Lawn Chair - Lanterns On The Lake - Dutch Uncles - Orchard Sky

Lawn Chair - Punkrock Band.

Ever since their stage debut in late 2021, German-American art punk band Lawn Chair have relentlessly rehearsed, recorded and played shows, including appearances at showcase festivals such as Reeperbahn and Waves Vienna. The band, fronted by Seattle-born Claudia Schlutius, has quickly gained recognition in the German indie scene with a guitar-driven energetic sound, Schlutius’ powerful stage presence and meticulous songwriting. Last month, the band released ‘Sunset Heartbreak’, a single that has garnered the group early support from the likes of BBC Radio 6 Music and DIY as well as comparisons to bands like Gustaf & Bodega.

On their new single ‘Punkrock Band’ Claudia Schlutius says: “Don’t we all sometimes just want to start a band and live the glamorous life of rock stars cruising the streams of showbiz? Probably not, which is why the maddeningly cheerful acoustic guitars in all their glory of the 90s contrast the ambition the lyrics provide. Looking at you Michael Stipe,” she continues.

After releasing a self-produced debut EP in the spring of 2022, Lawn Chair returned to the studio in the autumn to record their follow-up. Eat The Beans And Wear The Jeans! was recorded with the help of esteemed producer Olaf Opal  (The Notwist) and L.A.-based mixer Chris Coady (Beach House, Future Islands, TV On The Radio), who helped take the songs to the next level. The new songs present a new and interesting twist to timeless topics like unrequited love, the despondent boredom growing up in the countryside and the hardships of show business. With this new EP Lawn Chair are underscoring their rightful ambitions to a much larger audience.

Lawn Chair · Punkrock Band

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Lanterns On The Lake - String Theory.

With their much-anticipated new album Versions Of Us due out June 2nd via Bella Union, Lanterns On The Lake now reveal their epic new single, “String Theory”. With Radiohead’s Philip Selway delivering a bravura performance on drums and vocalist singer Hazel Wilde one of her most powerful vocal turns, the track is arguably the dynamic standout from this career-best album.

Commenting on the track singer and songwriter Hazel Wilde says: “String Theory is a song about reflecting on what might have been and might, in some way, still be. It finds beauty and solace in the multiverse theory and the idea that out there somewhere, vibrating on their own frequency, exists another fully realized version of yourself where your story turned out differently.”

Lanterns On The Lake previously released the single “The Likes Of Us” and also recently shared a stunning live version of the track recorded at The Old Church in Northumberland.

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Dutch Uncles - Damascenes.

Dutch Uncles, Manchester’s much-revered electro art rock quartet, have just released their long-awaited sixth album, True Entertainment, via Memphis Industries to widespread worldwide acclaim. Album standout "Damascenes" is this week released as a single alongside a new visualiser with behind the scenes studio footage, coinciding with the announcement of further tour dates and a headline slot at this year's Twisterella Festival in Middlesbrough.

"Damascenes" marries future funk synth vibes with a truly magnificent vocal from Duncan Wallis (with added BV's from Everything Everything's Jonathan Higgs). Lyrically, it borrows from The Simpsons, specifically an episode where Lisa considers that angels might indeed exist after visiting an archeology exhibition...

Vocalist/lyricist Duncan Wallis discussed the lyrical inspiration behind the song: "This definitely felt like the song we broke ground for the album with. The demo is worlds, if not galaxies, away from the finished product musically speaking (electric drums provided the only rhythm as I recall, and not a guitar in sight, just synths), and lyrically I found myself right at the beginning again, clumsily trying to straddle two ideas: one Simpsons based, the other personal; both of which were just too righteous to give up.

"On the one hand, I could retell the story of Lisa Simpson coming round to the possible existence of Angels after discovering a skeleton on an archaeology exhibition. "At the same time I could journal a weekend away of soul searching in Glasgow, beginning and ending in its transcendent Central Railway station (there is indeed a piano in there – or was at least), which was topped off by a chance encounter with the then leader of the Labour party, Jeremy Corbyn, just days before the election was determined on the way home. A truly life affirming scenario and one hell of a hangover cure."

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Orchard Sky - Rollin' 7's (Live).

