Monday, 4 March 2019

Hobby Club - Rainbrother - HunBjørn

Hobby Club make their second appearance on Beehive Candy this year with 'Bedroom'. In January we described their music as " bright indie pop - with some fabulous vocals and a crisp musical backdrop," the new song pretty much confirms they are very good at this. Rainbrother have a new album on the way and 'Warriors' suggests it will be well worth checking out, the band are creative and not stuck in any particular rock genre. HunBjørn shares a gorgeous electro pop song with lush synths and an expansive musical backdrop supporting some very engaging vocals.

Hobby Club - Bedroom.

Jangle-pop duo Hobby Club release their cheerfully melancholic single ‘Bedroom’ from their first EP ‘Video Days’ released 8th March on Manchester tastemaker label Heist or Hit (Her’s, Pizzagirl). Inspired by Arthur Russell, The Beach Boys and Kate Bush, Beth Truscott and Joe Rose’s sound is as unique as their vision of the world – sharing an unusual eye condition they only discovered after meeting each other.

‘Bedroom’, whilst about a bedroom and written in one, was ironically recorded in guitarist Joe’s favourite childhood venue, an ex-shipyard canteen. Faced with the constant threat of closure he describes ‘long nights panic tracking till the sun came up toiling away endlessly in the hopes we would finish before the builders kicked the door in.’

A “by-product of a fleeting obsession with 80's children's tv show theme songs, especially Fireman Sam which has the most perfect guitar tone you could ever dream of” ‘Bedroom’ is the demonstration of Hobby Club’s mastery of musical juxtaposition. Joe considers how “whenever I dip into the bad times, I always seem to counteract it by writing frustratingly happy songs, maybe in some vein attempt to reinterpret nostalgia into something that doesn't leave a sour taste in the mouth.”

Deceptively cheery, ‘Bedroom’ is Beth’s personal account of heartbreak: “turning you from a reasonable human being into a crumpled heap of gelatinous matter and tears, incapable of making a phone call or keeping track of your personal effects.” The track’s upbeat façade represents a feeble attempt to remain composed, when actually “going home to a darkened room becomes the best option after any minor setback whatsoever.” Beth confesses: “this song, in essence, is me ripping my heart out and showing it to all of you, in the hope that the person who I wanted to see it the most would.”

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Rainbrother - Warriors.

Danish band Rainbrother are releasing new single ‘Warriors’ taken from upcoming album Island. The band tell us the new track is about finding conviction in your beliefs, whether they be about love, human connection or politics. In the modern age of increasingly fragmented and disparate, they long for “the old days, back when life was simple and you understood what you were fighting for.”

Fronted by songwriter Bjarke Bendtsen, the five-piece explore themes of voluntary isolation, lost love and self-acceptance over the album’s ten tracks. In order to escape the rat race and record the album, the band relocated to the attic of an old farm along with producer Kennie Takahashi (Danger Mouse, Beck, Black Keys).

On tracks such as opener ‘Black Chemicals’, earthy, textured guitars are paired with distinctive vocal harmonies that are reminiscent of Fleet Foxes. Elsewhere on the record, for example on ‘Rio Rita’, more progressive elements come to the fore with clear nods to Pink Floyd and a wider palette of sounds, both acoustic and electronic.

Along with touring their native Denmark and the UK, the band have appeared at Bestival, SPOT Festival and SXSW – where in fact the band made the news on the BBC and CNN for an immigration debacle involving their front man Bjarke. When he was denied entry, they had to improvise and they used a pre-taped performance from him projected on a screen behind a drummer while they played their parts in sync.

The metaphorical ‘Island’ refers to withdrawing from the digital noise of the physical world, taking stock of what’s important and choosing to spend more time with the people that you really care for.

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HunBjørn - Who Are We To Love.

HunBjørn is a new act on the Danish indie and electro pop scene. Her musical universe is both raw and vulnerable. Catchy melodies, dreamy waves of synths, vocals and distorted guitars in a tight setting of bass and beats. HunBjørn released her debut EP “In Vacuo” in September of 2018, which received great reviews in her home country Denmark and when the first single “A Flutter Of The Heart” was released earlier that year in May, it immediately got selected selected by the hyped music Blog Soundvenue as one of that weeks “Top Tracks”.

