Saturday, 14 June 2025

heddlu - Chorus of Courage feat. Mèr - Maya’s Radio Orchestra - Ryan Dunn

heddlu - Wish You Were Her.

The Welsh Electronic & Indie Artist 'heddlu' has a new single 'Wish You Were Her' out this week via Zawn Records. Heddlu is the new musical project by Rhodri Daniel. The Ceredigion native was a founding member of renowned Welsh band Estrons who had a major impact on the industry having gained rave reviews from the likes of NME, Vice, DIY and Clash to BBC Radio, Radio X, Ultimate Guitar, The Guardian and Independent.

After finishing the band in 2019, Rhodri became aware that his hearing was severely damaged. Years of touring the live circuit had taken their toll, Rhodri ultimately being diagnosed with hearing loss, tinnitus and severe sensitivity to noise. The effects were so acute, Rhodri was unable to play live music, leading to him composing his critically acclaimed debut album (Cantref, 2022) in his head whilst completing the entirety of the Wales Coastal Path (900 miles). His family and namely his sister, were great sources of comfort and hope during this difficult period. Serendipity led Rhodri back to music, and heddlu was born. Meaning ‘Police’ in Welsh, from the words ‘peace-force’, heddlu's music has been true to its’ name, offering a force of peace to the songwriter.

Rhodri spent the next few years writing and experimenting with new sounds and instruments as his hearing slowly recovered. Whilst writing and recording his 2nd album, life found a way of both disrupting and influencing the creative process, leading to multiple re-writes and an entire album being erased. Eventually, despite the interruptions, heddlu’s 2nd album, ‘Tramor’ - was completed. Meaning ‘Overseas’ in Welsh, ‘Tramor’ is series of intimate and volatile songs, detailing years of loss, estrangement, trauma and hope. 

“Wish You Were Her”, is the 2nd single from heddlu’s 2nd album ‘Tramor’, it is a raw emotionally charged track that pleads for someone close to grow into a better version of themselves—driven by equal parts frustration and love. Both confrontational and compassionate, it’s a self-aware lament that blurs the line between calling someone out and looking inward, capturing the messy beauty of caring deeply and hurting honestly.

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Chorus of Courage feat. Mèr - Let's Fight. 

Chorus of Courage and singer-songwriters Mèr (Cindy Doire and Sarah Burton) unveil “Let’s Fight,” a powerful new single that confronts the emotional trauma of narcissistic abuse and the difficult journey toward self-liberation. With unflinching honesty and a calm, cinematic soundscape, the track captures the moment of finally breaking free from manipulation, gaslighting, and cycles of harm — and the quiet strength it takes to say “I’m done.”

Chorus of Courage, a collective rooted in amplifying the voices of survivors of violence provides a home for Mèr’s new song, which resonates as both an act of personal healing and a statement of solidarity for others navigating similar experiences.

Written from the aftermath of emotional abuse, “Let’s Fight” challenges the futility and toll of toxic relational dynamics. “Have you ever had a friend or lover who always wanted to pick a fight? It’s an exhausting cycle of manipulation and hurt,” states Burton. “‘Let’s Fight’ is meant with irony and calm, as if to say, ‘I won’t fight anymore.’”

Though its title may suggest conflict, the song’s intention is the opposite. It’s about reclaiming peace.

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Photo - Laura Meek
Maya’s Radio Orchestra - Garden Variety. 

Glasgow-based songwriter and multi-instrumentalist Maya’s Radio Orchestra returns with her emotionally intimate and rhythmically immediate, genre-blurring new single ‘Garden Variety’. A harpist, fiddler, vocalist, and string arranger, Maya combines classical instrumentation with modern pop textures to striking effect. In ‘Garden Variety’, disco-inspired strings, layered harp, and urgent percussion underpin lyrics that examine the often-blurry line between compassion and overreach.

“It came together after I gave someone what I thought was helpful advice — but it clearly wasn’t wanted. That made me reflect on the balance between caring for others and maintaining your own wellbeing.”

