1Type (feat. Duke Al) - Veronica Fusaro - mokina - Blue Foundation (feat. Helena Gao)

1Type (feat. Duke Al) - Rise Up. 

The 1Type Band's debut song, Rise Up, isn't just a song; it's a powerful anthem raising awareness of autoimmune Type 1 Diabetes (aT1D). Rise Up aims to empower young people living with aT1D and help them feel less alone. 1Type is Sanofi’s newly formed girl band comprised of four talented teenage girls living with Type 1 diabetes: Ella, Lola-Belle, Finley, and Olivia. Hailing from across the UK and brought together through Stagecoach Performing Arts, with sponsorship from Sanofi, they are united by their shared experiences of the condition.

aT1D is an autoimmune, complex, and lifelong condition - and it can happen to anyone at any age even without family history. It can be a challenging disease with lifelong clinical, economic, and emotional unmet needs for patients and families. In the UK, there is a growing prevalence where approximately 400,000 people are living with the disease, including about 32,000 people 19 years of age and younger.

Sanofi & Stagecoach have partnered on this project. This unique partnership brings together Sanofi's commitment to the aT1D community and Stagecoach Performing Arts' dedication to empowering young talent, using the transformative power of music to drive awareness and empathy.

This project, the band and all assets associated with this band was initiated, organized, sponsored and funded by Sanofi. The song Rise Up was co-written by the band members, Studio Salamanca, and Duke Al Durham. Sanofi is licensing the song and will not make any profits from the song. By listening to Rise Up, you're directly supporting Digibete, a charity providing vital resources and support to young people, families, and communities managing aT1D as Sanofi will match the profits Studio Salamanca makes from the song with a donation to Digibete.

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Veronica Fusaro - No Rain No Tears.

Following the success of her single “Jealousy” and her recent inclusion in IMPALA’s 100 Artists to Watch 2025, Swiss indie pop artist Veronica Fusaro is back with “No Rain No Tears” a shimmering, soulful pop track that blends emotional depth with summery lightness. The song offers a glimpse into her upcoming album Looking for Connection (out October 24, 2025) and sets the tone for her European summer tour.

Is it just a feeling, or is our longing for summer stronger this year than ever before? With "No Rain No Tears," an indie-pop gem of the highest order, Swiss-Italian singer- songwriter Veronica Fusaro meets us right where the craving for warmth, freedom, and good company becomes almost unbearable. At just the right moment, she delivers the perfect soundtrack for stepping outside, slipping off your shoes, letting your hair down, and dancing across the sun-warmed asphalt into a blissful evening. Whether it happens in reality or only in your imagination makes no difference.

From the first note, the sun-drenched melody sweeps listeners into a dreamlike state where it’s impossible to tell whether the summer of your life is just beginning or reappearing as a vivid memory. Everything melts into a feeling of pure infatuation. While the song speaks of longing for a particular person, it also captures the universal desire to leave the gloom of everyday life behind and fully embrace beauty and connection. "It takes real courage to love — because you have to be willing to be seen, completely," says Veronica Fusaro about the emotional heart of "No Rain No Tears."

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Photo - Denize Eggers

mokina - taila.

Montreal-born mokina radiates joy with her gorgeous new single ‘taila.’ Radiant and playful, talia is a charming tribute to the delightful weirdness of true friendship. Written as a dedication to her friend of the same name, the track is a bouncing dose of indie-pop that blends shimmering synths flawlessly with bright guitar riffs.

Sharing more, the real talia explained: "This song has become the happy backdrop to my life, buoying me unexpectedly in quiet moments. I met mokina at a time when I was seeking some stability after years of living and working in unfamiliar places, but I inadvertently found a slough of new challenges that I navigated as well as I could. This song casts a generous glow over these times that were not always easy or graceful for me. I think the song can be a reminder that it’s important to be generous with ourselves when we reflect back on our learning curves."

Written with Jacopo Martini and produced with Jeremy Lachance near mokina’s home in Ferrel, Portugal, ‘talia’ is the follow up to recent EP release ‘mirage’ which arrived at the start of May.

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Blue Foundation (feat. Helena Gao) - Harsh Love.

Blue Foundation return with ‘Harsh Love’, a haunting, intimate new track added to their latest album ‘Close to the Knife’. Featuring the ethereal vocals of Helena Gao, the song captures the ache of emotional dissonance, the quiet collapse between two people trying to love through damage. Written during the same sessions that birthed ‘Close to the Knife’, ‘Harsh Love’ carries the same emotional weight: minimal yet lush, driven by ambient textures, fractured rhythms, and lyrical honesty. Helena Gao’s voice weaves through the track like a distant memory, fragile, questioning, unresolved.