She grew an engaged fan base on social media quite rapidly by using new technologies such as a messenger-bot called the She Bear Bot, an interactive behind the scenes experience for her EP that fans could join, and personal V-logs about every song and the story behind it. Now HunBjørn is ready with a second EP with the title “Next Summer”. She produced the EP herself and had it mixed by Brian Batz aka Sleep Party People, with whom she also worked with on her first EP.

The first single will be the song “Who Are We To Love”, which draws an even more electronic and dreamy approach to her music. The single is released March 1st on the Danish label All We Are Music. “Who Are We To Love” is a love song to the environment – a post-it in the forehead on all of us, to remind us that the environment is the responsibility of all of us.

HunBjørn aka Ulla Pihl, former lead singer and songwriter in the experimental pop band Lima Lima is inspired by the sonic structures in music and by the transformation of an instrument’s sound by using effects. Her lyrics always circle the grey areas in life and the complex feelings in relationships between human beings in a complex world. She’s inspired by bands such as Blonde Redhead, Japanese Breakfast, Grouper, Beach House and Alvvays. The name HunBjørn derives from the Latin origin of her personal name Ulla and means “a small she-bear” in Danish. The name is the incarnation of courage, vigour and feminine strength.


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Saturday, 2 March 2019

Paper Cameras - Elva - Eyreton Hall

Paper Cameras share some rich and powerful alt rock with 'We Hear Your Name' ahead of their new album due in a few days. The duo Elva are an absolute delight, we've featured Allo Darlin in the past and Elizabeth Morris's vocals can once again charm us as does Ola Innset with his pristine musicianship. Eyreton Hall provide us with a melodic and beautiful song that is steeped in folk sensibilities and crafted to a very high standard.

Paper Cameras -We Hear Your Name.

The Painted Light LP from Paper Cameras has been a long time coming and well worth the wait. The lo-fi polyphonic soundscape is full of ethereal harmonies reminiscent of the 90’s garage influenced rock scene that veteran Portland musician Michael Carothers helped form. The history of Paper Cameras began in 2005, when Carothers (Spectator Pump/All The Dead Horses/The Glib) conceived the project and began writing songs. Three years later, the E.P. Lost Weekend was born. The E.P. was recorded with longtime friend, Nashville’s Jerry Wayne Campbell (Spider Virus/Millionaire Magicians) and producer Sean Flora (Black Keys/Shins/Stephen Malkmus).

The following years Carothers took a brief hiatus from songwriting to open the successful Japanese restaurant, Miho Izakaya and spent the next half decade keeping sake flowing and quietly writing songs in his few spare hours. In 2014, with a renewed musical focus he sold his stake in Miho Izakaya and bought a Tascam 8 track cassette recorder and began new material with longtime friend, Portland musician Nathan Junior(Dandy Warhols, The Early Stuff, M. Ward, Duover, Sea Wolf) and artist and taxidermist Little Debbie Bartling sharing time behind the mic with Nathan Junior. The result was The Easy Wolves Sessions, a lo-fi mix of bubblegum psych pop. Later, in 2016 Nathan Junior and Carothers recorded the E.P. Mars Was Yesterday with producer Adam Selzer (Decemberists/Peter Buck/M. Ward/ Fleet Foxes) at Type Foundry Studios where Carothers’ vision began to take on an identity reflective of the kind of alchemy that comes from friendships and like minded musicians, highlighting the strength and creativity of each member.

Carothers, a native Tennessean, had known Tripp Lamkins (The Grifters/Dragoon) since the early days of famed the Memphis band The Grifters. Upon hearing about the Paper Cameras project, Tripp made his way to Portland, OR to record at Jackpot Studio with Tape Op founder Larry Crane (Elliott Smith/Sleater Kinney/ Go-Betweens/Thermals). They began tracking with no band rehearsal and recorded the record in just only two days. With rhythmic complexity and blended harmonies, the outcome is reminiscent of a lower-fi New Pornographers, Wedding Present, with hints of later Royal Trux. Larry Crane’s honest straight-ahead production style anchors the songs and would easily be in step with fans of Summer Cannibals.

This collaboration of veteran musicians came together more smoothly than they ever could have imagined. After the songs were instrumentally framed, Carothers brought painter Michelle Anne Muldrow to sing with Nathan Junior. The result became the EP Painted Light, due out in the fall of 2018 on No Night Travel. Painted Light floats within sonic range between 90’s garage influenced rock and inventive, harmony-laden 80’s power pop.

