Friday, 5 May 2017

WAAX - Kacey Johansing - Lisa Marie Ellingsen - Mira Aasma - Us and Us Only - Midday Swim - Everything Turned To Color

WAAX - Wild & Weak.

Background - Vibe-punks WAAX continue their unstoppable momentum, announcing the release of emotional new single 'Wild & Weak', an impressive new five track EP and their biggest headline tour yet. Exploring the 'internal' for the first time, singer-songwriter Marie De Vita says the band's Wild & Weak EP (out June 2) is the result of an intrinsically cathartic process.

"Our first EP was a lot more external - so, it felt like the next evolutive step to explore my inner workings and coincidentally a timely post-traumatic deep-hole started forming within me. These songs are a step by step documentation of what I went through - the steps of finding peace with my past," she says.

Those steps, they're all there.
Step 1. The Denial ('Wild & Weak')
Step 2. The Disorientation ('This Everything')
Step 3. The Pattern ('Same Same')
Step 4. The Discussion '(Nothing Is Always')
Step 5. The Acceptance ('You Wouldn't Believe')

With each track the band have offered up somewhat of an artistic jigsaw piece with the single art. Those pieces combine to form the cover for the EP - a picture of a lifeline phone near the Story Bridge in Fortitude Valley. It represents and is a lifeline in every sense. It's a way out.

Exploring new sonic territory in the studio on the Wild & Weak EP,  WAAX partnered up with Brisbane/LA producer Miro Mackle (Major Leagues, Jeremy Neale, The John Steele Singers) for a hands-on tweak of their now signature sound. The songs were then sent over to the USA for mastering by Grammy Award Winner Joe LaPorta (David Bowie, Foo Fighters). Facebook here, live dates on Beehive Candy's tour page.

The vocals provide most of the melody on 'Wild & Weak' whilst the band add some vigorous and sustained energy and power, to what is a catchy piece of modern punk with a touch of charm.

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Kacey Johansing - Bow And Arrow.

Background - Kacey Johansing shares the second track "Bow and Arrow" from her upcoming album The Hiding. “It seems great opportunities come in blessings as well as tragedies,” Johansing sings on the title track of her third album, The Hiding. After the breakup of her band Yesway, and an abrupt falling out with her closest musical collaborator, Johansing set out to record a new batch of songs that resulted from the sea change in which she had now found herself.

Instead of drawing from her regular band, Johansing pulled from a wider cast of players that she’d come to know in the community of musicians throughout California and the West Coast. The resulting sound is one based wholly and unabashedly in pop. Nods to Christine McVie and Fleetwood Mac can be heard, but Johansing brings these sounds to a modern stage, blending her ethereal vocals with effervescent synthesizer washes and reverberating open-tuned guitar.

Recorded at Panoramic House in Stinson Beach, where Kacey worked as caretaker, as well as at home in Bolinas, on a ridge above the cloud layer in Big Sur, and at a friend’s studio in Portland, the album also serves as a document of Kacey’s time spent traveling in search of the sound she was after. After finishing initial tracking, and still reeling from the heartbreak of losing her musical community, Johansing found a necessary move was in order. Landing somewhat-blindly in Los Angeles, she continued to work on the album and hold it close. The end result is The Hiding, a tone poem about loss, growth and “leaving the insular beauty of a tight-knit community,” as Johansing describes it. The release of The Hiding comes at a time when Johansing is deeply longing to emerge from her extended absence and reconnect with her desire to create and share her music.

“The Hiding” is set for release June 2 on Night Bloom Records, a brand new label Johansing founded with Real Estate’s Alex Bleeker and longtime-friend and songwriter Jeff Manson. Website here, Facebook here.

Kacey Johansing's beautiful vocals are accompanied by some refined and skillful musicianship on 'Bow And Arrow', a dreamy, melodic and gorgeous song.

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Lisa Marie Ellingsen - Rodeo of Broken Dreams.

Background - Lisa Marie Ellingsen, is currently sharing her new single "Rodeo of Broken Dreams."

Singer-songwriter Lisa Marie Ellingsen’s alt-Americana sound has a timeless quality. Combining accomplished guitar playing with clear, heartfelt vocals, Ellingsen’s music is influenced by many uniquely American styles, including rock n’ roll, blues, folk, and country. 

