Lead Pony - Lala Salama - The Drive-By Truckers - The Broken Islands

Lead Pony - Vultures.

San Diego psych/blues rock group Lead Pony release their new single, “Vultures” this week, the title-track to their upcoming debut full-length, which they have announced for a July 14 release.

Discussing the single, guitarist Jesse Hofstee noted, "’Vultures’ is a story about someone leaving their hometown to go to the city and 'make it big'. It’s about change, taking risks and finding yourself, but also a cautionary tale about the vultures that will take advantage of people that are finding themselves, and send them in the wrong direction. It was one of the first songs we wrote for the record that started to lay the groundwork for the sound and idea of this being a record about the city.”

Lead Pony emerged in 2017, releasing their debut EP, Eclipse, and quickly followed with the appropriately titled, double-single, Two Love Songs in 2018. The band toured relentlessly, and had successes getting music placements, including on the TV show “Shameless”. In 2019 the they decided to take a break to pursue other projects and creative endeavors.

In the summer of 2022, the addition of bassist Seancarlo Ohlin sparked desire to make a full-length record. Writing shifted into overdrive with a goal of creating an environment where these songs could really live. In this case, it’s Lead Pony’s imagined version of ‘70s New York City. Various stories weave through Vultures with a diverse range of sounds and styles all glued together with the voices and production that they were able to achieve with producer Trevor Spencer (Fleet Foxes, Father John Misty, Beach House).

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Lala Salama - Summer Love.

Lala Salama, the newest signing to the All That Plazz record label, is joining the summer hit parade with the release of the irresistibly cheerful single Summer Love. The new single, which is being released today May 17, doesn’t pale sonically alongside the world’s biggest contemporary indie bands at all thanks to mastering by American Grammy nominee Ryan Schwabe.

Lala Salama comprises singer and guitarist Rosa Jules together with drummer Aliisa Keränen and bassist Santeri Hytönen, who also play with the band Bad Sauna. Having gained a following in Helsinki’s punk and indie circles, Lala Salama has previously self-published one EP and a single. With their new single, the band is readier than ever.

Summer Love is a wistful but also empowering and rollicking love song that yearns for a summer love in the style of a modern and urban hit. Musical points of comparison can be found in dreampop and Scandinavian nostalgia pop, but also strongly in shoegaze, indie rock and even punk. Bands like Regina, Beach House, DIIV and Wet Leg come to mind. However, perhaps no one has previously been able to combine Finnish melancholy and jagged romanticism with indie rock quite like Lala Salama does.

The strongly feminist DIY band formed during the pandemic, when Hytönen and Keränen fell in love with the demo tapes of singer and songwriter Rosa Jules. The trio bonded immediately, and Lala Salama became a real band. Summer Love will no doubt grab the attention of not only the local punk gang in Kallio but also wider indie circles, both in Finland and around the world.

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The Drive-By Truckers - Goode’s Field Road (Remixed / Remastered).

The Drive-By Truckers will release The Complete Dirty South on June 16, 2023, via New West Records. Originally released in 2004 to wide acclaim, The Dirty South explores the mean highways and dark hollers of what the band called the “Mythological South,” a tornado-ravaged landscape populated by bootleggers and small-time criminals, everyday folks just scraping to get by and looming icons like Sam Phillips, John Henry, and Sheriff Buford Pusser. The album is a reckoning with the place they call home. Pitchfork sang its praises: “The Drive-By Truckers’ Southern rock always sounds homemade, and like liquor from a still, it’s extremely potent… [They] find the connections between these larger-than-life figures and the life-size experiences that shaped them. For them, the South is a stretch of highway where many have died, an ordinary place made extraordinary by human tragedies. The Dirty South is their homemade roadside memorial.”

The ground-breaking album has been re-sequenced and expanded to the band’s initially proposed 17-song track listing. It includes 3 bonus tracks that were left off the original album, and 4 remixed songs featuring newly updated vocals. Also included is a 32-page book featuring original and new liner notes written by the Drive-By Truckers’ Patterson Hood, track-by-track descriptions written by Hood, Mike Cooley and Jason Isbell, never-before-seen photos, and updated artwork by the late Wes Freed. The Complete Dirty South was remastered by the legendary Greg Calbi. This definitive version of the album will finally be available as the band intended.

This week, the Drive-By Truckers shared the remixed “Goode’s Field Road” featuring new vocals from Patterson Hood. He says, “I wrote the song as part of the album as we originally envisioned it as a kind of connective tissue between the state line gang narrative and the more personal songs on the album. We recorded it in Athens during the fall of 2003. When it ended up being dropped from the sequence, it was later released on The Fine Print collection of outtakes and oddities. This version features a new vocal and mix (and is quite a different version from the one on Brighter Than Creation’s Dark). It has always been one of my favorite songs that I have ever written.”

 

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The Broken Islands - Tempest.

Following on from the release of their highly-acclaimed sophomore LP 'Masquerade’ in 2020, Canadian outfit The Broken Islands are now ready to break their three-year silence with the release of their euphoric new single ‘Tempest’. Lifted from their eagerly-awaited third studio album, which is set to arrive later this year, ‘Tempest’ sees them bring back more of that raw and driven post-punk-meets-shoegaze aesthetic they have developed for themselves over the years. Brimming with broad and immersive textures from start to finish, they are returning with one of their most impactful efforts to date here.

To celebrate the release of their new single, The Broken Islands will also be performing a string of shows across the UK throughout May, including a slot at this year’s Great Escape Festival. The Broken Islands are a Vancouver-based quintet who meld elements of ambient pop, shoegaze, post-rock, post-punk, trip-hop and dark wave to create their own distinct sound. With crashing guitars and delicate sounding keyboards weaving around swooning, siren-like vocals, the band’s songs can sound at times like an otherworldly sonic experience while still being packed with emotion and moments of tenderness.

Their well-received debut album ‘Wars’ was released in the autumn of 2017, with the follow-up LP ‘Masquerade’ released in February 2020. The Broken Islands third album is slated for release in late 2023, with full details emerging soon. Like its predecessors, the new untitled third album has been produced and mixed by Dave ‘Rave’ Ogilvie, who is best known for his work with industrial music titans such as Nine Inch Nails, Ministry and Skinny Puppy and was the perfect choice to harness the many influences that constitute the sound of The Broken Islands.

The Broken Islands · Tempest

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The Pairs - Liam Fender - Doug Levitt

The Pairs - Sunday To Tuesday (Live version at EMAC).

