Dose - Furniture.
Background - Debut single Furniture by Newcastle, UK experimental noise-rock band Dose is due for release on 27th April via cult indie label A Turntable Friend. Their cinematic amalgamation of discordant melodies, intricate guitars and a strong rhythm- all blended together with an array of obscure effects and samples- has already earned them rave reviews on magazines such as DIY Magazine and The Line Of Best Fit.
Inspired by the experience of playing in their squalid, decaying practice space, Furniture was written by Sean Turland and Ewan Barr and recorded at Suburban Home Studio with MJ from Hookworms. The full band includes bassist Matthew Collerton, guitar/synth/samples from Sam Campbell and drummer Joe Donkin. The group have been together under many iterations since 2015, discovering their unique sound which blends art rock, krautrock and slowcore into one coherent sonic landscape.
The song Furniture is led by a consistent guitar line remaining present throughout the track like clockwork, dipping in and out of view as other parts take precedence. Extreme dynamic alterations ace the song, from the abrasive chorus to the intertwining, mellow middle 8. For the climax, melodic guitar feedback and an Ebow are used side by side; alongside Ewan’s spoken word overlapping Sean’s distant vocals, this invokes a sense of multiple inner voices and opinions, mirroring the lyrics’s theme of abandonment. WEBSITE.
A rhythmic and chunky opening evolves into a smoother flowing song on 'Furniture' where the vocals add intrigue, the band power up and we are off into a sonic blast of dynamic rock and roll.
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Ana Egge - Dance Around The Room With Me.
Background - On June 8, 2018, Brooklyn-based singer-songwriter Ana Egge will release her new album White Tiger via Story Sound Records. This week, Egge shares the lead single "Dance Around The Room With Me", which features Anais Mitchell on background vocals and Big Thief's Buck Meek on guitar.
White Tiger features nine originals and one John Hartford cover, and so amply displays Egge’s singularly articulate and affecting honesty and sensitivity as to once again deserve USA Today’s accolade, "[Ana] can write and sing rings around" her contemporaries.
Ana got bit by the music bug as a teenager, and having grown up with parents who were, as she describes, "motorcycle-riding hippie farmers" raising four children on a farm in North Dakota, Ana took matters into her own hands, building her own guitar and moving to Austin, TX to soak in the vibrant music scene. The striking depth and unusual maturity of her singing, playing, and songwriting got her noticed, and she recorded her debut album River Under the Road (1997) with the legendary western swing band Asleep At The Wheel. The following year, at only 19-years old, The Austin Music Awards named Ana “Best Singer/Songwriter” and “Best Folk Artist”.
Egge soon began hitting the road, opening for the likes of Iris DeMent, Shawn Colvin, and Ron Sexsmith. Later on she got to share the stage with John Prine, Sinead O'Connor, and Lucinda Williams who once said “Ana's an exceptional songwriter, listen to the lyrics…[she’s] the folk Nina Simone!”
Over the ensuing years and eight subsequent albums, Ana has made good on her promising debut, going on to record full albums with The Stray Birds and The Sentimentals, and work with highly acclaimed producers such as Martin Terefe, Jason Mercer, Joel Plaskett, Stewart Lerman, and Steve Earle who’s said “Ana Egge's songs are low and lonesome, big square-state noir ballads which she plays on a guitar she built with her own two hands and sings like she's telling us her deepest, darkest secrets.” WEBSITE, TWITTER.
'Dance Around The Room With Me' opens with an understated acoustic backdrop and is soon accompanied by Ana Egge's melodic and gorgeous vocals. The song picks up pace and depth as the hooks begin to dig in deep.
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Sofia Härdig - My Week.
Background - Sofia Härdig’s new single ‘My Week’, from the upcoming album ‘Changing The Order’ is crafted from new wave, electronica-influenced synths, amongst other live instruments and powerful vocals. Championed by Belle and Sebastian’s Stevie Jackson, Sofia has worked with major Swedish artists including Grammy Award winners The Hellacopters and bob hund. Furthermore, she has collaborated with Yoshimi from Japanese noise-rockers Boredoms and the alternative indie band Free Kitten. Sofia’s experimental nature shines through with her new material that blends new wave and electronic influences.
‘My Week’, the third single of the album, takes the post-punk sound expertly exercised by The Cure or Joy Division and Sofia makes something of her own. Thick-layered instrumentation features offbeat semi-quavered synth that bounces on top of syncopated distorted guitar; characteristic of early 80’s new wave. Low, pedaled bass sits under Sofia’s commanding vocals, which are tinged with despair and the desperation of escape, as she sings ‘Saturday, Saturday, Saturday, Saturday, I’m still insane.’
“I wrote this song at a Café in Brussels when I was lost during a tour. The house I was staying at was full of sleeping musicians and I was hungry, so I took a random tram to search the town. The Café I found was alright, their sandwiches filled me up. I spent some time writing and recording on my portable recorder while looking at people around me. Back home I recorded the song in my studio – guitar, voice, synths and drum programming. Then I recorded parts from some musicians I met on the road; a Canadian bass player and an Australian pianist. The song should be listened to loud when the walls in your room start closing in on you…” – Sofia Härdig. WEBSITE, TWITTER.
It's our fifth feature for Sofia Härdig and the new track 'My Week' from the upcoming album ‘Changing The Order’ is another impressive song. Feisty and fierce, the driving beat is accompanied by some passionately delivered vocals,and a feeling of determination that is almost hypnotic!
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Flora Cash - 18 Dollars.
Background - Flora Cash is a Scandi-American duo made up of Shpresa Lleshaj and Cole Randall. The couple has taken it upon them to sonically explore the diversity of human relationships through minor keys and brooding vocals, they double down on their palette of inky blues and blacks, standing wholly apart from their R&B-Pop peers. Having “met” via SoundCloud and instantly e-hitting it off musically, their “atmospheric in theme and vibe” material had soon after been supported by the likes of Noisey US, Paste, Wonderland, The Music Ninja, Earmilk, The Line of Best Fit, Clash, Impose Magazine and more.
Following the success of their last album, ‘Nothing Lasts Forever But Its Fine’ – most with lead single ‘You’re Somebody Else’, which has had over 6 million plays on Spotify and has also featured in numerous playlists such as New Music Friday USA. The track also went viral on YouTube with 4.8 million views, which was the breakthrough moment for the couple. Flora Cash also have a substantial year of live performances ahead of them; they’re set to be playing across the world, from Hanoi to Miami, and also making their debut at SXSW this year.
Flora Cash now release their new single ’18 Dollars’ where Randall leads the sincerely sublime R&B ballad with husky, reverberating vocals. Minor-keyed guitar wraps Shpresa’s stony harmonies, as they rest on a spine of solemn brass and bass synths. Lleshaj takes centre-stage during the bridge, and the contrast in vocals is poignant. The duo comes together again in the tragically touching closing chorus.
The pair skilfully blend elements of acoustic music with ethereal production, hinting at Mt Wolf, Poliça, Vogue Dots and Kings Of Convenience. The honesty of their lyricism is constantly tinged with dark moments, moments of doubt, of anger, of pain fully present in the sonic backbone of Flora Cash.
‘18 Dollars is a song that looks back on aspects of a relationship that has ended. There’s a stubbornness and a cockiness about it but that’s really only superficial. Beneath the surface there’s a deep longing to fix something that’s broken but a lack of insight as to how that might be possible. There is confusion about where things stand and how bad (or good) things really were. Ultimately, the track communicates the deeply felt ambiguity that often surrounds the ending of a romantic relationship.’ – Flora Cash. WEBSITE, TWITTER.
Flora Cash appeared once on Beehive Candy in 2016 and once again last year, and here we are once again another year on. '18 Dollars' has some personal and intimate feeling vocals that glide above a gradually developing soundtrack. The duo have a clear and individual sound to their music that continues to explore new ground, doing so with notable accomplishment.
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London Plane - New York Howl.
Background - New York City based six-piece, female-fronted rock band London Plane shares the title track and accompanying video off their forthcoming debut LP New York Howl. In their own words, "'New York Howl' is "a love song to New York. Your relationship with the city – especially if you’re newly arrived – can be fraught with uncertainty and fear until, if you give in to it, the city makes you fit its mold."
London Plane's debut album began when David Mosey and Cici James who were introduced by Joe McGinty (Psychedelic Furs) backstage at a tribute show to Lou Reed following his death. After seeing her perform, David approached Cici about giving a go at vocals for a project that had been developing, at least in concept. Eventually, over many months, the correspondence between the two became a musical project driven by the narrative of a stranger; a long since passed Lower East Side scenester who left her diary for David to discover so many years later (see bio).
David asked long-time collaborator Danny Taylor (Collapsing Scenery, The Pains of Being Pure at Heart) to produce the songs. Along with London Plane keyboardist, co-producer and mixing engineer Julian Tulip, and mixing engineer Ashley Stubbert the album came together into a cohesive if not eccentric whole. Others who contributed to the project include Jennifer Fraser (Raveonettes, The Warlocks, Zaza), McKenzie Stubbert (VE artist Chris Milk), Brian Groux (World Atlas), and Kristofer Widholm (Morex Optimo). New York Howl will be available on all digital streaming platforms on May 18, 2018. WEBSITE, TWITTER.
Tour Dates:
04.15 - Berlin - New York City, NY
05.17 - Berlin - New York City, NY.
There is an expansive and powerful feel to 'New York Howl' right from the beginning. The six piece band provide a tight and cohesive sound behind the soaring and melodic vocals, all done with a sense of drama and anticipation.
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Friday, 6 April 2018
Wednesday, 4 April 2018
Mamas Gun - Paul Cherry - A. Wesley Chung
Mamas Gun - You Make My Life A Better Place.
Background - Mamas Gun are now sharing the video for new single, ‘You Make My Life A Better Place’, the new clip follows the recently announced UK tour. The dates arrive as part of a wider world tour in support of the band’s forthcoming album, Golden Days which is due for release on May 18, 2018 via Candelion.
‘You Make My Life A Better Place’ follows in the footsteps of the Lauren Laverne-supported ‘London Girls’ and the Earmilk and Indie Shuffle-approved ‘Strangers On A Street’. The new album, Golden Days itself chronicles the band's decade-long journey to date with Platts and the rest of the band taking production duties into their own hands, recording the tracks live using analogue equipment. Notable contributions are littered throughout the album with the likes of Shawn Lee (Jeff Buckley, Kelis, St Etienne) assisting on the album’s mix, and songwriters Connor Reeves (Tina Turner, Joss Stone) and Christopher Braide (Sia, Lana Del Rey) lending hands.
Alongside the likes of Charles Bradley, Curtis Harding and the Dap Kings, Mamas Gun have helped fuel the vanguard of 21st century soul, as well as spawning Top 10 hits on four continents. In addition to securing support slots with the likes of Beverley Knight and Raphael Saadiq, Mamas Gun have performed at global and domestic music festivals including WOMAD, Secret Garden Party, Wilderness and Greenroom with their forthcoming UK tour arriving after an intimate sell out return in London. TWITTER, WEBSITE.
UK Tour
June 21 | The Jam House, Birmingham
June 22 | Deaf Institute, Manchester
June 28 | Rialto Theatre, Birmingham
June 29 | Omeara, London.
Bright and oh so fresh 'You Make My Life A Better Place' has some incredible classic soul influences all wrapped up in a modern and truly refined manner. Melodic and catchy the accompanying video also has style and adds even more colour to what is one high quality song.
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Paul Cherry - Like Yesterday.
Background - Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age of 2014. Despite being heavily involved in the DIY scene with up-and-coming bands such as Twin Peaks and The Lemons, Paul has abandoned the all-too-familiar lo-fi rock sound of his first EP “On Top”. He has spent the past two years returning to his jazz roots, completely reinventing himself on his upcoming LP, Flavour.
The first single, "Like Yesterday" sets the tone for the record as a brilliantly written, mid-tempo pop ballad. It would fit nicely as a modern addition to Paul McCartney's “Ram” or Todd Rundgren's "Something/Anything," or even Player’s “Baby Come Back.”
Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Cherry touches on millennial culture with references to love in the modern age, phone culture, and giving a new, light-hearted twist to age old old themes of love lost, missed connections and polar political climates. TWITTER, BANDCAMP.
Whether it's Yacht Rock or Indie Pop the ten tracks that make up 'Flavour' are all pretty impressive. The featured song 'Like Yesterday' is indicative of the quality and unique nature of Paul Cherry's music, where ideas are there in abundance.
