Eleni Drake - Oslo Twins - Parliamo - Michael J. Benjamin

Photo - Georgia Walters.

Eleni Drake - Surf The Sun (Album).

British singer-songwriter Eleni Drake releases her phenomenal new album Surf the Sun via her own Vanilla Sky Recordings. Eleni Drake will celebrate the release of her new album with a headline show at Amazing Grace in London on 18th July.

Throughout the self-produced Surf the Sun, Drake deals in distinctly summery melancholy - hazy, shimmering, golden; reverb guitar murmurs and glints, tightly wound amidst lovely, enticing harmonies - eloquently tracking notions of freedom, healing, painful goodbyes and a future of possibilities. At the core of Surf the Sun is the ultimate discovery of freedom and empowerment. Balancing the curiosity and creativity of Adrianne Lenker, Faye Webster and Julien Baker, with the emotion and grandeur of Lana Del Rey - Drake's songwriting is dream-like and bluesy, precise and propellant.

Originally from London, in 2022 Eleni Drake decided to leave her life in the UK behind and move to Melbourne almost on a whim. She knew only a handful of people on that side of the world, but she was longing for a fresh start in an environment where she could feel more like herself; where she could break bad habits and explore life outside of her comfort zone. But first, there were emotional loose ends to tie up back home. This is the driving force of Surf the Sun; the carousel of emotions as Drake prepared for this giant leap.

Over the past 18 months Eleni Drake has cultivated a dedicated legion of fans, for her velvety, striking voice and her understated yet atmospheric orchestration. Surf the Sun is the sound of the sun’s glow on your face, feeling your spirit reach back for it, breaking through the dirt and sprouting into something better. It’s the sound of riding a wave, euphoric, terrified, spat out somewhere new with a sense of purpose. It’s about needing to be somewhere warmer. “I’m a Leo, the sun rules me, and I’ve always had a deep connection with it,” explains Drake, who references the sun on almost all of the album’s 11 tracks. “[The album] is an ode to the sun.”

“What I hope people understand is that an element of liberation and feeling free runs through the album. Despite some sombre undertones, it was made to inspire,” says Drake. What she’s created is a glorious wave to ride; a sun-drenched reminder that the gloom gives way to summer.

                                                                    

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Oslo Twins - Miss Yesterday.

Bristol born dream-pop outfit Oslo Twins have announced their debut EP 'Back To Nothing' will be released 28th July via Fascination Street Records - a new label founded by producer Ali Chant (Yard Act, Perfume Genius, Aldous Harding, Katy J Pearson) in partnership with Bristol's Factory Studios.

The new EP announcement coincides with the release of its second single, the anthemic "Miss Yesterday", following previous EP taster "Breath" which caught the attention of the likes of So Young Magazine, The Independent, DIY Magazine, Rough Trade and The Line Of Best Fit, and was played on Guy Garvey’s Finest Hour on BBC 6 Music.

A summery ode to optimism after difficult times, "Miss Yesterday" evokes anticipation and warmth with its bright, rich instrumentals, trance-like beat and laid-back, vernacular vocal and lyrical tone. “It’s a song of joyful nostalgia, filled with hope and affection,” says vocalist Claudia Vulliamy, “and perhaps a darker hint of ‘Let’s just run away from everything, there’s nothing but us.”

The single is accompanied by a joyfully surreal animated music video by artist Noriko Okaku, in which Claudia, Eric Davies and drummer Luke Brown take us through Okaku’s fantasy world made up of natural images that move in a Monty-Python-esque flip-book style.

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Parliamo - Matters Like.

Arriving as the band’s grittiest, stickiest offering to-date, it sees Parliamo’s usual bright rhythms and funky basslines, traded-in for howling Suede-esque electric guitars, low-slung hooks and unconventional choruses.

Like a migraine growing under the noon-day sun, “Matters Like” has a burbling, off-kilter intensity quite at odds with the brilliant sunshine that baked the Summer of 2022 in which it was written. Finding nuanced inspiration during those mind-melting times in the Fontaines D.C. track “Roman Holiday” and the spring reverb bass of The Last Shadow Puppets’ second record, the band’s Jack Dailly and Finn Freeburn Morrison began assimilating both into a new track that would mark a moody left-turn for the band.

A song about finding confidence in a new relationship and the overcast feelings that can come hand-in-hand with it, vocalist Jack Dailly explains: “”Matters Like” has a moodier sound than most of our previous output, with its screaming guitars and echoing hi-hats. This mood fits well with the lyrics, as the song touches on feelings of uncertainty and internal conflict. It’s a song about insecurity in a fledgling relationship and the plethora of emotions which come with getting to know more about someone than you might have bargained for.”

Weaving their straight-up songwriting and babbling instrumentals niftily through a heatwave-warped collision of influences, “Matters Like” finds a band pushing the Parliamo sound and enjoying getting a little experimental.

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Michael J. Benjamin - The Same Again.

Rising Dutch singer-songwriter Michael J. Benjamin  has unveiled his latest offering “The Same Again”, taken from a debut EP due this Autumn. A radiant, reflective ballad that sees the young musician pair distinctive Cash-meets-Cohen vocals with his knack for heart-rending storytelling, the new track was produced by Jon McMullen (Wet Leg, Michael Kiwanuka) in London. A song that finds the singer-songwriter rewinding sepia-tinted memories of his past, and pausing for thought on what could have been, Michael J. Benjamin explains of “The Same Again”:

“A girl and I used to walk along these farms on the edge of town, then I left for London and when I came back we broke up. After that I used to come back to these seemingly holy farms to find inspiration and tranquillity; to catch a glimpse of light of the moon and relive old memories. Looking back now, it’s the act of not letting go of the past that drove me to write this song. The farms were like a sanctuary, or a relic of better times. Even today it remains a magical place to me.”

With its trickling acoustic guitars and a pared-back approach to instrumentation, “The Same Again” makes for a wistful country-blues record that feels simultaneously nostalgic and refreshing; true to a style that Benjamin is quickly making his own. Staking his place as an auspicious new artist to watch, Michael J. Benjamin’s soul searching songs express a hard-won sense of authority: embracing the world with an engrossing, truth-seeking style of writing which belies his still-tender years.