Look out for the Painted Light EP out March 8th on No Night Travel Records.

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Elva - Athens.

Elva is the new project of Allo Darlin’s Elizabeth Morris and Ola Innset, of the Norwegian bands Making Marks and Sunturns.

Winter Sun was recorded in the autumn of 2018 in an old school house in the Swedish forest, during moose hunting season. Meaning ”The River” in Norwegian, Elva take their inspiration from the natural world, the beauty of the Scandinavian summer and the harshness of the winter. Several of the songs on the album are tellingly inspired by the birth of Elizabeth and Ola’s daughter.

Some might feel the album is sonically most similar to the Allo Darlin’ album Europe, thanks in part to the lush string arrangements courtesy of long-time Allo Darlin’ collaborator Dan Mayfield on violin and cellist Ofelia Østrem Ossum. Michael Collins, who played drums in Allo Darlin’, recorded and produced the album, building on work he has done in recent years with artists like Metronomy and Girl Ray. Diego Ivars on bass and Jørgen Nordby on drums round out the band.

The sonic palate of the record is detailed and delicate, with a mix of acoustic and distorted guitars, vintage keyboards, strings and intricate vocal harmonies. Lyrically and melodically, the album showcases the depth of both Morris’s and Innset’s songwriting. At times recalling the gentleness and screech of American indie bands like Yo La Tengo, at other times the country-tinged heartbreak of Linda Ronstadt or Laura Veirs, Winter Sun is something of its own: a rich combination of polar opposites. Summer and winter, Australia and Norway.

Elizabeth says: ”I really wanted to make an album that had a nice mix of really quiet and gentle songs, together with the louder feedbacky stuff. It was great to be able to share songwriting duties with Ola, as finding time to write is trickier these days with a baby in tow, so it really took the pressure off to write all the songs myself. It also gives the album another dimension, and I have always loved bands with two songwriters, like The Go-Betweens. Hopefully we bring out the best in each other’s writing. But having less pressure on myself to write all the songs meant that the songs I could contribute felt worthy enough of having a place on the record.”


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Eyreton Hall - Weekend.

Kiwi, chamber folk duo Eyreton Hall share a whimsical new track 'Weekend' off their upcoming album Spaces, which is due out May 24 on Marigold Music.

Eyreton Hall will be celebrating the release of 'Weekend' with an intimate live show at 13th Floor on Sunday 3 March, with special support from Sophie Mashlan.

Long time partners in creativity and in life; musicians Andrew Keegan and Toni Randle make up the heart of folk/chamber pop outfit, Eyreton Hall. Blending wide influences ranging from European jazz to classical to contemporary singer-songwriters, Eyreton Hall bring it all under the warm umbrella of Folk, telling stories of upheaval and coping, love and loss. Shining through it all is the voice of Toni Randle; a talent that urges you to feel the power and emotion in every note, and like the best of voices, draws you in completely to the stories being woven in song. Couple with Andrew Keegan’s intuitive, steady drumming feel, they are a musical pair unmatched.

Stepping forward to the present, Eyreton Hall have crafted a new and stunning album about family, hope, loss and grief, Spaces.

Self-written and co-produced with Ben King (Goldenhorse, Grand Rapids), Spaces is an authentic songbook from Randle and Keegan - written in the depths of coping with loss and grief, recovery, and finding hope and new beginnings. The ten-track story is the hearty follow up to their debut album Featherstitch, which prompted love from niche folk blogs and journalists around the globe. Spaces was mixed by Simon Gooding (The Map Room) and mastered by Howard Rogers (Bring It On Studios).


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Friday, 1 March 2019

VOIID - Seatbelts - Wy - Junodream - Jonny Kosmo - Morabeza Tobacco

VOIID just cut to the chase with Vile, a punk fuelled song without the pretence, but armed with plenty of hooks. Seatbelts 'Spanish Songs' is a refined piece that mixes fine vocals, harmonies and a few spoken words whilst the refreshing musical backdrop adds more. The vocals on 'Softie' are gorgeous and distinctive ensuring Wy standout, as they tease us with this taste of the forthcoming album. Junodream offer some rhythmic indie rock with some sparkling guitar as 'Terrible Things That Could Happen' hits the spot. Jonny Cosmo's quirky video makes a good companion for 'Circus Of Dreams' a catchy vibrant song with plenty of charm. Morabeza Tobacco have a rich and expansive sound for just a duo, what's more their music is lush, melodic and just so dreamy.


