Showing posts from September 27, 2015

Saturday Double Selection: Sloom - Tohearmeroar

Sloom - Magic Cup. What we are told - Sloom is a rock n roll band from Sydney’s Inner West, whose members are Chris Diamond and Cristian Di Paolo on guitar and vocals, Dane Macintosh on bass and Jamie Graham on drums. Coming from a variety of musical backgrounds they set out together to create their own original music. After recording their first EP, Kahayalan in 2014 Sloom has refined their sound and are set to release their first single ‘Magic Cup’.  Produced and recorded by the band, ‘Magic Cup’ captures the spirit of their live performances and draws inspiration from an older era. ‘Magic Cup’ might resonate with fans of John Dwyer, Ty Segall and any living thing that likes their music energetic and fun! Sloom are playing a show at Frankie’s Pizza on Hunter St on October 11, come down and grab yourself a slice of Sloom . The live feel to 'Magic Cup' gives the song natural, raw energy. The retro feel for me, is in the vocals, whilst the no nonsense rock soundtrack reta

Friday Uplift: Rabid Young - Peter Henry Phillips - Indiago

Rabid Young - Not Enough. Background - At some point in 2014, Las Vegas musician Eric Rickey found himself at the end of a well-travelled road wondering where to go next. That year Eric’s previous band, Most Thieves, had opened for the Killers through Europe and Canada, playing arenas and getting a taste of international success. Reflecting on the experience Eric explains: “We had all the opportunity in the world but for whatever reason it didn’t pan out.” That tour culminated in a home town show at the Cosmo on New Year’s Eve where they played for thousands of people before the members decided to take a break from the project. It was at this pinnacle, looking out at the sea of eager faces, when the words “rabid young” popped into his head. Back in Vegas, Rickey joined up with friend and fellow musician Jackson Wilcox (A Crowd of Small Adventures) and the two began plotting their new endeavour with fellow Most Thieves alum Bobby Lee Parker (guitar), as well as Matthew Long (drum

Drive-By Truckers - Live at Cooley's House, 2003 (IA)

From the Internet Archive (IA) this is the  Drive-By Truckers in a private family and friends performance at band member Mike Cooley's House in Gardendale, Alabama, USA. It is an incredible acoustic performance with superb audio quality and as one reviewer put it " this recording is amazing. I was having a few beers listening to it and the next thing I know I'm doing shots of Elijah Craig and singing out loud like a jackass" . Of the time before and around this session Wikipedia say's - After three years on the road, a tight-knit group of musicians emerged and began work on 2001's double album, Southern Rock Opera. The album weaves the history of Lynyrd Skynyrd into a narrative about a fictitious rock band called "Betamax Guillotine," whose story unfolds within the context of the South during the 1970s. Southern Rock Opera was originally released independently on Drive-By Truckers' own Soul Dump Records on September 12, 2001, and garnered p

Wednesday Double: Eleven Eleven - John Byrne Band

Eleven Eleven - The Original. Background - Eleven Eleven is a formation of two bands who morphed together back in 2012. Consisting of Kaitlin Brown on vocals, Max Heaslip on bass, Otto Falson-Ree on drums, and Harry Brown on guitar, they mix the worlds of riff-rock and sweet melodic vocals to create huge, unique walls of sound. Eleven Eleven have been recognised on several occasions, being nominated at the Music Oz awards, working their way into the Top 50 of Triple J Unearthed several times and hitting number one with the track ‘King Tide’, as well as gaining a 5 star review from Alex Dyson on Unearthed, who commented that "Some people are young, some people rock. These guys cover both categories, then smash the categories against an amp and walk off the stage flipping the bird at the crowd." Eleven Eleven is currently working on new material whilst they release their new single ‘The Original’ through The A&R Department. 'The Original was the very first song we e

Tuesdays Genre Mix: The Pacers - Victoria Celestine - Absinthe Rose

The Pacers - Losing Touch. Background - The Pacers draw their influences from the sixties Psych/Garage scene, mixing it up with their own unique ideas to create unforgettable and  energetic live performances in the same vein as The Stooges and The Stones, with a healthy dose of freak out psychedelia. The band formed in the late summer of 2013 when Alexander Friedl and guitarist Harry Stam met under what they describe as "mysterious circumstances". With a shared interest in all things 60's and a desire to escape the monotony of everyday life, they duo picked up their guitars and began writing songs.  A former band mate of Harry, bass player Jay Creswell, was next to join The Pacers, closely followed by drummer Jamie Yuan. With the line up complete, the band set about making a name for themselves on the underground music scene, playing a string of venues primarily in north and east London which have earned them a loyal and ever increasing fan base. 'Losing Touch&

Alternative Take: Chris Savor - Super Duper - Hayden Calnin - M.I.L. - Mikaela Davis

Chris Savor - TTMO (Can't Lose You). Words from Chris - After 6 years in New York, I finally made the move back to London. And here is my first UK-dance inspired track after being back home. - It's time to move on, but you still feel the same and you can't let go.  And you thought you would have a steady love by now... "Life's confusing, all the things I was meant to have by now". I wrote this as I finally decided to move back home, alone. I don't know if it's the right decision or why I keep moving, "maybe I'm just choosing situations with expiration's". But the only way is to follow your heart and keep going, so the track ends with, "It's about time we move, It's about time we moved on". TTMO has an emotional message, but a dance sound. Maybe it's about that time your tears glistened in the disco lights . 'Time To Move On' is a fine reflection on Chris Savor's ability to go beyond the convention