Monday, 20 October 2025

Sir Petrol - The Womack Sisters - Sophie Hiller - Blooming Fire - Jolie Anastasia

Sir Petrol - Evil Design (Album).

Sir Petrol is the alter-ego of Rebecca Magri, musician and composer from Parma (Italy), already known as a member of bands such as Upupayāma (Fuzz Club), Kaptain Preemo and Ayahuasca, and for her collaboration as sitar player with Boris Williams (The Cure). 
 
Rebecca started Sir Petrol in 2024 as her solo project, developing a polished yet accessible sound built on trip rock, psychedelia and alt-pop, also incorporating jazz contaminations and rough guitar sounds, all tied up by Rebecca's expressive and mature vocals, which range from velvety and harmonious to acid and fiery.
 
Sir Petrol can be imagined like a cosmonaut who from above, beyond the atmosphere, observes the world and notes its evolutions (and involutions). He studies them, faces them and judges them. Each song on the album sounds like a sentence, describing the mood and the feelings unconsciously triggered by watching the world passing by from a distance. The introspective lyrics explore those complex feelings and the twisted human dynamics that often put individuals at survival risk.

Sir Petrol herself explains: For me, this album was a form of exorcism and denunciation. A necessary psychotherapy to reach a state of individual evolution and a study of today's society. Songs like Enclosed, Cuts and Guts and Made Out of Stone delve into the paranoia and lies we tell ourselves, however I Wanna Look Good Naked, Swallow and Destroy and Evil Design deal with the external influences imposed by society, standards, and events.


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The Womack Sisters - If You Want Me / I Just Don't Want You.

The A-side (& B-side) to The Womack Sisters Daptone debut is available digitally now. "If You Want Me" displays uncompromising rawness with pop-sensible control in equal measure. Propelled by the percussive attack of the piano and the hard-hitting call and response vocals the track has a satisfyingly feel-good swing, allowing the groove to accentuate the hook.

The Womack Sisters, BG, Zeimani, and Kucha Womack are a new generation of soul royalty, renowned for their blend of R&B, soul, and gospel influences drawn from their rich family legacy. As granddaughters of the legendary Sam Cooke, daughters of renowned soul and R&B artists Womack & Womack, and nieces of Bobby Womack, they carry on the Womack family’s musical traditions, infusing their work with the soul and passion that has defined the family’s impact on music for generations. Growing up in London, Paris, Amsterdam, Thailand, The Bahamas, and Kenya, the sisters were immersed in music from a young age.

With the backing of the Womack family’s musical legacy, the sisters continue to captivate audiences with their dynamic voices, emotive lyrics, and heartfelt performances. Under their new home, Daptone Records, The Womack Sisters are creating soul music true to its core.

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Sophie Hiller - Fake Diamond Earring.

Becoming a first-call backing vocalist for some of the world’s most prominent and well-toured international icons is somewhat of a mixed blessing for a multi-talent like London born and raised singer/songwriter, Sophie Hiller. On one hand, she’s been able to see the world and appear on multiple TV shows touring with the likes of Tom Jones, Lady Gaga, Nicole Scherzinger, Carly Simon and UK greats Paul Young and Ronan Keating. On the other, she’s been somewhat in the shadows for several years, singing behind icons and writing songs with and for other artists while keeping the true depths of her artistry a bit under wraps. Though Sophie has developed a following in the UK in recent years with residencies in her hometown and at the Isle of Wight Festival, and had a #1 hit in Germany as a featured artist with electronic band Schiller, she’s only now revealing the immense depth of all she can do, as well as her musical destiny, as a solo recording artist.

If the first tasty piano chords, the funked-out grooves, fiery brass and the sultry vocal sass Sophie brings to her first Woodward Avenue Records single “Fake Diamond Earring,” makes you think “Amy Winehouse meets Tower of Power,” there’s good reason. The late singer was a family friend of the very musical Hillers as well as a source of encouragement and inspiration throughout Sophie’s childhood. Those rising horns and punchy accents and that super-tight rhythm section come from a mix of musicians from Winehouse’s and Tom Jones’ bands. 

