Saturday, 24 January 2026

Ben Reel - Alberta Cross - A.S. Fanning - Tedeschi Trucks Band - The Paper Kites

Ben Reel - Spirit’s Not Broken (Album).

Irish troubadour Ben Reel returns with his twelfth studio album, Spirit’s Not Broken. In a world marked by war, division, and uncertainty, the record carries a timeless message: hope, resilience, and above all, love. “It’s easy to feel powerless,” Ben says, “but this album is a reminder of a simple truth: “Love one another.”

Musically, the album opens with raw rock energy before flowing into soulful, R&B-infused grooves, echoing the spirit of Marvin Gaye, Otis Redding, Van Morrison and Sting. It’s a journey that blends grit with grace, reinforcing Ben’s reputation as one of Ireland’s most versatile and enduring songwriters.
Since launching his solo career in 1999 with This Is the Movie, Ben has carved a distinctive path through rock, folk, soul, and Americana. Critics have compared him to John Hiatt, Roy Orbison, even dubbing him “the Irish Springsteen,” yet his sound remains unmistakably his own.

Across a solo career spanning more than 25 years, Ben has released a string of acclaimed albums, including The Nashville Calling (2020), recorded with Will Kimbrough and featuring E Street Band’s Garry W. Tallent, which topped the Euro Americana Chart. His most recent records, Locked in & Live (2022) and Come a Long Way (2023), cemented his reputation as a fearless and ever-evolving artist.

Ben has performed on BBC, RTÉ, Dutch NPO Radio, toured internationally, and shared stages with artists like Jools Holland, The Cranberries, Nanci Griffith and Eric Andersen. From Nashville’s Bluebird Café to European festivals, his reputation as a committed live performer continues to grow. With Spirit’s Not Broken, Ben Reel delivers not just an album, but a soulful call to resilience in challenging times.


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Alberta Cross - Toy Soldiers.

Alberta Cross are an Anglo-Swedish band formed in London and led by songwriter Petter Ericson Stakee. After a long stretch living in Brooklyn, New York, the project has since settled back in the UK. They signed to Fiction Records in the UK and Geffen in the US after just four shows, a rapid ascent that set the tone for a career built on relentless touring and slow-burn cult appeal. Along the way, the band have shared stages with artists ranging from Oasis and Neil Young to Them Crooked Vultures, The Shins, Portugal. The Man, Mumford & Sons an Black Rebel Motorcycle Club, while clocking appearances at festivals including Coachella, Glastonbury, Bonnaroo, Fuji Rock, Reading & Leeds and Splendour In The Grass.

Produced by Luke Potashnick (The Temperance Movement) at Wool Hall Studios, their upcoming single 'Toy Soldiers' is a seductive rhythmic assault that sees Alberta Cross at their most frenetic and loose. Rapid, jagged keys and hypnotic guitars ride over tight drums, a rowdy but controlled track that serves as an anthem of hope and possibility amidst a world of uncertainty.

Discussing the lyrical themes behind the single, vocalist and lyricist Petter Ericson Stakee says: "There's a heaviness running through the track, but it wasn't something we chased - it's just the world bleeding into the music. The song wrestles with uncertainty, but it doesn't fake solutions. Recorded as a raw power trio with members from The Vaccines an The Temperance Movement at the legendary Wool Hall Studios (The Smiths, Tears For Fears)."

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A.S. Fanning - Stay Alive.

Irish songwriter A.S. Fanning releases 'Stay Alive' on January 23rd, the third and final single from his forthcoming fourth studio album Take Me Back To Nowhere (February 6th, K&F Records).

In the midst of an album preoccupied with fragmented realities and psychological dislocation, 'Stay Alive' arrives as an unexpected lifeline—a love song born from the depths of despair. The track unfolds with haunting beauty, its ethereal synths and strings wrapping around Fanning's echoing baritone as the song builds toward an anthemic crescendo. Moody, dark, and melancholic, it captures the precise moment when connection pierces through numbness.

"This is a love song written from a place of desperation and despondency," Fanning explains. "About going through the world in a depressive drudge, with flickering notions of stepping in front of trains, only to chance upon something or someone that reminds you why you're alive, that makes you feel connected to something bigger than yourself."