The track began life as a sparse harp-and-voice demo but transformed after a collaboration with drummer Edwin McLachlan, who brought in an unpredictable, high-energy drum part. Maya re-composed the strings in response, drawing from 70s and 80s disco orchestration. The final result is a confident blend of genres, grounded by the refrain: “You don’t like my common garden variety advice / Your rage blooms, and I’m terrified.”

Originally from a village near Cheltenham, Maya moved to Scotland to study theology — later switching to physics — before turning fully to music. She trained in clàrsach (Celtic harp) and pedal harp at Edinburgh College and the Royal Conservatoire of Scotland, and now works as a performer, arranger, and session musician. Her music fuses traditional instruments with unexpected influences, often layering harp and fiddle over bold textures.


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Ryan Dunn - Lovin' You.

Leicester (UK) born singer-songwriter Ryan Dunn is set to make waves with the release of "Lovin' You' which is available to download and stream now. An irresistible, soul-infused floor filler that seamlessly blends vintage charm with contemporary energy.

Drawing inspiration from the golden age of 60s soul and paying homage to the Motown greats, Lovin’ You transports its timeless essence into the 2020s, delivering a fresh, dynamic sound.

Formerly the frontman of Leicester four-piece Gazelle, from which he gained a reputation as an exceptional songwriting talent, Ryan has embarked on a bold new journey, channeling his deep-rooted love for the retro sounds of the 50s and 60s into an exciting new project. But this isn’t just nostalgia—it’s a carefully crafted fusion of past and present. After months in the studio refining his signature style, Ryan emerges with a sound that captures the best of both worlds.

With Lovin’ You, Ryan Dunn is not just introducing his debut single— he’s bringing a rich musical heritage into the future with style, energy, and undeniable passion. 

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Friday, 13 June 2025

Noiseshaper feat. Simple Straw - Kitty-May - Kissing Other ppl

Noiseshaper feat. Simple Straw - Fly Up.

Noiseshaper returns with FLY UP — the third single from their highly anticipated upcoming album. By 2019, the release of King Size Dub Special: Noiseshaper and Paolo Baldini Dubfiles Meets Noiseshaper rekindled the band’s spark. Reuniting with their former bassist Clemens Handler, the three of them began producing fresh material, giving fans a glimpse of the new chapter with the EP Listen To The Sound in 2023. 

Tracks like Rock Your Bone, featuring Jamaican singer Simple Straw, and a remix of Horace Andy’s Skylarking signaled a revitalized sound. Noiseshaper are internationally recognized for their fusion of dub house and dub techno, with celebrated tracks like The Only Redeemer, We Rock It, and Rock Your Bone. 

Their productions are defined by a unique blend of organic dub roots, soulful melodies, and electronic innovation. A message of flying up…


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Kitty-May - Our Place.

The new single ‘Our Place’ by Kitty-May is out now on Catch 21 Records. This hauntingly whimsical song invites you to take a trip through your most nostalgic memories and journey through a beautiful soundscape music expertly crafted by a young singer Songwriter truly coming into their own. Produced by Gavin Bowers at Catch 21 Records in Norwich with some stunning visuals shot by Adam Barnes.

A talented young artist from East Anglia, making waves as a beautifully wistful Song writer invoking the folk sounds of the 60s and 70s while firmly staking a claim in the modern pop world.

Kitty-Mays Hauntingly laid back vocals float over a powerfully chord driven sound pushed along by some low-fi hip hop beat to create something timeless and interesting in the singer songwriter genre. Weaving together a sound that is both electronic and organic in a truly sonically pleasing way Kitty-May has really come into her own.

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Kissing Other ppl - Ashes of American Flags.

This is an auspicious pairing: Baiman has earned raves from American Songwriter, VICE NOISEY, Folk Alley and has 60,000 monthly listeners. She has collaborated with Erin Rae, Shaboozey, Kacey Musgraves, Kevin Morby, and Molly Tuttle. Under the Radar has raved about Durham, NC-based Viv & Riley’s “warmth and organic joy [on] welcome folk delights.” They’ll be touring this spring with the Wood Brothers. First single “Where’d All The Time Go” (originally by Dr. Dog) came out in May, whilst “Ashes of American Flags” (Wilco) is out today June 13 and the album “Kissing Other People” (Lennon Stella) is due July 11.

