Monday & Guitars At The Ready: Great Outdoors - Maths And The Moon

Great Outdoors - Dad's Oasis.

Background promo - Guitars have been with us for so long now, it's hard to feel refreshed by them, but it still happens from time to time. With the warmth of a technicolour cartoon comes 'Dad's Oasis', the debut release from Great Outdoors. Amidst working on releases with Totally Mild, Full Ugly, Lehmann B Smith and Free Time, productive overachiever Zachary Schneider has used up his spare time to slowly chip away at a solo LP. Since the bands conception in 2011 the group have remained incredibly selfish, with no releases.

Dad's Oasis was recorded by engineer/house mate Rhys Corr then mixed at Phaedra Studio's with the masterful John Lee (Lost Animal, Pikelet), the album pokes its head and shoulders above the tarpit of guitar-pop emanating from Melbourne, Australia. Rich refreshing textures swell in your speakers with a mercurial nature. These sounds all brought forth by the width and movement of Lehmann Smith's bass, the skewed and warped sound of Schneider's guitars and the lyrical drumming of Johathan Mendelovits. Almost bordering on chamber pop, we hear from old friends like Bass Clarinet, Saxophone and Marimba. However, we're left with enough space to absorb everything in our own time, as the group do away with Phil Spector's wall of sound.

Lyrically, we hear the perspective of a person ducking and weaving their way through relationships in this post-internet generation of 20-somethings ready to call out anything and everything. Themes of betrayal and relationships based on depression and abuse are the perfect juxtaposition to this sunny, bright and uplifting record. Maybe it's because that's how it feels to be in one. We are left with an overall feeling of buoyancy, the album being a real time gestation of a relationship and its release being the break up.  

'Dad's Oasis' is the title track and one of nine thoughtfully developed songs on the album. It's a collection of indie pop and rock music, laden with melodic songs, intriguing lyrics, and exceptional production. Every song has character, there are no passengers on this album, and the featured track is a worthy introduction.


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Maths And The Moon - Futurist.

Background promo - Maths And The Moon are back with their second full-length album 'Familiar Strange'.  Lost in the forest with nothing but shadows, memories and strangely familiar characters, Maths And The Moon present the listener with a collection of thrilling new songs. Brand new tracks 'Magic' and 'Boomerang' sit in full-tilt alt-rock territory alongside recent single 'Futurist' (09.03.16), whilst 'Amongst Trees' and 'Psych-Seeing' weave the listener down a more obscure path into the woods.

The band generate a direct and focussed noise throughout the album, whilst keeping it fuzzy at every opportunity. Catch them live at selected UK shows this Summer "Familiar strangely comes to greet me, I shake his hand but he’s a hologram" 'Boomerang'

Recorded and produced by the band in their Southampton studio, the album will be available directly from their bandcamp page (Here) and across all major digital stores. Maths And The Moon are Andy Fielder (guitar/vocals), Luke Taplin (drums) and Matt Hirst (bass), and formed 2010.

The album 'Familiar Strange' comprises of nine enticing songs, that will appeal to those who enjoy the flavours of Alt Rock music, and quite probably to many more people as well. The band mix up the styles, there's some slow builders, full on rock pieces and even some softer material. Featured song and opening track on the album 'Futurist' gives an idea of what's in store, in what is a pretty cool album.

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Genre Wander: LiquidLight - Jamie Berry (ft. Octavia Rose) - SKYES

LiquidLight - You Never Remember.

Background promo - Selected as Portland Oregon’s 2015 Best Emerging Alt Rock Band, LiquidLight has momentum and they aren’t stopping any time soon. Their newly released first full length album, Uninitiated showcases a band with tremendous potential as a pop-rock powerhouse. Referencing post-punk and alternative bands such as Husker Du and The Replacements, LiquidLight has been described as “melodic, thoughtful and jingle-jangly as well as shred-crazy and powerful”. Founder Anthony Medici’s catchy song writing style and lead vocals steer the tight musicianship obvious in the band. LiquidLight has managed to produce an album that is not quite like anything else hitting your ear drums lately, pursuing balance and clarity with respect to great rock tradition and a sound uniquely their own.

