Thursday, 9 October 2025

Portland - Helen Counts - Bau Cat - Polartropica and Gilbert Louie Ray

Portland - Exactly What I Need.

Portland, the Belgian dreampop outfit fronted by singer-songwriter Jente Pironet, have released their new single ‘Exactly What I Need’. The 3rd song to drop in the run up to the forthcoming album ‘Champain’ sounds like Portland’s most upbeat and joyous affair yet. “I’m gonna scream it all over the streets. This is exactly what I need”, proclaims Pironet backed by energetic drumbeat and shimmering synths. However, its subject matter is darker than its melody suggests.

In 2023, just days after triumphing on the stage of Belgium’s biggest festival Rock Werchter, frontman Jente Pironet was diagnosed with brain cancer. What should have been a year of triumph became a time of struggle, recovery, and self-discovery.

“In hindsight, it’s about exactly what I don’t need”, laughs Pironet, “In that dark period after my cancer diagnosis it felt like life was slipping through my fingers. I clung to escapism: going out to bars and trying to forget. When I feel bad these days, I go out into nature or have a glass of rosé with my grandmother. They’re small things, but it’s comforting to realize that can be enough.”

Portland are one of Belgium’s most compelling indie exports. Blending cinematic pop, melancholic folk, and festival-ready rock, the band first broke through with their 2019 debut ‘Your Colours Will Stain’ and follow-up ‘Departures’ (2023). Known for their delicate harmonies and emotionally charged live shows, Portland has earned praise from European tastemakers and graced stages from Rock Werchter to Eurosonic.


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Helen Counts - Unravel.

Helen Counts is an Indie singer/songwriter based in Madison, Wisconsin, US. She began her career singing in cafes in Virginia in the 1990s. She has released an album and numerous singles on streaming since 2021. 

Her songs range from acoustic singer/songwriter to Indie rock style. Her latest Indie rock single ‘Unravel’ was released on October 6, 2025. The single has solid vocals and vivid lyrics that are the cornerstones of her unique sound. 

She works closely with Trystan Matthews, a talented producer in NYC. She hopes her songs have an impact on the listener long after the music ends.


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Bau Cat - Silver Bangle.

North Wales trio 'Bau Cat' return with their most vibrant and emotionally charged release to date - “Silver Bangle”, out now on Libertino. A rush of jangling guitars, soaring harmonies and unstoppable energy, “Silver Bangle” is Bau Cat at their most magnetic. Blending Motown girl group sparkle, 70s power-pop punch, and the melodic edge of 90s alt-pop, the track pulses with life, legacy and fierce individuality. It’s a glittering anthem of joy, resilience, and unapologetic self-expression, a song that remembers, resists, and refuses to dim.

What began as a jam built around a hypnotic bassline evolved into a defining moment for the band. “It had this driving ‘Barracuda’ vibe,” says vocalist and bassist Abby Butler. “Then Jim brought in the guitar melody, which inspired the vocal hook: ‘Hand me down a bangle that jangles, wear it on my right side.’ From there, everything just clicked.”

Drawing inspiration from The Ronettes and The Shangri-Las, through the melodic spirit of Big Star, the raw immediacy of The Lemonheads, and a flash of Galaxie 500’s emotional candour, “Silver Bangle” feels both nostalgic and vital. There’s even a glimmer of Paul McCartney’s Ram-era playfulness in the layered vocals and effortless melodic confidence - a track that sparkles on the surface yet cuts deep beneath.



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Polartropica and Gilbert Louie Ray - Shiny Things.

We have the new single and music video from Los Angeles-based galactic dream rock artist Polartropica and Americana artist Gilbert Louie Ray.  Called "Shiny Things", the song "was inspired by my father's love for John Denver and his beautiful cinematic melodies I grew up listening to, as well as sweet classic harmonies of the Everly Brothers and surfy electric guitars of Beach Boys." shares Polartropica.  

With banjo and acoustic guitar by Gilbert Louie Ray and electric guitars by Brandon Graham who also engineered and mixed the track, "Shiny Things" is a genre-defying banger. The track details the heart-crushing pain that sometimes happens at the end of falling in love. Polartropica further confides, "This song is about eventually finding it in your heart to learn and grow from all the hard lessons and finally let go with a sense of understanding and acceptance, which is a journey in itself, and coming back home to yourself with love and forgiveness."     