The harmonies on this thing are magic. It initially presents as a folk album, but it includes a fair amount of indie rock sensibility and experimentation, from the musicians trying instruments less familiar to themselves to unconventional recording methods (a ‘90s camcorder used to capture room audio, abstract sounds in the Wilco song, off-kilter guitar sound on the Dr. Dog tune, etc.). 

Many of the tracks are drawn from early takes, with the energy and ideas fresh. The band decamped to a studio in the Connecticut countryside but ended up making the entire record in the accompany midcentury modern house, never setting foot in the actual studio, recorded often in the living room and even the indoor pool when they needed extra natural reverb. The idea began when the acts toured together and asked each other what non-folk music they each listened to in the van, and that led directly to a few of the song choices on here, including Lennon Stella and Waylon Payne. “Hold On Magnolia” holds special significance to Riley, as he went to Oberlin, where Jason Molina also attended.

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Thursday, 12 June 2025

EDIE - ALA.NI - Gelli Haha - Hilary Hawke

EDIE - Girl’s Girl.

Boorloo (Perth) songwriter EDIE has made a name for herself through biting back at the misogyny that lurks all around, and now she’s turning the camera around to the girls who take part in tearing each other down in her newest single, ‘Girl’s Girl’, out on June 12.

Perth’s indie/ pop-rock princess EDIE is back with the same punch of energy she’s growing to be known and loved for, as shown through her 2024 debut EP and live shows buzzing with electricity. She kick started 2025 with her last release, ‘Bleed’, catching the attention of Triple J, RAGE, Triple J Unearthed, Rolling Stone, and even receiving a WAM nomination in the pop category, showing off how people crave her blend of girliness and edge.

‘Girl’s Girl’ has that signature EDIE bite with its toe-tapping electric basslines and its catchy drum loops, with EDIE’s strong voice helping the lyrics to stand out and be heard. This tune is versatile and addictive, the kind of song that can be listened to as a background track or really heard with the meaning of it raining down. 

This song isn't afraid to call out those who aren't a ‘Girl’s Girl’— Girl's girls lift each other up and aren’t afraid to call out misogyny, even when it’s coming from another woman. As such, this song is a softer side to EDIE’s usually cutting discography, a song more sad than angry. When a man is sexist, it's half-expected, but the friendly fire of a girl turning her back on another girl feels like a betrayal. EDIE says,

“‘Girl’s Girl’ is about the girls who just don’t support other girls! The ones who say they are there for you but then stab you in the back. And the ones who say “I’m one of the boys” or “I don’t hang out with girls, they’re too much drama!” I am exhausted with it! Let’s all support each other and lift each other up!” 


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Photo -  Jerome Witz
ALA.NI - Summer Meadows.

Paris-based singer/songwriter ALA.NI releases new single “Summer Meadows” via No Format Records, her second new song of the year following last month’s “Something You Said.” Drawing from a rich tapestry of influences – from calypso, to jazz, to bossa nova – the track is an intimate, heartfelt homage to her time spent living in Jamaica. The song also arrives with a music video which further celebrates her Caribbean heritage by effortlessly weaving her music with footage from Trinidad’s 1959 Carnival. 

“I definitely wrote this one under my duvet, wishing for sunshine,” shares ALA.NI. “It was December 2023, and mentally, I was back in Jamaica. The contrabass you hear is actually Clément Petit on the cello, while the carnivalesque trumpets and horns were played by Okiel McIntyre, a great kid I met playing music in Jamaica. I needed someone who knew what Caribbean sunshine feels like! I called him out of the blue — and he just happened to be flying into Paris to play with The Skatalites a few days later, so I grabbed him.”

The track takes inspiration from the two and a half years she spent traveling across Barbados, Grenada – where her parents grew up – and Jamaica, a trip that helped her find a renewed sense of self. Music flowed naturally, and she found herself collaborating with many of the Caribbean’s most prominent artists. Back in Paris, she channeled the energy she felt on this journey – thinking of the sunshine, heat, beauty and soul of these islands. 

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Photo - Sophie Prettyman Beauchamp
Gelli Haha - Normalize.

