The Family Battenberg - Fellow Robot - Semisonic - The Nora Kelly Band

The Family Battenberg - Runny Hunny.

Psychedelic upstarts The Family Battenberg announce the release of their reverb coated,fuzz founded new track ‘Runny Hunny’, out today 6th of June! Cardiff, Wales: Runny Hunny is The Family Battenberg’s third release. Born out of a band-wide love for garage rock, 'Runny Hunny' plays with the ethos of pushing the limits andbending the rules of recording equipment to produce overly saturated and noisy results.

The band successfully create fuzz fuelled walls of sound, draped behind Lennon-esc double trackedvocals, with plenty of reverb to boot. Thematically, the song is a commentary on the universalwish of a stable income, from the perspective of a fresh faced arts graduate. The track wasrecorded by The Family Battenberg at Cardiff’s Music Box rehearsal rooms and mixed by Eliot in the back room of his flat.

A total of 4 arts degrees were utilised in the creation of this track.Of the track, producer and lyricist Eliot Jones explains: “Runny Hunny truly is just about having a whinge. Universities do a fantastic job of convincing you that you’ll walk into your dream jobweeks after graduation. ‘LIGHT THE BEACONS, CALL ABBEY ROAD, A 20-SOMETHING POST GRAD HAS JUST COMPLETED A MUSIC PRODUCTION DEGREE’! Being back at your parents house and catching the train to the job centre on a Wednesday morning is quite sobering after you’ve had your photos in your funny hat.”

 

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Fellow Robot - Rabbit.

Following the release of their acclaimed new album ‘Misanthropioid’, Fellow Robot have released a superbly dark and striking animated video for the album’s opening track.  “Rabbit" sets an ominous tone to the album, and its video counterpart is a perfect pairing. Pulling from two previous animated collaborations, the Prebich sisters and Fellow Robot continue their social commentary with a voyeuristic, occasionally red pilled rabbit. We follow the rabbit down a series of disturbing paths, observing drip feed propaganda streams from the outside of your work and living room windows, and ultimately, the rabbit has enough and leaves Earth.

For ‘Misanthropioid’, Fellow Robot has teamed up with Andrew Scheps (Green Day, RHCP, Adele, Metallica, Hozier, Johnny Cash) who helped co-produce and mix the album from his home studio ‘Punkerpad’ in Titton, UK. Scheps joined the team during the peak of the pandemic in 2020 and over the course of two years helped the band complete the album remotely. Fellow Robot’s latest album will be released through Scheps’ own ToneQuake Records.

Fellow Robot originally started out as a concept piece in 2016, pulling lyrics from the sci-fi novel “The Robot’s Guide to Music” written by singer Anthony Pedroza. While deeply rooted to its origins, “Misanthropioid” is an album that lives closer to reality than science fiction however blurred those lines are these days.

Fellow Robot named their new album ‘Misanthropioid’, due to its brutally honest lyrics and melancholy feelings surrounding what it is to be a human. “It’s our soundtrack to the last few years'' says Pedroza, adding “it’s a diverse take on the perception of emotion, especially regarding how we feel about our fellow humans''. The band does well in reflecting their disappointment of humanity, especially in the opening track ‘Rabbit’ which is a clear reflection of the BLM movement in the US. However dark ‘Misanthropioid’ is, it’s ultimately hopeful within its vulnerable and carefully stitched arrangements. The album at times is theatrical and dramatic, each song seemingly being sung by different characters in a stage production, especially in songs like ‘I’m Going to Hell’ and ‘The People Next Door’. “Society has many voices, and the space in between the harshest opinions are the most truthful”, says drummer, engineer, and cofounder Luis Renteria.

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Semisonic - Little Bit Of Sun / Grow Your Own.

