Hero Fisher - Reckless Jacks - Fassine

Hero Fisher - Sylvie.

Background - British-born, French-raised and London-based, Hero Fisher (yes, that’s her real name) is returning to release her sophomore LP Glue Moon. Hero’s career has so far seen her collaborate with Alison Mosshart and Boy George in the Mark Ronson-scored ballet Carbon Life, open for The Rolling Stones and Neil Young at Hyde Park, and got shortlisted for the 2014 Glastonbury Emerging Talent Prize. In 2015 she released her debut album, the critically-appraised Delivery which won her fans in The Horrors and Blur. 

By turns a blistering rock and roller in the vein of Patti Smith and PJ Harvey, and an experimental folk storyteller à la Jeff Buckley, Hero Fisher resists easy generic categorisation with her protean and filmic musical storytelling. Able to expertly strike a variety of different narrative poses, she is at once the spurned lover and the fired-up rabble rouser, the predator and the prey. With Glue Moon lead single ‘Sylvie’ straddling the line between being a modern love song or a gothic ghost tale, it’s evident Hero has plenty of yarns left in her yet, and from the apparent ease with which she spins them, she’ll reach many more milestones on her creative journey.  

Shot in the style of found footage movie making like The Blair Witch Project, the video for Hero Fisher’s new single ‘Sylvie’ is a beautifully eerie accompaniment to her tender and emotive songwriting. Together, the audio and visuals tell a spectral love story. Delicate plucked acoustic guitars morph into orchestral soundscapes rich and cinematic in tone, as staggering as the sublime landscapes encountered in the video by Hero and her unseen partner as they roam deeper into the unknown. On ‘Sylvie’ Hero showcases her prodigious talent, led by a canny ear for compelling instrumentation and sophisticated lyricism. It’s a natural progression from the alt-rock/folk hybridisation found on her accomplished debut album Delivery and an exciting new step in her artistic development. Twitter here, Facebook here.

Delicate and melodic vocals that occasionally surge with power give 'Sylvie' a mixture of intimate moments and impassioned ones. They are accompanied by a multi-layered soundtrack that likewise occasionally dominates the piece, or slips away to the background. A fabulous song.


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Reckless Jacks - Alone.

Background - Reckless Jacks is a young indie-pop rock band with an old soul. Before they met, Matt (vocals & guitar), Scotty (lead guitar), Cece (bass) and Dan (drums) sessioned with the best and rocked out on some big stages.

Their strong, introspective music, harks back to an era when songs made you feel and dance. Matt's coarse and powerful vocals will capture your heart. With emotive lyrics that whisk you away on a journey steeped in melody. Songs that sit so comfortably inside you, you’ll think you’ve heard them somewhere before, along with anthemic guitar riffs you’ll be humming for days.

Their first live gig was in front of a packed house at Paris’ Bus Palladium. Taking to the stage where the likes of Hozier, Kasabian and Mick Jagger had gone before them. They went down a storm. 

As the house lights flickered back on, several large booking agents approached the band, with talk of potential supports and big festival stages further down the line.  Our boys had work to do. 

Pulling the plug on live performances, they locked themselves away for nearly two years. Honing their songs to perfection, living and breathing artist development and becoming producer-ready. 
As blood, sweat, tears and fortune would have it, their hard work paid off. 

Brit and Grammy award-winning Stereophonics producer, Jim Lowe was hired and an EP recorded at the brand-spanking-new Stereophonics’ studios in London. 

From the word go, Lowe could see something exciting unfold before him and dubbed them a future success story in the making. Loving their unquestionable work ethic and breathless ability to learn on their feet, Lowe was soon busy writing new material with them. 

Maybe it’s the lads’ multi-Euro background or numerous musical influences, but Jim Lowe is adamant that Reckless Jacks have an appeal that stretches way beyond UK waters. With the right guidance and just a little bit of luck, he believes these boys have the potential to go all the way. Website here, Facebook here.

