Edouard Landry - Diane and the Gentle Men - Semihelix

Edouard Landry - Words.

’Edouard Landrys songs are a mix of pop, rock, folk and catchy melodies. 

The Sudbury, Ontario artist was nominated for the ‘Best Male Performer’ category at the Gala des prix Trille Or (2017), ‘Francophone Artist of the Year’ at the Country Music Association of Ontario Awards (2020). 

His albums Pomme plastique II and L’escalade were nominated ‘Best Album by a Francophone Artist’ at the Northern Ontario Music and Film Awards (2017 and 2019). 

Ed will be releasing his first full-length English-language album, Be Here Now, on June 4, 2021.

Edouard Landry · Words

============================================================================

Diane and the Gentle Men - The World is a Goner.

“The World is a Goner” is the first single from the newest album coming from Diane and the Gentle Men. Written at home during a pandemic, she says “the song came about from looking for alternate ideas for creativity, while dancing around my house by myself in an effort to feel alive and well. We sometimes take for granted that when we are out and about on a daily basis, inspiration is endless. 

Being forced to stay indoors for a longer period of time allowed me to venture down a rabbit hole of podcasts, You Tube documentaries, old radio programs and television programs of yesteryear. The song emerged when I was feeling content about being locked in and lonely, seeing the world through a window and being grateful I wasn’t sleeping on the street. Like the cover, the crooked dilapidated house not wanting to fall, I found Influence from old films like King Kong, Mad Max, American Graffiti and songs by Diana Ross and the Supremes, Otis Redding, and of course, The Kinks. 

I got to work this song up with Derek Cruz (Jesse Malin band) for a live broadcast I was working on and then when things felt a little more safe, we went out to Atomic in Brooklyn with the other guys in Jesse Malin’s band and put down the song. My other players were unavailable at the time because of the pandemic (they have kids). I am grateful to Derek Cruz, James Cruz, Randy Cover Art Gillian Stoll Schrager and Rob Clores for their musicianship and of course for Malin and his never ending generosity not to mention Merle Chornuk and Geoff Sanoff for their genius. 

Lastly, Don Dilego, producer, writer and friend at Velvet Elk Records who tirelessly puts out my records while delivering great tunes himself. I feel very lucky to be a part of a beautiful music community.” The video for the new single was filmed by Photographer/Artist Dina Regine in an afternoon in an apartment in NYC and edited by Dave Stekert, with whom Diane has often collaborated.

==========================================================================

Semihelix - Recoil.

“Recoil” by Austin, Texas based dreampop trio Semihelix, including Geannie Friedman-guitar and vocals, Kevin Martin- bass, and Valdemar Barrera-drums, was produced and mixed by Matt Gerhard (Spoon, Future Islands, !!!) at The Hen House in Austin, and mastered by Max Lorenzen (Shearwater, A.Sinclar, Spoon). Video artwork and production by Via Nuon.

The story behind the stop animation storyline involves the 1993 movie Ruby in Paradise where Ashley Judd in the movie leaves in her car to pursue a new life. It coincides greatly with the story behind the song "Recoil." The song has to do with resilience from going through a hard time and building yourself back up to heal and move on from the bad situation.

It’s also about finding close friends who have your back and how important it is to show the people close to us gratitude. After being bullied in her life in various situations, Geannie speaks about the importance of being your own best advocate, having other people’s backs and reaching out to close friends when things get hard.

In the lyrics “I am going down, I am coming around,” it’s about how time heals all wounds, and how we may feel down now but things will turn around and get better.  In the lyrics “you are going down, you are coming around,” it’s about how we are not alone. We all struggle, and we all get through tough times. The knowing we’re not alone makes it a bit easier to reach out to a friend when feeling down, we are never a burden. We help each other out, that’s what real friends are there for.  We recoil from a dark place with our own support for ourselves and the support of others.

==========================================================================

Yndling - Little Arrow

Yndling - Cotton Candy Skies.

Yndling is the dream pop project of Norwegian artist Silje Espevik. This musical endeavour is the result of wanting to take complete creative control over her music. Through delicate soundscapes and oscillating synths, Yndling invites listeners into her own world, offering a place of escapism and resonance through her lyricism.

Following the release of her debut single “Childish Fear,” Yndling is unveiling the sweet and euphoric “Cotton Candy Skies.” After feeling sad and a bit heartbroken for a while, Yndling found herself in a state of self pity she couldn’t pull herself out of, almost taking comfort in the familiar feeling of being down. She confides, “The idea for the song came as I was walking home one evening and the sky was really brilliant with pink clouds all over. Normally I’m quite good at making small moments like that lift my mood and feel better, and it kind of struck me that I hadn’t really been doing that well on being present in my life lately.”

