Gentle Friday: Sorority Noise - Those Pretty Wrongs

Sorority Noise - Either Way.

Background promo - Ahead of the band’s first ever UK dates, headlining and in support of Modern Baseball, Sorority Noise announce a new EP for Topshelf Records, “It Kindly Stopped For Me”, the follow-up to their critically acclaimed 2015 album “Joy, Departed”. The EP was recorded and produced by the band with exclusive artwork from Mitch Wojcik.

The intimate first song from the EP, “Either Way”, is available to stream now. Frontman Cam Boucher said the following of the track: “I wrote this song in our van outside of chain reaction in Anaheim, ca. I had found out I lost another friend a few days previous and was having a difficult time thinking about how I had made positive strides in dealing with my mental health but hadn't been able to help friends around me that I didn't know we're suffering from the same thing.”

'Either Way' is a soft acoustic number with calm vocals and harmonies. Keyboards add to the lilting melody, in what is a very delicate song.

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Those Pretty Wrongs - Ordinary.

Background promo - Those Pretty Wrongs are Jody Stephens and Luther Russell, two old friends and veterans of the music scene in different ways.

Jody-as many people in rock and roll (and beyond) know-was the drummer for the legendary band Big Star. He went on to help run the equally legendary studio Ardent in Memphis and play with the endearing troop Golden Smog. Luther Russell was the leader of seminal roots-rock band The Freewheelers and went on to make several acclaimed solo records, as well as produce many important artists over the years. Together they have forged a sound that is brand new for both, yet begets a strangely familiar feeling...

It was the documentary Big Star: Nothing Can Hurt Me that brought Jody and Luther together creatively, when Jody asked Luther to join him for some promotional performances. A chemistry was immediately noticed. They began writing songs and performing them whenever possible, soon taking their name from the opening line of Shakespeare Sonnet 41, which they slipped into one of their first collaborations, "Fool Of Myself". A relationship was soon struck up with underground SoCal label (and two-man revolution) Burger Records when the first track they cut in Memphis, "Lucky Guy", was sent to Sean and Lee, who jumped at the chance to release it as a 7", along with the aforementioned "Fool Of Myself" for the flip side. There was an outpouring of support for the new music, which gave Jody and Luther the confidence to move forward. Regarding how this all came together, Jody declares: "In a word...serendipity. So many of the events that brought Luther and me together were just by chance and born out of the Big Star world. I actually thought we might write three or four songs together for an EP but we just kept writing beyond that. 'Another window opened up and through it' we became Those Pretty Wrongs."

Luther lives in Los Angeles and Jody in Memphis, so the commitment had to be strong to persevere in composing these songs and cutting them until they were completely satisfied.

Tour Dates:
Mar-21 - Melbourne, Australia - Melbourne Recital Centre *
Mar-22 - Sydney, Australia - The Factory *
Mar-23 - Sydney, Australia - Petersham Bowling Club
Mar-24 - Melbourne, Australia - The Gasometer
Mar-26 - Tallarook, Australia - Boogie Festival
* = w/ Tweedy.

'Ordinary' has so much going for it. Vocals and harmonies rise above the predominately acoustic soundtrack, as the song gently builds. Melodic and calm and very pleasing.

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Wednesday Double: Jaye Bartell - Mike Hill

Jaye Bartell - Tuesdays.

Background promo - Jaye Bartell's move to Brooklyn, NY in 2013, as well as the work of Spalding Gray and Eileen Myles, heavily influence the content presented on his latest record, Light Enough. In his own words, "Resettlement is an implicit theme in much of the writing, and the process of making the album itself was an act of resettlement, finding out where I lived as a means of coming to live there." 

Bartell spent about a year secluded in his Greenpoint bedroom, piecing together the intricate tunes and gentle melodies that furnish his new record.

Originally from from Massachusetts, Jaye Bartell laid the groundwork for his music career after relocating to Asheville, NC in the early 2000's. During this time, he began to play music among friends, parallel to his poetry and other writing endeavours, which included a reading/performance series and a small magazine. After relocating, again, to Buffalo, NY in 2006, Jaye joined up with the publishing collective House Press and released his first record, Feeling Better, Pilgrim, in the company of Buffalo musicians and writers. The record helped establish Jaye's sound utilising field recordings and manipulated loops, centered on vocal melody.

