She Rides Tigers - Cousin Kula - Frankie Lee - Lady Nade - James Clayton - Wovoka Gentle

From She Rides Tigers we have the debut album 'Scars' to stream in full, the trio deliver a powerful mixture of rock styles with enough pop sensibilities to ensure a mass of musical hooks along the way. Cousin Kula's 'Stacked' sees the psych pop element of the band in full flow, this is an imaginative song where their jazz influences are just nudging away in the musical arrangement. 'In The Blue' from Frankie Lee takes on the subject of ageing and loss and yet adds a tender and quite beautiful feel with this fine song. Lady Nade's fabulous vocals are a perfect fit for soul and jazz, so it's no surprise that 'Drive Home Safely' (a mixture of both genres) is simply wonderful. James Clayton sent us Avalene with a few personal comments, the song did the rest and with pleasure it's shared below. Wovoka Gentle have given us another song from their forthcoming album which includes The Kids Club Kampala Choir, it's our fifth feature for the London trio who just keep on creating great music. 

She Rides Tigers - Scars (Album).

Chicago trio She Rides Tigers have released their debut LP Scars which follows their debut EP, Standing On The Edge, which was released in 2015.

The band is made up of Joe O'Leary - Guitar, Vocals - James Scott - Bass, Vocals and Ryan Birkett - Drums

She Rides Tigers’ single "Roll With It" was featured extensively in the 2015 production of Grand Concourse at Chicago's Steppenwolf Theater Company. The band has also been featured on Fearless Radio, Voclao (via NPR), WGN Radio, New City, Radio One Chicago and Static Multimedia.

She Rides Tigers is a fuzz guitar, riff-laden power trio blurring the lines between psychedelic rock and powerpop.

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Cousin Kula - Stacked.

Bristol based outfit Cousin Kula are sharing new single 'Stacked' - the second track to be lifted from their forthcoming second EP, due for release later this year.

Melding psych pop, jazz, and electronic pop to brilliant effect, 'Stacked' was lyrically inspired by singer Elliot's Mum going through a divorce. His band mate, Douglas said: "Although it's a song to his mum post divorce, I hear its message as being quite positive and hopeful, like: 'you've got it all stacked up against you, but I back you to come through it all on top.'"

Opening amidst a canvas of atmospheric electronics, reverb-touched synths, and stunning guitar motifs – 'Stacked' kicks into groove, with Elliot sending a message of encouragement: "It'll be alright / You'll find solutions / Yeah you got it stacked / But it's you you're choosing".

Walking into the Cousin Kula household you’re met by bundles of bicycles in the hallway, friends’ artwork on the walls and instruments everywhere. In the garden a self-made pizza oven and an array of home grown vegetables demonstrate their ambition for self-sufficiency. Cousin Kula are a band with an energy not just about the way they make music, but about their day to day life, which translates to the stage with vigour – turning audiences, into fans, up and down the country.

The 6-piece's undulating, refreshing brand of psych-pop was originally born out of Bristol’s progressive jazz music scene. Bonding over their shared love for an eclectic range of music from pop and psych through to prog, disco & afrobeat; the six members soon found themselves living together and with a rehearsal room in their basement became one of the tightest and most impressive bands on the Bristol circuit, blending these genres into something both modern and refreshing.

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Frankie Lee - In the Blue.

Frankie Lee is sharing the second single from his new album, Stillwater, with the beautifully dark rumination on aging and loss. In The Blue sees Lee taking a soft piano approach to the subject, somehow softening the stark reality that time comes for us all. Lee explains that the song “dramatises the confusion felt by the narrator as he watches the important things in life slip away.

Realising he cannot hold on to even one grain of sand, he is led to his final question whether all things are just a dream.” American Songwriter, who premiered the song, says “In The Blue finds the sweet spot between modern, soulful folk and old-school Western balladry, with Lee’s gentle vocal lending an emotional heft to the track’s understated, piano-forward arrangement.”

The video for In The Blue follows on from that of that of previous single Downtown Lights in using archival footage of Frankie Lee’s hometown of Stillwater, Minnesota from which the album takes its name. The footage was taken from the Washington County Historical Society’s John Runk collection by videographer Paul Creager.


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Lady Nade - Drive Home Safely.

Soulful, rootsy-jazz singer-songstress Lady Nade announces the release of new album Safe Place (digitally available from May 17th) impact date June 21st on Mintlime Records. Fresh from supporting fellow Bristolian Elles Bailey on her UK tour, Lady Nade will be embarking on a further tour supporting the 'Queen Of Country Soul' Yola in May.

Lady Nade's music has been likened to a rich fusion of musical greats, with comparisons to the soul-bearing velvet tones of Nina Simone with a heady, jazz splash of Jeff Buckley thrown in. Her songs fill your heart with nourishing words and melodies, her tender soulful voice drawing you in.

The success of her first debut album ‘Hard To Forget’ received support from BBC2 Dermot’ O Leary, Tom Robinson’s BBC6 Fresh Net show, BBC Bristol’s Introducing, France National Radio and Sam Bain (writer of Peep show and Freshman) ‘Yours Truly, Pierre Stone’ BB4 Radio Show. Hotly-tipped shows and residencies, performing in countless locations, from underground bars to festival fields and European cities, have continued to spark further interest and her increasing profile has earned her endorsements from Taylor Guitars, Sontronics and Icon Films.

Nade has collaborated with two familiar musical powerhouses on Safe Place and created with them a bright new world of sonic experiences. Dan Everett has brought his earthy, rootsy folk and Americana to enrich these sonic pastures, and mixing saucier Paul Isaac has conjured new and vibrant soundscapes to support and enhance the album. With Nade at the creative centre, these three chefs stripped down each track to its vocal base and painstakingly built up layers of melody and improvisation to release each song's full potential.


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James Clayton - Avalene.

Fuelled by nostalgia, “Avalene” is a psychedelic retelling of a euphoric night shared with your best friend.

“Avalene” is formless in both it’s composition and lyrics. The song always reminds me of a time where I felt more carefree, and I hope you feel the same way while listening.

Determined to capture the essence of a live performance, “Avalene” was recorded off the floor to tape with Peter Woodford at The Bottle Garden (his studio in Montreal) - James Clayton.


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Wovoka Gentle - Xerxes '19 (ft. Kids Club Kampala Children’s Choir).

London trio Wovoka Gentle have announced the release of their debut album 'Start Clanging Cymbals' on 7th June through Nude Records.

