Sunday, 22 March 2020

Big Fox - Emmrose - Fake Shape - The Electric Mess

Big Fox just released the new track 'Let Love In' ahead of her forthcoming album 'See How The Light Falls'. It's a lush piece with layered synth's supporting some beautiful and oh so natural vocals. === Comprising of seven wonderful songs Emmrose has just unveiled her 'Hopeless Romantics' E.P. We featured the title track last November and now we have the full collection. === Alternative Indie band Fake Shape have shared 'It's Easy' which is a combination of dream pop and subtle indie rock and quickly develops that play me again feel. === The Electric Mess wowed us earlier this month with 'Last Call' and if anything have upped the stakes even further with 'City Sun' a glorious rocker, and some!
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Big Fox - Let Love In.

Malmö, Sweden-based artist Charlotta Perers AKA Big Fox returns six years after her last album release with new full-length ‘See How the Light Falls’, produced by Tom Malmros (Alice Boman), along with focus track ‘Let Love In’.

Initially due for release in May 2018, Perers received some news which derailed the campaign. “A few weeks before the album was supposed to be released I was diagnosed with lymphoma,” she says. “It all happened very quickly and it was almost like entering a parallel world with a different time scale, rules and priorities. It felt almost like being forced on to one of those ghost trains in a theme park, going in and out of tunnels and not knowing when or how or even if I would be able to get off.”

The whole process also allowed a deeper sense of perspective to come to light for Perers. “Life suddenly became very intense, very here and now - but that amplified positive experiences too. I realized how deeply our happiness is connected to our expectations. If I didn’t expect or demand things of life I could actually be quite happy just playing Yahtzee all day. But it felt good to know that the album was waiting for me on the other side. It was a reminder of something else, the someone I was outside the hospital.”

Layered with hazy synths, string melodies, and soft effortless vocals; ‘Let Love In’ signifies the feeling of desperately longing to be more open with others, and taking new steps to change that. Fusing classic pop and melodic indie, Charlotta has cleverly created a distinctive sound that is both sophisticated and mature.

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Emmrose - Hopeless Romantics (E.P).

Alt-pop teen artist Emmrose shared her debut EP Hopeless Romantics with the world on Friday. A deeply personal collection of songs reflect on love, heartbreak, and finding your own happiness. Emmrose delivers intense, poetic lyrics and catchy pop melodies, immersing listeners into a deeply emotive world of her own.

"Don’t let bad people stay in your life," reflected Emmrose, speaking both on the content of the EP and her own experiences. "It is possible to move on and find happiness. Don’t let the pain of life over come you and take away your spirit. It’s possible to overcome it. It’s okay to be sad, but just know that this sadness isn’t really ‘you’, and your attachment to people isn’t happy and you can move on." While much of the material reflects on heartache and heartbreak, the ultimate message is one of hope, and learning how to find a way to move on.

Hopeless Romantics embraces the idea of interwoven emotions, memories, and experiences, acknowledging how they can continue to impact an individual as they try to move forward in finding their own happiness. "The song 'Takes Me Back' was written a while after I wrote 'Five Months' even though it is heard as an intro to the song," shared Emmrose. "I thought it fit well since it is the memory of what had taken place in the lyrics of 'Five Months'. It was a pretty dark time for me, and the audio effects highlight the lyrics so well. I’m really proud of that track."

Much of her lyrical and musical inspiration comes while writing alone at home. "I’ll either play chords that come to me, or a melody that’s been ringing in my head. Sometimes I write down lyrics and then set it to music," said Emmrose. Over the course of the past year, she recorded Hopeless Romantics, and a surge of new material with producer/engineer Michael Abiuso (Behind the Curtains Media). "I’ve been working with Michael  a lot more, and it’s been really exciting," said Emmrose, reflecting on her growth. "While experimenting with sounds in the studio, we often find ourselves working on individual creations until ready to share, we then combine ideas to make something really great. Mike will often suggest some crazy ideas, like having me pick up and play an accordion, or belt lyrics into the bell of a tuba as a vocal effect. We always find ourselves doing something kooky and fun in the studio." Their collaborative efforts showcases itself with intricate details on every track, further accenting her soaring vocals.

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Fake Shape - It's Easy.

Fake Shape is an Alternative-Indie band from Hamilton, Ontario that formed in September 2018.

All five musicians offer their own aesthetic, creating music that falls between funk, indie-rock, pop and ambient electronic.

They have been writing and recording at Fort Rose in Hamilton and are getting ready to release their debut EP, Night Swim.

The songs drift through contrasting mindsets and morphing textures like navigating a solitary swim through dark water.