Yesterday, the Grammy-nominated trio Semisonic released “Little Bit Of Sun” and “Grow Your Own,” their first release of new music following their 2020 EP You’re Not Alone. The two new songs arrive as the band embarked on their first national tour in over 20 years with the Barenaked Ladies. In the coming weeks, the band will play their home state of Minnesota, Chicago, Los Angeles and more.

The songs were recorded between Creation Studios in Minneapolis, MN and Ballroom Studio in Los Angeles, and produced by Grammy-winning singer, songwriter and producer Dan Wilson and his co-founding bandmates John Munson and Jacob Slichter.

“’Little Bit of Sun’ came out really fast one day - I think I wrote the first minute of it in one spontaneous take. It felt so right. We’ve all been beaten down by darkness for the last few years, it’s like we can hardly ask for a full sky of sunshine. We’d be willing to scrape by on a glimpse of it. But obviously, the song is asking for more. I can get by on a little bit, but at some point I want it all.” Wilson explains.

“I wrote ‘Grow Your Own’ about the joy and blue sky of starting up a band. If you’re a musician and you hear some music you love, you’re gonna want to make some of that music for yourself. Grow your own. And if you don’t hear the music you want to hear in the world, well then, all the more reason to grow your own. A lot of the imagery in the song is from the years when I lived in Boston, going to Harvard during the day and playing in the clubs at night. I definitely longed to be welcomed by the grungy rock people way more than I needed approval from the scholars. In retrospect, I guess it makes sense when you look at what I’ve done with my life.”

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The Nora Kelly Band - Roswell.

The Nora Kelly Band traveled to Area 51 to confirm your suspicions on their new single "Roswell."  The track is featured on the Montreal quintet’s upcoming debut full-length Rodeo Clown, due to arrive August 25 via Mint Records. In addition, the Nora Kelly Band has announced July dates in the Pacific Northwest along with East Coast dates in August. Rodeo Clown was written by Nora Kelly, produced by Kelly with Ethan Soil, and mixed by Pietro Amato (The Luyas/Belle Orchestre).

Discussing “Roswell,” Nora notes, "As a massive UFOlogy nerd, Roswell was a place I really wanted to visit. Luckily for me, I was in that area of the world when my cousin got married in 2022. In the first verse, I mention an interaction I had with an astronomer at the wedding. He revealed he’d seen a lot of UFOs but, to my dismay, all these events were explainable, according to him. Throughout the rest of the song I try to show the underlying reason why I love thinking about UFOs and aliens. For me, allowing oneself to suspend disbelief is the best way to keep life interesting. If you don’t necessarily believe/not believe something and are just interested in the stories, life stays weird. Once the wedding festivities had ceased, I took off towards New Mexico in a rental car. I wrote the lyrics to ‘Roswell’ in the back seat.”

Regarding the video, directed by Sarah Bradshaw, Nora continues, “Sarah and I shot footage on a recent trip to Mexico (not New Mexico!). I brought along a green alien morph-suit and we had Sarah’s boyfriend wear it all over the country. The result is a silly and whimsical video to accompany the ballad that is ‘Roswell,’ and with this I hope to bring in a little of that weirdness and suspended disbelief.”

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Aaronson - Neu Sierra - Erin K - The Velveteins

Aaronson - Where Do You Go When You Disappear?

Following on from the well recieved 'The Great Swells That Carry Us Will Pull Us Under' single Cardiff #Postrock band 'Aaronson' release their epic new 'Where Do You Go When You Disappear?' single via Dirty Carrot Records.

Taken from forthcoming new Album 'The Great Swells That carry Us Will Pull Us Under' due for release on14th July, Aaronson's 'The Great Swells That Carry Us Will Pull Us Under' album is a sonic marvel filled with beautifully arranged ambient post-rock that will season the senses.

Aaronson are a post rock band from South Wales, whose towering layers of melody and epic crescendos have seen them share a stage with Nordic Giants, Coldbones, A-Tota-So and False Hope For The Savage, finish runners up at The Big Gig Wales 2020, be nominated for a Cardiff Music Award and release their cinematic EP You Are Not A Stranger Here.