Gelli Haha reveals “Normalize”. Influenced by 80s Nigerian soul boogie, her final single ahead of the release of debut full-length album, Switcheroo, delivers mid-tempo synth-funk underneath a raw but smooth vocal. Gelli Haha expresses her desire to be free of hardships in the chorus, singing “I want to fly away”. The video for “Normalize” adapts Gelli Haha’s live stage performance into film, and is the next chapter of the psycho-science experiment that began in the previous single, “Spit,” revealing Gelli has been transformed into a parachute monster. 

A shapeshifter, a sonic acrobat, a performer with one foot in the cosmos and the other in arthouse theatrics, Gelli Haha (pronounced Jelly-Haha) is a space for pure creative chaos that exists somewhere between Studio 54 and Area 51. Gelli’s music thrives on duality: playful but profound, tongue-in-cheek but sincere. Her debut album Switcheroo, out next month via Innovative Leisure, is the soundtrack to the Gelliverse, a sensory adventure sphere created by Gelli. 

With a shared taste for off-kilter pop and vintage gear, producer Sean Guerin (of De Lux) joined Gelli in turning freshly-formed demos into a high-voltage experiment, abandoning meticulous structure for something freer and more electrifying. Every song on Switcheroo makes use of a myriad of recording toys; wacky analog effects, such as the Eventide Harmonizer, MXR Pitch Transposer, and various Electrix units, fashion an intentionally flawed and strictly silly texture throughout the album. Switcheroo is an exercise in letting go, an inside joke turned theatrical spectacle.


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Hilary Hawke — NYC Waltz.

Hilary Hawke is a genre-blending banjoist, vocalist, and multi-instrumentalist whose sound is as rooted as it is boundary-pushing. Originally from upstate New York and now a longtime staple of the NYC music scene, Hilary brings warmth, charisma, and grit to every stage she steps onto. Whether fingerpicking with precision or digging into clawhammer grooves, her style radiates a rare combination of technique and heartfelt authenticity. 

She is looking forward to the release of Lift Up This Old World (coming July 11, 2025 on Adhyâropa Records). Featuring contributions from Ross Martin, Max Johnson, Jacob Jolliff, Camille Howes and Bobby Hawk, the album is raw and honest bluegrass and old-time music, exploring themes of self-belief, resilience, and reconnecting with your roots. Born out of heartbreak and the unpredictable journey through life and the music industry, it’s a return to authenticity-just real songs, played and lived. Nine of the 11 tracks are original, touching on themes of strength, perseverance, acceptance, and even a couple of tearjerkers. This album is about trusting your path and creating genuine connections through both traditional and original music. 

The album's first single "NYC Waltz," out today, is an ode to Hilary's locality, written and performed by Hilary on banjo, and featuring Ross Martin on guitar, Max Johnson on bass, Bobby Hawk on fiddle, and gorgeous harmonies by Ruth Merenda. 

Hilary current live project features a powerhouse trio, rounded out by celebrated guitarist Ross Martin and rising fiddle innovator Camille Howes. Since forming in 2023, the group has built its identity around improvisation, original songwriting, and a shared reverence for bluegrass and old-time traditions - while never being afraid to stretch the genre’s boundaries. In 2023, Hilary released Lilygild, an instrumental album, with guitarist Reed Stutz, followed by Open the Doors, a neo-classical collaboration with pianist/synthesist duo Ola & Claude Aldous. 

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Wednesday, 11 June 2025

Yoshika Colwell - Soot Sprite - Ezra Veda - Emmett Jerome - Galore - Sienna Thornton

Yoshika Colwell - In Bloom.

The latest single from Yoshika Colwell's forthcoming debut album On The Wing (out July 25 via Blue Flowers), "In Bloom" is a textured and gently radiant indie-folk track that explores the concept of “sunny nihilism”—the idea of embracing life’s impermanence with warmth, clarity, and joy.

Hailing from the South East of England, Yoshika has been writing and gigging solo since 2017. In early 2022, whilst living in a caravan in the Kent countryside, her home-made demos found their way to the Blue Flowers record label who began working with her. 2024’s debut E.P. ‘There’s A Time’ heralded the arrival of a captivating talent and vital new voice in the great canon of English singer-songwriters. The E.P. garnered support from BBC 6Music, BBC Introducing , CLASH, The Line Of Best Fit and The New Cue. 

