Tuesday, 16 April 2019

Mangoseed - Ben McKelvey

Mangoseed have shared a video for 'Still Believe' of which vocalist Nicholai La Barrie comments - “This video is our homage to our mothers and grandmothers, and a calling out of the Home Office for turning its back on the immigrants who built the country. The woman in the video spent all her adult life in and paid taxes in a country that is sending her away. The legacy of the Empire is that the people you ruled come to live next to you, they are you.  And the video is about the importance of community, against the backdrop of a country that is actively breaking the community.”

Ben McKelvey is a notable folk rock musician with the song 'Wild Child' pushing the rock aspect to the fore with a feisty uptempo and very catchy vibe.

Mangoseed - Still Believe.

About ‘Still Believe’ - “I am pondering the world we are in and looking at the chaos and uncertainty of it all. And in America, where once Martin Luther King dreamed, it feels like that dream is lost to tyrants, racists and sexists, emboldened and loud. But it’s only love that will set us free.” Nicholai La Barrie, vocals, Mangoseed.

As a new year unfolds to an increasingly troubling socio-political backdrop, London roots-rockers Mangoseed face up to the fear and hate with a homage to love in all its forms. Celebrating the influence of song as a means of protest, empowerment and unity, frontman Nicholai La Barrie delivers his proclamations by way of a potent vocal melody atop the quartet’s heavyweight alliance of enormous bass, ethereal guitar and classic dub in the tradition of Black Uhuru, King Tubby and Mad Professor, all driven by the percussive thrust of rastafarian Nyabinghi rhythms.

Hailing from the cultural and creative melting pot that is England’s capital city, Mangoseed comprise four musicians of Trinidadian, Jamaican, Australian and Irish descent. Perhaps no surprise, then, that this multinational troupe produce an enthralling fusion of global sounds, mashing up ska and soca, dub, jungle and funk, rock and punk, all of it high-energy and unfailingly danceable. Originally formed by vocalist Nicholai La Barrie and guitarist Karlos Coleman, Mangoseed became a fully functioning act via the additions of Richard Hardy on bass and Sam Campbell on drums, configuring a pulsating punky-reggae repertoire that was captured on their self-released album, ‘Basquiat’, which earned impossible-to--nail-down comparisons ranging from Bad Brains to Massive Attack.

What everyone can agree upon, however, is the thrilling energy of Mangoseed’s live performances, regularly delighting a loyal fanbase around and beyond the band’s Brixton homes. The enthusiastically received 2017 singles, ‘Lucy’ and ‘Jah Jah’, only increased the intensity of the Mangoseed appeal, and more recent studio sessions have spawned further killer blasts of of urban-jungle skank, which will take the form of a set of singles, as well as a full-length album, as Mangoseed prepare to make a mighty impact on the soundscape of 2019.


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Ben McKelvey - Wild Child.

UK-born and based one-man band Ben McKelvey will be sharing his latest folk-rock track, ‘Wild Child’ on the 26th of April via Lower Your Shoulder. ‘Wild Child’ is lifted from his 2018 album of the same name. He has been part of many tours performing across USA, UK and Europe in venues such as The Royal Albert Hall, the O2 Arena and the London Palladium providing main support for Wet Wet Wet in 17 arenas, 20 dates for The Overtones, 50 shows as support for the Genesis supergroup, Mike & The Mechanics, touring with Marti Pellow, Scouting For Girls. During 2019 he will be the official support act for Bruce Springsteen Band’s Jake Clemons. His headlining shows in London and Brighton during November 2018 sold out both performances. His first and second album hit the Top 10 on iTunes’ Singer/Songwriter Chart with the latter also entering the Top 100 All Genre Chart. Ben Mckelvey has seen support from publications such as Muso Muso, Photo Groupie, Music Crowns, Female First and Press and Journal UK. He has had multiple singles played on BBC radio stations with extensive support from BBC Essex and BBC Oxford.

