Laddermen - Pam Setser (Featuring The Isaacs) - El Misti - Someone - Wy

Laddermen - Welcome to the 20's.

Two weeks after the release of their second single «Welcome to the 20’s», the band Laddermen (CH/US) delivers the accompanying video clip.

In February, Laddermen from Lucerne emerged on the Swiss indie scene with their debut single 'The Huntress Obeyed' and generated radio airplay beginning throughout Europe, finding a home in central America and reuniting with its roots in the States - guitarist and singer Leopold Oakes moved to Switzerland from Texas just a few years ago.

Laddermen will release their debut album later this year. Their haunting songwriting and deep dramaturgy, for which they draw inspiration from English bands, should splash the indie scene with another palette of colour.

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Pam Setser (Featuring The Isaacs) - Neighbors.

Neighbors, is a song that says so much about my life. The lyrics are not just a reference to people who live near you or in your community, but how we relate to each other in general.

I was fortunate to grow up singing in a family band, "The Simmons Family." We sang at our local courthouse and traveled many places to promote our small town, Mountain View, Arkansas. All of these experiences were wonderful, but my best memories are of neighbors from near and far coming to our house for what we call "pickins."

Many great friends and musicians enjoyed many hours of music. Also, on occasion, a delicious breakfast was prepared early morning by my mom. Charley Sandage became one of those neighbors and wrote this song for my family in 1975. "Neighbors"  has been recorded by The Simmons Family, The Grandpa Jones Family, Harmony, Joe Mullins, and the Radio Ramblers and most recently on my new album, Pam Setser, Now.

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El Misti - Don’t Ya Love Democracy.

‘Don’t Ya Love Democracy!’ is the first single from ‘All is Lost’, El Misti’s second album in as many years. Encapsulating frustration and concern for the expanding control in every aspect of life. An anti-imperialist boogie, a song of its time.

After last year’s eponymous debut, El Misti return with their second album in 2021. Despite turbulent times and ever-changing circumstances, ‘All is Lost’ marks a striking development in their sound and musicality. However, before this epic LP gets its full release this summer, the Liverpool/Cheshire band have offered up their first single entitled ‘Don’t Ya Love Democracy!’ which comes with a steady flow of insightful instigations towards an unbalanced centralization of power throughout the lands.

Singer and songwriter of the group Paddy Bleakley, gloriously throws up a catchy chorus reminiscent of The Doors and Dylan in full late 60s Vietnam style protestations, “Tongue tied, I will be no longer, Tonight, I will bring your house down, Freeride, You won’t get from me, Because I’m already sick and tired of the way things are.”

The verses are acerbic and full of venom for a world gone insane over the course of the past twelve months, but its beautifully disguised in a bluesy romp which allows great enjoyment on whichever level you choose to focus on.

Of the new album Paddy explains, “Completing a record is never an easy road, especially as directionless as everything seems to be right now, but the affinity and trust of this group of experienced, adventurous, and independently minded musicians was enough to anchor it through to its conclusion.”

El Misti · Don’t Ya Love Democracy

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Someone - Strange World.

Someone is the work of Dutch/British musician, producer, and visual artist Tessa Rose Jackson, a purveyor of abstract stage visuals and psychedelic pop music, with a soul and voice as  light as Air, as fragile as Feist, as deep as Nick Drake and as future-psych as Tame Impala.

Strange World is the first single to be taken from Someone’s velvet lined, cinematic debut album Shapeshifter (coming late 2021), a record that is intimate and immersive but also richly layered and uplifting. Written during lockdown it conveys the strange often surreal feeling of a life suspended.

Strange World, the alluring dream-state beauty that is the album’s first single, explores the paralyzing realisation that we cannot control life, nor predict an outcome. Born as a simple bass melody with a melancholy that conjured up a sadness of time passed;  the song grew to touch on the bitter-sweet escapism of daydreams where the warm security of nostalgia contrasts with our uncertain future. As Someone explains:

“I couldn’t stop playing it and in my mind the image started to form of a vast outstretched beach. Deserted, but for one person. This is her place; this is where she keeps returning to. But it’s not real. And so the story started to take shape. The song is about stepping back into an old, fond memory. And though it welcomes you in every time, the more you revisit it, the more you begin to realize how much things have changed. It becomes a reminder that nothing is constant, not even you.”
 
Strange World’s video was shot in London during lockdown by director David Spearing alongside Someone who joined the crew via video call. Inspired by their mutual love of musicals, the video uses dance to subtly reference our current isolation. As Someone explains:
 
“The idea was to create a video about a young woman who uses her imagination to evoke magic in the world around her in a situation that could very easily become numbing.”
 
Strange World is visually and sonically an exploration of the human mind’s ability to imagine and transport itself out of a bleak present and, ultimately, it’s about the importance of “staying positive and staying playful.”

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Pic - Larnia Karic

Wy - Marriage (Album).

Wy are a band strongest at their most vulnerable. The Malmö indie duo, Ebba and Michel Gustafsson Ågren, have showcased their musical skills across two albums, 2017’s Okay and 2019’s Softie which gained them recognition from KEXP, Line of Best Fit, NBHAP, Tonspion, CLASH and more as well as tours in Germany, Scandinavia and the UK. But what makes them stand out as a band is the raw, brutal emotion they capture in their music.

A Wy song at their best sounds like opening it all up, and letting the feelings flow where they will, letting the pain, anger, fear, hope and love steer the song. Those emotions are spun into the band’s skyscaping, cinematic sound, and turned into music that has a force behind it, a power that hits you, even when it's at its softest. And that power that illuminates the band’s songs is more present than ever on their new album Marriage which is out now.

Marriage is the first record since signing to Rama Lama Records (Melby, Steve Buscemi's Dreamy Eyes, Chez Ali etc.) and the sound of Wy moving forward and backwards at once. Leaving the more produced style of last album Softie behind, it turns to the simpler sound of their earlier work for music that’s rawer and sharper. On both the indie-rock and the pop songs of this album, there’s less between the listener and the heart of the song - this is music that’s very direct, both in theme and sound, with melodies that hit cleanly and leave nothing even trying to hide. It’s the work of a band that have grown into themselves and what they do, and making the strongest songs of their career.

