Friday, 25 March 2016

Quality Not Quantity: ARMS - The Heroic Enthusiasts - Hein Cooper

ARMS - Keep It Light.

Background promo - ARMS and Paper Garden Records have teamed up yet again to release the project's second full-length album, Patterns, which is set to be released worldwide in late May. With influences stemming from David Bowie and German rock band, Neu!, Todd Goldstein says the song 'Keep It Light' is "an open letter to the voices in my head that delight in telling me to tone it down, to rein it in, to not frighten or disturb anyone with my behaviours or feelings."

ARMS' Patterns takes the cinematic mood pieces and coy lyricism of previous ARMS records—the noisy, homespun Kids Aflame (2008) and its widescreen sequel Summer Skills (2011)—and cranks the volume: The melodies leap from the speakers, the sound is crackling and urgent. The songs on Patterns are as keenly aware of their place in the continuum of wry, melancholic songwriters (the Cohens, Merritts, Wainwrights, and Stipes that Goldstein likes to cite) as they are willing to twist those conventions into off, intriguing new shapes.

The landscape has changed dramatically since Todd’s mid-2000s stint playing guitar in New York cult heroes Harlem Shakes—guitar-forward, songwriterly indie pop has returned to its niche roots; it’s a contracting field. But rather than closing up shop, Goldstein and his now-10-year-old ARMS project respond to that revelation with their most eclectic, emotionally generous album yet. Patterns is the sound of a songwriter with nothing left to prove, displaying a hard-won lyrical compassion and a sureness of craft born from a lifetime of listening, playing and drinking deep of the music he loves.

The chunky powerful opening riffs lead into equally potent vocals. Add the soaring guitar that occasionally drops in and a relentless beat and the result is pretty special.


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The Heroic Enthusiasts - Falling of the Drop (We are One).

Biography - Back in the 16th century, the Catholic friar and astronomer/philosopher Giordano Bruno gazed up at the stars enraptured by the poetry he saw in the elliptical patterns playing out in the sky. For Bruno, math, science, art, and romance were all one and the same ­­ a perspective that resonated so much James Tabbi and Tom Ferrara that they chose to name their band after Bruno's epic work Gli Eroici Furori -- literally "On the Heroic Passion" but commonly known as "The Heroic Enthusiasts." Much as they did for Bruno, numbers for this band function as a window into matters of the heart.

Both math majors and music lovers of Sicilian descent, Ferrara and Tabbi understand that form derives its beauty from a dance between precision and an intangible quality that can't be quantified. Yes, they write songs that stick in your memory and make you want to sing them out loud. But they also add discreet touches of sophistication, leaving a note out of a chord, for example, so that your ear strains to hear it and then introducing contrast by adding the note they've been implying all along. The way their guitar lines mesh together brings to mind the approach of master weavers and designers as much as it does musicianship in the conventional sense.

Numbers and emotion may not seem related, but when you listen to the band's new EP Memory Wheel, you'll hear why the connection makes sense. Or maybe you'll just hum or dance along instead. And that's okay too. These guys wouldn't have it any other way.

The band's new EP 'Memory Wheel', comprises of four really powerful songs. It's hard to pick one out as the best, however as 'Falling of the Drop' is the only one I can share, at least that problem is easily solved. Lyrically intelligent and musically full of hooks, this really is a mathematically sound EP.

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Hein Cooper - Overflow.

Background promo - Australian singer-songwriter Hein Cooper dropped new track 'Overflow' this week ahead of debut album The Art of Escape release on April 1.  

Overflow is "a celebration of two bodies coming together in the physical world and transforming into something more spiritual rather than physical. It’s slightly non-sensical and drifts through imagery to capture the imagination rather than reality" explains Cooper.

His debut album The Art of Escape, due out April 1, 2016 via Indica Records (Phantogram, Half Moon Run) is now available for pre-order via iTunes.  The much anticipated recording was produced in Montreal by Marcus Paquin (Local Natives, Arcade Fire, The National) whom Cooper praises for his involvement: "It was a really collaborative process, he had a lot of great ideas that built the songs up in a way that got the ideas out of my head and into the record." Not afraid to mesh acoustic with electronic and equally proficient in both lush and stripped back moments, the album is an accomplished start for the young artist who embraces light and shade in equal measure. The title track "The Art and Escape" and "Rusty" are both immediately available upon purchase.