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The Electric Mess - City Sun.

Garage-punk band The Electric Mess share a new single "City Sun" this weekend! Self-described as a dystopian proto-punk ripper, its timing is darkly appropriate, although unintended, with NYC, and the world, coming to a grinding halt over the COVID-19 virus. "City Sun" comes ahead of The Electric Mess' fifth album The Electric Mess V, due out April 17th.

" 'City Sun' is a dystopian tune I wrote about a year ago," reflected front-woman Esther Crow (vocals, rhythm guitar, percussion). "It has some surf elements but also a post-punk vibe, and then a slower, psyched out part with theremin (synth)." While the lyrics reflect darkly, they also provide a sense of hope and ability to overcome. "I think the overall feeling that most of us are experiencing under the current situation and events is what prompted me to write it," continued Crow.

"It specifically refers to the New York City sun, and the setting of the sun/entrance of "the shadow" is a metaphor for the end of the world (as we know it? or...entirely? It's your guess!). Though the song is dark, and times have gotten even darker than when I wrote it a year ago, there's a desperate clutching at HOPE and LIGHT too. The lyrics during the slow/synth part, "what more can I do, here, to keep the light on...in my mind?" reflect a yearning to dig deep inside and stay positive, even though the outside world keeps hurling challenges at us. Ultimately, defeating the darkest elements will depend on fearlessly standing up to evil, and conquering it with love and light. I believe we can do this!"

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Saturday, 21 March 2020

Dana Gavanski - Jakob's Ferry Stragglers - Glenn Thomas - Deleo - Jennah Barry

Dana Gavanski final single before next weeks album release is 'Small Favours', a stripped back piece that builds a little without losing a natural personal vibe. === We have always been fans of live music on Beehive Candy so Jakob's Ferry Stragglers live single 'Poison River' is very welcome especially as it's a fabulous Bluegrass song with superb musicianship. === Glenn Thomas shares 'Catherine Ames' an intimate modern folk song that is fabulously arranged. === Accompanied by a dramatic video Deleo has just released 'Unfair' a moody and hook filled modern pop song. === Our fourth feature for Jennah Barry just ahead of her 'Holiday' album release is for the new single 'Rocket' which is another beautiful soft rock song. 
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Dana Gavanski - Small Favours.

Serbian-Canadian musician Dana Gavanski will release her debut album, Yesterday Is Gone, on March 27th via Flemish Eye Records (Canada), Ba Da Bing Records (Americas) and Full Time Hobby (Rest of the World). This weekend she presents “Small Favours”, the final single before the album release later this month. Dana shared her state of mind when she wrote “Small Favours” and how it came to her in a song. “Small Favours expresses cheekiness. A playful dismissal of heaviness and getting bogged down by emotions, acknowledging how things may seem small when they’re big and big when they’re small.”

By turns break-up album, project of curiosity, and, as Dana puts it, “a reckoning with myself,” Yesterday Is Gone is an album of longing and devotion to longing, and of the uncertainty that arises from learning about oneself, of pushing boundaries, falling hard, and getting back up.  Moments of beguilement splinter a backdrop of tenderly picked guitar, bass, synth, and poppier elements, which commune to produce her own kind of wall of sound. Each component is meticulously placed, yielding a deeply sincere response to the chaos of human emotion.

Yesterday Is Gone was co-produced between Dana, Toronto-based musician Sam Gleason, and Mike Lindsay (Tunng and LUMP w/ Laura Marling). While Sam helped Dana bring out the tunes, Mike’s input marked the beginning of developing Dana’s sound. The two kept stripped it down to the essentials, keeping things bare and letting the songs speak for themselves. The album shapeshifted as it passed through the hands of Dana, Sam, and Mike, taking on different tastes, feelings, and visions. When Dana performed the songs with a band, they found new form again. She was intrigued by performers like David Bowie and Aldous Harding, who inhabit different personalities on stage, physically tuning themselves to their music.

“Often we have to go a little far in one direction to learn something about ourselves,” Dana says. The months of solitary writing and self-doubt testify to this, but they’ve led to Yesterday Is Gone: an optimistic, steely-eyed gaze into the future.


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Jakob's Ferry Stragglers - Poison River Live!

Jakob's Ferry Stragglers are eager and ready to release their first live album into the world, titled "The Straggle is Live". The album is a curation of the group's greatest hits and was recorded live at The Church Recording Studio by Dana Cannone. The set was performed on 10/9/19 with a private, invite-only intimate audience. It was mixed & mastered by Will Shenk at Metier Mastering in Front Royal, VA.