“I guess I took it out on you,” the song begins, disarmed and direct. It’s a confession, not an apology. The kind of truth you whisper in the dark when everything else has already come undone.In the words of Blue Foundation’s Tobias Wilner: “It’s about the moment where you realize love has turned into something else, something harder, colder. But still, you’re reaching. You’re trying to hold on. Helena understood that from the inside.”

Helena Gao also appears on ‘Ecstasy in Space’ and ‘Voyage to the Stars’, but ‘Harsh Love’ stands apart in its stark emotional clarity. Sparse production, slow-burn synths, and whispered harmonies unfold like smoke. It’s not a song about closure. It’s a song about what happens when there isn’t any. The track features atmospheric guitar textures by Xie Yugang of Wang Wen and Jonas Munk (Manual, Causa Sui), whose layered work expands the sonic space, stretching tension into something strangely beautiful. Together, their guitars give ‘Harsh Love’ its cinematic weight, floating just above the wreckage.

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Amanda DeBoer Bartlett - MF Tomlinson - Blue Foundation - The Kentucky Gentlemen - Woahgetter

Photo - Aleksandr Karjaka

Amanda DeBoer Bartlett - Storm.

“Storm,” the latest single from Amanda DeBoer Bartlett (of Ensemble Dal Niente), is out today on all platforms. Following the dreamy sway of March’s “Skyscraper,” “Storm” hits with fire and force—a driving, fiddle-charged collaboration with the powerhouse players of Fiddle in the Middle. It’s folk fusion with heart: Appalachian grit colliding with Irish fiddle fireworks, all sweeping into bold, cinematic terrain.

Amanda recorded this one at Chicago’s Electrical Audio with producer Taylor Hales, continuing her blend of classical training, experimental chops, and raw Americana spirit.

The full album Braided Together arrives June 6, and she’s just announced a string of Midwest tour dates this June, including appearances in Des Moines, Milwaukee, Omaha, and Chicago—joined by a rotating cast of special guests like Abbie Sawyer, Ben Eisenberger, and Fiddle in the Middle.

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Photo - Andrea Zvadova

MF Tomlinson - Blink And You'll Miss It.

MF Tomlinson unveils the new single 'Blink And You'll Miss It' a lush, expansive second taste of new album 'Die To Wake Up From A Dream', out 11th July on PRAH Recordings. MF Tomlinson will launch the new album with in-stores at Rough Trade East, Rough Trade Bristol, Drift Records in Totnes and David's Music in Letchworth.

Written in collaboration with Is Tropical's Gary Barber, new single 'Blink And You'll Miss It' opens the album with a blend of shimmering beauty and melancholic depth. Softly plucked guitars, feathery flute runs, and warming saxophone interweave with luminous harmonies, as Tomlinson explores the challenge of staying present: 'I try to keep all the pieces from drifting away / Here in the darkness.'

With nods to the sonic mastery of Galaxie 500, My Bloody Valentine, Astral Weeks and Bon Iver all in the same breath, Tomlinson thinks of the song as “the sound of all of your life happening at once.”

Speaking more on the song, Tomlinson shared: "The song is about aging, at any age. As the album's opener, it flows seamlessly from We Are Still Wild Horses down to the beat. It’s a moment — a view from a great height — when the full weight of the distance between the person you used to be and the person you are now hits you like a freight train. It fills you up and empties you out all at once. Everything that has happened brought you here. You can never go back, but then again, you don’t need to. All of those moments are still happening endlessly inside you. You’re holding them all like a vessel."

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Blue Foundation - Close to the Knife (Album).

‘Twilight’ soundtrack legends Blue Foundation dropped their new album ‘Close to the Knife’ on Friday!

Blue Foundation is renowned for their distinctive fusion of electronic music and dream pop. Drawing inspiration from the ethereal nature of dream pop and a moody, introspective atmosphere, the band creates immersive soundscapes characterized by emotive vocals and intricate production. Their music often evokes a sense of melancholy and reflection, resonating with listeners who appreciate ambient, emotive melodies and introspective themes.

Blue Foundation's music has been featured in various popular films, such as Michael Mann’s ‘Miami Vice’, and TV shows like ‘The Vampire Diaries’. Their song ‘Eyes on Fire’ gained significant fame after being included in the soundtrack of the movie ‘Twilight’. Blue Foundation is sampled by Lil Durk featuring French Montana on his track ‘Fly High’ and Young Thug's song ‘She Noticed’. They co-wrote the song ‘Taurus’ for Machine Gun Kelly.