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Neu Sierra - Save Believe Forget.

"It's about sweet, conscious self-deception. About believing in the loving words of the person you are with, even though they were said in a moment of arousal. And about forgetting them too” tells Neu Sierra about her new single ‘Save Believe Forget’.

The lead single from her upcoming EP ‘PARIS’ was based on the French translation of Danish 20th century working class poet Tove Ditlevsen's 'Alene for dig’ and on this next one, ‘Save Believe Forget’, Neu Sierra once again finds herself flirting with the author, as the theme of the new single is borrowed from the poem 'Det sandeste’.

“It is so pure and intimate. It’s almost as if Tove Ditlevsen invited herself right into your bedroom and wrote it directly for you, when you needed it the most!", says Neu Sierra about the close to 80 years old poem.

There are quite a few other references to things that have made an impression on her, but the singer teasingly hints you’ll have to find them yourself inside this “Parisian hotchpotch”. Recordings for the upcoming EP began in Paris the fall of 2022, with the help of Marc Collin (Nouvelle Vague), while long-time friend and collaborator Nick Lee (Ulige Numre) took it across the finish line. To celebrate the release, iconic Freetown Christiania venue Musikloppen has invited Neu Sierra to play a concert on September 23.

Neu Sierra - Save Believe Forget - Official Music Video from FIVE FOOT ONE Records on Vimeo.

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Erin K - Goodbye Song.

With a growing audience of over 3 million streams on Spotify, following the fruitful collaboration on 2019s ‘I Need Sound’, the American-born London-resident musician has continued her work with co-producer Kristofer Harris (Belle & Sebastian, Ghostpoet) and recorded new album ‘Sink to Swim’ at his Squarehead Studios in Kent.

Erin’s narrative-driven songs are as forthright and personal as they are engaging, and the candid nature of her often fearlessly self-deprecating lyrics make repeated listens of the timeless songs rewarding. She has toured extensively with her band, most recently completing a successful 20 date Italian tour in March. This is to be followed up with further UK and continental shows in 2023.

The first single to be lifted from the album, ‘Keep Her’, received support from both BBC Radio 6 Music and BBC Radio London and with sessions for BBC 6 Music, Radio 1 airplay and major commercial syncs for Google and LG her left-field songwriting is gradually reaching the wider audience that it deserves.

Following ‘Keep Her’, Erin K is further teasing the new album with ‘Goodbye Song’, due for release on 2nd June. ‘Goodbye Song’ eschews genre categorization as its subtle melancholic grooves build and weave their way under the skin. Dealing with accepting and understanding a break-up, the lyrics conjure up memories of places and times spent together with a partner, as the sounds & production wrap the listener in a twilight atmosphere.

But far from being a gloomy and downbeat affair, the song has an infectious shuffling rhythm that grows and grows on each listen. “Goodbye Song” is accompanied by a video filmed on Erin’s recent tour of Italy, a tour which saw her perform twenty dates across the country with her long-time band.

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The Velveteins - Declarations of the 3am Freeway.

Soaked in the bright psychedelia of the 1960’s and dipped in the indie rock explosion of the new millennium, The Velveteins are best described as a bridge between the two. Inspired after living out of a camper van on the beaches of Australia for a year, frontman Spencer Morphy returned to Canada and started the band with co-songwriter Addison Hiller in 2014. Later joined by Dean Kheroufi, Daniel Sedmak and Cam O'Neill, the fivesome have since made a name for themselves for their incendiary live performances.

Their latest single, “Declarations of the 3am Freeway” is the title-track from their upcoming sophomore album. Built upon moody synths and sizzling warbled guitars, the track envelops the feeling of road-tripping at dusk in the heat of summer, when there's no one else on the freeway and it's just you and your thoughts. Narrating driving in a battered motor vehicle on the cusp of a great adventure, Morphy shares, “The lyrics are yearning, and more insightful than our past works. That longing sentiment is relayed perfectly on the title track “It all begins right now / it all begins in the car on the freeway.”