VOIID - Vile.

Taking no prisoners with an authentic riot grrrl approach, VOIID's latest belter 'Vile' isn't too dissimilar from what has come before, instead acting as a vivid sign post for what's next.

The video is the ideal DIY affair, directed by Hey Aidan and capturing the band in their natural habitat while confronting the band's punk aesthetic accurately.

The band says of the song: "‘Vile’ is a song written about a personal experience that caused a lot of hardship and pain. While the lyrics convey negative connotations, they are relatable to a lot of situations people in their late teens can go through."


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Seatbelts - Spanish Songs.

Seatbelts have released their first track of 2019, ‘Spanish Songs’.  The second single from their forthcoming EP, ‘Please Slow Down’ - ‘Spanish Songs’ is a thrillingly upbeat and lively ode to the idea of a country. A gonzo-snapshot of way of life, which brings the band’s avant-pop influences to the fore. By using a male-female vocal arrangement, which dances from English to Spanish, Seatbelts tell of the relationships formed between people and place.

As with their previous release, multi-instrumentalist, Nick Branton (Dead Hedge Trio) joins Seatbelts, this time providing bright, mariachi-inspired cornet lines, over the excited “ba ba ba ba ba!” of the backing-vocalists. This joyful experimentation makes for layered, energetic choruses, showcasing an openness to the potential chaos of collaborative-songwriting. A process which Seatbelts’ seem eager to explore.

Towards the end of the track, we hear the lines: “Hay algo real, hay algo fácil, there’s something out there I’d like to find,” sung over drummer, Alex Quinn’s hypnotic beat, and Abi Woods’ (keyboard, vocals) sun-searching synth lines. It’s in this moment when we begin to feel the pull - the sizzling heat, the Spanish skies, the Sangría-drenched dream.

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Wy - Softie.

Swedish duo Wy have announced the follow up to last year's critically acclaimed, underground debut album 'Okay'; with their forthcoming LP 'Softie' - a highly personal, eleven track account from the pair (real names Ebba and Michel), due for release on 30th April via Hybris and Beatnik. With the release of their debut, Wy garnered the highest praise with comparisons to Slowdive, Cigarettes After Sex and Mazzy Star, and the new record is set to further cement their position as one of the most exciting bands around right now. In tandem with the news, they have released a new single; the album title track, which you can listen to via the link below.

This latest track release is loaded with vulnerability; it's a raw, spell-binding ode and apology to those on the receiving end of singer Ebba's bouts of depression. In her words, "Being really down makes me a jerk to people. But if I'm being a jerk to you that probably means I love you very much. It's very complicated."  The single follows the recently released 'Pavements'; a gritty, bold and electric release which was championed by Lauren Laverne at BBC 6Music and described by Consequence of Sound as "weaving atmospheric compositions and emotional lyricism".

The album is very much a statement on the turbulence of human existence, written from Ebba's experience of being bipolar. With their clarity in emotion and unapologetic use of lyrics, it's an important record in more ways than one. She explains, "'Softie' is an attempt at proving there is more than one way of being a functioning human being. The album is about coping, growing out of your fears, learning how to distance yourself from your anxieties and the ups and downs that comes with being bipolar. 'Softie' is ultimately about releasing the pressure from yourself and that's what we have been doing in the process of writing these songs. We ended up with a record that was turbulent, back and forth and non-conforming. And we love that, because it feels very 'us' and we really wanted our second album to hit you in the face rather than rock you to sleep."

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Junodream - Terrible Things That Could Happen.

Bristol born, and now London based band Junodream are announcing the release of their debut EP 'Terrible Things That Could Happen'; as well as sharing the first single and title track.

A 90s inflected indie rock cut bursting with vibrant guitar based instrumentation - the new single..."is a one way conversation between a couple in a car," explains the band's Dougal Gray. "Trying to get a response - by saying increasingly weird things - from someone too distant to listen. It's comical but also very sad."

Taking inspiration from artists such as Beck, Brian Jonestown Massacre, and Pavement - the band have undergone many transformations over the years; recently "evolving into our superior form", as the band succinctly put it. That superior form is Junodream.