'Alone' is an ardent, earnest rock'n'roll song, where the band are tight and gritty, the rhythm intense, and the vocals standout with heartfelt determination.


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Fassine - Ursa Minor.

Background - Fassine are pleased to share their latest single 'Ursa Minor' taken from their forthcoming second album, 'Gourami' - released 28th July. Fassine say: "'Ursa Minor' is our ode to Bowie's passing. He is one of our great obsessions and we wait for the ache to pass."

The London trio made a name for themselves last year with their icy, cinematic take on electronic music for ‘Dialectik -  a debut album that saw them gain praise & support from the likes of Spin, Q Magazine, The 405, The Guardian, Giles Peterson, BBC 6 Music and more.

Lyrically dark and musically complex, Fassine’s sound has a hint of Trent Reznor’s influence and sits alongside the cinematic, lyrical qualities of Unkle and the minimalistic bend of Berlin-era Bowie. Their aesthetic encompasses the oppressive, cold and austere atmosphere of 1970’s and 80’s British TV drama and dares the listener to enter the group’s stark, cold world.

The band have a keen ear for the cinematic with their songs featuring on the backdrop of high-profile American TV drama’s including Sky Atlantic’s The Following, Fox’s Lucifer, Sony’s The Art Of More and more...
Fassine recently featured on artist Robot Koch’s haunting track, Spine and also re-worked his latest single ‘Heart Is A River’ released on Monkeytown Records. Website here, Facebook here.

'Ursa Minor' has an expansive soundtrack that includes powerful synths and intricate beats. Vocals are emotionally engaging, as they dreamily glide above the superbly lush music.

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Nick Heyward - George Taylor - Raveen - Gestures & Sounds

Nick Heyward - Mountaintop.

Background - Nick Heyward has unveiled his first single in eighteen years, the double A-side ‘Mountaintop’ and ‘Baby Blue Sky’, released via Gladsome Hawk. 

The single is first offering from his eagerly anticipated solo album ‘Woodland Echoes’, due for release on 4th August. A-side ‘Mountaintop’ is inspired by a poignant mountaintop scene in Sam Wood’s 1939 film ‘Goodbye, Mr Chips’, but was written at sea-level and infused with his love for the rootsy sound of Americana. While on the flip side ‘Baby Blue Sky’ The infectiously sunshine-infused 'Baby Blue Sky' is inspired by living and recording on a houseboat in Key West. Featuring ABC guitarist Matt Backer on guitars. Nick describes working with him as a chance to "express their mutual love of the Rubinoos, Big Star and 70’s guitar power pop."

The accompanying video for ‘Baby Blue Sky’ was filmed entirely on Nick and his fiancee's mobile phones. Featuring footage of Nick's American band, it gives us a snapshot of his life in Key West, where he recorded much of the album. "I love the sense of freedom" Nick enthuses, "here we are in 2017 and we can make a video ourselves on our phone and edit it on our computer. I loved the whole process and the lack of rules or formulas." Trained as a commercial artist, Nick's eye for framing an image means he has not only shot much of the video, he has also captured the aesthetic behind the album and single artworks. 

Prior to his hugely successful and prolific solo career, Nick came to prominence as the frontman of percolating pop-funk new wave group Haircut 100, a foundational part of the 80s-pop explosion. They released four UK Top 10 hit singles, with their debut album ‘Pelican West’ reaching no. 2 in the UK album charts, no. 31 in USA’s Billboard 200, and ending up being certified platinum by BPI, with Nick gracing the cover of pace setting style magazine The Face.

His recent solo set at this year’s Great Escape Festival - praised by Drowned in Sound as “one of the finest we heard all weekend, his second coming is imminent” - was just a taste of the upcoming full band headline show at 229 in London on Wednesday 19th July. Nick’s return to the music scene and to the live circuit has already seen support across the board from the likes of Classic Pop magazine and Record Collector, while the single already picked up plays on BBC Radio 2 from Vanessa Feltz, whilst BBC London’s Gary Crowley made ‘Baby Blue Sky’ his ‘Record of the Week’.