Written by Sophie and her dad Lawrence (Lolly) Hiller, a singer-songwriter and veteran TV and film composer, and produced by Lawrence and Kevan Gallagher with a poppin’ horn arrangement by Henry Collins, “Fake Diamond Earring” is a powerful coming out party. It’s steeped in cheekiness and the singer’s desire to explore what she calls the “fun, interesting and sassy sides of her character,” with some humor and the sly theme of a wronged woman taking her power back. The infectious, hard-hitting track is the perfect showcase for Sophie’s towering voice, tremendous range and keen ability to draw people into the emotion of her incisive, fanciful storytelling. Though the song features more of her contemporary side, it includes a delightfully jazzy piano solo by Rob Taggart followed by some crackling electric guitar improvisation.   


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Blooming Fire - Waterfalls.

Indie rock unit Blooming Fire released their third single from their forthcoming debut LP, riPPle eFFect. Chasing behind singles “Angel” and “TK”, the refreshing new track “Waterfalls” is out now on all streaming platforms.

Sonically paying homage to Red Hot Chili Peppers, 311, and Dirty Heads, Blooming Fire's “Waterfalls” is a cathartic listening experience. With themes of leaving your past behind and experiencing freedom without judgement, Blooming Fire fuses together elements of jazz, hip-hop, indie rock, and much more. To put it in the band's own words, the new track exercises a "journey of trying to loosen the grip of heaviness and divisiveness and reclaim a sense of love and freedom to express ourselves in a world trying to shut us down". 

In the video, Blooming Fire is shown escaping from the grips of technology, doom scrolling and overwhelm by seeking solace and connection in nature; while embarking on a hunt to destroy the computer that never dies. "Waterfalls" is an anthem inspiring those to shed their past like an exoskeleton, the new track is a relatable journey to those who encounter it.

Sierra Madre of Blooming Fire speaks in further depth about the new album: “Our album is grounded, spiritual, revolutionary, and intimate all at once. The lyrics convey how nature is a symbol for freedom and healing. There is a lot of discussion about cleansing, transformation and letting go and this is represented by different bodies of water like the rivers, waterfalls and rain. We are nature and nature is us; peace, clarity, destruction and renewal.”


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Photo - Shjaane Glover
Jolie Anastasia - Lucky To Find.

There’s a certain presence that comes with hearing Jolie Anastasia sing—a wisdom far beyond her years, wrapped in a voice equal parts tender and unshakable. With her debut full-length album 'Guiding Light' arriving November 7, 2025, and the title cut out now, the Collingwood based singer-songwriter is quickly establishing herself as one of folk and roots music’s most promising new voices.

Jolie’s music doesn’t rush. It lingers, reflecting on heartbreak, healing, and the fleeting beauty of everyday life. In her songs, listeners encounter a rare gift: the ability to transform personal trials into universal truths that speak across generations.

Born and raised in Collingwood, Ontario, Jolie Anastasia (née Jolie Smith) has been steeped in song since childhood. “I am a deeply emotional and sensitive person. I find solace in the strum of a guitar and the hum of a tune,” she reflects. That instinct to create has led her from living room strums to festival stages, crafting a style that balances raw honesty with refined artistry.

Her forthcoming album 'Guiding Light' is a family affair, shaped by the guidance of her producer and father Craig Smith. “Ever since I was young he always encouraged me to play music, so naturally, as soon as he noticed I was writing anything worth recording we jumped straight into the studio,” Jolie says. What began as solo expression soon blossomed into a full-band endeavor, expanding her sonic palette without losing the intimacy of her earliest songs.


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Sunday, 19 October 2025

A.S. Fanning - Living Hour - Mariel Buckley - Malena Smith - Josh Ritchie

Photo - Neil Hoare
A.S. Fanning - Romance.

Irish songwriter A.S. Fanning announces his fourth studio album Take Me Back To Nowhere, arriving February 6th via K&F Records. Now he kicks off the album lead up with ‘Romance’, offering the first glimpse into Fanning's most disorienting and immersive work to date.

Opening with layered synths that build into an anthemic crescendo over a steady drumbeat, ‘Romance’ showcases Fanning's distinctive baritone voice—drawing comparisons to Nick Cave—delivering a stark, disillusioned meditation on love and human connection. The track maps emotional desolation onto stark sonic terrain, stripping love down to its rawest components: fear masquerading as desire, need mistaken for connection.

