Tuesday, 9 March 2021

Jordy Benattar - Wy - Lauryn Macfarlane - Fresh

Jordy Benattar  - Falling (feat. Tyler Simmons).

A newcomer to the music scene, Canadian actress Jordy Benattar has a distinct sound hard to compare to anything else you’ve heard before. Described as “enchanting”, “delightful”, “soothing”, and “carefree”, Jordy Benattar is a breath of fresh air.

Storytelling through art has always been part of Jordy’s journey. As an actress in film and television, Jordy worked alongside talent including Brooke Shields, Whoopi Goldberg, Seth Rogen, Gary Sinise, Billy Baldwin, Freddie Highmore, and renowned directors who helped shape her craft. Her performances have earned her a CAMIE Award, a Young Artist Award Nomination, and a Gemini (Canadian Screen Award) Nomination for Best Leading Actress in a Drama or Mini-Series.

Musically inclined and eager to write her own ‘script’, Jordy started writing songs where she gets to play the character she knows best: herself.

Influenced by nature, life experience, growing pains, quotes that make us look within, and world-changing events that make us look out, Jordy has a unique way of pouring universal feelings into mellow, magnetic music. Her tight, smart lyrics are perhaps a product of her education and eye-opening work experiences. Jordy is a lawyer by training, an MBA grad, and an infinitely curious student of the world.

A natural melody-maker and lyricist, Jordy is most interested in collaborating with creatives who bring a different sound than she does to the studio. Keen to write for producers and other artists, she views the songwriting process like a chemistry experiment, where different elements combine to produce something completely new. A natural songwriter dancing on the matrix of indie, folk and the softest of pop, Jordy Benattar’s music feels like the most honest conversation you’ll ever have.


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Wy – That Picture Of Me.

Wy are a band strongest at their most vulnerable. The Malmö indie duo, Ebba and Michel Gustafsson Ågren, have showcased their musical skills across two albums, 2017’s Okay and 2019’s Softie which gained them recognition from KEXP, Line of Best Fit, NBHAP, Tonspion, CLASH and more as well as tours in Germany, Scandinavia and the UK. But what makes them stand out as a band is the raw, brutal emotion they capture in their music.

A Wy song at their best sounds like opening it all up, and letting the feelings flow where they will, letting the pain, anger, fear, hope and love steer the song. Those emotions are spun into the band’s skyscaping, cinematic sound, and turned into music that has a force behind it, a power that hits you, even when it's at its softest. And that power that illuminates the band’s songs is more present than ever on their new album Marriage which is out on May 7th, That Picture Of Me is the third single and a track that was wrote as "a stream-of-consciousness scrolling down social media feeds. It's fascinating and very silly to me how many thoughts and emotions can occur within a couple of seconds, just because your feed is so jam-packed with information. From friends, to ads, to memes and memories. Your mood can shift so instantly and it feels very necessary to spell it out like this, so you become more aware of it.".

Marriage is the first record since signing to Rama Lama Records (Melby, Steve Buscemi's Dreamy Eyes, Chez Ali etc.) and the  sound of Wy moving forward and backwards at once. Leaving the more produced style of last album Softie behind, it turns to the simpler sound of their earlier work for music that’s rawer and sharper. On both the indie-rock and the pop songs of this album, there’s less between the listener and the heart of the song - this is music that’s very direct, both in theme and sound, with melodies that hit cleanly and leave nothing even trying to hide. It’s the work of a band that have grown into themselves and what they do, and making the strongest songs of their career.

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Lauryn Macfarlane - Nowhere Town.

Lauryn Macfarlane’s celestial take on indie pop is as captivating as it is stunningly harmonious. As a rising Canadian artist and songwriter, Lauryn has garnered attention across Eastern Canada, through a rigorous show schedule and an unwillingness to waver from her roots.

Raised in a small town in rural Ontario, Lauryn was the product of a community that made arts a priority amongst young students. Having this foundational strength has given Lauryn a glowing confidence that bursts through her as she performs. Lauryn has been recognized as a bewitching storyteller, drawing inspiration from her own experiences and struggles as an empath with an unceasing flow of emotion. Her honest songwriting, powerful voice, and vibrant, colorful melodies have drawn comparisons to Jade Bird, Phoebe Bridgers, The Chicks, and Maggie Rogers, all of which are great sources of inspiration to Lauryn.

