Thursday, 10 August 2017

Mo Kenney - Macy Todd - The Vex - Norma - Bunny

Mo Kenney - If You're Not Dead.

Background - This is the year that Mo Kenney plugs in, quite literally. Known for her smooth vocals and fearless lyrics, the Canadian singer is back with her new album The Details, on September 29th, 2017. Mo has released two records with long-time producer and Canadian rock mentor Joel Plaskett since 2012. With her third album, Mo comes fully and completely into her own as an artist; she swaps her trademark acoustic guitar for a Fender Mustang, tracing her own strange, devastating, and ultimately hopeful trip through the trials and tribulations of booze-fuelled breakdowns, clouds of depression, and disintegrating relationships.

On each of its 14 tracks, Mo unflinchingly confronts her annihilation and eventual redemption, leaving nothing out. The concept album is her most personal and cohesive work to date. Combining elements of bruising rock ’n’ roll, vivid psychedelia, and haunting, left-of-the-dial pop, Kenney navigates the darkest waters in her life with self-deprecation, genuine soul-baring, and typical black humour.

Before and during writing the album, Kenney was enroute to rock bottom: depressed with dark blues and drinking like a fish, unable to hold herself or her relationships together, alienating the people she loves, and living hell-bent on oblivion. It’s a journey, thankfully, that finds Kenney sailing to calmer seas, closing gently on the sparse, clear-minded “Feelin’ Good.” But the storms weathered to get there are the kind that leaves scars. The self-destructive drive of “On The Roof” explodes out of the gate with blistering intensity. “June 3rd” channels the late Elliott Smith with spectral atmospheres as Kenney comes to terms with her alienating behaviour. And the vicious, rollicking “If You’re Not Dead” shows her playing mind games over feral guitar solos and biting hooks.

She explains, candidly, “The Details is a fourteen song concept album. The album starts off kind of hopeless and gets progressively more optimistic. This album is the details of coming out the other side.”

As well as having toured in Canada alongside the likes of Joel Plaskett and Ron Sexsmith plus extensively in her own right, Mo is already no stranger to international audiences, stunning crowds with full band and solo sets at this year’s Great Escape Festival. Website here.

The forthcoming album 'The Details' may have come about in a pretty dark spell of Mo Kenney's life. 'If You're Not Dead' suggests the flip side of this (or perhaps irony) was her ability to create some very impressive songs, plus thankfully and much more importantly recover.



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Macy Todd - Give It Up.

Background - Her debut single "I've Got A Feelin'" racked up over 600K streams since last year. Praised for "merging elements of the likes of Amy Winehouse, Paloma Faith and Macy Gray," it was covered by everyone from Indie Shuffle to HillyDilly, before finding its way onto numerous reddit threads and multiple Spotify playlists. 

Macy is finally set to release her sophomore effort "Give It Up," channeling the vocal powerhouses that launched her career the first time around. "Give It Up" came to Macy while her longtime producer and collaborator, Dan Hannon (Manchester Orchestra, A Rocket To The Moon) was recovering from surgery to remove a cancerous lesion from his vocal cords. 

While in the hospital, he was told he wasn't allowed to speak for three days, but couldn't get the melody (or the idea of Macy singing the track) out of his head. Deciding to break doctors orders, he whisper-sang the single to Macy on a call, and ran right from the hospital to the studio to record it the very day he was discharged. Facebook here.

With a rich and powerful musical arrangement, Macy Todd adds real vibrancy to 'Give It Up' a feisty and addictive song. The above comparisons are well founded, her passionate and soulful delivery is a delight.

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The Vex - Education Kills.

Background - An electrifying injection of no-holds-barred punk rock, ‘Education Kills’ is a tribute to the extraordinary bravery of Malala Yousafzai, shot in the head by the Pakistan Taliban while campaigning for women’s rights to education. With this now Nobel Laureate in mind, The Vex’s treatise on the evil that men do is set to overdriven punky-reggae riffage and a fiercely anthemic chorus. 

