Wednesday, 8 October 2025

Palm Ghosts - Rhett Miller - Gwenno - Black Dahlia - White Birches

Photo - Chad Crawford
Palm Ghosts - Content Providers (single).

Nashville-based indie rock trio Palm Ghosts releases its Content Providers album via Sweet Cheetah Records/Steadfast Records/Poptek Records on October 10. Content Providers is not just an album, it's a howl from the neon gulag of 2025, where rock bands aren’t bands anymore, but social media vending machines doling out dopamine and desperation in equal measure.

Palm Ghosts, ever the beautiful b*tards of post-punk gloom and cinematic pop, have cracked the mirror and are pointing to the ugly thing squirming behind it. These eleven songs don’t whisper or plead; they seethe, spiral, and spit in the face of algorithmic servitude. There’s blood under the fingernails of every chorus. You can hear the band clawing for something real in the white noise of followers, filters, and faux vulnerability. This is a world where authenticity has been weaponized, where the artist is just a dancing bear with a ring light and a Patreon account.

So, Content Providers does what any sane record would do—it loses its mind on tape. There are echoes of Gang of Four wielding a synth like a machete, Joy Division driving a burning Tesla into a lake, and sweet, sweet melodies that feel like postcards from a collapsing civilization written in faux-blood and tears. It’s ironic and earnest, brutal and beautiful.


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Photo - Jason Quigley
Rhett Miller - All Over Again.

Rhett Miller releases “All Over Again,” the final single from his tenth solo album A lifetime of riding by night that arrives this Friday, October 10 via ATO Records. Co-written with Nicole Atkins, the tender song of hope and resilience poses the poignant question: What if everybody was there for each other just for a minute? 

About the single, Rhett Miller explains, "Nicole Atkins was the brains and driving force behind ‘All Over Again.’ She challenged me to go with her to a musical place I'd never gone before. We did something that felt big and sweeping and positive in a way we had no idea the world might need a few years later when the song finally found a home on this new record of mine."

Nicole Atkins adds, “I was out on tour with the Old 97’s, it was the first few months of my life being sober on the road and this music and melody came to me. I showed it to Rhett one night and the next day he had all the words and they were so beautiful and positive. Just like Rhett. It’s tough to write a song that’s happy but he always has the perfect lyrical twists that are so natural to him.”

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Photo - Clare Marie Bailey
Gwenno - Utopia (Cornelius Remix).

Gwenno shares a dazzling Cornelius remix of “Utopia”, the title track from her new album that was released to universal acclaim via Heavenly Recordings in July. The Japanese producer / musical genius takes the track from Cardiff via Las Vegas and transports it to a starlit, sky high Tokyo piano bar. The result is pure utopian pop heaven - a sweeping orchestral love song to life itself. .

Commenting on the remix Gwenno says: “Cornelius is such a huge musical figure in anyone's life who came of age in the Naughties, and so I was over the moon when he agreed to remix Utopia. He has not only managed to enhance the musicality of the song, but has also added to the hyper real efflorescence that was in the air at the turn of the 21st century, which is what Utopia is all about. I see it as a perfect musical marriage between Las Vegas and Tokyo in the year 2025.”

Cornelius adds: “A few months ago Gwenno contacted me on social media asking if I’d do a remix. I didn’t know her music at the time, but once I listened I realized it was exactly my taste: psychedelic in feel, with production that hints at Krautrock and at Jean-Claude Vannier - Serge Gainsbourg’s arranger. I was also drawn to her natural, clear voice and her Welsh background. I was genuinely happy that an artist making music like that took an interest in what I’m doing all the way over here in Japan, so I gladly accepted. For my version of ‘Utopia’ I aimed for an elegant sound that updates the 1950s exotica of Esquivel and Martin Denny for today. I hope you enjoy it.”


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Black Dahlia - The Imposter (Album).

Black Dahlia is an experimental musician and performance artist whose work blurs the boundaries between theatre, sound, and surreal spectacle. Her creations exist in dreamlike spaces where masks, characters, and worlds collide—flamboyant, avant-garde expressions that draw as much from performance art, mime, and surrealism as they do from music itself. Whether inhabiting strange personas on stage or building vast sonic landscapes, Black Dahlia conjures universes that feel both alien and intimately human, inviting her audience to step into the unknown.