Growing up in Essex, Ben McKelvey currently resides in Brighton. During his formative teenage years in, he played the drums for the punk band, Fluid Lines, further shaping his love for music. After he quit the band at the age of 21, he became very ill and was completely bedridden. Putting his free time to good use, he taught himself how to play the guitar and write songs he didn’t intend for anyone to hear. A multi-instrumentalist at heart, Ben plays every single instrument in all of his tracks, albums and EPs.

Growing up listening to The Jam has lead Ben McKelvey to also be influenced by the likes of Bruce Springsteen, Noel Gallagher’s High Flying Birds, Johnny Cash and Frank Turner. This collection of legendary inspirations is evident in his music, as Ben’s rich melodies and musical storytelling will easily find it’s home with any fan of more contemporary artists like George Ezra, Vance Joy or Mumford & Sons.

Produced by Jake Robbins (Natives), Ben McKelvey’s energetic ‘Wild Child’ is an uplifting fast-paced track about freedom, believing in your dreams and ultimately regret. The lyrical content starts out as being about the teenage dreams of aspiring musicians, but right at the end, it is tinged with a sense of sadness as regret comes creeping up; thinking about a life that could have been. Driving drums, swooping guitar solos and hypnotic bass lines all work together in perfect harmony as Ben’s vocal delivery effortlessly portrays his storytelling talent.

Speaking about ‘Wild Child’, Ben McKelvey said “‘Wild Child’ was the last song I recorded for the album. It instantly became my favourite on the record and probably is my favourite I’ve ever written. There’s a lot of emotion in this song and it’s the most personal I’ve ever written. A song based on true events about how being a musician is something you can’t choose to let go when it’s in your blood and how it can destroy personal relationships. A tough song to write but very therapeutic. It was written at a low point in my life but when we get to play it live, it’s just incredible. I guess it’s dedicated to the musicians out there giving it their all.”

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Monday, 15 April 2019

Lenny Bull - Saxsyndrum - Blushing

Less than a month since we first featured Lenny Bull she returns with 'Somebody's Girl' a really fine song with just a hint of The Pretenders in upbeat mode, a compliment if ever there was one. Live electronic trio Saxsyndrum's brand new album is streamed in full below, their genre spanning music based on sax, drums and vocals is well worth digging into. 'Dream Merchants' from Blushing mixes shoegaze vibes, ethereal vocals and a feisty guitar rock feel that collectively work wonders.


Lenny Bull - Somebody's Girl.

The the new video for "Somebody's Girl" (the latest single) has just been released. With her debut EP “Sharp Teeth” Lenny Bull gives an honest, witty insight to her musings with timeless songwriting.

Inspired by early punk records from the 70’s and 80’s, Lenny Bull gives a vibrant twist to a vintage sound.

Her music has an innately retro feel, laced with chorusy guitar hooks, punchy drum fills, and driving bass lines. Sometimes mischievous, sometimes provocative, sometimes humorous, her songs dive into relationships, getting over yourself, and not taking any bull.


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Saxsyndrum - Second Nature (Album).

Montreal-based live electronic trio Saxsyndrum are pleased to release Second Nature, their sophomore full-length on So Sorry Records, with vinyl production supported by Record Centre Records.

Filled with sprawling dance tunes, intricate ambience, deep grooves and destructive modulation, Second Nature juxtaposes each member’s disparate creative processes to forge a rejuvenating journey through their imprinted emotions of friendship, love, life and loss. Their first album since settling into their new form with vocalist AP Bergeron, Second Nature’s nine lush tunes (mixed by Taylor Smith of Braids) present Saxsyndrum’s most mature sound yet.

Ultimately, it’s live where Saxsyndrum shines. The trio of sax, drums, and vocals puts forth a candid energy that comes from their sincere appreciation of live performance. Bringing emotion and energy to each concert, Saxsyndrum continuously push the possible realms of their instruments.

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Blushing - Dream Merchants.

The second single "Dream Merchants" off Austin TX alterna-gaze quartet Blushing's upcoming debut LP has just been released.

Comprised of two husband and wife teams, Blushing is an Austin TX based dream pop / shoegaze quartet that originated in the summer of 2015 after Michelle Soto (guitar, vocals) shared her songs with long-time friend and classically trained vocalist Christina Carmona (vocals, bass). Picking up the bass, Carmona helped to fully flesh out tracks and the two incorporated their spouses Jake Soto (drums) and Noe Carmona (guitar).