"This is a disillusioned love song," Fanning explains. "Representing a feeling of hopelessness through imagery of a barren physical landscape. There's also some hint of room for hope or vulnerability in the line 'love lets you in…' but it's generally quite a cynical song suggesting that romantic feelings are just a confused mixture of fear, need, and desire."

The single introduces broader themes that run throughout Take Me Back To Nowhere: inescapable isolation and the idea that our relationships are shaped more by our internal chaos than any genuine connection with others. "In some ways it touches on the wider themes of the album," he continues "That everyone is isolated and that their own issues and interior processes are what's informing their relationships with other people—that who you fall in love with is just based on your own particular cocktail of neuroses, which you somehow find reflected in another person." 

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Photo - Alex Squire
Living Hour - Internal Drone Infinity (Album).

Winnipeg-based Living Hour releases their new album Internal Drone Infinity. With 10 tracks coming in around a 30-minute runtime, the latest record sees the indie rock band move away from dreamy shoegaze sounds in favour of tightly controlled and cathartic sonic release through heavily distorted guitar riffs. 

“Everyone’s kind of angry, we’re getting pissed, the world is fucked, and sometimes it feels like I can’t just be in a nice indie rock band anymore playing twinkly things,” lyricist Sam Sarty says about the change in style. “It’s still nice to do that, but I think there needs to be a release, a scream, or a grunt or something.”

With a lifelong practice of noticing the little, mundane details, and framing them to show potential beauty, Sarty has honed her composing and songwriting skills to the point of finding moments of beauty in places full of literal garbage. 

"Texting is written from this really mundane but intimate point of view of trying to explain Winnipeg to someone over text," she says. "In the winter, everything disappears in the snow, but when the snow melts, we’re left with the mosaic of shit. I keep a list on my phone of things I see on the sidewalk: garbage that breaks my heart or situations that I try to explain, either to myself or over text – that blue bubble carrying my thoughts somewhere else."



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Photo - Emma Palm

Mariel Buckley - Strange Trip Ahead (Album).

Acclaimed Americana singer-songwriter Mariel Buckley returns with her third studio album, Strange Trip Ahead, out now via Birthday Cake Records. Following the success of her 2022 Polaris Prize–longlisted album, Everywhere I Used to Be, Buckley steps boldly into a new sonic chapter — one that blurs the lines between alt-Americana, indie rock, and emotive confessional songwriting.

Serving as the album’s emotional centerpiece, “Anvil” captures the tension of life-altering decisions in a relationship — specifically around the question of whether to have children. Co-written with Nashville songwriter Robby Hecht and featuring Buckley’s brother T. Buckley on mandolin and background vocals, the track is one of the most meticulously constructed on the record.

“Anvil explores the decision around having kids — those ‘will we/won’t we’ conversations,” Buckley explains. “As a woman and as a queer person, the scrutiny around that choice is intense. It forces you to look unromantically at what partnership and permanence really mean.”

Driven by heavy rhythm sections, pedal steel tension, and Buckley’s soaring vocal delivery, the song embodies the weight of love and inevitability — a slow burn that simmers with emotional gravity.

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Malena Smith -Maybe.

St. Louis-based singer-songwriter Malena Smith has shared her latest single, “Maybe,” an emotionally raw preview of her upcoming debut EP, 27 in Maine. Following the transparency of her previous release, “Paralyzed,” this new track, written by Sonca Nguyen, Jack Pordea, and Joshua "Paco" Lee dives even deeper, capturing the tension of love in limbo.
 
Simply put, “Maybe” is a love song, but beneath its gentle melodies lies a layered emotional landscape and an introspective plea, a yearning for the other person to return and affirm your feelings. It's a confession, a question, and a prayer for emotional clarity in a relationship hanging by a thread.
 
With introspective lyrics, delicate harmonies, soulful guitar and skillful mandolin, “Maybe” reflects the intimate emotional spaces we often keep hidden. “I’ll wait for your answer / Just ask me the question / Don’t leave me to figure it out / I promise to show you / Whatever you go through / I’ll be by your side,” she sings, inviting the listener into a quiet but powerful moment of sensitivity. “I’ve been there more times than I’d like to admit in my twenties, maybe that’s why it resonates so deeply,” she shares. 