After releasing '1,000 Opera Singers Working in Starbucks', 'Peculiar Form of Sleep', 'Sin is Crouching At Your Door' and 'Tell'em, Makoto!', Wovoka Gentle have now shared a new track from their upcoming debut LP. 'Xerxes' features glitchy electronics, soaring beats and the exuberant voices of Kids Club Kampala Choir.

They add: "You could say there’s an atmosphere of celebration in Xerxes ‘19, even though it’s more or less about death. There’s an imagined ecstatic moment of submission before departing a world running election campaigns for tried and tested tyrants, where legends are equal parts seductive and dangerous. The Kids Club Kampala Choir was recorded in Uganda by a friend of ours, originally for the Kids Club Kampala charity. We wanted to create a call and response dynamic between our vocals and their vocals; the conversation flung across continents."

Wovoka Gentle are an experimental three-piece from London, comprised of William J Stokes and twins Imogen and Ellie Mason. Taking its root in folk and Americana songwriting, the Wovoka sound draws upon the psychedelic soundscapes of the late 60s as well as contemporary experimental, pop and collage music; marrying classic instrumentation with sampling, analogue synthesis and sound manipulation.


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Hannah Scott - Illuminine ft. Hannah Corinne - Mountain Head - In Caravans

We featured Hannah Scott's album "Pieces of the Night" last summer and are really pleased to share her latest single 'Walk A Wire' a vibrant modern folk song with bags of energy. 'The Many Deaths Of Letting Go' from Illuminine and featuring Hannah Corinne on vocals is a dreamy, gentle song that soothes and pleases. Mountain Head's alt rocker 'We Stole Your Head' touches on the information overload that so often distracts us, it does so with some fine hooks and a very engaging musical arrangement. The recent E.P release from Denmark's In Caravans is worth catching up with, the four songs are infectious as the band carve out their own quite individual and attractive sounds.

Hannah Scott - Walk A Wire.

Hannah Scott presents her new single, “Walk a Wire”. Inspired by a friend with a disability who closed herself away for fear of rejection, it invites people to take a chance and open up to life. Hannah tries to follow her own advice despite living with chronic health condition Ankylosing Spondylitis; a recent example saw her speaking in Parliament to a room full of MPs about how her condition affects her life and her music career, despite being terrified of speaking in public! Her MP Rupa Huq, who was in attendance, subsequently described her as “inspirational and courageous”.

Co-written and produced with long-standing collaborator Stefano Della Casa (Ultra Music Publishing), “Walk a Wire” expertly combines organic, live elements with electronic sounds. The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s exquisite synth-rich production.

Since releasing her well-received album, “Pieces of the Night”, through AWAL last summer, Hannah has signed a publishing deal with Chelsea Music and has opened shows for Madeleine Peyroux, as well as touring in Europe and across the UK. Previous releases have been featured on BBC Radio 2, including a live session with Dermot O’Leary, BBC 6 Music, BBC Introducing, The Guardian, MOJO and Clash Magazine, to name a few. Hannah’s music can also be heard in shops and bars including Caffè Nero, Costa, TK Maxx and Marks & Spencer.


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Illuminine ft. Hannah Corinne - The Many Deaths Of Letting Go.

Flemish composer Kevin Imbrechts, the artist at the helm of Illuminine, deftly blends neo-classical with post-rock influences.

The new song is a follow up to his hypnotic third album, simply titled “#3”, which deals with his anxiety disorder and accepting an Asperger diagnosis. For this new release he works again with Hannah Corinne, who gave her soft voice to this track for a very intimate and deep sound.

Kevin Imbrechts about the song: “”The Many Deaths of Letting Go” was first written as a poem. Sometimes you need to write those words to cope with a very difficult time in your life in which it feels like the future is slipping through your fingers like water. You need to make peace with that feeling and the song is the result of that.”

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Mountain Head - We Stole Your Head.

The current influx and acceleration of information has brought on an immense amount of distraction and anxiety that separates us from feeling the presence of the current moment.

“We Stole Your Head” is a reminder to be here now, to connect with life. There are a lot of things out there looking to take your head and lead it down an endless labyrinth.

The sound conception of Mountain Head started with this song. It was one of those moments where it just hits you.

It wasn’t until we brought the song to the studio that it really started to take shape; you could say that “We Stole Your Head” and the ideas it conjured truly did steal our heads. It cleared the foundation and set up our base camp before we ascend this mountain.

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In Caravans - Sunken Streets (E.P).

Denmark's In Caravans recently released their Sunken Streets EP which is their third release of 2019, with two singles "Maybe" and "Courier" released earlier this year.

In Caravans are Lasse (drums), Sebastian (bass), Niels (guitar & synths), Søren (guitar) and Magnus (vocals). They come from the beautiful city of Aarhus, Denmark, which is home to some internationally recognised facilities and events like Tapetown Studio or SPOT Festival. And just like these two brands mentioned - In Caravans, taking inspirations from neo-psychedelia or alternative rock, create a sound that’s unique to that scene but blends right into the exciting indie rock scene of today.

On Sunken Streets EP, there are moments of reflection and ones that will leave listeners hungry for more. Some actually may find themselves thinking why there aren’t more tracks on this EP, why it’s over when they’ve only just got comfortable with this Danish band’s inviting sound. In reality, the release is teasing all indie aficionados into doing exactly that - wanting more. It invites them to be a part of the process and experience what In Caravans have yet ahead of them - and, more importantly, to experience it together; in a mysterious but powerful way.

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Fanclub - Blaire - Beverly Kills - Mystery Art Orchestra

'Imprint' from Fanclub is a beautifully flowing song with appealing vocals and a finely arranged musical back drop. With their music aptly described as Punkgaze, Blaire give us 'Mimer' a distinct and hook filled song that helps explain their musics description. Gothenburg’s Beverly Kills might have created a stir locally, however 'In This Dim Light' might well be bright enough (pun intended) for their music to get noticed far and wide. We have the A side and one of the two B sides from Mystery Art Orchestra's new single as the Berlin based band demonstrate just how good their take on post punk music is!

Fanclub - Imprint.

Fanclub have just shared their new single "Imprint". Fanclub is Mike Lee, Leslie Crunkilton, and Daniel Schmidt from Austin, TX. Mike and Leslie immediately knew they wanted to craft songs driven by their love of all things twee, indie, and dreamy.

What they didn’t expect was that the songs would come out as the most mature and dazzling things they’ve ever worked on. What they also didn’t know was that Fanclub would give us a distinctly new sound that is also so incredibly nostalgic.

On the heels of their debut EP release with already over half a million streams, they want to further craft songs that find hope in the melancholy and bring that same sentiment on the road. With more and more tour dates being announced, hopefully you’ll get to see for yourself.

