Background - People Flavor have shared their new track "Shake Well", out now on Dangerbird Records. "Shake Well" is the first single from People Flavor in Dangerbird's Microdose series.
People Flavor is a four-piece rock band from Montebello, California. While new on the scene, the band can trace its genesis back to a teenaged solo project dreamt up by frontman Fernando Andrade, along with best bro Byron Turner joining the process soon after. The pair then recruited high school cronies Giovanni Padilla and Andrew Valdez, to become the collaborative effort they are today. Since rounding out the lineup in 2015, People Flavor have been busy playing shows at house parties, DIY venues and some of Los Angeles’ most notable musical mainstays such as The Bootleg Theater, CIA, and Los Globos.
Continually crafted through the writing and recording process, their distinct sound incorporates jazz chords with post and dance-punk elements, delivering it all with 80’s new wave sensibility. The boys are heavily influenced by slinky Spanish rock and the refined cool of British tunes, evoking a likeness to both an Hispanic Duran Duran and early Radiohead. Contrasting with their dance-inducing grooves, the lyrics tend to focus on the more melancholic aspects of life and love, magically manipulating you into feeling good about being sad. Ultimately, People Flavor is a sonic experiment in self-expression geared towards finding yourself in others and finding the others in yourself.
'Shake Well' is a bright indie rock song with jangly guitars, fresh and pleasing vocals alongside a catchy melodic vibe. It's short, sharp and attention grabbing!
Background - Following a set of critically acclaimed singles in 2016, New Zealand electro songstress Rousseau keeps the momentum going in 2017, announcing her latest single, “Desert Road,” out now worldwide. The track is a hauntingly beautiful ballad that instantly grabs you from the first listen.
Growing up in Auckland, Rousseau spent hours listening to classical music and opera, or The Beatles and Simon & Garfunkel – the only pop music her parents owned. Her relationship with songwriting began when a neighbor introduced her to Lauryn Hill, OutKast, and the acoustic guitar. In high school she won national recognition for her songwriting and musicianship, before studying economics and philosophy at university.
Since making her debut last year with her single "Petra Says", Rousseau has gained a following in her native New Zealand with over 400K+ streams on Spotify alone in just a few short months, a spot on Spotify Aus/NZ's coveted New Music Friday playlist and music sites and blogs around the world. "Desert Road" marks her latest release building up anticipation for her debut EP "hello, i know you're busy", out April 2017. Described as making "whip-smart...confessional dark pop" by Wonky Sensitive, keep your eye on Rousseau as one of your new favorite discoveries of 2017.
Rousseau declares herself an imperfect everywoman. Her raw honesty and satirical take on working life immediately mark her songwriting out as something special. This fearlessness, mixed with her pop sensibility and layered, slow-burning production, defines Rousseau. She’s a subversive pop artist, tackling female stereotypes, twenty-something angst and the human condition, sometimes all in the same song. Website here, Facebook here.
Rousseau's vocals can be intimate and personal, however they can also convey a sense of concern and feeling, in a dramatic and engaging manner. 'Desert Road' has a musical soundtrack that mixes low key moments alongside powerful and expansive parts and collectively lead to a superb song.
Background - Spiral Stairs (Pavement's Scott Kannberg) will release his second album under that name, Doris and the Daggers, on March 24 on the Nine Mile label in the US, on Domino in Europe and on Coolin' By Sound in Australia / New Zealand. He has now shared the second single from the album "Dundee Man".
The album features guest appearances from Matt Berninger of The National, Broken Social Scene's Kevin Drew and Justin Peroff, Kelley Stoltz and Shudder To Think's Adam Wade. Spiral Stairs has also launched a Pledge Music campaign where fans will have the option of buying archival Pavement and Preston School of Industry merch and memorabilia (or a DJ set, private show, trip to IKEA or a round of golf with Scott) along with their pre-order of Doris and the Daggers.
The Real Feel – the Pavement guitarist and Preston School Of Industry leader’s 3rd album (and first as Spiral Stairs) – arrived in 2009, just as Pavement were announcing a hugely successful burst of reunion shows through 2010. “Then, after the Pavement shows, I moved with my wife to go live in a house in the country near Brisbane, in Australia,” the amiable Scott remembers, of those years of seeming inactivity. “Then we had a kid, and that sort of got in the way. I tried to do music, but all of a sudden it was two years later and I’m mowing my lawn and tending my garden.” Website here, Bandcamp (pre order) here. Tour dates on Beehive Candy Tour page.
We featured the first single from the forthcoming album last month. 'Dundee Man' is another fine track and more than hints we are in for a good album. With a tight and yet relaxed sound, the musicians are clearly up for delivering some fresh rock vibes, which underpin the vocals, allowing Scott Kannberg to reach out to an audience way beyond Pavements core fans.