Her new album The Imposter (out this week via her own imprint School of Dahlia) is a theatrical concept record that unfolds like a surreal stage play. Written, produced, arranged and performed by Black Dahlia, it follows a lone wanderer, The Imposter, who chases an enigmatic light away from a distant Paradise, only to find himself lost between realms, drifting through an interstellar limbo of time and strange encounters. The Imposter introduces this cosmic odyssey—an otherworldly tale of displacement and identity as the wanderer grapples with his fall from Paradise and the haunting uncertainty of existing between worlds.

Upon landing on Earth, the story continues with “Amphibian Man,” where The Imposter washes ashore in Germany and confronts the bizarre, dazzling reality of humankind. As he adopts new masks and identities in an attempt to belong, his confusion and frustration reach a breaking point, culminating in an explosive metamorphosis that symbolizes both rebellion and rebirth.



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White Birches - Breathing.

Back in 2017 we first came across White Birches and were struck at the time by their incredible song construction and the atmosphere they create, so it's a big welcome back to Beehive Candy.  "Breathing" is the first single to be taken of the brand new upcoming album "A New Reign" (Release November 21 2025). 

The track sets the tone for the album with its raw pulse, hypnotic synths, deep bass and intense vocals. Written in the aftermath of loss and upheaval, the song captures both pressure and relief. It is about survival — the simple act of breathing, where one wave of sound inhales and the next exhales.

Fans of Chelsea Wolfe, PJ Harvey and Anna von Hausswolff will recognize the haunting balance between fragility and ferocity.

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We are trying out a new Beta feature today with Google search links automatically added. Apologies in advance if they are not all appropriate, as said this is a Beta application we are trialing.

Monday, 6 October 2025

Fredrik Svabø - Fïx8:Sëd8 - Lone Valentine

Photo - Gonzalo Lopez
Fredrik Svabø - Kingo's Treat (Live Album).

Norwegian musician, composer and producer Fredrik Svabø has released the new live album Kingo's Treat - Live at Wembley Arena, recorded while supporting Aurora on tour earlier this year. Watch the live video for 'Sophie' from Wembley Arena here.

Speaking on the live album release, Svabø said: "To me, it feels pretty surreal that we got to play a show at such a legendary venue, especially with this kind of music. The fact it was only our fourth ever show as a band makes it even more special. We ended up delivering such a great performance that I wanted to share it with the world. I’m really excited for people to hear the music in its purest form – played live on stage by musicians in front of an amazing audience, capturing the moment."

On stage, Svabø is joined by a cast of some of Norway's finest jazz musicians including Ola Øverby (drums) Andreas Rukan (bass) and Lyder Øvreås Røed (trumpet) - all members of the cult Oslo neo-soul outfit Fieh. Woven between the immersive instrumentals, are the breezy and poignant vocals of Thea Wang - lending the album both its voice and heart, traversing themes of heartbreak, indecision, and new beginnings.

The studio version of debut album 'Kingo's Treat' is also set to be released on vinyl in the UK for the first time on 17th October, having been released digitally in March of this year. Drawing influence from jazz musicians such as Bill Frisell and Brian Blade, plus taking further cues from the work of Kendrick Lamar, D'Angelo and Blake Mills, 'Kingo's Treat' is an expansive, freewheeling album that unspools itself into loose moments of improvisation before snapping into shape with tight melodies and enduring hooks.



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Fïx8:Sëd8 - Octagram (Album).

Behold the "Octagram"! For FÏX8:SËD8 the number 8 is more than just another digit. When the 8 just turns by a little in the context of the German electro industrial project's sixth album, it becomes the symbol for infinity.

Infinity and the promise of eternal life also constitute one of the main tools instrumentalised by institutionalised religions to control their followers, which is one of the lyrical themes present on "Octagram".

The number 8 is also reflected in the structure of the album, which consists of 8 songs with a playing-time of 8 minutes. The new songs break out from the classic verse and chorus formula. Freshly introduced odd time signatures and polyrhythmic experiments add to the overall progressive feel this creates. 