Like most other millennials, he grew up with the entire history of music readily available at the click of a mouse. Growing up Michael embraced the heroes of old, immersing himself in the works of Bob Dylan, Leonard Cohen, Bruce Springsteen, Joni Mitchell, Johnny Cash and Paul McCartney, before finding more modern realms of influence in the songbooks of Lana Del Rey, Weyes Blood and Jack Antonoff.

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Charlotte Carpenter - Louie & The Wolf Gang - Sara Lew - Fake A Smile - Zito - MOONRiiVR

Charlotte Carpenter - Spinning Plates.

Spinning Plates is the first track taken from East Midland’s singer-songwriter Charlotte Carpenter’s debut album due late 2023. “There’s a lot to unpack in this song” explains Charlotte, “from societal pressures on the roles you are meant to fulfill as a woman, alongside the struggle of keeping up a relentless positivity to being a musician – and how impossible it is to ever get the balance between the two.”

Born out of being overwhelmed, anxious, and it fight or flight mode, this inner turmoil acted like lighter fluid on the song which Charlotte describes as “Erupting out of nowhere and finished in one day,” with its thundering bluesy edges and burning refrain “I can’t find a way out, a way out, a way out.” Spinning Plates is a defiant return with a background story offering a stark reminder of the prevailing sexism and exploitative power structures with the music industry.

Following a successful run of early EPs, championed by BBC 6 Music, BBC Radio 2 and Virgin Radio, with tastemakers like The Line of Best Fit through to rock bible Classic Rock praising Charlotte’s raw, soulful songwriting with comparisons to the likes of Cream, Cat Power, Bonnie Riatt and PJ Harvey, Charlotte set out to make her debut album. The following years saw a period of stagnation, frustration and crippling self-doubt caused by a domineering, autocratic producer.

The experience is told in Charlotte’s new album, one she re-wrote and re-recorded after parting ways with the producer, regaining confidence and excelling in the expansive creative freedom previously denied to her. The result as we see on first single Spinning Plates is not only a warning tale but a powerful cry of defiance and strength.

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Louie & The Wolf Gang - Betty.

Worldwide airplay, a rapidly growing fan base, and performances at renowned festivals and relevant clubs: Louie & The Wolf Gang from Baden/Switzerland have gained attention in the rockabilly-scene and beyond.

After gaining wordwide airplay the trio now release «Betty» as their new single on Friday, May 19. The band will celebrate this new track with two concerts on the weekend, as start of several upcoming live-shows in Switzerland and Germany:

'Betty' tells the story of a romantic ride in a Cadillac that abruptly ends somewhere in the middle of nowhere. It has become a favorite among the live audience. Once again, Louie & The Wolf Gang demonstrate in this song their ability to combine danceable rockabilly in the style of Stray Cats, rockin' country reminiscent of Buck Owens and Johnny Cash, with modern neo-rockabilly in the style of Restless.

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Sara Lew - Out of Nowhere.

From her long-awaited forthcoming new album “LOUD”, “Out of Nowhere” is about deep love for the people you are close to and connected with. It is about deep cohesion and the relationships we can have together and with each other and it is about losing them. It is about sadness and powerlessness and it's about having to stand on your own two feet and to learn to feel again and carry the beauty we have from each other with us further, even when life doesn't last forever.

In a similar way, Sara Lew's upcoming album “LOUD” is all based around the development of life. It’s about when young people become adults and experience personal confrontations with the past, in which family stories of shame and taboo culture arise from the subconscious. It explores how to rein in anger and grief, to keep your head above water and be a role model for your own children when life all falls apart and how to protect love and togetherness when everyday life rolls on. Essentially, it’s an album about living in the present moment with love for life's stories, memories, moments of happiness but also life’s unforeseen, manifold trip wires.

On the album Sara Lew's musical embrace is intimate, present and raw, with guitar sequences that scratch the enamel of the heart and hit the diaphragm. Sara writes heartbreaking, melodic songs about the trembling complexities of human life and unfolds her own Nordic brand of melancholic, melodic rock. Her style is a hybrid of singer-songwriter, alternative rock, jazzy improv and indie lo-fi which can hook the listener in from many different angles.

On “Out of Nowhere” the music is played and arranged by Sara Lew (vocals and guitars), Anders Filipsen (keyboards/synth) and Jeppe Gram (drums). The track was recorded by, and in collaboration with, sound and studio engineers Troels Bech Jessen and Casper Nyvang Rask. It was produced by Sara Lew, and mixed-produced by Nis Bysted (Iceage & Choir of Young Believers), with mastering by Emil Thomsen.

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Fake A Smile - Don't Stop.

Having gained acclaim from areas such as The Line Of Best Fit, 10 Magazine, Fashionably Early and more on sunbleached debut single Prom Dress, rising Bouremouth based trio Fake A Smile once again stand out from the pack with attention grabbing second single, Don’t Stop. Taken from their upcoming debut EP Shoot Me To The Moon, the track sees them connect again with Mercury Award winning producer Gianluca Buccellati ( Arlo Parks,Biig Piig) on a grit-pop offering showcasing a more sombre tone than their summer ready debut. Speaking on the track, the band state:

"Don’t Stop" delves into the less breezy and more dark, grittier sound of our record collection. Topically current, the single channels new fangled cross-atlantic inspirations from the likes of early Verve and BRMC to the early aughts scenes of 'meet me in the bathroom'.

While working at a hotel in central London, members Jamie and Luca met producer and songwriter Gianluca Buccellati (Arlo Parks, Lana Del Rey, Biig Piig) by chance while he stayed at the hotel to attend and ultimately win the Mercury Prize in 2021. The band introduced themselves, igniting a kinship that resulted in the trio quitting their jobs and flying themselves out to Los Angeles to create their debut EP.

“Straight off the plane from LA, wearing a baggy Hawaiian shirt and cork hat, Gianluca walked through the doors off a bustling Tower Bridge Road into the hotel lobby, where behind the desk, Luca and I saw him walk in, sticking out like a sore thumb against the London commuters,” as frontman Jamie Kravos puts it.

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Zito - Please Don't Leave Me.