Lisa Marie Ellingsen has been playing guitar since the age of 15 years old. A lead guitar player for rock and Americana bands, Ellingsen did not begin writing her own songs until her mid-twenties. Often compared to one of her musical heroes Lucinda Williams, Ellingsen’s multiple geographic influences shine through. A native of Southern California she immersed herself into the music scenes of New Orleans and New England. Her blend of Americana draws upon rock n’roll, blues, folk, and country. 

A compilation of both old and new original songs, the upcoming Lisa Marie Ellingsen album “Nola to Noho” (slated to be released in May 19, 2017) is a tribute to the circuitous route the songwriter took as a musician. Website here, Facebook here.

Musically 'Rodeo of Broken Dreams' has a strong rock'n'roll feel to it, whilst Lisa Marie Ellingsen's vocals add some Americana flavour's to this uptempo and sophisticated song.

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Mira Aasma - Mirrors.

Background - Since releasing debut single ”Ghost” in December 2015 twenty year old Gothenburg native Mira Aasma has taken giant steps towards the stars. Follow up ”Stereoscope EP” got praise from The 405, Noisey, Bon Magazine and Nordic By Nature, and she did a full Swedish summer tour, including gigs with current Swedish superstar Miriam Bryant. Since then Mira’s been working in classic Gothenburg indie studio Music-A-Matic, producing what is now her forthcoming debut album for Birds Records.

We find ourselves in between the experimental, dark and dystopia, just as much as in the playful, cheerful and welcoming state of mind. Contrasts. Pounding bass meets violins and choirs. Vocal sounds taken from everyday life finds its way through samplers and gets out in completely different shapes and forms. Digital and mechanical sounds clashes with the warmth of analogue.

Mira’s been writing, producing and recording this material by herself, also playing the main share of the instruments on the album. The album was mixed and mastered in Stockholm by Robin Rudén. Facebook here.

It's a month to the day since we first featured Mira Aasma, and she has quickly followed up on her last share with 'Mirrors'. The latest song is a delicious indie pop song with electro overtones adding an extra layer of hooks, to a very polished track.

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Us and Us Only - Bored of Black.

Background - On Us and Us Only's debut album, Full Flower, out July 14 (Topshelf Records), the Baltimore band deliver a rapturous collection of intricate indie rock. This week they shared the album's lead single, "Bored of Black".

Us and Us Only formed as a trio in Baltimore around 2009. After self-releasing four EPs that vary between acoustic arrangements to a warped vision of indie rock that features chopped and sampled vocals alongside more dense and distorted soundscapes, the band has settled into a groove that manages to distill all of those sounds into their first LP entitled Full Flower.

Full Flower is an exercise in letting the light in - the result of a band exploring sonic space throughout its thirteen tracks, weaving smaller, more production intensive vignettes into the larger fabric of Us and Us Only’s trademark see-sawing dynamics. In allowing its home in bedroom ambiance to work in harmony with high fidelity studio prowess, Full Flower is a rock album viewed through the morning haze of half-open eyes. Bandcamp here, Facebook here.

'Bored of Black' is an indie rock song that gently begins and allows the music to expand and refrain along the way, as if the band are teasing out the song. Smooth vocals and some thoughtful musicianship ensures the July album release is clearly on our radar.

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Midday Swim - Hold on Tight.

Background from Midday Swim - We’ve just released a video for “Hold On Tight”  - the heart of our upcoming EP Climbing Out of Caves.

The surrealist-fantasy feel of the video came from the director, Pedja Milosavlijevic, and our mutual admiration of films like "The Secret Life of Walter Mitty", "Pulp Fiction", and "The Grand Budapest Hotel", as well as the general work of directors such as David Lynch, Wes Anderson, Emir Kusturica and some classic Spielberg.

When writing this song we made an effort to capture the spirit of childhood - a time when one’s imagination can run wild. Through a child’s eyes the world looks like magic and the song suggests that even now we should try to recapture that sense of youthful wonderment. There is a spirit of perseverance both in the instrumentation and the lyrics that we also wanted to reflect in the music video. Website here, Facebook here.

Midday Swim gradually allow 'Hold On Tight' to unfold with some smooth indie rock music and vocals. As promised the video and song work together and do so very well. Melodic and full of hooks this is a fine track in it's own right, add in the video, and it's a winner.



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Everything Turned To Color - Invisibility.

Background - Everything Turned to Color share their third single, "Invisibility," from their forthcoming, debut album, Life Imagined, due out June 23rd 2017. 