Upon returning to Asheville in 2009, Jaye released his second record, The Dog's Dinner. This marked Jaye's departure from the self-production of his earlier work, and the beginning of his collaboration with guitarist Shane Parish of Ahleuchatistas, and visual artists Ursula Gullow and Nathanael Roney. The years 2012 and 2013 saw the releases of Elation, an EP recorded with J Seger, and Loyalty, a full-band record featuring Parish, Seger, and Emily Easterly. Followed by a 2014 UK tour with like-minded troubadour, Angel Olsen.

The songs on Light Enough encompass the processes of aspiration, pursuit, and fulfilment, if only to find that "People don't change. They only stand more revealed," as Charles Olson writes in Maximus Poems. In the album opener, "G & Me," Bartell sings of the joyful illusions of escape, "a whole new life" that's recognised, without bitterness as a "whole new lie." "Light Enough" is a declaration of sufficiency, as if to say, Let this be enough then, and if it isn't now, then it never will be: "I'm ready to come down," he sings. The record as a whole takes as a kind of informal credo a line from Eileen Myles' Chelsea Girls: "I have waited all my life for permission. I feel it growing in my breast. A war is storming and it is behind me and I am moving my forces into light."

Tour Dates:
02/25 - Brooklyn, NY - Troost
06/02 - Santa Ana, CA - Constellation Room *
06/03 - Los Angeles, CA - Bootleg Theater *
06/04 - Santa Cruz, CA - The Crepe Place *
06/06 - Portland, OR - Mississippi Studios *
06/07 - Vancouver, British Columbia - Media Club *
06/08 - Seattle, WA - Tractor Tavern *
06/10 - Salt Lake City, UT - Kilby Court *
06/11 - Denver, CO - Larimer Lounge *
06/12 - Kansas City, MO - Riot Room *
06/14 - Minneapolis, MN - 7th St. Entry *
06/15 - Chicago, IL - Schubas *
06/16 - Grand Rapids, MI - Pyramid Scheme *
06/17 - Toronto, Ontario - The Great Hall *
06/19 - Allston, MA - Great Scott *
06/20 - Philadelphia, PA - Boot & Saddle *
06/22 - Brooklyn, NY - Rough Trade NYC *
06/23 - Washington, D.C. - Rock and Roll Hotel *
06/24 - Durham, NC - The Pinhook *
06/25 - Atlanta, GA - The Earl *
* = w/ Kevin Morby

'Tuesdays' is a gentle acoustic song with a soft melody and Jaye's quite individual vocals. There is a little bit of Leonard Cohen about the song, not a copy, or even influence, rather I think it's just the way Jaye sings. Whatever, it's said as a compliment, the album will be a fascinating listen.

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Mike Hill - Look At Me Now feat. Ashely Morgan.

Background promo - Canadian born but now local Southern California artist Mike Hill is taking musical collaboration to new heights with his much anticipated debut album Love & War. Funded entirely by fans via Kickstarter, Love & War features a total of 28 musicians many of whom Hill met while playing in the Mad T Party at Disneyland.

Each song not only features a different group musicians and/or singers, but also highlights different songwriters.

Yesterday's release of "Look At Me Now," features Season eight of The Voice contestant Ashley Morgan on lead vocals, was written by John Flanagan and just, straight up, rocks.

Album, Love & War, Coming Soon.

'Look At Me Now' has some fine vocals from Ashely Morgan, plus some good old full throttle rock'n'roll, supplied by Mike Hill and friends. Full credit to the man for involving so many in the forthcoming album, if this song is anything to go by, there will be a fair number of happy fans.

Quality Not Quantity: Lecia Louise - Stratus - Migrant Kids

Lecia Louise - Shock Me.

Background promo - “Shock Me” is the brand new single from Brisbane’s Lecia Louise,  just released ahead of her east-coast launch shows later this month.

Since her musical beginnings in 2005 with the release of her debut EP ‘Heaven or Hell’, Lecia Louise has been a force to be reckoned with.

Lecia has an impressive touring history that has seen the award-winning guitarist/singer/songwriter travel the four corners of the globe since 2006 performing to audiences throughout The UK, Europe, Abi Dhabi, Dubai, Rome, Singapore, New Zealand and Hong Kong.

On February 19th, Lecia released her first new single in two years titled “Shock Me” which continues to showcase her upbeat guitar laden, rock/pop offering. “The song is about a man who ‘trades in’ his long term girlfriend for an 'updated model, a more edgier version',” says Lecia. “But in the end she doesn't actually make him any happier”.

The track, produced and mixed by Jeff Lovejoy in Blackbox Studio (Powderfinger), is one that’s lifted from Lecia’s forthcoming EP titled ‘Per Te’ due for release later in the year.