In late ’24 a collaborative E.P. with The Vernon Spring followed, an avant garde and deeply intuitive collection which challenged any initial perceptions of Yoshika as a traditional folk artist. Yoshika’s songs are often deeply personal and concerned with attempting to understand the self & others, time, nature and mortality. A life-long Joni Mitchell fan she also takes inspiration from a wide mix of artists inc. Gillian Welch to Linda Perhacs, John Prine to Talk Talk. 


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Soot Sprite - Wield Your Hope Like A Weapon.

Ahead of their UK tour dates next week, today, Exeter alt-trio Soot Sprite have shared their new music video for 'Wield Your Hope Like A Weapon'. The track is the title-track from their debut album, which came out last month via  Specialist Subject (FRESH, Jeff Rosenstock, Doe, Muncie Girls).

Of their new video, lead vocalist and guitarist Elise Cook says: "Our friend Corey Eyres reached out to us wanting to do a video for the record, when we had a phone call about it it’s like our brains all went to the same place. We wanted it to be a silly video for a pretty serious track, and spent a day prancing about the Bath Spa uni grounds making this video, our friends pitched in all the props and our friends Joe Kime and Glenn Saitch kindly offered their days to do incredible extra work, everyone fully sent it and our faces collectively hurt from laughing the whole day away."

Since the release of their debut single in 2018, Soot Sprite has grown from a one-woman lo-fi bedroom pop project to a fully-fledged touring alt-indie shoegaze outfit. Their debut album sees Cook, Sean Mariner (bass/backing vocals), and Sam Cother (drums/backing vocals) fully embrace the dynamic highs and intimate lows that define their sound.

Sonically, Wield Your Hope Like A Weapon takes influence from many alt-indie greats, creating a sound that blends shimmering melodies with raw, visceral energy. “When I started Soot Sprite I was hooked on Clean by Soccer Mommy and Hovvdy’s Cranberry but with this record I was listening to a lot of Sweet Pill’s catalogue, Ovlov & Wednesday,” explains Cook. Written over a span of four years - some tracks taking shape just weeks before recording - the album was captured in September 2024 at The Bookhouse in London, with the help of former lead guitarist Abi Crisp and production by Tom Hill.

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Ezra Veda – Shadows Of Trust (Album).

Amsterdam-based artist Ezra Veda refuses to follow the rules of the music industry, and that’s exactly what makes her shine. Starting as a vocalist, she soon took full control of her creative process, producing her own music and defining her own narrative. Ezra is not one for the spotlight, but her talent is impossible to ignore. Her sound moves effortlessly between electro-pop, trip-hop, drum & bass; sometimes dark, sometimes light, always authentic. One moment you’re floating, the next you’re singing along.

Ezra doesn’t play the game, she questions it. At one point, she even stepped away from music altogether. Thankfully, she was convinced to return, leading to her stunning debut album Shadows Of Trust. The title says it all. Ezra’s world is one of cautious observation, dark wit, and quiet rebellion, the perfect breeding ground for bold creativity.

The album collects ten previously released singles alongside two brand-new tracks, all written and produced within a single year. It opens with “Fading Embers,” a song that mirrors her careful, introspective approach before bursting wide open. On “Old Umbrella,” she launches into drum & bass with ease, while “Insta-worthy Dreams,” a collaboration with fellow Amsterdam producer Pillek, showcases her flair for smooth, downtempo electro-pop.

Lyrically, Ezra doesn’t hold back. Whether writing about family, friends, lovers, habits, or the struggle to belong in a chaotic world, she tells her truth with fearless honesty. Shadows Of Trust is dark, beautiful, captivating, and unapologetically Ezra. Press play and let yourself be pulled into her world.


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Cover by Hailey Krakana
Emmett Jerome - It Ain't Me.

With a voice like worn denim and a songwriter’s compass pointed squarely at the truth, Emmett Jerome returns with "It Ain't Me," a dark, tape-warmed Americana track that exorcises heartbreak and hard truths in one raw, live-off-the-floor performance. It's the sound of dust on boots, a heart in hand, and a young artist wise beyond his years.