Everything Turned To Color includes brothers Bryan and Kyle Weber, two ex-alt-rock bandmates who co-own DIY tour booking website IndieOnTheMove.com (which services nearly 100K members) and their classically trained neighbor, Neha Jiwrajka, who left a tech job at Google to pursue a Masters in Jazz and vocal performance (her mother is a classically trained Hindustani singer). Starting March 25th, the trio will hit the road for a 24-date tour through NY, CA, PA, VT, MA, ME, CT and NJ. 

Inspired largely in part by Bryan and Kyle's foray into parenthood, Life Imagined plays heavily on the bittersweet dualities of life and the big questions we all must ask. While much of the music exudes a whimsical lightheartedness in mood and melody, the lyrics dive deep into the fragility and innocence of childhood, the significance of enduring friendship, and the inevitable moments of love and loss that haunt us all. Website here, Facebook here.

'Invisibility' is an elegant and cultivated modern folk orientated song, where graceful vocals are accompanied by some delicate and exquisite music and subtle harmonies.

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Thursday, 4 May 2017

Sarah Jane Scouten - Rory Lavelle - Honeymoon Disease - HOTT MT

Sarah Jane Scouten - Bang Bang.

Background - Two-time Canadian Folk Music Award Nominee, Sarah Jane Scouten has announced the release of new album When The Bloom Falls From The Rose on June 16th, including the new bluesy-rockabilly single Bang Bang.

Observant, outspoken, and at the top of her craft, the new album is a luminous body of work; one that shines a light on the wind-whipped highway of Scouten’s life as a gifted songwriter, scholar of roots music history, and travelling musician. With flavours of Lucinda Williams, Nanci Griffiths, Old Crow Medicine Show and a wealth of old-time and bluegrass music, Sarah Jane’s songs are faithful to a long-standing folk music tradition, but often spill over into modern themes that are outspoken and edgy, from homelessness to midwifery to tongue-in-cheek heartache songs and unabashed Canadiana. 

First single taken from the album Every Song I Sing (released in 2016) exposes the classic country soul of Sarah Jane, equally deeply personal and written for the listener, an anthem for when you’re sad, every sad song becomes about you. New single Bang Bang scales up the beat combining the retro feel of country-folk with bluesy rockabilly; bombastic, irreverent and smutty behind a thin veneer, Bang Bang may not make sense, but it plays in the lyrical freedom that comes with the blues. Website here, Facebook here.

Whatever genre or style Sarah Jane Scouten chooses to write and perform in, she does it with real class. 'Bang Bang' is a feisty rockabilly blast, it's one of a dozen high calibre song that range from folk to country and more, sometimes with timeless character, other times with a more modern slant.

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Rory Lavelle - All These Horrors.

Background - Belfast based alt-rock singer/songwriter Rory Lavelle boasts a vocal so rich in soulful storytelling that is impossible not to be moved. With his debut album Waves scheduled for release in June, his distinctive breed of brooding, melancholic but uplifting acoustic alt-rock showcases his diverse musical influences, which include Bill Withers, David Kitt, Nick Drake and Radiohead.

From opening for Ian Brown to a packed Ulster Hall to spending long cold winter nights sleeping on the floor of a Ford Transit van at this stage Rory has done most of it if not it all. The level of prestige may peak and dip but the passion remains. “I suppose it’s just a hobby more than a job for you these days?” a fan and friend once asked. It’s neither. It simply is.

Growing up in a small border town in Ireland there was little to do but nurture an already burgeoning obsession with 60’s pop-rock. A hum and a foot-tap led to a voice and a guitar which in turn led to Rory Lavelle’s first forays into what would become a life-long career in music. Having experienced previous successes with his bands Indigo Fury and Sparks Fly Rory is soon to release his first solo long-player “Waves”. Heading up the release riotous charge of All These Horrors. With a haunting chorus that will make you want to shamelessly shake your hips in time, Rory says of the single,

A DIY artist to the core, Rory is channeling all his experiences and influences to date to craft something truly unique and mesmerizing. Website here, Facebook here.

The first of ten songs on the forthcoming 'Waves' album is 'All These Horrors'. The featured track veers toward the indie rock genre whilst the album as a whole mixes understated folk rock with more passionate and expansive pieces. Overall it's a distinctive collection of songs that work well together whilst ensuring plenty of variety throughout.


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Honeymoon Disease - Electric Eel.