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Josh Ritchie - So Much More Than A Dream (Album).

By the time an artist makes their third album, it’s a safe bet they’ve learned a few lessons. In the case of Canadian singer/songwriter Josh Ritchie, those lessons led to taking control of all aspects of So Much More Than A Dream, with the result being a dynamically powerful 11-song collection that blurs the lines between modern rock, experimental folk, and contemporary r&b.

In some ways, it’s the sound of our age, where genres are fluid, and an artist has the tools at their fingertips to take any idea and construct a unique sonic landscape out of it. In film parlance, it’s been called “the auteur theory” for decades, and for Josh Ritchie, it guided his vision throughout the making of So Much More Than A Dream.

In short, So Much More Than A Dream can be described as a concept album telling the story of a young adult searching for peace and purpose in our increasingly turbulent world. It’s hardly a stretch to say that theme mirrors much of Ritchie’s life to this point, having grown up BIPOC in Ontario’s Bruce Peninsula. Much of his music to date has been a product of his experiences, but on So Much More Than A Dream he pours his soul into each song, as on the first single, “Numb,” which asks the increasingly common question, “Do you believe in anything at all?”

Josh clearly believes in many things, and wants you to believe in them as well. On the anthemic new single “Celestial,” he firmly pins his heart to his sleeve, running through the list of things that sustain his spirit, with love firmly at the top. Later, on the stunning ballad “Vancouver,” he sounds like a young Leonard Cohen, surveying the wreckage of his life amid the wreckage of the inner city. But it’s “Small Town Boys” that Josh highlights as a personal triumph.



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Saturday, 18 October 2025

Tulpa - Clay Brown & the Trouble Round Town - Zoey Tess - Sophie Lilah - Natalie Holmes

Tulpa - Transfixed Gaze / Let's Make A Tulpa!

Tulpa are very new: nothing has been released up until now, not even a digital single. Despite this, they attracted the attention of Marc Riley & Gideon Coe, who invited the band to record a live BBC6 Music session this summer. Around the same time, Skep Wax Records were sent the finished album and knew they had to release it. Meanwhile, in the creative hotbeds of the UK’s DIY festivals and indie venues Tulpa are quickly gathering a loyal following. They have recently supported Throwing Muses, Pale Blue Eyes and Bug Club and will be playing a series of headline gigs in October and November 2025.

What is a Tulpa? It’s a mythical being manifested into existence through the act of concentrated thought, like an imaginary friend brought to life, but (sometimes) scarier…

The album "Monster Of The Week" is out on 28th November. This album has some of the same qualities. A whole set of loud, catchy, perfectly-crafted pop songs have been conjured into existence - and want to be part of your life.  Josie’s hyper-melodic lead vocals are cool and crystalline - but the lyrics are warm and human. The twin guitars create a sonic mesh, a web of textures that traps you, whether you like it or not. And yes, something scarier does lie below the surface. Occasionally the guitars force their way to the front, furious and intense. And sometimes those lyrics aren’t as innocent as they first appear. The danger, just below the surface of the songs, is maybe that’s what makes this album so arresting…



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Photo - Dan Mac
Clay Brown & the Trouble Round Town - No Place.

What feels like a late-night confession spilled over the hum of guitars, ‘No Place’ finds Boorloo/Perth outfit Clay Brown & the Trouble Round Town wrestling with grief, distraction, and the struggle to find steady ground. Out yesterday (October 17), the single captures Brown at his most unguarded, channelling pain into jangly indie / alt-rock noise.

Frontman Clay Brown has spent the past decade tracing a path across shoegaze, grunge, jazz fusion and stoner rock, supporting bands including Fuel, Gyroscope and Psychedelic Porn Crumpets. He’s now stepping out with his first solo project, Clay Brown & the Trouble Round Town. Following a run of solo shows in London and Edinburgh, and now with a third single on its way, Brown leads a new chapter that places his songwriting and voice firmly at the centre.