Background - Kicking off with a Swedish headline tour and much-anticipated sweaty days in the studio, 2017 is set to be Pale Honey’s year. Having wrapped up their praised debut album release, the self-titled ‘Pale Honey’ (May 2015) with live shows across Europe including sold-out shows in the UK, the band is ready to unleash rising danger upon the world with a new album set for release later this year. With the single release ‘Real Thing’ (October 2016) the band gave listeners a hint of what to expect from their upcoming album Where 'Real Thing' paired fervent guitar and drums, on 'Why Do I Always Feel This Way' Pale Honey switch their focus to synthesizers and vocals bursting with yearning. Recorded with producer Anders Lagerfors in Nacksving Studios in their hometown of Gothenburg, Sweden. Lyrics of love, jealousy and denial are elegantly driven by singer Tuva Lodmark in a way that it is sure to leave no heart untouched. Tour dates on our tour page. Facebook here.
There is a fine mix between minimal synths (albeit pretty potent) and vocals on 'Why Do I Always Feel This Way'. The musical layers gently build as does the emotion and atmosphere, without losing the stripped back feel.
Myles Manley - Relax; Enjoy Your Night Upon The Town.
Background - "Relax; Enjoy your night upon the town!" with this utterance Myles Manley is being at once both sincere and fatalistic. "I always knew I was the best!" says the dashing and supercilious young artist with a smile, "but at certain points I realise that that might not really be the case. It is always the case though." Myles Manley makes idiosyncratic folk music on guitar with rhythms and colours snatched from various places, most recently Eric B and Rakim, Micachu and The Shapes, Moondog, The Clash's Sandinista, Jinx Lennon, Frankie Cosmos, etc. "I started listening to a lot of early hiphop for some reason and what I loved about it was the clunkiness of the sounds, and the excitement you can hear at a whole new world of opportunities. I bought an MPC and started making idiot beats late at night that I'd write songs to. I've always had an ear for weird rhythms and I was able to make stuff that you'd never come up with rehearsing in a room with a drummer."
Myles Manley was born in northern England and lived in a few places there until his family moved to Sligo, Ireland, where he became the village indie boy. "I'm in love with songs. What I am seeking in my music is naivety and deliciousness; what I find is also an escape from anxiety. And if you want to really hear it, imagine early days, running round a dead, shithole town at 4am in August, with a person you haven't kissed, want to kiss and will never kiss. No power. Night night." "Relax; enjoy your night upon the town" is set for release on February 17th via Dublin's Little L Records, available on 7" and all major digital platforms. See our tour dates page for live dates. Bandcamp pre order here, website here.
After a minute or so of watching the video I still wasn't sure whether to feature 'Relax; Enjoy Your Night Upon The Town'. Something drew me back for another watch and listen, and I have to say I am now totally hooked on this song. Having watched and listened to a couple of other songs by Myles, I think I get it, whatever I love it.
Background - A new track Lyla taken from Danish artist Ida Wenøe's (pronounced EE-da ven-O) debut solo release Time Of Ghosts (April 7th) has been shared. While she has an obvious appreciation of Americana, Ida's sound is very definitely laced with more English undertones: the kind of sound Edward Woodward might have heard downstairs in the local inn had the Wicker Man been filmed in a remote Danish village, while Sarah Lund scoured for clues in her jumper. Like the best of the Nordic Noir leaving the Danish mainland, the recordings are at once both sonically pure and grimy; there’s a shared loneliness that makes you feel that you’re not at all; and all the while there is an honesty to the songwriting that tugs at your sleeve.
While still fronting the much-feted Boho Dancer, 2014 brought a successful collaboration with Dangers of The Sea, a series of sold out supports in Denmark with Teitur, and a spate of tremendously well received shows both in London and at The Great Escape in Brighton. Now, with a deep breath in her crystal lungs those two brilliant, oxidised copper green eyes flickered across the mixing desk once more as she recorded her debut solo record Time Of Ghosts, reunited with producer Jonas Tranberg who recorded Boho’s first EP. Website here, Facebook here, see our tour dates page for live dates.
'Lyla' is a gentle uncomplicated song with beautiful vocals and a melodic feel throughout. I'm beginning to wonder if Americana has something going on with Scandinavia, the synergies are definitely there, no complaints from me whatever the situation.
Background - Happy Camper announces its long-awaited return in 2017 with a brand new album: Gravity. First single ‘Easy Way Out’ released on Excelsior Recordings.
‘Easy Way Out’ represents a significant stylistic shift for Happy Camper, without sacrificing that unmistakable combination of pop levity and powerful subject matter. "‘Easy Way Out’ describes that moment when you lose your own intuition. Something that appears safe and ordinary at first, then suddenly feels very foreign and strange. Within these moments, it becomes harder and harder to assess your next move. Whereas someone from the outside looking in often has a better read on things,” says Job Roggeveen, founder and songwriter of Happy Camper.
