Luther Dickinson feat. Datrian Johnson - Willem James Cowan - Down West - Greenness

Photo - Camilla Calnan

Luther Dickinson feat. Datrian Johnson - Who Do You Love.

Luther Dickinson says about, “Who Do You Love.” - "This Bo Diddley classic is built on a track I wrote on bass and keyboards and finished with my Memphis friends, Mem_Mods (Steve Selvidge and New Memphis Colorways). Their contributions and Datrian Johnson's vocals fit so naturally and felt so good, I knew we were on a like-minded endeavor showcasing some of my closest friends as well as scratching an aesthetic and stylistic itch of mine." 

Luther Dickinson of North Mississippi Allstars will release Dead Blues Vol. 1 on October 17, 2025 via Strolling Bones Records. The 9-song set was produced by the 10-time GRAMMY Award-nominated Dickinson and is a collection of blues songs the Grateful Dead performed throughout their career by Blind Lemon Jefferson, Bo Diddley, the Mississippi Sheiks, Willie Dixon, and more. The album features vocals by Datrian Johnson, as well as a host of special guests including Phil Lesh’s son Grahame Lesh, Steve Selvidge of The Hold Steady, Dickinson’s brother and North Mississippi Allstars bandmates, Cody Dickinson, and Ray Ray Holloman (Eminem), and more. 

Dead Blues Vol. 1 lands somewhere between the Mississippi Delta and outer space, reimagining an array of traditional blues tunes from the Dead’s catalog through a boldly experimental sonic palette. The songs here bear little resemblance to their forefathers; the musical beds are more Memphis funk and jazz than blues and folk, and the melodies are completely transformed to match. Only the lyrics remain largely unchanged, and the result is an exhilaratingly adventurous work that’s equal parts innovation and preservation. Dead Blues Vol. 1 is a distinctly modern, original take on the foundational building blocks of American music delivered by one of its most steadfast champions.

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Willem James Cowan - You Will (A Brief Reminder to Look Up).

Willem James Cowan’s new single, “You Will (A Brief Reminder to Look Up),” is a warm, Laurel Canyon–inspired ode to optimism – a gentle reminder that no matter how heavy life feels, things will get better. Breezy yet reflective, the track blends folk, rock, singer/songwriter, and Americana influences to create an uplifting space that feels both timeless and personal.

The spark for the song came in an unlikely place – a movie theatre. “A couple months after ending a long-term relationship, my brother and I went to see the movie Beau is Afraid,” Cowan recalls. “The movie as a whole didn’t have a huge impact on me, but I was really inspired by the dream sequence about three-quarters of the way through where a woman is prophesying a character’s life. Each sentence starts with the phrase ‘you will’ as she details the events to come, and I really liked the way it sounded. I had to pull my phone out and write the idea down (against theatre etiquette – sorry everyone). I went home and wrote the lyrics with the same idea. This song is a reminder to myself and others that no matter how down you feel, things will get better.”

From a production standpoint, Cowan set out to capture the comforting, easygoing essence of the Laurel Canyon scene of the ’60s. “There’s something really comforting and easy about a lot of those records and I wanted to capture that too. It’s definitely lighter and breezier than anything I’ve released before. Less wordy, maybe. I’m not usually so optimistic in my writing, so I wanted the production to reflect that.”

The song’s standout moment for Cowan is a personal one: a clever Joni Mitchell reference in the second verse. “It’s specific to someone in my life and a little more personal than I usually get. I like a lot of the lyrics in this song, though. It’s easy to get corny with songs in this theme, and I think I rode that line pretty well.”

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Down West - Little Big Men.

We have to say there is this timeless vibe about Down West, possibly because of their musical influences that they are quite open about, however the musicianship and quality of songwriting demands to be recognized as something quite special and addictive. 

Celebrating their 10-year anniversary in 2025, Down West began life as an acoustic duo in 2015. Now a (much louder) alt rock trio featuring veteran songwriter Steve Stanard on guitar, Zep fan Theo Waddell on drums, and Echo Park native Ron Feliciano on bass, it's the kind of song-focused rock that could only grow in Southern California. With an unapologetic 90s-era emphasis on guitars, hooks and the message, Down West is driving David Bowie into Crazy Horse’s garage in a noisy R.E.M. Ford Taurus. 

Their rock album Cold Sun is set to release on September 17th. It features the singles “Little Big Men”, “Hollow” and “Break Down The Door”. Cold Sun was recorded at Vinegar Hill LA Studios in Downtown LA, produced by Mario DiLeva, & written by Steve Stanard.

The Cold Sun Album by Down West features nine original tracks of indie, psych, and 80’s rock that are easy to listen to and a bonus cover of “No One Is To Blame” by Howard Jones.  Fans of The Flaming Lips, David Bowie, & R.E.M. would enjoy this album.

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Greenness - Meltdown.

This is a gorgeous song and definitely a band to watch out for, the video adds an additional layer of delight and ticks a lot of positive boxes for Beehive Candy! 

Fresh from their Glastonbury debut, and ahead of a much-anticipated full band performance at Victorious Festival, Greenness released their new single Meltdown last Friday (29th August 2025) via One Fern Records. Following on from previous single Hilltop (“Utterly flawless” - Music is My Radar), this indie alt-pop seaside bop is the second single from the duo's upcoming sophomore album, Honeymoons.

In the words of Greenness’ singer and songwriter Cess, “Meltdown is a tragic-comic take on the modern artist’s struggle to get their voice heard in an endless sea of noise. I wanted to write honest and relatable lyrics for anyone out there pursuing their dreams relentlessly, to the point of burnout and despair; chasing fame like an elusive mistress, trying every trick in the book to get noticed, feeling frustrated and stressed… and almost forgetting who you are in the process.”

“As independent musicians, we give it our all, and get caught up in this kind of madness now and then”, acknowledges Greenness’ producer and composer Graham, who plays every instrument on the track. “No role left unassumed, no stone left unrolled, everything in quadruple! It’s too much and never enough, but what it always comes back to is the joy of making and sharing our very own music, just for the hell of it.”

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Bessie Turner - Parabola West - Georgie and the Georgettes

Bessie Turner - Nino.

Tackling universal themes with a personal focus, Bessie’s song-writing falls one or two cryptic references short of laying herself totally bare. This mix of openness and obliqueness, alongside a lighter-hearted edge, makes for the beginnings of a captivating collection of releases so far. Her languid garage-rock indebted sound positions her alongside transatlantic artists like Soccer Mommy, Snail Mail or Angel Olsen, with nods to Brooke Bentham and Fenne Lily also.