Emerging singer-songwriter Zito returns with her supplicating new single and video, “Please Don’t Leave Me” via FAMA Collective. Inspired by real life, “Please Don’t Leave Me” is a bluesy rock-fueled heartbreak ballad that mirrors the agony of the title’s plea. The story offers a glimpse into the critical moment of a relationship’s demise, sprinkled with lingering memories, thoughts of what could have been, pain, and the uncertainty of unspoken words which have been haunting Zito ever since. Diving deep into Zito’s roots, written in isolation in the Pennsylvania countryside, and recorded with close friends, the self-produced track draws from every authentic resource possible to say what wasn’t said then.

Speaking on the single, Zito shares: “The chorus to ‘PDL’ was one of those melodies that honestly comes to you in the moment, as the dust settles and you process what’s going on. The chorus was the plea repeating in my head. I worked on this song for ages, wrote multiple bridges and outros, and actually have a few different versions in storage. But I sang it to myself on long drives or sitting in airports until it was settled enough in my mind to record, produce, and be able to capture its message. She adds, “By that point, producing it was easy because I’d played it in my head thousands of times over. And when I had to record vocals, I revisited those old wounds, sang it out, and got it out of my system. It was incredibly rewarding.”

The accompanying visual brings to life the track’s emotion as a revolving reel of her travels across the US depicts a reminiscent memory, becoming the foreground to the lyrics all while eliciting a nostalgic feel. “I want the visual to feel like those glimpses of memory you flip through in your mind when you’re really haunted by something in the past that you can’t return to. It’s pretty fascinating how many memories we accumulate in our lives and how some of them are so sweet in the moment but end up being so sad to look back on.”

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MOONRiiVR - Blonde Hair Now.

MOONRiiVR is a brand new band from Toronto, by familiar musicians Gavin Gardiner (frontperson of JUNO-nominated indie-folk band The Wooden Sky) and “Champagne'' James Robertson (guitarist for Lindi Ortega and Dwayne Gretzky).

Listening to their debut album, aptly titled Vol. 1, is like entering an unfamiliar room down a long hallway, closing the door quietly behind you, and finding oneself lost in a different world, one where you’re not sure whether you’re looking forward, backward, or perhaps even into a mirror.

Their first single, “Blonde Hair Now” is a celebration of the small moments in our days that make up our lives – a beautiful homage to the gravity of the simple everyday decisions that shape our world. It invites listeners to imagine a world where you’re dancing in the RCA studios with the ghost of a young Elvis Presley or fast asleep between Richie Valens and Buddy Holly in the backseat of that ill-fated flight.

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Lead Pony - Lala Salama - The Drive-By Truckers - The Broken Islands

Lead Pony - Vultures.

San Diego psych/blues rock group Lead Pony release their new single, “Vultures” this week, the title-track to their upcoming debut full-length, which they have announced for a July 14 release.

Discussing the single, guitarist Jesse Hofstee noted, "’Vultures’ is a story about someone leaving their hometown to go to the city and 'make it big'. It’s about change, taking risks and finding yourself, but also a cautionary tale about the vultures that will take advantage of people that are finding themselves, and send them in the wrong direction. It was one of the first songs we wrote for the record that started to lay the groundwork for the sound and idea of this being a record about the city.”

Lead Pony emerged in 2017, releasing their debut EP, Eclipse, and quickly followed with the appropriately titled, double-single, Two Love Songs in 2018. The band toured relentlessly, and had successes getting music placements, including on the TV show “Shameless”. In 2019 the they decided to take a break to pursue other projects and creative endeavors.

In the summer of 2022, the addition of bassist Seancarlo Ohlin sparked desire to make a full-length record. Writing shifted into overdrive with a goal of creating an environment where these songs could really live. In this case, it’s Lead Pony’s imagined version of ‘70s New York City. Various stories weave through Vultures with a diverse range of sounds and styles all glued together with the voices and production that they were able to achieve with producer Trevor Spencer (Fleet Foxes, Father John Misty, Beach House).

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Lala Salama - Summer Love.

Lala Salama, the newest signing to the All That Plazz record label, is joining the summer hit parade with the release of the irresistibly cheerful single Summer Love. The new single, which is being released today May 17, doesn’t pale sonically alongside the world’s biggest contemporary indie bands at all thanks to mastering by American Grammy nominee Ryan Schwabe.

Lala Salama comprises singer and guitarist Rosa Jules together with drummer Aliisa Keränen and bassist Santeri Hytönen, who also play with the band Bad Sauna. Having gained a following in Helsinki’s punk and indie circles, Lala Salama has previously self-published one EP and a single. With their new single, the band is readier than ever.

Summer Love is a wistful but also empowering and rollicking love song that yearns for a summer love in the style of a modern and urban hit. Musical points of comparison can be found in dreampop and Scandinavian nostalgia pop, but also strongly in shoegaze, indie rock and even punk. Bands like Regina, Beach House, DIIV and Wet Leg come to mind. However, perhaps no one has previously been able to combine Finnish melancholy and jagged romanticism with indie rock quite like Lala Salama does.

The strongly feminist DIY band formed during the pandemic, when Hytönen and Keränen fell in love with the demo tapes of singer and songwriter Rosa Jules. The trio bonded immediately, and Lala Salama became a real band. Summer Love will no doubt grab the attention of not only the local punk gang in Kallio but also wider indie circles, both in Finland and around the world.

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The Drive-By Truckers - Goode’s Field Road (Remixed / Remastered).

The Drive-By Truckers will release The Complete Dirty South on June 16, 2023, via New West Records. Originally released in 2004 to wide acclaim, The Dirty South explores the mean highways and dark hollers of what the band called the “Mythological South,” a tornado-ravaged landscape populated by bootleggers and small-time criminals, everyday folks just scraping to get by and looming icons like Sam Phillips, John Henry, and Sheriff Buford Pusser. The album is a reckoning with the place they call home. Pitchfork sang its praises: “The Drive-By Truckers’ Southern rock always sounds homemade, and like liquor from a still, it’s extremely potent… [They] find the connections between these larger-than-life figures and the life-size experiences that shaped them. For them, the South is a stretch of highway where many have died, an ordinary place made extraordinary by human tragedies. The Dirty South is their homemade roadside memorial.”