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A. Wesley Chung - Restless.
Background - Californian-born, Glasgow-based Americana musician A. Wesley Chung (The Great Albatross) has just shared the lead track from his debut - 'Restless' - a life-affirming and cinematic dose that tells of Chung's own conflicting emotions around growing up and leaving California.
The wonderful singer-songwriter will release his debut album as a solo artist on 18th May via Glasgow’s own LP Records. Neon Coast is an homage to the US West Coast, where Chung grew up, and the three most pronounced sentiments that he associates with it – freedom, lonesomeness and restlessness.
The songwriter, known for his previous collaborations with Evan Weiss (Into It. Over It / Their There They’re) and Kate Grube (Kittyhawk), was reared on the ‘golden oldies’ – Chuck Berry, The Beach Boys, The Beatles. “I've tried to explore the three themes of ‘freedom’, ‘lonesomeness’ and ‘restlessness’ through the sounds of Country, Motown and Folk/Americana that I grew up listening to in California” says Chung. He expands: “In our deep search for meaning/self we become obsessed with self-actualization, and our fear of death pushes us further into our desire for recognition which only leads us deeper into self – this is ‘restlessness’.
Reflecting on the influence his Californian youth has had on Neon Coast, Chung comments: “Thematically, it’s a meditation on my home state, while sonically it’s a straight up road trip album, like a mixtape from a friend. From the start I wanted to make this perfectly-imperfect album that focused more on getting the vibe right than the parts or performance (a main reason we recorded most of it live).
Chung emigrated to the UK in his adult life to a wholly different and, in many ways, surprising culture, making Glasgow his new home. The Scottish city would be the facilitator to Chung’s band of revolving members and collaborators, The Great Albatross, who’s split 7” with Into It. Over It. was released on Struggletown Records, with the B-side mixed and co-produced by Glasgow producer Gordon Skene (formerly of Frightened Rabbit, Smash Williams, Moth and the Mirror). Skene would also go on to produce the band’s full length. FACEBOOK.
Hand claps and vocals introduce 'Restless' however this is no minimalist piece. As the musical arrangement develops we are treated to a melodic and cleverly layered assortment of instrumental sounds. The vocals are smooth and engaging, if the rest of the album is of this standard, we have a lot to look forward to.
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Background - Mamas Gun are now sharing the video for new single, ‘You Make My Life A Better Place’, the new clip follows the recently announced UK tour. The dates arrive as part of a wider world tour in support of the band’s forthcoming album, Golden Days which is due for release on May 18, 2018 via Candelion.
‘You Make My Life A Better Place’ follows in the footsteps of the Lauren Laverne-supported ‘London Girls’ and the Earmilk and Indie Shuffle-approved ‘Strangers On A Street’. The new album, Golden Days itself chronicles the band's decade-long journey to date with Platts and the rest of the band taking production duties into their own hands, recording the tracks live using analogue equipment. Notable contributions are littered throughout the album with the likes of Shawn Lee (Jeff Buckley, Kelis, St Etienne) assisting on the album’s mix, and songwriters Connor Reeves (Tina Turner, Joss Stone) and Christopher Braide (Sia, Lana Del Rey) lending hands.
Alongside the likes of Charles Bradley, Curtis Harding and the Dap Kings, Mamas Gun have helped fuel the vanguard of 21st century soul, as well as spawning Top 10 hits on four continents. In addition to securing support slots with the likes of Beverley Knight and Raphael Saadiq, Mamas Gun have performed at global and domestic music festivals including WOMAD, Secret Garden Party, Wilderness and Greenroom with their forthcoming UK tour arriving after an intimate sell out return in London. TWITTER, WEBSITE.
UK Tour
June 21 | The Jam House, Birmingham
June 22 | Deaf Institute, Manchester
June 28 | Rialto Theatre, Birmingham
June 29 | Omeara, London.
Bright and oh so fresh 'You Make My Life A Better Place' has some incredible classic soul influences all wrapped up in a modern and truly refined manner. Melodic and catchy the accompanying video also has style and adds even more colour to what is one high quality song.
------------------------------------------------------------------------------------------------------------------------
Paul Cherry - Like Yesterday.
Background - Paul Cherewick, aka Paul Cherry, came up during Chicago’s garage rock golden age of 2014. Despite being heavily involved in the DIY scene with up-and-coming bands such as Twin Peaks and The Lemons, Paul has abandoned the all-too-familiar lo-fi rock sound of his first EP “On Top”. He has spent the past two years returning to his jazz roots, completely reinventing himself on his upcoming LP, Flavour.
The first single, "Like Yesterday" sets the tone for the record as a brilliantly written, mid-tempo pop ballad. It would fit nicely as a modern addition to Paul McCartney's “Ram” or Todd Rundgren's "Something/Anything," or even Player’s “Baby Come Back.”
Paul Cherry crafts melodies on Flavour that sit at the intersection of 1970s yacht rock and Ariel Pink’s lo-fi dream pop. Lyrically, Cherry touches on millennial culture with references to love in the modern age, phone culture, and giving a new, light-hearted twist to age old old themes of love lost, missed connections and polar political climates. TWITTER, BANDCAMP.
Whether it's Yacht Rock or Indie Pop the ten tracks that make up 'Flavour' are all pretty impressive. The featured song 'Like Yesterday' is indicative of the quality and unique nature of Paul Cherry's music, where ideas are there in abundance.
--------------------------------------------------------------------------------------------------------------------------
A. Wesley Chung - Restless.
Background - Californian-born, Glasgow-based Americana musician A. Wesley Chung (The Great Albatross) has just shared the lead track from his debut - 'Restless' - a life-affirming and cinematic dose that tells of Chung's own conflicting emotions around growing up and leaving California.
The wonderful singer-songwriter will release his debut album as a solo artist on 18th May via Glasgow’s own LP Records. Neon Coast is an homage to the US West Coast, where Chung grew up, and the three most pronounced sentiments that he associates with it – freedom, lonesomeness and restlessness.
The songwriter, known for his previous collaborations with Evan Weiss (Into It. Over It / Their There They’re) and Kate Grube (Kittyhawk), was reared on the ‘golden oldies’ – Chuck Berry, The Beach Boys, The Beatles. “I've tried to explore the three themes of ‘freedom’, ‘lonesomeness’ and ‘restlessness’ through the sounds of Country, Motown and Folk/Americana that I grew up listening to in California” says Chung. He expands: “In our deep search for meaning/self we become obsessed with self-actualization, and our fear of death pushes us further into our desire for recognition which only leads us deeper into self – this is ‘restlessness’.
Reflecting on the influence his Californian youth has had on Neon Coast, Chung comments: “Thematically, it’s a meditation on my home state, while sonically it’s a straight up road trip album, like a mixtape from a friend. From the start I wanted to make this perfectly-imperfect album that focused more on getting the vibe right than the parts or performance (a main reason we recorded most of it live).
Chung emigrated to the UK in his adult life to a wholly different and, in many ways, surprising culture, making Glasgow his new home. The Scottish city would be the facilitator to Chung’s band of revolving members and collaborators, The Great Albatross, who’s split 7” with Into It. Over It. was released on Struggletown Records, with the B-side mixed and co-produced by Glasgow producer Gordon Skene (formerly of Frightened Rabbit, Smash Williams, Moth and the Mirror). Skene would also go on to produce the band’s full length. FACEBOOK.
Hand claps and vocals introduce 'Restless' however this is no minimalist piece. As the musical arrangement develops we are treated to a melodic and cleverly layered assortment of instrumental sounds. The vocals are smooth and engaging, if the rest of the album is of this standard, we have a lot to look forward to.
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Tuesday, 3 April 2018
Benjamin Dean Wilson - Forest Ray - Ellie Schmidly
Benjamin Dean Wilson - The Smartest Person in the Room.
Background - Benjamin Dean Wilson is a one man show - his new album, "The Smartest Person in the Room" was written, produced, and performed entirely by him and recorded in analog using a Tascam 1/2 inch tape deck.
Featuring a unique storytelling structure, each track is like a short film with its own ensemble of characters and blends elements of traditional "talkin' blues" style together with musical theater.
Benjamin Dean Wilson started his creative career in the film industry before turning to music, working as a camera assistant on commercials. He then made short 16mm films and play before deciding to tell his stories through music instead. He released his first album, "Small Talk" through German label Tapete Records, followed by a European tour.
Benjamin Dean Wilson: guitars, piano, keyboards, bass, drums, harmonica, violin, banjo, mandolin, ukulele, organ, percussion, bells, etc. Maria Grigoryeva: fiddle on "The Smartest Person in the Room". FACEBOOK, BANDCAMP.
The title track from the new album 'The Smartest Person in the Room' is a very good indicator of the sheer quality and imagination that has gone into this impressive collection of songs. More or less a one man band, the musical arrangements are nonetheless tight and pleasing and the vocals add some real distinction to the music. Catchy, likable and individual this is an album to delve into.
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Forest Ray - Laughing.
Background - Forest Ray experiments in the analog and psychedelic. Their progressively vintage sound will have you spiralling back to the 1960s and beyond in a whirlwind of fuzz wound like a Roland Space Echo. Garage punk and psych with tinges of post-punk and drone rock recorded on an 8 track reel to reel. Started in San Luis Obispo, CA by Peter Sumic and Robby Porovich and currently based in Seattle. Their first record, Musical Witchcraft, was released October 28th, 2016 on 180g vinyl.
AKA Forrest Rey, Forest Ray is a Psychedelic Rock experiment that was born out of a DIY studio in San Luis Obispo, CA. The Studio, which was originally a slum lord junk dungeon attached to an apartment building, was transformed into a menagerie of vintage recording artifacts filled with tape machines, oddball microphones and prehistoric delay boxes.
Dedicated to the analog recording process and use of reel to reels for all steps of mixing and mastering for a darker, older and more intimate sound, more time was spent rewinding and marking tape for recording projects than was spent eating or sleeping. Originally released on Demo Cassettes hand-drawn by a good friend and collaborator in the Seattle Area, Forest Ray will release its first Vinyl LP mixed and recorded fully analog by Peter Sumic (Guitar, Bass, Vocals) and Robby Porovich (Guitar, Vocals) and mastered to Vinyl by Pete Lyman at Infrasonic Sound Studios in Los Angeles, California.
Forest Ray's recording have never touched a computer or any digital effect or amplifier during the recording , mixing or mastering process. The recordings are 100% analog until the vinyl and digital masters are made seperately and transferred from tape. The music combines guitar driven psychedelic rock with tinges of raw synth-laced UK post-punk, Tropicalia and Latin psych flute influence, expressive uninhibited saxophones with stoney jazz influences with energetic drumming that embodies the youthful garage punk aesthetic that fueled the group’s creation. FACEBOOK, BANDCAMP.
Casually coming into play the music on 'Laughing' is beautifully arranged and has so much clarity. The vocals add a little psychedelic feeling to the song, whilst the music on this occasion holds centre stage as it digs in deep.
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Ellie Schmidly - One More Wave.
Background - Ellie Schmidly has released "One More Wave," the second single from her upcoming debut EP, Blossom & Bone. Composer Jordan Critz arranged strings for "One More Wave," with Todd Gummerman (of MuteMath) producing this song along with the rest of Blossom & Bone. "One More Wave" is available today at all digital outlets, with Blossom & Bone following on May 11.
"'One More Wave' is about the bittersweetness of beautiful moments in life," recalls Schmidly. "I sometimes find myself celebrating joyful times only to be interrupted by the fact that the moment will pass. It seems grim, but I think it gives us freedom to find gratitude for something in every season of life."
Ellie’s journey to this point is a serendipitous story. Starting to write and record this EP was daunting process because she felt so far behind everyone else. She hadn't set out to become a songwriter. She wasn't attending a music program in Nashville, and wasn't considering music as her career path. Instead, her music was discovered by famed producer Charlie Peacock (The Civil Wars, The Lone Bellow) after one of her performances was posted to Twitter.
Peacock was so taken with her Springfield, MO house show performance that he reached out to her the very next day to introduce himself. Peacock invited Ellie to Nashville to partake in songwriting sessions and introduced her to those in the community that could help cultivate her music. She says Charlie’s encouragement was life-changing. It turned out to be literally life-changing because she left her home, friends, family, and school in Missouri where she was studying public policy, to make the move to Nashville. After years of learning, working, and continually writing, Ellie has arrived at this seminal point when she'll unveil her debut, Blossom & Bone. TWITTER.