The last twelve months saw Hein Cooper collect some pretty amazing achievements:  two singles on triple j, spins on the BBC, a slot at Falls Festival, record deals across three continents, the best part of a year crossing the globe playing festivals from the UK and Europe to Canada, and opening slots with James Bay, Sophie Hunger & Half Moon Run.

There is a sparkly feel to the music as the song commences, that is well suited to Hein Coopers vocals. Bright, lively and well produced 'Overflow' is a good song that can't but raise interest in his debut album, due in a week.

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Thursday, 24 March 2016

Thursday Three: The Blessed Isles - The High Learys - Animalia

The Blessed Isles - Caroline.

Background promo - They say good things come to those who wait, and in the case of Brooklyn’s The Blessed Isles, the adage bears out. After five years of recording in studios across four states, the band stands poised to inject a much-needed dose of substance into the shoegaze bloodstream with their debut LP, Straining Hard Against the Strength of Night. Not satisfied to merely recreate the genre’s trademark textures, vocalist and guitarist Aaron Closson (The Hourly Radio) and multi-instrumentalist Nolan Thies (N?TIONS) put a premium on songcraft, fashioning melodies that seamlessly reinforce the tell tale shoegaze soundscape. At their core, these are finely wrought pop songs that would shine in any genre, but are fully realised in the gossamer intricacies and stentorian pulse of Straining.

Lead track “Caroline” encapsulates everything distinctive about the resurgent genre, featuring a tidal wave of guitars that propels the chorus into the stratosphere. In contrast, “Chase Away the Sun” is a study in measured restraint, conjuring a desolate terrain of heartache before breaking into a lush and expansive refrain. The record manoeuvres deftly between aggressive figuration's and cathartic release, a tension that compliments Closson’s plaintive vocals and evocative lyrics.

Completed while Closson finished graduate studies at Yale and between Thies’ busy tour schedule, Straining manages to sound effortless and fresh, making an essential contribution to Saint Marie Records’ already impressive roster. This is a record for anyone who is susceptible to the charms of sonic dreamscapes but who is unwilling to sacrifice the fundamentals of songwriting that connect listeners to the music they love. It’s sure to become a mainstay in the genre for years to come.

The Blessed Isles "Straining Hard Against the Strength of Night" (Saint Marie Records), Release Date: May 20th, 2016.

The forthcoming album is a collection of ten songs and kicks off with the featured track 'Caroline'. The song gives a good feel for what is a very breezy and refreshing album, not necessarily two words I would normally associate with Shoegaze orientated music. Indeed the album drifts in differing directions from the core style, with indie rock along the lines of New Order being one reasonable reference point. As a whole this is a pleasingly good collection of songs, that are, coherently and tightly delivered.


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The High Learys - Cabinet.

Background promo - The High Learys are a four piece inspired rock band from Perth, Western Australia consisting of Jamie Turner (lead vocals/bass), Michael Nutt (keys/vocals), Matt Williams (guitar) and Mitchell J Benson (drums). Forming in 2011, they have released one album, and a number of singles. In 2013 the band went over to Europe to play shows in Germany, France, Italy, Spain and England. In August 2014 the band went back into Poons Head Studios to record their next single “Clear My Mind” with producer Rob Grant. It was then released on 7" vinyl through Soundflat Records in late October. Shortly after it's release the single was used in both a Bose Headphones and Sportscraft commercial.

During November and December 2014 the band embarked on a second European tour, playing shows in Germany, Spain and England. Their single “Clear My Mind” charted at no. 1 in the AMRAP charts in 2014. the band have released multiple records and have two European Tours under their belt, 2016 finds them causing quite a stir overseas as well as on their home soil.

The making of new single, “Cabinet”, was the first time the band had ventured into recording entirely by themselves. Produced and engineered by the band’s keyboard player Mike Nutt and recorded over the summer of early 2015 at various houses and studios. The finishing touches where added at Blackbird Studios with Dave Parkin. “We’d been talking for a while about recording ourselves so we decided to knuckle down and give it go. We found that doing it this way gave us a lot more creative control in our recording process and enabled us to take our time with tracking to make sure it was exactly how we all wanted it to sound,” says the band.