Continuing this trend is new single Nino, which was produced by Richard Woodcraft, who won a Grammy for his work on Radiohead’s iconic album In Rainbows.

It’s an exploration of anxiety, and the value of having people around you to lean on, to push and pull at the right moments. “'Nino' is something my boyfriend calls me when I say I can't do something,” Bessie explains, “like if I am feeling unconfident about a performance, or something else that I totally have the ability to do, but I feel like I'm not able to, purely because of my own brain.

“The song has some well disguised personal references that relate to me...body image, boredom, sex, and that feeling like you want to go into self-destruct mode because of it all. Life can overwhelm and consume everybody and having someone there to give you a push or a boost is sometimes all it takes.”

Artists are often both a product of, and reaction to, their spatial surroundings. Bessie has lived her whole life in the countryside, and its eerie sparseness, punctuated by points of natural beauty, seeps into her artistic endeavour. Tackling the juxtapositions in both her thematic self-analysis and sonic textures can partially be attributed to the contrasts inherent in the environment that has shaped her. TWITTER.

Bessie Turner delivers gorgeous and sparkling vocals on 'Nino' an uncomplicated mixture of indie pop and rock (with some garage rock styling for good measure), where the hooks dig in early doors and don't budge.

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Parabola West - Calling Your Name.

Parabola West is back with her new single 'Calling Your Name'. The artist persona of New Zealand-based American singer and songwriter Amy Tucker West. Drawing inspiration from Celtic and Nordic folk roots, electronica, and organic sounds, Parabola West's music is a lush soundscape of layered melodies.

This new release follows up Parabola West's 2017 EP 'Purity of Weakness' and lead single 'Fire', which was released both digitally and on CD. Her debut EP 'Did You Hear?' was released in 2014. Often piano-driven, her music is laced with hints of Celtic and Scandinavian influences and a dash of fantasy. 

Originally from Springfield, MA (near Boston) on the U.S. east coast and currently based in Raglan, New Zealand, Amy began songwriting on piano as a teenager and, at age 21, she was recruited into the London-based trip-hop band Dreamfield during their recording sessions in Boston. With two critically acclaimed releases to their credit, the band split in 2003 and West relocated to New Zealand.

The self-confessed ‘math & science nerd’ then took a 10-year break from the music industry to work in IT and engineering recruitment, returning to her musical roots in 2013 as solo artist Parabola West. 

“I came to a point where I needed to fully immerse myself again in the creative,” says Amy Tucker West. To achieve that she took the extreme step of moving completely off-the-grid to a rural spot on New Zealand’s rugged West Coast. West has since released two successful EPs and continues to call Raglan home.

"Calling Your Name' expresses the torment of loving someone who has become emotionally numb. Ask anyone on a significant dose of anti-depressants and they'll tell you about the numbing - that slow, subtle nothingness that keeps life ticking over without incident but turns down all the colour," says West. WEBSITE.

'Calling Your Name' is beautiful and has an expansive feel, as both the melodic and captivating vocals and more electronic musical backdrop complement each other wonderfully. Add to that a subtle Celtic feeling, that gives this piece a little extra feeling and warmth, and this certainly is one imaginative song.

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Georgie and the Georgettes - Shaloomalooma!.

American singer-songwriter Georgie Cooper and Nub recording artist George Royale have got together to write and record four spanking new songs.

Combining their love of Rockabilly…Doo Wop…1960s Girl Groups…Country and Americana on this Extra Pleasurable Expertly Produced EP Entitled Pertinently…Shaloomalooma! Nub Music - FACEBOOK.

Comprising of four songs, the opener being the vibrant 'Shaloomalooma!' there is not a lot more I can tell you about those behind it, namely Georgie and the Georgettes.

The E.P. itself travels through classic genres in a breathless and totally lovable way. It's a little bit like a retro short, sharp, shock, that demands you stand up, pay attention and then throw yourself around the room in wild dancing abandon!

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Joe Kelly & The Royal Pharmacy - Cult Of Venus - Tora Luna

Joe Kelly & The Royal Pharmacy - Cast Me Down.

Newport's Prodigal Son Joe Kelly & The Royal Pharmacy announces his 2nd album, the terrific new ‘Cast Me Down’ which will be released on April 11th via 'Dirty Carrot Records’ When writing the bio for the "difficult second album" you are supposed to repeat the trope about having a lifetime to compose your debut LP and a few months to pen the follow-up.

Yet while the vinyl release of Joe Kelly & The Royal Pharmacy's acclaimed debut album World On Fire was less than a year ago, much of the record that follows quickly in its wake is the product of the same prodigious gestation period.

Written and recorded in parallel to World On Fire, Cast Me Down is the other side of the coin. A non-identical and more unruly twin, it takes some of the experimental instincts hinted at on album one and doesn't so much as throw everything but the kitchen sink at the songs as rip the kitchen sink clean off the wall, jump inside it and take flight.

It's a heady ride and although Cast Me Down opens with a welcome reprise of the indie Americana sound that characterised World On Fire, an unsettling loop of backwards guitar heralds the arrival of a sequence of songs that channels sixties psych-pop, the Arctic Monkeys at Rancho De La Luna, late-night West Coast soul, Unkle, The Raconteurs, Father John Misty, and side two of Abbey Road.

And that's just for starters. Backed once again by The Royal Pharmacy and produced and mixed by Jon Greening, Joe Kelly is also joined on Cast Me Down by special guest appearances from the golden larynx of Miss Erin McNamara and Scott McKeon from Welsh folk-rock heroes Rusty Shackle, who brings his formidable violin skills to the psychedelic denouement of Living Daylights.

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Cult Of Venus - Algorithm.

This weekend, Cult Of Venus released “Algorithm,” (Liberty Belle Records / Futures) a poignant protest song for this moment - critiquing social media as a violent surveillance tool and its poetry explores how we are all controlled by our platforms and our phones. Currently, she’s on a full USA tour as the main support to CHVRCHES’ Lauren Mayberry.

Cult Of Venus is a multi-instrumentalist performance artist who has played MOMA PS1, Fotografiska's Chapel Bar for David LaChappelle’s FAITH exhibition, The Women's March NYC and put on concerts in prisons, including Riker’s Island women's jail in New York City.