‘Close to the Knife’ begins a new chapter for the band as Nina Dahlgaard Larsen joins their lineup.


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Photo - Peyton Dollar

The Kentucky Gentlemen - Whiskey Does.

Twin-brother country duo The Kentucky Gentlemen release "Whiskey Does," a boot-scootin' drinkin' song about pouring one up to get over heartbreak. It is the latest single from the pair's full-length debut album Rhinestone Revolution, which is out June 6 via River House Artists.

The Kentucky Gentlemen on their new single: “We had an absolute blast recording this one. 'Whiskey Does' is one of those ‘drinking 'cause I want to stop thinking’ kind of songs — the kind you blast when you're laughing through the heartbreak. Sometimes it’s easier to toast to the losses when you’ve got a good vice in your glass. Breakups suck, but whiskey doesn’t.”

The Kentucky Gentlemen have been making their way in Nashville's country music scene as independent artists for the last decade while simultaneously embracing, defying, and expanding the constructs of genre. Recorded with producer David “Messy” Mescon (Megan Moroney, Nicki Minaj and Ariana Grande, Reyna Roberts), Rhinestone Revolution encapsulates the infectious blend of authenticity, self-acceptance and joy that has led them to quickly become one of Nashville’s most exciting new acts. The pair announced the album last month and shared the music video for their song "Made for Movin' On," an earworm blend of old school country and 2000s pop that Rolling Stone called "a catchy mid-tempo country-rocker that contains layers of depth." Earlier this year, they released the come-as-you-are country bop "Country Hymn," which prompted MusicRow to declare "These guys always know how to bring the party."

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Woahgetter - Even Dad Had A Fiver On Love.

Following the release of their single ‘I Can’t Love You Anymore’, alt-indie collective Woahgetter explore the absurdities of contemporary romance with ‘Even Dad Had A Fiver On Love,’ out this week via Silent Kid Records.

Fusing angular guitars, lush chamber strings and infectious avant pop melodies, the latest offering from the Northampton based group is a sharp, unsentimental lament on postmodern alienation delivered in the guise of an increasingly manic internal monologue spilling out in front of a mirror.

"I'm sure most of us can easily call to mind a 'Dad' figure that has seemingly very little invested in the notion of love," says Woahgetter of the titular character, "but even in the coldest of cases, there's usually some small stake in something classifiable, if only tenuously, as love... which probably says more about the nebulousness of the word 'love' than it does about any particular individual.”

The narrative is delivered by an end of tether baritone, accompanied by five other (as far as we are aware) genetically unrelated voices, giddily riffing on the limitations of a seemingly singular eponymous anti hero and is set against an assuredly danceable and momentarily anthemic arrangement. With the fusion of vocal tones, the chorus reflects a relatable frustration towards the meaning of love and how to find it in an increasingly chaotic world.

The self-produced track promises to resonate with fans of sharp-witted, deeply affecting storytelling. Imagine if The National taught a masterclass in brooding indie rock and Father John Misty delivered a lecture on musical storytelling, Woahgetter would be the brilliantly rowdy students who learned the lesson, then blew up the classroom.

woahgetter · Even Dad Had A Fiver On Love

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Annie Stokes - Blue Foundation - Sister Sadie - Daphne Blue Underworld

Annie Stokes - Ghostwriter (Album).

After hustling in the Washington, DC music scene for a decade, Annie Stokes arrived at the end of 2023 with a calm clarity: she was ready to write the type of album she’d always dreamed of. She and her husband and songwriting partner, Will Berger, holed themselves up in a cabin by the Shenandoah River for a weekend in December and sketched out the bones of what would become “Ghostwriter.” Built around themes of grief, belonging, and permanence, the album also visits topics of gender dymanics and double standards, the lingering ache for validation from past friends and lovers, reclaiming boundaries in the digital age, and the intense, alchemical friendship young women experience in their twenties.

“Ghostwriter” began to take form under the creative helm of producer and co-writer Austin Bello, who collaborated on 2023’s “Wild Rose” EP. Stokes leaned more on her banjo as a rhythm instrument, while Berger used the bass to push the melodic narrative of the songs. Marty Garfield, who joins Stokes on stage as part of her live line-up, added fiddle, alternating between highland-esque dirges and Appalachian licks. Before recording each song, the players loosely discussed the genre and sound they were attempting to create, while ultimately agreeing that the songs needed to take their own shape. The result is a collection of dark-hued, modern Americana music firmly rooted in folk songwriting tradition.