That album, in a way, begins with a wedding. Ebba and Michel have been together since their schooldays, but a couple of years ago they tied the knot. The songs on Marriage have all been made since their wedding, and so in that sense the timing made it a natural title for a record that’s something of a scrapbook from the first two years of that marriage. But there’s also a deeper sense to it. Both in sound and theme, Marriage is more of a conceptual record than their earlier work. Ebba writes the band’s lyrics, and on the previous albums her themes were specific to her. But on this album, their relationship is at the heart of the songs. The lyrics have come from the experiences they’ve shared together, which they’ve then worked together into what they want to say, to each other and to everyone else.  “I have always written the lyrics”, says Ebba. “But this time they feel like our lyrics, and not just my diary set to our music. We've talked a lot with each other about what we want to say. About who we are and where we can find our place in the world. The title has been in place since we started, and that was because a lot of the songs revolved around our relationship since we got married. Not so much the relationship between us, but more about the internal conflicts that appear when you’re in a long-term, safe relationship, where you’re really sure about each other, but you’re not sure about yourself”.

The journey to the record has been a difficult one. The band started work on Marriage not intending to make an album. They went into the studio with the idea of making an EP, wrote some songs, but couldn’t quite nail what they were going for - the songs didn’t quite feel right together. So they went into overdrive, wrote a bunch more songs, and suddenly found themselves with over 20, and within those 20 what they realised was an album.

Rama Lama Records · Wy - Marriage

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Dizzy - The Quilter - Kelly McMichael - Los Lobos - ELUNIA

Dizzy - Sunflower, Are You There? (Feat. Kevin Garrett).

Following their recent JUNO Award nomination for Alternative Album of the Year, Dizzy are excited to release their new single "Sunflower, Are You There?" featuring Kevin Garrett. The new track is the second offering from a forthcoming collaborations EP titled Separate Places.  The EP will be released by Royal Mountain Records and Communion Records on 11th June, and features recent single "The Bird Behind The Drapes" featuring Luna Li.

The Separate Places EP sees the Oshawa four-piece reimagine some of the standout tracks from their second album, 2020’s The Sun and Her Scorch. Each track features a different guest artist: "Sunflower, Are You There?" is a reworking of the album’s lead single "Sunflower", now featuring Grammy-nominated musician Kevin Garrett, known for his work on Beyoncé’s Lemonade.

On the collaboration, vocalist Katie Munshaw explains, "We opened up for Kevin back before we had released any music as a band. I remember looking up to him as someone our age touring, writing perfect songs and just doing the damn thing so well. Having his seal of approval on "Sunflower", a song about self-doubt, felt very full circle."

Upon its release, The Sun and Her Scorch album was praised for its “lyricism paired with their dreamy indie-pop sound” (MTV) and its candid exploration of the messiest, most raw emotions young people experience in the modern age. “I wanted to be completely honest about the things nobody ever wants to admit, like being jealous of your friends or pushing away the people who love you,” frontwoman Katie Munshaw says. “So instead of being about romantic heartbreak, it’s really about self-heartbreak.” The Sun and Her Scorch has been nominated for Best Alternative Album at the Juno Awards, a feat previously achieved by the likes of Arcade Fire - and Dizzy themselves, for their 2018 debut Baby Teeth.

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The Quilter - The Long Weekend.

The Quilter is Glasgow native Stuart Dougan, who having previously made an impact on the Scottish indie scene with notable projects French Wives and Smash Williams, returns entirely on his own terms - writing everything himself and recording most of the project alone. Set to release his debut EP in June, setting a high standard for what is to come, latest single ‘The Long Weekend’ (May 7) is the quilters most anthemic indie pop tune yet.

‘Bolt The Door’ EP is a collection of bold alt-pop songs, some of which were made before the pandemic and others that were written during the initial lockdown. This EP follows on from 2020’s immersive, cinematic visual record Dark Cloud/Grey Area, equal parts documentary film, live concert and album. Currently being considered for various film festivals for 2021.

Inspiring the same sense magnitude and euphoric nostalgia as Phoenix or Arcade Fire, ‘The Long Weekend’ is a driving anthemic slice of alternative indie-pop. Bold and colourful textures and melodies drive the track euphorically forward. A love letter to ordinariness pre-pandemic days, The Quilter makes one ache to share our lives with our friends again, to sit on the grass and bask in sunlight, stand shoulder to shoulder in the face of live music, just to spend a long weekend in the company of other humans - we’re all ‘patiently waiting for nothing particular, the mundane’s incredible now that it’s simpler’.

For The Quilter, ‘this song was in part inspired by a viral clip I saw from the set of ‘Uncut Gems’ where the crew had finished filming and were all dancing to ‘I Feel It Coming’ by The Weeknd.  It was just a short clip but I wanted to try and capture the palpable sense of joy that was clearly being felt at the time.  It was written during lockdown and is basically a love letter to my friends and daydreaming about getting to hang out and have fun in a post pandemic world.  I’m very aware that it’s bombastic and over the top in places but I wanted to purposely try and capture a sense of hopeful euphoria that one day, not too far from here, you’ll get to hug all your friends again.’

The Quilter · 1. The Long Weekend

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Kelly McMichael - Stepping Stone.

Kelly McMichael (from Peterborough ON, based in St. John’s NL), is known for her commanding vocals and stage presence as well as her classic-sounding songwriting. She has a unique ability to conduct powerful musical forces whether making bedroom beats, rocking a Gibson SG or serenading softly on the piano. Kelly has toured Canada, the UK and the US with various projects, most recently keys and vocals with Sarah Harmer. 

She has fronted Renders, Thelma & Louise, Kelly McMichael and The Gloss and Rouge, and as a collaborator Kelly has performed with Regina Gently (and alter ego Gentleman Reg), Allie X, Richard Laviolette, Terra Lightfoot, The Hidden Cameras, John, Claire Whitehead and Geordie Gordon (Islands, US Girls).