Besides the current tour, she has been touring the West Coast for the past months, playing sold-out shows opening for City Of The Sun.

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Tora Luna - Why Wouldn't You Say So?

Following their previous release 'Wait For Spring', indie duo Tora Luna return with the soulful 'Why Wouldn't You Say So?' on February 14th.

Drawing from the soulful harmonies of Motown and the raw energy of contemporary indie rock, 'Why Wouldn't You Say So?' unfolds as a powerful dialogue between guest vocalist Deslynn Smith and band member Dominic Johnson. The track, created by core members Alex Broadgate and Dominic Johnson, with contributions on piano from Ellie Parker, masterfully captures the unspoken tensions that simmer beneath the surface of modern relationships. Through interweaving vocals and carefully crafted instrumentation, the performance embodies the push and pull of unexpressed emotions, creating a narrative that resonates with anyone who's ever struggled to voice their feelings.

"We wanted to create a conversational tone through the use of two vocalists to echo the internal thoughts of each individual and their growing frustration with each other," shares Parker. This intimate approach extends beyond the vocals into the very fabric of the recording process. "Although difficult, I found playing without a click-track to be a more relaxing style of recording and, in hindsight, felt that this helped the song feel more conversational."

Nestled in the heart of the Wiltshire countryside, producer Gus White's converted barn studio provided the perfect setting for bringing this vision to life. The track blossomed from humble beginnings - "a chirpy, simplistic chord progression" tucked away in Alex's voice notes - into a rich tapestry of sound. The accomplished ensemble features guest musicians including Parker's emotive piano work, guest musician Chloë Meade's soaring violin, Edward Cross's soulful saxophone, and Gus White's intuitive drumming, all weaving seamlessly around the powerful vocal interplay between Smith and Johnson.

Tora Luna · Why Wouldn't You Say So?

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Chloey Rose - desert life - Deidre & the Dark & Violet Sands - Sara Noelle - After The Flesh - Zola Courtney

Chloey Rose - Shot You Down.

Delivering powerful pop songs with a theatrical twist, Chloey Rose has been captivating audiences at major venues up and down the UK and in Europe with her dramatic, soaring vocals that have attracted comparisons to Adele and Paloma Faith.

Drawing inspiration from Kate Bush and Taylor Swift, Chloey has just released brand new single ‘Shot You Down’, an edgy pop ballad full of dark sounds that could become the theme tune for the next James Bond Movie.

‘Shot You Down’ follows the story of being in an unhealthy relationship and the strength it can take to walk away. Written by Chloey Rose and produced by Aron Bicskey, the track builds from smoky late night piano atmospheres to become a powerful anthem for getting up again once you’ve been cut down, with a nod to Nancy Sinatra’s classic track ‘Bang Bang (My Baby Shot Me Down)’.

As a songwriter, Rose’s debut single ‘Golden Dreams’ was released in 2016, followed by a string of singles including ‘Hearts On The Line’, which was named Track Of The Week on BBC Radio Lincolnshire and A Best Track of 2021. Not only, a talented singer-songwriter, Rose was a finalist in Miss Lincolnshire in 2018/19 and has also been cutting her acting chops, with the leading role as Ruth Ellis in ‘The Thrill of Love’ and as Leading lady Nina in the BBC’s ‘First World War Musical Show’, amongst numerous other stage and TV appearances.

The video for ‘Shot You Down’ (to be unveiled in the coming weeks) sees Chloey on neon-lit streets in the twilight hours as she searches for answers. The track weaves its hypnotic repeating refrains around her, growing and growing with intensity as she works through her emotions. “I’ll paint your name all over this town”, Chloey sings in this epically woven ballad which combines big production values with raw feelings to really work its way under the listener’s skin.

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desert life - I Don’t Wanna Know.

Alt-folk/Americana artist, desert life, released their single “I don’t wanna know” a week ago.  Their first release in 4 years, it includes Jon Graboff (Ryan Adams and the Cardinals, Norah Jones, Willy Nelson and Noel Gallagher) on Pedal steel guitar.  It’s a song that sounds as if it was written on the back roads of Nashville, rather than near the sandy beaches of Tenby.  The upbeat acoustic guitar and soaring lap steel guitar, makes you want to put on cowboy boots, rather than a wetsuit.  The song is the tale of how a man's heart sank as he received word of his ex-girlfriend's newfound love.

Desert Life is the moniker of Chris Swales, a Pontypridd born, Tenby based alt-folk / singer-songwriter, and multi instrumentalist, Tom Jordan.  Conceived in 2018, Chris originally released material in a ‘bedroom artist’ guise following an off-the-cuff collaboration with poet Brian ‘Old Pa’ Mackenzie.  Then when Chris started playing the material live, he met Tom at some local open mic events, and quickly realised that they had a strong musical connection and expanded into a duo..

They blend Americana/Alt-folk music with songs that contain imagery of hope, loss and isolation, yet do not take themselves too seriously.  Comparisons to Bon Iver, Jeff Tweedy and Ryan Adams can be heard in some of their songs, yet, the next moment you might think you’re listening to the sonic landscapes of Calexico.

They have played throughout West Wales, at The Swansea Fringe Festival and Lush.  Their first-ever release ‘Not my girl’ was aired by BBC Wales’ Adam Walton via BBC Introducing.  ‘Whisper to the Wind’ won a Syncr Music Competition, and ‘My darling friend’ was the runner-up in the Radio Wigwam’s ‘best single’ category.  They also made the Record Store Day 'Unsigned (2019) long list'.

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Deidre & the Dark & Violet Sands - Desert Rental Home.

Were more than happy to feature the new single and collaboration from Brooklyn based Violet Sands and Deidre & the Dark. Deidre & the Dark is the solo project of Brooklyn-based singer/songwriter Deidre Muro (previously founding front-woman of Savoir Adore). Violet Sands is a sonic trio made up of long-time collaborators Deidre Muro, Derek Muro, and David Perlick-Molinari (French Horn Rebellion).

On “Desert Rental Home,” these two creative forces dance together on the only song Deidre was able to write during the pandemic lockdown in 2020. “During months of quarantine, this was the one song that managed to come out of me. I was feeling very isolated at home with my 1 year-old son while David, my husband, kept our business afloat, working out of a makeshift bedroom studio, for most of the hours of most of the days.