Happy Camper is a band and multimedia-project founded by Dutch musician, producer, composer, animator and graphic designer Job Roggeveen. With an extensive cast of guest musicians Happy Camper released two albums brimmed with gleaming and sonorous pop, tunes heavily inspired by chansons and film soundtracks. Subsequently, Happy Camper manifested into a comprehensive, awe-inspiring audiovisual live experience, comprised of up to twenty musicians.Website here, Facebook here.
A bright and breezy vibe runs throughout 'Easy Way Out' whilst the lyrics concentrate on a more vulnerable question. It's pop and very good pop music at that, surely that's enough boxes ticked for one song.
Background - ALIA is the visionary behind Feminine Medicine™, a series of collaborative original music albums and stage shows that brings more feminine voices to electronic dance music. After years performing in the festival scene, ALIA set out to co-create with her favorite female artists when she noticed that few other women were being featured on electronic music stages, and that only 3 of the Top 100 DJs in the world are female. Volume 1 of Feminine Medicine features ALIA’s collaborations with numerous other female musicians including revered bass music producer Imagika Om, and revered indie vocalists Heather Christie and Ixchel Prisma.
"I have been working on the music for this project for the last two years. I am so excited to finally share it with you! I really want to thank the incredible women and men I collaborated with on the music for this album, especially Imagika Om, Heather Christie, Tara Divina, Ixchel Prisma, Amma Li Grace and Theo Grace of Entheo, Liquid Love Drops, Eden and Ilan of Amadora, Kaia Ra, and Chris James aka Pattern Disrupt, who spent countless hours in the studio with me. What a beautiful journey we took together". Website here, Facebook here.
The first track 'Madre' on 'Feminine Medicine™ Volume 1' had me instantly hooked and the following pieces are a phenomenal collection of ideas, crafted together to provide something very special. Thankfully I can feature them all. I personally feel that this beautiful musical collection will appeal well beyond traditional EDM fans, potentially from Gong to Vangelis, or Hawkwind to Leftfield. Enjoy!
Background - On February 17, legendary Specials and Fun Boy Three founding member Neville Staple will be releasing his new studio album ‘Return of Judge Roughneck’ via Cleopatra Records. This double LP features brilliant new re-workings of classic Jamaican cuts, some brand new material, and a few gems from Neville’s past, along with a bonus dub album offering serious bass-bin shaking mixes.
Known as The Original Rudeboy, Neville Staple is a Jamaican-born British singer credited with changing the face of pop music not only once but twice. His 35-year career in the music business is well documented, from the early days with The Coventry Automatics, The Specials and Fun Boy Three to collaboration with Ranking Roger in The Special Beat and various other collaborations during his solo career from the 90s until the present day.
About his musical legacy, Neville Staple comments: “The way we brought it was mixing Jamaican music with the English style, which was actually punk at the time. Now most people are into ska, they listen to all the people that we talked about that they might not have listened to before... This has happened again and again with the different waves of ska. I am hearing lots more young bands now also putting their own spin on ska – some with dance music and some with a rock beat. It's all good. The music just makes you want to dance. Even when singing about tough times, every-day things or bad things, the beat and the rhythm makes you want to move!" The Neville Staple Band is playing shows all around the UK in late winter and spring in support of ‘Return of Judge Roughneck’. Website here, Facebook here.
The Original Rudeboy has returned with a new album and if featured song 'Return Of Judge Roughneck' is anything to go by, we are in for some seriously special ska sounds. Once again Neville Staple reminds us of just how important his role in both The Specials and his other projects were.
Background - Following their single 'Lady Of The Lake'; London-trio Beatrix Players have announced their debut album Magnified will be released on March 31st. Beatrix Players are a London-based all-female trio who make florid, adventurous music that operates at the interface between folk, singer-songwriter acoustica, prog and quasi-classical baroque chamber pop.
There is a light, translucent quality to the music, and yet when it is not being hushed and reverent, it has the attack and thrust, the surging dynamism, of rock. It can be soft and intimate, but it can also be fiery and intense, epic and immense. There are tempestuous passages in their music that you can imagine being delivered by traditional rock instrumentation but it is the very absence of guitars and drums that means that there is nobody out there quite like Beatrix Players.
Through their enchantingly dark and evocative melodies, expansive arrangements and empowered orchestral sound Beatrix Players tell stories of real life and fantasy. Citing influences as diverse as Michael Nyman and Regina Spektor and drawing comparisons to the likes of Kate Bush and Einaudi Ludovico. In 2015 the band (Amy Birks, Jess Kennedy and Amanda Alvarez) took their unique sound – a beautiful combination of vocals, piano and cello – into the studio to record their self-produced debut album, which has been mixed by two-time BBC Folk Award winner, Jim Moray. Website here.