Blurring the lines between Southern Rock, Soul and Country, Orchard Sky's fresh new sound comes from a combination of Krystle Dos Santos's powerful vocals, and the hard driving work of lead guitarist Mitch Smith and bassist Andreas Wegner.

Dually based in Vancouver and Edmonton, Orchard Sky’s self-titled debut EP -- out now on all digital platforms -- includes their latest single “Rollin’ 7s” (featuring Clayton Bellamy of the Road Hammers), a blend of lipstick, dynamite and the roll of the dice. Already finding a home at Canadian Country Radio, “Rollin’ 7s” is a foot-stomping track that demands turning the dial up to eleven.

It follows on the heels of Orchard Sky’s 2022 single “Canadian Party Song” an instant country-rock anthem that Rogers SportsNet deployed as a the soundtrack to last year’s NHL playoff series between the Edmonton Oilers and Calgary Flames. As SportsNet Music Supervisor Carson Illidge said, “It makes my job very easy when I’m pitched such great songs. This one’s a ripper.” Along with other heart-pumping tracks such as “Flashbang” and “Honest,” Orchard Sky’s EP delivers a sound guaranteed to fire up your soul.

Since Smith and Wegner teamed with Dos Santos early in 2022, everything has fallen into place. What Krystle brought to the band was not only her stunning voice, but also a creative energy that she’s previously displayed as a solo artist and stage performer. Along with earning two Western Canadian Music Awards, she has appeared in productions of Dreamgirls, The Chelsea Hotel: The Songs Of Leonard Cohen, and her own cabaret-style musical, Hey Viola!, a tribute to Canadian Civil Rights heroine Viola Desmond.

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Güero - Part Time Signals - Paradox Arcade - William The Conqueror

Güero - Mind's Eye.

Sacramento quartet Güero have released their latest single “Mind’s Eye”  in advance of their sophomore full-length album, Wednesdays, arriving this Friday, April 7 via Dutch Records. The guys once again tapped director Paul Bates to bring the song to life with a video.

Discussing “Mind’s Eye,” guitarist/vocalist Rik Krull noted, "We played this song for a while never really trying to tame it. When we play live in the greater Sacramento area, we tend to play a 2-3 hour set. During one of our gigs we had some time to fill and played 'Mind’s Eye' knowing we could jam it awhile. It ended up being an epic rendition, one that will never be played that way again. Luckily, we have, Russell our scribe who caught it on his phone.

Maybe because we weren’t really thinking it needed to be anything specific, everyone’s part just fell into place, perfectly. Some of those things we played that night were developed into the recorded version since we were able to draw from Russell’s recording. We really like how we added the mellow beginning to the song and how, Mike changes to the four on the floor during the second verse.  It’s the little things about this song that we have grown to love."

Güero announced Wednesdays in January with the “Streams of Light” single, which Under the Radar called it, "a lost classic reemerging from a forgotten corner of the radio.” The album was recorded live at Pus Cavern Studios in Sacramento with ace recording engineer Joe Johnson and further elevated by Oakland producer and fellow musician, Akiyoshi Ehara (The Seshen, Geographer); who amping up and dialing down dynamics added greater tones, higher fidelity, heavy delays and string arrangements.

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Part Time Signals - The Man.

Part Time Signals is the brand new project formed by Sock vocalist and guitarist Jacob Church. The band came together initially by taking demo seeds written by Jacob, which were then planted into a musical garden when introduced to a live band setting. Part Time Signals features the talents of Sam Barnes (bass), Gavin Jenkins (drums) and Michael Blanchfield (keys).

The first taste of music from the band, The Man, is released across all digital platforms today April 5th. The track was recorded at Chapter Arts Centre, Cardiff, mixed by Sam Barnes and mastered by Eddie Al-Shakarchi.

Jacob explains the meaning behind the song: “The Man is whoever you want it to be. Maybe it's that delivery driver throwing your parcel about, maybe it's your landlord increasing your rent, maybe it's the Tory government. Perhaps all of the above?”. Catch Part Time Signals performing live at Porters, Cardiff on 26th April.



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Paradox Arcade - The World That We Know.

The Guelph-based indie music and art project Paradox Arcade recently released its debut single, “The World That We Know” (RCS Records), a song of hope that calls out the illusions that cause division and inspires people to look beyond to the better world we can all create.