Though hailing from London’s outer fringes, where the capital unceremoniously bleeds into Kent, The Vex actually came into being some 1,500 miles away, with an Eighties pop superstar playing his part. While on tour in Moscow with a previous band, the schisms in the group were made apparent by an offer of management from one Adam Ant. The faction that opposed the deal broke away to form The Vex, playing their debut gig at Moscow’s BlastFest, where the only thing that wasn’t ice-cold was, typically, the band’s beer rider. 

Back in the UK, Josh (guitar/vox), Jacko (guitar/vox), Andrew (bass) and Joshua (drums) soon honed a sound inspired by the classic roots and rock of both Kingston, Jamaica, and London, England. Dealing in dirty guitars and big beats, played with passion and precision, the quartet’s heavy rocksteady sonics became a draw on both sides of the Thames, their ferocious shows earning them a rep as one of the best live bands on the circuit. The Vex hit hard and they cut deep. Spin this EP and hear for yourself. Facebook here.

'Education Kills' is a powerhouse of uncompromising punk rock, where the band channel energy & urgency in this sub two & a half minute blast of fresh air.


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Norma - Spectacular Bid.

Background - Swedish Kraut-rock 3-piece Norma are finally ready to deliver sophomore album. No rush. Ten years from their debut single, Norma is about to release their third album. Since the beginning, Norma has been about building big, atmospheric scenery with sounds and music. With the goal to put the listener into another world or a feeling of hypnosis, the trio has been experimenting with dream interpretation machines, old synthesizers, racehorses and Formula 1 Cars.

Norma was formed in a living room, as the band says, “this way we could sit comfortably, having a glass (or two) of wine and watch a movie inspiration at the same time as rehearsing”. The band was vey influenced by the movies of David Lynch, experimenting with instruments like pedal steel, old organs and synthesizers. After a while, the trio starred rehearsing in a shelter and a bigger, heavier more kraut influenced sound started to grow which resulted in the debut EP “1” in 2007.
One and a half years later, the full-length album, “Book of Norma” was released, followed by the bands second record in 2013 “The Invisible Mother”.

The bands music has been compared to German Kraut Rock Bands like Neu and Faust, whilst also references like Silverbuilt, 120 Days, Serena Maneesh, War on Drugs and Sigur Ros. New single “Spectacular Bid” gives a feeling of being in the middle of a horse race. Horses are neighing, legs gallop and the legendary horse Spectacular bid is like always-running fast, led by his jockey Ronnie Franklin.

The idea of making this song came up when Erik was going through belongings from his grandfather and found a picture of a racehorse that he remembered from his childhood. In the seventies Eriks grandfather was working in the postal service and in 1978 he saved up for a vacation in the US. During the trip he went to a thoroughbred horse race for the first time in his life, the Young America Stakes in New Jersey where he placed a bet on Spectacular bid and won. It wasn’t that much money but enough to be able to stay and rent a studio in New York for one month where he was painting his arts. Website here, Facebook here.

Just the mention of Kraut-rock tends to spark my attention & 'Spectacular Bid' has some of that vibe coursing through it. It's more than that, although the reference is not misleading, this band have a broader musical feel, where melody and emotion are also key parts. Very impressed & looking forward to more.

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Bunny - Let Me Be Your Dog.

Background - Chicago's Bunny shares new single "Let Me Be Your Dog." Bunny, formed in Chicago during the winter of 2016, toes the bleary line between dream pop and bedroom rock. The first project of Jessica Viscius, their tunes take on a soft grunge feel, mixing dainty, pretty melodies with hazy lyrics delicately laced with sarcasm. 

Her tongue-in-cheek songs are a testament to the tried-and-untrue stereotypes of female frailty, dependency, and hopeless romanticism. "Let Me Be Your Dog" is deceivingly seductive, a mix of sweetness and sarcasm. 

She might charm you, but she’s certainly not fooling herself. The debut EP from Bunny, Sucker, will be released later this year. Website here, Facebook here.

Second time on Beehive Candy & in less than a month Bunny has now shared 'Let Me Be Your Dog.' It's another beautiful dose of dream pop with that hint of garage rock lurking just beneath the surface.

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Wednesday, 9 August 2017

Lauran Hibberd - Year of October - Michael Malarkey - Soviet X-Ray Record Club - Kansas Smittys House Band

Lauran Hibberd - Old Head Young Shoulders.