Family is what ties The Pairs together. With soaring harmonies, they share stories of life's hope, hilarity, and hardship. An honest, quirky stage presence and their unbottled chemistry quickly connects them with their audience. The line between the stage and the crowd becomes blurred as if we've all pulled up a seat around their lively kitchen table.

As musicians, our work takes us away from home and many people that we care deeply for. It’s a challenge to find a balance between a life of roaming on the road while still nurturing the kind of loving relationships that we each long for – Lead vocalist Renée Coughlin.

The Pairs' new track, "Sunday to Tuesday," was written in a time when Renée was attempting to carve space in her life to be able to hold on to all of the things that she loved. While close relationships at home didn't see the benefits of a Friday to Sunday weekend, and free weekday evenings, Renée imagined all the love that could fill the days between Sunday and Tuesday, when The Pairs weren't on stage.

 

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Liam Fender - Time Comes Around.

Musician and Newcastle native Liam Fender releases brand new single 'Time Comes Around' alongside his most ambitious music video yet. Following ballet dancers Hayley Walker and Owen Kennedy as they dance through the centre of his hometown in North Shields, Newcastle the video features a host of North East cameos from a mixture of local artists and personalities.

Incorporating beautiful guitar-led melodies, softly lilting drumbeats, strings, and poignantly genuine yet feel-good lyrics, Liam notes that 'Time Comes Around' is 'in essence a song about things coming good after a period of prolonged sadness.'

His latest release from his highly anticipated debut EP, lifelong musician Liam Fender has affirmed himself as someone who has music simply coursing through his veins. Having grown up among the people, voices and stories of different musicians, creatives and free spirits of the North East, Liam has an intuitive ability to combine highly articulate and genuine lyrics that are deeply rooted in his own life experiences with stunningly emotive instrumentals - making him a songwriting force to be reckoned with.

The accompanying music video for ‘Time Comes Around’, directed by Sam Gannie, is in keeping with Liam’s authentic songwriting philosophy and is his most ambitious yet. Filmed in his local high street, with many characters in attendance, the video is a very natural and authentic snapshot of life in the town where Liam grew up. Alongside a host of 'blink and you'll miss it' moments, the music video stars ballet dancers Owen Kennedy and Hayley Walker as they swoop through the town centre. Owen choreographed the video’s moving routine and has previously worked with seminal choreographers such as Christopher Bruce, Thick and Tight, and James Wilton, and Hayley has toured the UK with works by Sharon Watson and Joss Arnot as well as having worked with artists including Nina Nesbitt and brands such as Reebok.

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Doug Levitt - Edge of Everywhere (Album).

Singer-songwriter Doug Levitt has released his debut album Edge of Everywhere. Across 12 powerful tracks, Levitt invites listeners on his ongoing Greyhound bus journey over the last decade, sharing the inspiring stories of folks he’s met along the way with more than 120,000 miles logged on the road.

To date, Edge of Everywhere has already garnered praise from the BBC, American Songwriter, Glide Magazine, Music Connection Magazine, Americana Highways, and Americana UK who gave the album a perfect 10/10 while hailing it as “one of the most important albums of the 21st century.” Produced by GRAMMY Award-winner Trina Shoemaker (Brandi Carlile, Josh Ritter, Sheryl Crow, Emmylou Harris), Edge of Everywhere at its core is about empathy and connection, colored by touching vignettes of the human condition as shown on highlights like the poignant “Cold Comfort” and the cathartic “Highway Signs." The album’s stirring narratives range from a parent who faced the law after running from it to a father who blames himself for his son being shot in a drive-by, and more.

In March, Levitt brought the impactful stories from Edge of Everywhere to life at New York City’s Lincoln Center, where he launched his new partnership with Guitars for Vets. Proceeds from that show along with future tour dates and sales from the album will benefit the organization, which provides guitars for veterans and teaches them how to play. Levitt also recently performed at the men’s and women’s prisons in Attica, NY, which was filmed for an upcoming BBC TV and radio documentary (the second in a series).

With a bourbon-rich baritone and a range that reaches the heights of a falsetto at times recalling Cat Stevens, Levitt brings listeners along on a transcendental trip in which we are all travelers on a bus writ large. Perhaps it was suffering tragedy as a young person which made Levitt so receptive to other people’s stories. When he was 16, he tragically found his father dead by suicide. For years, he says, he couldn't cry and turned to music as an outlet. But before using that music to reflect the journeys of others, he set out on his own, first at Cornell, where he studied Critical Thinking with Carl Sagan, and then as a London-based foreign correspondent for CNN and ABC filing dispatches from such places as Iran, Rwanda, Bosnia and Gaza.

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Margo Cilker - Dubmatix - Annie Bartholomew - Madeline Kenney

Margo Cilker - Lowland Trail.

"Lowland Trail" is the first song to be taken from the eagerly anticipated follow-up to her acclaimed debut Pohorylle which Uncut described as "one of the most auspicious debuts of recent times" back in 2021.

The new album "Valley Of Heart’s Delight” is released on September 15th and sees Cilker working with the same team of Sera Cahoone on production duties with John Morgan Askew recording the album at his Bocce Studio just outside Portland, Oregon.

Cilker says of "Lowland Trail": I wrote this song living in a place where a rise in elevation paid off spectacularly.  And I would climb. Yet, I began to crave just placing one foot in front of the other; a more meditative wandering. Less risk, less reward.

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Dubmatix - The Ska Sessions (Volume 1). 

For the past few years I’ve had an idea bubbling around my head - could I create a song a day, and for how long? In December 2022, I decided to test this concept out and see what would happen starting January 2, 2023. As it turns out, a lot of things can happen and this is just one of them - a full-length Ska album. Over the past 20 years, I had never thought about creating a ska album, but sometimes when you dive into fresh waters, your perspective can be altered and new opportunities appear. That is how this all began.

Starting on January 2, I set out to produce an 8-bar song idea each day, which gradually evolved into sharing 30-second videos and eventually creating full-length songs and videos over the first four months. To date, over 125 song ideas have been created so far, choice ones that resonated with me became full-length songs in the ska style. This adventure has garnered a positive response from an enthusiastic audience, particularly in the ska genre, which I love but have not previously produced much music in.

Delving into it headfirst, I built tracks that pay tribute to the originators of the genre and the 2nd wave movement of Two Tone. What began as a bucket list idea has turned into something wonderful that Dubmatix has thoroughly enjoyed sharing with people and connecting with in a new way.

The vocals used in the album are from loop packs since I work fast daily on new music to achieve this goal. Although there needed to be more time to work with singers, I felt it was important to share their names and give them credit as they are unique and well-known and help to bring these songs to life: The Ragga Twins and Dennis Alcapone plus Double Tiger - Jesse.