Nick Heyward might just be back from a long hiatus, but 'Mountaintop' and ‘Baby Blue Sky’ look to firmly consolidate his songwriting credentials among the greatest, and with a brand-new album ready for pre-order through the direct-to-fan platform PledgeMusic and a tour in Autumn, he is here to stay. Website here, Facebook here.

Musically it's a long way from the days of Haircut 100, and a long time since Nick Heyward has released a single, however 'Mountaintop' suggests it's been worth the wait. Drenched in bright Americana, the rootsy musical feel, is accompanied by vocals that are well up for the task, in this first taste of his current musical direction.


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George Taylor - Ophelia.

Background - The London-based singer/songwriter George Taylor is sharing his glimmering new single ‘Ophelia’, the follow-up to last month’s ‘The Youth’.

Speaking about the song that occupies the same halcyon-spangled pop dimensions as ‘The Youth’ and ‘Give It Up’, George says: “Ophelia is a song I wrote after a girl I knew was very sadly sectioned and had to spend some time in hospital, thankfully she has since fully recovered. After visiting the hospital it was something I felt I had to write about as it gave me a much clearer insight on the issues surrounding mental health, and the stigma that comes with it. "The name ‘Ophelia’ was inspired by Shakespeare's Hamlet.”

George began drawing attention 12 months ago when his steady stream of singles turned heads at Warner Chappell, who quickly presented Taylor with a publishing deal following over 2 millions streams for his single ‘Give It Up’. From here, Taylor continued to generate attention securing a Spotify playlist spot for his Zane Lowe approved single ‘I Hear Your Song, Sweetness’ and an Apple Music placement for ‘The Youth’, naming it in their ‘Best Of The Week’ playlist. Website here, Facebook here.

What starts out as something of a intimate singer/song writer piece soon builds into a powerful alt rock song. 'Ophelia' includes some twists and turns, mixing melodic gentle moments, with passionate full on rock and it's beautiful.

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Raveen - Always.

Background from Raveen - Our debut LP Always is our attempt to tell a story with an ambition and scope greater than any of our previous work. It marks our foray into more subdued and lush songwriting anchored by vulnerable, heartfelt lyrics presented as a cohesive whole.

This track came together immediately after our singer/producer Eric took a long and introspective trip to Europe. 

There’s a lot of love in this song. Thematically, it serves as a good summary of the of rest of the record; themes of loss as it relates lost love but also grief, and the perceived loss of something magic in the early stages of adulthood.

This is also the most collaborative 3 minutes we’ve ever worked on. It features the three of us, plus contributions from ten or more vocalists and four or five string players - some of our best friends among them. Facebook here, Bandcamp (pre-order) here.

'Always' has a lush arrangement, mixing beautiful harmonies, and some exquisite music. The lead vocals convey a personal and heartfelt need to be heard. Collectively this one song has clearly been a labour of love, that deserves to be noticed far and wide.

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Gestures & Sounds - Ass Over Tea Kettle.

Background - LA-based, folk-pop outfit Gestures & Sounds are proud to release their self-produced music video for first single, "Ass Over Tea Kettle"; the lead off track from their upcoming full-length debut, Bill Nye Thinks We're a Band.  To match the upbeat energy of the track, Gestures & Sounds used their video production expertise to craft a product that is full of colourful swirling imagery and pure lyrical passion that even pays homage to the band's childhood hero... Bill Nye the Science Guy.

Gestures & Sounds is a one-stop shop for a great time. Their compositions utilize authenticity and real feelings. Mostly because they don't know how to be any other way. 

Though based in Los Angeles, the band's origins date back to Wisconsin.  After reconnecting once on the west coast, songwriter, Eric Fashingbauer, started introducing songs to the other members and the project evolved from there.  Playing everything from guitar to trumpet to harmonica, Eric and the rest of the band turned acoustic folk songs into full-fledged indie-pop grooves.