“Each of us in our own way reaches for a better world,” says Xristopher Bland (often simply called ‘X’), composer and author of the song and creator of the song’s cover art called The Reaching. “Even if we can’t see it or fall to the doubts and opinions of others, we know it’s there.”

Mixed and mastered by Alastair Sims (Barenaked Ladies, The Trews, Arkells), the song also reflects the present state of the world, characterized by Oxfam as a decidedly broken world of “extreme inequality. Yet as powerless, disenfranchised, or cast out as many may understandably feel, Xris points out what others have said before.

“The world that we know is not the world we can know. One simple act like saying no to something helps change the world because even the smallest of stones cast into an ocean causes ripples. That’s what this song is. It’s a ripple that moves to the language of repair and healing by calling out the deceptions that separate us, the orchestrations of conflict, and the noise that fragments our innate knowing of who we really are. It’s reawakening call to equity, equality, and peace.”

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William The Conqueror - Somebody Else.

William The Conqueror will release their new album ‘Excuse Me While I Vanish’ through Chrysalis Records on 28th July. Produced by the band in a playground of vintage gear and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the resulting album's ten tracks marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic. ‘Excuse Me While I Vanish’ is the follow-up to 2021’s critically-acclaimed album, ‘Maverick Thinker’, and will be available on multiple vinyl formats, CD and streaming platforms. William The Conqueror today unveil new track ’Somebody Else’ with an accompanying video filmed at Marshall Studios.

"Somebody Else came from a very specific memory of not knowing which version of myself I was supposed to be playing,” explains frontman Ruarri Joseph. “An identity crisis in real-time. It's so cathartic to play. Harry's drums absolutely beast along. He has a way of finding that extra gear just when you think it can't possibly go any higher.”

‘Excuse Me While I Vanish’, very nearly didn’t happen. Following the imposition of lockdown restrictions, Joseph found himself cocooned at home in Cornwall, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.

“My wife was insomniac for the first six months of lockdown, which made it impossible for me to moan or grieve the fact that everything I’d been working on for the last five years had come to a standstill. It was a much-needed perspective and made me realise what a selfish undertaking William had been – navel-gazing with my head in the clouds when what people needed was boots firmly on the ground, preferably on the feet of someone like Mandy.”

William The Conqueror's fourth album finds the indie-rock trio firing on all cylinders as Joseph confronts the thin line between creativity and madness, inspired by compassion for the real-life angels of the world. Ruarri’s compelling semi-spoken vocals and swamp-blues-Seattle-scuzz guitars are propelled by the rhythm section of Naomi Holmes (bass) and Harry Harding (drums) as ‘Excuse Me While I Vanish’ delivers an effortlessly winning blend of melody and ensemble dynamics, the most accomplished and undeniable William The Conqueror album to date.

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Glass Forest - Chris Emmert - Special Friend

Glass Forest - Can't Just Walk Away.

Vancouver-based Glass Forest is an indie-pop group composed of Nick Owen (vocals/keys), Stephen Clarke (bass/beats) and Abby Wale (vocals). They have gained a reputation for euphoric live shows that blend electronic dance elements with atmospheric soundscapes. Their debut EP is anticipated in May 2023.

"Can't Just Walk Away" was written about the emotional hardships following the fallout of a previous relationship; specifically, between band members Nick and Abby.

It was a uniquely honest process writing and recording the single as they directly confronted the traumas. Oddly healing, it gave space to address and work through past issues, broaching subjects rarely discussed by ex romantic partners.

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Chris Emmert - Say My Love.

Nashville Americana singer-songwriter Chris Emmert has officially released his latest single, "Say My Love", on all streaming platforms this weekend. The track marks Emmert's second release of 2023, following his debut single "Lets Go Out Tonight". Both tracks will appear on Emmert's June 23rd debut EP Introducing Chris Emmert.

Emmert, on the single: This is one of the last songs I decided to put on the EP. It was a staple in my set for about the last year or so, and was a song audience members would often cite as a favorite after my performances. It’s a simple song with a honest message and an upbeat swing about it. I think everybody likes when a tune is easy to understand and feels good. One of my heroes, Hank Cochran, always said, “make it short, make it sweet, and make it rhyme.” So, I think for those reasons this song works and vibes with folks.

