website here, Facebook here.

The lyrics feel as if you are listening to one side of someone else's conversation, and they are supplied in a delicious, melodic manner that is captivating from the start. Add in the imaginative sound track and 'Light & Sound' really is a refreshing and original piece, with a video to seal the deal.


--------------------------------------------------------------------------------------------------------------------------

Rips – Malibu Entropy.

Background - Brooklyn based Rips have quickly built a reputation amongst NYC showgoers, winning them over with their virtuous melodies and sheer ferocity amidst an endless flurry of shows. Their songs may channel late '70s New York City bands like Television and The Feelies, but Rips propels these references into something new. 

Their self-titled debut, produced by Austin Brown of Parquet Courts, is eleven tracks of buzzing guitar riffs driven by a charged rhythm section, all set under lyrics that are actually worth a damn.

Rips (the record) takes cues from the moonlighting era of rock, while delivering a set of songs distinctly fit for the modern age. Once described as a “hyperreal rock n’ roll group”, the phrase “borne forward ceaselessly into the future" is more what they’re going for here. So break an old habit. Let your hair down (or up). Rips will take you there. Facebook here, Label here. Tour dates on Beehive Candy's tour page.

'Malibu Entropy' is an impressive two and a half minutes of timeless rock, resplendent and sincere, the band calmly turn up the power when required, the vocals for me have that late 70's NYC band feel as mentioned above. There is an emotional under current that clinches it for me, the album is on my wan't list.

--------------------------------------------------------------------------------------------------------------------------

Spirit Bunny - Disco Horseride Montage.

Background - Arriving brashly via circuit-bent Casio keyboards and buzzing Commodore 64 synths, Brisbane experimental pop three-piece Spirit Bunny have just released their cacophonous self-titled debut LP (Detonic Recordings), premiered through Grain Zine. Spirit Bunny will also kick off a six-date LP launch tour at Canberra's Lobrow Gallery tonight, to be followed by Sydney, Melbourne, Wollongong, Adelaide and Brisbane.

Though Spirit Bunny work predominantly with "retro" instruments, their frenzied, motif-driven sound is anything but. Despite the lack of guitars, Spirit Bunny's chaotic blend of broken sound bears as much in common with noise-guitar-pop bands as dark synth-wave groups. Recorded in drummer Cameron Smith's studio Incremental Records (Velociraptor, Deafcult, Danyl Jesu), the album has so far received praise from industry figures at FBi, 4ZZZ, 3RRR and Who The Hell, and plenty of airplay on the wings of singles Amen Skew (current), Disco Horseride Montage and fan favourite Marshmallows.

A DIY band through and through, a Spirit Bunny debut full-length release was perhaps always inexorably fated to explore consumer culture as a central theme. Intermittent cut-and-paste lyrics are paired with discomforting corners of sound to both criticise and celebrate the way we consume. By way of protecting each physical copy of their album with a bright cardboard case, hand-painted by the band, Spirit Bunny's ethos is apparent before a listener even removes the vinyl from its sleeve. Facebook here, Bandcamp hereTour dates on Beehive Candy's tour page.

The opening track from Spirit Bunny's brand new album is 'Disco Horseride Montage'. It's a wonderful introduction to a highly creative collection of material. What could so easily slip into chaos, actually comes to order with the sonic disarray, building into one fabulous song, go check the album for more.

--------------------------------------------------------------------------------------------------------------------------

Northern National - MoneyBlind.

Background - Offering a southern vibe to alternative music, Dallas, TX based band, Northern National is setting sail for stardom. The five-piece rock band formed in August 2016 and released their debut EP, The New Age, later that year. Produced by Dan Stringer (X Ambassadors, Ms. Lauryn Hill), The New Age features 5 indie-rock gems, including their debut single, "Love Is Fire", which caught the attention of Spotify.

"Love is Fire" was featured on Spotify's Discover Weekly playlist and charted on Spotify's Viral 50 worldwide. Music curators such as Topsify, Filtr, and even Coca-Cola, have also featured the song on their playlists.  Since the release of The New Age, Northern National's songs have been streamed over 700,000 times and counting.

Sonically, Northern National has been compared to bands such as X Ambassadors, Catfish & The Bottlemen, Kings of Leon and Imagine Dragons. With an ever-growing fan base across the US, they aim to set out on their first national tour this year. The band considers the legendary House of Blues in Dallas their second home and have played festivals such as SXSW and Red Gorilla. Northern National has shared the stage with notable artists such as Andy Grammer, Echosmith, Mat Kearney, MAGIC!, and more. 

Their latest single, “MoneyBlind”, released in April of 2017, proves that the group has a good head on their shoulders and is ready for the next step in their career. Teaming up with producer, Dan Stringer once again and mastering by John Davis of Metropolis Mastering (U2, Lana Del Ray, Royal Bloods), the single seamlessly bridges the gap between southern, indie, & alternative rock in a little under four minutes. “To us, “MoneyBlind” is a reminder that however much success we achieve - to not sacrifice the people, morals, and loved ones that matter most in your life. The road might be slower, but it’ll be worth it in the end,” the band states. Website here, Facebook here.

High calibre alt rock with some refined and melodic vibes ensures 'MoneyBlind' is quick to get noticed. Indie and southern rock flavours creep in through the vocals and a slick burst of guitar magic.

--------------------------------------------------------------------------------------------------------------------------

Vulgarians - Of Humdrum Consumption.

Background - Hull’s Vulgarians are sharing their thunderous new single ‘Of Humdrum Consumption’ – the second track to be taken from their new EP titled Almost-Instinct, Almost True due out on May 5th 2017.  Produced by MJ of Hookworms (TRAAMS, Eagulls, Pulled Apart By Horses), the EP is to be closely trailed with a full UK headline tour (full dates below) throughout May taking into account a date at London’s Old Blue Last on May 23rd. 

Speaking about ‘Of Humdrum Consumption’ frontman Ryan Wilson-Preen says; “In many ways the song sounds more typical of an earlier Vulgarians’ track in regard to the discordant feedback but shows an indication that we’ve moved forward and can write something more. We’ve finally allowed our Krautrock fascination to be absorbed into a new, vulgar life.”

Following a chance encounter after a gig at Brudenell Social Club last year, Hookworms’ frontman MJ invited Vulgarians to record their next EP at his Suburban Home studio in Leeds, also offering up his production services. Speaking about working with MJ, Wilson-Preen says: “We’re all really big fans of his work with Hookworms and he’s also produced many of our favourite records. We knew he could certainly add his experience, but also bring his music knowledge to the table.”