“Cabinet” explores the insecurities of a young mind. Someone who feels lost in their ways, but at the same time shares the burdens of adolescents with their other half. Look out for national touring from The High Learys later in 2016!

Upcoming Shows:
Sunday 27th March - Babushka **Single Launch**
Saturday 21st May - Mojo’s Bar

'Cabinet' is a catchy song, with distinctive vocals and a really good musical soundtrack. Somehow the band manage to sound both very modern and fresh, whilst I'm certain I am also hearing a sixties vibe throughout the piece. Whatever... it's a great song!

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Animalia - Face On.

Biography - Animalia is a dark electronic artist based in Toronto, Canada, producing high-energy shows with live drums. Her music sways with the use of thumping beats and astral synths. Her quirky voice belts out haunting melodies, while she takes up the stage with her aggressively intimate performance.

Jill Krasnicki started performing music as a bassist at the age of 17 in her hometown of Tasmania, Australia. For 10 years, she played various venues and festivals and toured around Australia, Ireland and parts of Europe, eventually landing in Toronto, in 2009.

At the start of 2012, Animalia was born as a dark folk acoustic act and saw the release of her DIY first EP “To the Waking, the Shaking and the Volatile”. Her second EP “A Wave to Wash the World Away”, incorporated beats and by the start of 2014, Animalia had left her guitar-based songs behind and had become a fully electronic act.

Her debut album “Mouth Full of Teeth”, was released in June 2014 and was featured in NOW Magazine, Noisey and Exclaim!, charting at number 3 on the national college electronic charts.

Animalia will release her second album “(dissonance)” in early 2016 with the singles “Little Earth” and “Paradise” coming shortly before. In 2015 she performed CMW, NXNE, SummerWorks and POP Montreal among other shows in and around the Toronto and Montreal area.

And to quote Animalia - The world seems to toy with your emotions, picking you up and then dropping you back down just as quickly. 'Face On' plays with the idea of being in an actual relationship with the world – the world being the collective of life and it’s events – and in a moment of hopelessness I ask it how and why can it be so cruel and yet, how can I remain so deeply in love with it at the same time.

One of eight songs on 'Dissonance' the song 'Face On' helps the listener anticipate what to expect from the album. Both vocals and music are highly distinct in nature, with each song so very well crafted with extreme attention to detail. It's music as art, without self indulgence, but with considerable passion and intent. I have to say, as 'dark electronic' artists go, Animalia really does shine a light (oops), this is one of those albums that I can't help but want to play again (& again).

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Tuesday, 22 March 2016

Genre Wander: Meredith - Day Of The Dead - Vanessa Forero - Tuff Slang

Meredith - How Could You Believe That.

Background promo - Brisbane indiefolk/pop chanteuse Meredith is making her return to the scene in the form of sinister synth-laden slow burner 'How Could You Believe That'.

The single is a twinkling yet unsettling exploration of how a toxic relationship can affect not only the sufferer themselves, but also those closest to them. 

Meredith's aptitude for catchy, opulent production earned her high praise when her debut single 'Jumpin Beds' was released in 2014. Her most recent single 'Levels' has amassed 200k+ plays on Spotify - making into the UK viral 50 - was played on triple j, and the pastel-tinged accompanying clip was added to rotation on rage. All this attention led to a bevy of enviable support slots with artists such as Machine Age, Avaberee, Timberworlf & The Once (CAN) - and she'll be supporting San Cisco at their upcoming sold out Brisbane show.

With an EP release looming large on the horizon, a new video on the way for 'How Could You Believe That', and a brand new live show with a deeper focus on electronica, you'd absolutely better believe that Meredith is destined for incredible things.

Cool, calm and sultry 'How Could You Believe That' builds and develops, with both emotive vocals and synth's in what is, a fine electronic pop song. It's moody with 'late night' vibes and emotional power.

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Day Of The Dead - Heartbreak Island.