The first two singles from Kelly McMichael’s debut full-length album Waves display a wide range of rock sounds and mark a transition from her electronic based project RENDERS. It has taken years to find the right circumstances to bring these arrangements to life, and she finally found them by the ocean with the support of engineer, co-producer and drummer Jake Nicoll (The Burning Hell), and multi-instrumentalists Maria Peddle and Sarah Harris (Property) from St John’s. Kelly is keeping busy with musical explorations on the island, sharing little treats in the form of piano covers, vocal looping arrangements and other musical explorations until touring the album becomes a possibility.

Kelly McMichael / RENDERS · Stepping Stone (singe,wav)

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Los Lobos - Love Special Delivery.

Los Lobos will return with Native Sons on July 30th via New West Records. The 13-song set was produced by Los Lobos in East Los Angeles and finds the band mapping their musical DNA as a kaleidoscopic selection of tribute songs from their homeland, ultimately creating a crucial snapshot of L.A.’s musical heritage. Having formed in 1973 and gotten their start playing spirited renditions of Mexican folk music at parties and in restaurants, Los Lobos are no strangers to reinterpretation (and if you’ve ever been to one of their legendary live shows, you already know that). These brothers have always held a deep appreciation for diverse music, and they love pulling out old gems and making them shine like new.

For all the trailblazing musical acts who’ve emerged from Los Angeles, very few embody the city’s wildly eclectic spirit more wholeheartedly than Los Lobos. Over the last five decades, the East L.A.-bred band has made an indelible mark on music history by exploring an enormous diversity of genres—rock-and-roll and R&B, surf music and soul, mariachi and música norteña, punk rock and country—and building a boldly unpredictable sound all their own.

In a nod to their neighborhood, Native Sons opens with the wide-eyed frenzy of “Love Special Delivery” by Thee Midniters, an East L.A. garage band and one of the first Chicano rock groups to ever score a major hit in the U.S. From there, it features favorites and deep cuts by other Los Angeles luminaries such as the Beach Boys, WAR, Buffalo Springfield, Jackson Browne, and more. In a particularly meaningful moment for the band, Native Sons includes a fiery cover of “Flat Top Joint” by the Blasters, the seminal L.A. roots-rock band who helped pave the way for their signing to Slash Records in the early ’80s (and whom counted Steve Berlin as a member before his joining Los Lobos). The album’s title track is its sole original song, a loving homage to Los Angeles that sounds right at home amid so many classic tracks.

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ELUNIA - Pressure Points.

When reality became too much, ELUNIA created an alternative existence. A singer-songwriter-producer executing all of her own visuals, the New Hampshire-based recording artist captures the endless meaning of human interaction as an immersive experience. Her music delves beneath the surface, with striking electronic textures, soaring melodies, and observant, probing lyrics.

Although trained in music from an early age, it was the discovery of transforming feelings into creative entities that inspired the emerging songsmith to chart a different path. The multi-instrumentalist began writing and producing incessantly, hiding away in school practice rooms as a coping mechanism for the isolation she faced in the world around her. Fragments of thought noted in the midst of heart-wrenching moments evolved into ethereal, liquid atmospheres. Co-producing with multi-million streamed producer JMAC (Haux, Luz), the result is a flood of wild self-expression channelled through cinematic soundscapes.

Her latest release “Pressure Points” speaks of idolizing someone through a struggle with mental health and the fear of losing them. ELUNIA describes, “It's not like someone is outright saving you, but more that they're just existing in the right places and the right ways, and it's really subtle, but that makes it all the more powerful.”

ELUNIA is inspired by unique sonics that push boundaries, alongside currents of inexplicably raw, human emotions. The genre-bending, alt-pop essence radiates through her music, with the introspective single oozing in intimacy and vulnerability. “Pressure Points” features cries of hazy guitar falls and atmospheric keys, all shimmering with authenticity. The mellow track includes original voice memos with birdsong floating in the background, resulting in a hypnotic and peaceful delivery and ultimately giving listeners a moment to breathe and appreciate our inner strength.

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Lizzie Loveless - Sara Bug - Blurry The Explorer

Lizzie Loveless - Loveless.

We have a beautiful new single and album from Egghunt's latest signing Lizzie Loveless, AKA Lizzie Lieberson of beloved indie-pop group TEEN.

Lizzie's songwriting feels sophisticated and refined to me in a way that reflects her years of experience in music, but without sacrificing any emotional directness. Her songs have a momentum that I find intoxicating, something you can hear in particular on "The Joke" or "Loveless" - enhanced by a rhythmic delivery and attention to words that sets her style apart from a lot of her peers. And of course, there are hooks for days. I was pretty tempted to list the whole album under "recommended tracks."

For Lizzie Lieberson, writing a song is an act of letting go. As Lizzie Loveless, the New York-based artist weaves together her experiences on the road as a touring musician, ruminates on her past relationships and offers an optimistic reprieve for the future. As a member of TEEN alongside her sisters, from 2010-2019, Lieberson has taken the past couple of years to get to know herself again. Debut solo full-length You Don’t Know marks a new beginning for the songwriter: an exhale after the transition of everything she once knew and a warm, yet poignant goodbye to the past.

Over the last five years, Lieberson has been quietly piecing together ideas and compositions for You Don’t Know, writing in-between her hectic TEEN schedule, whether it was in an old apartment in NYC, under the watchful gaze of the redwoods in California or immersed in the stunning natural beauty of her hometown in Halifax, Nova Scotia. While the record comes with the heaviness of heartache, there’s a cathartic charge under a blanket of electronic soundscapes that allow Lieberson’s meditations to manifest with a hopeful flourish.

 

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Sara Bug - Back In Nashville.

"I set out to write a cheesy country song and I did, but Back in Nashville is for someone really special to me. But every time, it gets harder to go back to Nashville alone because truth be told I hate living in the city.

Back in Nashville is kind of about hating Nashville. It’s also about someone who’s really special to me who lives far away. Every time we see each other it gets harder to go back to Nashville alone."

The ten songs on Sara Bug’s forthcoming self-titled debut album were not meant to be shared. A culmination of seven years of her life, these songs were journal entries that reckoned with defining herself. Growing up in New Orleans, Bug imagined herself to be a successful songwriter. “I was so deep in the music. ‘Oh, I'm going to be a famous musician. When I get out of high school, that's what I'm going to do. I'm going to go have a career in music,’” she explains. “I think I held on to that for so long, I had finally kind of let go, like that pressure. Now it was just fun.” This eponymous project embodies Bug’s journey away from the expectations of others and her younger self, allowing her creative freedom.