While previous singles 'Romance' and 'Today Is For Forgetting' explored emotional desolation and psychedelic consciousness, 'Stay Alive' confronts a more primal terror: the fear of one's own mind. During its creation, Fanning was reading Ursula K. Le Guin's 'The Lathe of Heaven' and found himself arrested by a line where the psychiatrist tells the protagonist, "you're afraid of your own mind." "That's something I can relate to," Fanning notes. The song exists in that space between self-destruction and salvation, where a single encounter—with a person, a moment, a feeling—can tip the balance.

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Tedeschi Trucks Band - I Got You.

 Tedeschi Trucks Band (TTB), the GRAMMY Award-winning band led by the dynamic wife and husband duo of Susan Tedeschi and Derek Trucks, has announced the details for their sixth studio album, Future Soul, and released the first single “I Got You.” The 11-track collection, the band’s most powerful album to date, will be released on Friday, March 20th via Fantasy Records in the middle of TTB’s 10-show headlining run at NYC’s Beacon Theatre. The infectious “I Got You,” written by guitarist/vocalist Mike Mattison, takes cues from the spirit of Derek and the Dominos and Delaney & Bonnie to create a driving, mid-tempo classic. 

“‘I Got You’ is a breath of fresh air and pretty different for us,” shares Trucks. “It feels like the band, but it doesn’t feel like anything we’ve done before.”

Produced by Mike Elizondo (Twenty One Pilots, Eminem, Dr. Dre, Carrie Underwood) and co-produced by Trucks, Future Soul – recorded at their own Swamp Raga Recording (Jacksonville, FL) as well as Phantom Studios (Gallatin, TN) – marks the follow-up to TTB’s 2022 conceptual quadruple studio album, I Am The Moon, and their latest live release, Tedeschi Trucks Band and Leon Russell Present: Mad Dogs & Englishmen Revisited (LIVE AT LOCKN’) (2025). The heart, honesty, and full-band collaboration on Future Soul makes the forthcoming album the most unique collection to date from the revered 12-piece powerhouse ensemble. The majority of the songwriting was done by Trucks, Tedeschi, Mattison, Gabe Dixon, and Tyler Greenwell with the music sonically pulling from a variety of influences including funk, rock ‘n roll, blues, soul, punk, and much more. 



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The Paper Kites - If You Go There, I Hope You Find It (Album) Morning Gum (New Video).

Beloved indie folk band The Paper Kites have unveiled their seventh studio album ‘If You Go There, I Hope You Find It’ via Nettwerk, available now on all streaming platforms. To celebrate the release, they’ve also shared an official music video for the previously unreleased track “Morning Gum”.

About the new album, lead vocalist Sam Bentley reflects, “This record feels like a band remembering what made them fall in love with playing music in the first place. Five friends, five musicians, rediscovering what made them want to do this together. We had a beautiful time making this album. A lot of these songs were written out at the farm we rehearse at, which has become a place of great direction and growth for us over the years. As such, the record has taken on much of the character of that place, and you’ll see it reflected in the colours and visuals surrounding the album. There’s a lot of the five of us in this record. We hope you enjoy.”

‘If You Go There, I Hope You Find It’ is highlighted by recent singles “Change Of The Wind,” “Shake Off The Rain,” “Every Town,” and “When The Lavender Blooms.” Each track was accompanied by an official music video, featuring a different band member and shot at their friend’s farm in Melbourne’s Yarra Valley, where much of the album was written. Intimate and achingly reflective, the album is guided by a longing for connection, simplicity, and emotional clarity. 

Rooted in themes of nature, healing, and hope, each track unfolds like a whispered conversation, offering comfort in its vulnerability and calm in its sincerity. Exploring moments of change, introspection, and the beauty of imperfection, the record remains anchored in the band’s signature atmospheric sound, carrying a quiet familiarity that feels like returning home, both within and beyond yourself.


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Friday, 23 January 2026

The Jack Rubies - LOV - Myrkur - The Slackers - St.Arnaud - Julian Taylor

The Jack Rubies - Visions In The Bowling Alley (Album).

A source of some fabulous new music last year Big Stir Records begin 2026 with the January 23 release of a new album by acclaimed UK postpunk veterans The Jack Rubies: Visions In The Bowling Alley on CD, Streaming and, for the first time since 1990, Vinyl as well. The band's fourth album and the follow up to their critically-hailed 2024 comeback 
Clocks Are Out Of Time, the full-length release features the band's recent indie hits “Are We Being Recorded?” and “Greedy” as well as “Phantom” as heard on BSR's 2025 Halloween collection, along with nine more all-new tracks.

