Midweek Muse: Hana Oceans - Hollow Everdaze - Ministry - Samson's Delilah

Hana Oceans - Invincible Borders.

Background - Hana Oceans has released her first, highly acclaimed single 'Invincible Borders'​ from her forthcoming EP. Hana from Gothenburg, Sweden, started making music after gaining inspiration whilst travelling the world at a young age. Hana is fiercely passionate about art, and committed to inspiring people through her music, Hana began studying at Berklee College of Music in Boston prior to releasing her critically acclaimed debut EP “Dust” in 2015. Hana's incredible voice coupled with her ability to write powerful and melodic songs led to Spotify announcing her as one of their featured artists within their 'Spotlight 2016' campaign. Hana now has a growing international fan base which has contributed to over 2 million digital streams on Spotify ​alone.

Up until the day that Hana started making music she had felt lost at sea with all of her ideas, emotions and creativity. On finding her calling Hana has developed a strong commitment to raising awareness of environmental and social issues through her music. Hana takes in inspiration from pop, cinematic music and electro with influence from ranging from artists Ane Brun, Highasakite and Florence and The Machine.
 
‘Invincible Borders’​ showcases Hana​'s enchanting vocals as she turns the attention of her lyrics in a more sinister direction than on the critically acclaimed 'Dust EP'. 'Invincible Borders' ​tackles the Immigration crisis that Europe is still struggling to come to terms with. 

Hana says: “I can't be happy in a world where people have to risk dying at sea for the hope of a better life, only to be blocked by borders if they are lucky enough to reach dry land. It upsets me that over 60 million citizens of the earth are fleeing from conflicts. Nobody should have to live in fear and the more that people start to organise the more chance we have of affecting the politics that have led to so many people facing uncertainty every day. However, I want people to know 'Invincible Borders' is not about all of the negativity surrounding this political crisis. This song is a reminder that there is hope in the world, and that hope is represented by unity only.” Facebook here.

I think the expression atmospheric pretty well summarises the opening part of 'Invincible Borders'. A song with a message, the video brings this further to life, and Hana Ocean's vocals are so well suited for the piece. A juxtaposition between negativity and hope it may well be, sometimes music is a good place to challenge our thinking, whatever the issue, and a song as good as this really helps engage the heart and the brain...

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Hollow Everdaze - Still Ticking.

Background - Australian band Hollow Everdaze have shared their new video for "Still Ticking". The band explains that the song has "themes of brutal honesty, romance and patience." It's off their upcoming debut album 'Cartoons', out early next year.

Drenched in reverbed lushness, Hollow Everdaze have been reimagining psychedelic pop since they began in 2007 by lead vocalist, Dan Baulch and bassist, Jackson Kay in their small town hometown of Bacchus Marsh in Western Victoria.

Having spent the last year working on the release of their debut full-length album, recorded by rising Melbourne producer, John Lee (known for his work with Beaches, Lost Animal, The Ocean Party), mastered by David Walker (NUN, Beaches, GOAT, Jen Cloher) at Stepford Audio, and with video and art collaborations from James Thomson, Niv Bavarsky and Micheal Olivo, the band are set to unveil their newest work to the world.

Debut single and title-track, "Still Ticking" is soaked in woozy twang and Myles Anderson’s signature swooning violin. It perfectly captures the Australian indie rock ensemble’s delicate melodic layering, while it reintroduces frontman Daniel Baulch’s raspy romanticism and Sixties-style craftsmanship.

Hollow Everdaze capture the urgency of a band who –after settling into their current five-piece line-up – have traced their own weird, divergent path through the haunted backwoods of song-writing. It shows through in their stunning debut EP, released in 2013 which received rave reviews from Australia’s most highly respected journalists and earned them support spots for international artists including The War On Drugs (US), Unknown Mortal Orchestra (NZ) and Wavves (US), plus saw them join American Football (US) on their East Coast tour of Australia in 2015. Facebook here.

With a light and refreshing acoustic start the song 'Still Ticking' soon develops into a very fine track, where vocals and violin dance around each other and the psychedelic vibes are never far off.

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Ministry - I See Red.