We recorded this song live, only going back to overdub my guitar and vocals. All of the arrangements were developed organically in the studio. I told the players to simply play what they were feeling. I think that fostered a really unique and original sound for all the songs, which was my ultimate goal in producing this EP.

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Special Friend - Bête.

Special Friend (American Erica Ashleson and French Guillaume Siracusa) are a duo with a sound that’s somehow minimal and epic. She drums, he plays guitar, their voices harmonise, a bontempi organ slips in almost unnoticed - and suddenly you find yourself lost in the huge landscape of a song.

Bête is one of many great tracks on the album – insistent, catchy, yet mysterious and elusive.  Erica and Guillaume switch effortlessly from English to French in their songs but the melodies are so entrancing you often don’t notice the change.  The lyrics lie in wait for you, and they are powerful (Bête is about the self-destructiveness of our species), but the music will seduce you first.

You may be reminded of Yo La Tengo, the Delgados or, when the volume goes up, Quasi and Galaxie 500. But Special Friend bring something new, something special!

Based in Paris, they’ve built a strong following in France, and the new album looks set to introduce them to the wider audience they deserve. The video for Bête is a good introduction to the band; it was filmed in the summer at Studio Heat in Montreuil, where the album was recorded.

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Rodney Crowell - Meredith Moon - Cosmic Bull

Rodney Crowell - Loving You Is the Only Way to Fly.

Rodney Crowell will release The Chicago Sessions on May 5, 2023, via New West Records. The 10-song set was produced by Jeff Tweedy and recorded by Tom Schick at Wilco’s Loft in Chicago. The masterful, cross-generational collaboration follows Crowell’s acclaimed 2021 album Triage. Hailed by Rolling Stone as a “country music trailblazer” and by The New York Times as an artist whose songwriting “gets better and sharper with age,” Crowell delivers an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn. Sounding both fresh and familiar, it’s among Crowell’s very best work.

As Jeff Tweedy puts it, “The way that Rodney writes is deeply connected to a classic era of country songwriters that I’ve always loved. In my estimation, it’s as close as I can get to working with Townes Van Zandt or Felice and Boudleaux Bryant — people who crafted songs with a very specific sensibility. And I like being near that.”

This week, Crowell released the video for the album highlight “Loving You Is the Only Way to Fly.” Of the song, Crowell says, “‘Loving You Is the Only Way to Fly’ is something I wrote a while back with Sarah Buxton and Jedd Hughes, both of whom appear on the record. Jedd and I were sitting around with guitars in our hands when he started playing the basic chord pattern. I’m pretty sure the title sprang from something Ben Vaughn said to me back when we were writing ‘When Losers Rule The World,’ but I haven’t had the nerve to ask. Ben, if you read this, I wish you could’ve been there. If you feel left out, you can have my portion of the proceeds and I’ll take credit for putting Jeff Tweedy in charge of overseeing a pretty dang decent recording of the song. Much love, Rodney.”

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Meredith Moon - Constellations (Album).

Growing up in a musical family is not uncommon for many emerging artists, but for Meredith Moon, living in the shadow of her father Gordon Lightfoot’s spotlight, the expectations were onerous. So for the past decade Meredith kept a low profile, taking time to develop her songwriting, avoiding the Lightfoot association, practicing and performing her songs in folk clubs and online forums incognito, wherever there was an appreciative audience to be found. And there were many.

Now signed to the acclaimed Canadian roots music label True North Records and acknowledging the marketing demands of the music industry, has resulted in the forthcoming global album release of Constellations, a 10-song collection that showcases Meredith’s unique voice and captivating lyrics, wrapped in an raw neo-traditional folk sound.

A five-Time Mariposa Folk Festival performer, hiding her lineage with the simple description as a “multi-instrumentalist songwriter,” Meredith’s songs are crafted in a true storyteller's fashion. She has been described as a 'gem' among the Old-Time music scene for her unusual expression of the genre, combining influences of folk-punk with traditional Appalachian step-rhythms and banjo.

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Cosmic Bull - Hangin' in the I.P.

Hangin' in the I.P. was released back in February but deserves to be heard albeit a little late. This collection of songs that Cosmic Bull band leader Mark Vickery collaborated on with multi-instrumentalist/producer Paul Von Mertens, known for his work with Brian Wilson, Mavis Staples, Stereolab, The Sea and Cake, Broken Social Scene, and Wilco.