Background - Lauran Hibberd’s low-key, beautifully arranged nu-folk single “Old Head Young Shoulders” seems to drift through eardrums and straight into the listeners’ souls. Innocent, soft and with more than a breeze of fresh air around it, it will warmly appeal to the fans of Lucy Rose, Laura Marling or Billie Marten.

In ‘Old Head Young Shoulders’, this Isle of Wight based singer/songwriter manages to convey wisdom and talent well beyond her tender years. At just 19, Lauran is beautifully skewing her love of literature with her ethereal vocal and delicate guitar style. 

If The Guardian’s Kitty Empire named Ben Howard ‘a surfing troubadour high on a new wave’, we’d like to hail Lauran Hibberd ‘a truthful spirit high on a low key nu-folk wave’. Why? With the hope this will encourage you to hear this 2:51min sonic window into this genuine teenage girl’s existence.

Already supported by BBC Radio 1, BBC 6Music and Radio X, Lauran says: “To me ‘Old Head Young Shoulders’ is all about losing touch with my youth and the shelter that comes with it. It was one of the first songs I ever wrote, and definitely one of the most honest. I wrote it at a time, where I had no idea what I was feeling, no idea where I was heading and certainly no idea what life was actually all about".

Real is rare, isn’t it? Well, Lauran Hibberd’s child-like love and innocence effortlessly flicker through her new single ‘Old Head Young Shoulders’, which will be available everywhere 1st September. Website here, Facebook here.

Now as I have so many fond memories of holidays and days out on the Isle of Wight, any artist from there is potentially on the receiving end of some rather friendly bias. 'Old Head Young Shoulders' needs none of that, in fact Lauran Hibberd could be from St Kilda Island (UK) albeit that would be impossible (oh just Poogle it) this is just one fabulous vibrant and lovable song.

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Year of October - Come & Get It.

Background - Sweltering husband-wife duo, Year of October, are excited to unveil their first official single “Come & Get It”, from the impending 3rd studio LP Trouble Comes, out in (you guessed it!) October. Following the release of their critically acclaimed 2nd album Golden Days, the singer-guitarist duo, Phlecia and Josh, toured throughout Tennessee, Kentucky, and the South. 

They have built up a loyal fan-base, and have received raving media attention from outlets like No Depression, PRX.org, Country Fried Rock, and Indie Band Guru. “Come & Get It” is a groovy, distortion-laced track that teeters between aggressive and soulful. Phlecia said of the new project, “We like to take influences from all genres of music. We find inspiration in everything and I think if something is good then it doesn’t necessarily have to sound just like us to be a major influence.” 

Formed at University of Kentucky in 2010, Year of October is the passion-project of Phlecia and Josh Sullivan. Mixing their diverse influences of Led Zeppelin and The Beatles for Josh, and Etta James and Ella Fitzgerald for Phlecia, Year of October stands out due to their clawing Nashville-rock edge, and yet soulful, swirling vocals. 

Previously, the band has released debut LP Stories and sophomore album Golden Days. Year of October has played over 250 shows across the South, and has built up a devoted community of fans with their cohesive yet genere-elusive style. Check out their brand new single “Come & Get It”, and stay tuned below for the new album out in October! Website here, Facebook here.

'Come & Get It' is a bluesy and potent rocker. The vocals are full of passion and feeling, whilst the band kick out some feisty riffs.

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Michael Malarkey - Mongrels.

Background - This is the title track from the forthcoming album, accompanied by a new video shot in the UK. Mongrels will be released 8th September 2017 via Cap On Cat Records and you can catch up with Michael Malarkey on the road shortly after for the next step of the journey. 

Quote from Michael: "Mongrels represents the many-faced animal within us that is here but never quite from here; the dreamer within us, stricken with wanderlust, who is tuned to the frequencies of change; the nomad within us whose roots grow not in the ground, but in the wind. It represents the mystery of our vagrant nature, at times a source of weakness and at times a source of power.” 

Michael Malarkey rose to fame, appearing in the HBO series The Vampire Diaries where he played the character of ‘Enzo’ up until the series finished last year.