Delusion starts creeping in when you’re unsure how long this will be reality.” Intimate moments of acoustic guitar and voice quickly transform into a grandiose fantasy, soaring and sparkling, while a lurching synth bass hints at the uneasy nature of an escapist dream.

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Sara Noelle - Dry The Rain.

Sara Noelle is a singer-songwriter who creates indie-folk and ambient-inspired music. Her third full-length album, Do I Have to Feel Everything, produced by Dan Duszynski, was released in January.

The album features the singles “Slip Away,” which flickers like a candle lit in a darkened room, “Blooming Yucca,” a surrealistic on-the-road song, “Color of Light on the Water,” a misty twilight meditation punctuated by sound bowl waves, as well as the bright yet searching title track. Do I Have to Feel Everything follows prior LPs including Cover the Blue, also produced by Duszynski, and Noelle’s debut album, Morning Moon.

Elsewhere, Noelle’s annual holiday songs have drawn notice, including her originals, “I’ll Sleep ‘Til Christmas,” “Like Snow (Slowly Falling)” and “Christmas at Sea.”

She also edits the literary journal Lyrics as Poetry, which released its fourth print edition, featuring 28 artists and 20 writers, in November. The fifth volume is set to release later this year.

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After The Flesh - Changeling.

On the heels of their self-titled 4-song EP in May 2023, After the Flesh from Wellington, New Zealand, share ‘Changeling’: the EP’s captivating new video-single, which just made its international debut on Friday via Europe’s legendary Side-Line Magazine. The band’s sound skilfully brings together elements of ethereal gothic dreampop, new wave, post-punk, and modern dark alternative rock.

Formed on the approaches to 2020, After the Flesh showcases the talents of Slovenian-born vocalist and keyboardist Maruša Sagadin (“Marusha”); guitarist and vocalist Alec Morris; veteran local bassist Duncan Nairn; and later addition Sam Leamy on drums.

The new ‘Changeling’ video is filmed and directed by Martin Sagadin (sibling of Maruša), who explains: “After the Flesh asked me to do a video after we did a photo shoot at the Pūtangirua Pinnacles, where we were in the harsh daylight among the cliffs. We decided the next project would be very glamorous, dramatic and interior, layered in plastic and projection, while paying tribute to some of our favourite New Wave music videos…”

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Zola Courtney - California.

Credible British Songwriter Zola Courtney shares an incredibly heartswelling moment and single called “California.” With vocals and writing that swoon, It’s a song fitting for an epic movie montage where flashing memories turn into poetic music between that post break-up ‘what have I done’ and the affirmation phases.

Speaking about the song, Zola explains “California was written in the early stages, during the ‘what have I done’ phase of the breakup. I kept thinking about specific moments in the relationship that had meant a huge amount to me.”

“I did a writing trip to California when I was 19 and had a really awful time. My boyfriend   at the timeflew out to be with me and I’m still so grateful he did that. That was near the beginning of our relationship and New York was the last place we visited together. The song talks about these bookend moments, as well as feelings of doubt and regret, but also care and admiration for him and all the things we did together.”

Zola Courtney today returns to releasing music after playing extensive shows across the county since her last single.  The last single from her debut EP “Nothing To Lose” saw the talented Cornwall native garner withspread support from BBC Radio 1 specialist DJs, and  was later added to their playlist and onto their One Big Weekend festival line-up. She's also enjoyed online tastemaker support from the likes of Complex, Milk.xyz, Clash, Notion & Wonderland to name but a few.

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Marian - Teagan Johnston - Brother Wallace - Asara - Georgian - The Call & Todd Rundgren

Marian - Play Louder, Hit Harder (Album).

Marian is a music lover’s band. Guided by their collective love for lush harmonies, big riffs, and unforgettable hooks, their debut album, Hit Record, blends the best of rock music’s heyday with a fearless appreciation for the here and now. Whether you’re into the classics or keep your ear to the ground for the next big sound - you need to hear the latest from Marian. Rock and roll hasn’t sounded this sweet in too long.

Weaving together themes of adulthood’s relentless grind and the uncertainty of what lies ahead, sophomore record Play Louder, Hit Harder marks a bold reintroduction for New Brunswick rock trio Marian. Following-up celebrated 2022 debut, Hit Record (Music NB’s Song of the Year and an ECMA Rising Star Recording of the Year nominee), Marian preview Play Louder, Hit Harder with focus tracks “Rock N’ Roll” and “K-Leigh.”
 
“‘Rock N’ Roll’ is the companion song to PLHH,” said Marian’s Dylan Ward (he/him). “It captures the loudness and hardness of the record, and sits directly in the transition point between adolescence and adulthood. This song is the anthem to doubling down, sticking to your guns, and turning up the sound to block the noise.”

“K-Leigh,” meanwhile, channels the same loud, carefree rock energy, but with a gentler message. Jerry-Faye Ward, who works as a teacher in addition to being a musician, wrote the song after seeing so many children having a tough time fitting in. “It’s hard to know your worth if you don’t have anyone telling you that the things you’re insecure about are insignificant to everyone but you,” she said. “This song is for anyone who’s ever felt left out.”

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Teagan Johnston - Beat a Dead Horse.

Toronto-based multidisciplinary artist Teagan Johnston shares her latest offering, “Beat a Dead Horse,” a deeply reflective and emotionally charged single that examines the lingering impact of past relationships and the process of releasing what no longer serves you. Rooted in indie rock and singer-songwriter sensibilities, the track moves through grief, awareness, and ultimately toward a renewed sense of hope and forward motion.

The song was sparked by an unexpected moment during a psychic reading in New York City. “I’m not sure what I believe when it comes to psychics,” Teagan shares, “but something she said really hit me. She told me I was allowing old experiences of dark and painful love to dictate how I love now and in the future.” In that moment, Teagan felt a renewed urgency to step out of cycles of emotional repetition and into something more present and alive.

That sense of reflection carried directly into the song’s visual world. The accompanying video was filmed during a trip to Spain with Teagan’s parents, revisiting a place she hadn’t been since her time living there between the ages of 13-14. “Those years in Spain were before the trauma I reference in the song,” she explains. “It felt like the perfect place to reconnect with feelings of optimism and openness.”

Armed only with a digital camera, Teagan approached the shoot with a return-to-basics mindset, documenting beauty, colour, and everyday moments with a sense of curiosity and emotional clarity. The result is a visual companion that mirrors the song’s central theme: revisiting the past not to live in it, but to finally move beyond it.