Written in a quick flash on acoustic guitar, "It Ain't Me" captures the emotional aftermath of love gone cold delivered from the voice of a character haunted by what once was. "I related the idea of an emotionally unavailable or heartbroken individual to that of a spooked horse," says Jerome. "That tension, that jumpiness, is something I've known."

From Springsteen-tinged lyrics to the swirling blend of vintage amps, banjo grit, and studio tape hiss, "It Ain't Me" straddles the line between classic and contemporary. "It sounds to me like it could be some obscure 70s banjo-rock B-side or a Neil Young/Crazy Horse jam," Jerome says. "We brought in great players rooted in blues, country, and rock. You can hear it."

Tracked live off the floor at Vancouver's Afterlife Studios – a storied space packed with analog gear and old ghosts – the song barely touches a computer. "Aside from a few vocal overdubs and extra banjo, what you're hearing is a band playing together in a room. That energy is everything."

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Galore - Field Trip.

San Francisco-based Galore releases their second full length album, Dirt, on July 25, 2025, on Speakeasy Studios SF. With multiple songwriters, sinuous harmonies, and rock riffs born out of an intensely communal creative process, Galore — bassist Ava Rosen, guitarist Griffin Jones, guitarist Ainsley Wagoner, and drummer Hannah Smith — embodies the spirit of a true musical collective. 

The album’s theme is in its name: Dirt. In ten songs, Galore takes us back to the sandbox of creativity on an exploration of what makes us human through layers of jangly, off-kilter guitars, interwoven harmonies, and incredible pop sensibilities.

Three out of four members of Galore were born and raised in San Francisco and Oakland, and all of them cite the Bay’s storied music scene as inspiration. Local favorite Grass Widow’s influence looms large in lead-style bass lines and frequent harmonies on tracks like “Solastalgia” and “Dream Palace”, while tracks like “Bastard” and “Zinger” lean on the rowdy experimentation of early aughts femme punk band Hey Girl.

The first single and first song, “Field Trip,” points the way, embodying the collaborative songwriting and playfulness of Galore. Jones opens with stripped down vocals that invite the listener to “take a seat in the meantime,” sung over the light strums of a harpsichord. A driving beat cuts in, Rosen’s vocal takes over, and the track hightails it into a pop anthem for Bay Area summer. “Take me to the land / Take me to the dirt / Where the grass is long and weedy / Where it grows freely,” sings Rosen, opening the album with an exploration of the volatile connection our lives have with earth, creativity, and each other. 

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Sienna Thornton - After Harvest.

After a long silence since the release of 2018’s ‘Cyanide Thornton’ album, Narrm-based songwriter Sienna Thornton returns with a new full-length album, ‘Birding Out’. This week we see the release of ‘After Harvest’, the first single from the forthcoming album. Says songwriter Sienna about the track “As with a lot of this album I let this song come intuitively, starting with the chord structure which reminded me of patterns in a maze. 

Within this I remembered the story of the minotaur from Greek mythology - greed, suffering, nature and nurture, intergenerational threads and the line of twine. This led to linear and non-linear time perception, life-line, body and mind, cycles and spirals, ecosystems and resources - what happens when the extraction of the final harvest has fed our unending hunger. 

I found myself trying to find a balance between a desire for certainty, concreteness, and what it feels like to embrace a less tangible, intuitive experience. I tried to imagine where each source of knowing comes from.” The song features Sienna on most instruments, with a range of guest performers including Shaun Fogarty (tenor sax), Emma Stuart (voice), Georgia Knight (voice), Mei Craken (voice) and Luke Brennan (acoustic guitar). It is accompanied by a music video filmed by Sienna and Jasper Lopez on Yuin Country. 

“We filmed the video at Hyman’s Beach just above Booderee National Park on Yuin Country. We were told by a friend to go and see the sand there as we were on a drive down from up north. Finding so much beautiful red seaweed in the water was inspiring visually and texturally, it felt like the interior of a body. We acknowledge and pay deep respect to the custodians of this land who have been caring for Country for so many thousands of years.” 


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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...