The time-tested lineup of The Jack Rubies – Ian Wright (lead vocals and guitar), SD Ineson (guitar, harmonica, backing vocals), Steve Brockway (bass), Lawrence Giltnane (percussion), and Peter Maxted (drums, and also the album's producer) – is exactly the same today as it was four decades ago when the band emerged from the English C86 and postpunk scene, and the new record even sees the return of violinist and honorary sixth member Emma Peters who guested on the debut album and performed live with the band during the early UK tours. 

At that time, they won the hearts of fans of college radio and MTV's 120 Minutes with their angular, noir-tinged sound, memorable melodies and sly, literate lyrics, shared stages worldwide with the likes of Katrina & the Waves, The Triffids, They Might Be Giants and Modern English, and delivered two deeply engrossing albums, Fascinatin’ Vacation (1988) and See The Money In My Smile (1990), for TVT Records. Then came the grunge and Britpop years, and the band slept, as life and other exploits took center stage until the unlikely catalyst of the 2020 pandemic led the geographically-dispersed members to rekindle their collaboration with all on board and, miraculously, their original chemistry intact. 

The resulting flurry of activity led first to a series of singles (all of them at once of a piece with the band's early work and yet shockingly contemporary in every sense) and ultimately to the 2024 release of their third album, Clocks Are Out Of Time, hailed by rock writers worldwide as not just a return to form but the band's best work yet. 


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LOV - G.O.S.

“G.O.S. (Generations of Strength)” is the powerful new single from rising Plains Cree soul artist LOV. A spiritual and empowering anthem, the song pays homage to the matriarchs who shaped her — from her Kokum and mother to the collective lineage of women of colour who continue to carry strength across generations. Set over a warm, UK-inspired soul groove, LOV’s smoky vocals and heartfelt lyrics call out like a prayer: “This one is for my girlies going through a hard time… you have generations of strength.”

Anchored in her faith and cultural identity, LOV offers a song that blends raw emotion, ancestral pride, and divine feminine energy into one seamless expression. The lyrics are deeply personal, yet universal — calling on every listener to tap into their light and rise through adversity. G.O.S. is more than a song — it’s a message, a mantra, and a movement of healing through music.

This release marks a major milestone in LOV’s journey as an artist. Following the success of her chart-topping single Mama (which reached #1 on the Indigenous Music Countdown in November 2025), LOV has emerged as a compelling new voice in Canada’s soul and R&B landscape. Her recent explosion in social reach — driven by over 2 million Facebook video views in the past month and a growing following of over 85K fans — confirms the organic demand and resonance for her message.

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Photo - Julia Nikiforova
Myrkur - Touch My Love And Die.

In the glow between flames and shadows, between whispering voices and resounding silence, a space emerges where music is not merely heard—it is felt. With “Touch My Love And Die,” Myrkur presents an entry for Dansk Melodi Grand Prix that feels more like a ritual than a song. A piece that draws threads from Nordic mythology, human vulnerability, and cinematic grandeur, gathering them into a moment where darkness is not hidden, but allowed to speak.

“Touch My Love And Die” is a dark, cinematic ballad in which Myrkur’s various musical expressions merge into a new whole. The sound incorporates elements from metal, Nordic folk music, and film scores, recorded in Dolby Atmos with real musicians—from cello, a girls’ choir, and ancient folk instruments to drums captured with more than 40 microphones. A physical, human soundscape in a time marked by speed, artificiality, and distance.

For Myrkur, it is essential that the lyrics remain open and can be freely interpreted by the listener. The past year has been marked by major personal and artistic changes, and the song stands as a culmination of this movement. Recorded in Winter 2025 with Christopher Juul (Heilung), Myrkur describes “Touch My Love And Die” as a work into which “heart, soul, blood, and tears” have been poured—both in song and performance—something she hopes can exist as an antidote to a world dominated by AI and a throwaway culture. A reminder of humanity’s roots, spirit, and resilience.


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The Slackers - No One Likes the Truth!

NYC ska/reggae legends The Slackers have released a brand new music video for the single "No One Likes the Truth!" The video was directed & edited by Arthur Leon Adams III, with additional camera operation by Kathryn Evangeline Adams, and it was produced by Rock and Roll Creative. This song comes from the NYC ska/reggae legends' latest EP, Money is King.