Taking its title from work by Hull poet Philip Larkin, Almost-instinct, Almost True finds Vulgarians in their most pulse-quickening but focused form, demonstrating a marked progression in sound from their previous release. There is a heftier emphasis upon the bass and groove within songs; bassist Jodie Smith and drummer Connor Cheesman find a progressed alliance in the rhythm section that plays into Vulgarians’ newly found sleaze. Whilst shades of the Morphine, Sonic Youth and Jesus and Mary Chain records which soundtracked the writing of Life’s Successful Death still show, Almost-Instinct, Almost True is driven by the same barbed energy propelling influences from Rowland S. Howard, PiL and Iggy Pop. Hands Around The Waste’ is the finest example of Vulgarians’ musical and lyrical dynamic. Split down the middle in two contrasting demeanours, the song finds the humour in a taxi drivers’ dark stories, incongruously mixing monumental choruses with sparse verses. Facebook here, tour dates on Beehive Candy's tour page.

Full of anxiety and sounding oh so close to the edge, 'Of Humdrum Consumption' is a feast of punk panic, that somehow manages to mix passion with noise and arrive with some remarkable hooks, you just have to play it again.

--------------------------------------------------------------------------------------------------------------------------

Saturday, 22 April 2017

Nic Kain - Shinbone Star - Fjorka - Kurt Swinghammer - Slow Caves - The Gin Pennies

Nic Kain - New Ways Unfold.

Background - Enigmatic Australian artist Nic Kain announces the release of his first international single ‘New Ways Unfold’, due to be released April 28th. New Ways Unfold from Nic Kain is an upbeat indie-grunge, anti-folk anthem with arty electro inlays and catchy phrasing. The track is a unique blend of styles with subtle nuances of feel while the lyrics are a poetic invocation and offering of Nic’s unique artistic expression. Nic puts out a call for everyone to connect to the earth, get creative, open up and be advocates of peace in these tumultuous times of change and upheaval. 

Recorded at Studio Avalon by conscious roots artist / producer Murray Kyle and mixed by ARIA award-winning producer Govinda Doyle (co-producer of Angus & Julia Stone's Jet Plane), New Ways Unfold is a culmination of Nic's multi-faceted artistry and fiercely creative, yet nostalgically familiar style. On writing the track Nic said, “New Ways Unfold invokes a way of being, a way of opening up to new experiences, creative learning and flow. I just started do, do, doing over a simple chord progression on a beat up old steel string acoustic and the song just came through.” 

Seamlessly transitioning between song writing, electronic sound design, visionary art/abstract painting and spoken word, Nic has long paid homage to the eclectic, deriving ideas and styles from a diverse range of genres. For years he has captivated audiences at alternative music festivals around Australia with his unique instrumental inclinations and virtuosity on the flute. 

Based near the internationally renowned seaside town of Byron Bay on Australia's north east coast, Nic's music has been shaped by his spirited bohemian lifestyle and exposure to myriad influences. Although his song writing is now reaching mainstream audiences, his musical journey began decades ago. Today, Nic is best known for fusing electronic and acoustic anti-folk styles with spoken word and rhyme. He is adept at merging various genres into his creative field of play and collaborating with other talented artists in the studio. Bandcamp here, Facebook here.

'New Ways Unfold' has a rhythmic, acoustic folk feel with Nic Kain's vocals providing the melody early on. It takes a beautiful twist round the halfway mark as the music creatively builds and adds another dimension to an already fine song.

--------------------------------------------------------------------------------------------------------------------------

Shinbone Star - Whiskey & Gin.

Background - Shinbone Star (Man Who Shot Liberty Valance for those that don't recognise the reference) is the band we all dream of being a part of... talented musicians, good people, creative artists. Sporting a range of tasty covers and originals we cover the blues spectrum with a bit of southern rock and country around the edges.

Band member Michael Woodrow tells us - My band Shinbone Star has just released a new album.  We are based in Melbourne (Australia mate!) and are currently number 1 nationally on ReverbNation for blues. We have been picked up by many stations internationally that play blues music.

The first track on the album was also the opener for the launch show. Played out on the Lady Cutler showboat (Blues Cruise) it was the start of a great afternoon and evening of blues to an adoring audience! Facebook here, Reverb Nation here.

If you like your blues with some passion and top quality vocals and musicianship then 'Whiskey & Gin' has all of that. The title song from the album gives some feel for the collection. The bands suggestion that country and southern rock also influences their material is a fair one, they can and do mix up the styles, however holding centre stage throughout is their natural blues music.


--------------------------------------------------------------------------------------------------------------------------

Fjorka - Sick Kids.

Background - Originating from the Emerald Isle, progressive pop outfit Fjokra (pronounced Fee-okra) come with their new single Sick Kids – a magical concoction of percussive beats, synth-pop melodies and rock guitars overlaid by scat vocals from duo lead vocalists Fi and Annie Bea.

Sick Kids follows the band’s debut EP Thought Steps which gained radio support from Steve Lamacq & Tom Robinson (BBC 6Music), Dan Hegarty (RTE 2FM), Gary Crowley (BBC London) and Vicky Blight & Pete Donaldson (Absolute Radio).

Sick Kids was written, recorded & produced by lead vocalist/frontman Fi (full name Fiachra Mac Oireachtai) who’s inspiration behind the beats came from militaristic drum-led groups like the Swiss Drum Corps & US College Lines saying “as a drummer myself, I love the energy & volume of noise created by those large collections of players & wanted to recreate that level of energy on the record”.

Fjokra are Annie Bea (vocals/percussion), Freddie Draper (bass), Jack Richardson (guitar), Filippo Galli (drums) and main vocalist, visionary and songwriter Fi. Facebook here.

The beats are impressive enough, and the vocals are stupendous on 'Sick Kids' a fascinating song with plenty of hooks and a chorus that nails it!

--------------------------------------------------------------------------------------------------------------------------

Kurt Swinghammer - Jack Layton and Grace Appleton.

Background from Kurt Swinghammer - I turned on the TV one morning to see CBC News anchor Peter Mansbridge with tears in his eyes announcing the death of Jack Layton, the charismatic leader of Canada’s left wing New Democratic Party. It was a sad start to a new day, but then later that afternoon my mom died.

These two people were very important to me for entirely different reasons, and as often is the case with significant personal experiences, it inspired me to write. It became the first piece that developed into a song cycle called 'Another Another'.

Shortly afterwards I was invited to be the first Artist In Residence at the National Music Centre in Calgary, Alberta, which gave me access to their world-renowned collected of exotic synthesizers. This track includes the rarely heard Clavivox invented by Raymond Scott in 1952. I enlisted multiple Juno Award recipient Michael Phillip Wojewoda to engineer the recordings and he ran everything through the infamous Rolling Stones Mobile desk, which was used on Sticky Fingers and Led Zepplin 4, and gets a shout out in Deep Purple’s iconic “Smoke On The Water”.

It was absolutely exhilarating to be surrounded by literally hundreds of fabled electronic instruments associated with seminal modern composers such as Edgard Varèse and Brian Eno. Eno’s ambient classic “Music For Airports” was actually the only album in my collection that my mom ever expressed appreciation for. I played it constantly in her care facility room during her final days, and I used this single common cultural connection as an aesthetic inspiration to reflect on her life. Website here, Facebook here.