Background promo - Day Of The Dead is an instrumental 3-piece band that formed in 2005. Taking the haunting tremolo sounds of vintage spy movies, and the twisted feel of spaghetti western soundtracks, Day Of The Dead infuse modern energy into a Frankenstein monster of surf-guitar fury. These guys sound straight out of a Tarantino film not yet seen.

The band was formed by Ben Frichot, the creative force behind instrumental hard case outfit, Storytime. Frichot is a WAM! “Guitar Player of the Year” winner and has been creating instrumental guitar music for over 20 years. During his career he has featured on numerous surf movie soundtracks for Billabong, Rip Curl and Rusty, and performed with artists such as Dick Dale, The Cruel Sea, Suicidal Tendencies, The Fireballs, The Mark of Cain, Midnight Oil and many others.

In 2006 The Dead released their debut album, Killer Sounds From the Midnight Highway. They followed up in 2008 with Kill or be Killed their strongest work to date. This album was engineered by Adam Spark from Birds of Tokyo and features guest violinist Alex Archer from The Kill Devil Hills.

In 2010 the band recorded and released Damned if You Do a 5 track EP, and featured on a string of tours with artists including The Living End, Green Day, Shihad, Motorhead, Calexico, and Briand Setzer’s Rockabilly Riot.

Since then, DOTD have released two new sets of tunes in early 2016, the first being 5 tracks recorded and proceeded by Shihad legend, Tom Larkin at his Studios in the City, Melbourne. “Dead If You Don’t” is a more aggressive take on the surf garage genre and features some amazing tones and cinema*c overtures.

The latest release is "Heartbreak Island" EP. This release truly captures the band at their absolute best and is the most “epic” sound scape the band have produced to date. This release includes a title track written by Frichot and guest vocalist, West Coast Rockabilly legend, Caleb Merry. "Heartbreak Island" EP by Day Of The Dead will be released 8th of April 2016.

'Heartbreak Island' is one of five tracks on what is a really addictive EP. With nods in many directions from Dick Dale to The Shadows, this is a wonderfully hook laden collection of mini musical masterpieces. That the band are talented is an understatement!


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Vanessa Forero - Heaven Knows.

Background promo - British/Colombian singer-songwriter Vanessa Forero is set to release her self-produced EP on March 28th, a collection of 5 songs which came from a place best described by the EP title 'From The Uproar'. Forero is a skilled multi-instrumentalist as well as a producer, composer, arranger and vocalist. After being selected in 2015 by Brit Award Singer-Songwriter Beth Orton to write and perform at her UK show, Forero decided to become her own artist and record her own songs in her distinctive Indie/Folk style with Latino influences.

For her debut EP, Forero recorded and played a lot of native Latin instruments herself, and even sings the evocative bonus track 'Anhela' in Spanish. Her sound is a reminder of her roots and has been greatly inspired by her time spent in Colombia. Forero was first introduced to a whole new music scene whilst filming National Geographic's feature documentary 'Woman Raised by Monkeys', a film based on the bestselling book on her mother's extraordinary life 'The Girl With No Name', a book that she co-wrote herself.

Vanessa Forero has recently revealed the underwater-themed video for her new single 'Same Boat'. This new track is guaranteed to plant a smile across your face and have you hum in no time. So do not hesitate to embark on a journey across the choppy seas to get to know Vanessa's unique world.

The first of five songs from the EP (From The Uproar) the featured track 'Heaven Knows' is indicative of the quality and intelligence that underscores a beautiful folk orientated collection of music. The songs blend different genres around the core folk roots, nothing is over done and as a result we are left with a sincere collection of melodic and delightful numbers.

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Tuff Slang - Nothing All The Time.

Background words from the band - The mission starting Tuff Slang was to create a hook driven rock band that walks the line between southern twang, rhythm & soul. Our first single is rolling out today, it's called 'Nothing All The Time'...

Nothing All The Time is the first track that we wrote during our earliest rehearsals. It made us realize the sound that we were chasing together and paved the way for each song written after. High energy, and a chorus that catches your attention while paying tribute to our influences.
We've all come from different bands (Secret Colours, Dirty Rotten Sunshine, A Lull) and knew that this effort had to combine something that we each hold close in terms of influence. We drafted up song after song until we hit the mark on what it was that captured each of our personalities in the music.