One of thirteen exquisite and intricately crafted songs on the new album, the featured track & video for 'Molehill' is our second chance to share some of Beatrix Players music. 'Magnified' is a wonderful collection of material that, drifts across genres from folk to chamber music and a good number of styles in between. Vocals and harmonies are on a par with the musical arrangements, this is an album I would seriously recommend if the featured song appeals to you.
Background - Black Dough was formed in Gothenburg, Sweden back in 2013 – and shortly upon that the four piece recorded their debut EP, ”first punch!”. Since then Black Dough has been playing constantly, visiting clubs and festivals all over the world – from Dublin, Ireland to Rabat, Morocco. Sporting a sound hard to define, the experimental unit has been called everything from jazz punk to voodoo rock. With the release of ”Freaky Family”, the band’s new full length album due to May 2017, Miranda Raeder – front person and composer – decides to label it experimental rock. Beautiful, dissonant, heavy and dirty.
I have a thing for the strange and dramatic. When I write a song I see pictures in front of me like a film. I create a mood in harmonies, lyrics and expression. The music should fairly be treated as a play in 8 acts. The story is you as a listener, you create the frames but I provoke them. It’s not ‘easy listening’ music, you will feel it.
Miranda is the center of the group. She writes all the material and also directs the band’s music videos, but the Black Dough sound first and foremost stems from the four musicians of the unit playing together. Black Dough is a band with 4 members and the sound requires that all 4 of us are involved. I write all the music and decide roughly how it will sound but we rehearse and form the songs together and in that process we all contribute. Website here, Facebook here.
'Nighty Night' immediately gained my attention with fabulous vocals that tease out so much more than just the lyrics, and interact so well with an equally distinct and pleasing soundtrack.
Background - A Treehouse Wait would now like to invite you to check out the video of their new single 'Waves'. Waves is taken from the album Interludes.
After spending a month in the USA, being the opening act for a Swedish folksinger, singer and songwriter Jenny Wahlström plucked up the courage to put the songs down on paper and record the songs she didn’t think she’d ever share with the rest of the world. A Treehouse Wait was born.
The music is mostly inspired by the things one is so familiar with, but mostly would not talk about. Like empty city streets during the summer. Or when anxiety leaves. Giving up your love or the fear of leaving home. It’s not all beautiful, but it’s all life. And sharing that experience, the music suddenly creates a place for you to be, and you know that someone else has been there, too. Facebook here.
Our second feature for A Treehouse Wait, this time for the new video and single 'Waves'. With this particular song Jenny Wahlstrom's vocals seemingly move from vulnerable to powerful and back again. Melodic, gentle and full of atmosphere this is one beautiful track.
Background - The Routes always seem to be do something different stylistically on every record they release; from their largely R&B influenced debut album “Left My Mind”, to the playful US garage drenched “Alligator”, to the Strummin’ Mental madness of the “Instrumentals” album, right up until “Skeletons” in 2016 which saw them on more of a modern garage punk trip. It doesn’t seem to matter what they do, and who plays in the band; it still unmistakably sounds like The Routes .
“In This Perfect Hell”, the fifth album by The Routes, brings you ten original songs. No filler and no covers. From the start, you can tell it’s not going to be your stereotypical garage album. This time The Routes seemed have strayed far from your average garage bands comfort zone. They have stripped everything right down in the playing department, with leader Chris Jack playing pretty much everything apart from the drums.
The stripping down seems to have the opposite effect, of creating a huge, thick, heavy wall of sound. The nasty Japanese fuzz pedals, and very simple guitar leads stab through the wall, and stick into your brain. It’s not exactly your typical garage, it’s not exactly psych; it’s not exactly any one thing in particular. Is this a mutant musical manifestation of Chris Jack’s musical taste? One wonders if he opened the floodgates on his musical tastes and just let it all come through.
The brain penetrating heavy fuzz, and Maureen Tucker-esque rhythm of opening track “Thousand Forgotten Dreams”, instantly tells you we are again on a new, different tangent. The hypnotic guitars are actually not unreminiscent of early Spacemen 3 or Jesus and Mary Chain. “Worry” sounds like it could be the cover of a long lost Tamrons acetate, being played by The Fall. You have catchy up-tempo lyrically playful numbers like “Peeling Face” and “Housework In My Head”, sounding like The Kinks meet The Modern Lovers, meet Guided By Voices; “Something Slipped Through My Window” and “Oblivious”, again see the band in fine songwriting form, with The Routes Acetone organ resurrected. Website here, Facebook here.