Background - Cleopatra Records will be releasing the long-awaited 'Trax! Rarities' double album by industrial-alternative rock legends Ministry, led by the outspoken super talented Al Jourgensen. This is a special limited edition double LP collection of early rare tracks and versions from Wax Trax!-era Ministry, as well as several previously unreleased gems from Al Jourgensen-related side projects - namely Revolting Cocks, PTP, Pailhead and 1000 Homo DJs. 

Scheduled for release on December 9th, this new Ministry collection will be pressed on clear vinyl with a printed inner sleeve.  Super fans will also be pleased to learn that this double LP includes the very rare Revolting Cocks track 'Drums Along The Carbide!' For over 30 years, Al Jourgensen has proven himself to be the undisputed king of industrial music, godfathering a genre that millions have grown to love. He is the only original member of Ministry remaining since the band’s formation in 1981.

Originally a new wave synthpop band with melodic and stylized output compared to to the more aggressive music for which they would eventually become known, as embodied in such tracks as ‘The Game Is Over’, ‘Let’s Be Happy’ and ‘Same Old Madness’. Ministry ultimately changed their style, resulting in them becoming an industrial metal pioneer in the mid-1980s. This 'Trax! Rarities' release celebrates hidden gem from their early days.

Ministry inspired numerous groups, including Nine Inch Nails, Marilyn Manson and KMFDM. Jourgensen continues to influence and morph, both in his style and music. While the latter is deeply rooted in Industrial, he is still creating new forms as most recently can be heard in his latest project SMM (Surgical Meth Machine). A multi Gold and Platinum selling artist, his drive to entertain has seen him play the part of producer, musician, author and composer. Website here, Facebook here.

'I See Red' is but a toe in the water, regarding the 'Trax! Rarities' collection, now being released as a limited edition vinyl double LP. Still it's a massive excuse to share a song, on this occasion that's enough!

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Samson's Delilah - Mr. Gorey.

Background - There is a fierceness, an intensity here woven through the soundscape that is Samson's Delilah, that pulls you in to the depths of your soul and that resonates long after the last note has been delivered. Utterly captivating, Samson’s Delilah is heavily influenced by Latin guitar, reggae, rock opera and other world music and driven with thought provoking songwriting. The thread of the "guroove" runs deep, and you will not be disappointed by the fusion and spell that they weave.

Seth Macdonald and Shara Gustafson, are well known on the Northern Alberta and B.C. festival scene having made their mark in the funk/rock/reggae/world groove high energy dance band "Mamaguroove”.   With Samson’s Delilah, Seth & Shara have ventured into new musical territory.

The dream team band behind and beside them is Dan Barton (every single band in Red Deer, Alberta) on drums, Tim Bennett of Adelaide, Australia ( Aurora Jane &  Formidable Vegetable Sound System, Digging Roots) on bass and third part harmony vocals as well as sought after "beast of the fiddle" from Calgary, Scott Duncan on violin.

They have opened for Alex Cuba, Matt Andersen, Sultans of String and Oscar Lopez. They have shared the stage and performed with Rachelle Van Zanten, Linda McRae, Digging Roots, Jack Garton, Pharis Romero, Don Alder, Delhi To Dublin, Adrian Glynn, Maria in the Shower, Lester Quitzau and more.

In their "spare" time, they are the organizers of the annual Robson Valley Music Festival. Shara and Seth are actors & musicians in the Robson Valley Theatre Collective & Wishbone Theatre productions that produces a show every Fall.  They are also bio diesel producers and forestry contractors, music makers, and gardeners living in the rural hamlet of Dunster B.C. The band's full length album. "Unfinished Humans" was released in June 2016. They will be performing at the Cold Snap and Tongue On The Post Winter Music Festivals this coming January ’17 and February ’17 as well as a few smatterings of shows in Alberta, B.C. and Saskatchewan.

'Mr Gorey' is the eleventh and final track on the album 'Unfinished Humans' an album that somehow passed us by in the summer. Still better late than never, I would suggest that liking the featured song, equals check out the whole album.

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Genre Wander: Tammy - Seldom Few - James Sayer - Ivey - Linnea Olsson

Tammy - Doing Something Right.

Background - Indie-folk duo Tammy share their newest tune, "Doing Something Right". The irresistible track is off Tammy's upcoming LP titled This set for release December 16, 2016.