Just a month ago we stated "Ellie Schmidly's vocals are personable and charming" when we shared her first single. The follow up 'One More Wave' is another beautiful song, once again the vocals are enticing and melodic, the music is in fine harmony, this really is something special.
--------------------------------------------------------------------------------------------------------------------------
Background - Benjamin Dean Wilson is a one man show - his new album, "The Smartest Person in the Room" was written, produced, and performed entirely by him and recorded in analog using a Tascam 1/2 inch tape deck.
Featuring a unique storytelling structure, each track is like a short film with its own ensemble of characters and blends elements of traditional "talkin' blues" style together with musical theater.
Benjamin Dean Wilson started his creative career in the film industry before turning to music, working as a camera assistant on commercials. He then made short 16mm films and play before deciding to tell his stories through music instead. He released his first album, "Small Talk" through German label Tapete Records, followed by a European tour.
Benjamin Dean Wilson: guitars, piano, keyboards, bass, drums, harmonica, violin, banjo, mandolin, ukulele, organ, percussion, bells, etc. Maria Grigoryeva: fiddle on "The Smartest Person in the Room". FACEBOOK, BANDCAMP.
The title track from the new album 'The Smartest Person in the Room' is a very good indicator of the sheer quality and imagination that has gone into this impressive collection of songs. More or less a one man band, the musical arrangements are nonetheless tight and pleasing and the vocals add some real distinction to the music. Catchy, likable and individual this is an album to delve into.
--------------------------------------------------------------------------------------------------------------------------
Forest Ray - Laughing.
Background - Forest Ray experiments in the analog and psychedelic. Their progressively vintage sound will have you spiralling back to the 1960s and beyond in a whirlwind of fuzz wound like a Roland Space Echo. Garage punk and psych with tinges of post-punk and drone rock recorded on an 8 track reel to reel. Started in San Luis Obispo, CA by Peter Sumic and Robby Porovich and currently based in Seattle. Their first record, Musical Witchcraft, was released October 28th, 2016 on 180g vinyl.
AKA Forrest Rey, Forest Ray is a Psychedelic Rock experiment that was born out of a DIY studio in San Luis Obispo, CA. The Studio, which was originally a slum lord junk dungeon attached to an apartment building, was transformed into a menagerie of vintage recording artifacts filled with tape machines, oddball microphones and prehistoric delay boxes.
Dedicated to the analog recording process and use of reel to reels for all steps of mixing and mastering for a darker, older and more intimate sound, more time was spent rewinding and marking tape for recording projects than was spent eating or sleeping. Originally released on Demo Cassettes hand-drawn by a good friend and collaborator in the Seattle Area, Forest Ray will release its first Vinyl LP mixed and recorded fully analog by Peter Sumic (Guitar, Bass, Vocals) and Robby Porovich (Guitar, Vocals) and mastered to Vinyl by Pete Lyman at Infrasonic Sound Studios in Los Angeles, California.
Forest Ray's recording have never touched a computer or any digital effect or amplifier during the recording , mixing or mastering process. The recordings are 100% analog until the vinyl and digital masters are made seperately and transferred from tape. The music combines guitar driven psychedelic rock with tinges of raw synth-laced UK post-punk, Tropicalia and Latin psych flute influence, expressive uninhibited saxophones with stoney jazz influences with energetic drumming that embodies the youthful garage punk aesthetic that fueled the group’s creation. FACEBOOK, BANDCAMP.
Casually coming into play the music on 'Laughing' is beautifully arranged and has so much clarity. The vocals add a little psychedelic feeling to the song, whilst the music on this occasion holds centre stage as it digs in deep.
--------------------------------------------------------------------------------------------------------------------------
Ellie Schmidly - One More Wave.
Background - Ellie Schmidly has released "One More Wave," the second single from her upcoming debut EP, Blossom & Bone. Composer Jordan Critz arranged strings for "One More Wave," with Todd Gummerman (of MuteMath) producing this song along with the rest of Blossom & Bone. "One More Wave" is available today at all digital outlets, with Blossom & Bone following on May 11.
"'One More Wave' is about the bittersweetness of beautiful moments in life," recalls Schmidly. "I sometimes find myself celebrating joyful times only to be interrupted by the fact that the moment will pass. It seems grim, but I think it gives us freedom to find gratitude for something in every season of life."
Ellie’s journey to this point is a serendipitous story. Starting to write and record this EP was daunting process because she felt so far behind everyone else. She hadn't set out to become a songwriter. She wasn't attending a music program in Nashville, and wasn't considering music as her career path. Instead, her music was discovered by famed producer Charlie Peacock (The Civil Wars, The Lone Bellow) after one of her performances was posted to Twitter.
Peacock was so taken with her Springfield, MO house show performance that he reached out to her the very next day to introduce himself. Peacock invited Ellie to Nashville to partake in songwriting sessions and introduced her to those in the community that could help cultivate her music. She says Charlie’s encouragement was life-changing. It turned out to be literally life-changing because she left her home, friends, family, and school in Missouri where she was studying public policy, to make the move to Nashville. After years of learning, working, and continually writing, Ellie has arrived at this seminal point when she'll unveil her debut, Blossom & Bone. TWITTER.
Just a month ago we stated "Ellie Schmidly's vocals are personable and charming" when we shared her first single. The follow up 'One More Wave' is another beautiful song, once again the vocals are enticing and melodic, the music is in fine harmony, this really is something special.
--------------------------------------------------------------------------------------------------------------------------
Monday, 2 April 2018
Hover Bored - Esmé - You Want Fox
Hover Bored - Safe Side.
Background - Formed in Wakefield, but now based in Manchester, Hover Bored are an up-and-coming grunge-pop quartet set to release their new single, the fiery, exhilarating Safe Side on March 30th.
Searing riffs, rolling bass, crashing drums and bratty vocals coalesce into a fiercely infectious track. Only just breaking the two-minute barrier, it calls to mind the likes of Dinosaur Pile-Up, Honey Lung and King Nun. Hover Bored’s sound is a fuzzy concoction of modern grunge and scuzzed out power-pop.
“With our music constantly adapting, 'Safe Side' captures the progression we have made over the past year” the guys explain,“It began as a throwaway idea until we made it the ending of another song. We fell in love with the energy that this small interlude brought to rehearsals and shows; so we decided to make it a full track.”
Gigging extensively across the key cities in the musical hot-bed that is the North West of England, Manchester, Liverpool and Leeds, it’s no surprise the four-piece bring to their recordings an urgency usually reserved for blisteringly loud live sets in grimy, sticky venues.
Safe Side was recorded with Sugar House, who have produced records by Pale Waves, Vynce and Larkins, at Catalyst studios in Manchester, was self-released last Friday. TWITTER.
From the opening moments 'Safe Side' signals that this song is going to be a thunderous affair. Guitars soar above, the rhythm is intense, the vocals passionately determined, in all this is a feisty blast of grunge rock, and some...
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Esmé - I Wonder.
Background - Sydney based Songstress Esmé lures her listeners in with a spellbinding tonal quality and a rhythmically entrancing sound. Imagine a soundscape of stripped back beats, electro-acoustic guitar melodies and a soul imbued voice.
Esmé's unique approach to music and song writing can be attributed to her upbringing. She is one of eight children and was home schooled until grade 8, mastering the art of independent learning at a young age, self taught in both voice and piano. She left school and home at the age of 16 and began performing in small cafes and bars in Northern Queensland, before moving to Sydney to pursue music full time. Her long awaited debut single Come with Me was self released in December 2017, sparking the attention of Triple J and surprising the Sydney music scene with her understated sound. Esmé will release her second single I Wonder on the 30th of March 2018.
“My sister Olivia and I have always been extremely close. In 2014, our father passed away in our arms after a very long struggle post car accident. It was just the two of us with him at the time. I feel like this experience especially has always lead us to explore ontological ideas, me through music and her through poetry, she’s a writer. She texted me the words to ‘I wonder’ randomly one day. Her lyrics seemed to latch onto my melody, and my chords seemed to occupy the space in between the words perfectly.“ - Esmé
I Wonder song explores the invisible reality of human beings that can’t be physically seen like our bodies, yet we often understand to be the most alluring aspects of ourselves. I wonder explores the question with lulling electric guitar patterns and subtle synths, to what extent are we transcendent? Esmé music is reflective of the person she is; quiet and understated at first but full of intricacy and emotion the further you listen. Esmé lures listeners in with a spellbinding tonal quality and a rhythmically entrancing sound. She draws inspiration from jazz, soul, art and poetry to create a hushed hybrid of jazz infused electro soul. WEBSITE.
'I Wonder' opens with an understated musical arrangement that allows the vocals to beautifully engage with the listener. The soundtrack develops in an intricate manner, always making room for some soulful jazz infused vocals, that come together with refined style.
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You Want Fox - Liar Liar.
Background - Nottingham duo, Natalie and Colette of You Want Fox are proud to announce that their second album Reverse The Curse will be self-released with the help of Inflight Music Distribution on 27th April 2018.
After the success of their debut album ‘You Can’t Sit With Us’ in 2016, the girls have played a number of prestigious festivals including Dot to Dot and Macmillenfest as well as landing a tour in Los Angeles.
Melodically they are channelling Queens Of The Stone Age and Sleigh Bells, they capture you and pull you in with their massive pop hooks, making tunes that stick in your head for days.
Equal parts lipstick pouts and knife fights, they emit an effortless fusion of girly pop sensibilities with biting distortion and primal rhythms. TWITTER.
'Liar Liar' is one of eleven tracks on 'Reverse The Curse' a potent rocker of an album. The vocals add some pop sensibilities to the music, whilst musically the rock & roll is uncompromising as it barnstorms from song to song. There are shades of Blondie's debut album on occasion, but with more power, whatever the comparisons this is one vigorous rocker.
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Background - Formed in Wakefield, but now based in Manchester, Hover Bored are an up-and-coming grunge-pop quartet set to release their new single, the fiery, exhilarating Safe Side on March 30th.
Searing riffs, rolling bass, crashing drums and bratty vocals coalesce into a fiercely infectious track. Only just breaking the two-minute barrier, it calls to mind the likes of Dinosaur Pile-Up, Honey Lung and King Nun. Hover Bored’s sound is a fuzzy concoction of modern grunge and scuzzed out power-pop.
“With our music constantly adapting, 'Safe Side' captures the progression we have made over the past year” the guys explain,“It began as a throwaway idea until we made it the ending of another song. We fell in love with the energy that this small interlude brought to rehearsals and shows; so we decided to make it a full track.”
Gigging extensively across the key cities in the musical hot-bed that is the North West of England, Manchester, Liverpool and Leeds, it’s no surprise the four-piece bring to their recordings an urgency usually reserved for blisteringly loud live sets in grimy, sticky venues.
Safe Side was recorded with Sugar House, who have produced records by Pale Waves, Vynce and Larkins, at Catalyst studios in Manchester, was self-released last Friday. TWITTER.
From the opening moments 'Safe Side' signals that this song is going to be a thunderous affair. Guitars soar above, the rhythm is intense, the vocals passionately determined, in all this is a feisty blast of grunge rock, and some...
--------------------------------------------------------------------------------------------------------------------------
Esmé - I Wonder.
Background - Sydney based Songstress Esmé lures her listeners in with a spellbinding tonal quality and a rhythmically entrancing sound. Imagine a soundscape of stripped back beats, electro-acoustic guitar melodies and a soul imbued voice.
Esmé's unique approach to music and song writing can be attributed to her upbringing. She is one of eight children and was home schooled until grade 8, mastering the art of independent learning at a young age, self taught in both voice and piano. She left school and home at the age of 16 and began performing in small cafes and bars in Northern Queensland, before moving to Sydney to pursue music full time. Her long awaited debut single Come with Me was self released in December 2017, sparking the attention of Triple J and surprising the Sydney music scene with her understated sound. Esmé will release her second single I Wonder on the 30th of March 2018.
“My sister Olivia and I have always been extremely close. In 2014, our father passed away in our arms after a very long struggle post car accident. It was just the two of us with him at the time. I feel like this experience especially has always lead us to explore ontological ideas, me through music and her through poetry, she’s a writer. She texted me the words to ‘I wonder’ randomly one day. Her lyrics seemed to latch onto my melody, and my chords seemed to occupy the space in between the words perfectly.“ - Esmé
I Wonder song explores the invisible reality of human beings that can’t be physically seen like our bodies, yet we often understand to be the most alluring aspects of ourselves. I wonder explores the question with lulling electric guitar patterns and subtle synths, to what extent are we transcendent? Esmé music is reflective of the person she is; quiet and understated at first but full of intricacy and emotion the further you listen. Esmé lures listeners in with a spellbinding tonal quality and a rhythmically entrancing sound. She draws inspiration from jazz, soul, art and poetry to create a hushed hybrid of jazz infused electro soul. WEBSITE.