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Annie Bartholomew - All For The Klondike's Gold.

After nearly a decade of performing in Alaska’s rowdy bar scene, Juneau folksinger Annie Bartholomew became haunted by the stories of sex workers during the 19th century after touring the brothel museum at Skagway’s Red Onion Saloon. This week, Bartholomew shared the new single and music video for “All For the Klondike’s Gold” from her debut album Sisters of White Chapel.

After conversations with her friend, Arkansas songwriter Willi Carlisle, the scope of the project came to include a play and stage show. The result is her debut album Sisters of White Chapel, out June 16. The music accompanies a play that she wrote Sisters of White Chapel: A Short But True Story, which premiered to acclaim in Bartholomew’s hometown of Juneau. The first single will be “Sisters of White Chapel,” referring to the red light district in Dawson City.

“All For the Klondike’s Gold” is accompanied by driving guitar and fiddle, and is sung by women, abandoned by their male companions but now joining together to survive the gold rush. Annie says, “’All For the Klondike’s Gold’ is adapted from a 1901 miner’s poem anonymously published in the Klondike Nugget, that empathizes with women left behind in the Northland due to the deaths of their male companions. These were the tragedies and very real economic realities that made women turn to sex work.”

In contrast to the art created for tourists, Annie envisioned a musical work that would share these omissions of Alaska’s mining past, and embody the stories of women in Victorian-era Alaska. Through archival materials, personal history, and Alaska’s stringband traditions, Bartholomew brings these women to life, extracting the emotional truth of who they were, why they risked everything to follow a gold rush, and their subsequent journeys and misadventures along the way.

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Madeline Kenney - Superficial Conversation.

In the quiet surrounding the pandemic, Madeline Kenney made sonic sketches in the basement studio she shared with her then-partner. She arranged phrases that called her—the sharp knife of a synth cutting a path along a blooming arpeggio, drums stuttering firm and tight. Working this way, she amassed a collection of songs she had no particular aims for. Some formed her 2021 EP Summer Quarter, others languished.

But in 2022, Kenney’s partner left suddenly and without warning, plunging her into the solitary act of untangling what happened. In the wake of her ensuing depression, she revisited these songs and found in them something prescient. She’d already laid the foundation for A New Reality Mind, her fourth LP (due out July 28th via Carpark Records) which she is announcing today with the album's first single "Superficial Conversation," alongside the track's self-directed video.

That her relationship’s end came without warning is only half true, though. The warnings were in the feelings and fears that inspired Kenney’s critically-acclaimed third album, Sucker’s Lunch (2020), which was co-produced by Jenn Wasner (Flock of Dimes) and centered around the idea of flinging oneself freely into the seemingly-assured destruction of new love, come what may. If sonically Sucker’s Lunch was letting yourself be pulled into the warm bath of a good story, A New Reality Mind reflects the harsh light of truth coming to break the spell. But as sobering as morning light can be, there’s brilliance to it, too. To see in the clarity of day is a gift. A revolution.

This is Kenney’s most expansive work, while also her most solitary. Produced and recorded alone in her basement, these songs are manifestations of what it feels like to be transformed by pain. Textures collide and collude; sonic ornaments emerge and dissipate capriciously; saxophones soar untamed. There's a propulsive power in the album, and there’s also acceptance, self-forgiveness, and a willingness to move forward into life, with all its ways of making a sucker of you. “That way of living, I’m over it,” Kenney declares of the habits that hold her back on "Superficial Conversation." “I do not need to be reminded of what I did,” she assures, the song opening wide and beaming, like a smile expanding to taste a new breath of air.

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Ålesund - My Name is Ian - William The Conqueror - Sneakpeek - Krooked Kings

Ålesund - Rode Off Into The Sun.

Bristol-based alt-pop outfit Ålesund release their single 'Rode Off Into The Sun', today May 12th 2023. The second single to come from their upcoming EP, Rode Off Into The Sun is a triumphant, up tempo, galloping tune that is made for summer months.

Fronted by the ethereal vocals of British-Norwegian singer-songwriter Alba Torriset, Ålesund's sound is a fusion of dreamy pop hooks, atmospheric soundscapes and alternative rock riffs, which have drawn comparisons to the likes of Kate Bush, Florence and the Machine and London Grammar.

Lyrically, Rode Off Into The Sun reflects on the admiration held for a character who knows her worth, who picks herself despite any adversity and makes the best out of any situation.

“I was so impressed by a friend who had been dealt a rough hand and instead of wallowing and seeing the glass as half empty, she just dusted herself off and charged on with making the best out of her life. It was inspiring to witness and became the main theme of the song”, says vocalist and lyricist Alba Torriset.

 

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My Name is Ian - Thank You.

‘Thank You’ is the latest release from the Cardiff-based band, My Name is Ian. The track is released today May 12th and is a tribute to the people who have supported them over the years, drug smuggling, Stephen Mulhern and falling in love.

‘Thank You’, is the first track from the band’s upcoming 8th studio album: ‘GO BANANAS GO BANANAS GO BANANAS GO BANANAS GO BANANAS’. The record will be full of the trademark blend of catchy pop melodies, witty lyrics, and infectious energy. Songs about hating your life, loving your life, Norwegian families, coconut crabs, 90s television shows, feeling like a loser, not trusting the government and Peppa pig. There is something for everyone.

Creatures of Cardiff, My Name Is Ian have already built a back catalogue that would have taken The Stone Roses millennia to mirror. Since 2010 their output of has dealt with break-ups, breakdowns, mysterious lion paintings and characters from the Tom Hanks movie Big. This restless productivity has seen genres including but not restricted to lo-fi, bedroom punk, garage rock, prog and anti-folk, all filtered through the pop-oriented cranium of frontman Reginald Foxwell.

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William The Conqueror - The Puppet And The Puppeteer (Live at Marshall Studios).

William The Conqueror have just unveiled their new single ‘The Puppet and the Puppeteer’. Taken from their forthcoming album ‘Excuse Me While I Vanish’, out 28th July on Chrysalis Records, the track is the follow-up to last month’s single ‘Somebody Else’. Produced by the band in a playground of vintage gear and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the ten tracks on ‘Excuse Me While I Vanish’ marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic.

“’The Puppet and the Puppeteer’ could be a Jekyll and Hyde or Frankenstein's monster story—about wrestling with or losing control of your creation—who controls whom,” explains frontman Ruarri. “I definitely feel like William has the upper hand sometimes.” Harry and Nae add, “It's a favourite for us in our live shows. It deserves to be played loud, on a big sound system. You can bring the hustle, the mosh and the lighter sway to this party.”