"We had grown accustomed to writing songs about breakups and unrequited love and after a while, realized that we should write about the other side of love, the good side of it I guess...it's a song about appreciating a new love and that feeling of trusting that it's gonna last. We went a little further in the country direction than we usually do with this one. That vibe seemed to suit the lyrics. We recorded it with Andrew Oedel at Connecticut College where we held the sessions for the whole record. They had an upright bass and this song is the only one we did with that bass," says Tammy of "Doing Something Right".

2016 has been an exciting year for Tammy. "Hated It (With You)", the lead single off This was given high praise from notable music site, Consequence of Sound: "Vocalist Brooke's smoky voice plays off her bandmate Aaron's arpeggiated chords to form a seductive one-two punch that plenty of listeners will be powerless to resist." Their follow-up single titled "Away For The Weekend" exclusively premiered with Pancakes & Whiskey who wrote, "This gorgeous song premiere by TAMMY immediately entrances us with hushed guitar and the line -'Traveled on horseback to get, under your skin.' That line, while striking, is just the beginning of a four-minute adventure of love, loss and the need to get away from it all. The lyrics that are sung beautifully, wash over us like a warm blanket on a stormy night while the soothing guitar and minimal percussion is like a big inviting mug of Hot Toddy."

Tammy has announced a New York City show date on December 7th, 2016 at hotspot Berlin. Tammy's This LP will be available to stream and download on December 16, 2016. Website here, Facebook here.

Third time around on Beehive Candy this year for Tammy and this time with 'Doing Something Right'. Once again the gentle acoustic back drop makes a splendid foundation for the vocals and consistently pleasing melodies and harmonies. There are some more goodies on the forthcoming album!

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Seldom Few - Barely A Moon.

Background from one of the band (and a short and sweet one at that) - My name is Ali Murray. I am a songwriter/musician from the isle of Lewis in Scotland.

I currently play in a band called Seldom Few. We are an atmospheric rock trio from the western isles of Scotland. We just recently released our self-titled debut album. 

Musically it's kind of a mix of post-hardcore, dreampop, gothic post-punk and shoegaze. We just called it atmospheric rock to keeps things simple, and because I hate describing my own sound haha. Facebook here.

Well I guess one effect of receiving a minimalist email is I get straight on the listening! 'Barely A Moon' is the first of eight tracks on the bands debut album, and highlights the meaty, expansive sound the trio produce. They comfortably drift between genres, however Seldom Few retain a consistent sound throughout and it's perhaps the change in tempo's rather than a wholesale change of direction between songs, that makes the album really work.

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James Sayer - Sweet Baby Jane.

Background - James Sayer is a singer-songwriter, known throughout London for his session work & shows at the capital’s swankiest piano bars.

Hailing from Birmingham, James’ fascination and love of music began at a very young age when he learnt all things Rock n Roll through artists such as Jerry Lee Lewis, Elton John and Billy Joel. James moved to London in 2012 where he became a gigging musician, performing almost every night in piano bars, clubs and pubs. Eventually James met American producer, Alan Glass (Mis-Teeq, Kenny G), and they began working on James’ debut material. By early 2015, James had recorded an album's worth of demo recordings, and they were passed on to five time Grammy winner and former member of The Doobie Brothers, Michael McDonald.

Blown away by his music, Michael then contacted James with the opportunity for a U.S. tour with BBC Radio 1 breakthrough act Ruen Brothers. During which time they supported George Ezra, played Coachella, and even snagged a live recording session with legendary producer Rick Rubin.

Later that year, James finished his first piece of solo work - ‘Taking Back My Love’. A pure representation of what James’ sound embodies - musicianship, passion & a bit of danceability! The Follow-Up Sweet Baby Jane, see’s James at his vintage best. Influences range from the big band sound, to jazz & all out feel-good pop. The stand-out feature is James’ musical flair & love of songwriting. It’s a track that will leave the listener with a smile, as well as appealing to an audience of elitist music fans. Facebook here.

Live London Dates:
The Savoy, Beaufort Bar - 9th, 15th, 16th, 22nd, 30th December
Charing Cross Theatre, Players Bar - 3rd, 10th, 17th Decenber
The Ritz - New Year's Day.