Silly and self-aware, the band's debut album Bill Nye Thinks We're a Band takes its inspiration from a speech they saw the famed scientist give on a college campus.  Almost highlighting their future goals, Gestures & Sounds hopes to one day be big enough to attract the attention of their childhood hero.

Blurring the ever-hazing line between visuals and music, they also churn out their own video content. Talented filmmakers as well as musicians, G&S create all of their own music videos from start to finish. They’re in a venture all their own and offering an experience to anyone who appreciates a cut to the beat. 

Gestures & Sounds release their debut full-length, Bill Nye Thinks We're a Band, worldwide on September 15th, 2017. Website here, Facebook here.

'Ass Over Tea Kettle' is a feisty slice of modern folk pop, that is very catchy from the outset. The video adds a further sense of fun, energy and total musical commitment from the band.


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Sarah P. - The Desert - Electric Eye - First Blush - Cody & Danz

Sarah P. - Summer Prince.

Background - Berlin-based solo artist Sarah P. just released a dreamy video for "Summer Prince" following her solo debut album Who Am I. Sarah P. states, "Today I’m sharing with you a very special video for “Summer Prince” from my recently released debut album Who Am I. It’s very candid, like the song itself – very spontaneous, summery and Greek, if you please. It’s filmed in Marathon and features me… basically, being me. I hope that you’ll enjoy watching/listening it and I wish for all of you to get the chance to visit the sea this summer." 

In contrast to all those amazing, big productions that come out every day, we went for spontaneity and let the scenery speak for itself. “Summer Prince” is inspired by summer holidays with my parents, while road tripping across Greece (through Crete, especially), seeing the landscapes changing and waiting for the moment I would sneak a peak of the sea – the place where I wanted to be the most.

“Summer Prince” is also inspired by all those vivid dreams I had as a teenager and young adult. I’ve always been a hopeless romantic and during those sensitive years where unrequited love was one of the greatest themes of my life, I used to spend a lot of time alone, by the sea, contemplating about all those ifs and maybes that would make me able to be loved back. Later on, at night, whilst asleep, a summer prince – my summer prince, would come to find me. He would give me all those things I wished for – romantic strolls at the beach, sweet conversations about nothing. He would look me right in the eyes because I was the only one he saw. Then he would leave me, and I would think that my dreams were more exciting than my actual life. I would wait for him to come back again the next night – sometimes he did, some others not. Website here, Facebook here.

Dreamy synth's flow along to a relaxed rhythmic beat and Sarah P's vocals just blend so perfectly with the music and melody. 'Summer Prince' is accompanied by an appealing video, encouraging me to take a seaside stroll sometime soon.


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The Desert - Just Get High.

Background - The Desert unveil their debut single 'Just Get High', the first track from their forthcoming debut EP called ‘Playing Dead’. The Desert is a collaboration between singer-songwriter Gina Leonard and guitarist & producer Tom Fryer. Tom’s atmospheric production style which plays with big spaces and other worldly sounds, lives in the space between Gina’s honest and poetic lyrics, allowing her songs to shine that little bit brighter. 

The pair first met at the Cambridge Folk Festival in 2014 where Gina played a set for The People’s Front Room, a collective that Tom is a part of. Tom went on to record and produce a few of Gina’s tracks, however it wasn’t until late 2016 that The Desert officially came together to write and record their first collection of songs. 

‘I find it difficult working with other people, it has always just been me and my guitar behind closed doors.’ Gina explains. ‘It was so exciting to find someone I could trust to develop my songs with. We’re pretty different but we work well together’

Lead single 'Just Get High' kicks off with a punchy electro-beat that contrasts with Gina’s reticent vocal delivery. Originally intended to be a demo recorded late one night in Gina's bedroom, Tom time-stretched it into shape and made a kind of down-tempo house beat for it, with a synthesiser part that grows to dominate and take over the whole track. Facebook here.

Gina Leonard's vocals are intimate and reflective and very hypnotic on 'Just Get High' as is the beautifully crafted soundtrack. Combined they create a song that could be late night listening material, provided your energy levels have not sapped completely away.

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Electric Eye - Turn Around, Face The Sun.