Having moved to Tofino, Canada, a small surf town where Morphy lived for a month and finished the writing, the new single is backdropped by the foggy Pacific Northwest surf allowing the artist to access a diverse palette and find the missing pieces of this song.

Garnering millions of streams for their music to date, The Velveteins have built an ever-growing, dedicated fan base across all corners of the globe. Their vigorous touring schedule has led to international festival appearances (SXSW, and The Great Escape) and opening slots for established acts including Wolf Parade, Hockey Dad and Chad Vangaalen.

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Echo Ladies - Nadine Khouri - Ashley Elle - Sunny Luwe

Echo Ladies - Awake.

Malmö, Sweden shoegaze/dreampop trio Echo Ladies are pleased to announce they have signed to Rama Lama Records/Gazehop Records and will release their second album Lillies on 8th September 2023. To celebrate the news, the band are streaming new single ‘Awake’ which was released on 1st June 2023.

Commenting on the track, the band say: “‘Awake’ is a song about the feeling of drifting apart from each other in a relationship. The feeling of being left behind and forgotten and how small of a person that makes you feel, hoping it’s all a bad dream and wishing to wake up again.”

Echo Ladies are Matilda Bogren, Mattis Andersson and Joar Andersén—three school-friends who, after playing together in a few different bands, realised that they worked best on their own. In 2014, after looking for “a name that represented our sound”, they became Echo Ladies, partly inspired by the name of the drum machine from another of their favourite bands, Echo & The Bunnymen (though their own drum machine, for now, remains nameless).

Following a quiet spell for the band while the rest of the world turned upside down, Echo Ladies are now proudly returning with their second album Lillies, recorded and mastered by Joakim Lindberg at Studio Sickan in Malmö, and following on from their acclaimed 2018 debut Pink Noise on Sonic Cathedral, which was one of Rough Trade’s albums of the year.

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Nadine Khouri - Song of a Caged Bird.

Originally penned as a lament on surveillance capitalism, “Song of a Caged Bird” took on new meaning for Khouri during the pandemic when the world outside fell away, replaced by a miasma of ceaseless 1s and 0s. 

Over walking-pace percussion and spaciously layered Mellotron and guitar, Khouri dreams beyond the digital walls, into an exploration of true freedom; the song becomes a conversation with a universe of possibilities – all the lives we could live, the songs we could sing, if we knew no one was watching.

Currently based between London and Marseille, Nadine Khouri is influenced by dream-pop, film soundtracks and poetry with a sound that has been described as “music born of perennial outsider-status.” Discovered by legendary producer John Parish (PJ Harvey) thanks to her singular voice, Khouri was invited to sing on his track “Baby’s Coming” and subsequently recorded her debut album with the producer in his hometown of Bristol.

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Ashley Elle - Heavy, Heavy, Heavy.

Emerging indie-pop artist Ashley Elle has released her latest single, “Heavy, Heavy, Heavy.” Mastering a level of connection that is seldom achieved through lyricism alone, “Heavy, Heavy, Heavy” is a melodically beautiful quest to find some relief from the overwhelming experience of anxiety and depression while navigating through life. Near and dear to her heart, Ashley Elle wrote “Heavy, Heavy, Heavy” when she “felt so much pressure and responsibility trying to deal with growing up and the challenges we face.” “Heavy, Heavy, Heavy” is now available to stream on digital music platforms worldwide.

“Heavy, Heavy, Heavy” was penned when Ashley Elle was moving back from living abroad in London and feeling overwhelmed by “struggling with the complexities of life.” Unguarded, comforting, and slightly haunting, the track urgently seeks relief from the overpowering experience of navigating life as a lost young adult.  With a catchy structure and repetition paired with a composition strongly reliant on guitar and piano, “Heavy, Heavy, Heavy” feels reliable, reflecting the stability that Ashley Elle yearns for. Perfecting a sound as alluring and authentic as the lyrics, Ashley Elle has an ornate ability to connect with her fans in an intimate way, asking them, “Do you know this feeling?” 