Tour Dates:
05/22 - Houston, TX - White Swan Live
05/22 - Austin, TX - Hotel Vegas.

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Blaire - Mimer.

Building a kingdom of textured and multifaceted guitar music—brilliantly labelled as punkgaze, Blaire creates sonics that is both visceral and maligned, maximalist and minimal. Hidden behind an explosion of layered guitars and noise lies subtlety and beauty—something Blaire have come to perfect in their two-year career.

Blaire is proud to release the new single into the world. After turning plenty of heads last year with two astounding tracks, 'Youth' and 'Smiling', Blaire's new track, 'Mimer', is out today via GD FRNDS.

Blaire has never sounded so polished and forward. Their pretence of sweltering punk swashed underneath a shoegaze current remains omnipresent, though embeds itself in a dichotomy of deepened pop movements. Using a synth for the first time in a Blaire track, there was a conscious effort to make a dreamy and otherworldly vibe on 'Mimer'.

Sparked by the passing of a family member, Blaire frontman Ben Stagg constructed a contrast of "efflorescent dreaming" and "ephemeral nightmares" to deal with or distract himself in that time.

"Mimer takes a look at the idea of distance," explains Stagg. "Whether that be a friend who lives far away, someone who's passed, a favourite place, country, anything. It is a reflection on the fact that you can still feel whatever's missing from you in a range of ways, and can be 'mimed' by something else."

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Beverly Kills - In This Dim Light.

Beverly Kills are creating an impressive name for themselves as one of Gothenburg’s up and coming bands to watch. Last year saw the band release ‘Fourteen’, ‘Melodrama’ and ‘Dreamless’, gathered great acclaim from both local and international press including being mentioned as one of the “Best Swedish Indie Debuts 2018” by HYMN and being nominated for "Breakthrough of the Year” in the Gaffa Awards. This also saw the band playing Gothenburg music showcase festival Viva Sounds and a side show at this years by:Larm Festival along with shows supporting Agent blå, Moaning(USA- Sub-pop) and Västerbron.

The release of ‘Revellers’ earlier this year came with the announcement of their debut physical release ‘In This Dim Light/Melodrama’ limited edition 7” vinyl through Australian Indie label Hell Beach. ‘Revellers’ received a plethora of editorial support among being added to Spotify’s Fresh Finds playlists, featured in Hype Machines most blogged charts and saw new live dates including taking the stage at this year’s SPOT Festival and shows supporting Terra and Westkust. ‘In This Dim Light’ signifies a new era for Beverly Kills as they join the Welfare Sounds roster, aligning with amazing fellow label artists such as Linn Koch Emmery, Terra and Tyred Eyes which is set to propel the band forward into a future that is looking very bright.

‘In This Dim Light’ may be Beverly Kills most compelling single to date and further encapsulates the bands signature sounds as they suck you in with dreamy and infectious hooks then spit you right back out with raw and thumping energy.The initial tone of the song is set by Alma Westerlund’s beautiful vocals that flow effortlessly over melodic, dreamy synths which is then completely augmented as Viggo Mattson and Hampus Höggren lay down a powerful stomping rhythm section that propels the song into full motion.

As the song builds towards its final climax, John Jonsén’s punchy and articulate guitar performance carries the song through sections of tension and release as the band artfully blend raw and energetic sonic landscapes with dreamy lush vocals. Lyrically, Alma poetically reflecting on the type of people who compulsively start talking about their exes after they’ve had a drink or two, ending up ranting about them for the rest of the evening, almost as a process of self-purification.“A gray wall can become a sky or an ocean if you look close enough, we played an eye for an eye and you took them both”. ‘In This Dim Light’ clearly demonstrates Beverly Kills song writing prowess and further establishes their emergence in the ever-exciting Gothenburg indie scene.

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Mystery Art Orchestra - Enjoy The Violence / Losing Relation.

Berlin-based Post-Punk / New-Wave band Mystery Art Orchestra released their new EP last Friday. Following six years of work on their debut album “Prismatic Dream” (2018) and several live performances, Mystery Art Orchestra returned to the studio and produced the 7" Vinyl “Enjoy The Violence”.

This cheeky new EP contains three new tracks and comes with an emergence of new darker sounds. Light-minded or not, fragments of sounds are the only form that Mystery Art Orchestra trust. Measured against the east german landscape of their hometowns, its only slightly sentimental.

Hypnotic, disruptive and sometimes strangely familiar, almost as if different musical decades have been torn apart and stitched back together in unexpected ways.

"If you like blurry guitar sounds, melancholic vocals and long stretches of instrumentals lining your car rides, lonely walks or meaningful stares out of the windows, you’ve reached the right address with Mystery Art Orchestra"



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Honey Moon - Swanes - Le Boom & Æ MAK

Honey Moon have released 'IF I Could Only Dream' a fresh and vibrant jangle pop song that exudes classic pop vibes from decades ago. Toronto duo Swanes have created a lush, rhythmic and dreamy electronic piece in the form of 'Dreams Of Iceland'. Irish electronic-pop duo, Le Boom have teamed up with Æ MAK to share 'Dancing Bug' accompanied now with a fabulous video, adding a little extra to this upbeat song. 

Honey Moon - If I Could Only Dream.

London jangle-pop crooners Honey Moon stomp into 2019 with new single If I Could Only Dream, teaming up once more with Manchester label Heist or Hit  (Her’s, Pizzagirl, Baywaves, Guest Singer). It’s the first jangly slice of sound the quintet have delivered since last year’s acclaimed Four More From… EP, which drew fans from tastemaker tomes DIY and DORK magazine to BBC 6 Music and legendary cratedigger Elton John.

Distilling their trademark doo-wop sound to first principles on the new single, Honey Moon capture snatched moments of 50s/60s jukebox culture. Bright, plucky 50’s sounding guitars, lively baselines and poppy drums carry the song as a confident and direct strut through the ballroom, whilst vocalist Jack Slater Chandler serenades with a commanding quiver.

As Jack posits: “'If I Could Only Dream' is about change, transition and wishful thinking. It's about trying to right some wrongs. Sounds quite corny for someone in their mid-twenties but it was written during a cycle of change in my life that needed documenting in some way, and ended up in a sweet ditty. A sunny little pop song - one for the tried and tested mooner.”

The months between the last release and this return have been busy for the lovelorn boys. Support tours with label mates Her’s as well as fellow retro dreamers FUR have kept them on the road, before burying their heads in mixing desks and vintage equipment at The Nave studio in Leeds, with producer Alex Greaves (Working Men’s Club, The Orielles, Heavy Lungs).