The video reminds me of an early Pink Floyd performance, however that's where comparisons must stop. 'No Permanence' is a feisty rock'n'roll number with fuzzy and vibrant guitars, loud and proud vocals and a driving rhythm.
Background - Nozart is a cinematic post-rock project lead by composer/pianist/producer Noah Kellman, based in New York City. He grew up in Syracuse, NY, where he often sat at the top of the staircase in his home, listening to his father play a variety of pieces by Chopin, Beethoven and Mozart.
By age 5, his father had taught him most of these pieces by ear. When he was 10-years-old, Kellman heard Duke Ellington for the first time and began studying jazz intensively.
While building his skill as a jazz pianist, Kellman was constantly composing and producing songs. Kellman's musical foundation stems partly from his long devotion to jazz. He was often inspired by the story-like musical nature of the collaborations between pianist Brad Mehldau and composer Jon Brion. Other important influences come from classical music and soundtrack composers, including greats such as John Williams, Danny Elfman, Stravinsky and Ravel. Website here, Facebook here.
Despite Noah Kellman's musical upbringing 'Puppet' is a long way from any classical or jazz genre. However as is often to be expected with those a fore mentioned styles originality is here and in abundance. Post rock is a reasonable label, it's also accessible, and the vocals tend to give the whole piece a consistent sound, whilst the music dips into different places, adding layers of sound.
Background - Josephs Coat is the new project by multi-instrumentalists and song writers Abe and Ben Camden. Together they have founded a number of bands over the last 15 years, each being an integral part of the musical journey they boys have been on. 2017 finds the band on the cusp of releasing their second EP, and they could not be happier with the direction it has taken them. ‘Breathe’, the first offering from the upcoming EP is a lyrical celebration of new love, with the verse spilling a message of reassurance, before leading into a triumphant chorus were the vocalist gloats over his new-found situation. With a funk driven pulse through this track, it maintains its rock thread with an infectious vocal melody that will get stuck in your head for days. After spending a few years apart exploring separate parts of what the east coast of Australia had to offer, the Camden brothers decided it was time to get back in the studio and do what they enjoy most. So, in 2014 the sessions began for their debut EP titled The Black Ocean, and were recorded at Love Street Studio on the Gold Coast. They both decided to call Coffs Harbour home again. Between surfs and catching up on good times with family and friends, the year was spent launching their genre defying sound. Which is a unique, alternative take on funky blues, hints of jazz, with a tasty twist of reggae rock grooves. Best to be heard to understand the marvellously eclectic sounds being projected into your ears. Playing some prestigious and vibrant venues such as The Basement in Sydney, to the great northern in Byron Bay. The list of artists that the Brothers have together shared the stage with kept growing, Adding Jebediah, Sea Legs, Tired Lion to a list of previous artists such as Cog, Grinspoon, Dead Letter Circus and The Butterfly Effect. With appearances at festivals such as Turtle Fest in Bellingen with Mark Seymor, Katie Noonan. And The Banana Field Festival in Coffs Coast with Illy, British India, Phil Jamison, Art Vs Science, and with Sea Legs at the Falls Festival pre-party in Byron Bay. Facebook here.
At first 'Breathe' seems to tease the listener as to which particular direction the song is going to take. It settles on a funky alt rock style and throws up enough hooks to keep my attention, and settle on another listen.
American Anymen + Lise - Nobody Made Me Smile Like You Did.
Background - New York City outfit American Anymen have released their new 'OUI EP' with Lise, a Parisian singer and pianist. The first single 'Nobody Made My Smile Like You Did' is accompanied by a charming video shot around the Big Apple. This is the second collaborative release for American Anymen and LISE. In 2014, they released a demo called the '+EP'. In the two years that have since passed, they have jointly played shows in NYC and Paris. American Anymen is a music collective, whose view on art is that what you have to say is more important than the equipment you own and that passion is more important than technical expertise. Hailing from Paris, Lise’s eponymous debut album was released in 2011 on French label Cinq7. Versed in piano since she was five, her music path took her on a detour from her classical music education at the Conservatory of Narbonne. "The two American Anymen + LISE albums present more personal songs. These 4 new songs are about how I dealt with my time in prison, my 13-year battle with heroin addiction, the memories of friends who made me happy but are not around to hear these new songs, and how the world is much simpler than the ruling elites make us think," explains Brett Sullivan. American Anymen Facebook here, Lise Facebook here.
If a beautiful vocal duet and understated yet sophisticated soundtrack sounds good for you then 'Nobody Made Me Smile Like You Did' could well be just for you, it's gorgeous.
Background - Anna Coogan has been preparing for this moment her whole life, ever since she was a girl growing up in Boston, influenced by her classical opera training and her father’s protest albums by Phil Ochs and Bob Dylan. After several efforts with her Pacific Northwest-based alt-country band north 19, a pair of well-received indie solo releases and a collaboration with producer JD Foster (2014’s Birth of the Stars), Coogan’s latest is a stylistic breakthrough. Anna Coogan will release The Lonely Cry of Space & Time on April 28.
