Sunglasses For Jaws - Life In Mono - Nick Kizirnis - Raven Shelley

Sunglasses For Jaws - For Another Day.

London based outfit Sunglasses For Jaws have released their new single "For Another Day" alongside a video directed by Andrea Banjanin. The new single is the second track be released from Sunglasses For Jaws' upcoming album 'A Room In Europe' - out 16th February 2023 via Pony Recordings.

Combining a love of Scott Walker, Somalian 70’s funk, Hollywood strings with a dash of Portishead, new album 'A Room In Europe' was produced by the band in their East London studio, mixed and mastered by Elliot Heinrich  (Sorry, Parquet Courts, Deadletter).

New single "For Another Day" stems from an acoustic guitar piece the band had previously written - inspired by Bach’s use of a sustained bass-line staying in one place while a melody plays alongside it. This initial idea grew in the studio with the addition of synth chord triggers and a wonderful string arrangement composed by Clementine Brown.

Elevating the song to a more dramatic, electronic/Portishead-inspired place; vocalist Olivier Huband’s Sinatra-esque, crooner-like vocal adds captivating emotion to the piece, transporting the listener to somewhere between a romantic night in Paris and an empty English working men’s club.

Speaking on the release of new single "For Another Day" - the band shared: "Welcome to the world of lover boy, of croon, of regret. The world of feelings where you spend your time ruing your past failings while holding on to the fonder memories. If we could have one more day, one more moment, one more kiss, maybe things would’ve lasted longer? But here we are. Face to the wall, heart in a cinch, singing lullabies to no one”.

 

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Life In Mono - Blackout.

Alternative-rock four-piece Life In Mono return with their upcoming double A-side singles ‘Blackout/Sex To White Noise’ released today December 2nd 2022, following their recent support slot alongside The Virginmarys.

The band formed in 2019 after Adam and Sarah met whilst studying at Bath Spa University, drawn to one another by a shared artistic vision. James came aboard thanks to a blistering performance at a local jam night and Mike, the final cog in the machine, was the perfect drummer at the perfect time.  The result? Darkly emotional alt-rock that will caress your soul then drag you into the mosh pit.

Although individually Life In Mono’s eclectic musical influences range from Meshuggah to Bach, via Hendrix, Godspeed You! Black Emperor, AC/DC and Deftones, collectively there are echoes of PJ Harvey, early Placebo and The Mysterines alongside a darker, heavier undertone.

With a massively exciting and engaging live presence and multiple releases scheduled through the beginning of 2023 the band are expected to storm through the festival season with a UK tour to follow in the Autumn. Their recent singles ‘Smile For The Camera’ and ‘The Cold’ saw them receive support from the likes of BBC Introducing amongst others.

Life In Mono · Blackout

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Nick Kizirnis - Someone (re-imagined).

For almost 20 years, guitarist/songwriter Nick Kizirnis has explored songs and styles ranging from Americana to pop, from rock’n’roll to experimental. He has worked with Tobin Sprout (Guided by Voices) and The Breeders (last years’ “The Dirt Eaters” for 4AD) as well as his own instrumental surf trio The Mulchmen and 90’s art-damaged grunge rockers Cage.

Since releasing his 10th album, The Distance, Kizirnis has seen his music shared across the U.S. and Europe, and has now begun releasing a series of singles reimagining his diverse catalog. “Someone," the Ohio-based songwriter’s second single of 2022, is a bedroom pop torch song with beautiful, plaintive vocals from Lung’s Kate Wakefield over a lo-fi blend of Bradley Coomes’ electronic beats and vintage drumming from Son Volt’s Mark Patterson.

Despite the move away from guitar, bass and drums to electronics and effects, the song’s message of undying love remains intact. As Wakefield sings “Am I someone you used to care about?” the song holds on to hope that love can endure any separation or challenge.

Kizirnis and producer/multi-instrumentalist Bradley Coomes decided to work together on “Someone” - a song that originally appeared on Kizirnis’ most recent album, The Distance - after Kizirnis released a “re-imagined” version of “Way to Me” from the same album in August.

 

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Raven Shelley - Erroneous Lives.