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Photo - Hana Snow

Brother Wallace - You’re The Man.

Brother Wallace doesn’t just have a voice, he has command. Now, the West Point, Georgia-bred singer, pianist, and soul revivalist shares 'You’re The Man' alongside an official music video, offering a powerful new centre piece from his forthcoming debut album, 'Electric Love', which arrives this Friday, 8 May via ATO Records.

A darker, harder-hitting side of Wallace’s “Electric Love soul music,” 'You’re The Man' moves with a moody ferocity — a song that stares straight at pride, power, and the stories we tell ourselves when we think we’re untouchable. Built for big rooms and bigger feelings, it’s a performance that doesn’t blink: Wallace’s vocals land with preacher’s conviction and street-corner truth, carrying a narrative that’s both unflinching and strangely compassionate. “That song comes from someone I know personally getting caught up in a treacherous life and thinking they could somehow escape the consequences,” Wallace says. “But then of course they ended up in trouble.”
 
Now midway through a spring tour supporting St. Paul & The Broken Bones across the US, Wallace is set to arrive in the UK for the first time this May. The visit includes performances at The Great Escape and Cross the Tracks, as well as two headline shows in Manchester and London.

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Asara - Thank You, Thank You.

Following the success of his first single "Cute," Asara returns with "Thank You, Thank You," a new track announcing the release of his debut album "028 Crises," scheduled for July 3rd on the Géographie label (Dog Park, Marble Arch, etc.).

With its catchy melody, this second track is built on the groove of a drum machine derived from an old Farfisa keyboard from the 70s, which belonged to his grandfather. Balancing sweetness and gentle melancholy, the song infuses the track with a touch of humor, also present in the music video, and radiates a decidedly positive energy.

Asara is a French multi-instrumentalist artist launching her first solo project. For the past four years, she has been a member of the band Dog Park, where she has played guitar, bass, keyboards, and vocals. She now opens up a more intimate space with her solo project, Asara.

Composed throughout 2025, this debut album is structured like a sonic diary, almost a documentary, retracing this year rich in personal emotions. This collection of songs places the voice at the heart of the project, and the eight tracks that make up "028 Crises" oscillate between melancholy and rhythmic energy. Asara recorded at Studio 48L with her longtime friend and sound engineer, Baptiste Leroy.

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Photo - Aaron Farrimond

Georgian - Californian Jeans.

Manchester-based Georgian continue their fresh chapter today with the release of their cinematic new single and visualiser ‘Californian Jeans’. The single follows recent release ‘Crackled Grounds’ and is taken from their first full body of work the ‘Crackled Grounds EP’ out on 12th June via Heist or Hit (Westside Cowboy, Her’s).
 
Formed in 2024 and with three previous singles in their musical catalogue, Georgian are a five-piece outfit comprising Georgia McKiernan (vocals, acoustic guitar), James Poole, James Polglase (both lead and rhythm guitar, BVs), Connor Alder (drums) and Harry George (bass). Together Georgian have an expansive sound that reflects each of the band’s tastes, retaining a modern approach, but keeping the sound of their influences alive. Wrangling ‘60s pop, country, folk, shoegaze, psychedelia and further-flung traditional styles, their songs tell tales of navigating harsh emotional environments and lived experiences.
 
The debut ‘Crackled Grounds EP’ was laid down with producer Arno Stols at Magenta Studio in the peaceful Amsterdam countryside. Taking a leaf from Brian Jonestown Massacre’s melodic revivalism, Georgian began emulating the warm, unsettling, mysterious 60s-70s production of artists to which they had mutually become accustomed. Lyrically taking the listener to a place of escapism, the songs tell of battling the elements, female empowerment, and deep-rooted nostalgia.

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The Call & Todd Rundgren - The Walls Came Down.

We are catching up somewhat with this release on Beehive Candy, however we feel it's more than worth a share, so here's the back story & please enjoy. Critically acclaimed American modern rock band, The Call along with legendary performer Todd Rundgren announce a fiery call to action on a new studio version of The Call's "The Walls Came Down", which is out now. "The Walls Came Down" is a politically charged 1983 song orginally recorded by The Call, known for its Cold War themes and biblical Jericho allegory, featured on their album Modern Romans and popularized by its black-and-white MTV video, with singer Michael Been leading the band. The song reached #17 on Billboard’s Mainstream Rock tracks in 1983.

Michael Been died of a heart attack in 2010, and the remaining band members (Tom Ferrier, Scott Musick, Jim Goodwin) reunited occasionally but never officially broke up. Taking over lead vocals, this is Todd Rundgren’s first collaboration with The Call.

Released as the lead track from the The Call’s 1983 album Modern Romans, “The Walls Came Down” landed in a world steeped in political tension. The Cold War was at its height: the Berlin Wall still divided East and West, the nuclear arms race dominated headlines, and Reagan’s “Star Wars” defense initiative was on everyone’s lips. Fear of global conflict wasn’t abstract—it was nightly news. Against that backdrop, The Call delivered a track that felt less like a pop song and more like a warning broadcast.

Four decades later, “The Walls Came Down” remains one of the most enduring political anthems of its time. It captures the uneasy heartbeat of 1983, but its message remains timeless. Every generation has its walls—literal and symbolic—and every wall eventually falls. Todd Rundgren would sometimes perform a cover version of “The Walls Came Down” in his solo concerts and get an enthusistic reactions. The remaing Call band members (Jim Goodwin, Tom Ferrier, Scott Musick) came across his videos on Youtube and reached out to see if he would like to collaborate on a new version.

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Genesis - Lamb Tour Florida 1975

This is Genesis back on the 10th January 1975 in concert at the Convention Hall, West Palm Beach, Florida, USA.

There are hundreds of Genesis bootlegs in circulation spanning their history, this is from the Lamb Lies Down On Broadway tour, and is regarded as one of the best quality recordings from that tour, however there is a story behind this.

The concert has been circulated under different names and through differing CD sources including Descends on Waterbury, Supper's Ready With a Little Lost Lamb, Hogweed 5, Burp 09, SAB 06, Digital West Palm Beach. This copy is from SAB06.