The 5-piece will be performing their biggest headline show to date at The Sebright Arms in London on April 26th,  with an appearance at Are You Listening? festival also in the calendar.

Honey Moon are… on the drums, Glenn Rawcliffe, on the bass and vocals Joey Julliard, on lead guitar and vocals Zach Urch, on keys Daniel Moore and on guitar and lead vocals Jack Slater Chandler.

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Swanes - Dreams of Iceland.

Radio 1-tipped Toronto duo, Swanes, comprising of brothers Michael and Stefan Bildy, are today sharing their new single, ‘Dreams Of Iceland’. The lucid new cut follows previous releases on French/Japanese label, Kitsuné (Parcels, Hot Chip, Simian Mobile Disco) and will be supported with a date as part of Canadian Music Week where they will perform at The Garrison, Toronto on May 7, 2019.

With production that is coloured by rich atmospherics and vibrant idiosyncrasies, ‘Dreams Of Iceland’ is another expansive step forward for the pair. Drawing on ancient Nordic song forms, melodies, and recorded folklore, ‘Dreams of Iceland’ cuts a fine curve between icy electronic soundscapes and tropical pop, looking to explore various tropes of relationships through sultry vocal harmonies and an earworm chorus hook.

Alongside tips from the likes of Colors and Bandcamp Daily, as well as continued support from David Dean Burkhart’s esteemed YouTube channel, SWANES have found success on influential Spotify playlists such as ‘Indie All-Stars’ and ‘Fresh Finds’. The pair, who were recently highlighted by Australian electronic heavyweights, Future Classics (Flume, Jagwar Ma), have plans to tour North America extensively later in the year.

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Le Boom & Æ MAK - Dancing Bug.

Irish electronic-pop duo, Le Boom, comprising of Christy Leech and Aimie Mallon, and fellow Dubliner Æ MAK (Aoife McCann) are now sharing the video for their new BBC Radio 1-supported collaborative single, ‘Dancing Bug’. The new music is shared alongside news of Le Boom’s largest headline to-date, a stop at the 1250-capacity Olympia, Dublin on October 11, 2019 - tickets available here. The new date will follow a summer of festival touring and a brief May run, taking in stops at Thousand Island, London on May 3, 2019 and further dates at Live At Leeds and Hit The North - all dates below.

Following the impeccably choreographed ‘Just Want To’, the compelling melodies of ‘Dancing Bug’ - which visually finds Leech, Mallon and McCann gliding through the streets of Stoneybatter, Dublin City - is the latest cut from the forthcoming EP, ‘All Of My Highs’, set for release May 3, 2019. “‘Dancing Bug’ is about falling into your bedroom after a bad day and dancing like fire to your favourite song; to escape the stuff you just had to deal with,” says McCann. “That energy taking you off into the other world that you're visualising as you dance.”

Speaking about the musical coming together, McCann continues: “I’d always loved Le Boom's live shows - myself and my mates dancing ourselves into the ground, high energy and love. Myself and Christy met at The Great Escape last year and got on like a house on fire. We were both like 'I like your music - I like your music, cool'. We wrote Dancing Bug in a couple of hours late last year. Loved every minute.”

2018 signposted an exciting milestone for Le Boom, it was a year that found the pair performing across some of Europe’s largest festivals, including Primavera, Longitude, Body & Soul and Electric Picnic, whilst also taking their eccentric live show to Reykjavik, New York and Bilbao. The year also found the duo selling out an Irish headline tour - including a stop at Dublin’s 1000-capacity District 8 venue - and achieving playlist success at Spotify, attaining spots on ’New Music Friday’ & ‘Hot New Bands’ amongst others.


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JYLDA - Josh Del - Todd Warner Moore - Charlie Hole - Portland

'Reeled' from JYLDA is dreamy, melodic and her vocals are alluring, add in the vibrant beats and the song is indeed extremely catchy. Josh Del is another artist where the vocals are a key ingredient, their natural Americana instinct coming to the fore on 'Rolling Stone' a timeless country piece. Todd Warner Moore has just released 'Love & Change' an album comprising of thirteen songs, where his musical talents explore a variety of genres, and with excellent production this is a fabulous collection of music. Charlie Hole latest song 'All The Roads To Heaven' is just beautiful, the singer/song writer brims with feeling and the melodic hooks do the rest. Expansive, atmospheric and dreamily seductive 'Expectations' by Portland is a mixture of emotion, calmness and power, now there's a combination.

JYLDA - Reeled.

JYLDA is Italian-German Gianna Gehlhar's musical alter ego. Now based in London after a stint in Berlin, she releases her debut TWITCH EP, produced with Beni Giles (Otzeki, James, Marcus Foster).

JYLDA's voice finds a playful connection with sensuality and rhythm comparable with Robyn, Jessy Lanza or Little Dragon. It all revolves around the pop song, but with a darkness reminiscent of St. Vincent, Grimes and Lykke Li. JYLDA's operatic roots give her voice a unique captivating siren-like intensity, drawing you into her enchanting world.

JYLDA states: "Twitch gives an insight into different parts of my personality. The songs are like short stories about melancholy, dance, playfulness and sensuality. In all of them I’m looking for the connection between body and mind and the hidden irony of every tale.“

Twitch is the first release from JYLDA since moving to London last year. During that time she's been writing and collaborating with a series of exciting artists including Blakey, Ah!Kosmos, Hugh, Salt Ashes, Pillars and Kirk Spencer, the results of which will be seen in future releases in 2019 following her debut EP coming out.


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Josh Del - Rolling Stone.

Josh Del is a singer/songwriter from the Coachella Valley. He grew up escaping the desert heat by playing guitar and writing songs in studios.

His gravely voice and bluesy playing have earned him comparisons to some of the greats in Americana history.

Rolling Stone is a stirring, soulful roots-rock ballad built around his dusty vocals, rich keyboards, and an earthy, muscular arrangement.

And in just three minutes, it does the near-impossible: Makes you put Muddy Waters, Bob Dylan, Mick, Keef, Otis Blackwell, The Who and the rest out of your mind for three minutes. Which begs the question: How does it feel, Josh?

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Todd Warner Moore - Love and Change (Album).

We have a new album from pop/folk singer-songwriter Todd Warner Moore entitled 'Love & Change'. Even though Todd's mainstay is along the lines of acoustic driven songs, he has a knack for capturing different sounds and eras of Americana and Folk music reminiscent of greats such as Bob Dylan, Neil Young and especially the Irish overtones of Van Morrison.  Todd also releases a steady flow of instrumental fare, reaching into ambient and cinematic territory. "Love & Change" is the sound of a perceptive, lyrically gifted artist perfecting his craft.