The album, a virtual two-person effort which features Willie B (Brian Wilson) on drums and Moog bass, combines Coogan’s three-octave soprano vocals, electric guitar soundscapes and pointed social commentary into a fierce cohesive piece which combines the personal and the political, in a musical hybrid of rock, country, pop and classical opera into a unique whole.
A true independent, Anna releases her own albums and books her own tours, which have taken her all over the world, including international festivals like the Blue Ball in Lucerne, Switzerland, the Maverick in Suffolk, U.K., as well as the Glasgow Americana Festival and Celtic Connections in Scotland. She has also played extensively in Germany and the Netherlands, and toured as a member of the Johnny Dowd Band. Website here, Facebook here.
'Burn For You' is a straight forward and pleasing simplistic rock song until... well until it upgrades into something absolutely wonderful as Anna Coogan just nails the whole thing with her incredible vocal abilities.
Background - AyOwA are back with a beauty of a 3rd single coming out 24th Feb. “Rus” follows the critically acclaimed singles ’Newcross’ and ’Sommer’ leading up to AyOwA’s debut EP set for release in May on Copenhagen label Music For Dreams. It seems the melancholy is coded in to the Scandinavian DNA. Many months of darkness and anticipation for a summer that sometimes never comes, sets the tone for soulful longing. Danish duo AyOwA takes this melancholic keynote and makes it into music, and armed with modular synths, old reel-to-reels, and Schneider’s haunting voice, they create their dark and moving electronic pop songs. Sung in Danish, but with a certain universal and dreaming approach, this band combines noise pop with vapor wave and melodies with improvisation, in an energetic, evocative and playful mix. “Rus” marks the duos 3rd single, leading up to their debut EP set for release in May on Copenhagen label Music For Dreams. In an intoxicated state of mind, AyOwA finds themselves on a quest to break free of the walls around them, giving in to new love, and letting go of the past. Facebook here.
Our second feature for AyOwA this time with the delicious track 'Rus'. Mixing vibrant synths with dreamy vocals the duo have impressed me again, and some!
Background - "Awake Me” is a song that’ll stop you dead in your tracks. From the swirling ambience permeating the track to the tender plucked arpeggio, Rosie proves a deft hand at creating sublime tonal flourishes to compliment her vivid lyrics and enchanting voice. At just 19, Rosie Carney has already experienced more of the tumult of life than most her age. Through her raw poetic talent, her experience is channelled into her beautiful music which, at times, recalls the vivid and imaginative folk ambience of Joni Mitchell.
For Rosie to be getting on with her career she has had to overcome insurmountable odds. In a year where discussion about mental health both in the music industry and in broader society has come a long way in removing the stigma and providing insight into sufferers, Rosie is determined to help others by being vocal about her own experiences through her music and her website/blog here, and Facebook here.
It's not far off a year ago that Rosie Carney was first featured on Beehive Candy. 'Awake Me' is a gentle drifting song, where the music is calming and creatively structured, the vocals once again make the track into something very special.
Background (and a minimalist one at that) - New Mystics is the solo project of the Other Lives band member who has previously toured with Radiohead, The National and Bon Iver and played major festivals including Glastonbury, Coachella, Outside Lands, Lollapalooza, Latitude, Sasquatch, and more.
Upcoming collaboration with NoMBe “Can’t Catch Me” hand selected by Pharrell for his executive produced HBO documentary series, to be released as next single in March.
New Mystics releases second single “Modern” via TH3RD BRAIN Records, and is now on all streaming platforms. Debut Los Angeles Show at the Bootleg Theater February 21 at 9pm. Facebook here.
The above promo doesn't give much away about New Mystics, however 'Modern' is a powerful alt rock track that is laden with hooks, charm and emotion, and more than good enough for a feature here.
Background - Patrick McKinney is a singer/songwriter from Queanbeyan, New South Wales. He is currently releasing his debut single ‘Want You To Know’ on all major digital platforms, on the 17th of February. ‘Want You To Know’ was recorded at the Canberra Institute of Technology's Music Industry Centre. The song has been produced by James Costin & Patrick McKinney.
The song is about going through life and the trials it can throw our way, and how often people stay silent but need to let these feelings out. The song has a pretty relaxed but deep vibe throughout, showcasing elements of low key rock and pop, including a classic guitar solo just after the bridge.
Patrick McKinney and his band, will be showcasing the release at Transit Bar Canberra, supporting The Byzantines & The Montreals on the 2nd of March 2017. Patrick’s band includes Paul Moon (Bass Guitar) & Anthony McGaun-Smith (Drums). The trio all met whilst studying music at the Canberra Institute of Technology.