Following the release of ‘Heaven or Hell’, in 2009 Lecia released her first full length album titled ‘Into Being’ which garnered radio airplay in Australia, New Zealand and North America. That same year, Lecia was invited to perform with Brian Cadd on his ‘Morning of The Earth tour. 2012 saw the release of the single ‘Individual’ which topped the Triple J Unearthed Charts and the single ‘For You’ released in 2013 – a track that earnt her a top 10 spot at the MusicOz awards.

Touring is second nature to Lecia having supported some of Australia’s greatest in recent years including Jon Stevens, Daryl Braithwaight, Mental as Anything, Shannon Noll, Phil Emmanuel, Killing Heidi and James Morrison. Add to that performances at festivals including Woodford Folk Festival, Woodford’s ‘Dreaming Festival’, Tamworth Country Festival, Blues on Broadbeach and Joyfest. More recently, Lecia was invited to perform at the Mitchell Creek Rock n Blues Festival in September 2015.

Lecia is a multi-talented artist which is evident in her live performance. Don’t miss Lecia perform throughout Queensland on her “Shock Me” launch dates kicking off later this month:

Wednesday, February 27: La Piazza, Labrador, QLD
Saturday, March 5: The Morrison, Brisbane, QLD.

'Shock Me' is a lively, upbeat pop meets rock song. Guitars and rhythm are full on rock'n'roll whilst the vocal juxtapose intriguingly with a seventies pop feel to them. Musically it's full of enticing hooks and can't help but leave you in a better place.

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Stratus - Rêve De Nuages.

Background promo - From Tor’s “Drum Therapy” to Stév’s “Beyond Stolen Notes,” Emancipator’s Loci Records has built a steady reputation as a label unafraid to feature experimental sounds by emerging talent. Honing in on that ideal, the forthcoming album release from Doug Appling’s forward-thinking imprint comes from a relatively unknown talent who goes by the name of Stratus. “Réve De Nuages,” the lead single off “The Diver,” with the full record set to drop on Loci Records February 26th.

“Réve De Nuages” fits in perfectly with the traditional Loci style, as delicate guitar plucks, piano keys, and expansive vocal samples weave in and out with the melodic down tempo vibe, leaving the listener in a state of profound reverie. Even as the organic instrumentals in the song shine, the minimal structure of the song allows for a smooth and steady rise in momentum as the core electronic elements come into play. At the root, this is a song and album that has the propensity to inspire and move listeners with its beautiful intricacies.

California-based Stratus, real name Tristan de Liège, began his interests in music in middle school, first playing in indie bands and eventually exploring loop-based electronic music. His sound is inspired by instrumental hip hop, jazz, down tempo artists and also his love of film soundtracks, world music and orchestral arrangements. He constantly seeks to push his sound further, trying new combinations of instruments (most of which he plays himself) and genres.

He has collaborated with several different musicians on a variety of projects, including Thoma (with experimental producer and childhood friend Askanse) and Lost At Sea (a one-off post-rock project with guitarist Ben Formanek). He is looking to further expand his horizons, not only into the realm of more challenging and innovative live performance but also in scoring for film and games.

There is a considerable amount packed into the lead song 'Rêve De Nuages' from the forthcoming album 'The Diver'. However somehow it manages to feel so relaxed and calming. The delicate mixture of sounds and strong melody are topped with just enough vocal sampling to make this an excellent example of how a down tempo song can be so refreshing.

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Migrant Kids - Thread.

Background promo - Cousins Miguel Ojeda and John Zakoor have been playing music together for a decade and a half, dating back to when they lived in Detroit, and their upbeat, post-rock riffing, pop act, Migrant Kids are releasing the precise and most excellent Primordial Soup EP on May 13th on Pure Joy Records. 

Alongside the record announcement, the band have debuted the video for "Thread", a throwback-styled performance video set in the band's home town of Laredo, in which their city's backdrop provides the perfect setting for the arpeggiated hit song, that echoes the finer Bloc Party singles.

The four song extended player swoops in quickly and grabs the listener with such a powerful backbeat immediately, that the top tier hooks almost seem like an afterthought. The chorus guitar and earnest vocal sincerity pile on top of the grooves so perfectly that the juxtaposition of that driving force and saccharine melodies create a brilliant tension you want out of a pop act like Migrant Kids.

'Thread' is one of four really good songs on the forthcoming EP, in fact, such is the quality of the music, it's a wonder they could choose one track to lead with. It's a feast of indie pop & rock music, played with passion and professionalism and a huge chunk of heart, and the video is on our BeeVids page.