After opening for various acts including JJ and The Pillars, Heaps (formally The Kents), Kane Miller, and NEFE, Lauryn has found a presence and aura on stage that commands attention. The energy is raw, visceral and intimate. Those who experience a show tend to walk away with the feeling that they have fallen on one of Canada’s secret gems.

In the fall of 2019, Lauryn decided to make the move to Montreal, Quebec, Canada where she has been working alongside producer/engineer Sam Woywitka (Luca Fogale, Half Moon Run) and musicians Isaac Symonds (Half Moon Run) Mishka Stein (Patrick Watson) and Robbie Kuster (Patrick Watson) on her debut EP. Alongside these esteemed musicians, Lauryn has created a collection of songs that she is incredibly proud of and that will provide the industry with a clear vision of what she has to offer as an artist.

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Fresh - Girl Clout.

London DIY punks Fresh today share a new track via Specialist Subject Records, ‘Girl Clout’. The band have worked tirelessly since their inception – touring with the likes of The Beths, PUP, Adult Mom and more, releasing two albums and amassing a devoted fanbase following appearances at Fest, Manchester Punk Festival and The Fiest in Madrid amongst others. For a band that have existed for a relatively short period of time, the four-piece have already released a hefty catalogue of work – prolific, ever evolving and always fresh (in every sense of the word). The UK punk scene continues to suffer at the hands of Covid-19 and following a year of no live shows, ‘Girl Clout’ is here to remind us not only of what we’re missing but of what we’ve got to look forward to when Fresh can finally tour again.

‘Girl Clout’ is a musical embodiment of frustration and pure visceral anger. “I wrote it in two minutes and as soon as we jammed it out together, we knew that it felt right” says lead singer Kathryn Woods. “Themes include power, not being taken seriously by male musicians and bands, and being tokenised. It’s also about seeing through performative male allyship, owning your space in punk music as a woman and venting your frustrations through good old-fashioned rock and roll.”

Fresh have been an unwavering fixture within the UK punk scene since their first record in 2017. A joy to behold live, the band includes musical peer Myles McCabe of ME REX, while lead singer Kathryn Woods is a member of a number of heralded indie and punk bands, including cheerbleederz and ME REX alongside McCabe. With future plans to tour alongside a new album, FRESH show no signs of slowing down anytime soon.


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Monday, 8 March 2021

Phogg - Classic Water - King Park - Kids Love Surf

Phogg - From The Station.

In September 2019, Phogg's second album "Mofeto: Mashine Adamkosh" was released, an album "about robots that take over the world" which was well received and praised in Sweden and internationally. 

After the cheers of "Mofeto", Phogg took on the challenge of recording two albums at the same time. The goal was to work on these albums in parallel and release them at the same time.

Recording two albums at the same time would prove to be an extremely bad decision and the band was burning out mentally. For a time they floated around with neither direction nor goal, just waiting for their instincts to come to life again.

The music video to the single ”From the Station” is taken from Phoggs upcoming third album ”The Sharkness” that’s being released 16th of April.


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Classic Water - Heart to Move (live recording).

Leading up to debut album Concrete Pleasures coming out March 19th, Utrecht-based indie band Classic Water release the last of a series of live videos. Enjoy this live version of the band’s latest single Heart To Move.

The videos were produced in a barn in the Dutch town of Wijk bij Duurstede. The sound was recorded by Matthijs Thomassen; the video was shot by Classic Water’s keys player Lotte van Leengoed.

Facing reality - Heart To Move is the story of someone wrapped up in the stories he tells about himself, so much so that he is simply unable to tell the real from the unreal, the truth from the lie. When disaster strikes, the narrator is confronted by the gap between his yarn-spinning and the real world.

Classic Water - The songs of Classic Water bring to mind driving through dusty backroads of deserted villages, thinking back on what once was but will never be again. The surreal words of singer Tom Gerritsen are guided by stretches of intertwining melodies, alternated with brief bursts of rock and roll. In an earlier life, Tom released folk music as The T.S. Eliot Appreciation Society, playing over 180 shows in Europe. Seeing Classic Water perform live is a visceral experience. The debut album Concrete Pleasures was recorded and produced by Stacy Parrish (T Bone Burnett, Alison Krauss & Robert Plant) in a 14th century farmhouse in Sweden.