Upcoming Show - Mar 02, Transit Bar, Canberra, (ACT) “Want You To Know” is available on 17th February at all online music stores. Facebook here.
Patrick's distinct and emotive vocals are hard to ignore and who would want to on this gorgeous song. 'Want You To Know' also packs in fine harmonies and a pleasingly robust musical arrangement.
Background - Indie/electronic duo Ravines are releasing their latest single ‘Breathe’ ahead of the release of their forthcoming EP Ordinary.
‘Breathe’ is about a power struggle in a relationship – it’s about a couple suffocating from the over-dominance of one of the partners. The driving beats of the chorus and darker harmonies called for lyrical content that was strong and assertive, and challenged the listener to think beyond the obvious ideas and sets of imagery being used. Ravines (formerly Ophelia) launched their first EP under the new name with a performance at Cassette Nine in Auckland, on February 3rd 2017.
Ravines is a name inspired by the channels and routes music takes to reach people, reminiscent of streams of water through ravines. Their most varied release yet, Ordinary is a continuation of their ever evolving sound, showcasing dense electronic textures combined with rich orchestral scoring.
Ordinary was recorded throughout 2016 in Auckland at Opus Studios and Roundhead Studios, mixed by Patrick Shanahan and Jordan Stone (Wilco, The Datsuns, Crowded House). The tracks 'Ordinary' and 'Breathe' were recorded in Sydney at Alberts Studios and were produced by Michael Szumowski (Josh Pyke, Guy Sebastian, The Veronicas). Website here, Facebook here.
With a simple and minimal synthy start it's the melodic vocals that first gain attention on 'Breathe'. As the track gently builds the musical soundtrack develops as does the singing, adding a layer of power to what is a very catchy song.
Background - Seahorse Recordings presents the new 10-track album from Someday, called ‘This Doesn’t Exist’. Now based in Turin (Torino), this trio is comprised of Daniele Bianco, Michele Fierro, and Fabio Digitali. The first single from this album is ‘Last Lesson’.
This is Someday’s debut album, entailing a search for balance and essentialness that may be appreciated by fans of early Tokyo Police Club and Foals, Bombay Bicycle Club, Placebo, Born Ruffians, Hot Hot Heat, and The Stills. The band cite numerous influences, including early Sparklehorse, The Smiths, Joy Division, Placebo, Sonic Youth, The Cure, Paolo Conte and La Crus.
Someday was formed in Collegno, a city close to Torino (Piedmont, Italy) by two childhood friends – Daniel Bianco (guitar/vocals/lyrics) and Michele Fierro (bass). Initially rehearsing in Michele's living room and Daniel's cellar, they began making demo tapes, had several singles on Italian music compilations, and eventually released their debut EP "Flowers in the Cellar" and two singles 'Divano Pulito' and 'Rifugi' in 2016, produced by Luca "Vicio" Vicini of Subsonica. They were then joined by drummer Federico Segato to form a trio, who was subequently replaced by Fabio Digitali.
'This Doesn't Exist' will be available digitally via key digital music platforms as of February 10 and is already available for pre-order (here) on Someday's Bandcamp. In late February, it will also be available on CD with distribution via Audioglobe. Facebook here.
It's not often that we share an entire album however with 'This Doesn't Exist' from Someday, I can, and I found it hard to resist. In the promo above there are a good number of musical influences, alongside artists and bands whose fans, may well find Someday of keen interest. That in itself gives away the diverse nature of the album, sometimes quite dark and moody, other times melancholic, juxtaposed by more new wave and expressive songs. Easier to listen to than describe, enjoy, I think some of you really will...
Background (and we quote) - Weirdo pop group from Victoria BC Canada, Teenage Wedding, just released their debut album The Great Sadness.
Teenage Wedding began in 2015 when Nick Joy of Zuzu's Petals and Mouthbreathers Owen Hooper began to work on an album that would eventually become The Great Sadness. Soon joined by Claire and Cosima of Aquarius on keys and guitar/vocals and Ben of Mouthbreather on drums the band began playing relentlessly in Hoopers bedroom.
Though Teenage Wedding was trying form a punk band the amount of grass that filled the jam space cause the music to mellow out and get more and more dreamy. This is where they developed a pretty dissonance, a sonic range somewhere between Pavement, and Asturd Gilberto, or between Sonic Youth and Stevie Nicks.
The band then travelled to Saltspring Island for a weekend of wonder where they recorded the entirety of The Great Sadness. Fuelled by tequila and fettuccine alfredo chilling on mountain some chillers say is made a quartz. Teenage Wedding preformed some weird alchemy.Bandcamp here, Facebook here.