The single is shared alongside a music video that is a swashbuckling adventure of a legendary, toasty pirate of the Salton Sea who gets a parking ticket on her ship. The cinematic video was filmed and directed by Tristan Pelletier on the hottest day of summer in the desert.

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Wednesday, 8 October 2025

Palm Ghosts - Rhett Miller - Gwenno - Black Dahlia - White Birches

Photo - Chad Crawford
Palm Ghosts - Content Providers (single).

Nashville-based indie rock trio Palm Ghosts releases its Content Providers album via Sweet Cheetah Records/Steadfast Records/Poptek Records on October 10. Content Providers is not just an album, it's a howl from the neon gulag of 2025, where rock bands aren’t bands anymore, but social media vending machines doling out dopamine and desperation in equal measure.

Palm Ghosts, ever the beautiful b*tards of post-punk gloom and cinematic pop, have cracked the mirror and are pointing to the ugly thing squirming behind it. These eleven songs don’t whisper or plead; they seethe, spiral, and spit in the face of algorithmic servitude. There’s blood under the fingernails of every chorus. You can hear the band clawing for something real in the white noise of followers, filters, and faux vulnerability. This is a world where authenticity has been weaponized, where the artist is just a dancing bear with a ring light and a Patreon account.

So, Content Providers does what any sane record would do—it loses its mind on tape. There are echoes of Gang of Four wielding a synth like a machete, Joy Division driving a burning Tesla into a lake, and sweet, sweet melodies that feel like postcards from a collapsing civilization written in faux-blood and tears. It’s ironic and earnest, brutal and beautiful.


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Photo - Jason Quigley
Rhett Miller - All Over Again.

Rhett Miller releases “All Over Again,” the final single from his tenth solo album A lifetime of riding by night that arrives this Friday, October 10 via ATO Records. Co-written with Nicole Atkins, the tender song of hope and resilience poses the poignant question: What if everybody was there for each other just for a minute? 

About the single, Rhett Miller explains, "Nicole Atkins was the brains and driving force behind ‘All Over Again.’ She challenged me to go with her to a musical place I'd never gone before. We did something that felt big and sweeping and positive in a way we had no idea the world might need a few years later when the song finally found a home on this new record of mine."

Nicole Atkins adds, “I was out on tour with the Old 97’s, it was the first few months of my life being sober on the road and this music and melody came to me. I showed it to Rhett one night and the next day he had all the words and they were so beautiful and positive. Just like Rhett. It’s tough to write a song that’s happy but he always has the perfect lyrical twists that are so natural to him.”

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Photo - Clare Marie Bailey
Gwenno - Utopia (Cornelius Remix).

Gwenno shares a dazzling Cornelius remix of “Utopia”, the title track from her new album that was released to universal acclaim via Heavenly Recordings in July. The Japanese producer / musical genius takes the track from Cardiff via Las Vegas and transports it to a starlit, sky high Tokyo piano bar. The result is pure utopian pop heaven - a sweeping orchestral love song to life itself. .

Commenting on the remix Gwenno says: “Cornelius is such a huge musical figure in anyone's life who came of age in the Naughties, and so I was over the moon when he agreed to remix Utopia. He has not only managed to enhance the musicality of the song, but has also added to the hyper real efflorescence that was in the air at the turn of the 21st century, which is what Utopia is all about. I see it as a perfect musical marriage between Las Vegas and Tokyo in the year 2025.”

Cornelius adds: “A few months ago Gwenno contacted me on social media asking if I’d do a remix. I didn’t know her music at the time, but once I listened I realized it was exactly my taste: psychedelic in feel, with production that hints at Krautrock and at Jean-Claude Vannier - Serge Gainsbourg’s arranger. I was also drawn to her natural, clear voice and her Welsh background. I was genuinely happy that an artist making music like that took an interest in what I’m doing all the way over here in Japan, so I gladly accepted. For my version of ‘Utopia’ I aimed for an elegant sound that updates the 1950s exotica of Esquivel and Martin Denny for today. I hope you enjoy it.”


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Black Dahlia - The Imposter (Album).