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Death Cab for Cutie - Live at Arvikafestivalen 5th July 2008 (IA)

From the Internet Archive (IA) this is Death Cab for Cutie live at the Arvikafestivalen back on the 5th July 2008. Arvika Festival was a music festival that took place in Arvika, Sweden every year from 1992-2010 around mid- July. The event ceased when the organisers went bust.

From the ever 'reasonably' reliable Wikipedia we are told - Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. The band comprises Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass) and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, Kintsugi.

The band was originally a solo project by Ben Gibbard, when he released the demo album, You Can Play These Songs with Chords, to positive reception. This led to a record deal with Barsuk Records. Gibbard decided to expand the project into a complete band, releasing their debut album Something About Airplanes in 1998, and their second album, We Have the Facts and We're Voting Yes, in 2000; both records were positively received in the indie community. Their third album, 2001's The Photo Album, gave the band their first charting single, and the release of the group's fourth album Transatlanticism, in 2003, gained the band mainstream critical and commercial success. After signing with Atlantic Records, Death Cab For Cutie released their fifth album and major-label debut Plans in 2005, which received platinum certification from the Recording Industry Association of America. The band released their sixth album Narrow Stairs in 2008, which served as a stylistic departure for the group. Their seventh album, 2011's Codes and Keys, featured the band's first number one single, "You Are a Tourist". Their eighth studio album Kintsugi, the last to feature Walla, was released on March 31, 2015.

Death Cab for Cutie's music has been labeled as indie rock, indie pop, and alternative rock. It is noted for its use of unconventional instrumentation, as well as Gibbard's distinctive voice and unique lyrical style. Since their formation, the band has released eight full-length studio albums, four EPs, two live EPs, one live album, and one demo album.

Source: FM Stereo recording.

Sound Quality: FM>Sony ST-SA3ES>r09>flac and Mp3.

Genre: Alternative Rock.

Set: Full Set.

Set List:

1 Bixby Canyon Bridge - 04:55
2 New Year - 03:23
3 Why You'd Want To Live Here - 05:00
4 Crooked Teeth - 03:33
5 Long Division - 03:42
6 Grapevine Fires - 04:32
7 Title and Registration - 03:52
8 Soul Meets Body - 04:07
9 I Will Follow You Into The Dark - 03:30
10 I Will Possess Your Heart - 07:44
11 Cath - 03:43
12 Sound Of Settling - 02:25
13 Transatlanticism - 06:57

Links: Official site HERE.

Comments: You can stream the concert below. For download files in either FLAC, MP3 or OGG VORBIS format, visit the Internet Archive (here).

Listen:

Sundays Variety Pack: ManaLion - Partisan - Bart - Lower Spectrum

ManaLion - Dirty Roots.

Background promo - Three Kiwi (New Zealanders) brothers (most likely from different mothers) maybe they met in Australia in 2012 on Sydney's Northern Beaches, maybe they met on Mars, maybe they met by a bin fire floating wayward on a raft between the North and South Islands of Aotearoa as the full moon kept us moving... Either way three brothers met, and they met to make music to make you sway and dance and swing and sweat. Music to make love to the mind, soul and ears of your sister, your wife, your mistress, your Nanna, to your sweet baby mama. They met to sing of love and trouble, of leisure and life.

Since their inception ManaLion have shared the stage with the likes of UB40, Sticky Fingers, Fat Freddy’s Drop, The Black Seeds, and Meta & The Cornerstones just to name a few. They’ve played a number of homegrown, hometown gigs around Sydney, building up steam like Peter Gabriel on herbal tea and winning the hearts of Australians everywhere in venues like The Metro in Sydney, The HiFi in Melbourne, the Capitol in Perth.

Their latest single “Dirty Roots” follows up their latest album release Back In The Day, released in September 2015. The debut record features ten tracks that profoundly showcase the bands love for dub, electronic funk, dirty roots and soul music. The release of the album saw the band embark on both an International and National tour in support of Hawaiian reggae heavyweights Rebel Souljahz’s Sept-Oct 2014 Tour.

“If you asked me to describe ManaLion’s sound, I’d say it’s a combination of Dubtronic and Dirty Roots music. If you don’t know what that is, have a listen to our record Back in the Day. Out forth-coming single ‘Dirty Roots’ is no more than a feel good track, which embodies our sound and what we represent through story lining a house party. We like house parties (who doesn’t) and we like them roots you know. Dig.” - vocalist Duan & Only.

Upcoming Shows 
Mar 4 - El Topo, Bondi NSW
Apr 9 - Manning Bar, Sydney NSW
Aug 21 - Metro Theatre, Sydney NSW

As far as feel good songs go, 'Dirty Roots' most definitely fits the bill. With a funky, reggae vibe and upbeat vocals, the song builds and pleases as it bops along.