Our hope with Tuff Slang is that we never see the need to sugar coat what we do. We'd much prefer to let the infectious rock that we create speak for itself.

It's meant for getting those hips shakin' and whistling along with. And we hope that's what you find yourself doing! - (Aaron Vincel, Cody Messick and Justin Frederick).

There is a meaty, punchy feel to the song as it opens. It feels unpretentious, something I would expect from a band desiring to have some 'southern twang' in their sound. It has to be played loud for full effect, however the effect is good and your ears are worth it....

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Monday, 21 March 2016

American Music Club - Live At Canes 2005 (IA).

From the Internet Archive this is American Music Club (AMC) Live at Canes, Mission Beach (San Diego), CA, on the 18th November 2005. AMC were opening for Spoon and this was the last show of the tour. As one commentator put it - AMC opening for Spoon? That ain't right. And it sounds like some of those Spooners weren't bothering to hide their disdain, as evidenced by Mr. Eitzel's comment after the first song, "You don't have to like it; I don't care." Despite the audience, this is a great set with lots of stuff from AMC's then new album, including a high-energy performance of "Home."

A little about AMC - Their 1985 debut, The Restless Stranger, is widely considered as the first slowcore release, establishing the band as major pioneers of slowcore and an early influence on post-rock. It was later followed by 1987's Engine which saw record producer Tom Mallon as a full-time member. American Music Club earned a solid cult following on the strength of 1988's California. Their next LP, 1989's United Kingdom, appeared only in the nation which lent the record its name and consisted of new material, some of which was recorded live at the Hotel Utah in San Francisco.

In 1991 American Music Club emerged with the record that is widely considered their masterpiece, Everclear. Critical acclaim attracted the attention of several major labels. Rolling Stone called it the Album of the Year and named Eitzel Songwriter of the Year for 1991. Eventually, AMC now consisting of Eitzel, Vudi, Pearson, multi-instrumentalist Bruce Kaphan and drummer Tim Mooney signed with Reprise in the US and Virgin throughout the rest of the world.

The band reformed in 2004 with this gig forming part of the process of the band re-establishing themselves.

Recording Details: Source AT831 > SP-SPSC-1 batt. box (w/ bass rolloff set @ 107 Hz) > Nomad Jukebox 3 (wav @ 44.1k) Lineage NJ3 > USB > Sound Forge 6.0 > WAV > FLAC (flac front end, compression level 6)

Sound Quality: High quality audience.

Set List:

Intro
Why Won't You Stay
Home
Heart & Soul
Only Love Can Set You Free
Another Morning
Outside This Bar
If I Had A Hammer
Challenger
Patriot's Heart
Sick Of Food.

Comments: This recording is available for download on the Internet Archive in FLAC, MP3 and OGG VORBIS formats HERE.

Band Official Website: HERE.

Stream Below:


Sunday, 20 March 2016

A Good Four More: Twin Haus - Street Chant - Verge Collection - San Mei

Twin Haus - I Used To Think.

Background words - Recently signed to Brisbane indie label, Bedlam Records, Twin Haus now look to their fourth successful national run this April, bringing an energetic and mesmerising live show to stages around Australia.

The band’s diverse brand of psychedelic and ambient rock has recently seen them perform in support of acts such as; Tonstartssbandht (USA), Viet Cong (CAN), Dune Rats, Millions, Gang of Youths, Tijuana Cartel and The Medics, to name a few.

2015 saw them headline Brisbane’s renowned Psych Night, perform at Port Macquarie’s Festival of the Sun, as well their most recent single ‘I Used to Think’ premiered on Rolling Stone Australia which continues to receive attention nation-wide from the likes of Triple J, FBi, Triple R, PBS Melbourne and 4ZZZ.

The band’s awaited follow up EP ‘Nothing Lavish' recorded by Steve Kempnich and produced by ARIA award-winning producer Tim G Carr, is scheduled for full release March 2016.

One of four songs on the EP 'I Used To Think' has also gained a lot of attention as a single. The band drift across genres and styles that loosely can be described as Psych orientated. The featured song gives a glimpse of the diversity in sound and also the potential of this band. I will leave you to decide on any comparisons, however the creativity alone deserves full credit, as does the beauty in their sounds.