“The Straggle is Live'' started with an idea to capture the animated onstage energy of the band, in a controlled studio environment. It’s not often that a recorded bluegrass album truly matches the sights and sounds of seeing the talent live in-person.

The team took this task to heart and has produced an outcome where the at-home listener can truly understand what it means to be at a live Jakob’s Ferry Stragglers show.  "Poison River (LIVE)" will be released ahead of the full album, which is set for a drop date of May 22, 2020, at their first-time appearance at legendary The Station Inn in Nashville, ahead of their weekend at DelFest in Cumberland, MD.

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Glenn Thomas - Catherine Ames.

Glenn Thomas new song is called "Catherine Ames," named for the antagonist of Steinbeck's East Of Eden. In it, Glenn sings to Catherine and cathartically tells her he's let her go. The song is about resolution and moving forward.

Glenn says of "Catherine Ames": "This song takes it name from the antagonist in John Steinbeck’s East of Eden, Cathy Ames. She’s pretty evil and causes a lot of pain for the main character. This song is about holding on to pain and anger as though they are part of your identity.

Forgiveness is not the same as forgetting, and as with any kind of healing and moving forward, it takes time. There was a moment for me when I realized I wasn’t holding onto something in my past that hurt me and had become part of me for years, and it was a really cathartic thing to write about. I pulled Steinbeck’s character name because there is a similar theme of resolution and moving forward in that story that was relatable, and he’s one of my favorite American authors."

He's such a poetically clever songwriter, and his sound is like Brit-pop-inspired folky vintage sunshine. Would you be willing to share this one? The song is out officially on 3/20. We'd be so grateful for the support!

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Deleo - Unfair.

Unfair is representative of our sound – a hybrid of pop, rock and electro, as if these genres never split apart but remained a single, fused supercontinent.

The track is a good way to discover our music.

It’s a ballad, maybe our most subtly mutant song, one you can curl up in and sail away, as smooth as Black’s ‘Wonderful Life’ blended with Garbage and Archive.

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Jennah Barry - Rocket.

Jennah's new single is entitled 'Rocket'. Quote from Jennah: "Rocket is about acting on impulse and saying things you can’t take back."

"Rocket" comes from the gorgeous Jennah Barry LP Holiday, coming March 27th 2020 on Forward Music Group. Majorly recommended for fans of Andy Shauf, whose bandmate Colin Nealis produced the LP, the songs here are built to last, with echoes of those soft-rock classics often referred to as "AM gold."

Barry's vocals are warm and weave through the arrangements with so much skill. The arrangements are full and pillowey but always pull up short of being cloying or overdone, more-so than the source material she's referencing. This record is like catnip for me, honestly, just a true pleasure to listen to.

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Friday, 20 March 2020

AM Clouds - Inbetween Movies - Proud Creature - Good Wilson - Elrichman

Last month AM Clouds released their 'Rainmaker' album, we shared 'Tune Me In' from it, now this very fine indie rock (and more) band have shared a video for the title track. === We have already featured the first two singles from the debut E.P and now we have the full collection as Inbetween Movies today release 'Temporary Music For The Masses' where their mixture of dream pop and atmospheric shoegaze is magnificent. === Proud Creature has just shared his 'Opening Creature E.P' from which we have 'Eastern Lines' and 'Pines', expect anything from ambient to psychedelic and jazz, all superbly delivered. === Good Wilson self titled album 'Good Wilson' is released today. The band describe their music as Sky Gaze or dream pop for staring at the sky letting your mind drift off, it's a good description for what is an exceptional album. === Elrichman shares 'I Mostly Consume' which is a vibrant sophisti-pop song, that exudes warm vibes throughout. 
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AM Clouds - Rainmaker.

Oregon-based AM Clouds craft adventurous roosty indie rock that traverses both the internal and external landscapes of human experience. Their hometown of Bend offers extreme climate changes and expansive beauty, prompting them to coin the term ‘high desert rock.’ Even their name, AM Clouds, was derived from a phrase that was constantly broadcast across the Oregon weather forecast.

Meshing classic and alternative, the band connects the dots between several eras of rock music, from angular indie to psychedelic noise jams, equal parts Neil Young and Meat Puppets, Tom Petty and Uncle Tupelo. Their debut EP, War of Love, was released in 2017, and was welcomed with open arms by local press, picking up heavy rotation on KPOV and KRFM. “We’re located in a rugged, remote place, where culture has a tendency to be overshadowed by nature,” Moon relates. “I think people really connect to hearing their majestic surroundings captured musically with a bit of cinematic flair.”