Hangin' in the I.P. follows a handful of singles and the 27X2 EP, all of which were released last year.

Chicago's Cosmic Bull is the latest project from scene vet Mark Vickery, whose earliest band Word Bongo played the city's top venues including Metro and Double Door. Vickery was also a live guest vocalist for Chicago mainstays Liquid Soul before joining the acid jazz/trip-hop groove collective Zo (which eventually morphed into the band Sumo), who took over Liquid Soul's popular Sunday night residency at Elbo Room.

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Lavinia Blackwall - The Subtheory - Red Telephone - Neev - Stay Lunar - Jesse Roper

Lavinia Blackwall - The Damage We Have Done.

Lavinia Blackwall’s work with prolific Glaswegian psych-folk outfit Trembling Bells has earnt her a reputation as one of the best voices in the scene, many critics have likened her singing prowess to that of Fairport Convention singer Sandy Denny. Along with Trembling Bells she has released seven full-length albums and performed as the backing band to folk legends Bonnie Prince Billy and The Incredible String Band’s Mike Herron. In 2020 she releases Muggington Lane End, her debut solo album released under her own name. In 2021, she and Laura J Martin released Wyndow, the debut self-titled album from their new psychedelic-pop project.

Now, Blackwall is releasing her new single ‘The Damage We Have Done’, a powerful dose of folk-rock and the sign of new things to come. Inspired by Percy Shelley’s ‘Ozymandias’, the single is about the brevity we have on this planet. “It’s about the fact that we can't take anything with us, hoping to leave behind something meaningful and the hope that one day we'll all meet again. The realisation that there is an environmental and spiritual consequence to the lives we choose to lead,” says Blackwall.

Recorded at ‘The Barn’, the studio Blackwall shares with her partner and producer Marco Rea at their home in Hardgate, Scotland. “We really went down the rabbit hole with this one,” says Blackwall, speaking of the recording process. “Strings, thumb piano, far too many guitar parts. I must have recorded the vocals about 60 times and was really struggling to get it right, but we got there eventually,” she says. “With the chord progressions and circular movement of the verses, the sound of it is very individual. I don't think it sounds like anything else out there right now”.

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The Subtheory - Cut To Black.

The Subtheory set out their stall early for a busy 2023 with an ethereal, atmospheric new single; Cut to Black.  Eerie piano leads you to floating, airy synths, jangling guitars laid upon a descending bass groove with Cate DeBu’s melancholy cautionary tale of a life spent playing the odds on both sides.  

There is an intriguing contrast between the sweet, dreamlike quality of the music and melodies juxtaposed with the harsh and slightly bitter tang of the lyrics. “There will be a certainty for those who like to bet..”

The Subtheory are building a head of steam as they springboard of a successful 2022 with a series of releases planned throughout Spring off the back of a number of live shows in the UK as well as mini European tour in early Summer. Cut to Black is available from today March 31st 2023 on their Bandcamp as well as Spotify, Amazon, Apple Music and more.

The Subtheory · The Subtheory - Cut To Black

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Red Telephone - Hollowing Out.

Hollowing Out, the debut album from Cardiff-based five-piece Red Telephone will be released on 31st March 2023. The dystopia-tinged album deals with themes of alienation, identity and monotony, as well as exploring contemporary social dilemmas such as the trappings of ambition in a saturated pop culture age, the pervasive nature of modern media and social media fatigue. Sonically, the band draw from an array of influences; ranging from Berlin-era Bowie, brooding synth-led film soundtracks such as Blade Runner and Uncut Gems, the art rock of Kate Bush and St Vincent, as well as modern electronic pop artists such as MGMT, Mitski and Tame Impala.

Speaking about the upcoming album, singer Declan Andrews said; While putting together ‘Hollowing Out’ we were really getting into synths; drawing quite a bit on brooding, synth-led film soundtracks like Blade Runner, Scarface and Uncut Gems. Part of this was out of necessity - it was the initial 2020 lockdown when I wrote most of the songs in my bedroom and I’d got my hands on emulations of classic synths which gave me free reign to really explore this territory of sounds. I also had the free time to watch and rewatch a lot of movies such as those just mentioned. All of this definitely crossed over with the band’s prior love of film, Bowie’s Berlin-era sound, his work with Iggy and albums like Little Dark Age by MGMT too.