The Genesis Movement site tells us, regarding the SAB06 version (Notes from Dan) - "Although I have a direct DAT clone of the Chris Davies tapes, I used a DAT clone from an unknown source which sounded a little bit better. I edited out as many 'artifacts' as I could find, but the 'reel squeals' are still there. The Shrine '75 recording was used to fill out the missing pieces of the show. The filler was 'enhanced' to make it sound as close as possible to the rest of the show. Obviously, this is not a 'pure' recording, but it is definitely an enjoyable 'Lamb' listening experience."

Another commenter stated - Definitely better that the others in terms of sound quality - I guess the listener will have to choose a "Pure" show with fillers from audience tapes, or a premium remaster like this that is in my opinion true to the actual concert. The way the necessary fillers are blended in on this remaster, makes this a great listening experience and because it deserves to stick out I give it an A+ rating. Fillers or no fillers, the sound quality on this is truly excellent.

From a personal point of view, when one considers the amount of 'enhancement' that can go into an officially released live album, the work on this bootleg is no different and possibly even less played around with, more a labour of love, it sounds superb.

Source: FM Broadcast

Sound Quality: Very good stereo mp3@320kbps 

Genre: Rock, Prog Rock.

Set: Full Concert.

Set List:

101 The Lamb Lies Down On Broadway
102 Fly On A Windshield
103 Broadway Melody Of 1974
104 Cuckoo Cocoon
105 In The Cage
106 The Grand Parade Of Lifeless Packaging
107 Back In NYC
108 Hairless Heart
109 Counting Out Time
110 Carpet Crawlers
111 The Chamber Of 32 Doors

201 Story Of Rael
202 Lilywhite Lilith
203 The Waiting Room
204 Anyway
205 Here Comes The Supernatural Anaesthetist
206 The Lamia
207 Silent Sorrow In Empty Boats
208 The Colony Of Slippermen
209 Ravine
210 The Light Dies Down On Broadway
211 Riding The Scree
212 In The Rapids
213 It
214 The Musical Box

Website: Official Site HERE. Genesis Movement HERE.

Comments:

The Lamb Lies Down on Broadway is a double concept album recorded and released in 1974. It was their sixth studio album and the last album by the group to feature the involvement of lead singer Peter Gabriel.

The album tells the surreal story of a Puerto Rican juvenile delinquent named Rael living in New York City, who is swept underground to face bizarre creatures and nightmarish dangers in order to rescue his brother John. Several of the story's occurrences and places were derived from Peter Gabriel's dreams, and the protagonist's name is a play on his surname. In an interview Phil Collins remarked, "It's about a 'split personality'.

In this context, Rael would believe he is looking for John but is actually looking for a missing part of himself. The individual songs also make satirical allusions to everything from mythology to the sexual revolution to advertising and consumerism. The title track, as well as "The Carpet Crawlers" and "In the Cage", are live favourites for the band. Both "In the Cage" and "The Carpet Crawlers" were included in 2007's Turn it On Again: The Tour, with "The Carpet Crawlers" played as the closing number. 

New file link in comments below - Re-uploaded 2012 (Stealth project).

Globetrotting: Bitter's Kiss - Miss Max - Blue House - TVRQUOISE - PLGRMS - Chain Wallet

Bitter's Kiss - My God.

Background bio - Bitter's Kiss is primarily a vehicle for singer/songwriter Chloe Baker to showcase her talents.  Chloe grew up in a home filled with music, with a father who maintained a studio, a guitar collection and a band, and has been active in musical theatre for years.  Chloe currently attends High Tech, an arts academy in North Bergen, NJ.  Chloe has been serious about writing music for around a year, and has worked with her father to record and produce her music over the past several months.  

The reception has been incredibly positive, with a lot of encouragement to take her efforts to the next level.  Chloe uses songwriting as a diary and a means of exploring her world.  The track The Rope, for example, examines her feelings about the suicide of a distant cousin from a very religious background and the importance of staying true to one's identity and finding something personally significant to make life meaningful.  Another song, Too Far Too Fast, is a reaction to watching her older sister go off to college and noting how quickly time passes. The magic of Bakers work though is that despite this sad and often strange world she still manages to find hope. Website here.

The song 'My God' has been around for a few months however the video is new. The film brings the lyrics to life, and asks a reasonable question regarding what religion is about. Well we are about music and this is one fine song, as regards religion, all I will add is, the truth is out there...

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Miss Max - Gypsy Heart.

Background promo - Hailing from the remote one street tourist town of Coral Bay in Western Australia, barefooted folk songstress Miss Max recently crowned “Best of the North West” has captured the beauty of the nomadic travellers lifestyle with her new track ‘Gypsy Heart’.

Miss Max recently opened the 2016 North West Festival Weekender for the likes of Xavier Rudd, Sarah Blasko and The Rubens. Her debut EP has been capturing hearts since its release at the beginning of the year, her story telling shines in the single 'Gypsy Heart' capturing the beauty of the nomadic travellers’ lifestyle. “‘Gypsy Heart’ is a song to inspire those who haven't quiet found themselves, to travel and to live there lives for themselves and not others, its based on the spirit of the travellers I've met working in tourism and the nomadic lifestyle in which they and myself follow,” says Miss Max about the track.

In July, Miss Max started an Australia wide tour in her big blue van to promote her EP "Gypsea Heart". The tour began back down in Margaret River, and she is currently heading north following the WA coastline towards Darwin, down the middle through Alice Springs to the Eyre Peninsula and Adelaide, then across to Melbourne and up the coast through Sydney and Brisbane.

At the beginning of the tour, Miss Max was announced the winner of the local artist competition 'Best of the North West', seeing her open the 2016 North West Festival weekend in Port Hedland late August and with the re-release of her inspiring track 'Gypsy Heart' she is set to catapult onto festival line ups around the country. The track ‘Gypsy Heart’ was recorded and produced by the talented Dave Mann, in his custom built shipping container studio on his self sufficient farm in the heart of Margaret River. Dave is a seasoned gypsy and songwriter himself and features in the track with his soulful harmonies. Website here. Upcoming Show: 14th Oct - Port Lincoln Hotel.

Miss Max has a really pleasing and melodic voice, that is just right for modern folk music. 'Gypsy Heart' is a wispy and engaging song, that feels quite personal, whilst also having something of a mood lift within it.

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Blue House - Albert Played The Euphonium.

Background - “John the Unready” is one of two tracks that the duo, James Howard and Ursula Russell, released on September 9th via Canvasclub, Canvasback’s imprint for singles by up and coming musicians. The side B, "Albert Plays The Euphonium."