The first lyrics of the song goes, “Cotton Candy Skies, my life is floating by, and with the fear of no surprises, my mind it’s in the thinnest of slices”, touching on her feelings at that moment in time and how life seemed to be slipping through her fingers. The song acts as a reminder to shake yourself out of the funk, and to recognise your emotions without being overwhelmed with them. Through whimsical synths, an intoxicating groove and deliciously breathy vocals, Yndling draws us into her dreamy, pastel-coloured paradise.

Yndling takes influences from artists and bands such as Beach House, Tops, Crumb, Hatchie and Mazzy Star. When it comes to songwriting, the Norweigan artist often allows her feelings or experiences to engross her for a while in order to fully submerge herself in the reality of the emotions. She explains, “I think there is so much power in letting a feeling or experience be all-consuming, just for a little while, and I really need that to write music.”  Along with always trying to be as honest and vulnerable as possible, Yndling has an understanding that when writing, it is important to “throw away the fear of being too honest or maybe telling a truth that’s not recognized by everyone else and that may feel a little too close for comfort.” Yndling offers a kaleidoscope of imagination and feeling throughout her music and ensures her lyrics are just as positively affecting

==========================================================================

Little Arrow - People Of The Volcano (Live Greenman Session, 18/08/2014).

It’s been 10 years since Little Arrow emerged with their debut album, ‘Music, Masks & Poems’ way back in 2011. In marking this monumental milestone, we also celebrate the life and music of frontman, William Hughes, who we sadly lost to cancer in December 2018.
Available for the first time on vinyl, and accompanied by a raft of bonus digital tracks, ‘Music, Masks & Poems’ completes the collection of existing fans, but also acts as the perfect introduction to a stellar, much-missed songwriting talent. Alongside the original album, the release will also include the following digital tracks:

Vessel of Fear - Winter Villains
People of the Volcano - Ben Sharpe
The Viewers Are All Human – Sky Barkers
Poetically Diseased – Quiet Marauder
One Helium Balloon - Callum Duggan
Beneath The True Blue - Ivan Moult
Easy Now - Farm Hand
Loss Um (Remix) - Echoes
People Of The Volcano (Live Greenman Session, 18/08/2014)
Poetically Diseased (Live at Four Bars, Cardiff, 18/12/14)
Boat (Live Campfire Version, 27/08/2011)
Loss Um (Live Greenman Session, 18/08/2014)
Flat Earth (Live at Gwdihw, Cardiff, 21/04/2015)
War Drones (Live Field Recording, 13/09/2016)
Medicine Moon (BBC Radio Wales Session, 24/09/2014)
Pier Mountain (BBC Radio Wales Session, 24/09/2014)
Flat Earth (BBC Radio Wales Session, 24/09/2014)
Government Bodies (Live Field Recording, 02/04/2014)

With ‘Poetically Diseased (Live from Four Bars, Cardiff)’ released last month, next up, out 26/04, is ‘People of The Volcano’, a previously unheard live session recorded for a Greenman session back in 2014.

Brimming with themes of hope, love and community, the album remains an expansive, airy and understated folk-tinged gem. Label owner and Little Arrow drummer Rich Chitty elaborates in his accompanying liner notes:

“From the tranquil opening of ‘Bitten Blues’ to the vivid imagery in ‘Aeroplane’; the lyrics felt old-worldly but familiar. Full of hope, but tragic. Wetting its toes amongst the mayhem, as Will puts it in ‘Poetically Diseased’. It was intimate, strange and personal yet somehow relatable, as though it talked of your pain and your joy, all through metaphors nearly lost to time. ‘Easy Now’ and ‘Beneath the True Blue’ were haunting and heart-breaking. ‘People of the Volcano’, ‘Boat’ and ‘Poetically Diseased’ were optimistic but borne of that same curious cloth. To this day, it remains my favourite part of Will’s back catalogue.”

The release charts some of the many aspects of Will’s artistic life with a ‘Words & Art’ booklet showcasing his sculptures and lyrics; all accompanying the heavyweight, marbled blue vinyl of music. The digital reissue will also include bonus live recordings spanning Little Arrow’s career alongside interpretations of the album tracks re-recorded by some of Will’s closest friends.

bubblewrap.collective · Little Arrow - People Of The Volcano (Live Greenman Session, 18/08/2014)

==========================================================================

Lucy Grubb - Bandicoot - Claire Whitehead

Lucy Grubb - You Don't Do Anything.

Norfolk-born songwriter Lucy Grubb is excited to announce the release of her long awaited third EP ‘Waste My Time’ due for release this summer - 4th June 2021, including first single ‘You Don’t Do Anything’ out now.