No worries, "Octagram" features all the signature elements and sounds that define FÏX8:SËD8: The album is as playful, complex, and melodic as its predecessors. The drums push even a bit harder than before, while the vocals are even more diverse on "Octagram". Vocal samples consist mainly of recitations quoting the last words of persons that were about to receive the death sentence.

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Lone Valentine - Keep Us Company / Wanderin'.

Lone Valentine (Jedediah Taylor) is a genre-fluid singer/songwriter from the American Midwest, conjuring music ranging from raucous rock and roll bangers to emotive and adventurous alternative folk. 

While primarily a guitarist and vocalist, Lone Valentine plays with diverse acoustic instrumentation - from cello and piano to crystal glasses and handcrafted music boxes - bringing a timelessness that has both warm familiarity and mysterious singularity. 

Unafraid to be both deeply personal and unflinchingly silly, no topic or approach is off limits in the romantically imaginative world of Lone Valentine.

Jedediah is also a tenured member of Chicago based indie-Americana band, Wild Earp (both iterations: & The Free For Alls, & The OK Chorale), an Ameripolitan Music Award-winning group (2023) recently appearing in the FX series Justified: City Primeval and whose music is featured on a current United Airlines ad. 


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Sunday, 5 October 2025

The Dream Eaters - Jenna DeVries - Pony Gold - Serious Child

The Dream Eaters - Dead Friends.

Brooklyn, NY/Toronto, ON-based indie rock/pop duo The Dream Eaters return with their macabre yet comic new single, “Dead Friends,” a track that transforms loneliness and loss into something strangely celebratory. Blending humour with the surreal, the song tells the story of a trip back to your hometown, only to realize the life you once knew has vanished. Friends are gone, but their ghosts remain – so you invite them over for dinner.

“It’s about taking a trip to your hometown, and the loneliness of realizing that what you knew as your life there has disappeared,” explains Jake Zavracky (vocals/guitar/programming). “So you go back to your apartment and have dinner with their ghosts. It’s humorous and surreal but also about celebrating the moments we shared with the people who have left us.”

What makes “Dead Friends” unique is its unflinching embrace of the macabre through something as ordinary as food. “I don’t know that anyone has ever written a song about making dinner for ghosts,” adds Zavracky. “It’s also about food, and how we use food to show love. Making dinner for people is the best way to show love for your friends.”


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Jenna DeVries - Malibu Monroe.

Jenna DeVries releases new cinematic country track, "Malibu Monroe." The single is out now. With her new single, “Malibu Monroe,” Nashville standout Jenna DeVries, already a rising star, blends genres to create a cinematic country-pop storyteller track, all while showcasing the same powerful, unique vocals that have made her one of the most compelling new voices in Nashville.

“One day, I was looking through Pinterest and I stumbled across this photo of Marilyn Monroe before she was famous. She was up on the cliffs of Malibu… I remember looking at the photo and thinking, surely the person who took this photo was in love with her… and maybe she was in love with them. Then I wrote their story… It’s called Malibu Monroe. I think we all deserve the kind of love that makes us feel truly seen - that is what this song is about.”

Produced by powerhouse Don Miggs, the track layers glossy, atmospheric production with DeVries’ unmistakable vocal strength. From the opening escape - “Baby let's get out of town / we can drive with all the windows down” - to the soaring chorus - “Cause you make me feel / like Malibu Monroe / take me to the highest spot on the coast” - DeVries captures the romance of Old Hollywood through a modern lens.

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Photo - Victoria Black
Pony Gold - High Road Reverie (Album).

While growing up in Smithers, British Columbia, Theresa Anne Bromley developed a strong connection to the Telkwa High Road, a place where she spent countless hours dreaming of how she would create a life outside of her small community, and coming up with ideas for the songs that would eventually make that happen.

In 2023, she released her first music as Pony Gold, the EP Take Me Somewhere, which propelled her onto the national stage with its blend of folk, soul, bluegrass and alt-country. Pony Gold is now set to return with High Road Reverie, an 11-song collection that pays tribute to those formative years on the Telkwa High Road, and all the heartbreak and hope it now symbolizes for Bromley.

Produced by Leeroy Stagger and featuring backing by members of City & Colour, fiddler Kendel Carson, and Bromley’s husband Matt on slide guitar, High Road Reverie formally establishes Pony Gold as an important new voice on the Canadian roots music scene, following in the footsteps of Kathleen Edwards, Neko Case and Feist.