‘No Place’ channels the grit of indie and alt-rock, driven by picked guitars beneath Brown’s casual, nonchalant delivery, coloured by his Australian accent. The verses feel personal, almost conversational, before the track swells into a falsetto chorus that lifts it into something both vulnerable and defiant. Catchy guitar hooks push the song along, while a swirling slide guitar bridge adds a little alt-country edge.

At its heart, ‘No Place’ is a reflection on being caught between grief and the fragile beginnings of something new. Brown explores the dissonance of trying to give yourself to another person while still carrying the weight of loss, and the frustration of realising that your head and heart are not yet aligned.


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Zoey Tess - Knocking at Your Front Door.

Zoey Tess is an American singer-songwriter, producer, and pianist whose sound channels early jazz and contemporary work into the folk-rock traditions that shape her powerful voice. A Berklee College of Music attendee who chose an independent path, Zoey's sound is deeply authentic and informed by her classic musical training (piano, violin).

"Knocking at Your Front Door" is the fiery lead single from Zoey's forthcoming debut album, There's Gonna Be a Reckoning. 

The single shines an unapologetic spotlight on brutality and corruption, giving a distinct nod to the spirit of protest anthems of the sixties and seventies. Musically, it recalls the acoustic urgency of legends like Bob Dylan, Neil Young, and Townes Van Zandt (whose song "Fare Thee Well, Miss Carousel" is covered on the album).
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Photo - Stephanie Senior
Sophie Lilah - Busy Being in Love (Album).

There is a bittersweet beauty that surfaces when heartbreak is given a voice. On her debut album 'Busy Being in Love', out yesterday Friday, October 17, Boorloo/Perth indie-folk/ alt singer-songwriter Sophie Lilah gathers the fragments of loss and longing, distilling them into songs that feel both tender and resolute. 

'Busy Being in Love' moves with both delicacy and force, shifting between stripped-back folk ballads that feel raw and earthy, and rock-driven songs steeped in blues and groove. Sophie threads in touches of jazz phrasing, classical flourishes, and R&B-inspired vocal rhythms, shaping a sound that is organic, real, and deeply emotive. 

At the centre of it all is Sophie’s vocals that dance and flutter across the arrangements. Poised but powerful, each phrase carries the ache of truth. It is an album alive with contrasts, where intimacy sits beside a yearning to be heard and understood. Speaking on the album, Sophie shares:

“'Busy Being in Love' is an album about heartbreak, not just the kind that shatters, but the kind that lingers and reshapes you. Each song became a place to set down the weight of that pain, to make sense of the different shades of loss."


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Natalie Holmes - Opposite Day (Album)

Alt-pop artist Natalie Holmes has released her highly anticipated second album, Opposite Day. Following the success of her debut self-produced album, Vitamin Be (2022), Natalie’s new project takes listeners on a kaleidoscopic journey through the paradoxes of human existence. Like Alice down the rabbit hole, we tumble together through accidental worlds of style and sound that mirror the disorienting beauty of being alive today.

Reaching her arms wide, ’Opposite Day’ involves a team of outrageously talented musicians - Boci, violin; Rob Pemberton, drums & mix, Alex Heane, bass & William J Stokes, co-production - Holmes proudly prepares to release this collection of genre-blurring alt-pop that ping-pongs between introspective ballads and upbeat anthems. With influences ranging from Caroline Polachek & Aurora to The Japanese House & Bon Iver, Opposite Day continues to showcase Natalie’s signature blend of ethereal vocals and thought-provoking lyrics.

Natalie’s musical journey has already seen a sea of milestones. After starting with grainy YouTube videos in 2010, she’s since released several EPs, collaborations, and her debut album, Vitamin Be, which received praise from BBC Radio 2, BBC 6, Clash, and EARMILK. In 2016, she joined Above & Beyond as a lead vocalist on their Acoustic World Tour, performing at legendary venues like the Hollywood Bowl and Royal Albert Hall. Her solo material has captured the attention of fans and critics alike, with Tom Robinson on BBC 6 calling her work “fresh, adventurous, and really assured.”

“An inspired return from a songwriter we will enjoy watching develop over the coming months and years,” wrote Clash about her debut. And indeed, with Opposite Day on the horizon, Natalie is poised to continue that trajectory—finding new ways to connect with listeners through her rivers of wordplay and arresting reflections on the human condition.