‘Excuse Me While I Vanish’, very nearly didn’t happen. Following the imposition of lockdown restrictions, Joseph found himself cocooned at home in Cornwall, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.

“My wife was insomniac for the first six months of lockdown, which made it impossible for me to moan or grieve the fact that everything I’d been working on for the last five years had come to a standstill. It was a much-needed perspective and made me realise what a selfish undertaking William had been – navel-gazing with my head in the clouds when what people needed was boots firmly on the ground, preferably on the feet of someone like Mandy.”

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Sneakpeek - Strawberry Reality.

Los Angeles duo Sneakpeek share their latest single, “Strawberry Reality,” a psychedelic liquid lullaby inspired by Dora Hiller’s visual artwork, which she creates collages from vintage magazines, and appears in Sneakpeek’s artwork.

“Strawberry Reality” is the third single shared from Hiller and Aric Bohn’s long awaited sophomore album, Scene Within A Dream, due out June 2, following “Serendipity,” in March, which Under the Radar called, "an intoxicating haze of pulsing rhythms and iridescent synth textures.” And “Dreams That You Discarded,” which signaled the duo’s return last November. Buzzbands LA called the single, “exhilarating and vaguely dangerous, with Hiller’s airy vocals casting sublime charms over swirling, rubbery synths.”

Sneakpeak released their self-titled debut album in 2013 on Burger Records, with the LA Times hailing it as a, “noisy nine-track album offering up heavy, druggy guitar riffs that’d make Kurt Vile (or Lou Reed) proud.” While that record combined elements of dream pop with grungy, garage-rock sludge, Scene Within A Dream finds the duo heading in new directions.

Surrounded by walls of synthesizers and vintage drum machines in their Glassell Park studio, Dora and Aric leaned into their psychedelic abandonments, pushing their mostly analogue gear to its limits. “We love obscure electronic music from the 70s, 80s + 90s,” notes Hiller, “and wanted to experiment with a new sound that embodied those elements but with our own spin on it.” Throughout Scene Within A Dream, Sneakpeek explores the world of dreams, the mysteries of nature, mortality, magic and manifestation; old Hollywood studios, non linear timelines, synchronicity, and paranormal experiences, leading the listener out onto a surreal, dreamy dancefloor.



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Krooked Kings - All Out of Good Days (Album).

On the back of a stand out SXSW, rising Salt Lake City based indie rock quintet Krooked Kings have released their brand new album, All Out Of Good Days.Produced by surf-rock darling Day Wave, the album is a body of work built on garage rock roots and decorated with indie-pop choruses.  With 13,000 tickets sold on the west coast of North America before the album release, Krooked Kings are a DIY success story who have built a fan base on the back of a committed touring schedule, driving guitars and vibrant vocals, All Out Of Good Days promises to take Krooked Kings to the next level. Speaking on the project, they state:

 ‘We’re just five guys from Utah making music both for pleasure and to process our experiences of the world. This album is a scrapbook of thoughts and feelings bound to the time we wrote it. It’s about the weird time between college and the rest of your life and everything that surrounds that. About how utterly confusing, depressing, and joyful it can be.’

A grass roots band who were raised in the Mormon faith before taking the decision to walk away from the religion and embrace music, Krooked Kings are a unique band with a unique story. In 2019, a group of five college friends from the University of Utah came together to write music and play shows in backyards and basements. Over the course of the last few years, the band has proven time and again their ability to write heartfelt indie rock gems. After signing with Los Angeles based indie label Nobody Gets It Records in 2020, the band released their breakout single, “‘96 Subaru”, which has amassed over three million streams. By September 23, 2021, Krooked Kings released their debut project, The Comedown. After the release, Krooked Kings hit the road on two support tours with Goth Babe and Rare Americans, as well as three headline dates in Denver, Salt Lake City, and Los Angeles.

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Kacey Johansing - Jérémie & The Delicious Hounds - LOW-RES

Kacey Johansing - Daffodils.

Today Kacey Johansing announces the upcoming release of her new album Year Away. The LA-based songwriter has also shared a new video for “Daffodils,” the first single and a stunning centerpiece to the album, built from a pastiche of looping samples, swirling Mellotron and dazzling vibraphone. Year Away will be released on July 28th via Night Bloom records.

An elegiac tribute to someone facing death with grace and curiosity, “Daffodils” finds Johansing confronting own mortality by observing the brief lifespan of a flower. “Keep your heart open wide, you never know your time / Keep your heart wild, true flower child”, Johansing sings as she says goodbye to an elder, while the band reaches a grief-stricken crescendo of woodwinds and chiming bells.

Johansing writes, “Daffodils are one of the first flowers to bloom as the earth begins to thaw, coming even before spring and often emerging from the snow. The vibrant yellow is a sign that a seasonal shift is on the horizon, a gesture of hope and light, even in the darkest of times.”

Throughout Year Away Johansing traverses similarly uncharted emotional landscapes brought upon by the changes occurring all around her. When the world came to an abrupt standstill in 2020, she found herself simultaneously processing this recent personal loss while trying to make sense of a new global reality. She began to fear her Los Angeles musical community was vanishing, as friends and collaborators continually announced they were leaving the city. Across the ensuing months, Johansing found herself increasingly untethered by a world of isolation and political upheaval.

It was in returning to her piano nightly that she found the greatest solace, feverishly writing the songs for a new album. This new sense of time and focus served to help deepen her songwriting. As Johansing recalls, “I felt like a metamorphosis happened during that time. There was a lot of personal growth and healing.” 

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Jérémie & The Delicious Hounds - 'We Haven't Met Yet.

Jérémie & The Delicious Hounds are new-age fosterers of soul music with a uniquely Canadian twist. Hailing from St. Boniface, the old French quarter of Winnipeg, they have crafted their identity as bilingual artists with their first full-length album, Cruel. Infusing nine fun-loving songs about amour and heartbreak in a mixture of both English and French, the LP serves as an authentic representation of the languages they speak at home. With the support of seasoned producer Murray Pulver, Cruel was recorded "live off the floor" to capture their vintage soul aesthetic and vibrant live performance energy.

The record's focus track, "We Haven't Met Yet," came about when lead singer/guitarist Jérémie came up with some lyrics for a chorus and shared them with lead guitarist Ryan Toupin, who found them inspiring and wrote several verses. The lyrics reminded Ryan of his single days when he would feel too shy to approach any of the beautiful girls he encountered, whether on the bus, at a bar, or in this case, at the library. He had always fantasized about meeting an intelligent girl who shared his love of books.