'Sweet Baby Jane' is a vibrant, punchy song, with piano, rhythm and horns providing a potent backdrop for James Sayer's superb vocals. Add in the background harmonies, and this is one floor filling danceable upbeat and fun fuelled song!

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Ivey - Last Week.

Background - Simultaneously hitting the books, either at high school or university, and playing packed-out shows to adoring fans, Ivey craft indie-pop that's primed for dance floor shenanigans. Tightening the screws since appearing on the scene in 2013, the Gold Coast quartet exude boundless charisma and magnetism with their music.

Premiered by Music Feeds, Ivey are brimming with delight to today release their new single into the world. After ceaselessly kicking goals with their previous single, 'All Things Good', new track, 'Last Week', is out today via Gd Frnds.

Unabashedly fronted by Millie, (16) Lachlan (19) and backed by Matthew (17) and Dante (20) filling out the rhythm, Ivey hit home with their passionate pursuit for danceable indie tunes. The young purveyors of songwriting craft sounds that far exceeds their aptitude and 'Last Week' is no different.

Highly infectious and executed so effortlessly, 'Last Week' is a massive, mature leap in terms of resonance for the group. Once again produced by George Carpenter (Waxhead, Jimmy the Saint & the Sinners, Karl S. Williams), acts as a quip to anyone who's fallen in love in mere hours. Shimmering guitars, hooks-a-plenty and the distinctive duo harmonies of Millie and Lachlan power this song through its breezy four minutes.

Ivey are not only maturing as musicians, but are doing it with style and ease. Continuing to further their gleaming, indie-pop sound that fans have come to adore just reaffirms the group's much deserved, unremitting success. Facebook here.

Back in July when we featured the band for the first time we said "Ivey runs the risk of too many age related comments, because it's such an excellent and well developed song". Well they clearly have the knack for doing so over and over as new song 'Last Week' well demonstrates. Less beach pop and more indie rock, the band have clearly an ear for hooks and a talent for developing really fine songs.

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Linnea Olsson - Weekend.

Background - The fantasy pop cellist Linnea Olsson drops her new single 'Weekend'.
   
Having worked with the likes of Peter Gabriel, Sting, Ane Brun and Maia Hirasawa, Linnea leaves no doubt regarding the high level of her talent and musicianship.

Being supported by The New York Times, Linnea's sonic journey within the "cello driven fantasy pop" continues. The beautiful, soft and enchanting new single "Weekend" is out now!

Website here and Facebook here.

OK, so not much is being given away regarding Linnea Olsson except as far as I can establish the words above. Well I guess when a song is as good as 'Weekend' teasing those in the dark might as well be accepted, let the music do the talking and so forth. In fairness it does more than talk, it's a beautiful piece where vocals and cello merge in wonderful harmony. Superb!

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Monday Marvels: Firebug - Thom Worth - Allo Darlin'

Firebug - Strange Days.

Background - More than ever, Americans are searching for the type of escapism that can rescue them from the polarising economic, political, and social chaos of today’s world. Luckily, New Orleans psychedelic indie rockers Firebug have provided a most welcome refuge with their optimistic and soaring new single “Strange Days.”Set for a December 2 release, “Strange Days” is the third song taken from Firebug’s upcoming full-length album, Homeostasis. Co-produced by Chris Goss (Queens of The Stone Age, Arctic Monkeys), Homeostasis is set for a late December release. More information on Homeostasis and Firebug is available on the band’s official website here.
 
Frontwoman Juliette Tworsey describes “Strange Days” as “the perspective of an onlooker who has a strong desire for escapism from the daily woes and struggles of the average person.” The song is a “step back from a world that appears, on the surface, to be increasingly polarized.” With typical Firebug optimism, Tworsey also notes that “Strange Days” encourages listeners to “push on and do the best we can.”

Fueled by Tworsey and multi-instrumentalist Jules Shapiro, Firebug embrace a variety of musical genres, including soul, ’60s/’70s rock, ’90s alternative, and modern rock. Tworsey’s charismatic presence helps the outspoken singer stand out, earning her comparisons to rock icons Chrissie Hynde and Grace Slick.