Expressing desperation for connection, she enables her audience to feel seen as well. With a sense of familiarity and intimacy, listeners cannot help but feel as though Ashley Elle is a close friend, inviting them to seek solace and confide in one another. The song goes beyond emotional expression and allows the listener to feel as though they are trying to navigate through these feelings alongside Ashley. “Heavy, Heavy, Heavy” was co-written and produced by Cazz Brindis and is the follow-up to her single “How Do You Stop Loving Someone?”

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Sunny Luwe - Summer Kisses.

Gold Coast-based (Kombumerri Country) First Nations artist Sunny Luwe, formerly known as Dani Teveluwe, returns to captivate listeners with her latest release, 'Summer Kisses.' Following the success of her synth-y summer dream 'Fly Like A Bird', Sunny Luwe embraces her authentic musical journey with this blissful indie-folk gem.

As a natural-born storyteller and Weilwan woman, Sunny Luwe effortlessly warms our winter with the sweetness of 'Summer Kisses'. The track showcases her remarkable vocal ability, blending lush vocal layers, sweet subtle harmonies, and an effortless delivery that dances between near spoken word and a heartwarming vocal style. Recorded in a home studio, this labor of love underwent a transformative process to capture the essence of the song's true sweetness.

Collaborating with Matt Collins of WHARVES, Sunny Luwe found the perfect musical partnership to bring 'Summer Kisses' to life. Their creative synergy is evident in the dreamy instrumentation and uplifting melodies that instantly transport listeners to sunny, blue-sky days. This upbeat and pleasant track invites you to stroll barefoot, bask in its warm and relaxing atmosphere, and immerse yourself in its lulling indie-folk charm.

In alignment with her commitment to the environment, Sunny Luwe has made her musical project carbon neutral through carbon offsetting. With a deep sense of gratitude, she calculated the carbon footprint generated by the entire single release and offset it by donating funds to Rainforest 4, a North Queensland Conservation project focused on protecting the Daintree Rainforest from deforestation and preserving our old-growth rainforests.

Gotts Street Park feat Pip Millett - Sabina Chantouria - Mirrorball - Annie Bartholomew

Gotts Street Park - 'Got To Be Good' feat. Pip Millett.

For new listeners and latecomers there has been no handier introduction to Leeds collective Gotts Street Park than their recent run of releases. Singles "Lost & Found" ft. Charlotte Dos Santos, "Summer Breeze" ft. Rosie Lowe and their 2021 four-track EP Diego are a musical suite of songs that drill into the nucleus of GSP.

Now focused on 2023, Gotts Street Park announce their highly anticipated debut album On The Inside released October 13 via Blue Flowers, alongside sharing new single "Got To Be Good". With their effortless blend of vintage soul meets alt-R&B, "Got To Be Good" is enlivened by Pip Millett’s raw and impassioned vocal. A union from its early notes that submerges listeners into another cinematic Gotts Street Park experience as Millett’s voice voyages over seamless grooves of reel-to-reel keys, guitars and snares.

Talking about their union and new single, Gotts Street Park describe “Got To Be Good, came together pretty fast. Whenever we’ve been in the room with Pip, it’s pretty free and fruitful. When a song comes together like this, we don’t overthink it or alter the final take too much and just hope to have the same energy come through to the listener as we felt in the room creating it.”

Commenting further on the single’s lyrics, Millett says “Got To Be Good is about pulling yourself out of the darkness. You have to really want for a change in order to pull away from that sadness, and that’s what I was writing about.” "Got To Be Good" arrives alongside a video which acts as the song's aesthetic anchor depicting the universal feelings of isolation and unwanted solitude, directed by Harvey Pearson.