In an age where popular culture pushes to “out-extreme” the latest and greatest, LiquidLight pursues balance and clarity with respect to great rock tradition. With a high standard of execution, strong melodies and elements of psychedelic and alternative influences, the music conveys a new, yet referential optimism.

Songwriters Anthony Medici and Cory West, the leading forces of LiquidLight, are each highly accomplished multi-instrumentalists backed by an explosive and versatile rhythm section - drummer Zack Rodrigues and bassist Gage Dean. Medici's lead vocals lend a cryptic yet powerful element to the sound and structure of the band, echoing the melodic sensibilities of the college/alternative era.

The songs and album have been around for a few months, however they must have passed me by first time around. Anyhow, catching up on them has been more than worthwhile. The featured song 'You Never Remember' has an addictive laid back melodic, indie rock feel to it. The band are more than able to deliver more punchy material along the way, as demonstrated on the current album 'Uninitiated' which mixes up the rock'n'roll, keeping the listener in expectation of what's to follow.

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Jamie Berry - Lost In The Rhythm ft. Octavia Rose (Original Mix).

Background words - They last recorded together back in 2012 creating the electro-swing classic Delight. Now, this year Jamie Berry (Electro-Swing producer & DJ from Leeds), teams up again with enigmatic singer Octavia Rose with their new single through Flak Records 'Lost In the Rhythm', which will feature on their upcoming debut album later on this year!

Fusing original vintage style vocals, horns, and Gypsy guitar, with contemporary analogue bass synths and energetic beats Lost In the Rhythm is Jamie’s biggest production yet, and is the start to a very exciting first album!

This is such a fine song, what's not to love about it. Octavia Rose's vocals are so well suited to this style of song, whilst Jamie Berry delivers a wonderfully rich take on swing. Vibrant throughout the song is a roller-coaster of  swirling musical vibes that non dancers will struggle to stay still to.


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SKYES - Quarks.

Background promo - SKYES releases their highly anticipated Quarks EP. The EP release follows the success of SKYES first few singles, "Quarks" "Dry" and "Give Me More." The hauntingly brilliant tracks showcase lead singer Dallin's vocal ability and range, as well as the bands overall original and unique style. The band had a massively successful SXSW run, having performed two official showcases and opening for band, X Ambassadors.

"Quarks" has achieved massive viral success as it was featured on Spotify's New Music Friday and Weekend Buzz play lists last week with over 149K listens to date. The three members of SKYES like to say that their band was born in the back of a van, somewhere in the middle of America.  More specifically, they describe, “where the drive from New York City to Los Angeles really starts to take hold, right around Joshua Tree.”  So, maybe, SKYES is a perfectly appropriate name, illustrative of an endlessly talented trio whose music the 405 has called “a mysterious, holy-like experience.”

Formed in 2010, SKYES is comprised of Dallin Knightly (vocals/piano), Dan Tirer (guitar) and Artie Fleischmann (bass). Dallin and Dan grew up in the Philadelphia suburbs, while Artie’s first musical playground was about 150 miles up 1-95, in Long Island.  After playing together in bands like Funky Butter and Emanuel and the Fear, Dallin and Dan joined rocker Ryan Star’s touring band, where they met Artie.

Since their inception, SKYES has evolved from a ragtag sleepless rock and roll rebel rousers to an experimental synth-pop powerhouse, releasing several acclaimed digital singles and an eponymous EP along the way.  Drawing on influences like Tom Waits, Talking Heads and Radiohead, SKYES has perfected a sound that is as powerful as it is ethereal, highlighted by buoyant rhythms and Dallin’s seductive, silky vocals.

Title track from the EP and previous single release, 'Quarks' is a good indicator of the fine quality of material contained on this five track EP. The band can mix up the energy, moods and rhythms, and are not afraid to experiment within what is broadly synth-pop music. It's a good collection of songs, from a band who have clearly honed their skills and know how to write and produce some very good material.

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Saturday &: Juke Ross - David Ellington

Juke Ross - Not A Blade Of Grass.