A personal song that is both winsome and a little sad. 'Jack Layton and Grace Appleton' is gently melodic and creative, the synths add a little more character towards the end of what is for me an enchanting track.


--------------------------------------------------------------------------------------------------------------------------

Slow Caves - Glares.

Background - Slow Caves have shared their video for 'Glares'. The band says of the video, "Most of the video was shot last summer, on the last day of our trip to Denmark. We wanted the video to reflect how we are as a band internally, and kind of give people a taste of what it's like to hang out with us. 

So, we handed the camera to our cousins, Kristian and Martin, and just kind of goofed around. We shot most of the footage at their school in Silkeborg (where Oliver and Jakob were born). The scenery there is unreal. We think the vibe of the video matches the song and our personalities really well. It's light-hearted and very sentimental and nostalgic.”

Formed in Ft. Collins, CO in 2014, Slow Caves consists of Danish born brothers Jakob and Oliver Mueller (vocals, guitars) rounded out by childhood friends David Dugan (guitar/bass) and Jackson Lamperes (drums) who offer a relaxed and surf-y update on 80's synth, 90's jangle and early aught's indie rock. Website here, Facebook here. Tour dates on Beehive Candy's tour page.

'Glares' is a bright uplifting indie rocker with bags of charm. Melodic vocals and sparkling music combine and provide a very appealing song.


--------------------------------------------------------------------------------------------------------------------------

The Gin Pennies - Film Noir.

Background - ​Front woman Shanelle Lewis​, has a voice for the ages, honed from her childhood in a musical family who would stay up nights playing songs around the campfire. Lewis moved from rural Ohio to Los Angeles, and quickly caught the attention of Randy Wooten, a prolific songwriter (The Bloody Lovelies, Willodean) and co-founder of Cheap Lullaby Records (Joan As Police Woman, Teitur, David Mead).

The Gin Pennies play pop songs enveloped in an old school sound that includes percussive guitars, upright bass, violin and trumpet. A close listen reveals intriguing non-period and genre specific surprises like chromatic harmonica, and lush chord sequences. 

There's a unique slant to their tunes that sets them apart from the masses; it's as if Lake Street Drive travelled back to the 1920's Paris and made a record with Django Reinhardt. It’s an engaging mixture of era and vibe, where modern-day California indie-pop meets 1920s French juke joint. Facebook here.

'Film Noir' is a magnificent song. Quintessential music and vocals that by the audio quality are clearly of this era, hark back to the music of bygone times, with style and charm. This is a piece that deserves any superlative you might care to give it.


--------------------------------------------------------------------------------------------------------------------------

Friday, 21 April 2017

Escape From Yesterday - Blondie - Noel Cowley - The Darts - Airpark - Frenship

Escape From Yesterday - Same Old Scene

Background - Escape From Yesterday are a four piece pop-punk band from Murray Bridge, South Australia. With tunes much to the style of bands such as Blink-182, Paramore and Fall Out Boy; Escape From Yesterday have taken the Adelaide music scene by storm in less than a year of forming. They are now ready to release their brand new single, Same Old Scene. 

The track is about breaking out of your hometown and embarking on your own adventure. Inspired by the band members personal struggles, hopes and dreams, Same Old Scene displays the bands edgy yet approachable style. The combination of punk-rock and funk influences gives the band’s music a very “Funky Punky" vibe. Same Old Scene addresses some very relatable issues that young people face, and the band hopes that the themes in this song will inspire others to take a leap of faith and pursue their dreams. 

Same Old Scene was recorded in a brand new studio that has been installed into local venue, The Station. It was recorded by members of Escape From Yesterday, and mixed by Jordan Holmes, vocalist and lead guitarist for the band. “Same Old Scene was written with the intention of inspiring others, but also ourselves” says Jordan, “Sometimes, we need to remind ourselves that we’re capable of more than we think, and we just need to believe in ourselves.” 

This year, the band is working non-stop on a debut album, which will hopefully be “released by the end of 2017”. The demo version of their track Run Along has seen positive reviews with Music SA’s Matthew Hayward noting it as “a rousing call and response number featuring some heavy distortion and developing pop sensibilities”. Same Old Scene is rapidly becoming a fan favourite at their live shows. They carry with them heavy sounds and an exciting presence on stage. Pop-punk single ‘Same Old Scene’, due to be released April 28th. Facebook here.

'Same Old Scene' mixes robust guitar fronted rock with more melodic and appealing vocals. Put together they make for a top-notch song, one that suggests a second listen is in order, at the very least.

--------------------------------------------------------------------------------------------------------------------------

Blondie - Long Time.

Background - Blondie has premiered the video for latest single “Long Time,” off of the band’s 11th studio album Pollinator, out May 5th (BMG) “Long Time” is the third track from the remarkable new album that perfectly demonstrates the blend of Blondie's pioneering past with new influences from modern music's great innovators - the track is a collaboration between Debbie Harry and Dev Hynes (AKA Blood Orange).

Set in the city where Blondie's story began over four decades ago, the video for “Long Time,” sees the band in a chaotic, fast-paced New York City. Scenes flip between front woman Debbie Harry recklessly driving in a yellow cab and the band playing on the city streets. The video was shot and directed by Dikayl Rimmasch, who also worked with Beyonce on her Lemonade album videos and on her Formation World Tour. Rimmasch also directed the video for Pollinator's debut single “Fun”.

Blondie’s sound and sensibility is as fresh on Pollinator as when they first topped the charts. The band has enlisted an eclectic group of songwriters for their most collaborative album to date. Those offering their own interpretation of the band’s legacy include superstar Sia, British singer Charli XCX, Dave Sitek (TV On The Radio), Nick Valensi (The Strokes), Johnny Marr (The Smiths) and Canadian movie blogger and indie rocker Adam Johnston (an Unkindness). The LP, produced by John Congleton (Franz Ferdinand, St. Vincent, Sigur Ros) and recorded at NYC’s famed studio The Magic Shop, also features vocals from Joan Jett, cross dressing comedian and singer John Roberts and The Gregory Brothers (founders of Songify the News). Laurie Anderson appears on a special hidden track on the CD version.

Blondie will bring their one-of-a-kind live magic to the stage when they kick off their North American co-headlining Rage and Rapture Tour with Garbage on July 5th. The band has also announced a return to the iconic Roundhouse in London on May 3rd to celebrate the release two days later of their remarkable new album. Website here.

Many (many) years ago I went into my local record store to see if they had the brand new (debut) Blondie album. They did not and the shop manager was pretty underwhelmed when a younger version of me suggested they were going to be huge. I ordered a copy and a week later went back to collect. It was one of those fabulous moments when I could not get home quick enough to play it. Sadly like so many record stores it closed many years ago, Blondie on the other hand are still delivering the goods as 'Long Time' confirms. I'm looking forward to Pollinator, albeit without the youthful energy this time around.


--------------------------------------------------------------------------------------------------------------------------

Noel Cowley - Spring You Bring.