Sara Bug opens with a lush, symphonic ballad about desire. “My whole life through, I want to die with you,” she sings tenderly on “Die With You.” Romantic and a bit morbid, Bug opens with the oldest song on the album and takes us to that time when the urgency of her happiness began pushing against the pressure of others’ approval. It's easy to get lost in the dreamy guitar strums and sturdy bass lines, Bug’s voice sharp and clear against the country-psych rock combination. 

A close listen reveals that Bug is letting the listener into the most poignant moments of the past years with sincerity and ease. She takes us on reflective motorcycle rides, whether literal or desired, for “Rosebank” and “Ride On Sundys.” She details the loss of a family member and a trip back home from her then-residence in New York on “Lotta Pride.” Inspired by the detailed storytelling of Dolly Parton and Neil Young, Bug leads across state lines and along her timeline of personal growth with unconventional, vivid song structures.

 

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Blurry The Explorer - Yoru Ni Yuku (feat. Tenniscoats).

Introducing Blurry The Explorer--a fearless new project lead by the experimental composer, drummer, photographer, and world-traveler Jeremy Gustin with Ryan Dugre (guitar), Ricardo Dias Gomes (bass, synth, vocal), Leo Abrahams (guitar), and their collaborators: Tenniscoats, Brian Eno, Kalmia Traver (Rubblebucket), Sarah Pedinotti (LIP TALK), CJ Carminieri (Ymusic, Sufjan Stevens), Fiona Forte, and more.

On June 18, Blurry The Explorer will release their debut, self-titled album--a playful, shape-shifting record inspired by gut feelings, miraculous experiences, and unbelievable coincidences. The soundscapes on the album bounce around each song's unique sound-world with great ease, modestly showing off this group of diverse musicians' talents while giving modernized poetic nods to their influences.

Blurry The Explorer have shared their debut single, "Yoru Ni Yuku," featuring the inimitable Tenniscoats on vocals and saxophone. Gustin describes the track as "A James Bond song that never was and never will be.” The single arrives with a video (created by Gustin) that was made by sifting through and editing together archived science and medical films from the 1940s.

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Dorothea Paas - The Backstays - Izzy Gazelle

Photo - Miriam Paas

Dorothea Paas - Waves Rising.

Toronto’s Dorothea Paas is today sharing her new single, "Waves Rising", coming just ahead of her debut album, Anything Can't Happen which is out this Friday, May 7 via Telephone Explosion.

The record was put together between Hamilton, ON and Toronto with mixing duties helmed by Max Turnbull (Badge Èpoque, U.S. Girls) and Steve Chahley whilst taking in members of Little Kid and Robin of Bernice. Over the last decade or so, Paas has worked with a number of Toronto-based projects, cementing herself as something of a stalwart in the city – these include (but are in no way limited to) U.S. Girls, Jennifer Castle, Badge Èpoque Ensemble and more.

Anything Can't Happen arrives from Doro's own push/pull relationship with the church, Paas initially felt uncomfortable about religion's utilising of music to control people and their emotions – now, however, Paas wants to tap into that idea, questioning the power and ability that music has to cause transcendence.

I find her way with lyrics to be pretty compelling, offering these fairy straight forward observations but embedding them with this universal wisdom which to me feels quite a feat given it's only her debut record – there's a lot more depth to this than the debut would necessarily suggest.

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The Backstays - Forever Gold Bricks.

"When the pieces first came together, it was about trying to escape but never being able to move on; like chasing after something intangible,” said The Backstays’ Serenna Chapman of single ‘Forever Gold Bricks.’ “I'd say this is a cautionary tale about how running away, towards empty, superficial things ultimately never works."

That push and pull mark the defining faultline of Tributaries, The Backstays’ debut album (released 05/01). A meeting point between heartland rock songwriting and darker, atmospheric indie rock, Tributaries sees the band experimenting with a more expansive sound that equally evokes new wave and post-punk.

"’Forever Gold Bricks’ is meant to be part of the ebb and flow of the album,” said The Backstays’ Pete Johnston (he/him). “Because so much of making this record was us learning how to fit these different sonic elements together, we wanted to take each song somewhere new, to see what sounds lent themselves to different stories."

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Izzy Gazelle - DOWN.

Emerging artist, Izzy Gazelle makes her way onto the rock scene with raw passion. Her new single “DOWN” is determined to cut out all the unnecessary noise. The hard-hitting track is released today May 4 on music streaming platforms.

Written and produced by Izzy, “DOWN” was inspired by the current sociopolitical climate. She says, “I think we're in a place in history where we have an abundance of information, some of which can be misleading around political or social justice issues and so I want this song to promote the idea of standing up for one’s self and staying curious about the facts and truths as opposed to being mere consumers of information." Her vocals are raw and reinforce her message with urgency, singing “Do you wanna get on your knees?... Don't you let me down,” amping up the bass and rhythmic riffs on the drums. She’s made the choices clear—fall at the mercy of deception or stand against it.

Izzy Gazelle is an artist based in Boston, Massachusetts. She describes her sound as a combination of raw rock & roll and blues with extra sauce. She cites Howlin’ Wolf, Tina Turner, Led Zeppelin, James Brown, Queens of the Stone Age, Bad Brains, and Jimi Hendrix among her influences. Izzy kick-started her music career in 2019 with a vibey stripped-down psychedelic rock cover of Post Malone’s “Sunflower”. She followed up with a dramatic slow-building, thought-provoking “sleep tonight” single in the wake of George Floyd protests and social injustice in 2020.  A modern DIY artist, she writes and produces to fully establish her vision. She is currently writing new material.

“To me, it’s about making good noise and bringing good vibes— the good, the bad, and the ugly even when it makes us uncomfortable.” says Izzy.

Izzy Gazelle · DOWN

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BOI - Frecko - Women In Song

BOI - Cael Chdi Nôl.

New Welsh outfit 'BOI' have announced their highly anticipated debut album entitled 'Coron O Chwinc' which will be released on the 25th June via new Welsh label Recordiau Crwn. The first single from the album is 'Cael Chdi Nol.'