Originally from Kansas City, Kansas, U.S.A., Todd Warner Moore has penned a diverse catalogue of music over time. His newest album contains dashes of Folk, Americana, 70s Singer/Songwriter, Classical, Jazz, and Gipsy music.

In the 90s, Todd co-wrote songs and toured with Acoustic Juice through the American Midwest, delivering ery songs to students in college towns. Later, in Budapest, Hungary, he performed solo melodies in tea houses, where his expat band Tea Thieves would come to life. Over several years, the energetic band would release three albums. Before leaving Hungary, he nished his album titled Long Days. Todd has lived on Lamma Island in Hong Kong for the last eight years, where he plays at small festivals and pubs.

Spark was his second full-length album in 2018. Now Todd is back with another full-length release "Love & Change", which finds him further honing his songwriting craft.

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Charlie Hole - All The Roads To Heaven.

Born and raised in the coastal town of Bournemouth, UK, Charlie Hole’s story began when he heard Damien Rice’s ‘O’ at the tender age of 14. From that first listen, his desire to reach the same emotional depths became clear; realising his ability to create emotive and fearless tracks, learning and evolving throughout.

After a chance meeting with the well-respected guitarist and producer, Jim Cregan (Rod Stewart, Katie Melua, Family), the pair began working closely together, with Jim mentoring Charlie and teaching him about the world of songwriting while always pushing him to develop his own style and sound.

Finding comfort in beautifully crafted words over effortless melodies, Charlie Hole is one of the most exciting young singer-songwriters around.

Coined by Rod Stewart as an emerging talent with a gift for writing ‘beautiful songs’, Charlie has always been destined for great things. With a brave and honest voice, tackling relatable subject matters for all audiences, Charlie Hole shares his personal stories of broken dreams and lost love in the pursuit of happiness through his powerful and commanding songwriting.

With inspirations ranging from legends such as Bob Dylan, Leonard Cohen and Tom Waits, Charlie has been writing music and touring his songs across the UK and Europe for over 10 years, playing well over 1000 gigs, and has supported notable artists such as Billy Ocean and Steve Harley. Charlie has also taken his live shows to an intimate level, doing a Living Room Tour of fans houses to only a handful of guests. The tour was close to his heart as he is heavily involved with Sofar Sounds, after bringing the monthly events to his hometown of Bournemouth.

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Portland - Expectations.

Finalists in Belgian’s magazine Humo’s Rock Rally 2016 and winners of broadcaster Studio Brussel’s ‘De Nieuwe Lichting’ 2018. Their packed festival summer and completely sold out club tour took them all over Belgium in 2018. Portland creates dreamy, everlasting storytelling songs.

The band’s debut single ‘Pouring Rain’ gained more than a million streams on Spotify, under their own management. Their subtle rework (upon request of Studio Brussel) of alt-J’s ‘Matilda’ gained popularity faster than expected and was released as a successful second single.

Their rise in popularity didn’t go unnoticed and last summer Portland proudly teamed up with [PIAS]. The first result of this partnership was ‘Lucky Clover’, an emotional, dreamy and subtle piece of harmonic prose, whose greatest strength is the harmonies and interaction between front duo Jente Pironet and Sarah Pepels. The single got picked up on radio in Flanders, club shows sold out quickly and an invitation to play this year’s Rock Werchter and Pukkelpop festivals followed.

Gearing up to release their debut full length album after the summer, Portland now proudly presents their new single ‘Expectations’. An epic and cathartic love song using lush strings, chimes, timpani, electronics and electric guitars to counter Jente and Sarah’s remarkable voices. “‘Expectations' is about high hopes, deep disappointments and very abstract interactions between attractions, rejections, doubts and certainties,” Jente explains. It’s a bold move and a step up from their previous output, still retaining the same otherworldly, dreamlike quality.


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GURU - Wy - Kris Kelly - Silent Forum

'Fixation' from GURU is a formidable punk rocker, the vocals are fierce and not to be left behind, the band are equally forceful. We have already featured a couple of gorgeous songs from Wy's forthcoming album and the final teaser 'Swedish Summer' ups our anticipation even more! We are a little late sharing Kris Kelly's music video for 'Birthplace' but this is such a wonderful song, it simply has to be featured. Cardiff (Wales) based Silent Forum's third single 'Safety In Numbers' is imaginative and not easy to categorise, so we will file under creative post punk, indie something.

GURU - Fixation.

Brighton’s endless production line continues to reinforce their status as one of the UK’s finest indie hotbeds and in punk sensations GURU they’ve certainly found another to add to the growing list.

Bursting out of the blocks with their rollicking third instalment Fixation, the rising quartet demonstrate all the makings of a band ready to make a name for themselves with their raucous live shows, having torn up stages throughout the UK on their recent sold-out tour alongside fellow risers Lady Bird.

Switching out the distortion driven guitars in favour of Dick Dale inspired licks and a clearly discernible chorus, their latest effort possesses an all-round groove, dealing with irreconcilable differences between people as part of a natural human condition, and follows encouraging early comparisons to the likes of Shame and Fat White Family.

Detailing their upcoming release, front man Tommy Cherrill explained: “Lyrically I’ve focused on the irreconcilable nature of some relationships I’ve failed to repair from earlier years of my life. I realised I wasn’t alone in having these botched relationships and so began writing the verses from the third person as an imagined narrator of others who’ve fallen out. Sometimes things just don’t work out and I’m not making a judgement call on whether that’s a good thing or not, we just wanted to write a blood number one for the Billboard Hot 100, ha”!

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Wy - Swedish Summer.

Ahead of the release of their highly anticipated second album 'Softie', Swedish duo Wy have today shared the final taster of the new record; the melodic, captivating and haunting 'Swedish Summer'. The song was the first the band wrote for the LP, which is due for release in one week via Hybris and Beatnik. Accompanied by another stunning video, directed by the band's singer Ebba.

On the meaning behind the song, Ebba explains: "Swedish Summer is about having too high expectations on yourself. It was actually one of the first songs we wrote for the album. We were growing tired of the tempo of our debut album and this track really helped us break away from it and have more fun with our songwriting. The name "Swedish Summer" was just a working title because we wrote it during the summer last year, but we kept it because it fit the sound so well. It's a funny name, because the lyrics are kind of dark."