Background - We’re at Broen Studio in Bergen. Øystein Braut, Njål Clementsen, Anders Bjelland and Øyvind Hegg-Lunde have locked into a groove that never seems to stop. Their bodies are swaying in time with the music, their heads are eagerly shaking to the song that’s pumping out of the room, and it seems like they’ll never get out of it. Maybe they don’t want to get out?

It’s a little more than one year since Electric Eye released their second album, 'Different Eye', and only eight months since their live album, 'Live at Blå', came out. But now they’re standing here again, ready to pull you into a new whirlwind of psychedelic and hypnotic rhythms.

Since the last time they’ve travelled the world and visited countries like USA, UK, Japan, Italy, Germany, Denmark and many more. They’ve been everywhere to play concerts, which is where you really want to experience Electric Eye. Now they’ve brought all of their concerts into the studio, together with all of their experiences and a bunch of new songs. 

We’re back in Broen Studio, and it’s difficult not to be fascinated. The band will release their third album in November 2017, and now they’re ploughing through their new single, 'Turn Around, Face the Sun'. It sounds like a soundtrack to a movie that hasn’t been made yet, it’s villainy acid prog, it’s ethno jazz, it’s old school hip hop grooves mixed with the easily recognisable Electric Eye sound. Website here, Facebook here.

New single 'Turn Around, Face The Sun' slowly comes into being, with immediate hints of psychedelic vibes, that increase as the vocals begin and the music builds. Electric Eye would appear to be, on something of a creative roll right now!

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First Blush - Before & After.

Background - First Blush on "Before & After": "Before & After is the oldest track on my forthcoming album Monologic and was the song that ended up setting the tone for the whole album. As the title suggests, I think it evokes a sense of transition and flux, the feeling of standing sideways across the threshold of a door and looking in both directions before taking the next step. Sonically, Before & After also influenced the rest of the album with distorted synth bells and pads taking center stage and guitars being used more for accents and atmosphere."

A refresher on First Blush: First Blush is the brainchild of Charles Sekel, a former Julliard pre-college program kid-turned-indie musician. Sekel's music is a reflection of his battle to defeat a continuous cycle of self-destructive behaviour stemming back nearly a decade. From his college days as a classical/jazz musician at the Peabody Institute, Sekel struggled with alcohol abuse and panic attacks, and turned to original music to help with his mental health. Now completely sober thanks to the help of music, a good therapist and assistance from his girlfriend (now wife,) he was able to pull himself out of addiction and confidently release his solo venture.

"Before & After" follows First Blush's previous releases, the single "Wouldn't We All?" and trippy, gif-inspired music video for their track "Gold." Facebook here.

'Before & After' is our second song feature for First Blush this year. Vocals are centre stage as the song starts, and remain a focal point, as the music erupts into a powerfully layered soundtrack. Having only heard two songs from First Blush's forthcoming album, things are looking pretty promising.

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Cody & Danz - Make it in America.

Background - Cody & Danz are teaming up to release their debut EP, Only The Hits, on July 14th via Channel 9 Records in the USA and Tugboat Records in Japan. They have now shared their first video, "Make it in America.

The two artists both have burgeoning solo projects: Cody Crump and Computer Magic. Cody lives in LA and Danz lives in NYC. The two artists both have burgeoning solo projects: Cody Crump and Computer Magic. Cody lives in LA and Danz lives in NYC. Consequence of Sound says, "Though about 3,000 miles separate these two musicians, their minds meet on one project, their collaborative debut EP, Only The Hits." 

After playing many of LA’s staple venues - from Soho House to The Roxy to The Standard, Cody Crump has plans to tour in the very near future. His music will be featured in the upcoming film “The List.” He has had music featured on HBO's "Leftovers," Showtime's "Penny Dreadful, and most recently his song "Burn" was in ABC's "How To Get Away With Murder."