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King Park - This is the End.

King Park has been turning out mercurial, high-contrast indie rock since they released their 2017 breakout track, “Stay.” Gritty and lush, the quartet’s sound mirrors the antitheses of their hometown, Hamilton, Ontario: on the one hand, blue-collar and raw, and, on the other, artful and lovely.

Following their self-released debut EP, The Light I Can’t See, King Park won the 97.7 HTZ-FM’s Rock Search 2018 contest, which helped launch other Canadian rock groups like Finger Eleven, the Trews, and Glorious Sons. The basement-to-ceiling intensity of their live show has since continued to earn them a growing and devoted following across southern Ontario.

At the heart of the group you’ll find childhood friends and musical co-conspirators Timon Moolman (vocals, guitar) and Tyler Heemskerk (bass, vocals), rounded out more recently by guitarist Brenden Campbell and the animated Nate Wall on drums.

Sneak peeks of their upcoming 2021 full-length, Everett, show the quartet exploiting its strengths. Guitars chime, drums thwack, and Moolman’s broken-up baritone—which often veers into shouted speak-sing—is ornamented one minute by barber shop harmonies, and the next by barstool gang vocals. Songs like “This is the End,” “Stuck in the Middle,” and the title track set up camp in that familiar moment after life has fallen apart, and before a way forward seems possible. King Park’s Everett promises a collection of elegies for ordinary, apocalyptic losses.

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Kids Love Surf - Moment.

Kids Love Surf are a collaborative project from Hastings.

They were brought together by the 2020 COVID-19 lockdown and decided to make tunes while they had the time. They have been collaborating remotely from March 2020 onwards combining their love of all things dreampop.

The first single 'OYO' was championed by BBC Introducing South (they said 'Dreamy sounds') and the band have now followed that track up with the very excellent 'Moment'. They have also picked up plays from Amazing Radio and have had coverage from a lot of blogs like Mystic Sons, Subba Cultcha and Come Her Floyd to name but a few.

Live is a problem for everyone at the moment but in an ideal world they will be out gigging in late 2021. A November tour is now in the planning stage as well as a follow up to the current single and more tunes should be with us very soon


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Sunday, 7 March 2021

Caoilfhionn Rose - Melby - William The Conqueror - The Long War - the Slowlinks

Caoilfhionn Rose - Fireflies.

Manchester singer-songwriter Caoilfhionn Rose (pronounced Keelin) has today shared a new song from her luscious, soulful new album Truly. ‘Fireflies’ echoes a message of hope that permeates throughout the album.

Talking about the new track, Rose says: “To me, ‘Fireflies’ has a nostalgic and comforting feel. It’s about feeling hopeful about the future ‘though there may be dark clouds the sun will always come’. There are references to older lyrics I have written. The line ‘free from all the chaos’ is a nod to a song I collaborated on with The Durutti Column. The song is about acknowledging the past and moving on as ‘time is always healing’.”

Truly moves through a tapestry of curious musical inflections; nods towards folk, jazz, ambient, electronica and even a subtle influence of psychedelia, it never stands still to take a breath, despite its ethereal and delicate core. Out April 9th on Gondwana Records (Mammal Hands, Portico Quartet, Matthew Halsall, Hania Rani), in Truly, the young singer-songwriter has accomplished a body of work that is both sonically and lyrically wise beyond her years.

Co-produced by Kier Stewart of The Durutti Column following Rose’s collaborative endeavours with them on their album Chronicle LX:XL, the musician’s song writing draws from a diverse palette of influences, including Building Instrument, Rachel Sermanni, Alabaster dePlume and Broadcast. Rose also professes to a love for beautiful, stripped back, piano based music, such as Dustin O’Halloran and label mate Hania Rani.

Truly came to exist due to a deep-routed need to create – even though its conception was interrupted as Caoilfhionn Rose recovered in hospital from an illness, she found strength within writing music. “In Spring 2019 I took part in a gig swap with my good friend and fellow musician Kristian Harting who is from Denmark. We played several gigs in the UK but unfortunately the Denmark part of the tour was cut short as I was taken ill. I was hospitalised for several weeks and have taken the last year out to recover” says Rose. “I gradually returned to finishing my second album” she continues. “Coming back to creating after being unwell was challenging but also therapeutic. This record marks a difficult time of my life and writing it helped get me through that. I am really grateful to have music as an outlet.” It may be this tremendously challenging period that has abetted its characterising qualities.