The Delicious Hounds name is a play on words about their "delicious sound" of smooth melodies, juicy guitar riffs and tasty horn licks. Jérémie's smooth yet smoky voice is accented with a brilliant brass section to deliver round after round of phenomenal hits on golden platters. His staple friendliness, positive vibes and charismatic nature culminate into a profound presence that leaves listeners swooning for another bite of the eight-piece band's modern twist on old-school rhythm and beats.

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LOW-RES - Därför (Album).

Following on from the release of their highly praised four-track EP ‘Du å ja’ last year, Swedish duo LOW-RES now return for 2023 to deliver their explosive new album.

Right off the release of their most recent single ‘Stigma’, teaming up with seminal artist Johan Hinders of Audionom for the release, LOW-RES anticipates their album, ‘Däför’. The pair return with all the same power and captivating post-punk textures they are known for. Brimming with a raw and driven aesthetic that flows elegantly between their electronic and organic elements, their newest release cements them as one of the more riveting names on the scene today.

Stockholm based duo LOW-RES writes pulsating pop tunes influenced by 90s ambient guitars and analog synthesizers. They made their debut in 2021 with the full-length album ”Varför” featuring guest appearances by Jukka Rintamäki (Silverbullit) and Per Nordmark (Fireside) among others. A four-track EP "Du å ja" followed in 2022 with a refined sound of analog drum machines and Swedish lyrics.

The eleven songs on ‘Därför’ drag you in, one by one, to a parallel universe where music from bygone eras, like krautrock, early electronic pop/rock and psychedelia, are alive and well and sounding as fresh as ever in modern-day Sweden.

“Varför and Därför belong together,”says LOW-RES. “Both records were written in the same vein and with the same approach: fast, creative and with many collaborations that colour the expression. We have a lot of fun making music and it works as an antidepressant. We just heard the term Art Therapy and that pretty much sums up why we do this.”

Adrian Recordings · LOW-RES - Därför

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ANGHARAD - Natalie Gray - The Bablers - Georgia Mooney

ANGHARAD - Because I Am A Woman.

ANGHARAD is an artist and songwriter with fire, passion and unflinching honesty at the core of all her music. The first single from her debut solo album had to be ‘Because I Am A Woman’, a confident and positive ‘call to arms’.

As ANGHARAD explains: “‘Because I Am A Woman’ was written as a response to the widely accepted beliefs in the music industry that it’s not possible to be a mother and have a successful career.

I received some hostile reactions myself when I announced that I was pregnant. I was told that I was unambitious and that I was no longer serious about following a career in music. These outdated, sexist attitudes need to change.

This is a call to arms to any woman who has experienced similar attitudes and expressing the need to stand up for change. Rather than getting angry about it, this song says “yes we can!” And “yes, we are capable of anything!” I believe it is possible to have both, and do both well, when society will allow us.

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Natalie Gray - The Me I Pretend To Be.

The Me I Pretend To Be is the latest single from Synth-Pop artist Natalie Gray. Grabbing inspiration from some of Natalie’s favourite artists such as Cyndi Lauper and Madonna, as well as more recent artists such as Paramore, Kings Elliot and Lawrence, this song embodies the desperation of losing yourself and hiding behind a smile and a cliche whilst it feels that your world could crumble at any second.

Following the success of Natalie’s previous single “Fire” supported by BBC introducing, The Me I Pretend To Be steps away from her usual upbeat and colourful sound and brings a more honest and nostalgic feel, touching on the reality of living with mental health issues such as anxiety and depression, a theme that a lot of us can relate to.  This latest track is Natalie’s first time opening up about her own personal experience with living with PTSD and struggling to find her old self.

Instead of reaching for your hairbrush and throwing your best 80s dance moves infront of the mirror, The Me I Pretend To Be will have you opening your old photo albums and coming face to face with your own demons.

Natalie has teamed up once again with childhood friend and personal agony aunt Jack Craig, (the producer behind “Dance Floor” and “One In A Million”) to create this vulnerable and heart string grabbing song.

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The Bablers - Mr King.

Bablers founder, singer-songwriter and multi-instrumentalist Arto Tamminen – who's led the band, now alongside Janne Haavisto (drums, vocals), Pekka Gröhn (bass, keyboards, vocals), and Hannu Pikkarainen (guitar, vocals) since its late '70s genesis – tells us about the track and how it difers from the boisterous guitar pop of the two prior single. “It's built to be a classic big piano pop ballad, the kind you've rarely heard since the golden days of pop.” And that's exactly what “Mr. King” delivers: intimate, intense, bold, confdent, and powerful, the tune has a million dollar melody that sticks in your mind, and a timeless message. As with all of the tracks from the LIKE THE FIRST TIME sessions, the song is played 100% live with original instruments: upright piano, electric guitar, bass and drums. The band’s sound is glued together, tight yet fexible, and the take heard here has a magic and a mood you can almost touch. It makes you listen, demanding attention that will be rewarded.

Tamminen lays out the backstory behind the emotive lyrics, ofering insight into the choice to release the song as the English monarchy – and so much of the world – enters a new era. “It’s been a long day. A lot of public activities. Horses and soldiers. Roaring audiences. Applause. Flags. Smiling faces,” explains Arto. “Finally, at the castle, someone is knocking at the door. It's troubadour asking permission to sing a song, crafted especially for the occasion. Permission is granted. He starts to sing, and in the chorus asks the most important question...”

Both the deft handling of the subject matter and the richness of the music mark a true change of pace after the previous two singles from The Bablers. That versatility won't surprise longtime fans or anyone who's heard the band's thrillingly eclectic and lovingly crafted 2021 Big Stir Records album PSYCHADILLY CIRCUS. But it's all too rare to hear a new work of this depth and purity of sound on the radio these days, and that alone is reason to celebrate another triumph from THE BABLERS, who are rapidly ascending to the throne they have long deserved: the Kings of Finnish Guitar Pop, and royalty on the global stage as well.

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Georgia Mooney - Break It Off.

Pulling inspiration from the theatrical sounds of ABBA and Rufus Wainwright, ‘Break It Off’ is pure high drama, a melodramatic and shamelessly camp take on infatuation ending in pain, fuelled by desperate yearning and stubborn sentimentality.

Georgia Mooney shares “it is about being powerless to somebody’s charms. When a relationship is terribly bad for you, but the infatuation is overwhelming. When you’re not receiving enough in return, there is a desperation that the person will have a miraculous epiphany and realise they’re actually madly in love. There is an inability to let go of that hope, to the extent where the only option is to be dumped ruthlessly!” Mooney’s celestial vocals dance above luscious layers of instrumentation: gentle piano, a 70s-esque synth, and shimmering strings, all buoyed by bass and shuffling drums reminiscent of classic 60s pop.