An avid singer/songwriter, Michael has turned his attention back to touring, with more dates still to be announced around the release this fall. Live dates are over on Beehive Candy's tour news page, Facebook here.

The title track and one of twelve songs on the forthcoming album 'Mongrels' helps showcase Michael Malarkey's distinct and somewhat poignant vocals. The album comprises a fine mixture of material, occasionally dark in nature (but only occasionally), the refined melodies and desirable feel of each song, makes for a rich and pleasing listen. This deserves to be heard not because of The Vampire Diaries, but because it is a very affecting album.


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Soviet X-Ray Record Club - Houses.

Background - Soviet X-Ray Record Club are set to launch new EP 'Houses' today Wednesday, 9 August 2017. Since the release of their debut album 'Wake', SXRC have incorporated glitch, electro and industrial influences into their established shoegaze, post-punk, surf fuelled sound. More upbeat in comparison to their first bleak album,  the new EP ‘Houses’ will be released on 9 August 2017 and will be accompanied by a vinyl release featuring new singles ‘Glasslicker’ and ‘Love So Cold’. 'Houses' will be the band’s first multi-track release since 2015.

Lead single 'Glasslicker' features an aggressive bass and drum track, interspersed with laconic vocals. The track is an observation into the push/pull awkwardness of dancefloor relationships, and is complimented by unique pop/industrial keys to complete the club setting. 

'Love So Cold' underscores crooning, decaying vocals and harmonies with an insistent drum track and polystyrene static, bound together by SXRC's signature haunting shoegaze/surf melodies. Lyrics like "I'm living it up, while my family dies" hide amongst the noise-pop guitar-jangle and add to the impact of the song's title, “No list of emerging artists on the Brisbane music scene would be complete without the inclusion of this band… they are deservedly growing in stature on the back of their commendable ability as a live act.” SONAR

SXRC have received acclaim for their intense and explosive live performances, and have toured with Australian and International acts such as Flyying Colours, Hinds, The Belligerents, Raave Tapes, The Peep Temple, The Courtneys, New Gods and Nantes. Facebook here, Bandcamp here.

The new 'Houses' EP is featured in full here, with each track demanding attention as the band drift between a multitude of genres. Sometimes it sounds a little like Ultravox with a bad attitude (OK I know there are more recent references to be had), whatever this is a potent collection of songs, more than worthy of a feature.

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Kansas Smittys House Band - Party Party Party.

Background - Leave all your preconceptions at the door this is Kansas Smitty's House Band. Since their last studio album, the band have headlined and sold out shows at Ronnie Scott's, the Jazz Cafe, and the Shoreditch Town Hall and became proprietors of their own bar.

Kansas Smitty’s House Band’s music is not without influence. Imagine a head-on collision of the sonic worlds of Louis Armstrong, Charles Mingus, Curtis Mayfield, Brad Mehldau, and Willie Nelson. Don't get ideas though, this sour mash of jazz genres is steeped to perfection, making the the KSHB's music very much their own.

‘Party Party Party’ is the next track to be taken from the band’s forthcoming new album ‘Movin On’ due later this year and is an infectious summer anthem-in-waiting. Opening with raucous crowd noise and with a gang crowd vocal main hook, the track sums up the band’s incredible flair and taste for live performance with a tropical feel that invites a vibin’ party atmosphere that could potentially be heralded as an instrumental on par with Average White Band’s ‘Pick Up The Pieces’.

Kansas Smitty’s House Band loves company and has inducted a host of performers into their scene down at their East End London bar. The band features leader Giacomo Smith with the KSHB steadfast lineup of Pete Horsfall, Adrian Cox, Theon Cross, Pedro Segundo, Joe Webb, Ferg Ireland and Dave Archer while the shortlist of internationally recognised musicians who've been down to the bar to play or just to dig what the KSHB do include: Louis Cole, Nitin Sawhney, Kit Downes, Nick Mulvey, Laura Marling, Beth Rowley, Michael Janisch, and Shingai Shoniwa to name a few.
The eclecticism in the KSHB's sound is rooted in this diverse buzz around Smitty's Bar. It's the constant flow of people through their home that makes collaborating with artists ranging from Curtis Stigers to Kitty, Daisy And Lewis easy for the band to flit to and from. 