Their debut EP "Tether" was self-released in 2017, followed by their EP "Weak" on Austin Town Hall Records in January of 2018. Gaining infectious momentum, Blushing have since been asked to play official SXSW showcases in 2018 and 2019, Athens Pop Fest and have shared stages with the likes of La Luz, Snail Mail, Sunflower Bean, BRONCHO and many more. They were recently picked by SXSW to be one of the featured artist in the 2019 SXSW Music Preview guide.

They released the single "The Truth" (b/w “Sunshine”) on October 26th both digitally and on 7" pink vinyl via The Nothing Song Records. Recorded, mixed and produced by Elliott Frazier of Ringo Deathstarr both "The Truth" and "Sunshine" showcase a growth in the band's expansive, cascading sound laden with ethereal vocals and fervent guitar, simultaneously capable of reining in with emotional and melodic space. Sunshine was also selected by KEXP as Song of the Day for January 3rd 2019.



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Sunday, 14 April 2019

Bloom - Wovoka Gentle - The Leisure Society - Insomniac Bears

The dual vocals weave around each other beautifully on Bloom's new song 'Ground', whilst the musical backdrop adds further depth. It's our forth feature for Wovoka Gentle as the trio continue to create gorgeous music, and their debut album 'Start Clanging Cymbals' is due in June! The Leisure Society have just released 'Arrivals & Departures' a double album (streaming in full below) that is packed with fine tunes and variety. 'A Nod In The Darkness' is a fabulous song from Insomniac Bears, where the vocals and musical arrangement compete for our attention throughout.

Bloom - Ground.

Co-fronted by telepathic, harmonising best friends Emily Cluley and Megan Clifton (both on vocals, guitars & keys) - alongside Jamie Keogh (drums) and Scott Jones (bass) - Brighton-based Bloom is a culmination of entwined passions: layered harmonies, 80’s synths, heavy dance rhythms, a touch of bubblegum pop, PC Music, love, the universe, moss, thunder, lightning and magic.

Double-A single Ground/Escape is the first single to be released from Bloom since their debut album ‘What Is Life’ (self-released in 2016) which garnered attention from tastemakers such as The Quietus, The Line of Best Fit and BBC Introducing. Both tracks deal with issues of mental health and are, as Clifton explains, “essentially a reflection of the darkest parts of ourselves”.

Releasing two singles reflects Bloom’s fascination with pairs – light/dark, masculine/feminine, yin/yang – as seen by Clifton and Cluley’s always intertwined vocals. “We can’t present ourselves in one song” Clifton explains, “It’s hard to understand one without the opposing polarity. Once you have two combining, that’s when everything starts growing and blossoming out.” This polarity is clear in the tracks, yet they complement each other. Ground’s darker pop-shades represents what the band describe as “the wordless, alien void”.  Whilst Escape rushes in with a huge driving rhythm section, a childlike vulnerability and tinges of bubble-gum pop representing “the manic, chattering infinite”, with an equally upbeat message on self-love and care: “Know yourself by letting go, Love yourself by letting go.” – Escape

Ground and Escape are produced by Ed Chivers (Fujiya & Miyagi, AK/DK) who is currently working on Bloom’s debut album planned for release later in 2019. Both tracks will be self-released digitally and on a limited run of 300 violet 7” vinyl copies.


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Wovoka Gentle - Tell 'Em, Makoto!

London trio Wovoka Gentle have announced the release of their debut album 'Start Clanging Cymbals' on 7th June through Nude Records.

Folowing first three singles '1,000 Opera Singers Working in Starbucks', 'Peculiar Form of Sleep' and 'Sin is Crouching At Your Door', Wovoka Gentle have shared a new track taken from their debut. Another example of their limitless sonic horizons, and of their winning way with a song title, 'Tell'em Makoto!' starts with a hint of sea shanty, goes Pure Folk, then deploys a sample of gospel singer Mahalia Jackson to devastating effect.