Rose’s beautifully restrained vocal is all at once soothing yet mesmerising. She demands and holds attention through her evident talent yet hypnotises the listener into a trance with her experimental tendencies. “After being unwell, getting back to recording helped me recover my voice after not singing for so long. Finishing bits of songs, writing lyrics and recording vocals helped me get back on my feet and get better.”


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Melby - Somewhere New.

Stockholm four-piece Melby have constantly been growing since their debut with catchy single 'Human' in 2016. In 2019, the band released their acclaimed debut record 'None of this makes me worry' which was followed by tour dates all over Europe. During the pandemic in 2020, the band have worked on new material in a new way. From these sessions, we've previously heard 'Common Sense' and 'Old Life' and now the dynamic 'Somewhere New' follows.

On 'Somewhere New', Melby continues to cement their role as one of the most interesting Scandinavian acts around, a band so home and accomplished within their sound that they're now ready to continue to experiment with it without losing their characteristic. The new material was mainly written and straight-away recorded in the studio in close collaboration with producer Alexander Eldefors, this is a completely new way for a band that previously in many cases have toured material for years before recording them. 'Somewhere New' is a track where Melby embrace their talent as songwriters, both combining multiple genres and building crescendos.

The band often gets compared to fellow Swedes Dungen and Amason but Melby’s dynamic sound, with influences from folk, psych, indie and pop, stand out. The quartet's light, semi-psychedelic folk pop is led by Matilda Wiezell’s enchanting voice which fits perfectly with Melby’s unique musical landscape - a sound that's been called "otherworldly, and wholly brilliant" by The Line of Best Fit.

The band tells us about Somewhere New: "The Somewhere New demo really set out to be this ambitious attempt at an indie song inspired by classical counterpoint composition. However, it evolved into something else when we started rehearsing it together, definitely to the better. The end result is this maxed out two-part journey spanning from low-key indie to intense psych-rock. So lean back and enjoy the ride, I guess."

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William The Conqueror - The Deep End.

South West England trio William The Conqueror released today their new album Maverick Thinker through Chrysalis Records. A record of cuts and bruises, wrapped within bittersweet leftfield rock n roll tunes, Maverick Thinker is razor sharp, dripping with the blues and an oft sardonic vocal delivery.

William The Conqueror is fronted by Ruarri Joseph, a wry, patient storyteller, who has managed enough living to portray a world-weary wisdom in his words, but balances it all with enough optimism to suggest he hasn't quite lived. Maverick Thinker is a record of short, sharp shots to the arm. Fuzzy college rock with chops, one foot lingering menacingly over the distortion pedal.

Recorded in Los Angeles at the infamous Sound City Studios, Ruarri, Naomi Holmes (bass) and Harry Harding (drums) rattled through the album's ten tunes at a breakneck speed. Which turned out to have been a good thing, because the sessions were cut short as the pandemic took grip. With the studio doors locked, the band spent a final, eerie day wandering a deserted Venice Beach before flying home early, captured by the band and featured in their video for "Quiet Life." All that chaos brings a certain unpredictability to an album that nods to some of the US lo-fi greats and yet arrives at something innately British.

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The Long War - Robot Heart.

The Long War is a shared battle story between five people who have each fought to actualize their dream of becoming musicians. 

Unified onstage, in the studio and on record, they are a shared belief, a war of attrition. A shared philosophy between five people, all on the same path, that through hard work and honesty, beautifully authentic music can be made.

"Robot Heart," the brand new single from The Long War, was inspired at a time of feeling alone and cooped up through the fall months. Staring out the window watching crows fly above as they do in Vancouver every single day at the same time to the same spot, over and over again. 

It's routine, instinctual – but in a way also mechanical, built in. "Robot Heart" alludes to our own default habits in matters of the heart and the longing to reprogram, to stop making the same mistakes.

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the Slowlinks - One Shoe.

the Slowlinks is a shared battle story between five people who have each fought to actualize their dream of becoming musicians. Unified onstage, in the studio and on record they are a shared belief, proof that the journey is worth the war.