Background - Honeymoon Disease are back with their new single and seven inch vinyl 'Electric Eel'. The Swedish boogie-woogie rock bands new single got all the hooks, catchiness and melodies to make an instant rock n roll classic. Electric Eel is the first new original song to be released from the band since their debut album 'The Trancendence' was released in 2015. Since then endless tours have turned the band into one of Swedens hardest working rock n roll machines. The video for Electric Eel is produced by Max Ljungberg. The band is touring Spain starting 4th of April.

"Electric Eel is about when your heart is overloading and pushes you to the limit. So settle for the shock and get ready for the take off!" - Jenna

Electric Eel gives a first glimp of what the future holds for Honeymoon Disease. The band will be entering the studio this summer together with Ola Ersfjord (Tribulation, Dead Lord, Night) to record their new album to be released in the fall of 2017 on The Sign Records. The band debut album 'The Transcendence' was released in 2015 on Napalm Records and was co-produced by Nicke Andersson (the Hellacopters, Imperal State Electric and Death Breath). The seven inch vinyl is limited to 700 copies and is available through Freight Train in bundles with patches and t-shirts. Get the record here, website here, Facebook here.

We featured Honeymoon Disease just over a month ago, and the brand new single 'Electric Eel' deserves a share. Once again the band demonstrate that they can turn up the power with some unashamed full on rock'n'roll.


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HOTT MT - Tranceforming.

Background - LA-based experimental pop duo, HOTT MT, have shared their video for "Traceforming". The song is from their forthcoming new album 'AU' (Alternate Universe,) out today Thursday, May 4th via their own label, Mutation Records.

The video was shot at their own warehouse space in Los Angeles, Non Plus Ultra, which was recently shut down. The duo says of their recent loss, "All of us at Non Plus Ultra have been together for years. Our ideals brought us together, and we built a space and a business on them. Non Plus Ultra showed us that we aren't alone in our desires. There are so many people in this town who share our values. We've made and lost spaces before, but this time we've got an incredible support system."

LA Weekly just named HOTT MT #25 on their list for "The 30 Best LA Rock Bands from the Past Decade, " and said, "They're the most ambitious psych-rock band in L.A., who stalked Flaming Lip's Wayne Coyne into a collaboration in 2012, and quietly dropped a track last year they produced for Kesha, without permission from Dr. Luke. They referred to the leak as "musical terrorism," a bold statement by the landlords of L.A.'s most interesting art space, Non Plus Ultra." Website here, Facebook here.

Our second feature for HOTT MT and again we have a rich synthy song, this time entitled 'Tranceforming'. The vocals are dreamy and melodic and the atmosphere builds as layers of music unfold.


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Wednesday, 3 May 2017

Rat Fancy - Swirlies - Simone & Girlfunkle

Rat Fancy - I Cant Dance To The Smiths Anymore.

Background - Rat Fancy (ex-Sweater Girls) debut new track "I Can't Dance to the Smiths Anymore" and announce new album "Suck A Lemon" released May 26th on HHBTM Records. Dreaming of a world where reruns of The Adventures Of Pete And Pete are on every channel and kids are free to be as weird as they want to be, Rat Fancy emerges with their fiercely different brand of indie pop. Hailing from Los Angeles, CA—where despite all that sunshine you might choke on the smog and ambition all around you—Rat Fancy is ex Sweater Girl Diana Barraza (vocals/guitar), Gregory Johnson (guitar / keyboard) and Gavin Glidewell (drums).

It’s a six-song EP about saying goodbye to all that, one kiss-off after another, possibly the sweetest collection of ‘fuck you’s ever committed to vinyl. Every track is a killer. Every track is a keeper. It’s the sound of being fd up on pollen and sugar, skidding through a dizzy blissful spring of laughter and loss.

The title track appears in two versions, a fast one and a slow one (just like Yo La Tengo used to do!) and they’re both capable of moving you to tears, because despite the sourness of the EP’s title, this music is almost impossibly sweet.

Subject matter veers from the ultra-personal to the paranormal. ‘I Can’t Dance To The Smiths Anymore’ isn’t about the Smiths, it’s about growing up. ‘Five Fingers’ is, quite literally, a slap in the face. Its synth-line stays in your head for days. ‘About You’ is a killer rant against small-mindedness, a manifesto for non-conformity that blends the Pixies and bubblegum into something altogether amazing.