Based in New Orleans, Tworsey and Shapiro are inspired by the city itself and its rich musical history. Upon their arrival in New Orleans from Los Angeles, the duo performed as street musicians in the French Quarter. “We met so many talented musicians on the street,” Shapiro remembers. “It was a real awakening for us. New Orleans has inspired new ideas that we’ve incorporated into our sound and our songwriting.” Bandcamp here and Facebook here.

'Strange Days' is a good blast of rock energy, with Juliette Tworsey's bluesy vocals giving the piece some real feeling. Whether it's enough to escape from today's mad world is open for debate, however for just under four minutes you can get your 'air' guitar out and lay downs some riffs....

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Thom Worth - Oh! Lucinda.

Background - With it’s floaty slacker riffs and sugar sweet melodies, Thom Worth’s new single ‘Oh! Lucinda’ is three minutes of finely crafted pop perfection. Essentially exploring the age-old tension between the hot-flushes of a new relationship and the cyclical melancholic torment of heartbreak, ‘Oh! Lucinda’ is both a celebration of young love and a lament on the deceptiveness of it. Worth’s falsetto, doo-wop backing, and angelic chorus-soaked guitars make for an immediately gratifying listen. The composition originally began shortly after Worth returned from working abroad in 2015, and he wrote it with a view to making the most infectious song he could. Recorded live with members of London-based band The Lodgers, it was produced by Worth himself and Dan Joseph Clarke. It’s an incredibly accomplished single from the young melody maker with the sort of effortless zest for songwriting that recalls heroes like Paul McCartney and Morrissey. “My music is inspired by many of the great melody makers from the from the past 5 decades, rich and instant in melody and colourful in progression. I like to get into people’s heads”

An encounter with an amateur local musical was to be a formative experience for the ten-year-old south-west Londoner Thom Worth. The show instilled in him a love for performance and a desire to take to the stage himself. His mother eventually secured an audition for him with the theatre company and through that Worth took his first tentative steps into performance, spending many years performing in a variety of different lead roles. After training as an actor, Worth then became an autodidactic musician - teaching himself guitar, drums, bass and piano along the way. By age 16 Thom was writing music and consuming it voraciously as he made for himself a kind of curriculum of popular music.

Locking himself in his room to sing along to the back-catalogues of artists like Bob Dylan, Neil Young, The Smiths, The Beatles, Bruce Springsteen, The Chili Peppers, Manic Street Preachers, Radiohead, Leonard Cohen, and Elbow, Thom developed himself as an artist to the point where he felt comfortable to launch his career. Still only at the start, Thom has nevertheless played at the IOW, Green Man and Victorious festivals. After collaborating with engineer and producer James Welch of Masterlink Productions, Thom released his first EP on March 2014 to a sold-out show at The Half Moon in Putney. Now Thom is poised for acclaim, his latest single ‘Oh! Lucinda’ is a pop masterstroke, and the sound of an artist reaching the height of their craft. With infectious writing like Thom’s there’s no doubt he cuts one of the more invigorating paths on the indie circuit today.

Live: Saturday 10th December, The Finsbury. Website here, Facebook here.

Thom Worth has a very natural singing voice, one that retains a little roughness, which in turn adds edge and commitment, something that really lights up a melodic song like 'Oh! Lucinda'.

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Allo Darlin' - Hymn On The 45.

Background - Allo Darlin’ are all set to release a final single to coincide with their sold out farewell shows in December. Comprised of two brand new recordings by the band, “Hymn On The 45” and "Wanderlust", it's due out as a limited edition gold vinyl 7” on the 12th December via Fortuna POP! and The Hangover Lounge, and will be available exclusively at the sold-out London gigs on the 10th December at Moth Club and the 11th December at Scala. The tracks will also be available to purchase digitally via the band's Bandcamp.

The A-side “Hymn On The 45”, weaves Elizabeth Morris’ heartfelt lyrics about starting afresh in a new city with guitarist Paul Rain’s signature stylings, ending with a heartwarming sing-a-long. The B-side “Wanderlust”, about missing people and places whilst embarking on your own adventures, is classic Allo Darlin’ fare, blending poignant melancholia with bright and sunny pop melodies.