But if not for one fateful night in Dawson City, The Long War might have never happened. It was there that singer/songwriter Jarrett Lee landed after leaving his hometown of Ottawa, a frustrated and disillusioned cover musician. He traveled across Canada trying to make sense of life. Inevitably, he ended up another lost soul drawn to the silence of the Yukon. It was there, under the northern lights, that the spell was broken. His muse was born on the horizon and the songs began to spill out of him.

An invisible pull guided Jarrett toward Vancouver and his next chapter – autobiographical tales that reflect the landscapes and places that have inspired him as well the people who have come and gone throughout it all. “I see the world as a collage of moving pictures and so I try to write and produce songs that capture the cinematic essence of life.”

Building out from this foundation of storytelling Chad Gilmour (guitar/vocals), Jess Lee (keyboards/vocals), Neil Williamson (drums) and Jonny Battistuzzi (bass) each come to The Long War through their own journeys and provide support in beautiful musical and vocal arrangements. With lasting hooks and strong melodies the band’s sophomore release UNDER A HEAVY SKY is cathartic, deeply personal and speaks to those who have both loved and lost.

Formed in Vancouver in 2016, The Long War won the 2017 CBC Searchlight Contest and their song “Breathe In Breathe Out” was listed as one of CBC Music’s Top 100 songs that year. Their first album LANDSCAPES debuted on CBC First Play and the band has been featured on Q with Tom Power and in the pages of Canadian Musician Magazine. They’ve toured across Canada performing at the CBC Music Festival in Toronto, Banff Performance In The Park as well as the reopening of Ottawa’s National Arts Centre as part of the Canada 150 Celebrations and the Break Out West stage at Folk Alliance International in Montreal.

The Long War is a war of attrition. It is a shared philosophy between five people all on the same path that through hard work and honesty, beautifully authentic music can be made.

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Saturday, 6 March 2021

Animai - Moontype - Colour Tongues - Byla Rose - Hawkmoon

Animai - Island.

No (wo)man is an island but somehow Animai finds brilliance when deserted.

Her 3rd self release since 2020 does not disappoint. A homecoming of sorts, Animai revisits her 140 roots, with a nod to Zero 7. This time her lone production, arrangement and lyrics promise to lull the listener into serenity. A perfect soundtrack to your morning meditation or after a stressful day.

She says "I wanted the production to match the emotional intention, but slowly the track turned into a paradox (calm music with turbulent lyrics) which I actually prefer, in fact the track really calms me down" She laughs with a surprised tone "I've accidentally written my own personal lullaby".

Created by slicing up and layering her voice to make a vocal pad with an off beat harp pattern, there is a sense of uncertainty that only makes the calm even more compelling when it arrives.

Animai's interests in the Arts spans many disciplines. She has worked with instrumentalists, cross genre remixers, photographers and filmographers and is excited to continue to collaborate and promote more art forms in her future projects. On ‘ISLAND’ Animai couldn’t wait to work with Finnish collage designer and animator Laura Matikainen, the result a striking piece of artwork and mesmerising video that encapsulates the emotions and lyrical content of the track, and Animai's hypnotic music production.

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Moontype - 3 Weeks.

Last month, Moontype announced their debut LP Bodies of Water (due out April 2nd on Born Yesterday Records). The announcement coincided with the release of the band's single "About You," which recently appeared on NPR's All Songs Considered, and followed their stand alone debut single "Ferry," which received an overwhelming response when it was released in late 2020, earning comparisons to Galaxie 500 and Beach House in The New York Times and praise and "most anticipated LPs of 2021" nods from outlets like FADER, MTV, VICE, Stereogum, NPR, Paste and Bandcamp. Today, the band are sharing a third single from the LP, the beautifully understated "3 Weeks."

Beginning with a simple finger-picked guitar and vocal arrangement that eventually blossoms into an array of vocal harmonies in the song's final third, it's a track that perfectly captures the uncertain thrill of a new crush. A quieter song than the band's earlier releases, it's a gorgeous example Margaret McCarthy's remarkable ability as a songwriter. A song that beautifully captures the the nuance of feeling and subtle details that makes the raw honestly of her writing resonate.