The ground-breaking album has been re-sequenced and expanded to the band’s initially proposed 17-song track listing. It includes 3 bonus tracks that were left off the original album, and 4 remixed songs featuring newly updated vocals. Also included is a 32-page book featuring original and new liner notes written by the Drive-By Truckers’ Patterson Hood, track-by-track descriptions written by Hood, Mike Cooley and Jason Isbell, never-before-seen photos, and updated artwork by the late Wes Freed. The Complete Dirty South was remastered by the legendary Greg Calbi. This definitive version of the album will finally be available as the band intended.

This week, the Drive-By Truckers shared the remixed “Goode’s Field Road” featuring new vocals from Patterson Hood. He says, “I wrote the song as part of the album as we originally envisioned it as a kind of connective tissue between the state line gang narrative and the more personal songs on the album. We recorded it in Athens during the fall of 2003. When it ended up being dropped from the sequence, it was later released on The Fine Print collection of outtakes and oddities. This version features a new vocal and mix (and is quite a different version from the one on Brighter Than Creation’s Dark). It has always been one of my favorite songs that I have ever written.”

 

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The Broken Islands - Tempest.

Following on from the release of their highly-acclaimed sophomore LP 'Masquerade’ in 2020, Canadian outfit The Broken Islands are now ready to break their three-year silence with the release of their euphoric new single ‘Tempest’. Lifted from their eagerly-awaited third studio album, which is set to arrive later this year, ‘Tempest’ sees them bring back more of that raw and driven post-punk-meets-shoegaze aesthetic they have developed for themselves over the years. Brimming with broad and immersive textures from start to finish, they are returning with one of their most impactful efforts to date here.

To celebrate the release of their new single, The Broken Islands will also be performing a string of shows across the UK throughout May, including a slot at this year’s Great Escape Festival. The Broken Islands are a Vancouver-based quintet who meld elements of ambient pop, shoegaze, post-rock, post-punk, trip-hop and dark wave to create their own distinct sound. With crashing guitars and delicate sounding keyboards weaving around swooning, siren-like vocals, the band’s songs can sound at times like an otherworldly sonic experience while still being packed with emotion and moments of tenderness.

Their well-received debut album ‘Wars’ was released in the autumn of 2017, with the follow-up LP ‘Masquerade’ released in February 2020. The Broken Islands third album is slated for release in late 2023, with full details emerging soon. Like its predecessors, the new untitled third album has been produced and mixed by Dave ‘Rave’ Ogilvie, who is best known for his work with industrial music titans such as Nine Inch Nails, Ministry and Skinny Puppy and was the perfect choice to harness the many influences that constitute the sound of The Broken Islands.

The Broken Islands · Tempest

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The Pairs - Liam Fender - Doug Levitt

The Pairs - Sunday To Tuesday (Live version at EMAC).

Family is what ties The Pairs together. With soaring harmonies, they share stories of life's hope, hilarity, and hardship. An honest, quirky stage presence and their unbottled chemistry quickly connects them with their audience. The line between the stage and the crowd becomes blurred as if we've all pulled up a seat around their lively kitchen table.

As musicians, our work takes us away from home and many people that we care deeply for. It’s a challenge to find a balance between a life of roaming on the road while still nurturing the kind of loving relationships that we each long for – Lead vocalist Renée Coughlin.

The Pairs' new track, "Sunday to Tuesday," was written in a time when Renée was attempting to carve space in her life to be able to hold on to all of the things that she loved. While close relationships at home didn't see the benefits of a Friday to Sunday weekend, and free weekday evenings, Renée imagined all the love that could fill the days between Sunday and Tuesday, when The Pairs weren't on stage.

 

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Liam Fender - Time Comes Around.

Musician and Newcastle native Liam Fender releases brand new single 'Time Comes Around' alongside his most ambitious music video yet. Following ballet dancers Hayley Walker and Owen Kennedy as they dance through the centre of his hometown in North Shields, Newcastle the video features a host of North East cameos from a mixture of local artists and personalities.

Incorporating beautiful guitar-led melodies, softly lilting drumbeats, strings, and poignantly genuine yet feel-good lyrics, Liam notes that 'Time Comes Around' is 'in essence a song about things coming good after a period of prolonged sadness.'

His latest release from his highly anticipated debut EP, lifelong musician Liam Fender has affirmed himself as someone who has music simply coursing through his veins. Having grown up among the people, voices and stories of different musicians, creatives and free spirits of the North East, Liam has an intuitive ability to combine highly articulate and genuine lyrics that are deeply rooted in his own life experiences with stunningly emotive instrumentals - making him a songwriting force to be reckoned with.

The accompanying music video for ‘Time Comes Around’, directed by Sam Gannie, is in keeping with Liam’s authentic songwriting philosophy and is his most ambitious yet. Filmed in his local high street, with many characters in attendance, the video is a very natural and authentic snapshot of life in the town where Liam grew up. Alongside a host of 'blink and you'll miss it' moments, the music video stars ballet dancers Owen Kennedy and Hayley Walker as they swoop through the town centre. Owen choreographed the video’s moving routine and has previously worked with seminal choreographers such as Christopher Bruce, Thick and Tight, and James Wilton, and Hayley has toured the UK with works by Sharon Watson and Joss Arnot as well as having worked with artists including Nina Nesbitt and brands such as Reebok.

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Doug Levitt - Edge of Everywhere (Album).

Singer-songwriter Doug Levitt has released his debut album Edge of Everywhere. Across 12 powerful tracks, Levitt invites listeners on his ongoing Greyhound bus journey over the last decade, sharing the inspiring stories of folks he’s met along the way with more than 120,000 miles logged on the road.

To date, Edge of Everywhere has already garnered praise from the BBC, American Songwriter, Glide Magazine, Music Connection Magazine, Americana Highways, and Americana UK who gave the album a perfect 10/10 while hailing it as “one of the most important albums of the 21st century.” Produced by GRAMMY Award-winner Trina Shoemaker (Brandi Carlile, Josh Ritter, Sheryl Crow, Emmylou Harris), Edge of Everywhere at its core is about empathy and connection, colored by touching vignettes of the human condition as shown on highlights like the poignant “Cold Comfort” and the cathartic “Highway Signs." The album’s stirring narratives range from a parent who faced the law after running from it to a father who blames himself for his son being shot in a drive-by, and more.