'I Wonder' opens with an understated musical arrangement that allows the vocals to beautifully engage with the listener. The soundtrack develops in an intricate manner, always making room for some soulful jazz infused vocals, that come together with refined style.
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You Want Fox - Liar Liar.
Background - Nottingham duo, Natalie and Colette of You Want Fox are proud to announce that their second album Reverse The Curse will be self-released with the help of Inflight Music Distribution on 27th April 2018.
After the success of their debut album ‘You Can’t Sit With Us’ in 2016, the girls have played a number of prestigious festivals including Dot to Dot and Macmillenfest as well as landing a tour in Los Angeles.
Melodically they are channelling Queens Of The Stone Age and Sleigh Bells, they capture you and pull you in with their massive pop hooks, making tunes that stick in your head for days.
Equal parts lipstick pouts and knife fights, they emit an effortless fusion of girly pop sensibilities with biting distortion and primal rhythms. TWITTER.
'Liar Liar' is one of eleven tracks on 'Reverse The Curse' a potent rocker of an album. The vocals add some pop sensibilities to the music, whilst musically the rock & roll is uncompromising as it barnstorms from song to song. There are shades of Blondie's debut album on occasion, but with more power, whatever the comparisons this is one vigorous rocker.
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Sunday, 1 April 2018
Frog Eyes - The Rare Occasions - Lavender Child - Moonshine Booze

Background - Frog Eyes are set to release their final album Violet Psalms May 18th on Paper Bag Records. Frog Eyes have announced a North American tour in support of the album. Frog Eyes have made their last album. 17 years after their teetering debut, the Vancouver band unveils Violet Psalms—a giddy lament; a gnashing jubilee; a rain-drenched allocution on hope vs. horror, paradise vs. pride, Marx and Brexit and bad acid trips.
It's an ending like a beginning. "We were trying to pretend it was our first record," Carey Mercer says. This is their final record, Frog Eyes' last gasp—but the art-rockers wanted to capture the energy of a debut, the freedom you feel "when there's no expectation that anyone will actually listen." They made it at home, burrowing under the house where Mercer lives with drummer Melanie Campbell. The goal was to blot out the world, focusing on what they could grow down there, four musicians in a basement. Could they squeeze out ten songs? Was there enough paste in the tube to squeeze out 10? "In the end there was. Which is rad."
No guests, no engineers. A self-invention. Violet Psalms began with its frantic, reverb-drenched guitar, squiggling over a modulation pedal. Next Mercer and Campbell concocted the drum parts—imagining them as onomatopoeia then recording them in fragments, kickdrum by kickdrum, tom by tom, with tailored effects. "The goal was to disorientate," Mercer explains, but also to work by instinct, gut—a cut-up of music and image, songs that coil back and kiss. The band pruned as they went, adding Terri Upton's bass parts, taking other parts away. Whereas past LPs used piano, Shyla Seller worked with shimmering synths—chords like bleeding water colour, shadows casting on a wall. TWITTER.
Tour Dates:
May 11th, Kamloops, venue TBA*
May 12th, Kelowna, Milkcrate Records*
May 18th, Toronto, Handlebar*
May 19th, Montreal, The Ritz*
May 20th, Ottawa, The Warehouse*
May 21st, Hamilton, Mill's Hardware*
May 25th, Victoria, Copper Owl*
May 26th, Vancouver, China Cloud*
June 29th, Bellingham, Shakedown Tavern*
June 30th, Portland, The Bunk Bar*
July 1st, Seattle, Sunset Tavern*
July 3rd: LA, The Moroccan Lounge*$
July 5th: SF, Bottom of the Hill*$
July 7th: NYC, Elsewhere: Zone One*#
July 8th: Philadelphia, Johnny Brenda's*
July 9th, Washington DC, DC9 club*
* = With Hello Blue Roses
$ = With Skygreen Leopards
# = With Zachary Cale
The vocals on 'Idea Man' are different in a wonderful way, the music is fresh and vibrant and the art rock direction is refined. In summary, this is one of those songs that impacts hard, it's fabulous.
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The Rare Occasions - Mercy Mercy.
Background - The Rare Occasions have been steadily releasing new music since 2013, but have yet to release full-length album - that news changes now with the announcement of their proper debut Into The Shallows, which comes out May 25th (the renowned Spanish artist David Navas gave them permission to use one of his pieces as the cover art too).
The Rare Occasions originally formed in Providence before migrating west to LA. The band draws inspiration from each successive wave of garage rock, while always putting their own dark spin on it.
Their sound melds angular guitar riffs with indie pop melodies, evidenced by their previous songs like the blistering psych-anthem “Dysphoric” (from Feelers) to the dreamlike track “Bug Eyes” (from Futureproof). This variability and depth of styles, layered with lyrical themes of existentialism and self-reflection, are what both define them and set them apart.
Primarily recorded in their cramped LA rehearsal space, The Rare Occasions’ debut bring their northeast sensibilities with them to California… the record delves deeper into the musical and lyrical concepts which have come to define the band’s aesthetic. WEBSITE.
Expansive indie rock comes to us in the form of 'Mercy Mercy' packing some slick guitar sounds and vocals that plead for your attention. The band are tight and rhythmic as they slide out some fine hooks with apparent ease.
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Lavender Child - Plutomania.
Background from Lavender Child - I released my debut EP “Reflections” independently this past fall. Yet, I was eager to dig deeper into my artistic vision. I created a collection of videos that premiered in January to a private audience of over 120 people at Ildsjel Collective in Toronto’s east end. Two videos (“Happy Illusions”, “Beautiful Landscapes”) have since been released publicly, with two more to be released in Spring 2018.
Plutomania is the story of a person who has always valued wealth and material possessions over personal relationships. As the person nears the end of their life they reflect on their past and come to the realization of deep loneliness and sorrow. There is an enormous range of dynamics and emotion throughout the song as the narrative moves through the process of realization, denial and acceptance.
The music video features the plutomaniac erotically and ravenously consuming “the fruits of their labors” and in the closing scene these indulgences come to an abrupt end. The production for Plutomania was proudly run by an all female crew, both behind and in front of the lens. With performance by Michaela Woeller, special thanks to Emma Aurelia/ Jessie Gaumond and front-woman Stephanie Traplin directing/filming/editing/ and providing the fashion from her shop Take Time Vintage. TWITTER, BANDCAMP.
With 'Plutomania' we have an intriguing subject, a creative and thought provoking video, however for me, most of all we have a gorgeous song. I thoroughly recommend checking out the full EP, where the vocals are mesmerising, the musical arrangements beautifully crafted and as debut releases go, this one is very special.
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Moonshine Booze - Happy.
Background - Moonshine Booze present 'Happy' as the second single off their debut album 'Desert Road', released via Seahorse Recordings. Along with that they reveal a new surreal video shot against the backdrop of vivid Kafkaesque scenery. Written by Emiliano Zapata and realized with the masterful supervision of videographer Jessica Montebello, who shot and edited the clip, in addition to her tremendous artistic contribution involving certain peculiar characters.
This story juxtaposes the immense landscape of the scorching desert with a smoky and dark journey that projects through an illusory door. Darkness and light, solitude and freedom side-by-side and yet opposite, and the fragile equilibrium of the characters, such as the emblematic clown, obsessed by chronic mood swings. These are allegories of the most arduous and torturing journey the mind can conceive - a journey towards happiness and the demolition of 'social rules' that inevitably tide the mind within stringent tormentuous borders.
Combining grit blues rock with alternative country, Moonshine Booze's music has been described as psychedelic country blues-tinged rock, as well as brazen desert alcoholic acoustic rock. The album's release was preceded by their first single 'The Place', along with a fiery retro-freakish yet humorous video.
Moonshine Booze formed in the summer of 2014 in Teramo, Italy. This trio is comprised of Andrea Manila (vocals), Emiliano Zapata (guitar) and Fabio Manchos (drums). The video for 'The Place' was a collaborative effort between Emiliano Zapata and Josh Heisenberg, with Zapata writing the scenario, Josh handling the filming and editing, and both on direction. Having been active on the music scene for over twenty years in various bands, both in Italy and The USA, the trio has gathered and relaborated experiences from different musical genres, putting them to good use in their new project. BANDCAMP.
Back in February we featured 'The Place' by Moonshine Booze and the second single 'Happy' is a welcome follow up. We considered the album back then and remarked "This is a band that are hard to put into just one genre as is made clear with the above promo piece. That they are highly original, creative, and perhaps just a little crazy should be taken as read, you can add fun and emotive, such is the variety packed into the collection." As 'Happy' demonstrates I feel those comments were valid and if I might be so bold, are now endorsed even further...
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Friday, 30 March 2018
HARE - Jaunt - Bokito - The Black Delta Movement - Chloe Styler - Sharaya Summers - Pale Rivers
HARE - Rolls Along.
Background - HARE is the project of New Jersey based songwriter and musician Sebastien Isaac, accompanied by drummer Michael Santa Cruz, keyboardist Jon Caplan, and guitarists James Licata and Graham Orbe. After honing his songwriting during his time in college, Isaac returned to NJ and began showcasing at open mics around the tri-state area.
He soon began collaborating with Santa Cruz, Caplan, Licata and Orbe, developing a new unified sound, and set his sights on breaking into the New York City music scene.
Seb, admittedly, doesn't have all the answers. The NYC based pop-rock artist understands that his journey, up till now, has all the benchmarks of many millennial coming-of-age stories: a passion placed on the back burner, pursuing a pricey degree, accumulation of debt, a transitional period of stasis, and, finally, lifting the passion off the back burner in spite of all the raised eyebrows.
He knows that happiness may just be a fool’s errand, but that’s what makes his devoted search for it on his debut release so seductive. Even though immensely personal, he hopes that his music will be a place where others will be able to place their own agitation, insecurity, and confusion as well. TWITTER.
There is a warm relaxed vibe that flows through 'Rolls Along' a gorgeous alt rocker, which gradually adds layers of refined sound, providing an imaginative backdrop for the enticing vocals and harmonies that make this one very catchy song.
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Jaunt - Faster Interactions.
Background from Jaunt - We’re very pleased to announce our forthcoming EP, Cue, out on April 13th. The yin to Chat’s yang, it moves away from our previous light-hearted tendencies to something a little deeper and darker. Featuring vocals from Caitlin Woelfle-O’Brien (AKA Blunt Chunks) and Eliza Niemi of Mauno, Cue also finds the five of us collaborating more than ever before. The songs end up evolving into something we never could have imagined from their starting point.
“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music. :)
The video for “Faster Interactions” is a bit goofy. It’s a bit disturbing. The idea was born out of wanting to create something that complimented the unhinged nature of the song, while not taking ourselves too seriously. We had a lot of fun with the body-cam shots. TWITTER.
Aside from the intriguing video for 'Faster Interactions' we are treated to a fabulous tune that is different in a good sort of way. The band describe the track as zany, and yes there is that to it, it's also mightily addictive, keeping me coming back for more.
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Bokito - Love Gotten.
Background - Fusing angular art rock and lilting high-life melodies into their uniquely danceable tropical indie sonics, ‘Love Gotten’ finds Bokito in a reflective mood, lyrically at least. The song is, explains singer Moses, “about desperately rushing into a new relationship when your heart has in no way healed. And the true selfishness that goes with hurting good people as a result.”
Such an honest confessional doesn’t stop the band’s third single from being another that could prise the most reluctant wallflower from the back of the party, however, as the fat contrapuntal groove of ‘Love Gotten’ cuts a hip-swaying swathe beneath Moses’ crisscrossing soprano vocal until the whole band combine as one to elevate the slamming chorus. It almost goes without saying for a Bokito release, but ‘Love Gotten’ is a blast from first note to last.
Having signed to Lost In The Manor Records in early 2017, Bokito’s first two singles, ‘Better at Getting Worse’ and ‘Aloof’ took plaudits and radio plays in plentiful measure, while the band’s jaw-dropping live sets included rousing the rabble in front of a feverish full house at Brighton’s Great Escape, a clamorous full field at LeeFest and a psyched-up capacity crowd at Dublin’s Hard Working-Class Heroes showcase when the band, London-based but largely Irish-bred, voyaged across the Irish Sea.