“This record reflects both continuity and growth—tying together past and present, and setting the stage for what’s next,” Bromley says. “The album tells my story through raw, honest songwriting, touching on addiction, grief, an adverse small town upbringing, a father imprisoned, the unconditional love of a horse, and the resilience that comes with recovery.”

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Serious Child - Dusk on the 33.

Serious Child is back with a hypnotic orchestral-pop single which explores the connections between us all- ‘Dusk on the 33’, out this weekend.

The song tells the story of an old woman riding the bus all day to keep warm, and no-one noticing her. Inspired by a Georgian lullaby, ‘Iavnana (Violet Nana)’, ‘Dusk on the 33’ has a slightly otherworldly off-kilter piano-led psychedelic lilt to it, with the poignancy of the old woman’s story nestled within.

The accompanying video for the track was created via an intergenerational dance project between Three Score Dance Company and MA students from the University of Chichester and perhaps shows that beneath everything there’s an underlying connection between us all in our daily lives. Contemporary dance routines from both and younger dancers meet when Young drives them all on their daily bus commutes as the track’s orchestral pop melancholy grows more and more hypnotic.


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Saturday, 4 October 2025

Isabel Rumble - Janita - ALEIA - Moving Into Tucson - Pilar Victoria

Photo - Elise Ideiens 
Isabel Rumble - Digesting History.

With a quiet strength and unflinching honesty, Isabel Rumble returns with 'Digesting History', out yesterday Friday, October 3. As the final single before her forthcoming album 'Hold Everything Lightly' (October 24), it carries the hushed weight of reflection and the gentle clarity of change, offering a key that unlocks the themes at the heart of the record.

'Hold Everything Lightly' is an assured statement of identity, a clear distillation of who she is and the gentle strength of Isabel's indie-folk style. Across ten tracks, she writes through cycles of change, transition, and self-discovery, moving between internal landscapes and the rhythms of the world around her. The record deepens her understanding of womanhood while reconnecting with the stillness at the centre of it all. As Isabel explains: 

“The songs that make up my second album are the most raw and honest I have written… This record is a return to the stillness at the centre of it all, and to the simplicity of the heart’s voice.”

For this newest track, 'Digesting History', Isabel Rumble reveals a different flavour to anything she has shared before, marking the first time she has released a song written on piano. Tender and heartfelt, the track opens with piano and Isabel’s dulcet voice, before plucked strings join in unison and a grounding double bass steadies the frame. As the song unfolds, the strings shift into smooth, bowed textures, expanding the arrangement like a breath held and released.

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Janita - Let's Go.

The May release of Janita’s tenth studio album Mad Equation has become the most successful of her career—what’s more, it’s become the most successful in ECR Music Group history. Now, the two-time Billboard Top-40 hitmaker, releases a rousing, Beatles-inspired music video for the track “Let’s Go,” directed by acclaimed independent filmmaker Alice Teeple.

“We made a fun, tongue-in-cheek video for the album’s new single ‘Let’s Go,’ and I think it’s just what the doctor ordered,” says Janita. “We filmed this romp in Central Park with director Alice Teeple, and there are homages and Easter Eggs in it to The Beatles’ ‘Paperback Writer’ and ‘Strawberry Fields Forever’ videos. How could you not make something fun when you have The Beatles as an inspiration!”

From the outset of her career, Janita has defied convention yet repeatedly enjoyed mainstream success. She’s commanded attention as a multi-instrumentalist, vocalist, songwriter, and artist-rights activist who meets frequently with Congressional lawmakers. Rolling Stone praises Janita’s new album as one “in which echoes of PJ Harvey and St. Vincent resonate.” Billboard Magazine writes, “This woman’s got the goods. Janita has created a timeless, sensuous, musical mosaic that deserves to be heard.” Earmilk adds, “Janita is just getting started. Full of spirit, courage, and a refusal to fit into any box, balancing raw vulnerability with an unshakable sense of independence. It's the kind of music that makes you want to chase your dreams.”

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Photo - Stephanie Senior
ALEIA - Public Humiliation.