Background - "Stay-at-home-dad-singer-songwriter", to give Noel Cowley his full, snappy job title. This Londoner - and now honorary Essex man - who grew up in Ireland sees music as an essential accompaniment to his life as a parent, together with wife Katrina, of toddler triplets.

It's a far cry from two decades spent flitting in and out of service industry jobs while concentrating on living a musician's life outside of work hours. These days parenting is the focus with music the sideline, and both roles are the richer for it. If there's one continuous thread that runs through Noel's life in music, it's his writing, recording and performing partnership with younger brother Ewan Cowley, the Dublin based musician, producer and solo singer-songwriter/composer.

The two Irish brothers learned to play the guitar together as teenagers, busked pop hits in the streets of Derry and formed and fronted a glam-punkypop band (The Bexleys) in the early 2000s. Latterly they've been collaborating on Noel's solo music, their Beatles and Beatles-inspired influences such as Crowded House and Squeeze sustaining a love of creating easily hummable melodies married with emotive lyrics.

The culmination of the Cowley brothers' work together so far is Noel's debut album produced, arranged and co-written by Ewan. The album is set for release in the summer of 2017 on Indie label Nub Music and the first single from it, Spring You Bring, is out now. Website here, Bandcamp here.

With a sprightly piano rhythm and the impeccable vocals of Noel Cowley, 'Spring You Bring' is a bright uplifting song, given extra vigour as the music develops.


--------------------------------------------------------------------------------------------------------------------------

The Darts - You Got Me.

Background - Formed in 2016, The Darts are the explosive union of Nicole Laurenne (The Love Me Nots, Zero Zero, Motobunny), Rikki Styxx (The Dollyrots, The Two Tens, Thee Outta Sites), Christina Nunez (The Love Me Nots, The Madcaps, Casual Encounters), and Michelle Balderrama (Brainspoon). 

The debut EP was self-released by the band on ten-inch vinyl in October 2016, with a second EP released in January 2017. The band signed to Dirty Water Records, which re-released the two EPs as one full-length digital album in January 2017. A second full-length album is very much anticipated this summer with six new tracks already in the can and another six almost ready.

“I knew it was special before it even was the beginning,” Nicole said of her new band. “These three women are musicians I have performed with for years and years, watching them and wanting to do this kind of project with them. When Michelle and I finally talked about writing some songs together for real in 2015, it was almost like a fully-formed idea in my head. And it has been so easy to make it all come to fruition, like nothing I’ve ever done before. Even just getting in a van with these people is special. They’re just fun, supportive, hilarious, goofy, and no one takes herself too seriously, which is a pretty hard quality to find in good musicians, if you ask me.”

With two tours of the southern and western United States with Oakland’s all-girl rock duo Steel Cranes and France's Weird Omen under their belts, the Darts are gearing up to take their music overseas for a European tour this May which Louder Than War Magazine describes as "dirty, rough around the edges, good ol’ dive bar rock n roll". Website here, Facebook here.

With some UK and European dates coming up in May and June (see our tour page) it seems like a good enough reason to feature The Darts again, this time with the rather potent 'You Got Me'.


--------------------------------------------------------------------------------------------------------------------------

Airpark - Plenty To Pine For.

Background - Last month, Nashville-based alternative pop/rock duo Airpark released their debut EP Early Works, Volume 1 via Eugenia Hall Records. The band have just shared their video for "Plenty To Pine For". 

Raised in New Orleans, the Fords grew up surrounded by music, from the Crescent City's jazz to the soul of Irma Thomas and Allen Touissant. Later while living in Nashville, the two rekindled the music connection they'd kick-started back home, finding popularity as The Apache Relay performed alongside the likes of Jenny Lewis, Mumford & Sons and more. Michael and Ben move at a deliberately different speed with Airpark, thus finding new musical territory to explore. 

Taking their cues from a wide set of influences — the rhythmic world music of Tinariwen and Lijadu Sisters; the production of Air, Damon Albarn, and Fiona Apple's The Idler Wheel; the tenor vocal range of Big Star's Alex Chilton and Fleetwood Mac's Lindsey Buckingham, with the occasional pop crooner delivery of Harry Nilsson — the two unveil their new direction with Airpark's debut EP, Early Works, Volume 1. 

It's a sound that targets the feet and the head. It's pop music for thinkers. It's dance music for wallflowers. And with the brothers pulling triple-duty as songwriters, multi-instrumentalists and co-producers, Early Works, Volume 1 is their most forward-thinking project to date, pairing the band's growing ambition with musical chops to match. Website here, Facebook here.

Our second feature for Airpark this time with 'Plenty To Pine For'. This is another beautifully crafted song, the duo's ability to write and perform intelligent pop to a high standard is notable, as is their commitment which gently drifts to the fore as the track develops. We featured their current tour dates on our tour page last time around.


--------------------------------------------------------------------------------------------------------------------------

Frenship - 1000 Nights.

Background - The new video from Frenship is entitled "1000 Nights". When talking about the video the duo states, "We originally had the idea for the video out on a camping trip in Stanley, Idaho. We had just received the song back from mastering and took the first listen on the shore of Lake Stanley at the base of McGown Peak. This place inspired the idea, look and feel for the 1000 Nights video. With the idea in place we sought out a director that could fully capture beautiful shots outdoors and filmmaker Matt Kleiner perfectly fit the bill for this.  The video was shot at Diablo Lake in Washington State." The 'Truce' EP is out now on Columbia.

There's a strong contrarian streak in Frenship, the Los Angeles-based duo of James Sunderland and Brett Hite. James grew up in Colorado and relocated to LA after 4 years of college studying production, where he was part of a DJ duo that didn't work out. Brett grew up in Spokane, Washington with a passion for soccer. An injury led him to discover a burgeoning interest in music and he began to play coffee shops and small venues after college as a singer/songwriter.

Brett and James met while working retail in LA and began to realize they each brought something to the table musically that the other could appreciate. They describe their hypnotic production as a combination of the twosome's affection for 80s-styled pop.

The duo signed on with Columbia Records and subsequently released their debut EP, Truce, in September 2016. Frenship's platinum-selling single “Capsize” was one of the most viral hits of 2016, surpassing 20 million streams in its first month and collecting over 300 million to date. Spotify crowned them #2 Breakout Artist of the year due to the song's chart performance. Facebook here.

'1000 Nights' might slowly fade in, however once the beat kicks in, alongside he distinct and gratifying vocals the song begins to standout. That might have been enough, however the chorus explodes into being, adding something of an anthem vibe taking a fine song even higher.


--------------------------------------------------------------------------------------------------------------------------

Thursday, 20 April 2017

Megafauna - Childcare - Reverse Family

Megafauna - Welcome Home.

Background - Cosmic vintage metal and melodic neo-psychedelia meld seamlessly in Megafauna’s fourth LP 'Welcome Home. Consequence of Sound described the album, released in May as "Megafauna's most ambitious and imaginative record to date, like St. Vincent for people who love the Melvins."  