Peddling an uproarious blend of rock, soca, funk and roots, Bokito have coined a phrase for their unique genre mashup: tropical indie. Anyone fortunate enough to have witnessed the five-piece live, where edgy grooves and unforgettable hooks are delivered as if every show is a sun-baked carnival, would relate to this label. Though much of the attention falls on singer Moses – a man whose extraordinary voice is married to eye-popping stage-front shape-throwing that proves a catalyst for the audience to follow suit – the vice-like tightness and melodious flourishes of the band, comprising Jody (bass), Joe (guitar), Tom (drums) and Sam (keys/percussion), are equally essential. Bokito take inspiration from such diverse sources as J Dilla, Jeff Buckley, Fela Kuti, Justin Timberlake and Queens of the Stone Age to bring a little celtic spirit to London’s global soundscape. TWITTER.
'Love Gotten' is a melting pot of musical styles that come together and gel quite spectacularly. Vibrant, energised and full of good vibes, the band are refined musicians and the vocals add so much more to what is already a terrific tune.
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The Black Delta Movement - King Mosquito.
Background - Explosive live sounds from a dynamite band, this outfit pack a mighty punch with a heady mix of garage rock and psychedelia. Formed in 2010 by Matt Burr and Dom Abbott and with heavy rhythm and a crushing beat, The Black Delta Movement’s swathes of sound and texture wash over you providing a vibrant soundscape taking you right back to early Stooges, MC5 and Sonics.
To witness a Black Delta Movement concert is less a performance and more a spiritual affair, wrapping crowds within their plated gown of volume, depth and incessant groove, the group do not ask for your attention but command it and you can do nothing but fall at their feet. Their music draws eclectically from contemporary artists and those of yesteryear from both sides of the pond, confidently ranging from The Brian Jonestown Massacre, The Black Angels and The Small Faces. It’s abrasive, raucous and rattles you down to your bones.
They have recorded an extensive list of EPs and singles over the years, each one demonstrating an different period in their time as a band; the sounds range from the far-flung psychedelia of 2011’s Peach Flavoured Hand Grenade through to the garage stomp of 2016’s Seven Circles via the darkness of Ghost Dance and Lavender House along the way. Soaring riffs loom over like fighter jets whilst pummelling rhythm sections possess the potential to bring down the Colosseum of Rome. Their latest offering, a cover of Kim Fowley’s ‘The Trip’ has seen them paint an original with their signature captivating groove, making the song become their own and a staple point of live sets.
The last Seven Circles EP recorded at Magic Garden Studio with Gavin Monaghan (Ocean Colour Scene, Editors) gives a taster of what we can expect from the band, as we wait for the latest ep to be recorded. It is sure to knock you over, watch you struggle and simply carry on with the same ferocity whilst you look around in daze. Fresh from a successful UK and European Tour, travelling over 6,500 miles and visiting 8 countries, The Black Delta Movement came full circle and returned to headline their own sold out show, it was a fitting sign off for that chapter of their story and now they sit gritting their teeth with the wide eyed anticipation of wolves, waiting to see what 2017 will bring.
2018 will welcome the bands first album, ‘Preservation’ recorded in London with Little Barrie collaborator Mike Burnham and mastered by Pete Mayer. UK and European tours beckon in what will be an exciting year for the band. WEBSITE.
One of ten tracks on the bands album 'King Mosquito' is just one dimension of this powerful collection of music. Sometimes full on garage rock, other times timeless psychedelic grooves, more often a mixture of both, the bands flowing psyched out vocals and potent guitar driven rock, is highly contagious.
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Chloe Styler - Storm Chaser
Background - Born and bred on the Gold Coast, Queensland, Chloe Styler isn’t your typical Country artist. The 20-year-old has been influenced by the likes of Fleetwood Mac, Joni Mitchell and Kacey Musgraves to become the artist she is today. In September 2016, Chloe travelled to the Central Coast of NSW to record her debut EP with Simon Johnson from Hillbilly Hut Recording Studios. Chloe is thrilled to have co-written a song with Lyn Bowtell titled Storm Chaser, which is featured on the record.
Chloe Styler’s self-titled debut EP showcases six original songs. Her lyrics are unashamedly real and open to her experiences in love, life and loss, which undoubtedly draws audiences in and keeps them craving more. Chloe took the idea for Storm Chaser to a song writing session with Lyn Bowtell in mid 2016 and was over the moon with the final product.
Co-written with six-time Golden Guitar winner, Lyn Bowtell, Storm Chaser was inspired by a toxic friendship that Styler endured for 10 years too long. It describes how individuals must take control of their life and their friendships within it in order to feel like themselves again. In January 2017, one week after Chloe released her debut EP, Australian Country Music singer Lee Kernaghan shared a post on his Facebook page congratulating the “rising star on the release of her brilliant debut EP.”
Her unique, youthful and captivating voice has attracted a variety of loyal followers. 2017 was an incredible year for Chloe, as she performed as an opening act for Lee Kernaghan in Shepparton, Frankston, Toowoomba and Twin Towns, as well as at the Big Red Bash in Birdsville. Chloe’s original song My Heart Is Yours was ranked number seven on the International Mainstream Country Music Top 40 Singles Chart during the first week of March. Furthermore, she was personally ranked number 36 on the IMCM Top 200 Artists Chart for that same week.
This year, Chloe was a Grand Finalist in the 39th Annual Toyota Star Maker competition and performed on James Blundell, Troy Cassar-Daley and Lee Kernaghan’s TCMF shows. During the TCMF 2018, Chloe was awarded the TSA Songwriters Salute Award for ‘Contemporary Song of the Year’ for her original Control. Chloe has high hopes for the future; already planning a trip to Nashville where she will continue songwriting for her debut album which she hopes to release within the next two years. WEBSITE.
Opening with some refined acoustic guitar chords 'Storm Chaser' is quickly joined by Chloe Styler's melodic and gorgeous vocals. Natural and with hints of modern folk, the song suggests the EP may well be something quite special, as this track certainly is.
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Sharaya Summers - Easy Life.
Background - Portland native, Sharaya Summers, eventually landed in Echo Park after a short stint of honing her craft in Nashville.
Her drowsy Laurel Canyon songwriting rings nostalgic , yet so pertinent to today.
Sharaya Summers tells a story of disillusionment, dysfunction and discovery. As her debut single ‘Light of the Moon’ rapidly gained over half a million streams on Spotify, she prepares to release her full EP in mid 2018.
Now we have the new song 'Easy Life' released this week. TWITTER.
Our second feature for Sharaya Summers this year as 'Easy Life' gently drifts into view and deserves to be heard. Dreamy, melodic and full of atmosphere, it's easy on the ears as the hooks slowly draw you in.
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Pale Rivers - Montparnasse.
Background - Based out of Cork and Tipperary, and having supported Teleman, British Sea Power and The Wedding Present in recent months, Pale Rivers new single ‘Montparnasse’ is available now.
Their sound sees electric guitars, drum machines, atmospheric synths and group vocals combining to create a distinctive, ambient sound. TWITTER.
Tour dates (+ The Shaker Hymn):
April 19 – The Roisin Dubh, Galway
April 20 – Bello Bar, Dublin
April 27 – Gleesons, Clonmel
May 4 – The Roundy, Cork
May 5 – Connolly’s of Leap.
'Montparnasse' mixes ambient musical swirls of sounds alongside some enticing vocals as the song slowly unfolds. Then the band take us a journey that is both passionate and creative, they are definitely worth checking out on some more.
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Background - HARE is the project of New Jersey based songwriter and musician Sebastien Isaac, accompanied by drummer Michael Santa Cruz, keyboardist Jon Caplan, and guitarists James Licata and Graham Orbe. After honing his songwriting during his time in college, Isaac returned to NJ and began showcasing at open mics around the tri-state area.
He soon began collaborating with Santa Cruz, Caplan, Licata and Orbe, developing a new unified sound, and set his sights on breaking into the New York City music scene.
Seb, admittedly, doesn't have all the answers. The NYC based pop-rock artist understands that his journey, up till now, has all the benchmarks of many millennial coming-of-age stories: a passion placed on the back burner, pursuing a pricey degree, accumulation of debt, a transitional period of stasis, and, finally, lifting the passion off the back burner in spite of all the raised eyebrows.
He knows that happiness may just be a fool’s errand, but that’s what makes his devoted search for it on his debut release so seductive. Even though immensely personal, he hopes that his music will be a place where others will be able to place their own agitation, insecurity, and confusion as well. TWITTER.
There is a warm relaxed vibe that flows through 'Rolls Along' a gorgeous alt rocker, which gradually adds layers of refined sound, providing an imaginative backdrop for the enticing vocals and harmonies that make this one very catchy song.
--------------------------------------------------------------------------------------------------------------------------
Jaunt - Faster Interactions.
Background from Jaunt - We’re very pleased to announce our forthcoming EP, Cue, out on April 13th. The yin to Chat’s yang, it moves away from our previous light-hearted tendencies to something a little deeper and darker. Featuring vocals from Caitlin Woelfle-O’Brien (AKA Blunt Chunks) and Eliza Niemi of Mauno, Cue also finds the five of us collaborating more than ever before. The songs end up evolving into something we never could have imagined from their starting point.
“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music. :)
The video for “Faster Interactions” is a bit goofy. It’s a bit disturbing. The idea was born out of wanting to create something that complimented the unhinged nature of the song, while not taking ourselves too seriously. We had a lot of fun with the body-cam shots. TWITTER.
Aside from the intriguing video for 'Faster Interactions' we are treated to a fabulous tune that is different in a good sort of way. The band describe the track as zany, and yes there is that to it, it's also mightily addictive, keeping me coming back for more.
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Bokito - Love Gotten.
Background - Fusing angular art rock and lilting high-life melodies into their uniquely danceable tropical indie sonics, ‘Love Gotten’ finds Bokito in a reflective mood, lyrically at least. The song is, explains singer Moses, “about desperately rushing into a new relationship when your heart has in no way healed. And the true selfishness that goes with hurting good people as a result.”
Such an honest confessional doesn’t stop the band’s third single from being another that could prise the most reluctant wallflower from the back of the party, however, as the fat contrapuntal groove of ‘Love Gotten’ cuts a hip-swaying swathe beneath Moses’ crisscrossing soprano vocal until the whole band combine as one to elevate the slamming chorus. It almost goes without saying for a Bokito release, but ‘Love Gotten’ is a blast from first note to last.
Having signed to Lost In The Manor Records in early 2017, Bokito’s first two singles, ‘Better at Getting Worse’ and ‘Aloof’ took plaudits and radio plays in plentiful measure, while the band’s jaw-dropping live sets included rousing the rabble in front of a feverish full house at Brighton’s Great Escape, a clamorous full field at LeeFest and a psyched-up capacity crowd at Dublin’s Hard Working-Class Heroes showcase when the band, London-based but largely Irish-bred, voyaged across the Irish Sea.
Peddling an uproarious blend of rock, soca, funk and roots, Bokito have coined a phrase for their unique genre mashup: tropical indie. Anyone fortunate enough to have witnessed the five-piece live, where edgy grooves and unforgettable hooks are delivered as if every show is a sun-baked carnival, would relate to this label. Though much of the attention falls on singer Moses – a man whose extraordinary voice is married to eye-popping stage-front shape-throwing that proves a catalyst for the audience to follow suit – the vice-like tightness and melodious flourishes of the band, comprising Jody (bass), Joe (guitar), Tom (drums) and Sam (keys/percussion), are equally essential. Bokito take inspiration from such diverse sources as J Dilla, Jeff Buckley, Fela Kuti, Justin Timberlake and Queens of the Stone Age to bring a little celtic spirit to London’s global soundscape. TWITTER.
'Love Gotten' is a melting pot of musical styles that come together and gel quite spectacularly. Vibrant, energised and full of good vibes, the band are refined musicians and the vocals add so much more to what is already a terrific tune.
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The Black Delta Movement - King Mosquito.
Background - Explosive live sounds from a dynamite band, this outfit pack a mighty punch with a heady mix of garage rock and psychedelia. Formed in 2010 by Matt Burr and Dom Abbott and with heavy rhythm and a crushing beat, The Black Delta Movement’s swathes of sound and texture wash over you providing a vibrant soundscape taking you right back to early Stooges, MC5 and Sonics.