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Street Chant - Insides.

Background promo - In a post-internet era of short attention spans and jarring sonic changeability, the consistent tone and content of Auckland three-piece Street Chant is as refreshing as their songs are unsettling. Following a half-decade that’s seen them tour internationally in support of bands as acclaimed as The Lemonheads, The Dead Weather and The 3Ds, as well as multiple trips to SXSW, CMJ and Big Sound, the very-long- awaited release of second full-length Hauora on iconic New Zealand indie Flying Nun finds the band picking up where their lauded, New Zealand Music Award-winning debut Means (2010, Arch Hill) left off.

Set to be released on 1 April 2016, Hauora is a compact, energised and complex set of songs plumbing the intriguing depths of the Urban New Zealand Condition in the early 21st century. From the Saturday night booze binges of Sink to the petty shared-house bleakness of Pedestrian Support League, the album explores in sardonic humour and hook-laden melodies the highs and woes of creative life in Auckland City.

Street Chant’s Hauora is to be released 1st April 2016 on Flying Nun. The band are on tour in New Zealand through April and have more international dates planned for later 2016. 

'Insides' is the new single from the soon to be released 'Hauora'. The album has eleven songs of which the single shows off the punkier side of the band. There is more depth to the album, but also plenty of high energy, in your face numbers. Lively and incredibly pleasing, if you like the single, grab the album.

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Verge Collection - Class Of '09.

Background promo - "Wasn't high school hard?" Verge Collection tackle spoilt brats, the transition from adolescence to adulthood and the class divide in new single 'Class of 09'.

Following their quintessentially Aussie debut 'Our Place' - which received heavy airplay on triple j and became somewhat of a suburban summer anthem - these gents from Perth have earnt plenty of mates for their matter-of-fact lyrics and dole-wave sound.

2016 is already looking massive for Verge Collection, with some big shows on the horizon including festival slots at Groovin' The Moo and RTR FM's In The Pines, plus upcoming supports with Cold War Kids, Skeggs and plenty more soon to be announced.

'Class of 09' is the new single from the band's forthcoming debut EP Open Plan Living, scheduled for release mid-year along with national touring to follow. In the meantime, Perth & Sydneysiders can get on board the hype train for a handful of April shows.

Live Dates:
Apr 07 - Marlborough Hotel, Sydney w/ special guests
Apr 08 - World Bar, Sydney w/ special guests
Apr 09 - Captain Cook Hotel, Sydney w/ Pat Chow
Apr 13 - Mojos, Fremantle w/ Skegss
Apr 14 - 459 Bar, Perth w/ Skegss
Apr 23 - The Bird, Perth w/ Hip Priest
Apr 24 - RTR FM In The Pines, University of WA
May 07 - Groovin' The Moo, Bunbury

The newly released single 'Class Of' '09' has plenty of indie folk & rock vibes to it. Delivery is superb, there is an informal and relaxed feel and melodic hooks that dig right in!


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San Mei - Revel.

Background promo - Gold Coast based artist San Mei is set to release her new single 'Revel' April 22nd.

2014 and 2015 saw San Mei (Emily Hamilton) garner both international and local praise with her debut singles 'Wars' and 'Brighter' from taste makers NME, Indie Shuffle and Nylon Magazine tipping her as an artist to watch.

San Mei returns with 'Revel' produced by Emily and Sean Cook, (Babaganouj, Jungle Giants), and mastered by Ben Feggans (Rüfüs, Ngairre, Willow Beats, The Kite String Tangle and Dustin Tebbutt) showcasing her lush melodies, and progression beyond the bedroom and into the studio. Revel evokes the progressive-pop of Little Dragon and Ladyhawke with the guitar saunter of Mac De Marco.

'Revel' has layers of beautiful music and dreamy vocals. Atmospheric and melodic, it demonstrates just how good pop music still can be.

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Zarema (David Alexander Remix) - Ker - Big Stir Records (Various) - Palindrones - Too Hot for Leather - Dwight + Nicole

Zarema ( David Alexander Remix) - Closure. LA-based singer-songwriter Zarema unveils a powerful new chapter with her emotionally resonant...