Danz has toured North America multiple times with acts such as Neon Indian, Ladyhawke and Chad Valley. She’s played the Primavera Festival in Spain, Martini Art Love Festival in Moscow,  and has toured Japan multiple times. She has many shows locally in LA and New York City, so stay tuned for upcoming dates for Computer Magic, Cody Crump and Cody & Danz. Facebook here.

Our second feature for the debut EP, this time with the new music video for 'Make it in America'. It's already gained plenty of attention, and as vibrant indie rock songs go, I reckon this one will ensure the EP, also gets plenty of attention.

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Quiet Hollers - Juanita Stein - Lone Kodiak - Altar Eagles - Sam Carmody

Quiet Hollers - Wheel.

Background - “Wheel” is one of the more raw, atmospheric songs on Amen Breaks (out on July 7th via sonaBLAST!), and one of the bands' first to feature a Roland CR-78 drum machine, their tribute to Roland’s Ikutaro Kakehashi. It also delves into the anxious existential theme that life can change in an instant, centered around frontman Shadwick Wilde’s quasi-phobia of car crashes (which he’s seen many of in his years of touring). 

“Wheel” follows Amen Breaks’ previously released stand-out single “Medicine”, a powerful track about crippling anxiety, depression, existential malaise, and society’s attitudes toward medication and addiction, along with “Funny Ways”, a song about criminality and the self-perpetuating prison-industrial complex. Both follow the album’s core themes that draw parallels with the cultural crossovers of the 1970's, a decade marred by division, political corruption, and terrorism… issues we can all relate to these days.

Expanding their shape-shifting palate to include vintage drum machines and samples, on Amen Breaks, Quiet Hollers raise questions of spirituality, sexuality, and mental illness to its new audience in tones that range from the cinematic to the psychedelic. Website here, Facebook here.

We featured 'Funny Ways' just a couple of weeks back however 'Amen Breaks' is such an impressive album that I could not resist the opportunity to now share 'Wheel'. Despite the initially stripped back nature of the track, the richness and charm remains, with this engaging and atmospheric song.

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Juanita Stein - I'll Cry.

Background - Juanita Stein has just announced a full UK and Ireland tour to follow the release of her brilliant debut solo record, 'America', on 28th July (Nude Records).  

Juanita Stein had already announced UK festival dates this summer, including with Tom Petty in Hyde Park and at Cambridge Folk Festival, ahead of a brace of headline shows - in her adopted hometown of Brighton and in London - the week the album is released. Tickets for her new September/October headline tour dates will go on sale this Friday (30th June). See below for all upcoming dates.

The newest single to be taken from her album, which was recorded in Los Angeles with the producer Gus Seyffert (Beck, Ryan Adams), 'I’ll Cry' is available now to stream and as a free download for fans pre-ordering the album ahead of its release.

Says Stein: "'I'll Cry' is a musical ode to the all-American greats I took my cues from as a budding songwriter. Roy Orbison, Patsy Cline and the work of Phil Spector, all of whom made a significant imprint on my heart, I’m  forever  channeling that soulful sadness. I’ll Cry is a song that speaks of an impossible love, his resistance, her infatuation. Never a happy ending.” Website here, Facebook here, UK tour details on Beehive Candy's tour news page.

'I'll Cry' is melodic, gentle and very beautiful. If your going to write and perform a musical ode to some of popular musics all time greats, then it ought to be something quite special, and yes, this song is all of that.


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Lone Kodiak - Calm Down.

Background - Produced by Johnny What (BRÅVES, Nikki Reed) and mastered by Grammy Award winning, John Greenham (Ice Cube, Bastille, Katy Perry, Sam Smith), “Calm Down” is the first single from the band’s forthcoming debut double EP “Feet in the Water.” Featuring exuberant strings, driving piano, eloquent acoustic guitar which offsets the energizing electric guitars, pep rally claps, both male and female vocals, and a distinctive hook, all in a hard-to-resist 3/4 time signature. The band have dubbed the sound “campfire rock," as it is intimate and honest enough to be a bedside lullaby while yearning to be an arena smash.