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Friday, 17 October 2025

Oliver Beardmore (feat Punchlove) - Saintseneca - Penny & The Pits - Anna von Hausswolff - Dandelion & The Drop - The Bats

Photo - Nicole Osrin
Oliver Beardmore - Ammonite (feat. Punchlove).

London alternative singer-songwriter Oliver Beardmore has enlisted Brooklyn experimental shoegazers Punchlove for new single 'Ammonite'. Oliver Beardmore plays a single release show at The Elephants Head in Camden this coming Monday, 20th October. A wistful slow-burn that builds from dreamlike textures into a crushing alt-rock finale, ‘Ammonite’ is a searing exploration of projection and self-inflicted hurt.

Co-produced by Beardmore and Xav Sinden, and mixed by Matt Glasbey (Bloc Party, Sorry, Alt-j), hushed guitars and gauzy atmospheres mirror the push-pull of intimacy and blame, with Punchlove’s Jillian Olesen and Ian Lange-McPherson adding a potent depth to Beardmore’s vision.

On the song's lyrical inspiration, Oliver Beardmore said: "The song is about being drawn to people who share the same insecurities or flaws. We project our issues onto each other, but that weight often causes hurt that no one else is really to blame for. There’s freedom in no longer searching for your flaws in someone else, and relief in calling off that search. In the end, you can hurt yourself more than anyone else ever could - but there’s something almost hedonistic in giving yourself away to someone who’ll let you."

In recent months, Oliver Beardmore has become the support act of choice, playing alongside Gia Ford, Junodream, Late Night Drive Home and Steve Mason, as well as headlining sold-out shows across the UK. With early support already from BBC Radio 1 and BBC Introducing, he’s fast establishing himself as a striking new addition to the UK’s alt-rock landscape.

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Photo - Nick Fancher
Saintseneca - Bitter Suite.

This week Saintseneca released “Bitter Suite,” the final pre-release single ahead of their ambitious 21-song double album Highwalllow & Supermoon Songs that arrives on October 31 via Lame-O Records. Imagined as a ten-song landscape (tracks 1-10) orbited by two sonic “moons,” the new song appears on Cinnamon Moon (tracks 16-21), which will be withheld from streaming services and only available on the vinyl LP or for purchase on Bandcamp. 

Saintseneca have also announced a fall album release tour that will kick off on November 5 in Pittsburgh, PA and make stops in New York City, Philadelphia, Asheville, Chicago and more. The tour will culminate in a pair of hometown album release shows on November 22 and 23 at Rumba Cafe in Columbus, OH. 

The album was born from a period of personal struggle when Little hit a years-long stretch of burnout and found unexpected healing and a creative spark in painting. What began as a meditative artistic practice grew into a collection of paintings that became the basis for a solo exhibition in a hospital gallery and ultimately the hand-painted gatefold jacket that houses the new album. Longtime collaborator Glenn Davis helped shape the recording sessions, while producer Mike Mogis (Bright Eyes) brought the songs into full focus with expansive, layered mixes. 

Like the “Green Ink Pen” that sparked it all and appears as a song the Viridian Moon, Highwalllow & Supermoon Songs feels more found than written. “I wanted this album to reflect that—some songs were found on the landscape, others were found on two moons, orbiting that landscape like satellites, disparate pieces pulling on each other, creating a world of song,” Saintseneca's Zac Little explains.


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Photo - Nicole Cecile Holland
Penny & The Pits -Thick Black Gloves. 

Penny & The Pits track "Thick Black Gloves" is a revenge fantasy about retaliating against creeps and stalkers, perfectly encapsulating the sour-mouthed riot grrrl energy praised by Bandcamp. 

Quote: “It pees me off so much that I can't just walk down my own damn street without constantly scanning the shadows!” says Stevens. “The song is a bit of a revenge fantasy for me, but it doesn't necessarily translate directly through the lyrics. So I really wanted to make a music video that could help augment those themes.”

I have this ridiculous leather trench coat that I wear all the time, and men often comment that I look like I'm about to commit a murder. So the trench coat inspired the video, really. I wanted to create an atmosphere that wasn't explicitly violent, but focused more on confidence and dominance.