The Austin-based band led by guitar goddess and singer Dani Neff dives deep into the sounds of soul exploration leveraged on the powerful rhythm section of drummer Zack Humphrey and alternating bassists Will Krause and Bryan Wright.  With 'Welcome Home', Megafauna eschew the progressive rock stylings of their earlier work and reach back toward the proto-metal haze of Black Sabbath and Sir Lord Baltimore while ushering it skyward with sharp melodies and the space-rock production work of Curtis Roush and The Bright Light Social Hour.

The album was crafted throughout 2015 in the cloistered bungalow studio of The Bright Light Social Hour and given a muscular mix by veteran engineer Erik Wofford (Black Angels, Bill Callahan). Through a deep look inside and above for new awareness, Megafauna has forged their most vital work to date. 

The self proclaimed thinking woman's hard rock band draw their influences from maximalism, nature, Psychedelia, circus arts, shredding, splatter paint, reading aloud, modern dance, touring compulsively... and sleeping. Website here, Facebook here.

As I understand it Megafauna's album 'Welcome Home' is going to be released on the 27 May 2017 in the UK, it's actually been around for a while on Bandcamp. This is a really good collection of songs that take you through so many rock genres, with a consistent style and ardent, impassioned delivery.

--------------------------------------------------------------------------------------------------------------------------

Childcare - Dust.

Background - Childcare finished 2016 playing their biggest shows to date – in front of thousands as part of Bastille’s nationwide arena tour. This came hot on the heels of the band releasing killer single ‘Film Club’ to comprehensive acclaim. ‘Film Club’ was the first taster of a new EP that also features the stellar ‘Kiss?’ and represents an emphatic statement sure to cement the adoration of all those newly turned on to the London quartet courtesy of that tour. 

It all started when Ed Cares, one of west London's most in-demand male nannies, was overheard humming a song he had written, by Katie, aged six, who persuaded him to form a band. Josh, eight, boldly proclaimed: "You're probably my second favourite artist after Katy Perry."  And so, after sourcing some neighbourhood musicians capable of living up to Josh’s heady billing — specifically Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) — Ed soon had an able band to perform with under the only logical moniker in the circumstances: Childcare. Having honed their vivid and visceral live show on stages including Reading and Leeds festivals and now some of the land’s major concert venues.

About ‘Dust’. A riff on the End of Days itself, ‘Dust’ finds Childcare tackling mankind’s inevitable extinction with haunting vocal melodies, scalding guitar work and gutsy rhythms, plus a choral finale courtesy of a choir of heaven-sent angels. The third track to be shared from the ‘Made Simple’ EP, the song’s subject matter is certainly a departure from the band’s acclaimed previous tracks ‘Film Club’ and ‘Kiss?’, as frontman Ed Cares explains:

“Having released some music about kissing mums and fancying a girl, I thought it only appropriate that we now tackled the impending end of the world in a global warming/nuclear strike scenario. ‘Dust’ describes a roasting high-temperature cooking experience and the final thoughts of a man approaching his maker.” Facebook here.

Fervent and succinct vocals and a tight rhythmic soundtrack with plenty of energy, makes 'Dust' a very memorable and impressive song. Lyrics are affecting, the piece as a whole quite compulsive.

--------------------------------------------------------------------------------------------------------------------------

Reverse Family - Legend of Pierre.

Background - Ever had that dream where an insect invades the ear and sets up home to mercilessly tease and torment thereon in? If so, a form of similar reality is about to be unleashed as the Reverse Family step forward to announce themselves with a sound which trespasses and festers in the psyche. The difference is that this is set to be the most welcome invasion of ears as it crawls with relish into the imagination.

With a tongue in cheek lining to the lyrical reflection shaping songs which spreads into the music itself, Reverse Family is a beguiling adventure with a nod to the past and a grip on an imagination as fresh as it is, well quite simply a touch loco. Website here, Facebook here.

Taken from the album 'My Songs About Life Mid Crisis' released a few weeks ago we can share 'Legend of Pierre' which can only be an indicator of the extraordinary twelve tracks in this collection. Sometimes quite "out there" other times a little quirky, always energised with plenty of rock instinct, I found this one of those albums, that's a little like exploring a new and exciting place for the first time!


--------------------------------------------------------------------------------------------------------------------------

Wednesday, 19 April 2017

Exhausted Pipes - The Dead Sailor Girls - Febueder - TUELO

Exhausted Pipes - Whisky, Weed, Women and Cocaine.

Background - For most people, the idea of “Whisky, Weed, Women and Cocaine,” sounds like a little bit of a lethal combination, but when it comes in the form of an incredibly catchy song by indie-rock trio Exhausted Pipes, we’re welcoming the combo with open arms. Featuring an addicting guitar melody, it’s no surprise the track is named the way it is.

Besides just its catchy nature, the song features stunning vocal work and the resulting piece showcases just how special the trio are in their ability to capture a story so eloquently within the framework of a three-minute song. They’ve been capturing the hearts of San Francisco’s local indie scene for a while now, and it’s no surprise- the catchy rhythm and utter brilliant storytelling make them a serious tour de force in the underground music scene.

Formed in 2011, they are known for their dynamic songwriting and lively performances, pushing the expectations of a three-piece. The trio doesn’t take itself too seriously, and has a solid understanding of their place in the world. The magic of their upcoming release, New Dust, is that it’s an authentic reflection of a specific time and place in history and manages to avoid any pseudo-intellectual or unnecessarily emotional imitations.

The band came together in Stockton, California where Hunter Steers, David Mayman, and Andy Landgraf met at their University in an unengaged community in which active disinterest shaped the culture. Through this, the band learned some quick lessons, and grew enough to make a move to San Francisco where the reception for live music was far greater. Their high energy performances characterised by three part harmonies, soaring solos and wide ranging dynamics began to draw a regular following. The group self-released their eponymous debut album, Exhausted Pipes, in late 2011.

Funded by a self-made Kickstarter campaign, Exhausted Pipes upcoming album New Dust is a reflection of the DIY / start-up spirit of the 21st century. Their music reflects the struggles and growing pains of a new generation in America tasked with identity creation in an inexact time. The band’s lyrics are close to those coming of age in a rapidly evolving culture where relevance is often hard to pin down. The music itself is tightly curated and intelligent, featuring complexed instrumentation's – and even highlights a few featured musicians – yet holds true to the band’s vocally-driven roots. New Dust feels both relevant and emotionally exhilarating  – solid, coherent and wonderfully accessible. Website here, Facebook here.

I think it fair to say that 'Whisky, Weed, Women and Cocaine' is about as rock'n'roll a song title as any band might come up with, this band are however, more Americana-folk with danceable Indie Rock, a fabulous combination when considered. The song is feisty, gritty and just wonderful, I don't think we should take the lyrical sentiments to seriously, just join in have some fun.

--------------------------------------------------------------------------------------------------------------------------


The Dead Sailor Girls - The Last Tasmanian Wolf.