Background - For over 100 years Venezuela has tried to claim that a vast swathe of Guyana, an area west of the Essequibo River that is home to indigenous villages and mining camps, abundant with deposits of gold, diamonds, bauxite and other minerals, belongs within its borders. Last year tensions escalated once again after Exxon Mobil, conducting work on behalf of the Guyanese government, discovered oil off the shores of the disputed land; Venezuela tried to stake a claim to the oil.

During another border dispute flare up in the 1970s one of Guyana's favourite musical sons - Dave Martins, was inspired by a Native American Chief's speech refusing to bow to the white man's invasion of their land and wrote a resistance song for his countrymen. It instantly connected with his people and became part of Guyanese folklore.

"The Chief spoke about his people’s love for their land," recalls Dave Martins, leader of the legendary Tradewinds. "That they would not give up one river, not one buffalo, not one valley, not even one blade of grass. In a flash, it hit me; that was the way to write the border song – it should talk about Guyanese love for Guyana and not mention Venezuela at all."

The lyrics are simply incredible. Beautifully crafted, defiant and relevant today to Guyana and just about anyone else who ain't into backing down. Guyana has also produced another musical son - Juke Ross, who possesses a voice that God took special time to pour out when he was depositing the gold, diamond and oil in the depths of Guyana. The universe will undoubtedly be hearing a lot more from Juke Ross in the future, but until such time he has, with Dave Martins' blessing, recorded a cover of Not A Blade Of Grass. The 2016 iteration sees Serani commanding the production and is being released in time for Guyana's 50th Independence Anniversary.

This is such a beautiful song, whether you know of the history behind it or not. Juke has an infectious voice, and the delicate harmonies and finely structured music that sit behind his vocals are a delight.

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David Ellington - Goin' To Church.

Background promo - Blue Canoe Records has released “Marbles From A Drawer”, from versatile keyboard player David Ellington. “Marbles From A Drawer”,produced by Coy Bowles of Zac Brown Band, features many acclaimed guests and focuses on smoky, keyboard-based blues that is contemporary while still maintaining an old school presence. David Ellington grew up in Connecticut learning in as many musical situations as possible. From garage bands to church and school bands, he viewed all of these musical experiences as  ways to learn. After high school, Mr. Ellington continued his education in Boston at Berklee College of Music. 

He moved to New Orleans,Louisiana in 1983 where he played and recorded with many local legends including Walter “Wolfman” Washington and Troi Bechet among others. Mr. Ellington also created afro cuban jazz group Chevere during his time in New Orleans. Cheer recording “Baila Mi Ritmo”was chosen by Times Picayune music critic Keith Spera as one of the Top 20 recordings of 2001. During this time, he continued learning as he studied under Ellis Marsalis.“Marbles From A Drawer” begins in sultry fashion with “Goin’ To Church”. Mr. Ellington captures the listener’s ear with an expanding groove that gets deeper and funkier as the track breathes. It fills senses while remaining simple at heart. As the keyboard foundation gives way to a sizzling guitar solo, the interplay between players gets bigger while maintaining its simplicity and catchy feel. At the end, the audience is left wanting more while their feet are still tapping.

On “98 Bottles”, Mr. Ellington features Clay Cook on vocals. Mr. Cook is famous for co writing hits with John Mayer including “No Such Thing” which won the 2003 ASCAP award for Most Performed Song. “98 Bottles” is a melancholy song about waiting remorsefully for a lost love. The haunting keyboard textures add to the wistful regret as the vocals build and fade. Ellington and Cook combine to move the listener as the track ends in a dream-like fade.

Not the whole song sadly but a flavour of what are eight fine songs on the recent album 'Marbles From A Drawer'. Worth a mention at the very least, and a style of music popular with a good number of our regular visitors.
 
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Friday Double: Penny for the Workhouse - Charlie Haley

Penny for the Workhouse - Smoker At The Window.

Background promo - Formed in 2012, the band's unique ‘Folk ‘n’ Roll’ style marries the energy of Indie rock with the captivating storytelling of Folk. With catchy lyrics and toe tapping drum beats, Penny For The Workhouse are bursting with personality, always making their audience feel part of their performance. 