The band have also announced the supports for their three sold out London farewell shows: Night Flowers play the all-ages matinee show at Moth Club on the 10th December, with The Hayman Kupa Band supporting at the same venue in the evening, while Allo Darlin' bassist Bill Botting and his band of indie allstars The Two Drink Minimums open at Scala on Sunday 11th December, with the main support being comedian Josie Long. Facebook here.

Another band who have chosen to go out on a high with the wonderful new song 'Hymn On The 45'. It's a delightful indie pop track that oozes melody and hooks both musically and with the so fine vocals and harmonies, love it!

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Quality And Quantity: Torgeir Waldemars - Highasakite - The Little Kicks - Fleurie

Torgeir Waldemars - Sylvia (Southern People).

Background - Torgeir Waldemar took the Norwegian people and music press by surprise with his eponymous debut album in 2014. Who had thought that the black-clad, long-haired and bearded man would deliver an album that captivated and moved us as much as it did. An acoustic masterpiece that sounded like it came straight from the rehearsal room of a young troubadour from Laurel Canyon in the seventies.

While his previous album cultivated a pure, acoustic sound, we get more rock music this time, and for Torgeir Waldemar nothing is more natural. With his background as a guitar hero in various rock bands, it was only a question of time before distorted tones would assert themselves in his solo career. No Offending Borders is a gloriously composite work with both dead honest acoustic laments and grandiose rock songs.

But the record is so much more than that, and for Torgeir this is a document that shows the seriousness we meet in our everyday lives. Both on the personal level, with relationships that falls apart and the loss of loved ones, but also on a national and global level, with refugee crises, suicide statistics and the weakest members of our society. You may have guessed it already, but this is a solemn record.

If you’re afraid that Torgeir Waldemar has turned away from what he presented on his debut album, you can relax. Here we get acoustic folk songs like Falling Rain (Link Wray), Island Bliss and Souls On A String, but the album also contains more intense rock songs like Summer In Toulouse, Sylvia (Southern People) and Among The Low.

Aesthetically, it’s also consistent from beginning to end - nothing at all is done by chance here. The historical lines that are drawn in the cover design, are also meant to point back to ourselves and to make us conscious of our past, so that we won’t make the same mistakes again.  Website here, and Facebook here.

I suppose technically 'Sylvia (Southern People)' is the B-Side to 'Summer In Toulouse' and that's a really fine song in it's own right, but I'm editor here and I get to choose my favourite! I just love this song, there's a little Neil Young and Crazy Horse about it, but so what, it's just so, so good...

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Highasakite - Golden Ticket and Samuri Swords (Acoustic Versions).

Background - Norway’s Highasakite’s release their superb ‘Acoustic Versions’ last Friday via Propeller Recordings - with the four track release showcasing their undeniable pop sensibilities, whilst specifically highlighting Ingrid Helene Håvik’s instantly recognisable, and immaculately presented vocal talents.

A stark, spellbinding release - the four tracks encompass a broad spectrum of sound palettes. Sweeping piano turns and a gloriously high reaching vocal performance stand out on EP opener ‘Samurai Swords’; elegantly swerving into the hushed beauty of the ‘Golden Ticket’ acoustic rendition - featuring Ingrid’s sumptuous zither work in its rousing chorus. Highasakite’s darker tendencies shine through on ‘Since Last Wednesday’ - with the EP culminating in a euphoric, otherworldly interpretation of ‘Leaving No Traces’ - once again presented with a backdrop of intricate piano work.

 Stripped of the multi-layered synths on sophomore album ‘Camp Echo’ - with a poignancy bereft of the dark and pummelling perplexities displayed on their usual output - Highasakite return to their more organic roots with the ‘Acoustic Versions’ EP. Featuring sprawling arrangements from accomplished pianist and band member Marte Eberson – Bachelor of Jazz, The Grieg Academy (2007-2011), Sund Folkehøgskole (2006-2007) and Foss Videregående Skole (2003-2006) – alongside the signature vocal of Ingrid Helene Håvik, a graduate of Trondheim Jazz Conservatory in her own right.


 
Recorded live from Propeller Studios in Oslo, all within a few hours, the EP calls on a selection of analogue equipment and pianos, including an Ed Seiler upright, tack piano, Bechstein Grand, pump-organ and zither. Highasakite have gone from strength-to-strength in 2016. Since its release in May, 'Camp Echo' has surpassed 13 million streams on Spotify alone and motioned a busy live schedule, including main stage headlines at Norway's five biggest festivals, alongside international routing via Glastonbury, Latitude, Hurricane and Roskilde. Website here and Facebook here.