Indiepop is in tatters and the ashes are all around us, and yet, and yet, a record this vital and brave, a record this alive, gives us hope for the future. Suck A Lemon succeeds by being smarter, sharper, and realer than its contemporaries. And if you don’t like it, I think you know by now what you can go do. Website here, Facebook here.

A fabulous song title such as 'I Cant Dance To The Smiths Anymore' deserves a fine tune to go with it. Thankfully Rat Fancy dish up a beautiful indie pop/rock track, that coming in at just over two minutes, requires an immediate replay at the very least.

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Swirlies - Vigilant Always.

Background - This August, 90s shoegaze veterans Swirlies will play their first west coast dates in 14 years, on the heels of the vinyl reissue of their Blonder Tongue Audio Baton LP (1993), which recently reached #11 on Pitchfork’s list of the 50 best shoegaze albums of all time.

Swirlies' last US appearances were in the eastern US and Canada in 2015. The lineup will include founding members Damon Tutunjian (guitar/vocals) and Andy Bernick (bass/keyboards), Adam Pierce (Mice Parade) on drums, Deb Warfield (Gold Muse) on guitar/keyboards/vocals, and Elliott Malvas (You're Jovian) on guitar and keyboards.

In January 2016, Swirlies were included on Cherry Red's definitive box-set of the early shoegaze movement: Still in a Dream. In July 2016, Swirlies released a new song ("Fantastic Trumpets Forever") exclusive to the Joyful Noise Recordings’ 2016 Flexi Disc Series. A remixed version will be released digitally in summer 2017. In October 2016, the Swirlies' 1993 classic Blonder Tongue Audio Baton LP was finally repressed on vinyl. It is currently available for purchase online and in local record stores. Copies will also be available for direct purchase from the band during the tour.

The band's members have collaborated with a number of noteworthy artists. Damon Tutunjian produced Mew's first LP, co-wrote a number of their songs, and has performed (guitar, bass, vocals, and keyboards) on all of their recordings to date. Adam Pierce has played with Mice Parade, HiM, Philistines Jr. and múm. Rob Laakso has played bass, guitar, and keyboards for Kurt Vile and the Violators since 2011. Facebook here, live dates on Beehive Candy's tour page.

As shoegaze goes 'Vigilant Always' is no wall of sound, the power can and does occasionally explode, however there is plenty of clarity and at times an alt rock feel, that just adds more passion to the track.

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Simone & Girlfunkle - Fight On.

Background - Beloved WA six-piece Simone & Girlfunkle are pleased to announce their new effervescent single Fight On, a delightfully arranged slice of indie-pop featuring the group’s signature three-part female harmonies.

Produced and engineered by Dave Parkin (Tired Lion, Bob Evans) and mastered by William Bowden (Gotye, Emma Louise), Fight On revels in upbeat, lush, wall-of-sound Belle and Sebastian style smarts while exploring themes of heartache, conflict and loss. It’s a balance the band strike effortlessly, holding space for joy and despair - offering a weight and substance to their dreamy pop spirit. 

Simone & Girlfunkle were born on one of North Perth's hazy, sun-drenched afternoons and quickly issued a self-titled EP followed by the full-length ‘Hurry, Harry’ which X-Press hailed as “A debut that has no weak points”. Their music has been heard all over TV in programs like Winners & Losers, MTV's Awkward, ABC's Giggle and Hoot and Packed to the Rafters, while diverse support from radio has been very welcoming from many at community radio, Triple J, Radio National and commercial stations Triple M and Mix FM.

As warm and captivating on stage as they are on record, Simone & Girlfunkle have appeared alongside some of Australia’s finest - Gurrumul, Holly Throsby, Wendy Matthews, Owl Eyes and more - while notching up performances at Southbound, St. Kilda Festival, State of the Art, Channel Nine's The Weekend Today Show, Nannup Music Festival and Fairbridge Folk Festival, where The Music wrote "the girls' flawless harmonies were a force to be reckoned with”. 

Combining a solid artistic vision with an antipodean sense of humour, these best mates have been busily writing, recording and sprinkling harmonic joy all over their upcoming sophomore album, due for release this year. Facebook here.

'Fight On' mixes rich and well produced music with vivacious and sparkling vocals. Production is top class allowing this indie pop song to ooze with quality and good feeling.

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Tuesday, 2 May 2017

Hermitess - The Charlatans - Pattern Language

Hermitess - Blood Moon.

Background from Hermitess - I’ve just released a video for “Blood Moon”, taken from my upcoming self-titled full length.