Background - Blue Rose Music recording artists The Dead Sailor Girls share tales of shipwrecks, crystal balls and ill fated romances on their forthcoming album Rolling Sea, set to arrive on shores April 28, 2017.

Produced by Karl Derfler (Tom Waits, No Doubt, Dave Matthews Band,) Rolling Sea is a chest of influences and experiences. The bubbly debut single “Magic Potion” will captivate fans of 80’s pop,  “Dance Of The Broken Heart” is a bounty of undeniable hooks and “Sensitive Bad Boys” is a refreshing acknowledgement that some of us are not meant to marry men in suits.  The gorgeous “Sail Away” puts Evie‘s striking vocal talent front and center with “Hobo’s Dreams” and “Miles On The Car” seeing the young hopefuls portrayed in the song reflecting on what to do when dreams do not turn out as planned.

The Dead Sailor Girls’ (comprised of Julietta Hay and Evie Rucker) began when the mother-daughter team were singing with Evie’s sister Haley in their family garage in 2012. There, they sang songs about sailors and the sea, joking that they should start a band called The Dead Sailor Girls. The name stuck and Julietta and Evie were soon joined by bassist Ned Doherty and drummer John Stuart. They performed their very first show on Halloween of 2012 and developed a sound that combines the band’s love of music and lyrics with the soul of their craft.

“Each song on the Rolling Sea album is like a window into a life,”  Evie says. “The lyrics are so vivid and the imagery becomes similar.”  Adds Julietta, “Our songs are inspired by ghost ballads, love songs, punk rock, blues, bluegrass, pop and R&B and most obviously we find kindred sounds in the psychedelic rock ‘n’ roll that was born in San Francisco.” Website here, Facebook here.

The new album 'Rolling Sea' due for release next week comprises of eleven songs and the featured track 'The Last Tasmanian Wolf' gives some feel for this fine album. Indie and alt rock, sometime upbeat and even a little gritty, other times softer and quite refined, the album mixes the genres and every song carries it's weight, well worth a full listen at the least.


--------------------------------------------------------------------------------------------------------------------------

Febueder - Morning Yawn.

Background - Morning Yawn' is the first single from English alt-pop outfit Febueder's forthcoming EP From an Album. The song is about galvanising against the trickery, the doubt, the hoax – whatever form that may take in an individual's life. The driving bassline, haunting chanted harmonies, and impassioned vocals are the sound of the tether breaking. This is waking up. Directed by Timothy Jacob Elledge, the video brings the gripping track to life with a raw clarity. 

Febueder (pronounced Fe-byou-der) is lead vocalist/multi-instrumentalist Kieran Godfrey, percussionist Samuel Keysell, and Toby Ingram on bass. 

On May 12 they will release their From an Album EP, a rousing five track project which harnesses the ambition and creative intent typically reserved for a full length release. It captures Febueder in their element, assured in their ability and vision, and emotionally deft in their approach. Facebook here.

It's the vocals that stand out first of all, followed by a refined and funky soundtrack. 'Morning Yawn' is a very addictive song, that builds into a feast of sounds and is accompanied by a video that interprets the piece with dance.


--------------------------------------------------------------------------------------------------------------------------

TUELO - Saint Margaret.

Background - TUELO is led by South African born Tuelo Minah, who blends soul and punk-rock to make what's been dubbed "revival music." She sounds a bit like the rebellious daughter of Nina Simone and David Bowie who grew up listening to the Sex Pistols and Blondie, and took music lessons from Miriam Makeba. 

"Saint Margaret" is a homage to Tuelo's mother, Seabi, whose "English" name is Margaret. After leaving her family farm in South Africa and coming to America, Tuelo found her voice and music as a guide to conquer herself. Her mother has yet to hear her sing or see her perform, yet she remains a favorite topic amongst fans because of how Tuelo weaves her into every conversation and every show. Tuelo credits her love for people, environment, tradition, culture, words and learning, spirituality, and her non-conformist and awkward nature to her mum, and often remarks that if somebody had told her as a child that her mother was God, she would have been a believer a long time ago. 

​TUELO's unreal vocals have filled some incredible venues - Brooklyn Bowl​, Carnegie Hall, Late Night with David Letterman, Central Park Summer Stage, and most recently The Apollo for the Africa Now Festival. Her next show is on a bit of a smaller scale, at Rockwood Music Hall on May 9th. Facebook here.

Tuelo Minah's powerful and passionate vocals make 'Saint Margaret' an outstanding song in their own right. The music adds more with a well balanced soundtrack, that supports the vocals providing a rock feel to a soulful song.

--------------------------------------------------------------------------------------------------------------------------

Tuesday, 18 April 2017

The Rhythm Express ft Maiko Watson - Principe Valiente - Naomi Wachira - Max Subar

The Rhythm Express - Jolene ft Maiko Watson.

Background - A few months back I was turned on to a haunting YouTube clip of Dolly Parton singing her most recorded song, “Jolene”. The original 1973 track had been slowed from single format to long playing 33 1/3 speed. That listening experience was both eerie and a revelation. No doubt, Dolly Parton possesses a grand set of pipes. Slowed down it becomes more evident, in that every inflection, bend in a vowel, a word is extraordinary and rocked with emotion. 

With that in mind and captivated by the change of tempo, I began hearing other possibilities. What if this was done with a reggae feel - early Bob Marley and Wailer's rhythm section style and backing vocals reminiscent Marley’s backup singers, the I-Threes. Acutely aware Parton and a cappella sing group Pentatonix just won a Grammy for Best Country Duo/Group Award with an updated version of ‘Jolene’; the song’s alluring story, sumptuous melody and sweeping beauty was more than the Rhythm Express could resist. 

In fact, we decided to keep the song’s country charm with a guest appearance from guitarist Tim Boviconti of Ron Sexsmith/ Burton Cummings fame. Tim’s lap steel, acoustic and electric guitar keeps our ‘Jolene’ rooted in tradition. Great songs lend themselves to all sorts of interpretation. ‘Jolene’ rocks our world. - Enjoy, Bill King (Jolene 7 Arts/Side Door Records). The Rhythm Express Facebook here, Maiko Watson Facebook here.

Making a cover version of a song as instantly recognisable as 'Jolene' does call for some reinterpretation to make it worthwhile. In this case the reggae meets Americana approach is both respectful and creative. Musically The Rhythm Express add their top quality credentials and provide a superb soundtrack, with Maiko Watson's vocals ensuring the genre crossover works. Fabulous version!

--------------------------------------------------------------------------------------------------------------------------

Principe Valiente - Strangers In The Night.

Background - After an outstanding self-titled debut album in 2011 and the breathtaking „Choirs Of Blessed Youth“ in 2014, the Swedish post punk / shoegaze band lead by Fernando Honorato, true to their vision, continues to carve out its own unique musical path. Drawing inspiration from ambient experimentalists like Cocteau Twins, 80's sci-fi soundtracks as well as exuberant vocalists like Bowie and Kate Bush, Principe Valiente ventured deeper into the sonic landscapes of their minds.