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Photo - Philip Svensson
Anna von Hausswolff - Struggle With the Beast.

Anna von Hausswolff debuts “Struggle With The Beast”; her nine minute opus of stirring movement, anthemic ritualism, and maximalist composition. The experimental composer and musician fiercely melds the pipe organ, guitars, percussion, violin, viola, cello and double bass with a magnetic saxophone piece from Otis Sandsjö, all with her impending ethereal vocals. 

“I wrote this song after a close friend experienced a psychosis,” von Hausswolff reveals. “There was something unstoppable and completely disconnected about her, as if she were living and reigning in a parallel universe of some kind. She was so far away from the person I knew, as if all of her social barriers had completely dissolved. There was a new, weird brilliance to her way of communicating and being. She had no filters. I'm glad she's back to normal today, but it made me think of how vulnerable and complex we all are, and that there are layers of unresolved trauma and unspoken truths within everyone.”

Anna von Hausswolff’s work carves out space for the celestial and the transcendent to enter into the modern world. Throughout the years von Hausswolff’s releases cemented her as an artist of unpredictable and vast creativity – always moving forward, always fusing tradition with experimentation in unimaginable ways. On ICONOCLASTS, her forthcoming album and first with YEAR0001, her sound evolves again, bringing a poppier and more vibrant element to her moving songs. The album was produced by Anna von Hausswolff and longtime collaborator Filip Leyman, marking a new chapter in von Hausswolff's music and featuring appearances from Ethel Cain, Abul Mogard, Iggy Pop and Maria von Hausswolff.  


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Dandelion & The Drop - Tall Order.

The third and penultimate single from D&TD exercises a departure from their usual variety of reggae-based grooves, into a downbeat-driven soul track, maintaining the sound of Leon King’s meticulous guitar work, soft Flugal and Tenor horn lines, deep dubby bass tones and Dan’s signature vocal sound.

In today’s world of rising division and dwindling opportunity, Tall Order lands with a raw and timely urgency. In a society where youth services are being stripped away, the cost of living climbs relentlessly, and opportunities for progression feel further and further away, Dandelion lends his voice to the unheard. With bolstering empathy, he speaks to the frustration of a generation struggling to be seen, understood, and offered a future. But beyond the critique lies a mindset - resilient, defiant, and necessary - that we can all carry forward. 

The track hits hard. No frills, no filter. Just groove-laden basslines, infectious percussion, and head-nodding rhythms that demand your solidarity on the subject. Dandelion’s verses cut through adversity, weaving through the song with sharp observation. As the song builds, it rises into something more: a fierce, liberating celebration of life - one that insists on joy and coming together, even in the face of struggle.


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The Bats - Corner Coming Up.

The wait is over, thine day doth upon us all, The Bats' 11th studio album Corner Coming Up is out into the world. Since their inception in Christchurch (New Zealand) in 1982, The Bats’ music has earned them indie royalty status. With a devoted following around the world, they remain one of New Zealand’s most cherished and enduring exports, and this album continues their legacy, blazed in greatness. 

The Bats are Robert Scott, Kaye Woodward, Paul Kean and Malcolm Grant, the much-loved indie rock band from Aotearoa. The new album strikes a very distinctive and familiar chord that exists in the hearts of fuzzy-loving fans all round the world. The brand new video for title track 'Corner Coming Up'  is featured today on Beehive Candy. 

Throughout their 40 plus years of existence, and now with album number 11 ready to share with the world, The Bats have stayed true to their roots, creating timeless music that continues to resonate with fans old and new.

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Wednesday, 15 October 2025

Wyldest - Savannah Pope - Men Without Hats

Photo - Tom Gaiger
Wyldest - Wax Museum.

Wyldest just shared her new luminous new single 'Wax Museum' the latest glimpse of her forthcoming album 'The Universe Is Loading' out 14th November via Hand In Hive. 'Wax Museum' arrives alongside the announcement of a new UK support tour with Marissa Nadler and follows the album's previous tasters 'Old Flame', 'All It Would Take Is A Phone Call' and 'After The Ending'.