The 5-song Money is King EP features one cover song and four brand new originals, each by one of the band's different songwriters. "No One Likes the Truth" was written by vocalist / keyboardist / multi-instrumentalist Vic Ruggiero, who has this to say about it:

"they used to say 'do the right thing' as they patted you on the back and poked yer chest at the same time with a stiff two fingers... hen they looked me in the eyes and said it, i knew it was an encouraging threat he 'right thing' wasn't necessarily 'tell the truth' but more, 'keep yer nose clean and keep yer mouth shut and we'll all do fine' don't be a rat, and don't rat yourself out in the process... just play along and keep yer eyes low...if i never saw ya i ain't lying when i say i don't know nothin but it didn't happen that way"


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St.Arnaud - Love You! (For Real).

Edmonton's St.Arnaud, the indie pop project of Ian St.Arnaud, today releases "Love You! (For Real)," the lead single from their upcoming self-titled album, St.Arnaud, due out in April 2026 via Cordova Bay Records.

Delving into the ambiguity of modern social connection, this latest offering explores the bar-side phenomenon of becoming instant "best friends"—those effusive declarations and promises to hang out soon that dissolve by morning. "Love You! (For Real)" takes aim at these superficial, booze-fueled bonds with a wink and a groove, emerging as a white-soul-tinged indie pop track which asks the ultimate question: "When everybody loves everybody, how can anybody love anybody?"

Ian expands on the core concept: "The idea of the song was to wrestle with sincerity, to poke fun at your new friend at the bar, telling you how much they love you (they don't!) and want to hang out soon (you won't!)." He notes that the song found its footing as a white-soul track, a choice that "both gives it conviction and adds to the joke."

Musically, the song plants itself in a groove-driven soul pocket. Its vintage soul foundation, built on jazzy brass undertones and a warm, swaggering rhythm section, creates an earnestness that beautifully contrasts the lyrical cynicism. Ian’s delicate, feel-good vocals float over the arrangement, performing a tightrope walk between irony and genuine emotion.


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Photo - Robert Georgeff
Julian Taylor - Anthology Vol. 2 (Album).

After more than two decades of writing, performing, and recording his consistently potent, genre-defying music, acclaimed Canadian singer-songwriter Julian Taylor unveils Anthology Vol. 2, A reflective, expressive, wide-ranging compilation that traces the evolution of an artist who's never confined himself to a single lane. Featuring songs recorded over the span of 25 years, the album captures Taylor’s enduring commitment to storytelling, live musicianship, and emotional honesty. The focus track “Hunger” written by Graeme Williamson is released along with the album, today January 23rd, on all major platforms. 

Across Anthology Vol. 2, Taylor re-visits songs recorded in vastly different circumstances, from early-career material with his old band Staggered Crossing, to recent collaborations with the likes of Jim James (of My Morning jacket), unified by recurring themes of love, resilience, kindness, nature, and perseverance. Much of the album was recorded live-off-the-floor, with real instruments, a deliberate choice that reflects Taylor’s belief in authenticity over polish. "It’s really important to venture in all sorts of new directions," he says. "But you should always go back to see where you came from – so that you can forge a path to where you’re going.” 

Anchoring the release is the single “Hunger,” a traditional-style folk song with a Celtic feel, written by Graeme Williamson (of 1980s Toronto band the Pukka Orchestra). Taylor was inspired to record the song after it was shared with him by his friend, and Canadian Songwriting Hall of Fame inductee, Frank Davies. “When I first heard the song, it was the lyrics that really struck me,” Taylor explains. “With everything going on in the world right now, hunger remains such a devastating and unnecessary reality. There are people with enough money to eradicate it in 24 hours, but they choose not to. Frank and I decided that we would donate a portion of the song’s sales to the Band Aid Charitable Trust.”
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Thursday, 22 January 2026

The Goldberg Sisters - Danny George Wilson - Jont

Photo - Daniel Silbert
The Goldberg Sisters - The Great Resignation.

Between July 2020 and July 2021, more than 1.2 million people left the nation's urban centers and moved to the suburbs – one of those people was actor/director/musician Adam Goldberg who moved from LA to upstate New York. Now, under his moniker The Goldberg Sisters, he’s releasing his new single “The Great Resignation” and its accompanying music video that chronicles that experience.