The intensity of the athmospheric sound and the interplay of melodic guitar strings, the dark drifting drums, rhythmic bass lines and above all the warm, emotional voice of the singer, have remained. The listener is captured in a mixture of longing and loneliness, which is fluently and hypnotically directed. Calm pieces alternate with energetic compositions, such as the recently released single "Strangers In The Night", and give the album a strong note of ambivalence. The second single "Wildest Flowers" will follow on 28th of April.

With their third work „Oceans“, the band has created another alluring world with "human, all too human" lyrics and phantasmagorical soundscapes. Cool, yet impassioned and loaded with sweet anxiety, Principe Valiente have managed to make an irresistibly beautiful and intense continuation of what was started in the previous two albums.

„Oceans“ was partly recorded by the producer Martin Ehrencrona (Les Big Byrd), and partly in various basements and art school lobbies around their hometown Stockholm, Sweden. The combination of innovative and inspired material makes for an invigorating listen as it is difficult to pinpoint in regard to genre. „Oceans“ will be released on May 12th, 2017 on CD and as a download by afmusic, and as a limited Vinyl edition by Manic Depression Records. Website here, Facebook here.

'Strangers In The Night' has a dark almost Gothic feel to it. Layered rock music swirls around, whilst the vocals add even more atmosphere. There is enough melody, but only enough, the band ensure the feeling they create as the song builds makes this a hypnotic piece.

--------------------------------------------------------------------------------------------------------------------------

Naomi Wachira - Beautifully Human.

Background - “I am an African girl, well I know where I’m coming from, and I know who I want to be...”  is the defiant soul-anthem that jumpstarted Afro-Folk Singer/Songwriter Naomi Wachira onto a whole new path and calling. The words from the title track, African Girl, on her first EP release (2012) paved the way for this Kenyan-born, Seattle-based artist, who is determined make a contribution in the world by offering music that is poignant, hopeful and life-giving.   Five years later, with a critically acclaimed self-titled album (2014), an acoustic EP “ I am Because You Are (2015), comes her sophomore album Song of Lament, which she says, ‘was born out the many tragic losses we’ve witnessed globally - ranging from cases of police brutality to the refugee crisis - that made me grieve about who we’ve become, but also burned a desire in me to create art that would serve society at large and hopefully lessen the chaos around us.’    

Song of Lament, which was recorded at historic London Bridge Studio (Seattle, WA) with producer Eric Lilavois (Saint Motel, Atlas Genius, My Chemical Romance), is a testament to Wachira fully embracing her creative power and its ability spread goodness to the world. As the world churns with chaos and self-inflicted woes born out of fear and mistrust of the ‘other’, she hopes the album will be a balm, a beacon of hope, a reminder of both our darkness and light, but also the belief that mindfulness and empathy can serve humanity in much better ways.  The album delves into issues of violence funneled through political ideologies by weaving real life events with thoughtfulness and compassion, while asking questions about how human beings arrive at this place of utter darkness (Heart of a Man). She highlights issues of human equality, especially when it undermines the divine sacredness of those who are different  (Beautifully Human) and longs for a society that truly takes care of each other (I am Because You Are).  

With an uprise in chaos all over the world,  she acknowledges how easy it is to despair on the status of a world that is hell bent on destroying itself (Up in Flames).  She sings a mournful dirge for the countless lives lost at sea while escaping war torn homelands in search of peace and dignity (Farewell) and questions those who perpetuate violence in the name of faithful religious expression (Where is God?).  And with an existential yearning, she wonders why Africa, one of the most resourceful continents in the world, has struggled to find her footing (Song of Lament).  But not all the songs are heavy.  Her first and last tracks (Our Days Are Numbered, Think Twice) are a reminder that while the sun does not discriminate between the good and the bad, fulfillment is found when we spend our days practicing kindness and wisdom and taking account that our actions really do matter, when all's said and done. She joyously blesses her mother and father, with whom she credits for the woman she is today (Mûrathimwo) and encourages all of us who’ve hit rock bottom in life and feel disillusioned, to never give up or look back (Run, Run, Run).

There is no doubt Wachira is determined to create a niche in the world with her uplifting and sombering music and perhaps inch us closer to one another as we remember our shared humanity.  And like the two predecessors she has long admired, Tracy Chapman and Miriam Makeba, she hopes that she can truly make the world a better place.  Asked about what she really hopes to accomplish with this album she says, “if there’s one thing I learned from my parents, it is to try and leave a place better than I found it. My hope is that this album will do just that. I know we are certainly living in dark times, but I hope that we will all find the courage to be light in whatever way we’ve been gifted… that we will seek to understand those who are different from us and find ways to both acknowledge and celebrate our differences and similarities.” Website here, Facebook here.

The leading single 'Beautifully Human' from the sophomore album "Songs of Lament" is quite stunning. Naomi's vocals have melodic power and range, the music leans a little towards a reggae beat and is vibrant throughout. A song with a simple and yet poignant message, leaves me looking forward to the album with both intrigue and some unashamed excitement.

--------------------------------------------------------------------------------------------------------------------------

Max Subar - Balcony.

Background - Chicago-based singer-songwriter Max Subar has shared his third single "Balcony". Prior to this single Max released two other tracks. The first was "Morning Song", which debuted on Impose and the second was "Blue And Green", which premiered on All Things Go. All three songs will be featured on his debut EP 'In A Dream' due out April 28, 2017. 

Singer/songwriter Max Subar aims to remain bound to his midwestern roots with songs that radiate closeness and warmth. Growing up, his mother’s old nylon guitar became a familiar friend in the wake of moving to Australia and back as well as his parents’ divorce. Max’s grounded relationship to songwriting has helped shed light on his own experiences and struggles; from euphoric intimacy to the isolation of depression and anxiety. His debut EP reflects upon themes of love, loss, and reflection. Website here, Facebook here.

'Balcony' is our second feature for Max Subar, we shared 'Morning Song' a few weeks back. The vocals are again quite intimate and grow in power as the song unfolds, whilst the music is a work of quality and craftsmanship.

--------------------------------------------------------------------------------------------------------------------------

Monday, 17 April 2017

So Many Wizards - JFDR - Garrett Pierce - Hayride Casualties

So Many Wizards - Before She Runs.

Background - So Many Wizards is the dreamy, jangly dream-punk project led by Nima Kazerouni. The band have shared "Before She Runs", the third track off their upcoming album. 'Heavy Vision' is due April 14 on Lolipop Records. 

What began as a solo bedroom project indebted to Syd Barrett evolved into a fully-formed band that has garnered attention from Pitchfork, Stereogum, Aquarium Drunkard, and Impose Magazine; spins on BBC 1, KCRW, and SiriusXM (courtesy of Lou Reed); festival stops at SXSW and CMJ; and US and UK tours. A week after the release of their debut album, Warm Nothing, Kazerouni’s daughter was born causing his sudden move to Tucson, Arizona, taking him 500 miles away from his bandmates. Despite the distance, the band managed to release their “Night Chills”/”Daydream” 7”, a single with Converse Rubber Tracks, and shared the stage with Thee Oh Sees, No Age, Colleen Green, Audacity, Feels, Terry Malts, Lovely Bad Things, and more.