“The right hand piano part is where this one started,” explains Parker. “I was goofing around, playing an old news bulletin pattern, when I almost accidentally added the 3 left hand chords." 

“Calm Down” features the graceful, transcendent voice of Alex Rhodes. “The second I heard her voice come in on ‘Astronaut’ [one of Rhodes' singles], I knew she was the one," Parker said, "there is a emotionally devastating tenderness to her voice that we instantly fell in love with.” Lone Kodiak asked her to sing on the entire EP as well as the B-side, "Living Room Editions." LA violinist, Stephan Hovsepian, provided the captivating real strings just two days before the mix was due for mastering.

The debut single embraces light and life with a gang-chant melody that will stick with listeners for days. The effervescent rhythms, compelling guitar, bouncy choruses and a brooding breakdown are a potent recipe. Lone Kodiak isn't too bashful to be catchy nor too pop to forgo meaningful lyricism. "Calm Down" captures an intoxicating moment that sets the bar high or this new trio. Facebook here.

'Calm Down' is available as a free download (just click on the Soundcloud link below), and considering the calibre of this song, that's pretty generous. I like the bands "campfire rock" description for the song, which has power and yet is intimate or perhaps personal in feel.

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Altar Eagles - Dead Letters.

Background - Altar Eagles debut E.P. is titled in eponymous fashion--"Altar Eagles." It's a nice gooey psychedelic affair, with real sentiments and emotions, excellently written songs, ear worms and hooks galore. 

Erik Alcock has been a professional songwriter since he was 17 years old.  He talked his way into a live audition with EMI Canada in his native Toronto and then proceeded to cut himself on his guitar, bled all over the auditioning executive’s office, and played terribly. He was signed on the spot. 

After getting signed Erik left home and school and spent the next two years living in a jam space.  While the experience was not all that conducive to his songwriting, Erik was able to develop his chops by playing constantly. 

His quality of life improved substantially when he joined a band and spent the next few years on tour. When the band broke up he started working with DJ Khalil, Chin Injeti and Liz Rodrigues, forming The New Royales. Since then they've written songs for  Eminem, Kanye West, Pink and a host of others, which led to several Grammy wins, having the theme for  Mission Impossible 4, the Call of Duty video game, and Jake Gyllenhall’s movie “Southpaw.” Facebook here.

'Dead Letters' is the second of seven tracks on the debut EP. We first featured Altar Eagles back in February, and having now heard the EP in full, I am impressed equally by the variety of musical themes and the overall quality of production. At the very least check the previous feature, however if you like this song go check out the EP, it's a good one.

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Sam Carmody - The Sea Has Risen.

Background - Stepping out for his debut solo release, Sam Carmody is pleased to share ‘The Sea Has Risen’, a wonderfully crafted song that tells a moving tale of love against a backdrop of mesmerising melodies. Carmody’s visceral lyrics and emotive delivery are accompanied by eddying synths and jangling guitars, recalling the experimental Antipodean pop of Nick Cave, The Go-Betweens and Crowded House.

Born in Geraldton, drawn to Perth and now based in Darwin, Sam Carmody has been active as a writer for several years across various projects. In 2012 he won a WAMi Song of the Year award for his work with Perth four-piece Warning Birds. Just last year Carmody released his first novel 'The Windy Season' and was shortlisted for the Vogel’s Award - Australia’s most prestigious literary prize for young writers. For now though Sam’s creative focus lies in his solo musical output and his desire to getting back on stage.

Co-produced by former Warning Birds bandmate Bensen Thomas, ‘The Sea Has Risen’ is the first official single taken from Carmody’s forthcoming EP ‘Shadow in the Dream’ and will be launched live with a six-piece band at Music NT’s Song of the Year Awards, for which the track is nominated in the Pop category.

Sam Carmody possesses a gifted talent that will continue to bloom as he readies his new material for a 2017 release. Facebook here.

That Sam Carmody can really sing, is conclusively answered by just this one track 'The Sea Has Risen'. The musical production is melodic and superb, however it's Sam's vocals that make this a very special song.

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