Known for blending of modern Americana with Country undertones, Lucy has built a prestigious reputation with the release of two previous EPs. 2017’s debut ‘18 Miles’ was named Best UK EP of the Year by country website Belles & Gals, followed by second EP ‘Dear Walter’ receiving a 5* review from Maverick Magazine.

After years of honing her skills at UK festivals such as Glastonbury, Red Rooster and Latitude, Lucy most recently headlined The Den Stage at Cambridge Folk Festival to a ‘rapturous reception’ - Nic Rigby, BBC News. Lucy has also showcased at 2020’s AmericanaFest UK and was set to perform at the renowned Country2Country Festival at the O2 London in March, which has now been postponed until 2022.

Recording began in late 2019 in a countryside recording studio in North Norfolk; a home from home for the band, also doubling as their rehearsal studio. Subsequent recording sessions resumed in pockets of lockdown freedom throughout 2020, with the process becoming flexible and adaptive, and comprised of many ‘band zoom calls’ using the treacherous countryside broadband.

“When we started this process I wasn’t sure what to expect at the end of it. Now I can quite confidently say that these songs sound like me, and they sound like my band, and it is my sound. At 23 I know I have plenty more to learn, and my music will change as I grow, but these songs are a product of the last year of my life.” Lucy Grubb

The tracks on Waste My Time explore elements of relationships with ourselves and others, opening with the title track representing the strength and resilience shown by friends facing difficult times and being OK with not being in control of everything. You Don’t Do Anything takes the EP to another level musically with almost tongue in cheek ode to Lucy’s beloved Country music. The pot of gold at the end of the rainbow, closing track When It Rains is a raw and openly emotional song; and despite its undeniable focus on sadness, it also shows it is perfectly normal to feel that way and one day you will get out of it.

==========================================================================

Bandicoot - Worried Blues.

For Bandicoot "Worried Blues inhabits a world of paranoia, born from a fear of lost love. It carries you down labyrinthine streets like a nightmarish memory, with a contagious strutting rhythm which never lets you stop moving along with it.”

Never missing a beat or taking time to catch their breath Bandicoot are back with a new and impressive single.

‘Worried Blues’ starts with forceful piano chords and an anguished emotional vocal from Rhys Underdown, channeling John Lennon’s Plastic Ono Band primal scream as a voice from the dark. When ‘Worried Blues’ intro releases into a riff full of Talking Heads strutting art rock/ dance punk directness it leaves no doubt, Bandicoot are ‘The Sound of Young Wales!’.

Libertino · Bandicoot - Worried Blues

==========================================================================

Claire Whitehead - No Right Way, Louise.

Canadian folk-country songstress Claire Whitehead whisks listeners on a journey with her latest project, Thelma: A Country Opera — available now! And if the name sounds familiar, it should… Built through interpretation of the character Thelma of Thelma & Louise, Whitehead has churned a fable into a nine-track release about the fearlessness of the human spirit — including album closer, “No Right Way, Louise.”

“Thelma: A Country Opera is a ‘coming-of-agency’ story,” Whitehead explains. “It’s about the transformation of self and relationships when someone becomes disillusioned with the rules of our world.” As a storyteller, Whitehead commiserates with the protagonist through a series of emotion-driven songs that speak to Thelma’s internal journey, and the album’s live performance features video clips from the film to cue songs.

For its part, “No Right Way, Louise” chronicles Thelma’s ongoing dedication to her best friend. Whitehead’s delicate but piercing vocals churn out a near-plea to Louise as our heroine succumbs to the inevitability of failure to live a life of restraints, and rules. “And they’ll chase us down,” Whitehead coos, “And they’ll spit from a truck. So hand me that gun, cuz i’m I'm all out of luck.”

To tie the song together, Whitehead has self-produced a subsequent music video — a first in her lengthy career. “To make this video, I tried to celebrate the song’s theme of prioritizing female relationships, while working under the constraints of the pandemic,” Whitehead reveals. “This was the first official music video I’ve made, or released, and I did it completely DIY on camera phones and editing on my laptop.

“I was lucky enough to have my sister, Anne, to film the footage and a friend and vocalist from London Ontario, Imogen Wasse, who sings live with me and fosters a lot of positive energy in our performances. “The result has me feeling comfortable being silly on camera, while capturing the power of women working creatively together to make great things.”

For this track and album, Whitehead’s transfixing vocals, well-established melodic harmonies, authentic country twang with the truth bleeding in between the lines transports the listener into an entirely different place and time. “No Right Way, Louise” has Thelma declaring the final lessons of her journey, celebrating friendship, love, and resistance to the wrongs of our world. A multi-instrumentalist and veteran songwriter, where the album shines is Whitehead’s power to transcend you into the character’s story. Whitehead urges you to let go of reality for just a moment, while you walk Thelma’s path with her.