The warm psych-rock track features background vocals from Abigail and Lily Chapin of The Chapin Sisters and comes from his upcoming LP When the Ships of My Dreams Return, releasing on February 20. Already, Atwood Magazine praised the “eerie, Beatles-tinged new single” as “...a sharply observed portrait of American unease still unfolding in real time,” saying, “There’s a lilting, McCartney-esque ease to its melody, paired with a high, delicate vocal that recalls the lush intimacy of John Lennon’s solo work in the ‘70s.” 

“This is one of those rare songs wherein the idea for the song came to me before any of the musical elements,” shares Goldberg. “While our fleeing from Los Angeles to the Hudson Valley in New York, where my wife grew up, was more a byproduct of my work, we did opt for living outside of the city in part because of Covid and because I may have overidealized the concept of a simpler life. What I didn’t expect was the culture clash that awaited us in our particular neck of the woods.”

He continues: “It seemed fitting to ask our friends Abigail and Lily Chapin of The Chapin Sisters who also moved back to their hometown, to add some vocals. It was Lily, in fact, whose house and incredible vintage recording studio we visited years before we had any inkling about leaving LA, that got me thinking: Hmm…”.  


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Photo - Simon Weller
Danny George Wilson - Distant Seasons.

Danny George Wilson will release his new album 'Arcade' on 20th March via Loose Music. 'Distant Seasons', the first single to be taken from the album, is released this week. "It’s a song about an imagined return. There’s a wonderfully melancholic string section and arrangement (by producer Hamish Benjamin), which is something of a theme throughout the album. As is the case with the new album, it’s about losing people, time & place. Sonically, it’s both rootsy and experimental…a kind of altered earthiness”.

'Arcade' finds Danny George Wilson returning to Hamish Benjamin’s studio in East Sussex - five years on from his startling, post-lockdown solo album Another Place – to construct its sequel. With Lewes-based Benjamin and right-hand man Henry Garratt, again given free rein, 'Arcade' presents a fresh collection of sonically inventive, deeply romantic songs, with atmosphere taking primacy over meaning, and narrative dissolving. As Wilson tells it: 

“The songs are about the ways we deal with losing people, time, place, or don’t deal with it… Looking back, we discover what was always there, or things that are just easier to ignore - different and contradictory perspectives. And I wanted a chance to work with Hamish and Henry again, and this seemed like their thing, and it was”.

Traditional instrumentation meets technology; the majority of tracks feature a string quartet, while Benjamin and Garratt employ synthesiser and mellotron along with a plethora of guitars. Gerry Love again provides backing vocals with cameos from Emma Tricca and Annie Dressner. Fragile, tender, full of uncertainty, ultimately 'Arcade' is a song-cycle in which the premise of each track subverts the previous, and demonstrates most assuredly, we still move in doubt.

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Photo - M. Coleman
Jont - The One I've Never Met Who I Long For.

Jont's first single of 2026, "The One I've Never Met Who I Long For," arrives as a contemplative, gently defiant song about longing, inner peace, and the stories we tell ourselves about love. Wry, passionate, and deeply human, the track examines the myths we inherit and the freedom that comes from stepping outside them. It accompanies Jont's announcement of his forthcoming new album, Walk Right Through, set for release on May 15th, 2026.

The song opens like a classic love story: vivid imagery, a magnetic gaze, the familiar promise of romantic rescue. But Jont upends the narrative in one soft but devastating line – Do you see this picture that I love to draw… of the one I've never met who I long for? What follows is a meditation on the myth of "the one," the cultural conditioning that keeps us searching outward for completion.

"We carry a myth of love around with us. It's so handy (no responsibility!) and so utterly false and disempowering yet we believe it," Jont reflects. "True happiness lies outside of me. Repeat that. Let it sink like the deepest ink into your soul so that it can never be rinsed out. That is what lifetimes of conditioning have done. That is what we hand down to each other and is the lie we gorge on each day."

Instead, the song points to a quieter, more grounded kind of wholeness: the bliss of being settled in yourself, the strange joy of lying awake and feeling fully alive, the satisfaction that asks nothing and proves no one is missing. Is the narrator singing about the contentment of self-discovery or about a more mysterious, spiritual connection? "Is there a double meaning?" Jont asks. "Is he actually happily staring at the ceiling feeling connected to something so much more because he has actually finally met and returned home with 'The One I’ve Never Met Who I Long For'? I'll leave it to you to decide."