In March, Levitt brought the impactful stories from Edge of Everywhere to life at New York City’s Lincoln Center, where he launched his new partnership with Guitars for Vets. Proceeds from that show along with future tour dates and sales from the album will benefit the organization, which provides guitars for veterans and teaches them how to play. Levitt also recently performed at the men’s and women’s prisons in Attica, NY, which was filmed for an upcoming BBC TV and radio documentary (the second in a series).

With a bourbon-rich baritone and a range that reaches the heights of a falsetto at times recalling Cat Stevens, Levitt brings listeners along on a transcendental trip in which we are all travelers on a bus writ large. Perhaps it was suffering tragedy as a young person which made Levitt so receptive to other people’s stories. When he was 16, he tragically found his father dead by suicide. For years, he says, he couldn't cry and turned to music as an outlet. But before using that music to reflect the journeys of others, he set out on his own, first at Cornell, where he studied Critical Thinking with Carl Sagan, and then as a London-based foreign correspondent for CNN and ABC filing dispatches from such places as Iran, Rwanda, Bosnia and Gaza.

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Margo Cilker - Dubmatix - Annie Bartholomew - Madeline Kenney

Margo Cilker - Lowland Trail.

"Lowland Trail" is the first song to be taken from the eagerly anticipated follow-up to her acclaimed debut Pohorylle which Uncut described as "one of the most auspicious debuts of recent times" back in 2021.

The new album "Valley Of Heart’s Delight” is released on September 15th and sees Cilker working with the same team of Sera Cahoone on production duties with John Morgan Askew recording the album at his Bocce Studio just outside Portland, Oregon.

Cilker says of "Lowland Trail": I wrote this song living in a place where a rise in elevation paid off spectacularly.  And I would climb. Yet, I began to crave just placing one foot in front of the other; a more meditative wandering. Less risk, less reward.

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Dubmatix - The Ska Sessions (Volume 1). 

For the past few years I’ve had an idea bubbling around my head - could I create a song a day, and for how long? In December 2022, I decided to test this concept out and see what would happen starting January 2, 2023. As it turns out, a lot of things can happen and this is just one of them - a full-length Ska album. Over the past 20 years, I had never thought about creating a ska album, but sometimes when you dive into fresh waters, your perspective can be altered and new opportunities appear. That is how this all began.

Starting on January 2, I set out to produce an 8-bar song idea each day, which gradually evolved into sharing 30-second videos and eventually creating full-length songs and videos over the first four months. To date, over 125 song ideas have been created so far, choice ones that resonated with me became full-length songs in the ska style. This adventure has garnered a positive response from an enthusiastic audience, particularly in the ska genre, which I love but have not previously produced much music in.

Delving into it headfirst, I built tracks that pay tribute to the originators of the genre and the 2nd wave movement of Two Tone. What began as a bucket list idea has turned into something wonderful that Dubmatix has thoroughly enjoyed sharing with people and connecting with in a new way.

The vocals used in the album are from loop packs since I work fast daily on new music to achieve this goal. Although there needed to be more time to work with singers, I felt it was important to share their names and give them credit as they are unique and well-known and help to bring these songs to life: The Ragga Twins and Dennis Alcapone plus Double Tiger - Jesse.

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Annie Bartholomew - All For The Klondike's Gold.

After nearly a decade of performing in Alaska’s rowdy bar scene, Juneau folksinger Annie Bartholomew became haunted by the stories of sex workers during the 19th century after touring the brothel museum at Skagway’s Red Onion Saloon. This week, Bartholomew shared the new single and music video for “All For the Klondike’s Gold” from her debut album Sisters of White Chapel.

After conversations with her friend, Arkansas songwriter Willi Carlisle, the scope of the project came to include a play and stage show. The result is her debut album Sisters of White Chapel, out June 16. The music accompanies a play that she wrote Sisters of White Chapel: A Short But True Story, which premiered to acclaim in Bartholomew’s hometown of Juneau. The first single will be “Sisters of White Chapel,” referring to the red light district in Dawson City.

“All For the Klondike’s Gold” is accompanied by driving guitar and fiddle, and is sung by women, abandoned by their male companions but now joining together to survive the gold rush. Annie says, “’All For the Klondike’s Gold’ is adapted from a 1901 miner’s poem anonymously published in the Klondike Nugget, that empathizes with women left behind in the Northland due to the deaths of their male companions. These were the tragedies and very real economic realities that made women turn to sex work.”

In contrast to the art created for tourists, Annie envisioned a musical work that would share these omissions of Alaska’s mining past, and embody the stories of women in Victorian-era Alaska. Through archival materials, personal history, and Alaska’s stringband traditions, Bartholomew brings these women to life, extracting the emotional truth of who they were, why they risked everything to follow a gold rush, and their subsequent journeys and misadventures along the way.

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Madeline Kenney - Superficial Conversation.

In the quiet surrounding the pandemic, Madeline Kenney made sonic sketches in the basement studio she shared with her then-partner. She arranged phrases that called her—the sharp knife of a synth cutting a path along a blooming arpeggio, drums stuttering firm and tight. Working this way, she amassed a collection of songs she had no particular aims for. Some formed her 2021 EP Summer Quarter, others languished.

But in 2022, Kenney’s partner left suddenly and without warning, plunging her into the solitary act of untangling what happened. In the wake of her ensuing depression, she revisited these songs and found in them something prescient. She’d already laid the foundation for A New Reality Mind, her fourth LP (due out July 28th via Carpark Records) which she is announcing today with the album's first single "Superficial Conversation," alongside the track's self-directed video.

That her relationship’s end came without warning is only half true, though. The warnings were in the feelings and fears that inspired Kenney’s critically-acclaimed third album, Sucker’s Lunch (2020), which was co-produced by Jenn Wasner (Flock of Dimes) and centered around the idea of flinging oneself freely into the seemingly-assured destruction of new love, come what may. If sonically Sucker’s Lunch was letting yourself be pulled into the warm bath of a good story, A New Reality Mind reflects the harsh light of truth coming to break the spell. But as sobering as morning light can be, there’s brilliance to it, too. To see in the clarity of day is a gift. A revolution.