 The ‘Break It Off’ video sees a dazzling 80s-worthy collaboration with Eora-founded aerobics queens Retrosweat. Devised as “if Pat Benatar made an instructional workout video”, Georgia Mooney sings as a portrait on the wall of a beautiful, surreal set that the trio of dancers perform in. As well as being wonderfully theatrical, it’s also the avenue through which Mooney presents an ode to one of her greatest loves - Benedict Cumberbach. She shares, “It is no secret that I have something of a celebrity crush on Benedict Cumberbatch. I do not suffer from celebrity worship syndrome in general, nor do I ever get star struck, I cannot explain the spell that was cast on me when first I clapped eyes and ears on Cumberbatch. Surely something to do with the rather lovely, clever-sounding accent and the period costume attire…When I wrote the lyric “you’re not a patch on Benedict Cumberbatch”, I gave myself the rest of the day off.”

Georgia Mooney's upcoming debut album ‘Full Of Moon’ features previously released singles ‘War Romance’ and ‘I Am Not In A Hurry’. The record is a meticulously crafted sonic universe that tells stories of the beauty and potency of vulnerability, and the complexities of connection and perception, carried by Mooney’s soaring ethereal voice over lush, cinematic soundscapes.

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Panic Pocket - Jeanines - The Strange Dream - Jo Caseley

Panic Pocket - Get Me.

London-based Sophie Peacock and Natalie Healey have been friends since childhood, know each other’s secrets - and probably know a few of yours too. Panic Pocket are sassy, sardonic and bursting with amazing songs.

Fuelled by claustrophobia and frustration, new single Get Me is consumed by the desire to push the escape button. Lyrically, the song grapples with a fear of commitment and a determination to defy life expectations.

This sense of cathartic destruction is mirrored in the music. Get Me sees the band stomping on the distortion pedal, building a life-affirming anthem from layers of chunky riffs. The deliberately lo-fi video, shot on an old digital camera Sophie found in the attic, is delightfully deadpan – all snarls and eye rolls against candyfloss backdrops.

Get Me was the obvious choice for the opening track on debut album Mad Half Hour, where Panic Pocket set out their intentions and give you a safe space to scream it all out with them. If you want punkpop exuberance, lyrics that are so truthful they hurt, plus some very infectious tunes - then Mad Half Hour is the soundtrack you need, right down to the minute.

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Jeanines - Each Day.

Over the course of two well-received albums and numerous singles and compilation appearances, Jeanines have captured the ears of discerning listeners with a sound that recalls a diverse swathe of pop history, from 60s folk-pop and girl-group tunes to 80s DIY pop to solid gold 90s touchstones like The Aislers Set, The Cat's Miaow and the post-Black Tambourine bands of Pam Berry.

Now they're back with their first new tunes since 2022's Don't Wait For A Sign and the hits just keep on coming. "Each Day" is moody jangler that delivers melodic and emotional heft that belies its brief 1:43 length. Destined for 1,000 indiepop mixtapes, it's exactly the kind of song that the 7" was invented for.

"What The Echoes Say" is a strummy delight, showcasing Alicia Jeanine's lovely vocal harmonies to maximum effect. "Tilt In Your Eye" wraps up this ace single -- it was Jeanines' contribution to Where It's At Is Where You Are's ace 2019 compilation "The Moon And Back" and appears here on vinyl for the first time.

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The Strange Dream - Miss Annie.

As psych rock goes this is very good. Capturing the vibes of days gone by there is enough originality here to make the song stand out and the gorgeous vibes really do resonate so well. Ive got to say I kind of love this one, anyway about the band.

Hailing from the dark corners of some of Manchesters dingiest bars, Strange Dream are the cities most exciting new two piece psych-rock experience. Off the back of their instrumental debut ‘Orange’ the band release ‘Miss Annie’, a soaring guitar track with melodic riffs and driving vocals packed with jangly guitars and shimmering beats just in time for the coming summer.

‘Miss Annie’ started as a word game for guitarist and vocalist Vincent Strange, seeing how many coded narcotics he could fit into the songs verses, “So miss Annie and her pet are fiends (amphetamines) coco & dean lost in their dreams (codeine) St.Mary’s at the harbour (marijuana) Like she does (LSD) there’s no harm in her”. This second single was also the bands first real song writing collaboration, “Virgil already had the instrumental & never really intended to make anything more of it but I thought it could be a full song so I wrote three different versions and we picked them apart used the bits we liked. The chorus was from a song I wrote years ago but it seemed to fit right. For ages we really didn’t like how it turned out but we tweaked the music and words until we cracked the code.”

Strange Dream are a newly formed Manchester duo that fuse an array influences and energies to create imaginative and exciting sound-scapes resulting in dreamy and energetic psych-rock with garage roots and an indie edge. The track was written, recorded and produced by the bands two members, Vincent Strange and Virgil Strange using anything from ash trays and shoes in the recording process to create the tracks unique sound. ‘Miss Annie’ is the just a taste of the bands dreamy yet sometimes sleazy sound.

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Jo Caseley - Houseless Never Homeless.

Jo Caseley cut her teeth busking the streets of Kings Cross, landing her first real gig in a smoky blues bar next to a strip club. While miles away from where her humble and authentic stylings have landed, it served as a character-building exercise that honed Jo’s ability to write and perform songs about real life, people, places and experiences.

Her forthcoming album, “High On Heartstrings”, is full of such songs – highlighting her ability to place the listener in the moment and narrate a story in its purest form. “Houseless Never Homeless” is the first single lifted from the release and inspired whilst reading her late American Grandmother’s memoir where she was drawn to a chapter called Houseless Never Homeless. It was post World War I during The Great Depression, Caseley’s Grandmother was a child, times were tough, and the family of six were living out of their Model T Ford, desperate for work and a better life.

The song talks about how a child can be houseless, but whilst surrounded by love and hope, never feel homeless. It was a beautiful sentiment that Caseley felt compelled to share especially in the wake of the rise in homelessness in Australia within the past four years. She felt the message was as significant now as ever and took the idea to her friend and mentor, Bill Chambers.

“Bill was the perfect person to write this special song with. He has a great appreciation for the old times and hard times and was so genuinely invested in helping me share my heritage and the stories of my American family”, says Caseley. “Houseless Never Homeless” was brought to life in The Rabbit Hole Recording Studio by Kasey Chambers’ band featuring Brandon Dodd on guitars, Jeff McCormack on bass, Syd Green on drums and the swelling heart strings of Bill Chambers’ lap steel guitar; the perfect pairing in production for Caseley to share this special song of hope and dreams which was co-produced by Brandon Dodd and Syd Green.