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Sabina Chantouria - Echoes.

Sabina Chantouria's sound is as eclectic as her Georgian-Swedish roots. With her velvet voice and rhythmic guitar, she’ll take you on a journey that evokes emotion and leaves you breathless. A 2017 Georgian National finalist for Eurovision, she has performed at numerous festivals and live on television and radio, working with music producers worldwide.

The single pulls us into a rich soundscape with Rock, Pop and Americana influences along with powerful heartfelt melodies and lyrics. Sabina says ''We all carry memories of someone close to us that has left a huge impact in our lives. 'Echoes' is a song about time, and memories that awake bittersweet feelings.''

The single was recorded by California based music producer Dave Jenkins (who also provides harmonies and keyboard), with world-renowned musicians like Kenny Aronoff on drums (John Fogerty, Mick Jagger, Willie Nelson m f.l), Doug Pettibone on slide guitar (Lucinda Williams, Marianne Faithful m f.l) and Jorgen Carlsson on bass (Gov't Mule).

Music Elevator PR · Sabina Chantouria - Echoes

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Mirrorball - Red Hot Dust.

Mirrorball, the dreamy LA pop duo consisting of singer/songwriter Alexandra Johnstone and multi-instrumentalist and composer Scott Watson, announces the drop of their second single "Red Hot Dust" from the upcoming debut EP, produced by Chris Coady (Beach House, Yeah Yeah Yeahs).

Mirrorball is the brainchild of Johnstone and Watson, both veterans of the LA indie scene. Following a successful debut in 2019 with two dream pop songs on Dangerbird Records, the duo caught the attention of acclaimed producer Chris Coady, meeting him at Sunset Sound to discuss their next recording. Over the next few months, they formed a special bond with Coady resulting in the upcoming EP, showcasing a unique blend of dreamy, nostalgic pop.

Johnstone states that “Red Hot Dust ” was written "during difficult times as a way of forcing some light to the surface, and because I wanted to feel like I could go home again at a time when I could not physically go home.”

“Red Hot Dust” evokes a hazy, distant past. It’s driving down the LA freeway with the top-down, molten lava flowing where the asphalt used to be. It’s being trapped in a crystal ball in the middle of a desert. The sun is beating down and time is standing still.

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Annie Bartholomew - Mountain Dove Song.

After nearly a decade of performing in Alaska’s rowdy bar scene, Juneau folksinger Annie Bartholomew became haunted by the stories of sex workers during the 19th century after touring the brothel museum at Skagway’s Red Onion Saloon. This week, Bartholomew shared the new single "Mountain Dove Song” from her debut album Sisters of White Chapel.

After conversations with her friend, Arkansas songwriter Willi Carlisle, the scope of the project came to include a play and stage show. The result is her debut album Sisters of White Chapel, out June 16. The music accompanies a play that she wrote Sisters of White Chapel: A Short But True Story, which premiered to acclaim in Bartholomew’s hometown of Juneau.

The close-sung “Mountain Dove Song” addresses the secrecy that these women needed to have to move on with their lives after sex work. Of the song, Bartholomew recounts, "I was inspired by many stories of women, but especially Maude Parrish who brought her banjo to the Yukon at 19, escaping a bad marriage in San Francisco. Maude’s roommate was a Dawson City sexworker, and I tried to imagine the life of her cabin mate in this piece. It was composed during my 2019 artist residency in the Yukon where I did most of my woodshedding in a timber frame cabin in Ship Yard’s Park on the Yukon River."

In contrast to the art created for tourists, Annie envisioned a musical work that would share these omissions of Alaska’s mining past, and embody the stories of women in Victorian-era Alaska. Through archival materials, personal history, and Alaska’s stringband traditions, Bartholomew brings these women to life, extracting the emotional truth of who they were, why they risked everything to follow a gold rush, and their subsequent journeys and misadventures along the way.

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