Their self-released debut EP “Coins and Cards” (2012) was met with 5 star reviews on iTunes and also by Paul Weller, the Modfather himself!
In 2014, the band’s follow up EP “Jack The Gun Slinger and Other Tales” was recorded at The Animal Farm in London. Along with a sold out successful launch night at The Camden Enterprise, tracks from the EP were picked up for radio play and the band also donated the title track “Jack The Gun Slinger, Country Singer” to feature alongside the likes of Noel Gallagher on The Pete Quaife Foundation Charity CD, “Legends; Shoulder to Shoulder”. Later in 2014, the band were lucky enough to support folk legends Slim Chance at Dingwalls, Camden, celebrating the release of Ronnie Lane’s Greatest Hits Album. As well as this, the band was asked to support P.P. Arnold who was playing for the Christmas Mod Ball at The 100 club in London.

The Band have caused quite a stir on YouTube with their Punk cover of “Pick a Pocket” from the musical Oliver, by amassing nearly 10,000 views of the music video in just a couple of months thus collecting many new fans from across the globe.

2015 saw the band push forward with new material and have recorded their 3rd EP Live at SoundLab Studios, Essex and continued to gig throughout the UK showcasing their unique “Folk’n’Roll” style. Summer 2015 saw them perform at their first festival, Livestock Longdon in Gloucestershire alongside the likes of The Feeling, Scouting For Girls and The Hoosiers. The band continues to pick up new fans at every stop along the way, getting the world ready to start the Workhouse revolution!

Live Dates:

24th June - EP Launch, The Good Ship, Kilburn, London

There's something quite fun and mischievous about Penny For The Workhouse. Featured song 'Smoker At The Window' gives a good example of the energy that abounds in their music, which can be really hard to pin down into any one style. Upbeat and different a little bit punk and folk and country and rock'n'roll, the band deserves to be noticed.

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Charlie Haley - Today.

Background bio - Charlie Haley spent most of his young life playing live music, bouncing his clarion voice off the walls of college campuses, churches, coffee houses and even prisons around Illinois, long before he thought about recording his material for posterity. It is this old fashioned sense of craft that makes Haley’s sound appropriate for the times and also timeless.

Keeping his head down and focusing on his developing talent didn’t negate the opportunities that seemed to seek him out. His live performances drew invitations to play the Boone County Fair as well as the ICM awards in Nashville and after years of honing his chops on the road, Haley was ready to work his way into tracking his music. Reflecting on the steep learning curve the recording environment presented, Charlie asserts “the studio process is definitely an art form unto itself and I spent a long time capturing the emotional nuances I wanted in my vocal takes.”

His debut LP Soul Searching was released in 2013, which resulted in a groundswell of support from local fans and musicians, and Haley was soon backed by a dedicated rhythm section who began supporting him for an unmarked string of shows that stretched into the new year. In June of 2015 the whole band had a near death experience when their tour van’s cruise control shaft got stuck and the brakes froze. They flew through a construction zone going 90 miles per hour and almost crashed before Charlie flung it into neutral and pulled the key out.

After the smoke cleared from the accident, Charlie felt it was time to get off the road and back in the studio. The close call seemed to influence the new material, recorded in St. Charles at Skyblynde Studios with producer Gregory Hyde, and the resulting LP was titled Today - a call to not let life pass you by. “People are capable of so much more than we realize and we are often meant for infinitely more than we accomplish” says the songwriter.

While Haley is admittedly a bit of an introvert, he readily recognizes the strength music gives him to communicate. “I’m not the greatest orator but a switch goes on when I play music that allows me to express myself more fluidly” he notes. “I feel music is the perfect form of communication... If done right.” Today EP Release date: May 27, 2016.

Title track and one of six songs on the new EP 'Today' lets you in on Charlie Haley's music which centres around a mixture of rock and power pop. Ironically considering the road accident mentioned above, I would describe the EP as great driving music, probably because of the pace and energy. It's straight down the line sound works well, making for a fine collection of songs.

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