“The comfort I find from feeling close and connected to my grandmother, singing her story years after her passing is immeasurable. I hope it can bring comfort to others knowing that with love and hope, anything is possible”.

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Meagre Martin - The Lemon Twigs - Ivan Moult - Tom Emlyn

Meagre Martin - All My Thoughts

Berlin via Boston up-and-coming indie project Meagre Martin share their gripping and intimate new single, "All My Thoughts." The track is out now on Mansions and Millions.

On the track, the lead-member Sarah Martin offers: "All My Thoughts' is about the pervasive feelings of grief and how we internalize it. How we continue to reference grief and the ones we've lost for the entirety of our lives. It describes how grief can shape the way we move through the world after those people are no longer here to advise us. It talks about this afterlife connection and also the ultimate fear of mortality and failure."

Meagre Martin is a Berlin-based indie music project founded by African-American musician/songwriter Sarah Martin (she/her) in the summer of 2021. Sarah is originally from Boston MA, but moved to Berlin Germany in the fall of 2017. Searching for meaning in a crumbling global climate, this project was created as a means of survival, and catharsis through uncertain times. A few months into the project's culmination, Freddy and Max joined the band to make a solid trio.

Blending together elements of lo-fi and new-Americana, Meagre Martin is a culmination of experience rooted in healing, through lyricism that gives nostalgia new layers and expands grief’s potential. Although Meagre Martin is a relatively new presence in the Berlin indie scene, they've already made a big impact, performing at shows all over the city. The band is now poised to broaden their reach beyond Berlin, having been hard at work on new music, including their newest single out now via Mansions and Millions.

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The Lemon Twigs - Everything Harmony (Album).

On Everything Harmony, the fourth full-length studio release from New York’s The Lemon Twigs, the prodigiously talented brothers Brian and Michael D’Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men. While they eagerly devour musical influences from everything and everywhere, they have somehow arrived at a cohesive and dynamic sound that speaks to our troubled times.

Having bounded onto the music scene with their precocious 2016 debut Do Hollywood, they threw caution to the wind two years later on their followup Go to School. By the time of their third album, Songs for the General Public (2020) The Lemon Twigs had begun to pull from a wide range of multigenerational inspirations, expertly darting from twee chamber pop balladry to full on glam punk, mixing plaintive singer-songwriter confessionals with an almost Syd Barrett sense of outré pop. In an interview from the time, they expressed an interest in creating “something really beautiful sounding” based on vocal harmonies and developing their combined melodic sensibilities into a setting where “the sounds were as important as the songs” themselves.

On Everything Harmony, the brothers have fully realized that vision, with a unified “Lemon Twigs sound” that successfully blends their distinct personalities while giving voice to their diverse and eclectic influences. Opening the album with the unassuming acoustic folk of plaintive “When Winter Comes Around,” which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings, they immediately switch things up to the sunny classic pop motif of “In My Head.” From that point on Everything Harmony makes it clear that the Lemon Twigs can’t be pinned down.

Having recently worked with friends like Natalie Mering, with whom they appeared on the latest Weyes Blood album, they also collaborated with classic rock hero Todd Rundgren on his most recent album, Space Force. Rundgren, himself no stranger to eclecticism, says he can relate to their time-tripping approach to contemporary pop.

“They started when they were five and six years old, doing TV and Broadway and things like that,” says Rundgren. “So, they have built-in appreciation for music that is of a couple of generations before theirs. I think they were bored by the music of their own generation, and since you can’t fast forward to the music of the future, you just start going backwards to music that was made before you were born. I can empathize with that impulse, because I did that too, back in the seventies.”

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Ivan Moult - Written On The Wall.

Cardiff-based singer-songwriter Ivan Moult announces the release of his new single 'Written On The Wall’, taken from his upcoming album 'Songs From Severn Grove'.

The single is released today May 5th. Following on from his last single, ‘Out Of Time’, Moult’s latest offering showcases hisunique blend of indie-folk, soulful vocals andpoignant lyrics that delve into themes of love,loss and hope.

Speaking about the single, Moult said: "Lyrically a song about having a conversation with a new partner about their previous lovelife/partners. Acknowledging their experience. Questioning whether or not you want to or need to know their romantic past. Trying to reassure them things wouldbe different.

Observing it’s apparent in other ways without needing to be discussed.” ‘Songs From Severn Grove’, which is due out on May 26th, showcases Ivan's voice front and centre, with layered harmonies and a soundscape of delay-soaked electric guitars, drums, and bass.

Ivan Moult is set to release his third album, 'Songs From Severn Grove', this Spring on independent Welsh record label, Bubblewrap Collective. His previous albums have received radio support from BBC Radio 6 Music and BBC Radio Wales, and have been featured on Folk Radio UK.

Ivan's second album, 'Longest Shadow', released in 2018, won him festival slots at Cornbury Festival, Folk on The Dock, and Festival of Voice, as well as support slots with This Is The Kit, Becca Mancari, and Willy Mason. For this new album, Ivan played, recorded, engineered, and mixed all of the instruments himself at his home studio in Cardiff. The album charts a journey of growth and change, beginning with the lockdown during the 2020 pandemic and continuing through Ivan's experiences of fatherhood and the development of his love and relationships.

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Tom Emlyn - It Doesn't Bother Me.

Prolific Swansea artist Tom Emlyn has shared the video for his latest single 'It Doesn't Bother Me'. It's the follow-up to ‘Broken Mirror’ and ‘Like a Cigarette', it's the last of three singles leading up to the album ‘Return Journey Revisited: Scaredycat Vol 1’ released today Friday the 5th of May 2023.

Engineered by Randell Denning, BBC studios Swansea in 2018 ‘It Doesn’t Bother Me’ rattles with introspection, as Emlyn sketches out nightmarish visions of characters who lose themselves in the pursuit of success. Amidst a scorched strum of fuzzy guitars, battered acoustics and skippy keys and synths. It’s a raw earworm that tries to throw off the shadow of doubt.

Emlyn says: “This song is from the mind of an unreliable narrator, trying to convince himself of his own aloofness as much as he is the listener. It paints a nightmare picture of self-doubt, anxiety, dead-end jobs, bad decisions, time running out. Schizophrenic images of audible lights in the engine yard. Losing your real self in the pursuit of money, recognition, anything. The masks we wear to convince ourselves and others of our resilience.”

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headboy - The South Austin Moonlighters - Meris Gantt - Jeremie Albino

headboy - Reservoir.