Perth/Boorloo indie-pop / alt / folk artist ALEIA has a rare gift for alchemising heartache into something luminous, and that gift finds its fullest form on her debut EP 'Public Humiliation', arriving Thursday, November 6. The title track, out Friday, October 3, spills first like ink across the page. It’s a tender, tear-streaked addition to a collection that traces the bruised outlines of modern love, the ache of almosts, and the quiet humiliation of wanting too much in a world that gives too little.

With just two singles to her name, ALEIA already shimmers as a rare presence in the Australian indie folk pop landscape, with a lyricism that speaks candid truths and lends to tender introspection. Her debut EP builds on that promise, unfolding as a gentle reckoning, a heartfelt unravelling of love’s emotional debris, pieced together with clarity, vulnerability and care. Speaking on the EP, ALEIA states:

“'Public Humiliation’ is an EP I wrote after being jaded with love. I was newly single with my frontal lobe fully developed and realising I had only experienced toxic long-term relationships, painful situationships, and a nightmarish uncommitted life of casual dating. Being in love felt like a humiliation ritual to prove that you can be loved. It was sobering to be so self-aware of how embarrassing it is to be vulnerable in a culture that is used to romanticising casual sex."

On the title track, ALEIA’s instrumentation is delicate yet deliberate, a slow bloom where every element feels exposed. Gentle, slow-strummed guitar sets a mournful tone, soft at first, then growing sharper and more resolute as the pained feeling crests. Layered vocals glide in close, intimate and aching, creating a space that feels like a whispered confession shared in the quiet aftermath of heartbreak. 

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Moving Into Tucson - Please Don’t Go.

The wait is over: Please Don’t Go is here. This first single of their new chapter shows Moving Into Tucson at their most urgent and confident yet. A track that balances raw emotion with sparkling melodies, it’s a heartfelt plea wrapped in the kind of indie rock anthem you’ll want on repeat. With this release, the Amsterdam band kicks off the road toward their upcoming album All Dressed Up (2026). Big hooks, bigger ambition — and a sound that’s ready for the bigger stage.

Moving Into Tucson have never stood still. From the raw immediacy of their debut album Distraction, to the anthemic heights of People Of The World, and the unexpected treasures of Gems Left Behind—each chapter has been a step forward, a sharpening of sound and vision.

Now comes the leap. “All Dressed Up” (release 2026) isn’t just an album title—it’s a statement. A signal flare. The sound of a band ready to claim the bigger stage they’ve always been destined for. First single, "Please Don't Go" sets the tone: bold, urgent, unshakably alive. It’s Moving Into Tucson at their most melodic, their most dynamic, and their most universal—without losing the raw edge that made them impossible to ignore in the first place.

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Photo - Kate Bonin
Pilar Victoria - Mi Vida.

Following a wave of support from national radio and press, Argentine-American solo artist Pilar Victoria returns with the bewitching new single ‘Mi Vida’ - a heartfelt, bilingual single, blending Spanish and English, inspired by late-night calls with a long-distance partner. 

Written and produced alongside Grammy winner Happy Perez (Halsey, Ariana Grande, Kali Uchis, Miguel, Miley Cyrus, Kehlani among others), the single is another radiant example of the unique chillout-pop sound that has seen Pilar gain widespread support, as comparable to Mazzy Star as it is to Billie Eilish and ROSALÍA. 

A Houston-based singer-songwriter, born in Buenos Aires and raised in Texas, Pilar has become known for her dreamy, melancholic sound and her gift for turning personal experiences into songs that feel universally understood. Written late one night in her college dorm room, ‘Mi Vida’ reflects the quiet ache of a long-distance relationship. The song began after a FaceTime call with her partner, when Pilar sat down with her guitar and poured her emotions into music. What started as a way to ease her heartache quickly became one of her most honest compositions.

“I just want people to feel what I was feeling,” Pilar shares. “Even if it’s heavy, I hope it makes them float for a moment and know they’re not alone.”


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Friday, 3 October 2025

Strawberry Alarm Clock - Manuel K and his Family Band - Caswell - iNNUENDO - Louis O'Hara - Leilani Patao

Strawberry Alarm Clock - Monsters / White Light.