Raven Shelley is a casual creator of chaos who doesn't quite fit into the modern world and all its strangeness. Her intense, complex, and honest music is influenced by her love of literature, poetry and visual mediums. Drawing inspiration from artists such as Bob Dylan and Ani DiFranco, Shelley has a unique sound that perfectly showcases her passion for the arts.

"When I first moved to Manchester to embark on a three-year uni course, the city was a shock to the system. The traffic, the noise, the people, everything contrasted sharply with the market town
where I had spent my teenage years. However, in a way this all helped to numb the pain of a recent separation. I was walking down Hathersage Road when the melody and words for the chorus of what became ‘Erroneous Lives’ popped into my head. It drowned out the bustling noise around me, and the moment I got home I ran to my room and finished writing it. ‘Erroneous Lives’ is – for me – forever associated with the cacophony of getting to know Manchester and its dirty grey streets."

Growing up in the south of France, she educated herself in English literature from a young age and went on to study it at university. It was this that sparked her desire to create lyrics that can also be described as poetry. For Shelley, “all the hurt, all the anger, all the love, everything that runs through me can be found somewhere in my lyrics, because to write something real, you have to pour yourself onto the page and into the songs.” Shelley truly understands the power of creative mediums, drawing inspiration from authors, visual artists and filmmakers, including Thomas Hardy, Shakespeare, Schiele, Van Gogh and Nicolas Roeg.

The Animal Farm Label · Raven Shelley_Erroneous Lives

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Metronomy Ft Sebastien Tellier - Marthe Halvorsen - The Adam Ft Lasse Storm

Metronomy Ft Sebastien Tellier - J'en Ai Assez Vu.

Metronomy share Small World (Special Edition), a new version of their acclaimed seventh studio album Small World that features reimagined versions of the record’s songs by some of the band’s favourite artists, and is available digitally from today via Because Music.

Today, fans can hear Porij’s characteristically sonically expansive version of "Life and Death", and watch the festive video directed by Diane Sagnier, for "J’en ai assez vu", Sébastien Tellier’s version of Small World’s closer "I have seen enough".

Of the collaboration, Metronomy band leader Joe Mount adds: “I once did a remix of the Sébastien Tellier song, La Ritournelle. It was impossible to improve it or to turn it into anything I liked better than his wonderful original. Still, the arrogance of adulthood made me push on. I met Sébastien for the first time about fifteen years later—only last year in fact in Paris. I don’t know which comparison he’d hate most, but I’d imagine it’s that he might be this generation’s Serge Gainsbourg. In this version of the song, I’m aiming to be this generation’s Claude François."

While Small World was an album that saw Metronomy return to simple pleasures and nature by embracing more pared-down, songwriterly sonics, the special edition of the record finds Metronomy and friends embarking on a sprawling journey through genres - from avant-garde electronica and cosmic disco to laidback folk and more.

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Marthe Halvorsen - For the Dreamers & the Bold.

Marthe Halvorsen is a Montreal based Norwegian artist and composer who weaves together dreamy evocative indie folk music. With a unique sincerity in her voice, Halvorsen has a special ability to touch something deep inside the listener.

"For the Dreamers & the Bold," the title track from her upcoming sophomore LP, (out spring 2023), came to Halvorsen at a time when she was feeling a bit frustrated with humanity. She felt that the social political climate was getting harsher and more polarized, creating distance between people. She was longing for another reality with more nuances and compassion, and for a world where humbleness is seen as a virtue.

The song was recorded at the legendary MixArt Studios in Montreal, engineered by Philip Shaw Bova (Feist, Father John Misty) and the final mixing was done by Jonathan Anderson (Ocie Elliott, Rosier) at Protection Island Studio in BC.

On this new album, I have been diving deeper into the producer role, spending time crafting and perfecting my sound. As a woman in the music industry, it is important for me to be in charge of my own sound, and I feel very honored to work with some very talented collaborators who are all helping me bring my vision to life.

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The Adam - I Don't Believe (feat. Lasse Storm).

The Adam returns with a new single taken from his forthcoming debut album The Adam Featuring The Adam. Taking his cues from the golden era of rock n roll’s "British Invasion" of the mid-1960s, this single comes out with vocalist Lasse Storm, on fine form as he rips into the track giving us a fine ol’ list of what he doesn’t believe in. It’s glorious in every way as it pokes holes and fun at modern day society and all its largess and hypocrisy.