Black Dahlia is an experimental musician and performance artist whose work blurs the boundaries between theatre, sound, and surreal spectacle. Her creations exist in dreamlike spaces where masks, characters, and worlds collide—flamboyant, avant-garde expressions that draw as much from performance art, mime, and surrealism as they do from music itself. Whether inhabiting strange personas on stage or building vast sonic landscapes, Black Dahlia conjures universes that feel both alien and intimately human, inviting her audience to step into the unknown.

Her new album The Imposter (out this week via her own imprint School of Dahlia) is a theatrical concept record that unfolds like a surreal stage play. Written, produced, arranged and performed by Black Dahlia, it follows a lone wanderer, The Imposter, who chases an enigmatic light away from a distant Paradise, only to find himself lost between realms, drifting through an interstellar limbo of time and strange encounters. The Imposter introduces this cosmic odyssey—an otherworldly tale of displacement and identity as the wanderer grapples with his fall from Paradise and the haunting uncertainty of existing between worlds.

Upon landing on Earth, the story continues with “Amphibian Man,” where The Imposter washes ashore in Germany and confronts the bizarre, dazzling reality of humankind. As he adopts new masks and identities in an attempt to belong, his confusion and frustration reach a breaking point, culminating in an explosive metamorphosis that symbolizes both rebellion and rebirth.



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White Birches - Breathing.

Back in 2017 we first came across White Birches and were struck at the time by their incredible song construction and the atmosphere they create, so it's a big welcome back to Beehive Candy.  "Breathing" is the first single to be taken of the brand new upcoming album "A New Reign" (Release November 21 2025). 

The track sets the tone for the album with its raw pulse, hypnotic synths, deep bass and intense vocals. Written in the aftermath of loss and upheaval, the song captures both pressure and relief. It is about survival — the simple act of breathing, where one wave of sound inhales and the next exhales.

Fans of Chelsea Wolfe, PJ Harvey and Anna von Hausswolff will recognize the haunting balance between fragility and ferocity.

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We are trying out a new Beta feature today with Google search links automatically added. Apologies in advance if they are not all appropriate, as said this is a Beta application we are trialing.

Monday, 6 October 2025

Fredrik Svabø - Fïx8:Sëd8 - Lone Valentine

Photo - Gonzalo Lopez
Fredrik Svabø - Kingo's Treat (Live Album).

Norwegian musician, composer and producer Fredrik Svabø has released the new live album Kingo's Treat - Live at Wembley Arena, recorded while supporting Aurora on tour earlier this year. Watch the live video for 'Sophie' from Wembley Arena here.

Speaking on the live album release, Svabø said: "To me, it feels pretty surreal that we got to play a show at such a legendary venue, especially with this kind of music. The fact it was only our fourth ever show as a band makes it even more special. We ended up delivering such a great performance that I wanted to share it with the world. I’m really excited for people to hear the music in its purest form – played live on stage by musicians in front of an amazing audience, capturing the moment."

On stage, Svabø is joined by a cast of some of Norway's finest jazz musicians including Ola Øverby (drums) Andreas Rukan (bass) and Lyder Øvreås Røed (trumpet) - all members of the cult Oslo neo-soul outfit Fieh. Woven between the immersive instrumentals, are the breezy and poignant vocals of Thea Wang - lending the album both its voice and heart, traversing themes of heartbreak, indecision, and new beginnings.

The studio version of debut album 'Kingo's Treat' is also set to be released on vinyl in the UK for the first time on 17th October, having been released digitally in March of this year. Drawing influence from jazz musicians such as Bill Frisell and Brian Blade, plus taking further cues from the work of Kendrick Lamar, D'Angelo and Blake Mills, 'Kingo's Treat' is an expansive, freewheeling album that unspools itself into loose moments of improvisation before snapping into shape with tight melodies and enduring hooks.



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Fïx8:Sëd8 - Octagram (Album).

Behold the "Octagram"! For FÏX8:SËD8 the number 8 is more than just another digit. When the 8 just turns by a little in the context of the German electro industrial project's sixth album, it becomes the symbol for infinity.

Infinity and the promise of eternal life also constitute one of the main tools instrumentalised by institutionalised religions to control their followers, which is one of the lyrical themes present on "Octagram".

The number 8 is also reflected in the structure of the album, which consists of 8 songs with a playing-time of 8 minutes. The new songs break out from the classic verse and chorus formula. Freshly introduced odd time signatures and polyrhythmic experiments add to the overall progressive feel this creates. 