I’ve been making a series of artworks alongside the musical compositions: photographs and almost-still videos set against remote landscapes. Each of these settings depict Hermitess as a central figure in a settings that evoke the songs. The Blood Moon video was shot by my friend Tatiana Losev who helped direct the simple performance that the video depicts. The final product is meant to express a feeling: something repetitive, hypnotic, and a tad sinister.

As the name implies, this album came about at a remove from modern life. While isolated in a cabin in northern Michigan, I began to conceive of this character (Hermitess) and a set of songs that would feel at home in the wintry knee-deep snow drifts and creaking trees. Website here, Facebook here.

'Blood Moon' is one of nine tracks on the new album. This is an imaginative collection of material and the featured music video indicates the style and direction of the self titled full length. Natural folk sounds mix with deeper material, sometimes quite stripped back, other times more atmospheric and layered. Overall the music is enchanting, dreamy and desirable.


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The Charlatans - Plastic Machinery.

Background - The Charlatans have released the official video for their first album single "Plastic Machinery," featuring Johnny Marr, from their upcoming studio album Different Days, due out May 26 via BMG. The video was shot in Barcelona by filmmaker and photographer Ewen Spencer, who is also responsible for creating the Different Days album artwork. “It was great fun to make the video," explains Tim Burgess. "Barcelona is such a beautiful city - the song is about finding beauty in uncertain times and we knew there'd be some sunshine there too."

Different Days is the band's thirteenth album. Co-produced by Jim Spencer, the album was recorded at the band’s studio in Cheshire and features contributions from an array of friends... from Paul Weller and Johnny Marr to crime writer Ian Rankin and writer/actress Sharon Horgan. It follows on from the success of The Charlatans' last album Modern Nature, which drew critical praise across the board, and notched up their eighth Top Ten on the album chart, all capped off with a lifetime achievement award from Q Magazine. The Charlatans had a whirlwind 2015, completing two sold-out UK tours, world tours and popping up as unannounced opening act at Glastonbury, and headlining at the Isle Of Wight and Kendall Calling festivals amongst others.

In support of the upcoming album, The Charlatans have confirmed two signings and acoustic performances at the now-legendary Tim Peaks Diner: 05/26 - The Lowry; Salford - 05/28 - Soundcity; Liverpool. Website here, Facebook here, live dates on Beehive Candy's tour page.

The Charlatans are back with 'Plastic Machinery' giving fans of their music a taste of what is to follow. They hardly need our support, however with live dates also on there way, it's a case of any excuse to feature a band of this calibre.


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Pattern Language - By Time We Get There.

Background - ​​London’s Happy Robots Records has announced they will be releasing the ‘Total Squaresville’ mini-album from synth-electronic crafter Pattern Language. From this collection of six tracks, they are teasing the lead single ‘By Time We Get There’ with a catchy retro video by Cheyene Grow at 75 Ohms. Created using obsolete corporate video equipment from the 20th century and generating real-time video landscapes and infinite textures.  This is Pattern Language’s debut release, scheduled for release in June 2017.

Pattern Language is the new project of Chris Frain. Currently based in Boulder, Colorado, Frain was previously keyboard player for the indie-pop band The Giranimals (where he developed a love for the staple sounds of the Minimoog and Melotron instruments) and bassist for the power-prog rock trio Tanuki. In 2013, Frain decided to pursue a solo electronic music career after a chance viewing of the BBC4 documentary “Synth Britannia”, which made him fall back in love with the sound of the synthesizer.

“Each one of the pieces on this album were started from some very basic idea about sound or structure or primary influence, and yet I was surpirsed by all the twists and turns they took through the stages of composition, recording, and mixing," says Chris Frain. "It’s still fun to listen to each piece and how they took on a life of its own to become something new and unexpected, even to me.”

‘Total Squaresville’ is the ninth release on Happy Robots Records and is distributed by Cargo Records, mastered for analogue warmth on digital devices. Facebook here.

'By Time We Get There' is indicative of the layered synthy sounds to be found in this six track collection. Uncomplicated and melodic, each piece is remarkably addictive. Whether you cut your teeth on Kraftwerk or Neu, or similar artists more recent, there is a good chance this will appeal.


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Anna Smyrk - ZOCO - Howling Bells - TCBYML

Photo - Michelle Grace Hunder Anna Smyrk - This is a Drill . Naarm/Melbourne based singer-songwriter Anna Smyrk shares a poignant moment o...