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Partisan - Two Lovers.

Background promo - Partisan formed in Manchester, UK early in 2013. As the name implies they are passionate about their mission to position themselves as serious contenders, taking on the music scene with their punchy, bold and unflinching rock anthems.

Stuart Armstrong (lead vocals and guitar) formed Partisan with Dan Albon (bass) and Rob Jones (drums) when his previous band Six10Repeater disbanded in 2012, following a career which saw them earn huge critical acclaim and commercial success.

Six10Repeater were awarded as ‘Best Unsigned Band’ by XFM in 2009. Two tracks 'Hearts and Nails' and 'Today Somehow' featured video game Pro Evolution Soccer and the band earned support slots for the likes of Nine Black Alps, Babyshambles, Status Quo and The Damned as well as being championed by BBC 6 Music's Mark Radcliffe and BBC Introducing.

Stuart sees Partisan as a natural progression from Six10Repeater both in style and spirit - innovators of new rock, Partisan underpin hard hitting lyrics with melodic rifts. The release of new single 'Two Lovers' will be followed by an as yet unnamed EP which they're currently working on with The Charlatans producer Jim Spencer. Undoubtedly Partisan will be a band to keep a close eye on throughout 2016.

I half expected to hear a typical power trio track, before hearing 'Two Lovers'. This is clearly a lot more than that. Vocals and harmonies are well up in the mix and key to the song. Musically of course the energy is there, however this is far more thoughtful, so that when the 'power' arrives, it adds to the whole piece, rather than dominating.

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Bart - On/Off.

Background promo - Toronto's Bart premiere the lead track from their debut album, Holomew set for release on April 8th, 2016 via Idée Fixe Records.

In a recent issue of Toronto's Now magazine, music editor Carla Gillis proclaimed that Bart just may be her favourite new Toronto band. This is not an isolated opinion. Over the course of the past year the band has played to a consistently growing group of converts. Last year when Jim O'Rourke declared prog rock as vital and contemporary as it's ever been we could only nod in approval and it seems others are in the mood for a maximal, musical experience. 

Bart's use of dynamics and harmonics take them places where few contemporaries dare to tread. Triple saxophone breaks, piano ballads and synthetic fades into the centre of a new age all make up the band's debut full length Holomew. Filled with hooks, melodies and meditations on the bigger picture, Bart's Holomew is ambitious in scope and unapologetically progressive.

Tour Dates:
February 26, 2016 - The Garrison, Toronto (Idée Fixe Records 5th Anniversary Party w/ The Highest Order, Mauno, Doc Dunn)
April 08, 2016 - Kazoo! Fest, Guelph.

'On/Off' is full of surprises. It starts off with a laid back feel and enticing vocals and harmonies, before the saxophones arrive and spice things up. It's 'prog' orientated sounds are fine, not indulgent, but actually very pleasing. I look forward to hearing more.

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Lower Spectrum - Masquerade.

Background promo - Hailing from Western Australia, Ned Beckley Aka Lower Spectrum makes ruminative and emotional sounds that have been hailed by Triple J's Head of Programming Richard Kingsmill as "Pure magic".

For those yet to discover the beauty of Lower Spectrum; the talented producer makes immersive, minimalist electronic music in the vein of Nicolas Jaar, Four Tet and Moby. He has continuously weaved his ingredients of vinyl samples, warm textures of analog synths and splintering drums around Australia with sets at St Jerome's Laneway Festival, Brisbane's Bigsound and Melbourne Music Week, scored art-house films and played support slots for international luminaries Jon Hopkins, Pantha Du Prince, Andy Stott, Flako, Onra and Nightmares On Wax. His track 'Klever' has been streamed over 2 millions times.

The 'New Haze' EP offers a defiant new sonic world of monolithic structure. Dynamic cadence, analog emotion and gospel scripture permeate an aural glow, dissolving the boundary between human touch and mechanical precision. The EP concentrates fluctuating rhythms and motifs within beautiful harmony and eerie decay. A deep sense of buckling weight collapses to uncover an inner symmetry of grace and poise. With a true and honest touch to his craft, Lower Spectrum enunciates the microscopic layers within his work and makes delving into his world more rewarding on repeat.

As one commentator on Soundcloud so eloquently put it Lower Spectrum has 'Crushed it with this one bruv'. Indeed this is both creative and at times quite unique. Above all it's one really cool piece of music from start to finish. Vocals are the icing on the cake, love it (bruv).

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