London trio headboy have shared their new single "Reservoir" - the latest taste of the band's upcoming debut EP 'Was It What You Thought', out 9th June via Blitzcat Records. In recent months the band have played host to an exhilarating run of sold-out headline shows in the capital, alongside notable support slots with Porridge Radio, Goat Girl, DEADLETTER, Peaness, Melin Melyn, Hotel Lux, Heartworms and THUS LOVE.

Swaying from lo-fi bedroom tones to tumultuous blasts of snarling post-punk, headboy's blend of influences, ranging from Sleater-Kinney and Radiohead to Modest Mouse and Grizzly Bear informs the immediacy of their sound, whilst the band also note the impact of post-punk and no wave acts á la Gang Of Four, Orange Juice, Pixies and Television.

Consisting of guitarist/bassist and vocalist Mars West (they/them), bassist/guitarist vocalist Jess Collins (she/they) and drummer Oli Birbeck (they/them), headboy have already established themselves as a beguiling force to be reckoned with on the live stage, cultivating a devoted following in London and further afield, following press and radio tips from Steve Lamacq (BBC 6 Music), So Young Magazine, The Independent, Gigwise, The Rodeo + more.

New single "Reservoir" tells a story of passion, intimacy and connection in the disorientating aftermath of a breakup; venturing into single life. Delivered through a lens of deceptively dark, climactic post-punk, "Reservoir" tracks those brief, fleeting moments of lust, in a haze of sweaty, dimly lit clubs.

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The South Austin Moonlighters - Make A Livin'.

Austin, TX - Legendary, Saxon Pub-bred quartet The South Austin Moonlighters were riding high on the success of their 2019 opus Travel Light with top billing on the alt-country charts and festival appearances throughout the U.S. and Europe when the world came crashing to a screeching halt in 2020. Fortunately for the band and their fans alike, the Moonlighters are veterans of Austin’s scrappy, DIY music scene and were never going to let a little loss of momentum stop them. With the help of a wildly successful crowdfunding campaign, The South Austin Moonlighters—Lonnie Trevino Jr., Chris Beall, Daniel James, and Hunter St. Marie—took to the studio with producer Steve Berlin (of Los Lobos fame) and got right back in the saddle, cutting ten tunes that would eventually become their brand new album, From Here To Home.

At its core, From Here To Home is an album of rebirth and acknowledgement. It’s a recognition of where The South Austin Moonlighters have been, and a peek at all of the exciting places they are going and want to head towards in the future. Take the title track for instance, which is a song that Beall and Trevino Jr. wrote together. It’s a tale of finding oneself on the road, not necessarily lost, but unmoored. Despite this estrangement, the group finds power in the songs they write, carrying them through another day. “From Here To Home is a journey back to rediscovering why we started doing this in the first place,” Trevino Jr. says, before his co-conspirator helps him complete the thought in a way only the closest of collaborators can: “Because that's the only thing we want to do–make joyous music.”

The South Austin Moonlighters recently released their first single from From Here To Home, the bouncing, half-time groove of “Make A Livin’"; a deceptively deep, upbeat song about what it really means to make ends meet for a family. “What should we be providing?’’ asks Beall, who wrote the song with his good friend Rodney Black. He expands, “Surely ‘ourselves’ would be the most important thing, and yet there are multiple generations of parents working so much they rarely see their kids. Lots of folks have to work like that, unfortunately. But could there be a ‘line’ that gets crossed when too much is just ‘too much?’ The TV bill, the new car, the nicer house....maybe we should let go of a few of those things and not have to be shackled to the workplace to pay for them.” Packaged within textures of gritty guitars and vintage bass thump, “Make A Livin’” is one of those rare songs that makes listeners dance and think, and that quality is the Moonlighters’ party piece that runs from beginning to end of From Here To Home.

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Meris Gantt - Fine.

Meris Gantt just announced the “Fine” single released yesterday. Taking the listener on an emotional journey through grief, loneliness, and acceptance, the song holds a special meaning as it is a conversation with her father, who passed away nine years ago.

Through powerful lyrics, “Fine” conveys a message of reassurance to Gantt’s father and to herself that it is okay to let go and move on. It is also a poignant reminder that we are all doing the best we can in life. The song evokes a feeling of loneliness that many can relate to, especially in a world that is constantly changing.

Gantt reveals that she didn’t realize she was writing this song about her father until a pivotal moment on a hike, where the lyrics to the bridge poured out of her. The song not only reflects on Gantt’s childhood but also provides a global perspective, tying in thoughts and emotions from the Covid-19 pandemic.

“Fine” is a powerful and emotive song that will undoubtedly resonate with anyone who has experienced loss, loneliness, or the struggles of trying to adapt to a changing world.

The single is off Gantt’s upcoming EP, “Forced Revival,” due out June 2. The EP tells the story of a journey mired in strength – a tale of perseverance, passion, and a deep connection to the power of music. Gantt explores life’s journeys with longing, regret, and the silver linings that lie in between through a soulful blend of smoky vocals, Bluegrass Americana, healing melodies, and honest and to-the-point songwriting.

Meris Gantt · Fine

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Jeremie Albino - You I’m Waiting On.

Buzzy Americana artist-to-watch Jeremie Albino has released a captivating live performance video with his band, The Rosehall Band, for soaring new single “You I’m Waiting On.” Shot and directed by longtime creative partner and collaborator Mark Klassen, the video transports viewers back in time to the historic Owl’s Club in Toronto. The old legion hall, frozen in time, serves as the ultimate backdrop and perfectly pairs Jeremie’s soulful golden sound with the memories painted on the walls.

The artist’s highly anticipated sophomore studio album, Tears You Hide, will be released on June 9th. Lead single “Across the Hall,” released earlier this spring, is a testament to Albino’s visual songwriting style, telling a story of hope and longing in challenging periods. He’s currently on the road with fellow Americana artist Sierra Ferrell for a series of West Coast tour dates, and all shows are sold out.

Recorded entirely live off the floor, Tears You Hide is a catalog of feelings from time passed that serves up an ode to family, resilience, and the road ahead. The deeply personal nature traverses Albino’s development as an artist and captivating songwriter. Experiences with tragedy, grief, and love tumble throughout, grounded in moments of joy and the hope it brings — a house party, a tumbleweed, tears in a mother’s eyes, an open door, a faceless angelic voice.

The artist found support from the team instrumental in the production of his earlier work - The Rosehall Band, his original backing band, and Andrija Tokic (Alabama Shakes), who co-produced his critically acclaimed debut full length. The importance of working with a supportive and collaborative community is something that he knows the value of not only in his music but also from his days as working as a farmer in Prince Edward County.

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