The band's earnest eleven track sophomore album includes the previously released, BBC 6Music supported singles 'Pavements', 'Softie' and 'Tired II'. It follows their debut LP 'Okay', which became something of an underground sensation and garnered the highest praise with comparisons to Slowdive, Cigarettes After Sex and Mazzy Star. The new record is set to further cement their position as one of the most exciting bands around right now.

The forthcoming album is very much a statement on the turbulence of human existence, written from Ebba's experience of being bipolar. With their clarity in emotion and unapologetic use of lyrics, it's an important record in more ways than one. She explains, "'Softie' is an attempt at proving there is more than one way of being a functioning human being. The album is about coping, growing out of your fears, learning how to distance yourself from your anxieties and the ups and downs that comes with being bipolar. 'Softie' is ultimately about releasing the pressure from yourself and that's what we have been doing in the process of writing these songs. We ended up with a record that was turbulent, back and forth and non-conforming. And we love that, because it feels very 'us' and we really wanted our second album to hit you in the face rather than rock you to sleep."


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Kris Kelly - Birthplace.

Kris Kelly is pleased to share the song and video for his newest single “Birthplace.” Throughout the song, Kris explores the idea and concept of one’s birthplace, and what that means on a deeper, wider scope, provoking the listener to examine and dissect their own genesis.  

The accompanying video, executively produced by the widely-recognized and acclaimed Alma Har’el, and directed by Adi Halfin (Radiohead/Batsheva Dance Company), is a gorgeous counterpart to the track.  

“For the ‘Birthplace’ video, I explained to director Adi Halfin what the song meant to me, and she came up with this beautiful concept. The video unfolds like a dream. There is me, the narrator, in a room, away from the outside world, juxtaposed by these different characters on the exterior, each one very different from the other, in different emotional states, relating to their environment in different ways. There is struggle, peace, conflict, harmony. And there is definitely an element of surrealism and there is not a linear storyline or sense of time. It’s a dream. And like in a dream, to me anyway, the characters all represent different pieces of the main character. I ended up relating to each character in my own personal way, and I think the viewer will have their own experience as well,” explains Kris. “Birthplace” will appear on Kris’s new record Runaways, due out Summer 2019.


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Silent Forum - Safety in Numbers.

‘Safety in Numbers’ is the third single released by the Cardiff based Post-Punk / New Wave four piece Silent Forum on Libertino. Following on from the swaggering, off-kilter, infectious pop energy of ‘How I Faked The Moon Landing’ and ‘Robot’, ‘Safety in Numbers’ explores a far more reflective musical landscape. This is a song that “expresses the importance of looking after your friends......that time will forget us, but that our relationships are the most meaningful thing we can achieve in life.”

Yet again Silent Forum delivers a song very much on their terms, a song that resonates with kindness and a musicality that captures your heart.

Performing under the name Silent Forum since late 2015, the four-piece deemed Wales' most promising band blends shadowy Post Punk with uplifting, inspiring New Wave. They move unpredictably from serious and direct to playful and overblown.  Since they signed to Libertino records their sound has taken an ambitious turn, gathering praise for epic singles like 'How I Faked the Moon Landing' and 'Robot'. They have an eagerly awaited debut album set for release later this year.

Destroy//Exist "The sound sophisticated and playful at the same time, certainly reminiscent of the artful progressive pop sound of XTC, the nerve of Wire and the new wave idiosyncrasy of Squeeze and Talking Heads, while maintaining the entirety of the quartet's fervent originality."

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Zoe and Cloyd - Sandtimer - Thin Lear

We have some splendid and totally natural roots music from Zoe and Cloyd, the musicianship is just right and the dual vocals and live feel to the song adds even more character. Sandtimer have just shared 'Dormant' along with a fine video, their indie folk is outstanding and the vocals are wonderful on this addictive song. 'Death In A Field' from Thin Lear (songwriter/producer Matt Longo) is a beautiful piece, where his vocals are just so engaging and the musical arrangement is seemingly pristine.

Zoe and Cloyd - Looking Out For You And Me.

Roots duo Zoe & Cloyd have released a video for their latest single, “Looking Out For You And Me,” a song that illustrates today's issues of change and how it affects us. It warns against allowing self-interest and short-term gain to take precedence over the well-being of future generations.

Husband and wife artists Zoe (Natalya Weinstein) and Cloyd (John Miller) blend their long-crafted folk harmonies with fellow bandmates Kevin Kehrberg on bass and Bennett Sullivan on banjo. The tight musicianship, great flatpicking and impassioned message shows Zoe & Cloyd's ability to play hard-driving, traditional Bluegrass with a message modernized for the times.

The song was written by Miller, who says, "'Looking Out For You And Me' asks us to look critically at the ones making decisions related to our collective well-being and that of future generations."

Zoe & Cloyd spring from deep roots in American music. Founding members of the acclaimed Americana trio, Red June, and long-time veterans of the Asheville, NC music scene, Natalya Zoe Weinstein and John Cloyd Miller released their second full-length album, Eyes Brand New, in spring of 2017. Highlighting their emotive songwriting and signature harmonies, this album showcased the breadth of their collective musical spirit, seamlessly combining original folk, country, old-time and bluegrass with sincerity and zeal. Zoe & Cloyd’s debut recording, Equinox (2015), was met with high acclaim and the pair has continued to gain momentum with a 1st place win at the prestigious FreshGrass Festival Duo Contest along with performances at MerleFest, Music City Roots and more.


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Sandtimer - Dormant.

Dormant follows on from a string of laid-back indie folk singles that Sandtimer have published over the last year, but moves into deeper, darker territory with dense percussion, haunting vocals and spiky acoustic guitar.

An indie folk band might be considered an unlikely outfit for Robert Sword, a classically trained pianist, and Simon Thomas, an Oceanography graduate, to end up in. However, these things can happen in unusual ways. Sandtimer create music that often centres around the passage of time, including themes of reflection, escapism and hope.

Their recordings have been featured on a number of national radio shows in the UK, as well as several prominent blogs and playlists. Now operating as a full band, with Rachel Thomas on bass and vocals, and Alex Jackson on percussion, they have performed on the UK acoustic circuit frequently, as well as touring western Canada and northern continental Europe.


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Thin Lear - Death in a Field.

Inspired by the passing of a loved one, Thin Lear’s latest single Death In A Field is a complex story about death and rebirth. As per artist’s words: Initially, I just had the opening line of the song: “I’ll survive as a child/All hungry and wild/Life overwhelming is life at the start.” I just really liked the concept of someone nearing the end of their life, and thinking about being reborn, being a baby again, and looking forward to the tremendousness of experiencing life for the first time. Someone at the end of existence feeling the tug of something new, and terrifying, and potentially beautiful. And then the choruses came out of that. Waking in the morning, or “drowning in an evening of lovely black sky,” indicate a kind of serenity in being swallowed up by eternity, and finding some sort of comfort in that.