The band, comprised of James Howard and Ursula Russell, makes music that is subtle, elliptical, and ambiguous - rarely an obvious beast. They present us with a world of haunted pop — songs about people just departed, places just left, and events just witnessed.

Leaving no stone unturned, Blue House willfully explore the intricacies of pop, with an emphasis on poetics and quality songwriting. The fragile balance of atmospherics and presence in their music lends an understated and entrancing numerousness throughout it.

This Canvasclub release comes ahead of Suppose, the duo's debut full-length, out worldwide on September 30th via Whipped Cream Records (UK). Facebook here.

'Albert Played The Euphonium' is one of those song titles that gets you halfway to being featured on Beehive Candy even before a listen. In actual fact this is a delightful song, that gently delivers a fine melody alongside calming vocals. This one is a quite addictive, you have been warned!

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TVRQUOISE - Liar and the Fighter.

Background - Faye Wellman, a Michigan native, is a vocalist and writer living in Los Angeles, CA. Faye merges musical and emotional intuition with her education in music, performance, and writing to compose lyrics and inspired melodies. 

Matt Hogan (NY) is a multi-instrumentalist and producer living in Los Angeles, CA. With a background in classical upright bass, Matt combines his love of free flowing expressive musicianship with a mix of ethereal textures, electronic beats, and dream pop.

The two met during their studies at Berklee College of Music in Boston. Two years later, on the California Coast, TVRQUOISE officially emerged with a sound best defined by color.

TVRQUOISE’s debut EP reveals tender moments from half a decade. Faye’s lyrics derive from residencies, travels, and encounters in places such as Boston, Michigan, New York City, San Francisco, Mexico, and Belize. From Paralyzed Legs, a piece revealing the subconscious thoughts surrounding a captive relationship, to Calling Out, a track echoing the constant struggle between being a wanderlust and seeking lasting human connection, the trying pivot from youth to adulthood is present. 

The project’s name was derived from a train of fateful events and the power of the turquoise stone. Turquoise paves way for strength, wholeness, and truth. Turquoise aids in self-forgiveness, self-acceptance, and the release of useless regrets. Turquoise provides protection and the recognition of beauty, enabling new beginnings. TVRQUOISE is the electro-dreampop project of Faye Wellman and Matt Hogan. Website here.

'Liar and the Fighter' slowly builds into a dreamy and quite calming song. The vocals are smooth and beautifully immersed in the musical flow. It's electro dream pop, with a subtle hint of shoegaze somewhere within the mix.

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PLGRMS - Gemini.

Background - “Accepting defeat from that little voice of persuasion in your head and becoming attached to the alter ego; it can feel like someone else is in control of you. You become a vessel of thoughts and feelings that aren't necessarily your own, and you get to escape for a while.” Gemini. The man with two personalities, the twin, the alter ego.

We all have that desire to give in to the little voice on our shoulder, not caring about what may happen. This is the sentiment behind new single ‘Gemini’ from Australian duo PLGRMS, released 23rd November via London-based singles club 0E0E.

‘Gemini’ stands up to its name in sound and lyrics, showing another side to the duo through a darker, more brooding sound compared to previous singles. 'Gemini' is a bit darker and slinkier’ explains Jonathan Bowden, one half of the Australian duo alongside singer-songwriter Jacob Pearson. “While 'Gemini' still harbours elements of the previous singles, we were keen to give it its own distinct flavour…'Gemini' was a real team effort between both Jake and I and our producer, Ross James.”

PLGRMS’ newest offering follows previous singles ‘Fools And Their Gold’, and debut ‘Pieces’, which have collectively garnered 3million streams so far on Spotify/Apple, 150k SoundCloud and 20k Shazam. PLGRMS is the Sydney-based duo of singer-songwriter Jacob Pearson and multi-instrumentalist and songwriter Jonathan Bowden. Facebook here.

The superb vocals on 'Gemini' immediately grabbed my attention. Musically it's a sophisticated electro soundtrack, and combined together it's one very good song.

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Chain Wallet - Faded Fight.

Background - It can’t be denied that there is something sorrowful behind the Bergen-based, lo-fi dream/psych pop trio Chain Wallet, and they can’t hide that their music suits the environment wherein it was created. It may be a cliché that it always rains in the band’s hometown, but when you play Chain Wallet’s self-titled debut album, it’s not too difficult imagine the mist hanging heavily over their dystopian vision of Bergen.

The band's Frode Boris talks about the new video: "It is a video about liminality and the paradox of hedonism. It was directed by our talented chum Kristian Engelsen. We have worked with him in the past, on the video for “Stuck In The Fall”. The girl is Maria, a young photographer and energy drink enthusiast. The video was in fact conceived when the director wanted to get a free tattoo from her. There are so many people in this video, and they all belong to an emerging scene celebrating creativity."

Even though feelings of nostalgia and melancholy lurk in the Scandinavian shadows, it’s not difficult to find indie-pop gold in its purest form, glittering below the heavy layers of synth and reverb. Tracks like ‘Shade’ and ‘Abroad’ have an up-tempo urgency to them which calls to mind bands like Motorama, whereas other dreamy psych ballads like ‘Muted Colours’ and ‘Stuck In The Fall’ occupy a rich and hazy middle ground between Diiv and Wild Nothing. Though Chain Wallet may not have many genre colleagues in Norway, they easily join the ranks behind international indie counterparts like Twin Shadow or Beach Fossils.

On their debut album, Chain Wallet explore themes of betrayal, idleness and crushed dreams against the backdrop of an existential breakdown. Wrapped in the shimmer and haze of the lo-fi soundscape that they conjure, the album is loosely based in the same universe, and portrays different aspects of the quarter-life crisis. Self-titled debut album out Oct 7th via Jansen Plateproduksjon. Facebook here.

'Faded Fight' has a paced psych pop vibe running right through it. The vocals and the music flow along well together, with the mix and production bringing out the best of both. At the very least it's a good appetiser for Octobers album release.

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Telete - Sons of Bill - Treetop Flyers

Telete - Like Honey.

Background - Following shows with Julia Jacklin, Rainbow Chan, Totally Mild, Hatchie and high praise for their deeply affecting sound, akin to "being mown down in a field of violets", Perth chamber/dream pop duo Telete (Teh-leh-tee) announce the wide release of 'Spectator', their surprise debut EP on Friday 22 June. Their new single 'Like Honey', delivering "what it says on the tin" (Nat Tencic, triple j) is out now.