Will from the band explains that the song was inspired by the book ‘Culture Care’ by Makoto Fujimura. He talks about Mahalia Jackson and how people like her exist on the periphery of influence; they exert influence on people who are actual influencers, and that’s the role of art in society. And Mahalia Jackson is a good allegory for him. She was next to Martin Luther King during a speech that was flagging and she shouted to him, ‘Tell them about the dream, Martin!’ And that’s how the ‘I Have A Dream’ speech started.”

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The Leisure Society - Arrivals & Departures.

The Leisure Society release their stunning new double-album Arrivals & Departures via their own new imprint, Ego Drain Records. The new double-album has two quite distinct sides – loss and anger. "In our minds, it’s clearly a double album" the band explained. "We’ve had a sequence in mind for a while, with 8 ‘classic’ Leisure Society songs making up the first album (Arrivals) and 8 angrier, more experimental songs making up the second album (Departures)".

Going a little deeper on some of the lyrical inspiration behind the new album, Nick said: "I spent one restless night following the US election results on Christian's sofa. Before I left in the morning I scrawled on a Post-it, "Donald Trump is the American President!?!" I spent the following night drinking heavily and bashing out 'There Are No Rules Around Here'. It really seemed like anything was possible, no matter how depraved."

The album also features synth textures from Brian Eno (who championed the band from the very beginning) on 'I’ll Pay For it Now'. The band's fellow Midlander and go-to brass guy Nick Etwell leads the horn sections, with the band also enjoying a reunion with harpist Tamara who featured on The Leisure Society's second album Into The Murky Water (also joining them at The Barbican when they collaborated with The Heritage Orchestra in 2011). Heritage cellist Ben Trigg appears, alongside founding Willkommen members Marcus Hamblett, Emma Gatrill and Kristin McClement (whose debut album Christian produced a few years ago).

The album was mixed by Gareth Jones, who the band sought out based on his work on Grizzly Bear’s Veckatimest (he’s also mixed/produced Erasure, Depeche Mode, Nick Cave, Wire, These New Puritans to name a few.) Speaking on their work together the band said: "This is the first time we’ve really let go of our tight rein on mixing, and we’re incredibly pleased we did. Gareth has brought a new level of depth and energy to our music." Additional mixing work was provided by Paul Gregory - perhaps known best for his work with Lanterns On The Lake.

Arrivals & Departures is the The Leisure Society’s most ambitious and diverse record to date, charting the journey from heartbreak, to anger, to hope, in 57 lavish minutes. With their previous efforts widely praised by The Guardian, The Line Of Best Fit, Mojo, Q, The Independent and more – the band will also be touring the UK in May.

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Insomniac Bears - A Nod In The Darkness.

Since the release of their debut single ‘Scenic Drives’ in 2017, Insomniac Bears have continued to deliver lyrical vulnerability, sonic experimentation and honest pop-anthems. The band is a vibrant combination of established Norwegian musicians; multi-instrumentalist Marius Ergo (Lukestar, Kaospilot & Snöras), Rumble in Rhodos-singer Thomas Bratlie Haugland, Team Me-frontman Marius Drogsås Hagen and songwriter/violinist Magnus Moriarty. Since their last release they have also included Axel Skalstad (Krokofant ++) on drums as a permanent member. The shifting combination of players has motivated the group to explore new sounds and ambitious arrangements that combine ferocious guitars and gleaming melodies that pierce through psychedelic backdrops. Perfectly marrying rock elements with pop sensibility, they travel to unexplored territory with their distinctive song-writing.

Following the release of well-recevied ‘Passing Trains’ in February of this year, ‘A Nod in the Darkness’ is the second track to come out of the studio sessions with renowned producer Lars Horntveth (Susanne Sundfør, Kimbra, A-Ha ++). The song combines vintage synthesizers, addictive hooks, and flavours of psych-pop. As songwriter Marius Hagen explains, the new single was born from the tragic loss of a close family member: “Listening back to how it turned out is not easy, but it feels 100% sincere and that’s why we decided to include it on the EP. Although the song, for me, will always be a difficult reminder of its inspiration."