‘I Don’t Believe’ rocks and rolls to the urgent cries of Lasse Storm’s vocals, but equally by the soul stirring guitar playing from The Adam, who cranks his sound all the way to rock heaven with a combination of deadly riffs that remind you exactly what great rock n roll can do, while the rhythm section bring the thunder and lightning to complete a perfect storm.

The Adam, real name, Adam Olsson, hails from Copenhagen but has been living near Oslo for the past nine years, combining his guitar and music composition work with filmmaking and visual production. Having started his career in the Danish underground scene playing with instrumental surf rockers The Good The Bad, supporting the likes of BRMC (Black Rebel Motorcycle Club) and playing on stage with Wayne Kramer (MC5), followed by a stint in pop icon MØ’s band, The Adam decided to put down a record which he felt showed his patronage to British rock and pop music of which he’s always adored.

The Adam explains, “I've always hated musicians who come from a band and have to go solo. I’ve always loved the idea of the band, so I don’t expect anything from this, but I had some good people work on the record with me and tried to create that band energy.”

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Erik & the Worldly Savages - Verra Cruz

Erik & the Worldly Savages - Burn My Life.

Erik Mut is a man on a mission, having broken the shackles of Western society and trailblazed his own path of rebellion, adventure, leadership and musical passion. His powerful Folk Punk project Erik & the Worldly Savages musically and lyrically reflects his manifest philosophy of seeking personal freedom, cutting ties with the past, reprogramming your mind and embracing life wholeheartedly.

An expat since 2008, Erik left his home in Toronto, Canada at the age of 25 to let the cultures of the world wash over him, inspiring his life, work and music. Erik & the Worldly Savages formed in 2008 while Erik was in Belgrade, Serbia. While based in London and Belgrade, the band played over 250 shows across Europe with lineups of musicians from many countries. In 2016 he started Support Adventure, a company which gives remote jobs to expats and digital nomads, now with more than 160 staff members living in over 20 different countries, creating a business manifestation of the band’s message of trans culturalism.

"Burn My Life" comes with an accompanying music video. Using archival video and photos from his childhood and youth, Erik explores his peaceful upbring in Canada and how he sacrificed the idyllic “1st world” life behind to embrace a life of excitement abroad.

"I wrote this song recalling a time in 2008 when I was leaving my life in Canada and moving to Serbia to launch Worldly Savages, become a singer songwriter and take music seriously. I knew that I had to leave my life in Canada behind to find inspiration and possibility in a new country. At the time, somebody said that the hardest part was to get to the airport, where you could see all of your past as a finished chapter. This brings possibility to the future.

 

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Photograph - Jerry Kirkman

Verra Cruz - The World Is Crashing In.

British alt-rock infused trio Verra Cruz are back with their new single “The World Is Crashing In.” Verra Cruz form the British alt-rock infused musical project of trio Marc James (guitar/lap steel/vocals), Henry Cross (bass) & Jimmy Cooke (drums). Known for their hard-hitting anthems and signature lap steel guitar, of which they stumbled upon in a small boutique guitar shop in Memphis, TN, the three-piece band have been creating mighty, raucous tracks, laced with spiritual and personal themes. The band admits, "We’re not afraid to sing out about injustice in the world."

Following an incredible repertoire to date, the trio are back with their next single “The World Is Crashing In”, a gripping ode to love, loss and simply raw emotion.

Marc explains, “The World Is Crashing In” was written during the painful season of Henry's divorce. It was tough going for all of us to watch 2 people we loved dearly, separate. For me it brought up painful memories from my own childhood. The second verse was written from a time in my own childhood. Our family home had been flooded due to a burst pipe, it wrecked so much stuff including my mum's wedding dress that she had kept. It seemed like a dark and apt metaphor for the impending carnage of what was to come.”

Recorded in Germany with producer and engineer Udo Rinklin, their compelling chronicles pair sublimely with sonic abilities to produce a tune that mirrors their subject matter sublimely. They continue, “We re-recorded the drums at The Old Chapel Studios down the road from Jimmy. Bob & Jen at CatBeach hired Bryan Cook to mix and we loved his mix instantly!”