Having already surpassed over 1 million streams on Spotify, with no management or label backing, the band have also built up a heady live reputation in London in the short time they've existed as Junodream. Headlining venues such as The Pickle Factory and Bermondsey Social Club along the way - they've busied themselves self-recording and releasing various tracks over the past 12 months - the latest of which, their debut EP 'Terrible Things That Could Happen'. Due for self-release on 12th April, the EP was self-recorded by the band in an old cottage in Andover, using mattresses and pillows for soundproofing.


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Jonny Kosmo -- Circus of Dreams.

Jonny Kosmo shares new single/video "Circus of Dreams" with his forthcoming record out today.

Los Angeles artist Jonny Kosmo is no stranger to groove, most recently performing as the bassist for Los Angeles’ psych-pop synth outfit Mr. Elevator.  Steeped in pop-strange composition and a rich history of musical theater, Kosmo creates songs full of color, movement, and imagination all while keeping ears dosed in a palette of shimmery soul.

Kosmo’s solo debut demonstrates the dynamic hues and shapes his songwriting takes. The LP sees the invitation of funk/r&b idol Aldous RH, drummer Miles Wintner (Ian Sweet), synth-genius Tomas Dolas (Mr. Elevator/Thee Oh Sees), as well as a collaboration with Kassie Carlson (Guerilla Toss). Self-titled release Jonny Kosmo leaves the listener in soundscapes of wonderment and honeyed possibility. The album was recorded by seasoned producer Tomas Dolas at Studio 22 in Los Angeles California.


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Morabeza Tobacco - Ally McBeal.

Swedish duo Morabeza Tobacco have always been ones to repurpose cult TV shows into their music. With their previous single ‘Defenders Of The Glam’ taken from the 80s cartoon series Defenders Of The Earth, the pair now return with their latest release ‘Ally McBeal’, although it is not actually inspired by the hit TV show. 2018 was a blinding debut year for the band, culminating with Pitchfork naming previous single ‘TTYL’ in the Top 100 Tracks of 2018.

“We’re not sure actually [where the name came from]”, the band say. “We were talking about what to name the song, then ‘Ally McBeal’ popped up and both of us thought ‘yeah, that’s the one’. One theory we have is that we associated it with one of the lines in the song (‘it’s no big deal’ =Ally McBeal)”.

Stepping away from the more groove-filled singles of recent, ‘Ally McBeal’ looks to be the band’s more ethereal and psychedelic release, With notable comparisons to the likes of Animal Collective and Toro Y Moi, the single is filled with dreamlike synths and subtle yet commanding basslines that give this new release a very grand and cinematic-like experience.

Speaking about the creation of their latest track, the pair added, “All of it was pretty much written and produced one afternoon. The feel and the harmony were inspired by The Land Before Time, another one of those nostalgia trips. It’s probably the saddest song we’ve written so far. We have one song on the upcoming album that is another candidate in the competition of being the saddest song. Let’s hope that ‘Ally McBeal’ is gonna help some people open up their tear canals for a little cry that makes them feel better afterwards”.

‘Ally McBeal’ is set to feature on the group’s long-awaited new studio album, alongside a number of previously shared singles, adding “It’s going to be an album with eleven songs we have worked on for a long time and that are all unique. You can expect love ballads with wobbly synths, groovy tracks with mystique and our take on lo-fi pop”.


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Tuesday, 26 February 2019

Cat Princess - Guest Directors - Charlotte Cornfield

Cat Princess serve up a funky and vibrant slice of art rock with some dance along vibes for good measure. Guest Directors new E.P. covers a few rock genre bases, the bands musicianship is noteworthy, as their versatile material demonstrates. Charlotte Cornfield's 'Storm Cloud' is gorgeous, her vocals are beautiful, the lyrics intrigue, and the catchy nature of this song ensures a good few listens are likely.

Cat Princess - Sweet.

Uppsala quintet Cat Princess formed at a New Year's party and debuted only days after playing at guitarist Robin's birthday party. Singer Nils joined the gang after drummer Victor claimed Nils was "a diamond in the rough" of a front-man. Just as spontaneous as the band's birth are their music. Today the catchy Sweet is released, "an ode to the endless pursuit of peace" and the first single from Cat Princess' long-awaited debut album Forbidden Items.