To witness a Black Delta Movement concert is less a performance and more a spiritual affair, wrapping crowds within their plated gown of volume, depth and incessant groove, the group do not ask for your attention but command it and you can do nothing but fall at their feet. Their music draws eclectically from contemporary artists and those of yesteryear from both sides of the pond, confidently ranging from The Brian Jonestown Massacre, The Black Angels and The Small Faces. It’s abrasive, raucous and rattles you down to your bones.
They have recorded an extensive list of EPs and singles over the years, each one demonstrating an different period in their time as a band; the sounds range from the far-flung psychedelia of 2011’s Peach Flavoured Hand Grenade through to the garage stomp of 2016’s Seven Circles via the darkness of Ghost Dance and Lavender House along the way. Soaring riffs loom over like fighter jets whilst pummelling rhythm sections possess the potential to bring down the Colosseum of Rome. Their latest offering, a cover of Kim Fowley’s ‘The Trip’ has seen them paint an original with their signature captivating groove, making the song become their own and a staple point of live sets.
The last Seven Circles EP recorded at Magic Garden Studio with Gavin Monaghan (Ocean Colour Scene, Editors) gives a taster of what we can expect from the band, as we wait for the latest ep to be recorded. It is sure to knock you over, watch you struggle and simply carry on with the same ferocity whilst you look around in daze. Fresh from a successful UK and European Tour, travelling over 6,500 miles and visiting 8 countries, The Black Delta Movement came full circle and returned to headline their own sold out show, it was a fitting sign off for that chapter of their story and now they sit gritting their teeth with the wide eyed anticipation of wolves, waiting to see what 2017 will bring.
2018 will welcome the bands first album, ‘Preservation’ recorded in London with Little Barrie collaborator Mike Burnham and mastered by Pete Mayer. UK and European tours beckon in what will be an exciting year for the band. WEBSITE.
One of ten tracks on the bands album 'King Mosquito' is just one dimension of this powerful collection of music. Sometimes full on garage rock, other times timeless psychedelic grooves, more often a mixture of both, the bands flowing psyched out vocals and potent guitar driven rock, is highly contagious.
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Chloe Styler - Storm Chaser
Background - Born and bred on the Gold Coast, Queensland, Chloe Styler isn’t your typical Country artist. The 20-year-old has been influenced by the likes of Fleetwood Mac, Joni Mitchell and Kacey Musgraves to become the artist she is today. In September 2016, Chloe travelled to the Central Coast of NSW to record her debut EP with Simon Johnson from Hillbilly Hut Recording Studios. Chloe is thrilled to have co-written a song with Lyn Bowtell titled Storm Chaser, which is featured on the record.
Chloe Styler’s self-titled debut EP showcases six original songs. Her lyrics are unashamedly real and open to her experiences in love, life and loss, which undoubtedly draws audiences in and keeps them craving more. Chloe took the idea for Storm Chaser to a song writing session with Lyn Bowtell in mid 2016 and was over the moon with the final product.
Co-written with six-time Golden Guitar winner, Lyn Bowtell, Storm Chaser was inspired by a toxic friendship that Styler endured for 10 years too long. It describes how individuals must take control of their life and their friendships within it in order to feel like themselves again. In January 2017, one week after Chloe released her debut EP, Australian Country Music singer Lee Kernaghan shared a post on his Facebook page congratulating the “rising star on the release of her brilliant debut EP.”
Her unique, youthful and captivating voice has attracted a variety of loyal followers. 2017 was an incredible year for Chloe, as she performed as an opening act for Lee Kernaghan in Shepparton, Frankston, Toowoomba and Twin Towns, as well as at the Big Red Bash in Birdsville. Chloe’s original song My Heart Is Yours was ranked number seven on the International Mainstream Country Music Top 40 Singles Chart during the first week of March. Furthermore, she was personally ranked number 36 on the IMCM Top 200 Artists Chart for that same week.
This year, Chloe was a Grand Finalist in the 39th Annual Toyota Star Maker competition and performed on James Blundell, Troy Cassar-Daley and Lee Kernaghan’s TCMF shows. During the TCMF 2018, Chloe was awarded the TSA Songwriters Salute Award for ‘Contemporary Song of the Year’ for her original Control. Chloe has high hopes for the future; already planning a trip to Nashville where she will continue songwriting for her debut album which she hopes to release within the next two years. WEBSITE.
Opening with some refined acoustic guitar chords 'Storm Chaser' is quickly joined by Chloe Styler's melodic and gorgeous vocals. Natural and with hints of modern folk, the song suggests the EP may well be something quite special, as this track certainly is.
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Sharaya Summers - Easy Life.
Background - Portland native, Sharaya Summers, eventually landed in Echo Park after a short stint of honing her craft in Nashville.
Her drowsy Laurel Canyon songwriting rings nostalgic , yet so pertinent to today.
Sharaya Summers tells a story of disillusionment, dysfunction and discovery. As her debut single ‘Light of the Moon’ rapidly gained over half a million streams on Spotify, she prepares to release her full EP in mid 2018.
Now we have the new song 'Easy Life' released this week. TWITTER.
Our second feature for Sharaya Summers this year as 'Easy Life' gently drifts into view and deserves to be heard. Dreamy, melodic and full of atmosphere, it's easy on the ears as the hooks slowly draw you in.
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Pale Rivers - Montparnasse.
Background - Based out of Cork and Tipperary, and having supported Teleman, British Sea Power and The Wedding Present in recent months, Pale Rivers new single ‘Montparnasse’ is available now.
Their sound sees electric guitars, drum machines, atmospheric synths and group vocals combining to create a distinctive, ambient sound. TWITTER.
Tour dates (+ The Shaker Hymn):
April 19 – The Roisin Dubh, Galway
April 20 – Bello Bar, Dublin
April 27 – Gleesons, Clonmel
May 4 – The Roundy, Cork
May 5 – Connolly’s of Leap.
'Montparnasse' mixes ambient musical swirls of sounds alongside some enticing vocals as the song slowly unfolds. Then the band take us a journey that is both passionate and creative, they are definitely worth checking out on some more.
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Tuesday, 27 March 2018
Vamos - You Are Wolf - Em Joy
Vamos - Outsiders.
Background - After a nearly three-year wait, Chicago garage punks Vamos are about to drop their sophomore LP, 1~2~3, via Maximum Pelt, a Windy City-based, small batch cassette and record label that specializes in punk, garage, psych, noise and experimental music.
Vamos (Ryan Murphy-guitar/vocals, Will Wood-bass, Josh Lambert-drums) formed during Chicago’s epic blizzard of 2011 and began playing the city’s thriving DIY scene, quickly garnering the attention of local blogs, including Chicagoist, who described the trio as having “a potent and turbulent energy both live and in their recorded material.” On the live front, Vamos graduated from playing shows at local underground venues, including Wally World and Animal Kingdom, to touring nationally, with show and festival appearances on both coasts, in Austin, Texas during SXSW and in their hometown for Riot Fest.
Vamos released the Heatwave EP in spring of 2013 and followed up quickly that winter with the EP Midwaste. The band’s 2015 debut LP Spiderbait (Maximum Pelt) was named one of Chicago’s best rock records of the year by the Chicago Reader and the single “Outsiders” (which appears on 1~2~3) was released in summer, 2016.
Vamos completed the recording of 1~2~3 in November, 2016 with the intention of releasing the LP and touring to support it from January of that year through February of 2017. Those plans were put on hold when, on December 30th, Murphy was hit by a car while riding his bike and broke both his arms. Having bounced back from his injuries, Murphy is ready to unleash 1~2~3, a record that he, Wood and Lambert describe as “a controlled descent into madness and mayhem [where] ghostly echoes and reverberations chase edgy, unforgettable melodies.” FACEBOOK.
Typifying the rumbustious nature of Vamos and their finally released 1-2-3 album we feature 'Outsiders' the second track of fourteen in this mesmerising collection of Garage, Grunge and purified Rock & Roll. Don't get me wrong there are more sedate moments of power pop, however at the core the band are high octane and empowered rockers of class.
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You Are Wolf - Breathe In Breathe Out.
Background - You Are Wolf is the alt-folk project of award-winning composer and vocalist Kerry Andrew. Releasing her second album KELD in March, it is the follow-up to her 2014 debut Hawk To The Hunting Gone, a record that explored British birds and folklore. Now working as a trio with multi-instrumentalist Sam Hall and percussionist Peter Ashwell, KELD - an old Northern English word meaning “the deep, still, smooth part of a river” – is an album that explores and develops the theme of freshwater. Wild swimming is a key passion and inspiration of hers, and she can often be found dipping into lochs, lakes, rivers and the sea in all weathers. Though there are countless traditional songs about the sea, there are less about our inland waterways, and Kerry decided to use this as a challenge: to source traditional material and write originals all inspired by freshwater folklore.
It was an aim of Kerry’s to find songs that featured an array of strong female characters, and KELD includes traditional songs about waterfall banshees, killer female water sprites, drowning boys and powerful witches. Original songs are inspired by wild swimming, vengeful rivers, nymphs and naiads, and even an Anglo-Saxon charm. You Are Wolf brings these ancient songs and stories into the present, with bold arrangements inspired by leftfield pop, new classical music and electronica.
The album is produced by MaJiker, best known for his work on French alt-pop queen Camille’s Victoire-winning albums. He has also remixed / worked with Fever Ray, Nitin Sahwney and Gaggle, and brings an experimental pop sensibility to the album. Where Hawk To The Hunting Gone was heavily vocal, with lots of vocal looping - inspired by the likes of Camille, Bobby Mcferrin, Meredith Monk and tUnE-yArDs – KELD is more expansive. With a wider palate of sounds including drums, ‘cello, vibraphone, trumpet, found sounds and field recordings, it’s an album that not only draws from innovative contemporary folk artists including Lisa Knapp (who features here on “The Weeper”), Sam Lee and The Unthanks, but also by music outside the folk sphere: everything from minimalist composer Steve Reich to PJ Harvey, traditional Central African Pygmy music and Julia Holter. The brilliant poet Robin Robertson also appears. WEBSITE, FACEBOOK.
'Breathe In Breathe Out' for me is one of those songs that grow on you step by step. Not that it took that long, by the time the track had reached the end it was down to be featured. Creative and just a tiny bit experimental, it's also subtly catchy and hard to resist another listen.
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Em Joy - The Feast.
Background - “I just can’t sing if I don’t have sunshine in my soul” - Em Joy. Behind the feel good vibes and cute voice, Em Joy’s music is a deep reflection of her colourful and sometimes chaotic life, having been in exile from Zimbabwe as a child, this joyful soul has seen the world through many different perspectives and has come out the other side with an important message for all of us.
Em Joy sounds like a mix between Colbie Caillat, Missy Higgins and Passenger with a dash of quirky Norah Jones along with some lighthearted but thoughtful musings similar to Jack Johnson. The music ranges from leaving you feeling happy and lighthearted to contemplating the deeper questions of life and love. It’s altogether ‘human’ - earnest, honest, vulnerable and true. Em Joy has shared the stage supporting many acts such as The Waifs, Matt McHugh and has been lucky enough to work with other artists such as Billy Otto and written and recorded music for Sony EMI. Her music has been featured in many advertisements and she has also had her voice featured on various TV shows including The Mustangs now showing in Australia.
“The Wanderings” is Em Joy’s latest 8 track album recorded in Perth, Western Australia at O2 studios at the culmination of her year travelling Australia in a custom made van. The album deals with many aspects of love, life and the wild dynamics of travel (due out on the 30th March 2018).
Em Joy was born in Zimbabwe, Africa. She grew up on a farm, riding elephants and learning about the wild African wilderness from a young age. Em Joy was known for whistling happy tunes from a young age her family often joked that her constant whistling might be due to her eating bird seed. She grew up listening to classical music and only when the family was forced to leave their farm due to political issues in Zimbabwe did she start listening to more contemporary music. Her musical career really started when she met a producer from Australia, Billy Otto, who heard her songs and suggested she should record them. Soon after her music was featured in TV advertisements around Australia. WEBSITE, FACEBOOK.
If you enjoy 'The Feast' then I am certain the other seven tracks on 'The Wanderings' will not disappoint, in fact lets turn that around to a positive, they are gorgeous and will delight you. Em Joy's sensitive and melodic singer-songwriter material is captivating and just so pleasing...