As Strawberry Alarm Clock began to approach its sixtieth anniversary, a new album began to take shape: songs about life, everyday fears, and what comes next. With each member of the band writing and singing, just as they had for all these years, a new and powerful collection of songs emerged that deserves to be heard by listeners both old and new. 

Big Stir Records, located near Burbank, CA, where the band first emerged sixty years ago, is proud to present the next chapter in the band's saga. The first single, “Monsters”, coupled with “White Light”, brings the classic SAC sound into the here and now. The new songs, and forthcoming album, are the continuation of those long-ago ideas, shaped and strengthened anew by the times that they, and we, now live in. 

This is not the return of Strawberry Alarm Clock. In truth, they have never even gone away over the last sixty years, as films such as Beyond The Valley Of The Dolls and Austin Powers have continued to share their sounds far beyond that Summer Of Love. Perhaps the moment has arrived again has come for a new, powerful, yet familiar sound. Once again, the time has come for The Strawberry Alarm Clock.


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Manuel K and his Family Band - Like a Flower (Studio Session).

Manuel K from St. Gallen (CH) is reminding us of good old power pop – in a charming way: twanging guitars, straightforward, catchy pop melodies. And of course, the essential dose of power. All those ingredients make a good power pop song.

What makes the whole project special is that Manuel K recorded the track with his Family Band, bringing together several generations. On drums, his son Jayden; on bass, his daughter Allison; and on second electric guitar, his sister Angela. The song was recorded, mixed, and mastered by Marco Jencarelli (Philipp Fankhauser, Dada Ante Portas, among others). The video production was handled by Jonas Ruppen and Manuel Maeder of Ruppen Productions (working with well known Swiss acts such as Anna Kaenzig, Mothers Pride, among others).

“Like a Flower” is now the ninth single by Manuel K, who grew up in Mels (SG) and lives in Azmoos (municipality of Wartau / Werdenberg region of Sankt Gallen/CH), and it comes with a video release. Already with his former rock band Nextmile, Manuel K had the track in his repertoire – but it has never sounded as fresh as in this new recording with his Family Band.

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Photo - Gabby Sep
Caswell - Break/Bleed/Bloom (Album).

Suffolk Alternative-Pop riser Caswell releases the hotly anticipated debut album Break/Bleed/Bloom this week. Blending elements of downtempo electronica, ethereal deampop and indie musicality with pop and EDM sensibilities, Caswell brings a sonic intelligence and melodic clarity which sets her music apart. Lush, immersive and emotive, the album showcases how well formed Caswell’s sonic identity across its 9 tracks. 

Honest lyricism, atmospheric electronics, and driving bass and drums form the backbone of the album, with Caswell’s tender yet commanding vocal pulling each track forward through instantly repeatable melodies. The record moves fluidly between moods—at times intense and danceable, at others melancholic and understated—always retaining a subtle musicality. From the opener Your Type, which swells from ambient beginnings into a driving wall of bass and synth, to the stripped-back emotion of Written To Die, the haunting ambient beauty of Dorko Boda, the moody ‘My Bed’ with Passion Parade, and the floating alt-pop shimmer of Final Call, the album is varied, immaculately produced, and yet affectingly raw and real.

Speaking about the album Caswell explains: "Break/Bleed/Bloom is a collection of nine songs, split into three chapters: Break, Bleed, and Bloom. Break is about friction – those moments when something stops working and you have no choice but to change it. Bleed is the mourning period that follows, but also the release and healing that comes with it. Bloom is the beginning again: hope, optimism, self-exploration, before the cycle inevitably repeats. For me, this album is about leaning into endings instead of rushing past them. We live in a world that tells us to keep producing, achieving and moving forward, but I wanted to show the power in allowing things to die. That’s where the real growth happens.

It was written over three years, giving us the time and space to really live with the songs while living life. Collaborating with my long-time live band and producers kept it super authentic and organic too, and we’re so excited to finally share it with the world, before the next creative cycle begins."

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Photo -  Aidan Dowling
iNNUENDO - Rosemary.

Dublin based art-pop quartet iNNUENDO return with the new single ‘Rosemary’, offering another taste of their theatrical alternative-rock-meets-artistic-pop aesthetic drawing inspiration from the likes of Kate Bush and David Bowie, the band bring together a sound which conjures elements of CMAT, XTC, Florence And The Machine and Marina And The Diamonds. 