"I wrote this song in the midst of a big crush that was mixed with a new friendship and a new job and a new city," McCarthy explains. "I was trying to get a handle on how to move through this phase of transition while also having a feeling that was too big to really put into words. I kept waiting for the moment to come, when I would know exactly what to say and how to say it, but it never came."

The three players in Chicago’s Moontype orbited each other for years before they came in phase. Bodies of Water, their debut album for local label Born Yesterday, documents travel, insecurity, friendship, and the titular element—all of which are representative of the band members’ strong connection to place and to one another. “Being rooted in the landscape became important to me while studying geology, which completely changed how I think about the world,” offers songwriter, vocalist and bassist Margaret McCarthy of the album’s central themes. The arrangements themselves feel like open-hearted negotiations; sparse fingerpicking gives way to saturated tube-screaming as naturally as the changing of tides. Over twelve tracks, Moontype revels in the woozy concoction of its many influences, but always lands on punchy hooks, shifting between arrangements both spacious and mystifying without abandoning their conversational warmth.

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Colour Tongues - Wasted.

Since their inception, Colour Tongues have taken hits and weathered storms, both literally and figuratively, and they’re still alive to tell the story. Boasting a nurse, a carpenter, an actor, and a dog walker, the band combines elements of math and progressive rock with dreamy indie pop.

James Challis, Colour Tongue’s singer and guitarist is an Australian native whose father was a high ranking member of the Sahaja Yoga cult in the early 80’s and 90’s. Thankfully for Challis, his mother got the kids out.

As a child, Challis would bang his head on his pillow every night before bed. When his mother asked him why he answered: “I’m banging on my pillow to a song I have in my head.” Instead of ADHD pills, he was given a guitar.

As a young musician, Challis was in awe when introduced to Transatlanticism and Plans by Death Cab for Cutie. Inspired by the poetry and imagery in the lyrics, and the songwriting relationship between Chris Walla and Ben Gibbard, Challis was determined to form his own band.

Over the next couple of years Challis leaned heavily into music and moved to Vancouver where he met bass player Dan Lavergne via craigslist. The two clicked musically and began writing together, forming the band Colour Tongues with two other musicians: Hamish Miller (guitar) and John Bazuick (drums). The band recorded a self-titled EP before Bazuick and Miller left due to internal strife. Challis and Lavergne, their bond now stronger than ever, continued, committed to finding the right musicians to complete their vision for Colour Tongues.

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Byla Rose - How Far (E.P).

The spring is a spectacular time to meet your new favorite song-poet/singer. BYLA ROSE is the nom de plume of Julia Rose Cummings, and her debut How Far blossoms into the world on March 5, its effervescent Laurel Canyon pop-soul a perfect soundtrack to a season of joyful change and the sweet blues of moving on.

Cummings calls her music Pacific Coast Folk, and if that reminds you of certain classic hissing summer lawns and dear pals falling in love in dive bars, spot on. Her influences are not overt but span decades of emotionally blissful but mindful music you may have inherited from your parents (Cohen, Waits, Al Green) or discovered on your own (Mazzy Star, Fiona Apple).

Now based in Seattle, she was born in Bolinas, CA, grew up in Hawaii, and went to college in Oregon. BYLA ROSE are Cummings’ middle names, and both evoke the possibilities of the Emerald City, where people journey out to reinvent themselves inside the beauty of rain-nourished foliage and battered Western tenements


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Hawkmoon - Infinite Mirror (Album).

From the band - We're Brisbane band ‘Hawkmoon’. Our second album ‘INFINITE MIRROR’ was released late last year. If you haven’t checked it out yet, we would love it if you could! Our Biography with some more info on the album is attached.

The record is a cohesive collection of surreal, woozy, psychedelic sounds and raw, dark acoustic arrangements. An album that creates a dark but hopeful mood for a dark, uncertain time.

The recorded was preceded by two singles – 'A MIDNIGHT BALL' - a unique mixture of psychedelic rock and waltz-pop with a dark undercurrent and 'THE WIDOW' - a song that combines a dark, slinky groove with a jangly, melodic chorus of bright guitars and memorable vocals.

The next single from the album is ‘DOWN THE RABBIT HOLE’ – a woozy, organ driven song inspired by late 60’s psychedelia covered in harmonies.

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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...