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Dayna Kurtz - Fe Salomon - Mazey Haze

Dayna Kurtz - Lulu and the Broadsides (album).

New Orleans music is for dancing. From King Oliver’s hot jazz to Big Freedia’s frantic bounce, whether the sounds are made for quick-stepping in a parade or swaying slow in your sweetheart’s arms, the common thread running through nearly all of it is that it’s made to move to: wiggle, shimmy, shake your hip and let your backbone slip.

With a wide-mouthed, window-rattling sound that stacks up solidly alongside the great blues shouters – Big Maybelle, Big Mama Thornton – Lulu and the Broadsides double-dog dare you not to get out there and move what the good Lord gave you. There’s the whomping “Pretty Good Love,” their scorching, primal take on Iggy Pop’s “I Need Somebody,“  the noirish strut of “You’re Trouble” and Dayna’s tender, aching sounds-like-a-classic soul-ballad “How Do I Stop.”

This is heart-thumping, pulse-pounding blues for both body and spirit, for joy and desire – scorching ballads for slow grinds side-by-side with red-hot movers to jump and jive to, with a nasty beat and a wild guitar. You’ll sweat through your dress, kick off your heels and get back on the dance floor barefoot - Alison Fensterstock.

 
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Fe Salomon - Interstate 10.

Worlds away from the twisted Middle England countryside Fe Salomon tapped into on earlier release “Quintessential England”, “Interstate 10” transports listeners to the endless metropolis of the United States.

Synced to majestic and widescreen arrangements cut straight from a Hollywood flick, “Interstate 10” finds Fe ruminating on her earliest experiences of touring America at the tender age of 19. A backing singer at the time, with no money and only a futile fake ID to make-do with, she remembers:

“”Interstate 10” connects far-flung events that occurred during my travels around the US, including having to escape from a violent manager who gambled all the money away in Vegas. The song was written with my old friend, producer Ru Cook, and it was originally envisioned as a country song.”

With a filmic narrative that deftly conjures the ceaseless stretches of the country’s great highways to the perils of pursuing the American dream, Fe’s dreamily despondent vocals add drama and intrigue, to a cinematic score that builds towards a grandiose, atmospheric climax.

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Mazey Haze - I Feel Like A Child.

Indie-rock rising talent Mazey Haze has announced her new EP 'Back to the Start' will be released on 7th April 2023 via LUSTRE. The EP announcement coincides with the release of its second single "I Feel Like a Child", quickly following a string of European tour dates supporting Paolo Nutini and Feng Suave.

On new single “I Feel Like a Child”, with its whimsical, bossa nova flavour and euphoric choruses, Mazey Haze finds release in accepting that it’s okay not to be on the same page as someone else. The song was written as she looked out her bedroom window... “The trees are really pretty in the summer, and you can see the sunshine and all the leaves moving”, she recalls. The opening verse follows her trying to articulate the scene through her own lens, finding delight in mundanity, just like a child would. “The song is about the fact that everyone has their own perception, and that’s fine. There’s no right or wrong. There’s no truth. But what’s important is keeping in touch with your imagination.”

The Amsterdam based artist's forthcoming second EP is reflective of this desire for simplicity: a collage of self-reflection, where thought, feeling and a powerful sense of place merge to make singular worlds that are entirely her own. Toning down the more ethereal, synthetic textures present on her debut EP, Mazey Haze's new material finds her rooting herself to the earth, together with a little less perfectionism. Organic, acoustic sounds, her love of French New Wave cinema, Italian film scores and 60s psych-rock informs the vein of nostalgia that runs through it, finding its way back to a distant world.

Speaking more on the lyrical inspiration of "I Feel Like a Child", Mazey Haze said: "I Feel Like a Child is a song about beautiful mundanity in comparison to superficial humanity. I think these two have an amazing contrast next to each other and they’re two things that have always fascinated me. I want to try and understand why I feel so wonderful and calm when I’m alone looking at some birds in the sky, leafy trees or listening to classical music. And why I feel overwhelmed and confused by so many people (including myself) so much. But mostly, I've figured out that there’s no sense in thinking about these things, but more so to act upon it and feel it."

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