Full of sincerity and vitality, ‘A Nod in the Darkness’ explores how to navigate independence in the face of heartbreak, and triumphantly advocates exercising self-acceptance.

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Saturday, 13 April 2019

Grizzly Coast - KEYS - William Steffey - Super Paradise - Candy Says

Grizzly Coast shares a personal yet resolute song that engages from the opening notes. KEYS gutsy rock and roll is to the point and wonderfully stripped back on 'Black and White'. The album 'Reality Jockey' by William Steffey is presented in full below, as he takes us on an impressive musical trip across genres and styles. '6:30' from Super Paradise is a whirlwind of instrumental garage rock interspersed with electronic moments (yep you'll have to listen). Candy Says electro pop has a moody feel on 'Gravity' as it's intricacy and hooks work wonders.

Grizzly Coast - Half-Light Boy.

My new single, “Half-Light Boy,” is about the sobering realization that not every person you encounter will have the same heart as you. Someone else’s lack of care for you is often due to something lacking in them – it is never an expression of what you deserve.

I was walking home from the grocery store one evening, lugging way too many bags for one girl to carry comfortably. Passing by a venue, I noticed that someone who once held a big place in my life was playing a show there that very night.

There was a time when I felt close to this person. Having always been one of their biggest supporters, not getting an invite to their show that was right in my neighbourhood left me feeling pretty small. I went home and wrote this new song as a confrontation that I knew I would never bother to actually have.

My friend, Taylor Lucas, produced “Half-Light Boy” in his home studio. He also produced my previous single, “Zuzu’s Petals,” and is set to produce my album. It’s always fun working with Taylor; he’s so talented and has great ideas! - Grizzly Coast.


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KEYS - Black and White.

‘There you will find them, tucked away in between The Stooges ‘Fun House’ and John Lennon / Plastic Ono Band the KEYS, the band you never knew you needed until they changed your life.

Over four Albums, Eps and countless Singles during this millennium the KEYS have become a mythical presence on the Welsh musical landscape. The timeless quality of the band’s music, touches on the wide eyed wonder and boundless possibilities of the sixties pop song, West Coast harmonies, Motown backbeat and the aggression of post 1968 proto-punk, sets them apart as true believers in the communion of Rock and Roll. KEYS are very much a band for the here and now, shaping music from the moon dust of the past into a re-imagined future that is all theirs for the taking.’ – Libertino Records

‘Black and White’ is the confident and bold return of the KEYS. The single was recorded during the productive two days session for the band’s new album in Miner’s Welfare club, lost in the Neath Valley.

Matt Evens, the band’s singer and songwriter, explains the background and the writing process of ‘Black and White’: “I wrote it while playing the drums on my own one morning. I was trying to write a modern-day nursery rhyme so it’s kept really simple. Then it went through the KEYS machine and came out all reverb guitars and maracas. It starts off Scout Niblett and ends up all Stooges with some Ron Asheton-style wah-wah thrown into the mix. It’s still a very sparse arrangement though which is the point. The lyric comes from something a photographer said to us once “Don’t worry, they’ll look alright in Black and White”; Gwion (Lead Guitar) used to quote it all the time in a jokey way so it ended up finding a melody.”

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William Steffey - Reality Jockey.

Chicago native William Steffey is a songwriter, producer and multi-instrumentalist with an extensive background that has found him challenging his creativity with every single, EP, album and music video.

Throughout his musical journey, Steffey has explored a wide range of genres; his songs range from rock and new wave to pop and electronic music.

Steffey’s new studio album, the much-anticipated Reality Jockey, features 11 tracks, including two instrumental passages with tonal and temporal components based on the ‘Golden Section,’ a ratio that occurs frequently in nature as witnessed by the spiraling pattern of sunflowers, the proportions of the human body and the way billions of stars swirl together to form our galaxy. The songs on Reality Jockey also embrace Steffey’s trademark versatility; each track illustrates his ability to bring different influences and sounds together under one roof.

The production of the album is on par with the quality of the songwriting; the tracks have a clear, punchy and sophisticated tone. The music sounds crisp without falling into the trap of overproduction.