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Background - After a nearly three-year wait, Chicago garage punks Vamos are about to drop their sophomore LP, 1~2~3, via Maximum Pelt, a Windy City-based, small batch cassette and record label that specializes in punk, garage, psych, noise and experimental music.
Vamos (Ryan Murphy-guitar/vocals, Will Wood-bass, Josh Lambert-drums) formed during Chicago’s epic blizzard of 2011 and began playing the city’s thriving DIY scene, quickly garnering the attention of local blogs, including Chicagoist, who described the trio as having “a potent and turbulent energy both live and in their recorded material.” On the live front, Vamos graduated from playing shows at local underground venues, including Wally World and Animal Kingdom, to touring nationally, with show and festival appearances on both coasts, in Austin, Texas during SXSW and in their hometown for Riot Fest.
Vamos released the Heatwave EP in spring of 2013 and followed up quickly that winter with the EP Midwaste. The band’s 2015 debut LP Spiderbait (Maximum Pelt) was named one of Chicago’s best rock records of the year by the Chicago Reader and the single “Outsiders” (which appears on 1~2~3) was released in summer, 2016.
Vamos completed the recording of 1~2~3 in November, 2016 with the intention of releasing the LP and touring to support it from January of that year through February of 2017. Those plans were put on hold when, on December 30th, Murphy was hit by a car while riding his bike and broke both his arms. Having bounced back from his injuries, Murphy is ready to unleash 1~2~3, a record that he, Wood and Lambert describe as “a controlled descent into madness and mayhem [where] ghostly echoes and reverberations chase edgy, unforgettable melodies.” FACEBOOK.
Typifying the rumbustious nature of Vamos and their finally released 1-2-3 album we feature 'Outsiders' the second track of fourteen in this mesmerising collection of Garage, Grunge and purified Rock & Roll. Don't get me wrong there are more sedate moments of power pop, however at the core the band are high octane and empowered rockers of class.
--------------------------------------------------------------------------------------------------------------------------
You Are Wolf - Breathe In Breathe Out.
Background - You Are Wolf is the alt-folk project of award-winning composer and vocalist Kerry Andrew. Releasing her second album KELD in March, it is the follow-up to her 2014 debut Hawk To The Hunting Gone, a record that explored British birds and folklore. Now working as a trio with multi-instrumentalist Sam Hall and percussionist Peter Ashwell, KELD - an old Northern English word meaning “the deep, still, smooth part of a river” – is an album that explores and develops the theme of freshwater. Wild swimming is a key passion and inspiration of hers, and she can often be found dipping into lochs, lakes, rivers and the sea in all weathers. Though there are countless traditional songs about the sea, there are less about our inland waterways, and Kerry decided to use this as a challenge: to source traditional material and write originals all inspired by freshwater folklore.
It was an aim of Kerry’s to find songs that featured an array of strong female characters, and KELD includes traditional songs about waterfall banshees, killer female water sprites, drowning boys and powerful witches. Original songs are inspired by wild swimming, vengeful rivers, nymphs and naiads, and even an Anglo-Saxon charm. You Are Wolf brings these ancient songs and stories into the present, with bold arrangements inspired by leftfield pop, new classical music and electronica.
The album is produced by MaJiker, best known for his work on French alt-pop queen Camille’s Victoire-winning albums. He has also remixed / worked with Fever Ray, Nitin Sahwney and Gaggle, and brings an experimental pop sensibility to the album. Where Hawk To The Hunting Gone was heavily vocal, with lots of vocal looping - inspired by the likes of Camille, Bobby Mcferrin, Meredith Monk and tUnE-yArDs – KELD is more expansive. With a wider palate of sounds including drums, ‘cello, vibraphone, trumpet, found sounds and field recordings, it’s an album that not only draws from innovative contemporary folk artists including Lisa Knapp (who features here on “The Weeper”), Sam Lee and The Unthanks, but also by music outside the folk sphere: everything from minimalist composer Steve Reich to PJ Harvey, traditional Central African Pygmy music and Julia Holter. The brilliant poet Robin Robertson also appears. WEBSITE, FACEBOOK.
'Breathe In Breathe Out' for me is one of those songs that grow on you step by step. Not that it took that long, by the time the track had reached the end it was down to be featured. Creative and just a tiny bit experimental, it's also subtly catchy and hard to resist another listen.
------------------------------------------------------------------------------------------------------------------------
Em Joy - The Feast.
Background - “I just can’t sing if I don’t have sunshine in my soul” - Em Joy. Behind the feel good vibes and cute voice, Em Joy’s music is a deep reflection of her colourful and sometimes chaotic life, having been in exile from Zimbabwe as a child, this joyful soul has seen the world through many different perspectives and has come out the other side with an important message for all of us.
Em Joy sounds like a mix between Colbie Caillat, Missy Higgins and Passenger with a dash of quirky Norah Jones along with some lighthearted but thoughtful musings similar to Jack Johnson. The music ranges from leaving you feeling happy and lighthearted to contemplating the deeper questions of life and love. It’s altogether ‘human’ - earnest, honest, vulnerable and true. Em Joy has shared the stage supporting many acts such as The Waifs, Matt McHugh and has been lucky enough to work with other artists such as Billy Otto and written and recorded music for Sony EMI. Her music has been featured in many advertisements and she has also had her voice featured on various TV shows including The Mustangs now showing in Australia.
“The Wanderings” is Em Joy’s latest 8 track album recorded in Perth, Western Australia at O2 studios at the culmination of her year travelling Australia in a custom made van. The album deals with many aspects of love, life and the wild dynamics of travel (due out on the 30th March 2018).
Em Joy was born in Zimbabwe, Africa. She grew up on a farm, riding elephants and learning about the wild African wilderness from a young age. Em Joy was known for whistling happy tunes from a young age her family often joked that her constant whistling might be due to her eating bird seed. She grew up listening to classical music and only when the family was forced to leave their farm due to political issues in Zimbabwe did she start listening to more contemporary music. Her musical career really started when she met a producer from Australia, Billy Otto, who heard her songs and suggested she should record them. Soon after her music was featured in TV advertisements around Australia. WEBSITE, FACEBOOK.
If you enjoy 'The Feast' then I am certain the other seven tracks on 'The Wanderings' will not disappoint, in fact lets turn that around to a positive, they are gorgeous and will delight you. Em Joy's sensitive and melodic singer-songwriter material is captivating and just so pleasing...
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Monday, 26 March 2018
Gris-de-Lin - Archie and The Bunkers - Tremends
Gris-de-Lin - Muhammad Ali.
Background - Gris about the song: "Inspired by a true story – a patient escaped from a local hospital and broke into my old flat overnight, leaving behind a pile of clothes and a nametag that read ‘Muhammad Ali’. This got me thinking about incarceration, whether physical or mental, and the idea that ‘whatever you do to me I will still have freedom of thought’."
Gris-de-Lin is a singer/songwriter and multi-instrumentalist from Dorset. Her music is a heady mix of post-rock, blues and alt-folk peppered with warped electronics. Her debut album, Sprung, comes out on BB*Island in April 2018. The album was recorded in a nursery school and saw her playing virtually all of the instruments herself — from guitars and synths to drums and saxophone. Working with producer/engineer Chris Hamilton (Torres/Kite Base), she also drafted in Rob Ellis (PJ Harvey/Anna Calvi) to play drums on several tracks. Alongside her solo projects, Gris-de-Lin has worked with a number of other artists, including Jim Sclavunos (Nick Cave and the Bad Seeds), Joe Gideon, The Duke Spirit, Tunng and Gemma Ray.
“Gris-de-Lin blends alt-rock, folk, world rhythms, skronky jazz and glitchy esoterica into a beguiling whole on her debut album, balancing strong melody with consistently inventive sonic texture. 8/10.” Graeme Thomson, Uncut Magazine. FACEBOOK.
It's two years and a few days since we featured Gris-de-Lin. I was pretty certain we had, however time flies and I didn't realise just how long ago it was. Anyhow 'Muhammad Ali' was/is more than worth the wait for a second share, as we are treated to some robust post rock of sorts, that cries out for attention, and attention I am most happy to provide, ahead of her much anticipated debut album.
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Archie and The Bunkers - Laura.
Background - Archie and The Bunkers share their new single "Laura,"Songs From The Lodge Out 4/20 on Dirty Water Records. Cleveland's Archie and The Bunkers -- made up of brothers Emmett and Cullen O’Connor -- play "hi-fi organ punk," drawing influence from jazz organ greats like Jimmy Smith and Richard “Groove” Holmes and punk icons like The Stooges and The Screamers.
Since forming in 2013, the duo has shared stages with everyone from Iggy Pop, The Sonics, and Echo and the Bunnymen to Black Lips and Thee Oh Sees, and they've released music on Norton Records, In The Red, and Jack White's Third Man Records.
The band will release their sophomore LP, Songs From The Lodge, on April 20th via Dirty Water Records. Today, they share lead single "Laura," which features Cullen’s whirring, over driven organ wailing above the driving beat of Emmett’s four-piece drum kit. WEBSITE.
I am so enjoying Archie and The Bunkers a duo who never cease to delight with their raw energised and stupendous musical assault. 'Laura' is our third song feature and once again the power, speed and sheer vibrancy is here in abundance!
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Tremends - Hands On The Wheel.
Background - "Hands On The Wheel" is the latest effort by the Miami rockers. The single is now available through Gummdrops Records.
The track is a gentle, piano based song, distancing itself in style from the normal Tremends sound of indie/brit rock. The vocals and piano are performed in their majority by Alejo Rozas (drums), with band members Juan Rozas and Alex Posada providing more of a backing role. The end result is a beautiful and relaxing track to enjoy on a Miami evening.
The video accompanying the track sees the return of double exposures and starts off with footage of the Florida Tri-Rail to then move on to Alejo singing and playing the guitar and piano. The colors of the video are soft and relaxing like the track itself, and remind one of sunset.
"After some time apart anticipation grows,driving back all night towards the dawn of a haunting en counter becomes poetry.Are they coming home to fall in on their arms again? Or is it only the craving of a hopeful dream? Love may be gold but sometimes distance brings despair." - Alejo Rosas. FACEBOOK.
'Hands On The Wheel' is a gently paced song, that is smoothly melodic and full of gorgeous vibes. The piano, vocals and remaining musical parts are perfectly in sync as the tracks restful nature spills out.
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Background - Gris about the song: "Inspired by a true story – a patient escaped from a local hospital and broke into my old flat overnight, leaving behind a pile of clothes and a nametag that read ‘Muhammad Ali’. This got me thinking about incarceration, whether physical or mental, and the idea that ‘whatever you do to me I will still have freedom of thought’."
Gris-de-Lin is a singer/songwriter and multi-instrumentalist from Dorset. Her music is a heady mix of post-rock, blues and alt-folk peppered with warped electronics. Her debut album, Sprung, comes out on BB*Island in April 2018. The album was recorded in a nursery school and saw her playing virtually all of the instruments herself — from guitars and synths to drums and saxophone. Working with producer/engineer Chris Hamilton (Torres/Kite Base), she also drafted in Rob Ellis (PJ Harvey/Anna Calvi) to play drums on several tracks. Alongside her solo projects, Gris-de-Lin has worked with a number of other artists, including Jim Sclavunos (Nick Cave and the Bad Seeds), Joe Gideon, The Duke Spirit, Tunng and Gemma Ray.
“Gris-de-Lin blends alt-rock, folk, world rhythms, skronky jazz and glitchy esoterica into a beguiling whole on her debut album, balancing strong melody with consistently inventive sonic texture. 8/10.” Graeme Thomson, Uncut Magazine. FACEBOOK.
It's two years and a few days since we featured Gris-de-Lin. I was pretty certain we had, however time flies and I didn't realise just how long ago it was. Anyhow 'Muhammad Ali' was/is more than worth the wait for a second share, as we are treated to some robust post rock of sorts, that cries out for attention, and attention I am most happy to provide, ahead of her much anticipated debut album.
-------------------------------------------------------------------------------------------------------------------------
Archie and The Bunkers - Laura.
Background - Archie and The Bunkers share their new single "Laura,"Songs From The Lodge Out 4/20 on Dirty Water Records. Cleveland's Archie and The Bunkers -- made up of brothers Emmett and Cullen O’Connor -- play "hi-fi organ punk," drawing influence from jazz organ greats like Jimmy Smith and Richard “Groove” Holmes and punk icons like The Stooges and The Screamers.
