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Showing posts from July 1, 2018

Tiny Eyes - Hannah Scott - ElectroBluesSociety feat Jan Hidding

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Tiny Eyes - Just Saying. Background - When your songwriting theme is love it can often feel like a road too well travelled. From the rose-tinted idealisation of new love, to the emotional tempest of love lost, we’ve heard the story retold in countless variations; we get the picture. Enter Tiny Eyes with his latest song ‘Just Saying’, the first single to be taken from his forthcoming debut album, released next year. ‘Just Saying’ is about the less documented side of our strongest emotion.  It’s about the banal and the familiar, the quotidian journeys we go through with our lovers from sunrise to sunset, through mild annoyance to peaceable reconciliation, and then into bed again to repeat tomorrow. Featuring his partner Martha Bean on backing vocals, and made entirely at home on his trademark old 20’s piano with percussion patched together on a laptop, it’s a sonically adventurous ode to reality that endears itself to the listener through Tiny Eyes’ unique observational storytelli

Team Picture - Edan Archer - Odetta Hartman - Natalie Holmes

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Team Picture - EVE. Background - The six-piece Leeds-based Team Picture have just shared the video for their ltd. edition 7" single 'EVE' - released on Come Play With Me. 'EVE' is a re-working of a track by fellow Leeds trio, Laminate Pet Animal. Recorded and released initially under the band’s alias, ‘Group Photograph’ for West Yorkshire-based label, Come Play With Me, the new video arrives hot off the back of their recent 6 Music-supported mini-album, ‘Recital’, and just ahead of a headline at Camden Assembly Hall on July 27, 2018 for Come Play With Me/War Child. “We chose to mangle 'Eve' after sharing one side of a 7" with Laminate Pet Animal's original, excellent, version of the song,” says Team Picture frontman, Josh. “We didn't bother trying to recreate the original because we knew we had nowhere near enough bloopy and bleepy machinery, so we came at it as a re-imagining of the source material.” Speaking about the video for ‘EVE’, vi

Sonny Falls - The Ophelias

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Sonny Falls - Easy To Lose. Background - Chicago based indie rock band Sonny Falls shares the lead single "Easy To Lose" off their forthcoming LP Some Kind Of Spectre, due out 8/17 on Sooper Records (Nnamdi Ogbonnaya, Sen Morimoto). On "Easy To Lose" the band addresses the way a toxic situation can be all-consuming. It is about codependency in all forms, like addiction or an unhealthy relationship. The rest of their forthcoming album deals with the same themes. Over 10 tracks, Sonny Falls’ Some Kind of Spectre finds songwriter and frontman Ryan 'Hoagie Wesley' Ensley exploring the nuances and complexities of relationship; whether with a person, a drug, or even just a mindset. While the album contains explicit references to heroin and the opioid epidemic, metaphorical lyrics create space for the listener to insert their own meaning. Hoagie makes obvious reference to particular issues that have plagued he and his loved ones, but the flexibility of interpr

Moderate Rebels - Atlanta Arrival - ilu

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Moderate Rebels - Beyond Hidden Words. Background - London-based “Anti-Music Collective” Moderate Rebels release ‘Beyond Hidden Words’, from their just-completed second album, due out in November on Everyday Life Recordings. Describing it as an ‘un-song’, Moderate Rebels say, “We’re not sure what this music is exactly. It arrived with us as a feeling, then a defiant chant, a repeating half hallucination set to building noise, an invocation of strong communal power and hope, through the confronting of the uncomfortable, and the taking of some personal responsibility for being part of that conversation… The sound of a dream, set to the dream of a sound.” ‘Beyond Hidden Words’ arrived as an experiment, as much Moderate Rebels material has, from posed questions: “Can 3 chords and ‘the truth’ still work in 2018?... At what point does repetition become psychedelic?... Once you lose track of structure and time in music, do you get any sense of the infinite?” “We know ‘Beyond Hidden Words

Gaffa Tape Sandy - Mikey Collins - Polyplastic

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Gaffa Tape Sandy - Meat Head. Background - Rising garage rockers Gaffa Tape Sandy launch their punishing new single Meat Head, building on their brand of high-octane, adrenaline-fuelled rock ‘n’ roll delivered with a vital message. “Meat Head was written as an attack on the type of mind-sets people harbour which involve believing that they somehow own or have the right to the body of another person”, the band stated. “The song is intended to be a pointed finger, an accusation and a vexed comment aimed towards reckless attitudes that exacerbate rape culture. It’s a topic we feel strongly about, and so wanted to perform with passion and indignation”. With drummer Robin Francis’ viciously executed pre-choruses and bassist Catherine Lindley-Neilson’s fierce vocal delivery, the subject of the song can be widely felt within the performance just as much as the lyrics, adding to the wave of momentum surrounding the trio heading into the summer months. One of NME’s 100 Essential Acts for 2

Moon Panda - Hannah Featherstone - Slow Culture

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Moon Panda - Rabbit. Background - The sounds of Portishead, Mitski, Beirut, Beach House, and Angel Olsen have been key to the formation of Moon Panda. After the duo of Californian songwriter Maddy Myers and Danish guitarist Gustav Moltke decided on the talents of Bristolian synth player George Godwin and London-based percussionist Alfie Webber to join them, they settled on Brighton in 2018 as their creative base to launch Moon Panda. Their debut single ‘Rabbit’ released June 29th on boutique record label My Little Empire is an impressive introduction with dark undertones. “Rabbit is about unhealthy love.” Myers explains. “It’s someone so infatuated with their partner that they can’t end their tragic, dependent relationship.” Inspired by a character formed in Heiko Julien’s collection of wit-filled 21st century love poems ‘I’m Ready To Die A Violent Death’, Myers looks to personify the atmosphere evoked. “I wanted ‘Rabbit’ to feel quite hypnotic and have some edge. Like a predator