Smitty's have also taken the show on the road. When they can, the band likes to bring their bar along with them. Takeovers at the Peckham Liberal Club, Stamford Works, The Vault Festival, four nights at the Cheltenham Jazz Festival and for an entire month at the Edinburgh Fringe Festival - where they programmed a series of concerts in their pop-up venue featuring Sons of Kemet, Swindle and Ska-legends Bad Manners alongside themselves.

The band continue their exciting touring schedule following a main stage shows at Love Supreme and Cornbury Festival with appearances at Boomtown, Goodlife Experience and a return to Shoreditch Town hall as part of London Jazz Festival. Live dates are over on beehive candy's tour news page, Website here, Facebook here.

Today we can end on a real high! 'Party Party Party' is just so invigorating, wonderful, fun packed and vital! Hopefully you get where I'm coming from....

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Tuesday, 8 August 2017

The Sinking Feeling - Broken River

The Sinking Feeling - One (EP).

Background - The Sinking Feeling is testament to the fact that you can take crushing self-doubts and turn them into something else. With three totally unique personalities and backgrounds, the band converge on subjects of depression and loss. Each with their own trials, each member contributing to the unique dynamic that is proof that there is beauty and worth in every tribulation.

Hailing from Glasgow (Scotland), the band has already put out four quality releases including a split tape with Nai Harvest. Their own brand of emo punk music has won them fans across the UK and a strong cult following in Glasgow.

They’ve toured and supported with the likes of Mineral, Make Do and Mend, Empire! Empire! (I Was a Lonely Estate), Tigers Jaw, Nai Harvest and many more modern emo stalwarts becoming the name on everyone’s lips in the scene. The Sinking Feeling recently finished recording 'One' with Bob Cooper (Nai Harvest, Self Defense Family, Brawlers, Allusondrugs). Facebook here.

The EP 'One' was released a few weeks back however it has just come our way and is to good to pass up on. The trio deliver a punchy and uncompromising wall of punk sounds, with enough hooks & ideas to keep each track fresh and natural.


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Broken River - Me Verses You.

Background - Broken River is releasing a new single "Me Versus You” and is playing a headline show at The Tote in Melbourne on Thursday, 17th August with support from The In The Out and Teenage Dads.

Broken River is a new project driven by Melbourne singer-songwriter Ben Stolz. Ben’s influences are diverse drawing from The Cure to Bruce Springsteen to Swervedriver.   

Broken River alternates as a solo performer or as a five-piece act which also includes Dave Kleynjans (drums), Ryan Adamson (bass), Dave Rogers (guitars) and Andy Ferguson (keyboard). 

"Me Versus You” was a late addition in terms of studio recordings but nevertheless stood out. The song is a dark anthem with layers of woven guitars and pounding drums. It’s the sound of crushing heartbreak and melancholy. Broken River release 'Me Versus You' on Friday 11th August 2017. Facebook here.

Title song 'Me Versus You' is accompanied by two other tracks on the new release, each of which would be very strong contenders for the A side in the glorious days of 7" singles. Overall we are treated to some genuine & passion fuelled music that suggest Ben Stolz can deliver some very fine & timeless rock'n'roll.


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Monday, 7 August 2017

Sauropod - Sedgewick - WellBad

Sauropod - By The Tree.

Background - Sauropod, Norwegian garage-punk trio made up of – Jonas Røyeng (guitar, vocals), Kamillia Waal Larsen (bass, vocals) and Jørgen Natland Apeness (drums) have announced their signing to Propeller Recordings with the release of explosive new single ‘By The Tree’. With an aggressive intensity and simultaneous pop sensibility, the Oslo based trio are a force to be reckoned with both live and on record. 

"Jump on the rocket / stomp on the day” Jonas yelps as the song bursts into life, to a backdrop of pummelling drum work and rolling bass lines - the song then shifts into a more melodic, but equally as untameable assault of punk instrumentation.