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Wednesday, 21 January 2026

Em Spel - Ninå - Chalice Sect - Brother Wallace - The Green Apple Sea - MUKI

Photo - Deidre Huckabay

Em Spel - Geographic.

Em Spel is scheduled to release the new LP "Bird or Snake" on the 27 March on Birdwatcher / Carilloni, the first single "Geographic" is released this week. Em Spel's intricate, flute-driven alt-folk sounds like nothing else in Chicago. Led by songwriter and multi-instrumentalist Emma Hospelhorn, Em Spel's debut album, The Carillon Towers, was hailed by the Chicago Reader as "Scintillating" and by Dusted Magazine as "a folktale turned oddly, surreally modern, a magical realist scenario set in the right now." 

Hospelhorn is a flutist in avant-classical group Ensemble Dal Niente, and her discography includes work on flutes, bass guitar, and keyboards for V.V. Lightbody, Mute Duo, and others working in a diverse array of genres including folk, drone, garage rock, post-punk, and classical. In this solo endeavor, she fuses all of these influences with story-driven lyrics to create invitingly strange folk vignettes.

Em Spel’s second full-length album, Bird or Snake, finds the artist teetering joyfully between art-folk and intimate indie rock. Recorded in Chicago by veteran Califone and Iron & Wine producer Brian Deck, Bird or Snake is an exuberant leap forward for Em Spel. Hospelhorn is at her arranging best, folding dizzying vocal harmonies, elegant instrumental writing, and deftly deployed electronics into a musical tapestry that evokes the warmth and wildness of an industrial Midwestern landscape. The album pulses with life, from the driving drums and propulsively patterned guitars of “Poet” (featuring guest Sam Wagster on soaring pedal steel) through the organ and vocal-driven road trip love song of “Fruiting Body,” which features bird songs Hospelhorn recorded on a handheld microphone at an artist residency in Maine.


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Ninå - Truth or Dare.

Ninå’s “Truth or Dare” blends pop-soul with a bluesy edge and an unmistakably adult feel, classy, confident, and made for late-night rotation. Driven by a locked-in bass line and acoustic guitar, the track moves with effortless groove while letting the vocal lead with warmth, control, and attitude. 

The songwriting keeps it timeless: sharp, vivid lyrics, a chorus that sticks after the first listen, and a guitar solo that seals the mood with real personality. It’s the kind of record that feels both intimate and bold, polished but still human.

Behind it is Ninå, a vocalist who turns real-life turning points into music that feels honest, fearless, and alive. She doesn’t oversell the emotion, she delivers it, and that’s what makes the song hit. "Truth or Dare" is the latest single leading into her upcoming album Bloom with Fire.

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Chalice Sect - Violet Grey.

“Violet Grey” is the latest single from Los Angeles-based electronic darkwave project Chalice Sect. Merging electro-industrial style vocoder, darkwave romance, and dance-driven club rhythms, “Violet Grey” is ready to rouse goth boots onto dancefloors worldwide.

With “Violet Grey,” the band forges a path into goth club rotations with their characteristic blend of industrial-rich beats reminiscent of Kontravoid resculpted with New Order-esque melodicism. Showcasing a unique blend of dark dance fare and '80s alt-inflected songwriting sensibilities, "Violet Grey" delivers a charged reanimation of classic darkwave sounds into heavy electronics for a retro-futuristic sound all its own.

Chalice Sect is a darkwave/post-punk project from Los Angeles, drawing from post-punk, new wave, and dark electro while maintaining a modern electronic edge. Built around driving basslines, synth-heavy arrangements, and direct songwriting, the music balances atmosphere with momentum.

Rather than leaning on nostalgia, Chalice Sect focuses on clarity, rhythm, and energy — creating songs that reference classic influences without sounding dated, and delivering a sound that is both recognizable and current.


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Brother Wallace - Electric Love / Who's That?.

Some artists spend their whole lives getting ready for the moment the world finally hears them. Brother Wallace is one of them. This week, the West Point, Georgia-bred singer, pianist, and soul revivalist announces his debut album 'Electric Love', out on 8th May via ATO Records, and shares the album’s title track—a Motown-esque number that’s equal parts playful, revelatory, and gloriously cathartic—alongside an official music video.

