The rising musician, singer, and songstress Megan Brickwood is excited to announce that her upcoming EP Fifth Mile will be released on February 24, 2023. To mark the occasion, the artist has shared the first single from the EP "Trinity River Blues."
"'Trinity River Blues' is the first song I wrote in an open tuning," Brickwood explains. "I became interested in open tunings studying Joni Mitchell and Nick Drake. This DADGAD tuning was the first I tried, and it completely caught my imagination.
The idea for writing a song called 'Trinity River Blues' popped into my head one day while I wandered around by the Trinity River, feeling lonely and melancholy. Some weeks later when I was back in Los Angeles, working out of my little home studio, I started writing this DADGAD song that I initially conceived of as 'Colors in the Stream.' After I’d written the whole thing, I looked over the lyrics and realized that the song I’d written was 'Trinity River Blues.'"
“The creation of the videos was an adventure,” Brickwood exclaims. “I met Hannah, the co-creator and director for the ‘Trinity River Blues’ video through mutual friends in Redding, CA and we spent a lot of time scouting locations in the areas I’d spent exploring in my youth. ‘Trinity River Blues’ was filmed in McCloud, downtown Weaverville, and at Lewiston Lake. Since both of those songs draw heavily on my experiences in this part of the world, I wanted the videos to reflect that.”
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With her new single “Wendy”, Holly Henderson is further teasing her second album, “The Walls”, following the release of last year’s acclaimed single “The Planes”, which Clash Magazine described thus: “bejewelled psych-pop with folk qualities, her work has a haunting after-effect that can’t be shrugged off.”
The long-awaited sophomore release from the UK alternative singer-songwriter brings a very different side to Holly’s musicality and depth. While her debut album, “Monday Green” featured Holly’s impressive rock guitar work and alternative pop anthem prowess, her new work shows a more introspective, and slightly more delicate side to her songcraft.
“Wendy” is a uniquely fresh, yet retro infused ballad, told from the story of a person leaving their dog “Wendy” at home and promising her that she hasn’t been abandoned. It begins with the familiar whimsy and folk sentiments of Holly’s arrangements, and her dreamy, ethereal storyteller vocals. But as the band creep in, and Wendy’s world grows darker and colder, the warmth of the band, as more drums, percussion, guitars, mandolins and harmonies sweep in to remind Wendy, and anyone else listening, that they are never alone.
Recorded in a farmhouse in the English countryside, Holly’s new album “The Walls” brings Holly full circle from her previous Los Angeles recorded album. Finely crafted arrangements, sonic musings, and playful themes take us on a journey with Holly as she deconstructs her Brit Pop and classic influences and reassembles them into progressive-folk wonderment.
On “The Walls”, Holly said, “This album sits within a sense of place. As a songwriter, I can only speak of my own thoughts of home and belonging. I suppose this record is a wandering eye over the fleeting moments from the last few years, of when I felt at home, and when I didn’t. When I felt like the walls were tumbling, when they kept me safe, and when they became my prison. I learned the only way of breaking these patterns, was to let people step over the threshold.
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Evoking the likes of Johnny Cash or Leonard Cohen, “The Deal Has Long Gone Down” is a masterclass in mature and measured music-making. With gallant vocals that weave themselves niftily amongst genial plucking guitars, the poignant new track serves as both an introduction to the artist and a testament to his mastered craft. A song stricken with a paranoia for a world spinning ever more rapidly out of control, Benjamin says of the new release:
“The Deal Has Long Gone Down is difficult to pin down. I guess it expresses my fears for the modern climate we all live in, a changing world in danger of moving towards something dark and despairing. When the fortune-teller at the crossroads loses belief, you know it’s tough times ahead.”
Staking his place as a young musician set to shake things up, Michael’s soulful songs express a hard-won sense of authority: embracing the world with an engrossing, truth-seeking style of writing which belies his still-tender years.
Like most other millennials, Michael J Benjamin grew up with the entire history of music readily available at the click of a mouse. He embraced himself in the heroes of old, immersing himself in the works of Bob Dylan, Leonard Cohen, Bruce Springsteen, Joni Mitchell, Johnny Cash and Paul McCartney, before finding more modern realms of influence in the songbooks of Lana Del Rey, Weyes Blood and Jack Antonoff.
And while many of his musical favourites are American, Michael’s literary influences have a distinctly European flavour with Baudelaire, Verlaine, Rimbaud and Hugo all seeping into the way he looks at his art. His songs flourish in a self-made world of creeping dusk, ever-aware of the foreboding, Lynchian darkness which will inevitably follow.
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