Sweet comes a year after their last single, the retro banging Fly on Your Wall, which was followed by the band's debut London show and a support slot for synth legends OMD. It's a look into Cat Princess at their most dance-friendly and one of the brightest cuts from the upcoming LP which took a majority of 2018 to make. The result is an eclectic art rock mix consisting, equally put together by the bands' influences spanning from 80s new wave to contemporary greats.

Nils Krång, lyricist of the track, tells the story of Sweet: "Straight away in our catchy first single Sweet, the lyrics narrates from the point of view of a person that has regained their senses recently, from having had a long "black out". As sung through the lyrics, the experience shows itself through the return of the sense of vision, (night lights turned on, completely), the reflections of recent experiences (how long was I out for?), saying goodbye to the past (goodbye different time), amongst other themes that coincide with change happening in life, or coincide with being in a state of peace.

It's an ode to the endless pursuit of peace. Lyrics in the verses are moving forward quickly, then comes a more relaxed singing in the chorus, down in the groove with the instruments. Musically, Sweet is straight-on, funky, viby, dancy, feedback-y, a sunny tune with a puls-y, rhythmic, percussion section, punchy, moving drums, touchy cymbals, a cocky bass line, uniting with the vocals in the verses, catchy guitar tones beautiful enough to make unicorns cry, and dubbed vocals with crazy editing and effects. Just as good of a dance tune, just as good of a chilltune.

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Guest Directors - Dream the Currents (E.P).

Guest Directors’ spooky and soulful music evokes images of evergreen silhouettes, dreamy breezes, and the power of seemingly perpetual precipitation. Their third EP, “Dream the Currents,” is the next step in what has amounted to an annual progression of EPs demonstrating harmonic, rhythmic, and stylistic explorations that hover around a familiar sonic center.

These five songs span from Teenage Fanclub-like jangle, the reverb-drenched pop of The Cure, to some unexpected turns in the spirit of bands like Autolux. More shoegaze-adjacent than stalwart standard- bearers of the genre, Guest Directors' confident chemistry and ambitious spirit eschew typical routes in favor of new paths.

Their kaleidoscopic instrumentation is comprised of delightfully tangled Jazzmasters and moody vocals, as well as volatile drumming and propulsive bass work. The group has mastered its musical surveillance, recognizing each bit of sonic space as an opportunity for attention, examination, and artful refinement. Collaborative songwriting unveils surprises, especially on key tracks "Parachute On" and "Minor Mendings”.

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Charlotte Cornfield - Storm Clouds.

“You free yourself when you take away the script,” says Toronto songwriter Charlotte Cornfield. “That’s where this record came from, dismantling patterns and embracing the process.” Cornfield’s third full length, The Shape of Your Name, is set to arrive in Spring 2019 via Outside Music imprint Next Door Records. The album has a more honed studio sound than her scrappier 2016 release Future Snowbird, and for good reason: it was recorded in 5 different sessions over the course of 3 years. The songs are her strongest and most striking to date – contemplative and contemporary, funny and heart-wrenching – and they’ve got that stuck-in-your-head-for-days quality that Cornfield is known for. The Shape of Your Name features a star-studded cast of collaborators including (but not limited to) Grammy-winning engineer Shawn Everett, Broken Social Scene members Brendan Canning, Kevin Drew and Charles Spearin, and Montreal songwriter Leif Vollebekk.

“My initial intention wasn’t to make a record at all,” Cornfield muses. “The whole thing kind of happened by accident. I went to The Banff Centre to do a residency and came out with these recordings that I knew I wanted to use for something but wasn’t sure what.” She brought the unfinished songs to her former roommate Nigel Ward in Montreal. “He fell into the producer role seamlessly,” says Cornfield. “We took it slow and just tried things for a while until the vision settled in. There was no rush. It was freeing, and it gave the songs a lot of breathing room to develop.”

For the past four years Cornfield has been booking and managing Burdock Music Hall, a small venue in the west end of Toronto. The job has offered her stability and a strong sense of place in Toronto’s bursting-at-the-gills music community. She’s also an in-demand drummer and side musician, and has worked closely with Tim Darcy of Ought, Molly Burch, Adrian Underhill, and members of Lake Street Dive. She has toured extensively in North America and Europe and has supported a huge range of artists including Broken Social Scene, Anais Mitchell, Daniel Romano and Sam Amidon.


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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...