This is Kenney’s most expansive work, while also her most solitary. Produced and recorded alone in her basement, these songs are manifestations of what it feels like to be transformed by pain. Textures collide and collude; sonic ornaments emerge and dissipate capriciously; saxophones soar untamed. There's a propulsive power in the album, and there’s also acceptance, self-forgiveness, and a willingness to move forward into life, with all its ways of making a sucker of you. “That way of living, I’m over it,” Kenney declares of the habits that hold her back on "Superficial Conversation." “I do not need to be reminded of what I did,” she assures, the song opening wide and beaming, like a smile expanding to taste a new breath of air.

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Ålesund - My Name is Ian - William The Conqueror - Sneakpeek - Krooked Kings

Ålesund - Rode Off Into The Sun.

Bristol-based alt-pop outfit Ålesund release their single 'Rode Off Into The Sun', today May 12th 2023. The second single to come from their upcoming EP, Rode Off Into The Sun is a triumphant, up tempo, galloping tune that is made for summer months.

Fronted by the ethereal vocals of British-Norwegian singer-songwriter Alba Torriset, Ålesund's sound is a fusion of dreamy pop hooks, atmospheric soundscapes and alternative rock riffs, which have drawn comparisons to the likes of Kate Bush, Florence and the Machine and London Grammar.

Lyrically, Rode Off Into The Sun reflects on the admiration held for a character who knows her worth, who picks herself despite any adversity and makes the best out of any situation.

“I was so impressed by a friend who had been dealt a rough hand and instead of wallowing and seeing the glass as half empty, she just dusted herself off and charged on with making the best out of her life. It was inspiring to witness and became the main theme of the song”, says vocalist and lyricist Alba Torriset.

 

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My Name is Ian - Thank You.

‘Thank You’ is the latest release from the Cardiff-based band, My Name is Ian. The track is released today May 12th and is a tribute to the people who have supported them over the years, drug smuggling, Stephen Mulhern and falling in love.

‘Thank You’, is the first track from the band’s upcoming 8th studio album: ‘GO BANANAS GO BANANAS GO BANANAS GO BANANAS GO BANANAS’. The record will be full of the trademark blend of catchy pop melodies, witty lyrics, and infectious energy. Songs about hating your life, loving your life, Norwegian families, coconut crabs, 90s television shows, feeling like a loser, not trusting the government and Peppa pig. There is something for everyone.

Creatures of Cardiff, My Name Is Ian have already built a back catalogue that would have taken The Stone Roses millennia to mirror. Since 2010 their output of has dealt with break-ups, breakdowns, mysterious lion paintings and characters from the Tom Hanks movie Big. This restless productivity has seen genres including but not restricted to lo-fi, bedroom punk, garage rock, prog and anti-folk, all filtered through the pop-oriented cranium of frontman Reginald Foxwell.

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William The Conqueror - The Puppet And The Puppeteer (Live at Marshall Studios).

William The Conqueror have just unveiled their new single ‘The Puppet and the Puppeteer’. Taken from their forthcoming album ‘Excuse Me While I Vanish’, out 28th July on Chrysalis Records, the track is the follow-up to last month’s single ‘Somebody Else’. Produced by the band in a playground of vintage gear and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the ten tracks on ‘Excuse Me While I Vanish’ marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic.

“’The Puppet and the Puppeteer’ could be a Jekyll and Hyde or Frankenstein's monster story—about wrestling with or losing control of your creation—who controls whom,” explains frontman Ruarri. “I definitely feel like William has the upper hand sometimes.” Harry and Nae add, “It's a favourite for us in our live shows. It deserves to be played loud, on a big sound system. You can bring the hustle, the mosh and the lighter sway to this party.”

‘Excuse Me While I Vanish’, very nearly didn’t happen. Following the imposition of lockdown restrictions, Joseph found himself cocooned at home in Cornwall, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.

“My wife was insomniac for the first six months of lockdown, which made it impossible for me to moan or grieve the fact that everything I’d been working on for the last five years had come to a standstill. It was a much-needed perspective and made me realise what a selfish undertaking William had been – navel-gazing with my head in the clouds when what people needed was boots firmly on the ground, preferably on the feet of someone like Mandy.”

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Sneakpeek - Strawberry Reality.

Los Angeles duo Sneakpeek share their latest single, “Strawberry Reality,” a psychedelic liquid lullaby inspired by Dora Hiller’s visual artwork, which she creates collages from vintage magazines, and appears in Sneakpeek’s artwork.

“Strawberry Reality” is the third single shared from Hiller and Aric Bohn’s long awaited sophomore album, Scene Within A Dream, due out June 2, following “Serendipity,” in March, which Under the Radar called, "an intoxicating haze of pulsing rhythms and iridescent synth textures.” And “Dreams That You Discarded,” which signaled the duo’s return last November. Buzzbands LA called the single, “exhilarating and vaguely dangerous, with Hiller’s airy vocals casting sublime charms over swirling, rubbery synths.”

Sneakpeak released their self-titled debut album in 2013 on Burger Records, with the LA Times hailing it as a, “noisy nine-track album offering up heavy, druggy guitar riffs that’d make Kurt Vile (or Lou Reed) proud.” While that record combined elements of dream pop with grungy, garage-rock sludge, Scene Within A Dream finds the duo heading in new directions.

Surrounded by walls of synthesizers and vintage drum machines in their Glassell Park studio, Dora and Aric leaned into their psychedelic abandonments, pushing their mostly analogue gear to its limits. “We love obscure electronic music from the 70s, 80s + 90s,” notes Hiller, “and wanted to experiment with a new sound that embodied those elements but with our own spin on it.” Throughout Scene Within A Dream, Sneakpeek explores the world of dreams, the mysteries of nature, mortality, magic and manifestation; old Hollywood studios, non linear timelines, synchronicity, and paranormal experiences, leading the listener out onto a surreal, dreamy dancefloor.