'BOI' create a big, melodic, unapologetically drum and guitar driven sound, with lyrics and melodies that explore the big issues of our times and the human state. These 10 songs off “Coron O Chwinc” were recorded in various spaces around Wales, and were then mixed in the capable hands of Dafydd Ieuan (Super Furry Animals)

Band Members are: Keyboards/Allweddellau - Osian Gwynedd, Lead Vocals/Canwr - Rhodri Siôn, Guitar/Gitâr - Ifan Emlyn, Bass/Gitâr Fas - Heledd Mair Watkins, Drums/Drymiau - Dafydd Owen.

Osian Gwynedd and Rhodri Siôn were members of Beganifs/Big Leaves for 15 years and more, and recorded several albums and EPs under various labels, with their hits including Seithenyn, Meillionen, Cwcwll and many more. The group gained huge success in Wales during the 1990 and 2000s and performed throughout the UK and further afield with bands such as Catatonia and Super Furry Animals. Their English-language single Racing Birds was Single of the Week on Mark and Lard’s Radio 1 show.

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Frecko - The Note.

Somewhere deep within the diverse collective of alt country music lies the story telling cadence of Frecko.

Inspired by the romance of Australian story, Jason and Jack Freckelton, create music that celebrates the simple moments in life including love, loss and everything in between.

“The Note” is the fourth single lifted from their second album due for release later this year and takes us straight to the scene of the crime. Jangled guitar riffs and shuffling drumbeats set the mood for a song about love, revenge and consequence.

Produced by Golden Guitar winner, Lachlan Bryan and co-conspirator, Damien Cafarella - “The Note” - plays on the tension of the scene and showcases the band’s trademark dark humour. Frecko’s new single, “The Note”, is out now.

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Women In Song - But I Knew Her When.

All-female Blind River, ON-based singer/songwriter trio Women in Song reflect on the hopes and dreams of their parents who have suffered from, and eventually and sadly succumbed to Alzheimer’s Disease in this, their new single,  ”But I Knew Her When” — available now.

The touching and ethereal song is the latest to land from the Ontario-based all-female group’s debut LP, Life of a Woman. “But I Knew Her When” is a prime example of what to expect from Women in Song…

It takes chunks of inspiration from the likes of folk, pop and country music and fuses them all together into something beautiful, and features an astonishing progression of chorus-heavy chords on the acoustic guitar, the soothing melody of an airy violin, and the beautiful, yet haunting vocal harmonies of singers Lois O'Hanley-Jones, Debbie Rivard and Patty Dunlop. Women in Song are based out of the small town of Blind River, ON — just off the North Shore of Lake Huron — and began performing together over 20 years ago after a conversation at the kitchen table.

Though the tightly-knit troupe has been together for more than two decades, Life of a Woman serves as their premiere studio album. The record was released in mid-January, and inspired by the ladies’ respective families, friends and fans — from near and far. The concept of the 13-track album, according to the talented musicians, is the “reflection of the reality of our lives.”

“It speaks to women having a career and a family, having arguments with their children, having our children leave home and ultimately that we are good enough,” the trio revealed. “Our album is a perfect homage to women — to the Life of a Woman — as the title suggests.” Along with the rest of the album, “But I Knew Her When” was written, recorded, and produced in Blind River at the local Riverview Studios. The ladies like to call the charming hamlet the “Nashville of the North.”

Succinctly describing what they’re all about, the group called Women in Song a “musical experience that aims to delight your musical sensibilities and tickle your funny bone.” “We are fortunate that not only are we musically compatible but we are good friends. Every rehearsal contains tears and laughter,” the ladies concluded.

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Go Analog - Eric Bazilian

Go Analog - Wait.

Columbus Ohio's Go Analog dropped the official video for the song "Wait" from last year's Moonlight Gram today. In addition to the video the EP is also officially available on vinyl as of now!

Go Analog is back with a new EP recorded at the Oxide Shed in Athens, Ohio with producer/ engineer Eddie Ashworth (Sublime). The four piece band has been a mainstay in the Midwest for over a decade, but has not released any new songs in years. 

The songs for Moonlight Gram began to come together during a few stripped down jam sessions following a time when the band had not even hung out let alone played together for nearly a year. As the lyrics came and the sonics of the songs began to fill out, they knew they had to get back into the studio and lay them down.

Over five days Moonlight Gram was recorded with Ashworth helping them see their vision to fruition. The resulting EP is a wonderful throwback to early to mid 90s indie rock. With a guitar driven sound surrounding Eric Croft’s vocals the songs take on relationships both past and present, the situation the world finds itself in, and a bit of self awareness that only time passing can create. All of this wrapped in away that only good rock n roll can.

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Eric Bazilian - Back In The 80s.

Grammy nominated singer/songwriter/multi-instrumentalist and founding member of The Hooters, Eric Bazilian, is set to release his fifth and final single prior to the release of his long-awaited new album Bazilian.  Titled “Back In The 80s,” the song may at first seem like a glorified look back on a very successful time (the heyday of The Hooters)—a simple nostalgic ode in a time of isolation. The melodic, yet measured pop track is in fact an ode to appreciating all that life has to offer, the highs and lows and of being in the moment.  

The wry, quirky video conceived and directed by Max Tellving provides the perfect backdrop to the track as it takes old tymey imagery and turns it on its head to encompass a much wider perspective than anticipated.  Bazilian produced and mixed the track and plays guitars, bass, keyboards and mandola.  The Hooters’ David Uosikkinen provided drums from his home in Philadelphia and Steve Churchyard (formerly of Air Studios in London), provided help with the mixing. “Back In The 80s” was released on April 30 and the new album will be available May 14.

Says Bazilian: “I did a podcast with a Medium last spring. She told me that my father had a message ‘from the other side’-- that there was a song I’d given up on that I needed to finish. I wrote the chorus to ‘Back In The 80s’ the next day, and, with some help from James Bourne of the legendary British band Busted, I wrote the third verse a couple of days later. As glorified as that decade has been (and as kind as it was to me and my band, The Hooters), I feel no more sentimental attachment to it than I do to any of the other decades that gave us great music. If anything, the song is about appreciating the time we live in for all its beauty as well as its faults and frailties.