Speaking on the lyrical meaning behind the new single, frontman Jonas Røyeng explained “By The Tree is essentially about juggling two things at once, not knowing which one you like the most." It’s an almighty amalgamation of sounds and influences, perhaps giving a nod to the likes of The Wytches, Thee Oh Sees, and King Gizzard & The Lizard Wizard in their songwriting and delivery.

The band are currently preparing for an extensive touring schedule kick-starting in the new year, as well as writing for the release of their debut album on Propeller. Website here, Facebook here.

Totally desirable garage punk comes along in the shape of 'By The Tree' a feisty, determined in your face, piece of natural rock'n'roll.

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Sedgewick - To Fold.

Background - Sedgewick is a dream folk trio yearning for the sounds of the unknown, built on the juxtaposition of the sounds of old and sounds to come. 

They explore the space between a literal and sonic narrative, where the meaning is evolving with each new listen. Their unique live set up of synthesizers, upright bass, effects, and distinct vocal harmonies are sure to inspire. 

Sedgewick solidified their presence in the Chicago folk scene in April 2015 with the release of their debut EP, "Gardens." Before their release, their music had already received accolades from New City magazine and Gapers Block, calling it "gorgeous" and "cinematic," evoking "Sufjan Stevens and a pre-therapy Peter Gabriel."

Their new record, Collapse, debuts in fall of 2017. Website here, Facebook here.

High quality dream folk with an understated and beautifully produced musical arrangement, allows the vocals and harmonies on 'To Fold' shine through. When the musicians do get their moment in the spotlight they come up with a delightful interlude, ensuring the forthcoming 'Collapse' release is firmly on my radar.

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WellBad - Different State of Mind.

Background - WellBad ‘Different State Of Mind’ the new single by German blues rock act out 04.08.17. His raspy voice is as dry as the soil in Death Valley. His full beard is as prickly as a desert cactus. And the atmosphere in his songs is reminiscent of movie scenes shot by Jim Jarmusch, Quentin Tarantino and David Lynch. The 27-year old singer and songwriter Daniel Welbat is an engaging, passionate entertainer and, together with his excellent band WellBad, he has impressed critics and enthused audiences wherever they have performed their very own brand of modern Blues Rock. 

WellBad will release their third album, ‘The Rotten’, in September. Paired with the raw,dirty sound of his bandmates, the Hamburg-based Welbat creates an idiosyncratic blend of styles that easily transports a classic Blues vibe right into the here and now. ‘The Rotten' is a genre-defying, elegant mix of Rock, Blues and Jazz and is produced by Stephan Gade (Udo Lindenberg, Niels Frevert), who also worked on the band’s second studio album, ‘Judgement Days’, in 2015.

WellBad have not only made numerous appearances already on major German TV stations, but they also made the podium of the ‘European Blues Challenge’, held in Torrita di Siena, Italy, in April 2016. That same year they also represented Germany in the world´s largest international Blues competition in Memphis, Tennessee. In addition to some memorable concerts, the band had the chance to record a single in the legendary Sun Studios. Website here.

Oozing natural blues rock vibes 'Different State of Mind' is completed in style by the notable vocals of Daniel Welbat. That said, the band are super slick and deliver a slice of blues rock that ensures they are a key part of the overall piece. A fabulous video just adds more.


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Sunday, 6 August 2017

Diamond Thug - Cloning the Mammoth - PLGRMS

Diamond Thug - Cosmic Dreamer.

Background - In 2016 the South African band, Diamond Thug, recorded their debut EP with the help of Dave Minehan (The Replacements) and released it to waves of support, Indie Shuffle calling it ‘…a joy to listen to’. After significant support at Spotify where they have now had several million plays on just one single, and in their home country, Diamond Thug have introduced their music internationally with their last single ‘Eclipsed’. And more comes in the form of their next single ‘Cosmic Dreamer’, and it doesn’t disappoint. The track is available from August 4th via Phonofile.

Since their formation, Diamond Thug have continually evolved, always striving to create a unique sound that’s stay true to their perspective. Their music glides through dream-pop, skittish, off-kilter electronica & psychedelic-rock, creating cosmic-influenced ethereal soundscapes, which swirl below Chantel’s haunting, yet beautiful melodies. 