Drawing inspiration from acts such as Broadcast, Julia Holter and Beach House, Perth’s Telete (Mai Barnes & Hayley Ayres) weave strings, synth lines and canned percussion together to build warm-hued compositions that simmer underneath intimate vocals.

Telete's "dramatic and delicate" heartrending version of a lullaby (Declan Byrne), 'Like Honey' has already oozed its way onto playlists for triple j Home and Hosed, triple j Unearthed, Triple R's Out On The Patio, RTRFM's Out To Lunch and more. Plush with thick synths and strings, the track swirls brightly in waltz time around a comforting, centrifugal sadness.

"I wrote [Like Honey] after an awful breakup last year, and I remember bawling my eyes out as I scribbled down the words. But every time I sang them, they hurt less. There’s a strange comfort in saying an uncomfortable truth out loud: you take something you’ve internalised, a feeling that you carry in your stomach and chest and heart, and you push it all the way back out." - Mai Barnes. BANDCAMP.

'Like Honey' is a gorgeous mixture of chamber and dream pop that is sensitive and engaging, allowing beautiful atmospheric soundscapes to emerge. It's one of eight tracks on the new EP, and I have to say, there is not one track that fails to charm and dig some deep musical hooks in. Telete have something very special going on here, one that is well worth checking out.

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Sons of Bill - Firebird '85.

Background - Central Virginia’s band of brothers, Sons of Bill, have announced the release of their new album 'Oh God Ma'am' on 29 June on Loose.

Following the release of singles 'Believer/Pretender' and 'Easier', they have now unveiled new track 'Firebird '85'. "I guess the song is technically “about” a construction worker having a strange redemptive daydream about getting off work. Or maybe he's dead? Still not sure", James tells Uncut Magazine, "I just like the idea of ordinary people, living out their ordinary lives, lost in some grand, cosmic drama inside their own head. It’s how all of our lives are. Just another feel-good song about the inner void."

'Oh God Ma’am', Sons of Bill's latest LP is the band’s most coherent artistic statement to date-- subtle, risky, and sonically ambitious.  Recorded both in Seattle with west coast indie legend Phil Ek (Shins, Fleet Foxes) and in Nashville with Sean Sullivan (Sturgill Simpson) and mixed by Peter Katis (The National, Interpol) the album shows the Wilson brothers moving beyond the galvanic Americana-rock comfort zone of previous efforts, for a more elegant and restrained sound-- a darker, and more complexly layered rock record that manages to be the band’s most emotionally intimate and sonically expansive.  Insistent, dancey rhythms and dreamy, hook-filled, pyrotechnics abound, creating a deceptively anthemic mood around songs that are in and of themselves intensely introverted.

'Oh God Ma’am' is a coming-of-age record for an over-stimulated age-- equal parts post-adolescent anxiety and old-soul humility-- literate, gorgeous, and darkly contemplative. WEBSITE.

Sons of Bill will tour the UK and Europe in August:
Mon 13th - The Hope, Brighton (UK)        
Tues 14th - Omeara, London (UK)            
Weds 15th - Tunnels, Bristol (UK)              
Thurs 16th - Brudenell, Leeds (UK)              
Fri 17th - Broadcast, Glasgow (UK)         
Sat 18th - Soup Kitchen, Manchester (UK)      
Sun 19th - Rescue Rooms, Nottingham (UK)
Tues 21 Aug - Blue Shell, Cologne (DE)
Weds 22 Aug - Milia Club, Munich (DE)
Thurs 23 Aug - Musik & Frieden, Berlin (DE)
Fri 24 Aug - Stage Club, Hamburg (DE)
Sat 25 Aug - Once In a Blue Moon Festival, Amsterdam (NL).

Less than a month since Sons Of Bill first graced our pages we now have the follow up track 'Firebird '85'. The Americana qualities are again notable, albeit this time the band take a more country rock direction, doing so with refinement and plenty of heart.

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Treetop Flyers - Needle.

Background - London soulful country rock outfit Treetop Flyers return with their eponymous third album, due out on 24 August via Loose. Weaving blissful 60s tinged West Coast Americana with a British rock’n’roll swagger, the album oozes with soulfulness, thanks to singer Reid Morrison’s rich, warm vocals, stunning close harmonies and the atmospheric warble of a Mellotron.

The band shared video for the taster track "Needle" (directed by long-time band collaborator Sam Ford) via Clash, who called it; "a bold, vivid return, one that finds Treetop Flyers pushing themselves further and further". The song is based round a looped section at the end of a record about not wanting a moment to end. As Reid explains; “I had just got out the shower and I was listening to an old Ted Hawkins record. I lost track of what I was doing and heard this noise, I couldn't work out what it was but it sounded like the best drum sound I'd ever heard… with the old school hiss and everything. I thought my flatmates were playing a tune or something. I then remembered I had put the record on and the record had reached the end but had this perfect loop.”

The band was originally formed by Reid Morrison, Laurie Sherman and Sam Beer, who met whilst playing in other projects as part of the West London folk scene. Although their name, Treetop Flyers, will always be linked to the Stephen Stills song, they settled on it as they all felt like outsiders but have stuck together ever since through line-up and life changes. They have most recently been joined by Rupert Shreeve on drums, who has added another dimension to their style and took the songs in uncharted directions that were previously out of reach. On the new record they are also joined by saxophonist Geoff Thomas Widdowson from Loose label mates Danny and The Champions Of The World.

Treetop Flyers follows the band’s two previous critically acclaimed albums, their debut The Mountain Moves from 2013, which was praised by The Guardian who wrote that it; “effortlessly captures the spirit of late-1960s west coast pop-rock: the Byrds and Crosby, Stills, Nash & Young,” as well as Q, who wrote that they; “share with Midlake custody of a brood of Buckingham/Nicks-era Fleetwood Mac licks, likewise the Mac’s mood of unrequited yearning.” Their second album Palomino, from 2016 was praised by Uncut, who called it; “a fittingly great-sounding record, with the band magically tight and melodically assured as they play songs bathed in an evocative ’70s West Coast glow, while drawing on influences including outlaw country, soul and Nigerian psych.” WEBSITE.

It's always pleasing to see country rock music spread it's wings beyond North America, and with 'Needle' the Treetop Flyers not only do that, they do so with grace, style and plenty of natural feeling. This is one very special song, the soulful vibes are everywhere, I am mightily impressed!


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