Since forming in 2013, the duo has shared stages with everyone from Iggy Pop, The Sonics, and Echo and the Bunnymen to Black Lips and Thee Oh Sees, and they've released music on Norton Records, In The Red, and Jack White's Third Man Records.
The band will release their sophomore LP, Songs From The Lodge, on April 20th via Dirty Water Records. Today, they share lead single "Laura," which features Cullen’s whirring, over driven organ wailing above the driving beat of Emmett’s four-piece drum kit. WEBSITE.
I am so enjoying Archie and The Bunkers a duo who never cease to delight with their raw energised and stupendous musical assault. 'Laura' is our third song feature and once again the power, speed and sheer vibrancy is here in abundance!
--------------------------------------------------------------------------------------------------------------------------
Tremends - Hands On The Wheel.
Background - "Hands On The Wheel" is the latest effort by the Miami rockers. The single is now available through Gummdrops Records.
The track is a gentle, piano based song, distancing itself in style from the normal Tremends sound of indie/brit rock. The vocals and piano are performed in their majority by Alejo Rozas (drums), with band members Juan Rozas and Alex Posada providing more of a backing role. The end result is a beautiful and relaxing track to enjoy on a Miami evening.
The video accompanying the track sees the return of double exposures and starts off with footage of the Florida Tri-Rail to then move on to Alejo singing and playing the guitar and piano. The colors of the video are soft and relaxing like the track itself, and remind one of sunset.
"After some time apart anticipation grows,driving back all night towards the dawn of a haunting en counter becomes poetry.Are they coming home to fall in on their arms again? Or is it only the craving of a hopeful dream? Love may be gold but sometimes distance brings despair." - Alejo Rosas. FACEBOOK.
'Hands On The Wheel' is a gently paced song, that is smoothly melodic and full of gorgeous vibes. The piano, vocals and remaining musical parts are perfectly in sync as the tracks restful nature spills out.
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Sunday, 25 March 2018
Trampled By Turtles - Chakra Efendi - Willie Breeding - Scratch
Trampled By Turtles - The Middle.
Background - The much-adored Minnesota sextet, Trampled By Turtles have shared their new single, ‘The Middle’, the second to be taken from their forthcoming album Life Is Good On The Open Road, due for release via Thirty Tigers on June 1, 2018 - you can listen to the new single here. After an indefinite hiatus, the band are returning with their first new album in four years following in the wake of previous Billboard-charting records which have included three No.1s on the Bluegrass and Folk charts.
Life Is Good On The Open Road is the welcome return that the group’s legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles’ body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life Is Good On The Open Road.
After 15 years of recording and performing high-energy live shows, Trampled By Turtles have built a large and loyal fanbase that fill venues in their home of the US and here in the UK. As well as touring with the likes of Hiss Gold Messenger and Deer Tick, Trampled By Turtles have performed at festivals including Bonnaroo, Coachella and Lollapalooza, and performed twice on the David Letterman show. WEBSITE, FACEBOOK.
Trampled By Turtles have a developed and beautifully crafted maturity to their music as is demonstrated ably by 'The Middle'. The bands musical competence is gorgeous and the vocals are a perfect match for the bands take on roots music, mixing Bluegrass, folk and with this track even a hint of country rock. Foot stomping and catchy as anything, this track is like a magnet pulling us towards the June album release.
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Chakra Efendi - Waste of Space.
Background - Having already amassed a dedicated following in far-reaching corners of the internet, prolific 18-year-old wunderkind Chakra Efendi shares his first official release, 'Waste of Space'. Attracting streams of 100K+ on a series of demos on SoundCloud, Chakra Efendi's uniquely forthcoming, noise-tinged brand of lo-fi pop has been steadily connecting with pockets of fans around the globe. Coming to further attention last year with a collaborative track with Memo Boy, 'Insomniac', the Brisbane based artist's characteristic sullen-yet-uplifting soundscape meets heavy-lidded lyricism in this debut, 'Waste of Space'.
"I wrote ‘Waste of Space’ during a part of my life that I was experiencing dissociation for the first time. I was completely oblivious and uneducated as to what it was that I was feeling", Chakra Efendi explains. A seldom acknowledged topic often disregarded as a symptom of approaching adulthood, the track traces "a very confusing time where my world was a constant blur of artificial people and scenarios that seemed as if they had been written as the plot for a bad sitcom."
Chakra Efendi expands to a four-piece live, consisting of Marli Smales (bass), Thomas Hobbs (guitar) and Fin Marx (drums) and in their short existence, the band have supported the likes of GUM, Crywank, Good Boy, I Know Leopard, These New South Whales and featured on bills for Gizzfest, Mountain Goat Valley Crawl and Against The Grain festivals. If a debut single wasn't exciting enough news for the young Brisbane artist, he can now add a manager to his team, in the form of Mucho Bravado's own Aisling Kissane. Garnering a reputation as a must-see live act and with more music on the way, 2018 will witness the burgeoning sonic coming-of-age of Chakra Efendi. FACEBOOK, TWITTER.
'Waste of Space' has a vibrant musical backdrop that complement Chakra Efendi's vocals as he sings his lines in an almost casual manner. Collectively the song flows with gentle hooks everywhere, and a level of interpretation that is natural and beguiling, another artist to keep an ear out for.
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Willie Breeding - Ride On.
Background - Nashville based newcomer Willie Breeding will release his debut album ‘Big Sky’ later this summer. The melodies are rich and wavy, complementing the lyrics born from a life torn between their years in New York City, and their generations in Nashville.
Following the release of ‘Prague Spring’ from it at the end of 2017 (a lonesome ballad featuring guest vocals from Caitlin Rose), now comes next single ‘Ride On’. “It’s a song making fun of myself” Willie explains. "When I first moved to Nashville, I used to go out and often when I would walk into the bar, I would walk straight through it and out the back door.
It wasn’t a conscious thing, I almost wouldn’t even remember being in the bar. Then I would have no idea where to go or what to do. Living in New York, I always loved going out by myself. Did it for years. Nashville seemed very different. So I wanted the music to sound huge, and I had this big riff. Seemed appropriate for a song making fun of myself." FACEBOOK.
A somewhat dramatic rhythm is soon joined by some wonderfully wailing guitars as 'Ride On' gets underway. The vocals are rich and enticing on this genre defying indie something song, it's addictive and demands far more attention than just a couple of listens.
--------------------------------------------------------------------------------------------------------------------------
Scratch - Newer Things / Soak.
Background - Scratch is a rock band based in New York and Perth combining diverse musical influences and comprising of Ruzbeh Irani and Avinash Lalwani.
Living thousands of miles apart hasn't stopped band mates and childhood friends, Ruz and Avi, from pursuing their dreams of making music together.
Scratch's debut album is set for release in 2018, and the duo are excited to share their creation with the world. WEBSITE, FACEBOOK.
Whilst we don't have much information on Scratch we do have two fine tracks from the band to enjoy. 'Newer Things' quietly gets underway with an understated musical arrangement and some intriguing and pleasing vocals, before eventually upping the power and developing the music into something more rocky. 'Soak' is more of a fully energised rocker from the opening chords and something of a mini epic as the piece unfolds. Pretty good to say the least, for a duo with an ocean to separate them.
--------------------------------------------------------------------------------------------------------------------------
Background - The much-adored Minnesota sextet, Trampled By Turtles have shared their new single, ‘The Middle’, the second to be taken from their forthcoming album Life Is Good On The Open Road, due for release via Thirty Tigers on June 1, 2018 - you can listen to the new single here. After an indefinite hiatus, the band are returning with their first new album in four years following in the wake of previous Billboard-charting records which have included three No.1s on the Bluegrass and Folk charts.
Life Is Good On The Open Road is the welcome return that the group’s legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles’ body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life Is Good On The Open Road.
After 15 years of recording and performing high-energy live shows, Trampled By Turtles have built a large and loyal fanbase that fill venues in their home of the US and here in the UK. As well as touring with the likes of Hiss Gold Messenger and Deer Tick, Trampled By Turtles have performed at festivals including Bonnaroo, Coachella and Lollapalooza, and performed twice on the David Letterman show. WEBSITE, FACEBOOK.
Trampled By Turtles have a developed and beautifully crafted maturity to their music as is demonstrated ably by 'The Middle'. The bands musical competence is gorgeous and the vocals are a perfect match for the bands take on roots music, mixing Bluegrass, folk and with this track even a hint of country rock. Foot stomping and catchy as anything, this track is like a magnet pulling us towards the June album release.
------------------------------------------------------------------------------------------------------------------------
Chakra Efendi - Waste of Space.
Background - Having already amassed a dedicated following in far-reaching corners of the internet, prolific 18-year-old wunderkind Chakra Efendi shares his first official release, 'Waste of Space'. Attracting streams of 100K+ on a series of demos on SoundCloud, Chakra Efendi's uniquely forthcoming, noise-tinged brand of lo-fi pop has been steadily connecting with pockets of fans around the globe. Coming to further attention last year with a collaborative track with Memo Boy, 'Insomniac', the Brisbane based artist's characteristic sullen-yet-uplifting soundscape meets heavy-lidded lyricism in this debut, 'Waste of Space'.
"I wrote ‘Waste of Space’ during a part of my life that I was experiencing dissociation for the first time. I was completely oblivious and uneducated as to what it was that I was feeling", Chakra Efendi explains. A seldom acknowledged topic often disregarded as a symptom of approaching adulthood, the track traces "a very confusing time where my world was a constant blur of artificial people and scenarios that seemed as if they had been written as the plot for a bad sitcom."
Chakra Efendi expands to a four-piece live, consisting of Marli Smales (bass), Thomas Hobbs (guitar) and Fin Marx (drums) and in their short existence, the band have supported the likes of GUM, Crywank, Good Boy, I Know Leopard, These New South Whales and featured on bills for Gizzfest, Mountain Goat Valley Crawl and Against The Grain festivals. If a debut single wasn't exciting enough news for the young Brisbane artist, he can now add a manager to his team, in the form of Mucho Bravado's own Aisling Kissane. Garnering a reputation as a must-see live act and with more music on the way, 2018 will witness the burgeoning sonic coming-of-age of Chakra Efendi. FACEBOOK, TWITTER.
'Waste of Space' has a vibrant musical backdrop that complement Chakra Efendi's vocals as he sings his lines in an almost casual manner. Collectively the song flows with gentle hooks everywhere, and a level of interpretation that is natural and beguiling, another artist to keep an ear out for.
--------------------------------------------------------------------------------------------------------------------------
Willie Breeding - Ride On.
Background - Nashville based newcomer Willie Breeding will release his debut album ‘Big Sky’ later this summer. The melodies are rich and wavy, complementing the lyrics born from a life torn between their years in New York City, and their generations in Nashville.
Following the release of ‘Prague Spring’ from it at the end of 2017 (a lonesome ballad featuring guest vocals from Caitlin Rose), now comes next single ‘Ride On’. “It’s a song making fun of myself” Willie explains. "When I first moved to Nashville, I used to go out and often when I would walk into the bar, I would walk straight through it and out the back door.
It wasn’t a conscious thing, I almost wouldn’t even remember being in the bar. Then I would have no idea where to go or what to do. Living in New York, I always loved going out by myself. Did it for years. Nashville seemed very different. So I wanted the music to sound huge, and I had this big riff. Seemed appropriate for a song making fun of myself." FACEBOOK.
A somewhat dramatic rhythm is soon joined by some wonderfully wailing guitars as 'Ride On' gets underway. The vocals are rich and enticing on this genre defying indie something song, it's addictive and demands far more attention than just a couple of listens.
--------------------------------------------------------------------------------------------------------------------------
Scratch - Newer Things / Soak.
Background - Scratch is a rock band based in New York and Perth combining diverse musical influences and comprising of Ruzbeh Irani and Avinash Lalwani.
Living thousands of miles apart hasn't stopped band mates and childhood friends, Ruz and Avi, from pursuing their dreams of making music together.
Scratch's debut album is set for release in 2018, and the duo are excited to share their creation with the world. WEBSITE, FACEBOOK.
Whilst we don't have much information on Scratch we do have two fine tracks from the band to enjoy. 'Newer Things' quietly gets underway with an understated musical arrangement and some intriguing and pleasing vocals, before eventually upping the power and developing the music into something more rocky. 'Soak' is more of a fully energised rocker from the opening chords and something of a mini epic as the piece unfolds. Pretty good to say the least, for a duo with an ocean to separate them.
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