When I started writing the song, I had recently watched someone I love pass away in a brief, but organic way, and there were moments in their process of dying that seemed to bring revelations to them. The character in the song is of my own invention though. This character isn’t perfect, and is well aware of that, and is simply being honest about what they’ll miss the most, and what they’re looking forward to. And it isn’t always flattering, but it’s true to the character.

The song aims to connect the listener to a feeling or a memory of something sad or wonderful from years ago, maybe something they haven’t thought about in a while…a person or a moment. Songs I love really do that for me. Sometimes it’s hard for me to know how I’m actually feeling, so music allows me to dig past any confusion, and really uncover pieces of who I am and what brings me emotion. So, yeah, I hope the song opens a heavy door in someone’s mind - Thin Lear.

Thin Lear, the project of Queens-based songwriter/producer Matt Longo, evokes the restless expansiveness of 70’s-era studio obsessives. Pulling influence from the insular worlds of Astral Weeks, Tim Buckley, and Shuggie Otis, Thin Lear finds the middle ground between the spontaneous electricity of a live room and the pristine meticulousness of careful, deliberate production. With sweetly plaintive vocals, often compared to Harry Nilsson and Cat Power, melodies hover over orchestral flourishes, gleamingly processed guitars, and ethereal organs and pedal steel, all backed by the kinetic sway and thump of a jazz combo. Songs careen from ornately warm ballads, to psychedelically-tinged folk, to propulsive grooves, with rushes of color and lush walls of sound.

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Talkboy - Jenn Vix - Nathan & Jessie - Jacko Hooper

Talkboy return for a fourth time on Beehive Candy, this time with 'Wasting Time' another gorgeous indie pop (with a touch of rock) song, firing melodic hooks in all directions! We featured Jenn Vix a couple of times in 2017 and she is back with a new E.P '6' of which we can share the video for 'Ride' the first song in the collection and a good indicator of the quality of her highly engaging electro pop. We have two wonderful songs from Nathan & Jessie whose mixing of jazz, folk, country and more is simply incredible, expect up-skilled talent, you won't be disappointed. First featured here in November last year Jacko Hooper is back with a video for 'Sidelines' and for a change we have added some reviews from others, equally impressed by his material and vocal ability.

Talkboy - Wasting Time.

Taking things up a notch with sparkling new anthem Wasting Time, Leeds sextet Talkboy reaffirm their budding status as one of Yorkshire’s most exciting indie prospects ahead of their debut EP release this summer.

Joining forces with Leeds label Come Play With Me and LAB Records, the band’s fourth single features a glittering array of melting harmonies nestled within their trademark euphoric walls of noise, qualities that have already attracted widespread acclaim from the likes of The Line Of Best Fit, Dork and Clash over the last twelve months.

With the underlying influences of contemporaries Alvvays, The Big Moon and Sunflower Bean evident within their own unique style, the fledgling six-piece have so far ticked off supports alongside Our Girl, Another Sky and Bully, with a growing number of festival appearances (Blue Dot, Live At Leeds, Y Not, Long Divison) slated for the summer months where their soaring live reputation strongly comes to the fore.

Speaking ahead of their fourth release, Talkboy revealed: “It’s the catch-22 situation we often tend to find ourselves in – that we should enjoy ourselves as much as we can whilst we’re young, but at the same time, there is an over-riding feeing that you are wasting your time and you have the future to consider. It’s a juxtaposition of coming to terms with added responsibilities whilst trying to make the most of the present”.

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Jenn Vix - Ride.

Jenn Vix's brand new EP 6 is due out on May 3rd via Umbrella Music Co.

6 is a really fun journey through the electropop genre, featuring slower and chiller tracks such as “The Mask of Charon," as well as more bombastic dance jams such as “Rover," which is my personal favorite track, it's such a banger. There's also the instrumental closer, "Valentine," which is really unique and helps show how talented Jenn is at producing.

Jenn also has a massive, personal, and complicated yet inspiring life story that I couldn't possibly do justice in this email. She was homeless in NYC from 14-17, shes a domestic violence/sexual assault survivor, she had a near death experience due to emergency rooms denying her care.

These are subjects that Jenn has written about before as well, some of them have even inspired songs on the EP, and they are topics Jenn is hoping to talk about so she can share her experiences and potentially help others going through similar situations.


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Nathan & Jessie - You're The Star / A History On Lost Art.

The music of SoCal duo Nathan and Jessie is as unique as the two individuals who create it, brimming with eclecticism, spontaneity and timeless charisma. They swing hard and serenade gently, singing fluidly in 3 languages, oscillating from bittersweet jazz folk to country blues without missing a beat.

Nathan & Jessie are chronic world travelers, drawing inspiration from all they’ve encounter on their wayfaring journey. They have played in dive bars around the California desert, in the streets of New Orleans, on the subways of NYC, and listening rooms rooms and performing arts centers across the globe including Mexico City and Paris. Along the way, they’ve picked up awards for ‘Best Blues’ and ‘Best Country’ Song at the Temecula Valley Music Awards, recorded live sessions for Acoustic Guitar Magazine and Nashville’s WMOT Roots Radio, and played alongside folk luminaries like Handmade Moments and Dustbowl Revival.

Their sophomore release, You’re the Star, is the follow-up to their incredibly self-assured 2018 debut, That’ll Never Be Me. Many of the songs on the new LP were crafted late at night while on tour. Tired and cold, often with nowhere to go, fingerpicking and singing to a new city, Nathan & Jessie comforted each other with their music. That warmth and sense of well-being can be felt in the resulting recordings. It’s if Django Reinhardt and Peggy Lee decided to pull their material from the Great American Songbook - it’s chock full of style, yet there is little pretense with these two. They are simply sharing their lives through their music and, fortunately for us, these two individuals lead their lives in a very unique way.


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Jacko Hooper - Sidelines.

'Sentimental, wistful and touching, Jacko Hooper is a one-man songwriting machine with a painfully beautiful voice that is bound to move even those with the coldest hearts.' - Another Lazy Sunday

'One of our favourite singer-songwriters this year. With a dedicated army of followers around the world and a voice recalling the late Jeff Buckley, we predict huge things for next year... - Source Magazine

"Jacko Hooper is without doubt one of the best artist to feature on Balcony TV to date,his live performance is gripping and intense and his songs stay with you long after the show, catchy melodies and clever chord structures...he is one to watch." - BalconyTV.