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Krooked Kings - All Out of Good Days (Album).

On the back of a stand out SXSW, rising Salt Lake City based indie rock quintet Krooked Kings have released their brand new album, All Out Of Good Days.Produced by surf-rock darling Day Wave, the album is a body of work built on garage rock roots and decorated with indie-pop choruses.  With 13,000 tickets sold on the west coast of North America before the album release, Krooked Kings are a DIY success story who have built a fan base on the back of a committed touring schedule, driving guitars and vibrant vocals, All Out Of Good Days promises to take Krooked Kings to the next level. Speaking on the project, they state:

 ‘We’re just five guys from Utah making music both for pleasure and to process our experiences of the world. This album is a scrapbook of thoughts and feelings bound to the time we wrote it. It’s about the weird time between college and the rest of your life and everything that surrounds that. About how utterly confusing, depressing, and joyful it can be.’

A grass roots band who were raised in the Mormon faith before taking the decision to walk away from the religion and embrace music, Krooked Kings are a unique band with a unique story. In 2019, a group of five college friends from the University of Utah came together to write music and play shows in backyards and basements. Over the course of the last few years, the band has proven time and again their ability to write heartfelt indie rock gems. After signing with Los Angeles based indie label Nobody Gets It Records in 2020, the band released their breakout single, “‘96 Subaru”, which has amassed over three million streams. By September 23, 2021, Krooked Kings released their debut project, The Comedown. After the release, Krooked Kings hit the road on two support tours with Goth Babe and Rare Americans, as well as three headline dates in Denver, Salt Lake City, and Los Angeles.

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Kacey Johansing - Jérémie & The Delicious Hounds - LOW-RES

Kacey Johansing - Daffodils.

Today Kacey Johansing announces the upcoming release of her new album Year Away. The LA-based songwriter has also shared a new video for “Daffodils,” the first single and a stunning centerpiece to the album, built from a pastiche of looping samples, swirling Mellotron and dazzling vibraphone. Year Away will be released on July 28th via Night Bloom records.

An elegiac tribute to someone facing death with grace and curiosity, “Daffodils” finds Johansing confronting own mortality by observing the brief lifespan of a flower. “Keep your heart open wide, you never know your time / Keep your heart wild, true flower child”, Johansing sings as she says goodbye to an elder, while the band reaches a grief-stricken crescendo of woodwinds and chiming bells.

Johansing writes, “Daffodils are one of the first flowers to bloom as the earth begins to thaw, coming even before spring and often emerging from the snow. The vibrant yellow is a sign that a seasonal shift is on the horizon, a gesture of hope and light, even in the darkest of times.”

Throughout Year Away Johansing traverses similarly uncharted emotional landscapes brought upon by the changes occurring all around her. When the world came to an abrupt standstill in 2020, she found herself simultaneously processing this recent personal loss while trying to make sense of a new global reality. She began to fear her Los Angeles musical community was vanishing, as friends and collaborators continually announced they were leaving the city. Across the ensuing months, Johansing found herself increasingly untethered by a world of isolation and political upheaval.

It was in returning to her piano nightly that she found the greatest solace, feverishly writing the songs for a new album. This new sense of time and focus served to help deepen her songwriting. As Johansing recalls, “I felt like a metamorphosis happened during that time. There was a lot of personal growth and healing.” 

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Jérémie & The Delicious Hounds - 'We Haven't Met Yet.

Jérémie & The Delicious Hounds are new-age fosterers of soul music with a uniquely Canadian twist. Hailing from St. Boniface, the old French quarter of Winnipeg, they have crafted their identity as bilingual artists with their first full-length album, Cruel. Infusing nine fun-loving songs about amour and heartbreak in a mixture of both English and French, the LP serves as an authentic representation of the languages they speak at home. With the support of seasoned producer Murray Pulver, Cruel was recorded "live off the floor" to capture their vintage soul aesthetic and vibrant live performance energy.

The record's focus track, "We Haven't Met Yet," came about when lead singer/guitarist Jérémie came up with some lyrics for a chorus and shared them with lead guitarist Ryan Toupin, who found them inspiring and wrote several verses. The lyrics reminded Ryan of his single days when he would feel too shy to approach any of the beautiful girls he encountered, whether on the bus, at a bar, or in this case, at the library. He had always fantasized about meeting an intelligent girl who shared his love of books.

The Delicious Hounds name is a play on words about their "delicious sound" of smooth melodies, juicy guitar riffs and tasty horn licks. Jérémie's smooth yet smoky voice is accented with a brilliant brass section to deliver round after round of phenomenal hits on golden platters. His staple friendliness, positive vibes and charismatic nature culminate into a profound presence that leaves listeners swooning for another bite of the eight-piece band's modern twist on old-school rhythm and beats.

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LOW-RES - Därför (Album).

Following on from the release of their highly praised four-track EP ‘Du å ja’ last year, Swedish duo LOW-RES now return for 2023 to deliver their explosive new album.

Right off the release of their most recent single ‘Stigma’, teaming up with seminal artist Johan Hinders of Audionom for the release, LOW-RES anticipates their album, ‘Däför’. The pair return with all the same power and captivating post-punk textures they are known for. Brimming with a raw and driven aesthetic that flows elegantly between their electronic and organic elements, their newest release cements them as one of the more riveting names on the scene today.

Stockholm based duo LOW-RES writes pulsating pop tunes influenced by 90s ambient guitars and analog synthesizers. They made their debut in 2021 with the full-length album ”Varför” featuring guest appearances by Jukka Rintamäki (Silverbullit) and Per Nordmark (Fireside) among others. A four-track EP "Du å ja" followed in 2022 with a refined sound of analog drum machines and Swedish lyrics.

The eleven songs on ‘Därför’ drag you in, one by one, to a parallel universe where music from bygone eras, like krautrock, early electronic pop/rock and psychedelia, are alive and well and sounding as fresh as ever in modern-day Sweden.

“Varför and Därför belong together,”says LOW-RES. “Both records were written in the same vein and with the same approach: fast, creative and with many collaborations that colour the expression. We have a lot of fun making music and it works as an antidepressant. We just heard the term Art Therapy and that pretty much sums up why we do this.”