And as her journey unravels track by track, Whitehead grants the listener permission to read the finest print of detail on the most sacred part of a woman’s heart — her spirit. Whitehead’s ability to fully immerse herself into the arms of Thelma’s character and expose her layers far beyond what the silver screen wanted us to watch, is a testimony to this songstress’ uncanny ability to transform into whomever she needs to be to get the song right.

==========================================================================

BOI - Abigail Lapell - Wild Earp & The Free for Alls

BOI - Ribidires.

New Welsh outfit 'BOI' have announced their highly anticipated debut album entitled 'Coron O Chwinc' which will be released on the 25th June via new Welsh label Recordiau Crwn.

'BOI' create a big, melodic, unapologetically drum and guitar driven sound, with lyrics and melodies that explore the big issues of our times and the human state. These 10 songs off “Coron O Chwinc” were recorded in various spaces around Wales, and were then mixed in the capable hands of Dafydd Ieuan (Super Furry Animals).

Band Members/Aelodau'r Band
Keyboards/Allweddellau - Osian Gwynedd
Lead Vocals/Canwr - Rhodri Siôn
Guitar/Gitâr - Ifan Emlyn
Bass/Gitâr Fas - Heledd Mair Watkins
Drums/Drymiau - Dafydd Owen

Osian Gwynedd and Rhodri Siôn were members of Beganifs/Big Leaves for 15 years and more, and recorded several albums and EPs under various labels, with their hits including Seithenyn, Meillionen, Cwcwll and many more. The group gained huge success in Wales during the 1990 and 2000s and performed throughout the UK and further afield with bands such as Catatonia and Super Furry Animals. Their English-language single Racing Birds was Single of the Week on Mark and Lard’s Radio 1 show.

Recordiau Crwn · BOI - Ribidires

==========================================================================

Abigail Lapell - Fortunate Son.

Call it prairie noir or Canadiana desert rock: Toronto’s Abigail Lapell sings haunting, gorgeous modern folk songs. Her solo albums have won two Canadian Folk Music Awards—Contemporary Album of the Year (2017) and English Songwriter of the Year (2020)—reaching #1 on Canadian folk radio and over 11 million Spotify streams.

“Fortunate Son” is Abigail Lapell’s intimate rendition of Creedence Clearwater Revival’s protest song about the Vietnam war with the lyrics touching on the wider power structures and class dimensions behind that conflict. 

In today’s context, Lapell relates the message to the movement for climate justice; how the pain caused by the climate crisis or the coronavirus pandemic are distributed so unevenly throughout society between the haves and the have-nots.

==========================================================================

Wild Earp & The Free for Alls - Ain't It a Shame (When Your Horse Goes Lame).

With a respectful nod to the old masters of classic country and a defiant scoff at the purists, Wild Earp & The Free for Alls mix pensive trail songs with jumping rockabilly, spirited bluegrass, rowdy rock, and, occasionally, the dark corners of folk. Tales of heartache, sinful living, and celebration abound in the new album, Dyin’ for Easy Livin’, an infectious 12-song collection served up with a load of wit, wisdom, and a wild streak that keeps you guessing.

With his long, curly, locks, thick handlebar ‘stache, and of course, wide-brimmed cowboy hat, Earp exudes a look that’s far more quintessential Austin than Chicago, where he and the band are based.

“It turned out to feel really organic,” Earp says of the process of making the album, adding that he continues to enjoy the challenge of playing with traditions and classics and pushing them in a direction that uniquely reflects the essence of Wild Earp. “There's a little country, a little rock, a little swing … a whole lot of whatever,” as Earp describes it, shying away from the oft-used term “Americana.” “Everything we do is at least adjacent to country and western.”

From the first note — or rather, horse’s whinny — of … Easy Livin’'s lead-off track, “Ain’t It a Shame (When Your Horse Goes Lame),” Earp and his band of masterful musicians take the listener on a smile-inducing, toe-tapping romp through barrooms, casinos, fairgrounds, and bedrooms. Throughout, tasty Telecaster licks (courtesy of Jed Taylor, with George Hurden on jaguar), velvety pedal steel (Brian Wilkie, and on the rocking, catchy “Playin’ With House Money,” Robert Daniels), and perfectly-placed piano runs (Sean Hughes) provide an awesome accompaniment to Earp’s vocals, delivered with a knowing wink and a smile that pulls you right into the punch lines. 

But before you go thinking this is another cheeky, novelty throwback act, know this album is far from one-note. There’s a good balance here, between barroom, three-minute rousers and introspective thinkers. The endearing backing and sometimes-lead vocals of Kiley “Sweet Sassy Molassey” Moore add a nice sweetness to the surly, particularly on the stunner “Two ‘Til Midnight,” written by bassist Charlie Malave.

==========================================================================