Ultimately, Reality Jockey is an authentic snapshot of Steffey’s artistic personality. The record channels his background as well as his ongoing passion for new musical direction. Like his previous releases, this project is about blending uncompromising creativity with appealing melodies.

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Super Paradise - 6:30.

Forming in Milan, Super Paradise, founded by Francesco Roma and Nicolò Spreafico, brought their self-styled dream-garage sound to London, releasing their debut album in 2016. From here it’s become a relentless live project, playing numerous scuzzy headline and support shows across the city’s buzziest venues, honing their distorted and hook-laden tunes. Joining Francesco and Nicolò for this endeavour is Anna Arfen (keys), Charlie Davis (bass) and Bradley Hillier-Smith (Drums).

Dropping infectious Lo-Fi singles and EPs over the last year or so with a sound somewhere between Thee Oh Sees, Ty Segall and early Pixies demos, has nourished the live set. Tunes are often accompanied by highly stylised visuals, and their volatile new single 6:30 follows suit both sonically and aesthetically, whilst stepping things up in the energy stakes.

“The main inspiration came from “6:30” as a Caribbean dance move” explains lead vocalist Francesco, “I like that it could also mean 6:30am, dawn. End of the night, end of the dance. It’s always a bit of a weird time. You could still be out after an insane night, yet you’ll walk past people who are doing the complete opposite on their way to work. There’s a bit of uncertainty about it.”

This uncertainty is reflected in the sound. Flitting between dreamy segments and gritty riffs, tempos and rhythms shift around too to echo the confusion. It’s noise, tamed to inspire both emotion and energy in the listener.

“What we wanted to do with this track was create something which immediately jumped out and grabbed attention. The track starts with a hook that’s fast, impactful, frenetic and catchy, before taking the listener to unexpected places on a distorted journey of shifting tone and dynamics. Throughout we’re building anticipation, before unleashing a crescendo of noise, finally tying it back and returning unexpectedly to the original hook.” 


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Candy Says - Gravity.

Beanie Tapes is excited to announce the return of Oxford electro-pop band Candy Says with a new EP You Are Beautiful; We Are All Beautiful, to be released 7 June 2019 on cassette and digital. The band released the EP offline in November 2018, selling it exclusively on cassette at gigs as a protest against streaming culture and to reward the fans who turn up to support live music. The first two limited edition cassette runs sold out in two weeks. The new online version (and the third edition of the cassette) includes an extra track “Beautiful Feeling”, which was penned for the recent Netflix film Close, reached the Top 100 in the international Shazam charts.

The first track to be released is Gravity, a sultry pop tune whose bold beats and vintage synths have drawn comparisons to Christine & the Queens, Art School Girlfriend and The Knife. Julia Walker (singer/guitarist/songwriter) explains: “I was feeling empty and trying to find a connection with myself and my relationship. I desperately wanted to write an upbeat song but I’m coming to realise that I have a melancholy inside that I can’t seem to suppress not matter how hard I try.”

Gravity’s dream-like video was directed by frequent Beanie Tapes collaborator Siobhan Cox and features Julia returning from a night out and falling apart behind closed doors, where she can finally let her guard down. “I’m a very emotional person but I’m good at avoiding how I truly feel. I suppose we all do that to a certain extent, it’s how we survive. When we accept that we feel lonely, that we miss someone, a warmth, a feeling, that’s when we learn about who we are. Sometimes these feelings are impossible to understand, you feel like you’re drifting, empty and no matter how hard you try to find something to help you connect, you just can’t. I like reflecting that disconnect with the mechanical production feel and then my voice and lyrics being the conduit to finding the connection”

Candy Says recently recruited drummer Silke Blansjaar of Oxford indie punk favourites Self Help and are on tour with the new 3-piece line-up. Despite the melancholy lyrics, the Candy Says live show is somehow always uplifting. Nightshift again: “It’s like they’re on a mission to brighten up the entire world, one infectious slice of pop at a time.”

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Anna Smyrk - ZOCO - Howling Bells - TCBYML

Photo - Michelle Grace Hunder Anna Smyrk - This is a Drill . Naarm/Melbourne based singer-songwriter Anna Smyrk shares a poignant moment o...