The pursuit of an authentic & honest sound has earned the band various honours in international competitions such as Culture Collide’s pick to perform at SXSW 2017, as well as Converse’s Music Global Takeover and the attention of Grammy Award winner Darryl Torr, who had this to say about the band:  "When listening to Diamond Thug, you are taken on a journey.  It’s the effortless vocals, supported by a solid band, that tips you over the edge & pulls you through into their world.  It’s rare to find a voice that can execute such interesting melodies so effortlessly as well as a band that leaves space for the vocals to shine, yet are able to maintain musical integrity." Website here, Facebook here.

'Cosmic Dreamer' lives up to the song title with some refreshing & dreamy music. Melodic vocals are well up in the mix, adding additional power to the magnetic atmosphere.

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Cloning the Mammoth - San Francisco.

Background - Blending memorable melodies and driving tempos with ethereal soundscapes and ambient backdrops, Perth band Cloning the Mammoth have already honed a style that is uniquely their own.

This style is on show in their new song ‘San Francisco’, noticeably in the guitar work, which refuses to marry with conventional rock stereotypes. Heavily effected guitars are used to create synth like backdrops for the band’s more pop-oriented melodies and hooks. An extended range of notes afforded by use of a 6-string bass guitar helps give the bass playing a unique melodic edge. Combined with some unpredictable structures and arrangements, ‘San Francisco’ forms a captivating mosaic of sound.

The writing process behind this sound is very studio based as guitarist Bevan Green explains, “We spend a lot of time fiddling with effects and gear until we can create interesting sounds to fit the music. Especially lately we just write to record, and many of the songs start as sounds and ideas on a laptop before we translate it to a live band format.” 

‘San Francisco’ has all the hallmarks of a young band reaching towards an eclectic, textured and refreshing new sound. With a debut EP in the works and none of the band having reached the age of 20, the future is looking promising for Cloning the Mammoth.  “San Francisco” will be released 11th of August 2017. Facebook here.

The music is enticing and upbeat on 'San Francisco' a vibrant Indie track that is taken even further by the flowing vocals. This is very catchy!

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PLGRMS - Crawling Back.

Background - Australian duo PLGRMS, have released their new single ‘Crawling Back’, via London-based label 0E0E Records. A hugely welcome return from the Sydney based pair - whose spritely, glitchy electronic pop has gained a reputation for being some of the most inventive, exhilarating electronic music coming out of Australia at the moment. The duo have been making some impressive waves of late. Not only have they amassed over 7 million streams for previous singles in the past 12 months, along with with tours supporting Mansionair, Vera Blue and Oh Wonder on their home soil - PLGRMS' stocks are rapidly rising.

"'Crawling Back' was one of the first songs we conceived as PLGRMS” the band explain. “Lyrically, the song is based around seeing friends go through situations where their relationship had gone bad — and they just stuck around because it was all they knew. So I guess the inspiration was more observational than a personal experience.”

Where previous singles have landed more on the electronic end of the spectrum, PLGRMS new single 'Crawling Back’ is more organic in its instrumentation. Still retaining the key elements that make it very much a PLGRMS track, but with more of live and "band” sound to their previous releases. Synths wail amongst African-tinged percussion, with Jacob’s warm vocals elegantly weaving around the beat - all carried by a funk-laced bass line. It’s another exciting step forward, for an incredibly exciting band.

PLGRMS is the Sydney-based duo of singer-songwriter Jacob Pearson and multi-instrumentalist songwriter/producer Jonathan Bowden. Website here, Facebook here

It's getting on for a year ago that we first featured PLGRMS. The new song 'Crawling Back' can easily be described along the lines of our last review where we commentated "the superb vocals immediately grabbed my attention.. ..musically it's a sophisticated electro soundtrack". The latest release only serves to confirm this duo are consistently very good.


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Anna Smyrk - ZOCO - Howling Bells - TCBYML

Photo - Michelle Grace Hunder Anna Smyrk - This is a Drill . Naarm/Melbourne based singer-songwriter Anna Smyrk shares a poignant moment o...