On “Electric Love,” Brother Wallace doesn’t just sing about joy—he fights for it. The song moves like a shot of sunlight through a storm cloud: Stax-and-satin soul, piano-driven, and bursting with momentum, it’s built for the exact moment when you decide you’re not going to let the world harden you. “It’s about choosing connection,” Wallace says. “Finding that current again—the thing that reminds you you’re alive.”

Across its 13 songs, Electric Love is less a debut than a revelation—a body of work fueled by gospel roots and classic soul lineage (Sam Cooke, Little Richard, Southern soul greats) while refusing to live in nostalgia. Wallace writes in lived-in scenes and hard-earned feeling: heartbreak without defeat, joy without naïveté, vulnerability without apology. The album’s rhapsodic opener “Who’s That?” (released last fall as his first ATO single) entered the Top 30 at Triple A radio in the US for the first time this week—an amazing feat for his first-ever single. Now, the title track “Electric Love” expands the frame: this is an artist building a world where joy is radical, and connection is survival. Now, the title track “Electric Love” expands the frame: this is an artist building a world where joy is radical, and connection is survival. 



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Photo - Nic Knelleken
The Green Apple Sea - Big Heart.

German Indie Folk/Americana institution The Green Apple Sea are releasing their new, very personal album "Dark Kid" on February 20th via KF Records. “Big Heart” is a song for and about people who would rather say nothing at all than say something wrong. For those who sneak out of parties without saying goodbye. Who don't answer the phone when it rings because they're afraid of an awkward situation. For people who postpone or don't do important things at all, for fear of messing everything up. 

Those who laugh too loudly at the wrong time. For those who avoid eye contact when talking. For those who use "one" when they mean "I." For those who lower their heads when spoken to. For those who don't reply to a message for weeks because they're afraid of saying the wrong thing. For those who are actually quite funny, but also very strange. For those who feel they don't fit in. For those who know they can't. For those who are far too honest for anyone to take seriously. For those who rarely reply, "Very good. Thank you. And you?" For those who are best off on their own. For those who rarely plan more than a few weeks ahead, because who knows what might happen then. For those who talk to themselves far too loudly when others are around. For those who can't simply be happy when something good happens, because it's supposedly impossible and will inevitably turn into crap. For those who are constantly preparing to die in every possible way. For those whose philosophy of life is more or less reduced to the phrase "I'd rather not."

The theme running through the episodes on the album "Dark Kid" is Stefan Prange's not always easy childhood and adolescence. The fact that his stepfather nicknamed his father "Satan" only seems a bit strange in retrospect. The fact that his stepbrothers chained him to a stair railing with a bicycle lock when no one else felt like watching him might seem a bit cruel in hindsight. But for 10-year-old Prange, it was nothing out of the ordinary. When he tells these stories and sings lines like "I wasn't afraid to die, I was just waiting to die," it's meant with the same pragmatic naiveté with which the protagonist, "Dark Kid," accepts his surroundings.


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MUKI - Gasoline.

MUKI (pronounced mʊk.ie) makes his first impression with 'Gasoline', an emotionally charged indie pop and folk-leaning debut, out this Wednesday, January 21. Born in Dubai with Indian roots, the now Naarm/Melbourne-based Mukul Jiwnani has built his life around making and performing music. A full-time performer, 'Gasoline' marks his official debut under the MUKI moniker, a project shaped slowly and deliberately after years of writing, refining, and searching for the right moment to step forward.  

'Gasoline' unfolds with a gentle sense of space and restraint. Layers of finger-picked electric guitar sit against a spacious kick drum and a hypnotising, echoed snare. While piano drifts through the arrangement to create a lush, dreamlike atmosphere, subtle guitar licks and warm bass lines add colour without crowding the song.  

MUKI’s vocals move between intimacy and emotional release, shifting from wispy softness to impassioned cries and airy falsetto, before opening out into a chorus lifted by layered, choir-like harmonies that wrap the song in warmth.   The result is a loving, immersive intensity that feels deeply personal.  Captured in its slow-burning, impassioned sound, 'Gasoline' reflects on the aftermath of a relationship where love has faded, and acceptance begins to take its place. It captures the moment when holding on no longer makes sense, even while the feeling still lingers. Speaking on the single, MUKI shares:  
 
“'Gasoline’ is my debut single as MUKI, and it’s deeply personal. With ‘Gasoline’, I wanted to capture the tension of a relationship that wouldn’t survive despite every effort. It’s a breakup song, but one about acceptance and moving on.”