The new single distills the band’s aesthetic into technicolour brilliance, weaving together intricate piano lines, driving drums, and theatrical, emotive vocals to create a rich and compelling soundscape. As the track surges into its shout-along chorus, the band’s gift for infectious melody shines through, carried by taut rhythms and choppy guitar that echo the spirit of The Last Dinner Party. The second verse then takes an unexpected turn, erupting into a dazzling wall of arpeggiators that inject a renewed sense of energy and vibrancy, mirroring the electric dynamism of the band’s live performances.

Speaking about the single, the band explain: “‘Rosemary’ was inspired by one of our bandmate’s old piano teachers, who was awful to him. I started noodling around with piano motifs and the song came together almost instantly, expanding once we crafted the cutting synth line after the first chorus - that really cemented the dance-y groove underneath".


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Louis O'Hara - Finally Stick.
 
Louis O'Hara has shared his new 'Finally Stick' single, with the debut album 'A Peaceful Kind of Fun' due out 07.11 via Libertino. Of the single we are told: Opening in the glow of early love, the track captures the joy of losing yourself in someone else’s light. By the final verse, it drifts into a lower key reflecting on the exhaustion and fallout that come with endings. Arranged with piano, bass, clarinet, cello, electric guitar, and even a theremin, the song also features a spoken-word bridge inspired by 1950s vocal groups like The Capris and The Ink Spots. The result is both tender and haunting a love song that lingers long after it fades. 

A Peaceful Kind of Fun is a 14-track collection that distils O’Hara’s poetic lyricism, tender folk roots, and subtle chamber-pop flourishes into a deeply personal yet quietly universal debut. Recorded with his band His Burley Chassis and produced by James Trevascus (Billy Nomates, Young Fathers, Nick Cave & Warren Ellis) in Spain, the album is shaped by themes of memory, loss, joy, and the places and people that anchor a life.

Throughout the record, O’Hara draws from family history, friendships, and rural West Wales landscapes to create songs that are intimate yet resonant. “The Kid In Me” channels recurring dreams of playing football for Wales as an ode to imagination and daydreaming. “Just Grand” (the album’s first single) is a tender farewell to his grandfather. “Sunnyhill Farm” recalls childhood summers spent on his aunt and uncle’s dairy farm. “Munnelly” traces his grandfather’s memories of the corncrake bird in rural Ireland, entwined with the fragility of dementia. Other highlights include “Magpie”, a love song to his closest friend, “Married”, written in celebration of his brother’s wedding, and “Plant a Tree”, which gathers pieces of life advice into a song of gratitude.

New single “Finally Stick” embodies the duality at the heart of O’Hara’s writing - beginning with the joy and lightness of love’s early stages before descending into the exhaustion and fallout of a relationship’s end. Its arrangement layers piano, clarinet, cello, electric guitar, and theremin, with a spoken-word bridge nodding to 1950s vocal groups such as The Ink Spots and The Capris.

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Leilani Patao - Bird Whistle.

Brooklyn-based (via Los Angeles) artist Leilani Patao has released "Bird Whistle," the second single from ‘daisy,’ their label debut EP, which will be released via Audio Antihero on November 7th. Debuting in 2021 at the age of 17, Leilani showcased their rich, aching voice, shaped by a background in theatre and their youthful willingness to show vulnerability through a raw lyrical honesty across a series of DIY self-releases. 2024’s ‘But What If?’ earned them their greatest exposure to date when they were featured on The Tonight Show. 

Taking its title from the name of Leilani’s much-missed childhood dog, ‘daisy’ is described by the artist as “a pure experiment” in both sound and distribution. Leilani’s ambitious production requires the listener to find the emotion within the cracks, as their range, biting words, and ear for melody push through the wash of sound in fragments. Leilani also made the decision to remove themselves from the algorithm by withholding these songs from streaming, taking control of their work, and asking:

“Is it possible to share my music properly, pay everyone who was involved, get paid myself, and not have to interact with the many systems in place that make me dread music?” 

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Golden Vultures - Wasting Time

Golden Vultures - Black & Blue. Swiss band Golden Vultures have just released thier brand new single, "Black & Blue." Fan...