The first song written for her new album, ‘Wax Museum’ was inspired by painter Philip Guston’s warning: “Don’t be a wax museum” - a call against stagnation and repression. Over crystalline guitars and a hazy dream-pop glow, Wyldest explores what it means to stay vulnerable and alive in a turbulent world, asking instead for openness and rawness: “Are you wanting a thrill? / Let the rain wash all over you.”

Speaking more on the release of 'Wax Museum', Wyldest said: “To be a ‘Wax Museum,’ as Philip Guston said, is to be stagnant, lacking honesty and mimicking what already exists - and at times I find myself moving through days like that, choosing the easy road rather than the ones that require thought and action. Familiarity is comforting, but we risk becoming caricatures of ourselves, plucking the flower before it can thrive, too impatient to let it reach its potential. With so much noise and automation in the world, I wanted this song to set a precedent of being honest and present, un-numbing myself to injustice and making music I was 100% excited by.”


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Savannah Pope - Terrible Thing.

Savannah Pope makes the kind of hauntingly unique songs you feel before truly understanding. The Los Angeles-based artist, known for her operatic vocals, stunning visuals, and unapologetic-ally raw songwriting, crafts songs that live somewhere between cinematic art rock, poetic-indie, and avant-pop spectacle.

Her forthcoming EP continues the evolution that began with her breakout project Pandemonium, delving even deeper into the vulnerable, and often unspeakable, parts of the human experience. Savannah's journey to music was anything but linear. She first learned guitar in reform school, a place of confinement where stolen moments of creativity became her only escape. In college, she studied painting in Barcelona, later dropping out of Pratt in Brooklyn and returning to LA feeling untethered. 

A spontaneous decision to jump onstage at an open mic night changed everything. “I felt a strange urge in the pit of my stomach,” she says. “I borrowed someone’s guitar and just went for it. The response was electric. I was hooked.” Several years of performing in bands followed; Loud, chaotic, and formative. Her voice transformed to command space among the noise. But just as her own band began gaining traction, Savannah was hit by a car, rendering her unable to walk for months. Addiction crept in. Music, once again, became the lifeline. An insurance settlement gave her the funds to record her debut album, which launched her solo project, a self-directed, genre-blurring universe of sound and vision. Savannah’s work is deeply thematic, driven by personal experience and a surrealist lens. 


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Men Without Hats - In Glorious Days / I Love The 80s.

Men Without Hats one of Canada’s most enduring and beloved new wave bands—are back with their upcoming album ‘On the Moon,’ out November 14, 2025. Their latest single, “In Glorious Days,” out now, continues the group’s exciting new chapter, following the viral success of “I Love The 80s,” which has earned over two million views and streams in just three months.

Written by frontman Ivan Doroschuk and Grammy and Juno Award-winning producer Brian Howes, “In Glorious Days” represents the band’s first experience with true creative collaboration. The track captures the spirit of classic Men Without Hats while embracing a modern synthwave aesthetic that bridges the past and future of their sound. “Working with Brian was effortless—the song came together naturally,” Ivan says. “It’s a hybrid of the classic MWH sound with a fresh sonic sensibility. I can’t wait to play it live—it’s going to be a new crowd favourite.”

‘On the Moon’ was recorded in two sessions—first at Howes’ studio in Comox Valley, Vancouver Island, where the pair collaborated on “I Love The 80s” and “In Glorious Days,” and then in Victoria, BC, where Ivan and longtime producer, engineer, and guitarist Sho Murray captured the album’s more intimate moments. With additional vocals from Sahara Sloan and mastering by industry legends Mark Needham and Howie Weinberg, the record is both polished and deeply personal—a sonic journey through reflection, resilience, and renewal.

“In Glorious Days” is an anthem for anyone reclaiming their fire. With pulsing synths, driving percussion, and Ivan’s unmistakable voice, it evokes both nostalgia and transformation. Lyrically, it explores the tension between passion and self-preservation—capturing the exuberant, defiant spirit that made Men Without Hats global icons of individuality and joy.

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Alice Costelloe - DÜÜL SUNS - The Wesleys - George Harrison (New Official Video)

Photo - Bex Aston Alice Costelloe - Anywhere Else . London singer-songwriter Alice Costelloe has released new single 'Anywhere Else...