Made up of Bruce Troy Moon (lead vocals, lead guitar), Graham Boostrom (rhythm guitar, vocals), Pete Ficht (bass, keys, vocals), and Dan Paggi (drums, vocals), the band is both immediate and relatable, comprised of musicians committed to their individual tone but more invested in serving the overall sound. Since their inception, they’ve played across Central Oregon, sharing the stage with veteran roots rockers the Mother Hips and Portand’s psych rock pioneers King Black Acid.

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Inbetween Movies - Temporary Music For The Masses.

Their first two singles have gained thousands of plays and streams on spotify, youtube and co.: Inbetween Movies provide the perfect soundtrack for the cinema in your head. Now, their debut EP 'Temporary Music for the Masses' is released today Friday, March 20th.

Inbetween Movies create atmospheric dreampop and shoegaze, while going back and forward in history and combine it's bits in a fresh and cheerful way. Their sound is a journey into the 1990s to the Pale Saints and Cocteau Twins, a detour into the 2010s to Ladytron and a trip to the present with Billie Eilish on the throne. Above all, Inbetween Movies lie their own spirit.

Zurich-based four-piece make us dream immediately, with «It all Sounds Quite Good To Me», the opener of the EP. At the same time this track reminds us of not closing our eyes permanently, but facing reality instead. And it make us watch one of their artistically playful video clips so we can dive into a colourful imaginery.


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Proud Creature - Eastern Lines / Pines (Opening Creature E.P).

Introducing Psychedelic electronica/jazz/ambient musician Proud Creature, solo moniker for Todd Brozman. Expect fluidity, tension, otherworldly mystique and serious groove as this seasoned creator seamlessly merges genres, the underlying experience becoming of paramount importance.

Proud Creature's new 5-track EP release Opening Creature leans into it's sense of surrealism and should appeal to experimental ambient artists such as Oneohtrix Point Never and Future Sounds of London.

From the Artist: Opening Creature EP reflects travels and explorations I've had over the past few years. I'm trying to capture the headspace that opens up when we venture out of our default mindset and into something broader and more abstract. For me, these spaces have been explored through travel, dreams, nature, and spiritual exploration. Musically, there's lots of improvisation with eclectic instrumentation and non-traditional production techniques along with layerings of field recordings from travel, nature and religious prayer. Together, this creates an ethereal and otherworldly tone that underscores the broader themes of the album. As a whole, I am striving for something that feels alive, expansive, mysterious and alluring.

Over the past few years, I have gotten to create some great music with other artists. Now more than ever, I am inspired to release more music as a sole producer and instrumentalist. I hope you enjoy my first album as a solo artist.


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Good Wilson - Good Wilson (Album).

Equipped with a mildly melancholic mood as travelling companion, the self-titled debut album “Good Wilson” is a dreamy walk in spring’s first sun rays, marked by easiness, absent-mindedness and sweet-tempered naivety. The band’s self-invented genre “sky gaze” - dream pop for starring at the sky and letting the mind drift off – describes Günther Paulitsch’s, Alex Connaughton’s, Mario Fartacek’s und Julian Pieber’s aka Good Wilson’s vibe perfectly.

Moony guitar loops, soulful strings, catchy synths and the unique smoothness of the pedal steel guitar remind us that life is a game, which shouldn’t be taken too seriously. “The daily struggle is real for all of us. Still, it’s important to sometimes lose your way on your own journey in order to discover new facets of yourself. You might stumble upon inspiring things, enriching yourself with confidence.”

Ethereal and snappy sound structures decoy the listener into letting go of everyday life and escaping into a parallel existence – if you engage in Good Wilson, you’ll wander off. Deeply submerged in a parallel existence, the album “Good Wilson” originated almost magically. “At time a mood went through all of us - we can find it again in our songs, but we can’t explain it.”


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Elrichman - I Mostly Consume.

Toronto-based sophisti-pop artist Elrichman – the project of Paul Erlichman – is today sharing his breezy new single, ‘I Mostly Consume’. This is the latest track to be lifted from his forthcoming sophomore LP, Heaven’s Mayor which is due for release via the Madrid-based label, Bobo Integral in Summer 2020 (date moved due to COVID-19)

The record comes produced by Alex Gamble (Alvvays) with further contributions coming from members of Hooded Fang (Jon Pappo), Weaves (Zach Bines) and Twisted Pine (Anh Phung). The new collection trails Erlichman’s work as part of Goosebump (formerly Germaphobes) and bass duties in Toronto’s jangle-pop quartet, Ducks Unlimited.