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Monday, 19 January 2026

Samuel Taylor - Fast Money Music - Annika Zee

Samuel Taylor - Lost & Overgrown (EP).

Suffolk (England) indie-folk newcomer Samuel Taylor has released his debut EP Lost & Overgrown via No Roads Records (Mt. Desolation). The EP release comes following two radiant singles released in 2025 which established the Suffolk newcomer as one to watch, gaining support across tastemakers including: Notion, Atwood, Earmilk, Amazing Radio and BBC Introducing to name just a few. Alongside the new EP in January 2026, Samuel will also be releasing his first music video of EP track ‘Little World’, by director Mat Kirkby (Adele, Basement Jaxx).

Having been discovered and quickly signed to No Road Records by founder Jesse Quin (Keane, Mt. Desolation), Taylor’s upcoming EP showcases the solo artist's heart-rending songs of love and longing that leave you certain that, however bad things get, it will all be alright.

Produced and mixed by Jesse Quin at Old Jet and mastered by Kevin Tuffy at Tuff Mastering, Lost & Overgrown presents a cohesive and deeply considered musical palette that runs throughout the EP. Rooted in Taylor’s heartfelt, organic indie-folk sensibilities, the collection is defined by a sense of emotional intimacy and careful restraint, allowing each song to unfold naturally and with purpose.

Across the EP, Samuel Taylor’s fragile, emotionally attuned vocals sit at the centre of meticulously crafted soundscapes, anchored by finger-picked acoustic guitar and gradually enriched with subtle layers of strings, keys, banjo and understated percussion. Ambient textures and distant swells create a feeling of space and reflection, while bass and fuller rhythmic elements emerge sparingly, lending the music a cinematic sense of growth around the central folk leaning elements. 


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Fast Money Music - Unfortunately.

Fast Money Music returns with “Unfortunately”, a bittersweet anthem and the latest glimpse at his self-titled debut album arriving this spring. Following the momentum of “Round and Round” (Steve Lamacq BBC 6Music, Clash Magazine) and “Lover Boy” (HERO, Flaunt Mag, John Kennedy Radio X), Fast Money Music is back with “Unfortunately”, and the announcement of the debut album ‘Fast Money Music’, arriving on April 17th 2026.

“Unfortunately” is a bittersweet anthem built on dueling guitars, a driving pulse, and lyrics that sway between intimacy and distance. The track unfolds with seaside imagery: waves, moonlight, and hushed silences, all echoing the cycles of timing in relationships. At its core is a refrain that admits to carrying too much, with both voices weighed down by baggage they can’t quite put aside. Tender yet restless, it captures that familiar space between holding on and letting go.

Recorded between Hackney Road Studios and Fast Money Music’s own space in Dalston, “Unfortunately” pulls from the grooves of The War On Drugs, infusing early New Order sentimentality with a dash of Orange Juice’s bright jangle. “It’s my haunted reply to Rupert Holmes’ ‘Escape (The Piña Colada Song)’,” explains Nick Hinman, “this time centred around NOT drinking, and with the uncertainty of whether the two ever end up together. At its core it’s about intuition, the weight of self-doubt, and how often we’re at the mercy of the forces of nature.”


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Annika Zee - Emerald Spy (Album).

Annika Zee, the Toronto-born multimedia artist and genre-defying musician, returns with her most conceptually daring project to date: Emerald Spy, a vivid and emotionally resonant album released today 19 January 2026.
 
Emerald Spy weaves together diverse sounds and global perspectives into a project that challenges dominant narratives around technology, race, and identity. A fusion of 90s pop nostalgia, ambient electronica, and abstract lyrical storytelling, the album explores the tension between personal fragmentation and collective empowerment in the digital age.
 
Anchored in a commitment to reimagining community and collaboration, Emerald Spy defies conventional pop frameworks. It speaks to a future unbound by extractive technologies and white supremacist AI models, offering instead a vision rooted in memory, resistance, and radical tenderness.
 
“This album connects people across socio-economic and cultural boundaries,” says Zee. “It's about challenging imposed systems while also celebrating the beauty of imagination, resilience, and multiplicity.”

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False Figure - Matilda Schyborger - Hiding Places - JP Soars & Anne Harris

False Figure - Incarnate (Album). Oakland, California - based post-punk band, False Figure has just unveiled their new full-length album, I...