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Hannah Rosa - Alex Spencer - Lauran Hibberd - Alejandra O'Leary

An all female line up today on Beehive Candy starting with Hannah Rosa and 'Fire,' a song that sees her captivating indie pop showcased with style and quality. The merging of jazz and folk music not only works, it's somewhat breathtaking on Alex Spencer's new album 'Shine' which you can stream in full below. 'Hoochie' is the sixth song we have featured by the very talented Isle Of Wight artist Lauren Hibberd, it's as good as any of the others, and we have raved about all of them! Alejandra O'Leary new album 'Everest' comprises of eleven tracks of which 'Wires' is the opener. A gorgeous rocker, it is but just one dimension of this variety packed collection, the musicians are impressive as are the songs and Alejandra's adaptive vocals.

Hannah Rosa - Fire.

Capturing hearts and commanding attention, Brisbane's indie-pop darling Hannah Rosa is back and better than ever with dreamy new single, 'Fire'.

Following up highly praised release 'Hollow', 'Fire' turns up the heat, combining heavenly melodies with a string of soaring synth and guitar lines. With production from  Tristan Hoogland (Golden Vessel, Woodes) and additional production flourishes by Jarryd Shuker (Art of Sleeping, Wyatt), Hannah Rosa's latest is more refined than ever, and nothing short of indie bliss.

Contrasting the upbeat soundscape beneath, lyrically Hannah embellishes on her struggles with self-judgement in the modern age. Hannah explains, “I wrote ‘Fire’ about that uncomfortable feeling you can get scrolling through social media. If you’re depressed, sad or unconfident, it can be confronting and isolating to see people looking happy and living life to the fullest. For me, the track is an antidote to negative self-talk and is a personal reminder that it is always possible to ‘catch alight’ again."

2018's 'Hollow' saw Hannah Rosa rocket to new heights, receiving praise from Pilerats, Blank GC and Wickedd Childd alongside spins on both triple j and triple j Unearthed, and a Highly Commended in the esteemed Queensland Music Awards. Going on to support the likes of Mosquito Coast and Kyle Lionhart, Hannah has also performed tastemaker festivals such as  Brisbane Festival, Queensland Music Festival and Bluesfest Byron Bay.

With more music set to be released later this year, Hannah Rosa will continue to amaze throughout 2019 with her illuminating and wholly refreshing sound.

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Alex Spencer - Shine (album).

Having been away from the active music scene for several years while raising her 4 children, Alex Spencer has returned with a compelling new album, Shine. Teaming up with the stellar Berlin jazz trio of Ben Lehmann (double bass), Martial Frenze (drums) and Paul Engelmann (alto saxophone), Spencer has produced work of change and transformation.

The songs explore juxtapositions between youth and aging, children and parents, technology and humanity – all underpinned by the group’s steady rhythms and mellow tones. Part feel-good jazz, part sophisticated folk, this album stretches its arms wide and brings its themes together around a kitchen table where everyone is welcome.

Growing up in a musical family amongst both the green hills of western England and the forests of southern Germany, Alex Spencer moved to the big city of Berlin after her studies in Philosophy in the summer of 2000.

Between her children and working as a teacher, she has also managed to keep her life and identity as an artist alive, releasing her first album, ‘Underwater’ in 2010 and following it up with ‘Shine’ in 2019. When she's not playing live on the Berlin singer-songwriter gig circuit, Alex can be found walking her dog through Görlitzer Park in her Kreuzberg neighbourhood.

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Lauran Hibberd - Hoochie.

Humorous, infectious and charismatic in equal measure, Isle Of Wight’s rising sensation Lauran Hibberd thrives once more with anthemic single Hoochie, firmly solidifying her growing status within the UK’s emerging indie elite.

Fresh from a widely acclaimed support UK/EU tour alongside US indie rockers Hippo Campus, the singer-songwriter’s care-free new offering arrives ahead of her biggest headline shows to date, festival appearances including Live At Leeds and Hit The North and a slot on the BBC Introducing stage at this year’s Glastonbury Festival.

Buzzing across the airwaves with BBC Radio 1’s Annie Mac, Huw Stephens and Jack Saunders all throwing their support behind the young musician, Lauran’s witty, off-kilter approach continues to attract glowing praise from the online community (The Line Of Best Fit, Clash, The 405) and welcome comparisons to contemporaries including Courtney Barnett and Phoebe Bridgers.

Discussing her slacker-pop single, Hibberd stated: “‘Hoochie’ is a 90’s slang term for a bit of a ‘loose’ woman. It’s also the name of my new hamster. For me, this track is kind of that three-month period, after you’ve stopped hanging out with someone and you realise that actually they were kind of a tool, and that maybe you are alright. I think there’s a confidence in this track lyrically that I’m yet to filter through to my actual life. I’m looking forward to that happening”.

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Alejandra O'Leary - Wires.

There are not many women in rock n’ roll music, let alone women equally confident in pop or rock, in English or Spanish. Alejandra O’Leary was born to a Colombian mother and Irish father and her birth name seemed to check those boxes appropriately. Having a different sounding name and being a woman of color both challenged and shaped her as she grew up listening to crashing waves and Beatles records. Specifically, growing up in Portland, Maine instilled feelings of being both a native and an outsider. “I’ve always been at home with messiness, big emotions and uncertainty,” Alejandra reflects. “I guess that’s why I like rock n roll.”

After moving to Santiago, Chile at age seventeen, Alejandra became infatuated with the idea of creating music and followed her muse across the world for a decade, releasing four albums of original songs, sharing the stage with Guster and Asobi Seksu, and drawing positive nods from outlets like No Depression, PopMatters and Magnet. The sound Alejandra cultivated during this time was an expansive mix of raw rock theatrics, anthemic Top 40 pop melodies, and soulful retro flourishes.

In 2016, Alejandra returned home with her newborn baby to Portland with the intention to record a new album. Never one to follow cookie cutter formulas, she rounded up a group of hand-picked local musicians and sent them demos of her new songs. No other instructions were given, and when they all showed up in the studio, it was made clear that they were going to improvise the song’s final arrangement. Alejandra refers to the band as a pop-up project, asserting “This improvisatory spirit keeps things fresh and thrilling. I find it to be the most enchanting way to create music.”

The resulting recordings have a live-wire feeling to them which reflects their on-the-spot creation. From the twangy 90’s Americana of “Undone” to the shoegazey twilight-rock of “Wires,” EVEREST is packed with a variety of distinctive ‘retronuevo’ sensibilities, yet it’s all indicative of its creators spunky and soulful spirit.

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