Basically, those dystopian soundscapes that evoke a lot of mood and imagery. As a band we’ve been drawn to them for a while, especially since visiting Berlin and exploring Bowie’s stomping ground (quite run down and not very touristy areas) but also after playing Tallinn Music Week in 2019. The post-Soviet landscape was pretty striking in parts of Tallinn and we discovered bands like Molchat Doma for the first time, who were using synths and electronic elements in ways that got us excited and has definitely rubbed off on our approach since.

We really wanted to integrate these sounds and influences into a modern sounding record rather than just looking back though, so we spent a lot of time getting the bass and low end sounding as big and distinctive as possible - we were really influenced by the likes of Kendrick Lamar in this respect. Similarly, dystopian themes seem as relevant as ever; with the saturated and pervasive nature of modern media which the album explores lyrically, as well as topics like social media fatigue and alienation.

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Neev - The House.

Scottish indie-folk artist Neev has released new single ‘The House’ ahead of the release of her debut album, Katherine, on April 28th via Trapped Animal. Since the release of her debut single in 2019, Glaswegian artist Neev has built a reputation for discovering beauty in the small details. Katherine, a collection of intricate indie-folk songs that pack a lyrical punch. The album carries all of the trademark sounds of Neev’s previous releases; acoustic guitars, soaring string arrangements and layered backing vocals can be found throughout, but this time they’re bigger.

Every song on Katherine is tied to the idea of identity. “Each song explores the different facets of an individual,” explains Neev. “Them as someone’s child, someone’s sibling, someone’s partner. Someone as the gender (in my case, female) they identify as, someone as the job they do,” she continues.

New single, ‘The House’, was written from the point of view of someone who had big dreams but ignored those wants and now feels too old or past it to pursue them. The speaker finds themself trapped in a domestic setting - The House - and instead of feeling like it’s a place of comfort or joy, it's a place that traps her.

Of the single, Neev says: “When writing this song I certainly had in mind the stereotypical trope of a classic 50s housewife, stuck at home with a very prescribed set of tasks and interests they were allowed to explore. In this song, and in other songs on the album, I found myself exploring the woman’s relationship to art and their constraints within that. Historically, women with creative interests were often encouraged to explore those things as hobbies rather than occupations and I think this song touches on the idea that there existed a lot of women in history that weren’t able to explore who they truly were creatively due to societal constraints.”

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Stay Lunar - Distance.

Following on from earlier single, 'I Like It When You're around', Stay Lunar present their next in a long-line of fantastic singles, 'Distance'. It's been a long run to this point for Stay Lunar, but as the tracks keep coming out the sound gets tinges of a band nearing the fully formed and developed sound.

'Distance' has the sound they've carried so well through their career, the ever-so-present and versatile sonic that always feels like it could soundtrack a film, but there's something slightly more immediate and certainly more forthright about the band's latest offerings.

'Distance' is the launch pad of the band's much promised change in direction, not that it was needed, but chief writer in the band, Harry, has always intended to push the boundaries of the project and 'Distance' is the first real slice of Stay Lunar's take on the Are-These-Guys-Really-English sound.

Taking cues from their British contemporaries like Far Caspian & early stage SPINN, whilst nodding to the likes of Day Wave and The Drums further afield, Stay Lunar are offering a quintessentially British take on a much loved and revered sound. Of the track, singer Harry Leigh said: "Distance is a song about running away from your problems, and how it always catches up with you one way or another."

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Jesse Roper - Make It Work Out.

Based in Victoria, BC, Jesse Roper has amassed 11M+ streams on Spotify alone with his penchant for writing modern indie infused blues music and delivering bombastic live performances buoyed by his virtuosic guitar playing.

"Make It All Work Out" is the first of multiple energetic, fresh, soulful and r&b inspired tracks produced by famed JUNO-nominated producer Gus van Go. The forthcoming LP harkens the voices of JJ Cale, Leon Bridges, Alabama Shakes, while maintaining Roper's strong and unique expression in the genre.

The DNA of the new single is about how Roper recognizes that his life’s structure can make it difficult for someone to attach themselves to him in a way that feels like their dreams and goals are getting satisfied too.

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