Recorded at Toronto’s recently closed studios, The Hive, Heaven’s Mayor looks to meticulously examine how to be honest with oneself in a world driven by consumption. Chiming in with blissful stylistics akin to Orange Juice, Prefab Sprout and Sarah Records acts such as The Field Mice,‘I Mostly Consume’ thematically explores precisely what is says on the tin – consumption – focusing on the feeling that Paul has: the idea that we are on this planet solely for the purpose to consume.

Speaking about the track, Paul says: “‘I Mostly Consume’ is about feeling like you exist on this earth mostly to consume, which is the sense I have sometimes. The bridges set scenes of impending doom, but everything else is pretty cheery so I guess I'm a blissful consumer!” Heaven’s Mayor will be the follow-up to 2014’s Young, Healthy and Wonderful with a run of North American dates expected to follow the album release – we’ll have more on these shortly.

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Tuesday, 17 March 2020

The Dollyrots - Claire Atkins

The Dollyrots brand new single was intended to be released at the start of a new tour, however not surprisingly that has now been postponed, however 'Make Me Hot' has been shared and their upbeat hook laden new wave/punk is once again wonderful. === Claire Atkins has just released 'Eternal Return' her debut E.P from which we have the title track where the singer songwriter serves up some heartfelt modern indie folk with a gorgeous musical backdrop.
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The Dollyrots - Make Me Hot.

The Dollyrots have released a new 7’’ on cloudy clear splatter vinyl that includes a brand-new song “Make Me Hot,” with a B-side of Lisa Loeb’s 1994 Grammy nominated number-one hit “Stay,” with a Dollyrots twist. The 7” will be available on March 17 on Little Steven van Zandt’s Wicked Cool Records.

The bands 2019 album Daydream Explosion was deemed by NPR as a ‘Notable Release’ and Huffington Post called it “foot-stomping medley” as it debuted on three billboard charts.

Their 2017 album Whiplash Splash hit Heatseekers chart at #13 and on the Independent Albums chart at #31. The band’s 2016 live album/DVD Family Vacation: Live in Los Angeles hit #15 on Heatseekers, while previous studio album Barefoot And Pregnant peaked at #7 on the same chart.


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Claire Atkins - Eternal Return.

From the time we can talk we’re asked what we want to be when we grow up, and as we grow there’s huge pressure to find and follow a single passion. At age 46, Byron-based artist Claire Atkins has just released her debut EP Eternal Return, a body of work born of heartbreak and curiosity. With her training in fine arts, for the last 20 years Atkins has worked solidly as a studio artist, magazine editor, actor and creative producer, but it in the wake of significant loss, she says she hit a creative brick wall, and to her surprise discovered music.

‘I was dealing with a whole bunch of grief. My dad and two close friends died suddenly and in quick succession, and it paralysed me creatively speaking… Music kept suggesting itself to me, which was strange, because at the time I couldn’t play an instrument. I was quietly terrified by that, and so I started small with the uke,’ she said.

Within 12 months Atkins was writing and performing her own songs. Curious about the recording process, and with her teacher’s encouragement she sent her songs to producer and sound engineer Paul Pilsneniks (Angus & Julia Stone, Powderfinger, Silverchair) at Rockinghorse Studios in Byron Bay.

Pilsneniks says, ‘Hearing Claire’s demos I felt that these beautiful tunes would really shine with some additional instrumentation and production, and so we brought some amazing local artists to guest on the songs. We’ve ended up with a stunning debut EP, and I encourage any music-listening aficionado to keep an ear out for this body of work in early 2020,’ Atkins’s hometown region has taken up Pilsneniks's good advice with the album receiving significant media attention and high rotation on Byron’s BayFM.

The album’s title track is inspired by Friedrich Nietzsche’s philosophy of eternal return that proposes the universe and everything within it has been recurring and will continue to recur in the same pattern infinitely. While Atkins says reliving heartbreak is not an attractive prospect she’s also confident of music’s power to transform hardship into something unexpected, beautiful and healing.

’In a strange way, I’m grateful for life’s challenging times, and if it wasn’t for them I may never have strummed a chord or written a lyric. That difficult period drove me to music and it saved me,’ she said. Atkins’s unique vocal style has been likened to Natalie Merchant and Julia Stone, and her story-driven songs are supported by a stunning line-up of guest artists including legendary horn players John Hoffman and Martha Baartz, and guitarists Angie Hudson and Al Brooker.

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Anna Smyrk - ZOCO - Howling Bells - TCBYML

Photo - Michelle Grace Hunder Anna Smyrk - This is a Drill . Naarm/Melbourne based singer-songwriter Anna Smyrk shares a poignant moment o...