While recording this album in the spring and summer of 2024, Stokes also independently toured the East Coast, began hosting songwriter showcases in her hometown of Leesburg, VA, and parented her two young daughters. She loves that the grit and fatigue of being a working artist and millennial parent shine through in these songs. Americana and folk music is many things, but it’s ultimately defined by its connection to the earth and the everyday people who inhabit it. With “Ghostwriter”, Stokes hopes to crystallize and honor some of the sacred, ordinary experiences of everyday living.

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Blue Foundation - Ecstacy In Space.

Blue Foundation are proud to announce the release of, ‘Ecstasy in Space’, the third single from their forthcoming new album ‘Close to the Knife’, which is set for release on April 18th. Recorded in 2024 and written by Tobias Wilner, this dreamy, shoegazey track takes listeners on a sonic journey through ethereal soundscapes and pulsating rhythms, capturing the essence of liberation and desire. The track also introduces a new member to the Blue Foundation lineup, Nina Dahlgaard Larsen, who provides vocals on this song.

‘Ecstasy in Space’ is a fuzzy and delicious snowball of pure dream pop that calls you to surrender to the moment. The track tells you to hold on tight and glide with grace and reminds you that true ecstasy comes from the freedom of choice and the strength to surrender. On the single, Tobias Wilner said, "I wanted to capture my feeling of floating high on feelings". His words echo in the refrain, "Wish you were mine".

The music video for "Ecstasy In Space" is a dreamy journey into the energy and emotion of a group of young people in Copenhagen. Shot with an artistic and cinematic aesthetic, the video follows them as they venture into the night on their way to an underground warehouse party. The music video, directed by Hannah Bertram, is a visual poem – hypnotic, raw and nostalgic.

Founded in 2000 by Danish singer, multi-instrumentalist, and producer Tobias Wilner, the group was inspired by Mark E. Smith's method of forming a band (The Fall), with Wilner recruiting a rotating lineup of traditional musicians over the years to fuel creativity. Since 2010, the core members of the band have been Tobias Wilner and Bo Rande, working between Crown Heights, Brooklyn, and Copenhagen, Denmark.

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Photo by Allister Ann.

Sister Sadie - Let the Circle Be Broken.

In a mostly male genre still known as much for its reticence about contemporary subjects as for its powerful harmonies and virtuosic picking, bluegrass music’s Sister Sadie have stood out ever since the all-female group’s founding more than a dozen years ago. 

Now, with the release of “Let The Circle Be Broken,” the International Bluegrass Music Association (IBMA) award-winning, GRAMMY-nominated ensemble is breaking new ground with a somber yet uplifting exorcism of the generational trauma of domestic abuse.

“Dani Flowers, Erin Enderlin and myself wrote ‘Let the Circle Be Broken’ right after my Dad passed away,” says the group’s co-founder, fiddler Deanie Richardson. “He was an abusive man who verbally, emotionally and sexually abused me for most of my 18 years living at home with him. When I confronted him as an adult, he said that it had been done to him as a child. This song is about that generational trauma and abuse that keeps getting passed down. The continuing of that trauma and abuse stops with me. It doesn’t go any further.”

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Photo Loren Ipsum

Daphne Blue Underworld - Fake It Make It.

"Fake It Make It" is the newest single from Boston-based alt-pop mad scientist Daphne Blue Underworld (aka. Loren Ipsum).

"Fake It Make It" is the second single from Daphne Blue Underworld's forthcoming album, Memory Palace. Trading the frantic electronic drive of previous single "Kicking and Screaming" for wistful guitar pop a la Camera Obscura or Belle and Sebastian, Daphne Blue Underworld’s "Fake It Make It" may sound gentle, but loses none of the potent lyrical venom of its predecessor.

The song’s chiming guitar chords and plaintive vocal melodies may evoke nostalgia, but serve as a spoonful of sugar for DBU principal Ipsum's bitter ruminations on integrity and authenticity. The music may harken back to a simpler time of homespun indie rock that lived and died by short-run 7” singles and self-Xeroxed zines, but the message is bang up to the minute and all-too-relevant in a world where reality is being obfuscated more than ever before.

The forthcoming Memory Palace is DBU’s forthcoming mid-fi masterpiece—an evocative collection of songs that take the form of aural daydreams bathed in a nostalgic VHS glow. Flipping stylistic channels between the guitar-dominated heyday of MTV’s 120 Minutes and the warm synthesized landscapes of PBS’s Nova, Memory Palace explores themes of personal authenticity, courage in the face of change, and the tenuous escapism of a complex inner life.

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