Critics are consistently raving when Gelgia Caduff, no stranger in the Gothic- und Rockmusic-scene, from the Canton of Solothurn, Switzerland, takes the stage or releases music. And no wonder—especially when considering her latest masterpiece. While others, sometimes for financial reasons, perform in duos or solo, using background sounds from a computer, multi-instrumentalist and exceptional singer Gelgia Caduff goes all out.
For her new single "Socializing," she teamed up with an Orchestra and a grand choir. The result is an orchestral rock opus that forms part of a massive rock opera with stunning visuals. The work, titled "Wishful Thinking" (pre-release album stream), is her most ambitious and elaborate project to date. The album will be released in May in both digital and physical formats, offering a mesmerizing journey through soundscapes—from ethereal, fairy-like vocals with delicate subtlety to ecstatic, powerful "Wall of Sound" moments. "Socializing" is just a taste of what’s to come.
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Yes, soul is alive! Modern, orchestral, and smooth, with pop melodies—that’s how "Next Corner", the new single by Sarah Villiger, sounds. Dark stairways in the city of Bern lead to high rooftops and broad horizons. Perfectionism, procrastination, and despair. Hope and vastness. All of this can be found in the songs of Sarah Villiger, the sister of renowned film composer Martin Villiger. With Next Corner, the title track of her upcoming EP is now being released as a single.
The singer-songwriter writes her music in the attic of her apartment in Bern—diving into a wide range of musical styles from there. Her voice is shaped by pop, jazz, soul, and classical music. The music is built on a pop and jazz foundation, opening doors to synth-pop, neo-soul, hip-hop, and lo-fi.
Sarah Villiger plays with contrasts, blending deep tones with her bright voice. The result culminates in a mix of analog retro synths and digital sounds—featured on her debut EP Next Corner, set for release in 2025. Sarah Villiger has already made a name for herself in the music world. She has sung for film scores composed by her brother, Martin Villiger, which have been featured on Swiss television. In 2025, she also plans to release new songs that will highlight her versatile voice.
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| Photo - Ellie Carr |
Nashville-based songwriter Emily Hines has signed to Keeled Scales. This week she releases her new single “Cowgirl Suit.” A self-described chronically-sincere farm girl, Hines grew up on a farm in rural Ohio before moving to Nashville where she played in other songwriters’ projects before recording her own songs on a 4-track cassette recorder.
“I wrote ‘Cowgirl Suit’ when I was in-between farm jobs, pretty fresh out of college. I was working at a local food co-op and seeing someone who wasn’t seeing me. Everything felt precarious and precious. The lyrics are a long list of things I was too scared to say at the time.”
Hines worked with producer Henry Park. Together they drew inspiration from acts like Duster, Laura Marling, and Karen Dalton to record simply and add layers one at a time. She writes, “This was the recording that inspired me to make an album. I had already recorded a few songs with Henry, but when we made this one, we felt validated in our vision. The base of every song we made is a live-take recorded on the cassette. We wanted the recordings to be organic and honest. This is the simplest production on the record, but it guided everything else we made. Something in the drum machine, the tape, and the imperfections came together to create a vulnerable yet dynamic sound. We set out to make a body of work to match it.”
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Libertino is proud to announce the release of “What Flavour?”, the brand-new single from @keysmusicuk A bold departure from their past work, the track takes inspiration from the raw, rhythmic urgency of ESG, Liquid Liquid, and the early ’80s New York post-disco underground, channeling the energy of 99 Records into something distinctly their own.
Frontman Matthew Evans explains the song’s unexpected origins: “‘What Flavour?’ began with something my daughter said while staring at the endless choices at an ice cream stand on holiday in Tenby. We instinctively sang it back to her, and before long, it snowballed into a full-blown song. As it unfolds, the track grows more agitated, from playful indecision into the agony of craving what someone else has. We’d been deep into disco and 99 Records bands at the time, so everything came out upside down.
It doesn’t sound like anything we’ve done before, and that’s exactly why we love it.” Built around tight, hypnotic grooves and a growing sense of unease, “What Flavour?” reflects the genre-blurring spirit of early ’80s NYC, where funk, punk, and dance music collided on downtown dancefloors. KEYS distill that restless energy into a song that starts as a playful singalong but soon spirals into something deeper—anxious, urgent, and impossible to shake.
With its percussive drive and warped funk sensibilities, “What Flavour?” marks an exciting new chapter for KEYS, proving that after all these years, they’re still pushing forward, still hungry for the unexpected.
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Sheffield's Sister Wives return with new single 'Malady - their first new music since their 2022 Welsh Music Prize nominated debut album, 'Y Gawres'.
Unearthing forgotten feminist histories through myth and landscape, Sister Wives weave wild tales braiding the Welsh and English language over their signature glam-droog-acid-stomp. The band's songs deal with ever-shifting expectations and injustices, forgone heroines, the divine feminine and the veiled mysteries of ancient lands.
'Malady' is about "an inner ‘beast waking up inside your body; backing you up and empowering you to stand up to bad men," they share. "It’s also about how strong females frighten said bad men and historically this power is perceived as a sickness, madness, or malady..."
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