No worries, "Octagram" features all the signature elements and sounds that define FÏX8:SËD8: The album is as playful, complex, and melodic as its predecessors. The drums push even a bit harder than before, while the vocals are even more diverse on "Octagram". Vocal samples consist mainly of recitations quoting the last words of persons that were about to receive the death sentence.

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Lone Valentine - Keep Us Company / Wanderin'.

Lone Valentine (Jedediah Taylor) is a genre-fluid singer/songwriter from the American Midwest, conjuring music ranging from raucous rock and roll bangers to emotive and adventurous alternative folk. 

While primarily a guitarist and vocalist, Lone Valentine plays with diverse acoustic instrumentation - from cello and piano to crystal glasses and handcrafted music boxes - bringing a timelessness that has both warm familiarity and mysterious singularity. 

Unafraid to be both deeply personal and unflinchingly silly, no topic or approach is off limits in the romantically imaginative world of Lone Valentine.

Jedediah is also a tenured member of Chicago based indie-Americana band, Wild Earp (both iterations: & The Free For Alls, & The OK Chorale), an Ameripolitan Music Award-winning group (2023) recently appearing in the FX series Justified: City Primeval and whose music is featured on a current United Airlines ad. 


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Sunday, 5 October 2025

The Dream Eaters - Jenna DeVries - Pony Gold - Serious Child

The Dream Eaters - Dead Friends.

Brooklyn, NY/Toronto, ON-based indie rock/pop duo The Dream Eaters return with their macabre yet comic new single, “Dead Friends,” a track that transforms loneliness and loss into something strangely celebratory. Blending humour with the surreal, the song tells the story of a trip back to your hometown, only to realize the life you once knew has vanished. Friends are gone, but their ghosts remain – so you invite them over for dinner.

“It’s about taking a trip to your hometown, and the loneliness of realizing that what you knew as your life there has disappeared,” explains Jake Zavracky (vocals/guitar/programming). “So you go back to your apartment and have dinner with their ghosts. It’s humorous and surreal but also about celebrating the moments we shared with the people who have left us.”

What makes “Dead Friends” unique is its unflinching embrace of the macabre through something as ordinary as food. “I don’t know that anyone has ever written a song about making dinner for ghosts,” adds Zavracky. “It’s also about food, and how we use food to show love. Making dinner for people is the best way to show love for your friends.”


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Jenna DeVries - Malibu Monroe.

Jenna DeVries releases new cinematic country track, "Malibu Monroe." The single is out now. With her new single, “Malibu Monroe,” Nashville standout Jenna DeVries, already a rising star, blends genres to create a cinematic country-pop storyteller track, all while showcasing the same powerful, unique vocals that have made her one of the most compelling new voices in Nashville.

“One day, I was looking through Pinterest and I stumbled across this photo of Marilyn Monroe before she was famous. She was up on the cliffs of Malibu… I remember looking at the photo and thinking, surely the person who took this photo was in love with her… and maybe she was in love with them. Then I wrote their story… It’s called Malibu Monroe. I think we all deserve the kind of love that makes us feel truly seen - that is what this song is about.”

Produced by powerhouse Don Miggs, the track layers glossy, atmospheric production with DeVries’ unmistakable vocal strength. From the opening escape - “Baby let's get out of town / we can drive with all the windows down” - to the soaring chorus - “Cause you make me feel / like Malibu Monroe / take me to the highest spot on the coast” - DeVries captures the romance of Old Hollywood through a modern lens.

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Photo - Victoria Black
Pony Gold - High Road Reverie (Album).

While growing up in Smithers, British Columbia, Theresa Anne Bromley developed a strong connection to the Telkwa High Road, a place where she spent countless hours dreaming of how she would create a life outside of her small community, and coming up with ideas for the songs that would eventually make that happen.

In 2023, she released her first music as Pony Gold, the EP Take Me Somewhere, which propelled her onto the national stage with its blend of folk, soul, bluegrass and alt-country. Pony Gold is now set to return with High Road Reverie, an 11-song collection that pays tribute to those formative years on the Telkwa High Road, and all the heartbreak and hope it now symbolizes for Bromley.