The video was conceived, directed, shot, and edited by Max Tellving in Sweden, the same person who has done many of my earlier videos such as ‘One Light,’ and ‘Happy Birthday’ (with James Bourne). His concept was to set the video in the 1880s (or 1780s) rather than the expected 1980s, but to include several timely visual ‘Easter eggs.’ We shot the video in my wife’s home town of Järvsö, four hours north of Stockholm, in the summer of 2020.”

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Belle Tower - Annie Keating - Sunshine & the Blue Moon - Bayleigh Cheek

Belle Tower - Fear.

Belle Tower is the lo-fi indie folk rock project of Isabella Harned, found at the intersection of life experience in Tiohtià:ke/Montreal and Xwilkway/Halfmoon Bay. 

Isolation, solitude, pain, love and healing are key themes at the heart of Belle Tower’s collection; songs that are heavy in their vulnerability, but that simultaneously carry you weightless through the processing of emotions. 

With contributions from main collaborators Ben Robertson (Winona Forever, Schwey), Scott Boudreau (Mauno), and strings from Audreanne Fillion (Lovelet, Crusssh), Belle Tower showcases ethereal vocals, dreamy guitar lines, and varied layered instrumentation resounding a sonic lightness in the new EP ‘tend to’, which was out April 27th, 2021.

Belle Tower · Fear

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Annie Keating - Kindred Spirit.

"Kindred Spirit," the first single from songcrafter Annie Keating's forthcoming album (Bristol County Tides).

The song is about finding commonality in our humanity and brokenness; the narrator is speaking about someone that has become a special part of the narrator's life, acknowledging that life's experiences have shaped the narrator and the narrator's friend, and finding the common threads of hardship that make the bond formed between them even stronger.

Annie's new LP, Bristol County Tides (out on June 4th), pays tribute to relationships forged in difficult times - Annie, who lives in Brooklyn, relocated herself and her children to coastal Massachusetts to wait out the pandemic.

She was treated with kindness and compassion and inclusion by her new neighbors, her city-raised children became country kids, learning to fish and all of that fun stuff, and she was able to write for the first time in a while. This album tells the stories of the love given and friendships forged in the middle of major hardship and pays homage to the people who embraced her and welcomed her family with open arms.

AnnieKeatingNYC · Kindred Spirit

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Sunshine & the Blue Moon - Good Morning Sunshine.

"Good Morning Sunshine" was inspired by dreary hazy mornings, when you wake up and don't want to do the things you’re supposed to do, with your mind more prone to wander.

Recorded live off the floor in Toronto, it's from our rock n roll-inspired sophomore album, Born 2 Boogie, which will be released on June 25 as we try to make sense of the human experience following our collective anxiety in this uneasy state of the world.

It's important to find time to unwind. The Dutch even have a word for it, niksen, the concept of doing nothing. It's supposed to be a stress reliever.

Let's remember that we're all in the same boat. Different lived experiences, but we all share those introspective humdrum days.

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Bayleigh Cheek - Release Me.

Dallas native Bayleigh Cheek began her love affair with music at an early age thanks to her immersive upbringing. Both parents were in the music scene, exposing her to a variety of sounds ranging from psychedelic and folk to progressive rock and new wave. 

Some of her personal music influences include Patti Smith, P.J. Harvey, Radiohead, and Angel Olsen. Those influences led to the creation of her EP, Immortals, that was self-released in early 2020 which brought her DOMA nominations for Best New Artist and Best EP.

In early 2021, she signed with Red Zeppelin Records, which will re-release Immortals as well as her debut album which is set for release in early 2022.

Cheek has frequently performed venues such as The Kessler Theatre, House of Blues, Three Links, opening for acts including Matthew Sweet, and Dallas natives Medicine Man Revival playing consistently for the past five years.

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Climbing Trees - Michael Lane - Bethany Ferrie - Hunter Sheridan

Climbing Trees - Troubling Times.

With two critically-acclaimed albums, one EP and five singles under their collective belts, Welsh Music Prize-nominated Cymrucana pioneers Climbing Trees return this spring after three years of hibernation with brand new single Troubling Times.  Released via Staylittle Music and distributed by The Orchard and PYST.

Recorded in isolation at Mwnci Studios in Hebron, Carmarthenshire – the setting for the band’s critically-acclaimed albums Hebron and Borders – Troubling Times marks the Trees’ first studio material since 2018’s Borders: Acoustic B Sides EP, released at the end of an eventful few years which included shows in the UK, Europe and USA alongside numerous television, radio and festival appearances, a live session at London’s iconic Maida Vale Studios and a performance with the BBC National Orchestra of Wales.

As the band’s frontman Matthew Frederick remarks; ‘We decided to take a year off in 2018 to spend a little time on our various solo and side projects.  Before we knew it, two years had passed, then three, and a whole lot has happened in the world in that time.  We didn’t want to come back until we had something to say, and, more importantly, a good song to say it with, and Troubling Times certainly feels timely in that sense.  We’ve really enjoyed making music as Climbing Trees again, and we can’t wait to get back out on stage in front of the Trees fans, whenever that may be…’

Climbing Trees · Troubling Times

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Michael Lane - Good Times.

Michael Lane releases the happy upbeat indie folk single "Good Times" on April 30th. Although 'Good Times’ is a very upbeat and happy song, it still has a more serious and deeper meaning. Without getting too much into it, in the song I’m basically saying that, just because you surround yourself with a new house or nice car, doesn’t mean it will give you more happiness in the long run.“ Michael Lane explains. If there is a modern folk-pop artist who has seen the harsh realities in life, it is Michael Lane himself. 

As a US soldier in his twenties, sent to Iraq and Afghanistan, Michael was forced to live at cruelty. And if his previous albums were like a kind of musical diary in which these experiences were reflected, Michael Lane's regained ease and joy can clearly be seen in Good Times“. 