The acoustic version of 'Golden Ticket' is accompanied by the above video which adds some real insight into the acoustic sessions. We featured the original version of 'Samuri Swords' earlier this year. I have to say all four new versions on the EP are a delight to listen to. Somehow they have managed to add depth and power, creating beautifully crafted music alongside the incredible vocals.

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The Little Kicks - Goodbye Enemies, Hello Friends.

Background - The Little Kicks have shared a video for their new single "Goodbye Enemies, Hello Friends" and announced a new album "Shake Off Your Troubles" due for release on March 3rd 2017 through Loosen Up Records.

The Little Kicks first emerged around five years ago, a young Aberdeen band with the wind in their sails. A crisp, upbeat debut album followed, laced with off-kilter indie pop worthy of comparison to early Franz Ferdinand, The Long Blondes, or even Sparks. Then, the band took some time off to reassess, re-jig their personnel, and are now ready to stake their return...

Through 2016’s political upheavals, and the loss of many a music icon, it’s been a year that many will be keen to see the back of, so it is perhaps with some foresight that The Little Kicks choose to name their 2017 album Shake Off Your Troubles. New single Goodbye Enemies, Hello Friends is in itself a nod to appreciating what you have in life, as singer Steven Milne elaborates;

“Lyrically this was the first song I wrote for the new album so it was the starting point and template for our new record in many ways. It's generally a song about being happy with your lot and appreciating what you have, and not letting anything get you down or get the better of you.  The overall sentiment is that things are going to be okay. This is echoed and in line with the title of our new record "Shake Off Your Troubles". There is a totally intentional Beatles vibe which you could say comes largely due to the name-check (and drum fill) in the last verse but I feel their influence was a natural reference point in the studio that suited the song.  The simplicity of having a heavy backbeat with melody moving on top and the drums not really changing is solid Ringo Starr. Of all the genres they covered they never really flirted with disco - so the brief sort of became “what if the Beatles went disco?” Website here and Facebook here.

If the melody, hooks and superb production don't get you with 'Goodbye Enemies, Hello Friends' then either your in the wrong place, or I had better start featuring North Korean nose flutes. This is for me, simply put, one charming indie pop song, and that's more than enough!

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Fleurie - Fire In My Bones.

Background - Nashville artist Fleurie has unveiled her music video for "Fire In My Bones," the fourth video released from her critically acclaimed EP, Arrows. "'Fire In My Bones' is a song about the inner battle for control that stems from unresolved or buried pain and shame," explains Fleurie. "This video tells the story of the little girl still alive in me, wanting acceptance for her failures, and the woman I am today fighting to reign victorious, to believe I am in control.”

Released back in September of 2015, Arrows proved to be a launching pad for the electronically-laced, cinematic, dreamy pop sound that has come to be synonymous with Fleurie. Nylon Magazine originally premiered "Fire In My Bones," citing her ability to meld a singer/songwriter approach with electronica. NPR Music highlighted the EP's second single, "Still Your Girl," saying, "...Fleurie uses heavy, jarring electronica to turn an airy pop song into something dark and downright luscious."

2016 saw the release of Fleurie's cinematic album, Love and War, which featured many songs that have received prominent placements in TV and film. "Soldier" was used in the international film trailer for Concussion starring Will Smith, "Hurts Like Hell" can be heard in MTV's Scream, and she's had multiple placements on CW's The Originals with "Breathe" and "Sirens." On top of that, she recently wrapped up a national U.S. tour alongside hip-hop artist NF.

In-between releasing Arrows, Love and War, writing for TV/film, and touring the U.S., Fleurie has begun writing and preparing for her next full-length release. Website here and Facebook here.

Third time feature this year for Fleurie on Beehive Candy, so I think it's safe to assume she ticks plenty of musical boxes for me. 'Fire In My Bones' demonstrates her creative and imaginative talent in copious amounts. The video is a fine uncluttered affair that adds some storyline to the song, however it's the music once again, that grabs and holds my attention.

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