Produced by Leeroy Stagger and featuring backing by members of City & Colour, fiddler Kendel Carson, and Bromley’s husband Matt on slide guitar, High Road Reverie formally establishes Pony Gold as an important new voice on the Canadian roots music scene, following in the footsteps of Kathleen Edwards, Neko Case and Feist.

“This record reflects both continuity and growth—tying together past and present, and setting the stage for what’s next,” Bromley says. “The album tells my story through raw, honest songwriting, touching on addiction, grief, an adverse small town upbringing, a father imprisoned, the unconditional love of a horse, and the resilience that comes with recovery.”

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Serious Child - Dusk on the 33.

Serious Child is back with a hypnotic orchestral-pop single which explores the connections between us all- ‘Dusk on the 33’, out this weekend.

The song tells the story of an old woman riding the bus all day to keep warm, and no-one noticing her. Inspired by a Georgian lullaby, ‘Iavnana (Violet Nana)’, ‘Dusk on the 33’ has a slightly otherworldly off-kilter piano-led psychedelic lilt to it, with the poignancy of the old woman’s story nestled within.

The accompanying video for the track was created via an intergenerational dance project between Three Score Dance Company and MA students from the University of Chichester and perhaps shows that beneath everything there’s an underlying connection between us all in our daily lives. Contemporary dance routines from both and younger dancers meet when Young drives them all on their daily bus commutes as the track’s orchestral pop melancholy grows more and more hypnotic.


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Saturday, 4 October 2025

Isabel Rumble - Janita - ALEIA - Moving Into Tucson - Pilar Victoria

Photo - Elise Ideiens 
Isabel Rumble - Digesting History.

With a quiet strength and unflinching honesty, Isabel Rumble returns with 'Digesting History', out yesterday Friday, October 3. As the final single before her forthcoming album 'Hold Everything Lightly' (October 24), it carries the hushed weight of reflection and the gentle clarity of change, offering a key that unlocks the themes at the heart of the record.

'Hold Everything Lightly' is an assured statement of identity, a clear distillation of who she is and the gentle strength of Isabel's indie-folk style. Across ten tracks, she writes through cycles of change, transition, and self-discovery, moving between internal landscapes and the rhythms of the world around her. The record deepens her understanding of womanhood while reconnecting with the stillness at the centre of it all. As Isabel explains: 

“The songs that make up my second album are the most raw and honest I have written… This record is a return to the stillness at the centre of it all, and to the simplicity of the heart’s voice.”

For this newest track, 'Digesting History', Isabel Rumble reveals a different flavour to anything she has shared before, marking the first time she has released a song written on piano. Tender and heartfelt, the track opens with piano and Isabel’s dulcet voice, before plucked strings join in unison and a grounding double bass steadies the frame. As the song unfolds, the strings shift into smooth, bowed textures, expanding the arrangement like a breath held and released.

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Janita - Let's Go.

The May release of Janita’s tenth studio album Mad Equation has become the most successful of her career—what’s more, it’s become the most successful in ECR Music Group history. Now, the two-time Billboard Top-40 hitmaker, releases a rousing, Beatles-inspired music video for the track “Let’s Go,” directed by acclaimed independent filmmaker Alice Teeple.

“We made a fun, tongue-in-cheek video for the album’s new single ‘Let’s Go,’ and I think it’s just what the doctor ordered,” says Janita. “We filmed this romp in Central Park with director Alice Teeple, and there are homages and Easter Eggs in it to The Beatles’ ‘Paperback Writer’ and ‘Strawberry Fields Forever’ videos. How could you not make something fun when you have The Beatles as an inspiration!”

From the outset of her career, Janita has defied convention yet repeatedly enjoyed mainstream success. She’s commanded attention as a multi-instrumentalist, vocalist, songwriter, and artist-rights activist who meets frequently with Congressional lawmakers. Rolling Stone praises Janita’s new album as one “in which echoes of PJ Harvey and St. Vincent resonate.” Billboard Magazine writes, “This woman’s got the goods. Janita has created a timeless, sensuous, musical mosaic that deserves to be heard.” Earmilk adds, “Janita is just getting started. Full of spirit, courage, and a refusal to fit into any box, balancing raw vulnerability with an unshakable sense of independence. It's the kind of music that makes you want to chase your dreams.”