The song is a message of hope and positive certainty that a time of crisis will lead people back to the important things. Successes such as two top 50 songs in the German charts, four albums, international tours and the single "Liberty" as the official song of the 2015/2016 Four Hills Tournament, Europe’s biggest international ski jump event, have made the German-American known to the public. In addition to his work as a musician, Michael Lane is currently also active as a songwriter for production music and as a music producer in his remote "Studio Waldblick“.

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Bethany Ferrie - Bones.

Bethany Ferrie, a 23-year-old singer/songwriter from Glasgow who has recently been shortlisted for the BBC Radio Scotland Singer/Songwriter Award and signed her first publishing contract in 2020, releases her new single, Bones, on the 30th of April 2021.

The track, written in the midst of lockdowns and an upturned world, is about reminiscing, letting go and opening up.

Bethany takes a wide range of influences when it comes to crafting her music: from the likes of Fleetwood Mac to Lewis Capaldi, Kings of Leon to Taylor Swift.

Bethany Ferrie · BETHANY FERRIE - Bones

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Hunter Sheridan - To You, My Friend.

Hunter Sheridan is a Canadian musician whose music delivers soulful songwriting with warm melodies that weave a euphoric atmosphere. Hunter’s writing highlights honest lyrics and dynamic arrangements connecting with listeners across music genres.

Hunter released his debut album, Life is a Dream, in May 2020 and has reached over 100k streams cross-platform. He is now following up with a new single, “To You, My Friend,” which highlights the beauty in the briefness of life, and how important it is to show gratitude, support and appreciation to the ones you love while pursuing your own passions.

Hunter Sheridan Music · HunterSheridan - To You, My Friend

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Samways - Phantom Handshakes - PACKS

Samways - The Wind of Death.

Don’t let the title fool you... The folk music forecast just got brighter and livelier with the release of “The Wind of Death” from Canadian acoustic quartet, Samways.

The second single to drop ahead of the group’s forthcoming debut album, the song juxtaposes   a muscular, driving rhythm and sunny vocal harmonies with the moving poem, “The Wind of Death.” Written by Canadian poet and journalist Ethelwyn Wetherald well over a century ago, the poem touches on the tenuous and reflective last moments of someone’s life.

The wind of death, that softly blows
The last warm petal from the rose
The last dry leaf from off the tree
Tonight, has come to breathe on me

Respectively all known and loved Toronto-based artists in their own rights, lead songwriter, guitarist and composer Nathan Hiltz — and the vocal trio of Shannon Butcher, Jessica Lalonde and Melissa Lauren — have combined their formidable talents to form the creative core of Samways.

As they succinctly put it, they create and perform “acoustic music with lyrics drawn from early Canadian poetry.” What kinds of acoustic music and poetry? Original folk inspired jazz and the 19th and early 20th century works of famed Canadian poets such as Bliss Carman, Susannah Moodie, E.J. Pratt, Agnes Maule Machar and of course, Ethelwyn Wetherald.

The music for “The Wind of Death'' also comes from a mash-up of different worlds… The song answers a question: What would it sound like if Sonny Greenwich joined the Gordon Lightfoot band? Greenwich, an arch top jazz guitarist from Montréal with a psychedelic, Coltrane-influenced style, and Canadian folk legend Lightfoot, are both big inspirations for Hiltz.

While in his twenties, Hiltz was a jazz purist working at Toronto’s Ring Music, and Lightfoot used to come around to the shop. “I absolutely knew who [Lightfoot] was but had no idea what he sounded like,” Hiltz explains. “All I remember is this badass who parked his big, old-man Cadillac in the no parking zone out front of the store. “He came in and said ‘I’m Gordon Lightfoot. I’m here to pick up my guitar’.”

Those moments stuck with Hiltz and years later, as his musical tastes opened up, he devoured Lightfoot’s entire discography, citing his beautiful music as a driving force in the creation of Samways. Unlike the group’s first single “Untrodden Ways,” “The Wind of Death” is more akin to Lightfoot’s “Summer Side of Life” than “Long River.” Now, replace Lightfoot with three powerful female singers and you have Samways’ signature and fully-satisfying sound.

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Phantom Handshakes - Skin.

NYC-based dream-pop duo Phantom Handshakes are sharing their new album, No More Summer Songs, on all DSPs followed by a Bandcamp release on April 30th via Z Tapes.

No More Summer Songs is a collection of songs exploring themes of memory, nostalgia and the visceral feeling of when summer gives way to autumn. If Phantom Handshakes' debut release, Be Estranged was their summer album, this is their end-of-summer album.

The album expands on the lo-fi, DIY approach they took with Be Estranged. The songs on the album are less concerned with following a standard structure and more interested in a mood. For the duo, creating these songs was a cathartic outlet to help us get through these long months in lockdown.

No More Summer Songs was written, recorded and mixed entirely by Phantom Handshakes at their respective homes in New York City and mastered by Carl Saff at Saff Mastering in Chicago.

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PACKS - Two Hands.

PACKS debut LP Take The Cake, is due out on Fire Talk Records (Dehd, Patio, Mamalarky) and Royal Mountain Records (Wild Pink, Alvvays, Mac DeMarco) on May 21st, and significant excitement has been building around the Toronto band since they announced the album in early March. The album has seen two singles so far in "Silvertongue" and "New TV," which have been the subject of some high praise! This week the band are sharing a third single from the LP, the sneakily infectious "Two Hands".

Memorably invoking a "Simpson's sunset" in its opening lyric, the track delivers a hazy jangle that forms the perfect frame for PACKS leader Madeline Link's laid back melodic acrobatics, and the accompanying video, which Link directed herself, reflects the song's springtime feeling.

PACKS was initially a solo songwriting project of Madeline Link that she pursued between gigs as a set dresser for commercials, the band is now a four piece, composed of Shane Hooper (drums), Noah O’Neil (bass), and Dexter Nash (lead guitar). Together they turn Link’s melodically adventurous and introspective songs into the purest and brightest kind of indie rock. Anchored by Link’s voice, which brings such an easy charm to her songs that it’s easy to miss her keen ear for acrobatic vocal lines, the band’s debut is a collection of songs that marry the loose but incisive jangle of early Pavement with the barbed sweetness of Sebadoh and the wide-eyed wonder of the first Shins LP.