Adrian Recordings · LOW-RES - Därför

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ANGHARAD - Natalie Gray - The Bablers - Georgia Mooney

ANGHARAD - Because I Am A Woman.

ANGHARAD is an artist and songwriter with fire, passion and unflinching honesty at the core of all her music. The first single from her debut solo album had to be ‘Because I Am A Woman’, a confident and positive ‘call to arms’.

As ANGHARAD explains: “‘Because I Am A Woman’ was written as a response to the widely accepted beliefs in the music industry that it’s not possible to be a mother and have a successful career.

I received some hostile reactions myself when I announced that I was pregnant. I was told that I was unambitious and that I was no longer serious about following a career in music. These outdated, sexist attitudes need to change.

This is a call to arms to any woman who has experienced similar attitudes and expressing the need to stand up for change. Rather than getting angry about it, this song says “yes we can!” And “yes, we are capable of anything!” I believe it is possible to have both, and do both well, when society will allow us.

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Natalie Gray - The Me I Pretend To Be.

The Me I Pretend To Be is the latest single from Synth-Pop artist Natalie Gray. Grabbing inspiration from some of Natalie’s favourite artists such as Cyndi Lauper and Madonna, as well as more recent artists such as Paramore, Kings Elliot and Lawrence, this song embodies the desperation of losing yourself and hiding behind a smile and a cliche whilst it feels that your world could crumble at any second.

Following the success of Natalie’s previous single “Fire” supported by BBC introducing, The Me I Pretend To Be steps away from her usual upbeat and colourful sound and brings a more honest and nostalgic feel, touching on the reality of living with mental health issues such as anxiety and depression, a theme that a lot of us can relate to.  This latest track is Natalie’s first time opening up about her own personal experience with living with PTSD and struggling to find her old self.

Instead of reaching for your hairbrush and throwing your best 80s dance moves infront of the mirror, The Me I Pretend To Be will have you opening your old photo albums and coming face to face with your own demons.

Natalie has teamed up once again with childhood friend and personal agony aunt Jack Craig, (the producer behind “Dance Floor” and “One In A Million”) to create this vulnerable and heart string grabbing song.

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The Bablers - Mr King.

Bablers founder, singer-songwriter and multi-instrumentalist Arto Tamminen – who's led the band, now alongside Janne Haavisto (drums, vocals), Pekka Gröhn (bass, keyboards, vocals), and Hannu Pikkarainen (guitar, vocals) since its late '70s genesis – tells us about the track and how it difers from the boisterous guitar pop of the two prior single. “It's built to be a classic big piano pop ballad, the kind you've rarely heard since the golden days of pop.” And that's exactly what “Mr. King” delivers: intimate, intense, bold, confdent, and powerful, the tune has a million dollar melody that sticks in your mind, and a timeless message. As with all of the tracks from the LIKE THE FIRST TIME sessions, the song is played 100% live with original instruments: upright piano, electric guitar, bass and drums. The band’s sound is glued together, tight yet fexible, and the take heard here has a magic and a mood you can almost touch. It makes you listen, demanding attention that will be rewarded.

Tamminen lays out the backstory behind the emotive lyrics, ofering insight into the choice to release the song as the English monarchy – and so much of the world – enters a new era. “It’s been a long day. A lot of public activities. Horses and soldiers. Roaring audiences. Applause. Flags. Smiling faces,” explains Arto. “Finally, at the castle, someone is knocking at the door. It's troubadour asking permission to sing a song, crafted especially for the occasion. Permission is granted. He starts to sing, and in the chorus asks the most important question...”

Both the deft handling of the subject matter and the richness of the music mark a true change of pace after the previous two singles from The Bablers. That versatility won't surprise longtime fans or anyone who's heard the band's thrillingly eclectic and lovingly crafted 2021 Big Stir Records album PSYCHADILLY CIRCUS. But it's all too rare to hear a new work of this depth and purity of sound on the radio these days, and that alone is reason to celebrate another triumph from THE BABLERS, who are rapidly ascending to the throne they have long deserved: the Kings of Finnish Guitar Pop, and royalty on the global stage as well.

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Georgia Mooney - Break It Off.

Pulling inspiration from the theatrical sounds of ABBA and Rufus Wainwright, ‘Break It Off’ is pure high drama, a melodramatic and shamelessly camp take on infatuation ending in pain, fuelled by desperate yearning and stubborn sentimentality.

Georgia Mooney shares “it is about being powerless to somebody’s charms. When a relationship is terribly bad for you, but the infatuation is overwhelming. When you’re not receiving enough in return, there is a desperation that the person will have a miraculous epiphany and realise they’re actually madly in love. There is an inability to let go of that hope, to the extent where the only option is to be dumped ruthlessly!” Mooney’s celestial vocals dance above luscious layers of instrumentation: gentle piano, a 70s-esque synth, and shimmering strings, all buoyed by bass and shuffling drums reminiscent of classic 60s pop.

 The ‘Break It Off’ video sees a dazzling 80s-worthy collaboration with Eora-founded aerobics queens Retrosweat. Devised as “if Pat Benatar made an instructional workout video”, Georgia Mooney sings as a portrait on the wall of a beautiful, surreal set that the trio of dancers perform in. As well as being wonderfully theatrical, it’s also the avenue through which Mooney presents an ode to one of her greatest loves - Benedict Cumberbach. She shares, “It is no secret that I have something of a celebrity crush on Benedict Cumberbatch. I do not suffer from celebrity worship syndrome in general, nor do I ever get star struck, I cannot explain the spell that was cast on me when first I clapped eyes and ears on Cumberbatch. Surely something to do with the rather lovely, clever-sounding accent and the period costume attire…When I wrote the lyric “you’re not a patch on Benedict Cumberbatch”, I gave myself the rest of the day off.”

Georgia Mooney's upcoming debut album ‘Full Of Moon’ features previously released singles ‘War Romance’ and ‘I Am Not In A Hurry’. The record is a meticulously crafted sonic universe that tells stories of the beauty and potency of vulnerability, and the complexities of connection and perception, carried by Mooney’s soaring ethereal voice over lush, cinematic soundscapes.

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