Now as a father, the delusion of adulthood began to set in. A new collection of fears and anxieties began to creep into his psyche. This was exacerbated by a series of deaths – a family member, a best friend, and the end of an 8-year long relationship. The experience left Kazerouni spiritually exhausted, culminating in a nervous breakdown, or “nervous breakthrough.” Kazerouni was finally able to lose a grip of himself and let all the problems and anxieties that he tried so hard to ignore wash over him. It was here where Kazerouni found refuge in the idea of mortality, instilling in him a newfound determination to make the most of the present, because everyone’s life ultimately ends the same way. This emotional journey, from its dark hues to its liberated epiphany, is chronicled in Heavy Vision. Facebook here.

The vocals are buried deep within the mix and to a degree almost resonate as an additional musical instrument on 'Before She Runs' a delicious dream punk song. With refined musicianship and excellent production this is an additive song.

--------------------------------------------------------------------------------------------------------------------------

JFDR - Destiny Is Upon Us.

Background - The newest video from JFDR entitled "Destiny Is Upon Us". It is the fifth track to get a video off of JFDR's recently released debut album 'Brazil'.

JFDR, the latest project from Iceland's Jófríður Ákadóttir (Samaris, Pascal Pinon, Gangly), is a blend of cyclical guitar parts, soft minimal soundscapes, and poetic wanderings of a journey that ends where it began. Drawing from classical, folk, and electronic backgrounds, JFDR amalgamates the sounds of changing seasons, her voice a current that moves through rough seas to smooth waters. But perhaps JFDR shines the most in her capacity as a wordsmith, employing rich imagery to evoke the subtle emotions embedded in each song.

“I got obsessed with her band Samaris a few years ago,” says Björk, “and then it was amazing to see her do her own stuff. She’s surrounded herself with a really authentic community of friends. There are probably about 150 musicians in Reykjavik, and groups there sort of become the opposite of each other, like, ‘Oh, that singer’s dressed like that, I better dress the opposite.’ Such is the tight-knit scene in Iceland, she continues, that “you naturally develop individuality. Also, you’ll be in a classical band and an electronic band and a metal band, and that’s okay. Everything blurs into each other, which I’m sure you can hear in Icelandic music.” - Björk, (The Guardian) ‘Björk On Her Inspirations’. Facebook here.

Our second feature for JFDR and the new video for 'Destiny Is Upon Us'. Once again we are treated to some fine imagery that allows the music to take centre stage. Original, alternative, creative and gorgeous music and just one dimension of a fabulous album.


--------------------------------------------------------------------------------------------------------------------------

Garrett Pierce - These Wounds/Enough.

Background -  SF artist Garrett Pierce shares two new tracks from his forthcoming album, Dusk. Both songs deal with different kinds of heartbreak, "These Wounds" the traditional kind felt after a romantic breakup and "Enough" tackles problems Pierce faced growing up that were beyond his control - he wrote this about "Enough": "This song explores the problems people face in the Tenderloin through a first-person account.  I grew up with a mother with mental health and drug problems, and I was nearly homeless myself during my senior year of high school, so I’ve channeled my experiences to paint a picture of life on the streets.  We recorded around forty tracks of instrumentation (with multiple tracks of keyboards and guitars) to make this song the most lush on the album.”

Garrett Pierce began writing for magazines and playing in rock bands as a teen in Los Angeles before permanently relocating to the Bay Area in the early 2000’s. His first full-length album Like A Moth was a stripped down acoustic affair with guest appearances by notable songwriters Jolie Holland and Matt Bauer. Garrett then traveled and toured Europe where he was honored to support Nick Cave in Greece. With a pocketful of songs, he returned to make All Masks (Crossbill Records) - a lush album recorded in the gold rush town of Columbia, CA featuring strings, wind instruments and a cast of over ten musicians.

Garrett's 2012 record City of Sand (Narnack Records) was largely biographical, commenting on his dizzying relationship with the city and growing desire to leave for more natural settings. During this period, Garrett began splitting his time between Sonoma County and San Francisco - playing clubs throughout the bay area at night and working in the wine industry during the day.

Garrett has completed his fourth record titled Dusk which was released on April 14, 2017 in partnership with Crossbill Records (here), Facebook here.

'These Wounds' and 'Enough' are two superb songs from Garrett Pierce, an artist we first featured in early February. I was pretty certain I wanted the album on the strength of just one song, these two have sealed the deal. Exceptional songs in my opinion.


--------------------------------------------------------------------------------------------------------------------------


Hayride Casualties - The Catskills Aint For Sale.

Background - Everyone would agree that we live in strange, uncertain times, yet too much of the music we listen to fails to reflect this sense back to us. Hayride Casualties is one band defined and driven by the political and ecological crises of our age.

Started in 2013 by songwriter and activist Daniel DeWald and bluegrass musician Jack Marshall, Hayride Casualties released Live at 226 Madison, a gritty, live EP of an apartment concert attended mostly by young folks working on campus fossil fuel divestment campaigns in NYC. A few months later, the band released single A Hundred Thousand Dollars a Day, a satirical ode to then Exxon Mobil CEO, Rex Tillerson.

In the summer of 2014, Marshall left the band, taking much (but not all) of the bluegrass influence with him. DeWald spent the next three years meticulously reimagining the band’s sound. Hayride’s debut full length album, Fossil Fuel Kid, is the culmination of that vision: a blend of the band’s earlier folk and bluegrass-inspired licks with DeWald’s love of hard-hitting underground and indie rock.

With a lineup including drummer Tim McCoy (Darwin Deez, formerly Savoire Adore), bassist/composer Chris Bordeaux (formerly The Aisles and Raheem), guitarist Mike Abuiso (formerly The Gay Blades, The Venetia Fair) and singer/songwriters Alex Pastuhov and Lesley Barth, Hayride Casualties are masters at creating both barebones acoustic arrangements and rock numbers that seriously rock. Lyrically, DeWald has found a home on the razor’s edge: speaking simply and definitively to the environmental and other existential crises of our time, while managing to escape the cringeworthy directness, or, overly cryptic messaging too often observed in protest music. Hayride Casualties' upcoming album is titled Fossil Fuel Kid, Facebook here, Bandcamp here.

One of ten songs from the forthcoming album release is 'The Catskills Ain't For Sale'. It's an album that can be folk and acoustic one moment, and polished indie rock the next. Musicianship is tight and of a high standard, vocals are just right whatever direction each song might take.

--------------------------------------------------------------------------------------------------------------------------

The Hengles - Books of Moods

The Hengles - Cover Up (Album). Experience a trip down memory lane with The Hengles' latest album, Cover Up. This Dutch indie band revi...