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Photo - Stephanie Senior
ALEIA - Public Humiliation.

Perth/Boorloo indie-pop / alt / folk artist ALEIA has a rare gift for alchemising heartache into something luminous, and that gift finds its fullest form on her debut EP 'Public Humiliation', arriving Thursday, November 6. The title track, out Friday, October 3, spills first like ink across the page. It’s a tender, tear-streaked addition to a collection that traces the bruised outlines of modern love, the ache of almosts, and the quiet humiliation of wanting too much in a world that gives too little.

With just two singles to her name, ALEIA already shimmers as a rare presence in the Australian indie folk pop landscape, with a lyricism that speaks candid truths and lends to tender introspection. Her debut EP builds on that promise, unfolding as a gentle reckoning, a heartfelt unravelling of love’s emotional debris, pieced together with clarity, vulnerability and care. Speaking on the EP, ALEIA states:

“'Public Humiliation’ is an EP I wrote after being jaded with love. I was newly single with my frontal lobe fully developed and realising I had only experienced toxic long-term relationships, painful situationships, and a nightmarish uncommitted life of casual dating. Being in love felt like a humiliation ritual to prove that you can be loved. It was sobering to be so self-aware of how embarrassing it is to be vulnerable in a culture that is used to romanticising casual sex."

On the title track, ALEIA’s instrumentation is delicate yet deliberate, a slow bloom where every element feels exposed. Gentle, slow-strummed guitar sets a mournful tone, soft at first, then growing sharper and more resolute as the pained feeling crests. Layered vocals glide in close, intimate and aching, creating a space that feels like a whispered confession shared in the quiet aftermath of heartbreak. 

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Moving Into Tucson - Please Don’t Go.

The wait is over: Please Don’t Go is here. This first single of their new chapter shows Moving Into Tucson at their most urgent and confident yet. A track that balances raw emotion with sparkling melodies, it’s a heartfelt plea wrapped in the kind of indie rock anthem you’ll want on repeat. With this release, the Amsterdam band kicks off the road toward their upcoming album All Dressed Up (2026). Big hooks, bigger ambition — and a sound that’s ready for the bigger stage.

Moving Into Tucson have never stood still. From the raw immediacy of their debut album Distraction, to the anthemic heights of People Of The World, and the unexpected treasures of Gems Left Behind—each chapter has been a step forward, a sharpening of sound and vision.

Now comes the leap. “All Dressed Up” (release 2026) isn’t just an album title—it’s a statement. A signal flare. The sound of a band ready to claim the bigger stage they’ve always been destined for. First single, "Please Don't Go" sets the tone: bold, urgent, unshakably alive. It’s Moving Into Tucson at their most melodic, their most dynamic, and their most universal—without losing the raw edge that made them impossible to ignore in the first place.

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Photo - Kate Bonin
Pilar Victoria - Mi Vida.

Following a wave of support from national radio and press, Argentine-American solo artist Pilar Victoria returns with the bewitching new single ‘Mi Vida’ - a heartfelt, bilingual single, blending Spanish and English, inspired by late-night calls with a long-distance partner. 

Written and produced alongside Grammy winner Happy Perez (Halsey, Ariana Grande, Kali Uchis, Miguel, Miley Cyrus, Kehlani among others), the single is another radiant example of the unique chillout-pop sound that has seen Pilar gain widespread support, as comparable to Mazzy Star as it is to Billie Eilish and ROSALÍA. 

A Houston-based singer-songwriter, born in Buenos Aires and raised in Texas, Pilar has become known for her dreamy, melancholic sound and her gift for turning personal experiences into songs that feel universally understood. Written late one night in her college dorm room, ‘Mi Vida’ reflects the quiet ache of a long-distance relationship. The song began after a FaceTime call with her partner, when Pilar sat down with her guitar and poured her emotions into music. What started as a way to ease her heartache quickly became one of her most honest compositions.

“I just want people to feel what I was feeling,” Pilar shares. “Even if it’s heavy, I hope it makes them float for a moment and know they’re not alone.”


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Sam Paige - Tinlicker - Tsunami Bombs - Hammerbombs

Photography by Fischy Media Sam Paige - SKIN . Sam Paige begins a powerful new chapter with her beautifully vulnerable single, “SKIN.” Comb...