Written in two different settings, between the city limits of Toronto where Link was living in 2019, and the Ottawa suburbs where she was quarantined with her parents in the spring 2020, both remain complementary emblems of self-reflection and wry observation of the mundanity of daily life.

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Sleepy Jean - Joe Cardamone - Faiyaz and the Wasted Chances - Jeshua

Sleepy Jean - Smaller.

It’s the sound of a song you half remember. A voice from some faraway radio. A glimpse of a now scratched record. You pause, reaching into that dark recess of memory for a brighter recollection, and return with nothing but the gnawing remembrance of something you’re sure you’ve forgotten. No satisfaction can be found: Sleepy Jean’s blend of American standard songwriting and folk sensibilities are unquestionably her own.

Borne from the bones of forgotten nostalgia, Sleepy Jean spent the better part of a decade frequenting tourist traps and hole-in-the-walls alike whilst sneakily sliding her self-penned songs amongst those of her contemporaries and reveries. Her wistful, smoky voice is equal parts Joni Mitchell and Etta James, and is known for that inimitable quality that evokes salty streams of tears and bloody bar fights alike. Her first recorded offering, Idle Hands, makes its way into the world midsummer 2021.

Idle Hands began as an exercise in self-soothing. The dawning of 2020’s Great Slowdown saw Jean watch her regular hustle and bustle as a working musician (playing over 250 dates a year!) disappear within the wink of an eye. In her effort to avoid the realities of global catastrophe, Sleepy turned inwards and spent the majority of her time dreaming up songs that felt comforting, yet addressed the anxieties and idiosyncrasies that peppered her newly empty days. “Hungry,” a sugary sardonic musing on social cannibalism, was the first to surface while “By the Oceanside,” a tribute to the harmonies of the Everly Brothers soon followed. Idle Hands sees Sleepy exploring her love of 1960’s folk music (“Smaller,” “I Don’t Belong”) while paying homage to the likes of Billie Holiday and Ella Fitzgerald (“Moonshine,” “Downer.”) The final track, “How’s it All Gonna End,” is both an ode to the Truman Show and an unnerving waltz that swells with a tension filled current as she ponders that titular, existential question.

Sleepy partnered with long time collaborator Dan Serre (Cat Clyde, Shitbats) to record and mix the majority of the 7 song extended play over the course of 2 months within the confines of a spare bedroom. Russ Donohue (Stonehouse Studios) aided in additional mixing, and mastering was completed by Kristian Montano (Montano Mastering) in Toronto, ON. Drums and vibraphone were provided by Marshall Bureau (Great Lake Swimmers, Jill Barber), with additional playing from Kaelin Murphy (trumpet), Phil Bosley (upright bass) and Al Aguilar (synthesizers). A long-play is expected to follow in early 2022.

Sleepy Jean · Smaller

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Joe Cardamone - Yeshua.

Los Angeles native artist Joe Cardamone has lived a few lifetimes while leaving a wiry dent in the global underground music and film scenes. The band that Joe fronted for 17 years, The Icarus Line, formed in East Los Angeles in 1998. Over the course of six albums the punk agitators became an underground phenomenon and the most dangerous, if not the greatest, punk group of their generation. The cult band the never gave up. 

Performances at the Reading and Leeds Festivals in front of 30,000+ fans, multiple appearances on the legendary John Peel show, criss-crossing the US in a van opening a stadium tour for A Perfect Circle and The Cult and a UK tour with Primal Scream are just some of the “greatest hits” of a legend loaded with nearly mythic live performances and chaos. But it was the death of guitarist/original member Alvin DeGuzman in 2017 following a long battle with cancer, which was the actual end of The Icarus Line (a demise recently depicted in Michael Grodner’s independent film “The Icarus Line Must Die” which is now streaming on Amazon and Hulu).

The following year Joe released his solo debut, the frenzied Holy War album and film on his own imprint American Primitive. Cardamone’s new approach was a modern one man show that forged R&B and crushing electronics with the combative spirit of his formative punk years. While crafting a pair of follow up albums in 2020 the world stopped and the QUARENTINA project emerged in response. Outside of his work as an artrist Joe has produced and collaborated with some of the greatest artists of our time including Mark Lanegan, Ian Astbury, Warren Ellis (Nick Cave and The Bad Seeds) and James Williamson (The Stooges).

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Faiyaz and the Wasted Chances - Glow.

Faiyaz and the Wasted Chances are a POC fronted Toronto punk band that have been described as a raw garage pop band with virtuosic protopunk influences, cheekily modded for today’s listeners. 

Their sound falls somewhere between Warhol pre-punk and the Toronto DIY indie that they flowered in. The band’s raucous, rough-around-the-edges appeal is concisely painted.

Raised in the downtown core, the band cut their teeth as young underaged punks playing the original Silver Dollar Room, The Horseshoe Tavern, Lee’s Palace, and any other willing hole-in-the-wall in Canada. 

Through relentless mini tours and studio EPs in famed studios 6 Nassau, Candle Recording, and Lootbag Studios, the band gained the cult following that have allowed them to play alongside larger more reputable acts. They are currently on Lootbag Records alongside many great artists.

Faiyaz and The Wasted Chances · Glow

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Jeshua - Esther.

Glasgow based Dundonian Jeshua (Joshua Gray) is set to release his effervescent debut album Unreliable Narrator on June 4th with the fourth single from the album, ‘Esther’, an ode to the singer’s Grandmother, due on April 28th.

Unreliable Narrator beguiles with layers of delightfully hazy guitar pop, whisking you off you feet with an assured aloofness and a wistful beauty that is only seen rarely in guitar albums these days.

Jeshua’s introspective dream-pop encapsulates the everyday experiences of a fly-on- the-wall shop assistant, drawing from feelings of disconnection and the need for distraction from programmed living.

Singles so far, ‘Feel-So-Alive’, ‘Waste Away’ and ‘IDK’, have gained both local and national airplay, notably being championed by Vic Galloway (Radio Scotland) and Shell Zenner (BBC Introducing/Amazing Radio) and featured on Spotify editorial playlists.

“Each song has a specified meaning and all of them are connected, I think it sums up a ten year period of my life and how I was feeling about life and death, with the lyrics being an exercise of reflection.

Jeshua · Esther

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