'City Lights' is one of six songs on the bands debut album 'The Great Sadness'. Weirdo pop group? I don't know, I think they are being a little hard on themselves with that description. There are some "interesting" moments where the odd chord change might seem a little bit "out there", otherwise mellow dream punk, might be more fitting. Either way it's a delicious collection of play again songs, unless I just happen to be a weirdo to (don't answer that!!).
Background - Francobollo announce UK tour with The Big Moon plus new single ‘Good Times’ is out now. Following the release of their acclaimed ‘Wonderful’ EP in late 2016, Sweden’s Francobollo return this week with a new single - ‘Good Times’. Possessing an irresistible charm, an undeniable wit - and an infectious personality - these three elements shine through in their schizophrenic, adventurous brand of indie rock.
Once again, esteemed producer Charlie Andrew (Alt-J, Marika Hackman, Benjamin Francis Leftwich etc) is at the helm - with Francobollo’s debut album set for release later this year on Andrew's new label Square Leg Records. "Good Times is a serenade to the bad times in life. The feeling you get when you forget how good things can be.” - the band explains. Quintessential alternative rock that's instantly identifiable as Francobollo - with this new single, the quartet are evidently in fine songwriting form. Hinting at inspiration from the likes of Pavement, Built To Spill, and Cap’n Jazz - they’re at their exhilarating best - sounding more energised than ever before.
The band head out on a run of UK/EU dates this Spring, including support slots with the likes of Cymbals Eat Guitars and Johnossi - (and a full UK tour with The Big Moon) with a special headline single release party at The Battersea Barge on March 10th - and if the band’s previous headline shows are anything to go by - will sell out very quickly. ‘Good Times’ is out now via Square Leg Records. Tour details on our tour page, website here, Facebook here.
'Good Times' stands out with distinct vocals and musicians who can mix elements of full on rock, with more refined and understated interludes. The above noted charm and wit, does somehow slowly become apparent, particularly as the song seemingly falls apart and grinds to a halt, before relaunching, and it's done so well.
Background - This week Chances released their debut single “Shine”.
The song is a mix of pop, electro, and a touch of world music, with Ojibwe lyrics over an Indian Raga in the choruses.
There's a ceremonial energy to the vocals, almost prayer-like in the way they weave in and out of each other and in the harmonic intervals, layered overtop a more pop/upbeat arrangement that we feel captures the essence of Chances.
Chances came together in Montreal in 2016 to sketch out a few songs, just to see where uninhibited brainstorming might lead us. New rules brought new possibilities. One person’s writer’s block became another’s building block. Dead ends became playgrounds. Website here, Facebook here, Bandcamp here.
Mixing electro pop with more than a hint of global and traditional flavours gives the song 'Shine' an impressive amount of originality. More importantly the overall feel is both cohesive and flowing, and perhaps most importantly superb to listen to.
Background - Childcare finished 2016 playing their biggest shows to date – in front of thousands as part of Bastille’s nationwide arena tour. This came hot on the heels of the band releasing killer single ‘Film Club’ to comprehensive acclaim. ‘Film Club’ was the first taster of a new EP that also features the stellar ‘Kiss?’ and represents an emphatic statement sure to cement the adoration of all those newly turned on to the London quartet courtesy of that tour.
It all started when Ed Cares, one of west London's most in-demand male nannies, was overheard humming a song he had written, by Katie, aged six, who persuaded him to form a band. Josh, eight, boldly proclaimed: "You're probably my second favourite artist after Katy Perry." And so, after sourcing some neighbourhood musicians capable of living up to Josh’s heady billing — specifically Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) — Ed soon had an able band to perform with under the only logical moniker in the circumstances: Childcare. Having honed their vivid and visceral live show on stages including Reading and Leeds festivals and now some of the land’s major concert venues, Childcare have released two singles to date, 'Omega Grey' and ‘Film Club’, earning extensive national radio play and enthusiastic coverage from key online tastemakers.
“While waiting at the school gates to pick up the child I look after, I went to say hi to a couple of the mums I knew in the playground. I went to kiss one on the cheek just as she leant forward to pick something up from her bag on the ground. This left me hovering mid-air above her for a few seconds, at which point instead of returning to my natural standing position, I decided to draw her attention to my predicament by posing the question: ‘Kiss?’ She rose, we greeted, I blushed." Ed Cares, Childcare frontman (and male nanny). Facebook here.
The vocals and supporting vocal arrangements immediately grabbed my attention. 'Kiss?' builds into something a little more powerful than initially expected, where vocals and music compete for your attention, and Childcare demonstrate they have something pretty special going on here.
Background - This week, Canadian ambient-pop duo You'll Never Get To Heaven have shared the second track "To Be Fair" from their upcoming album. 'Images', their third full-length album is due on March 24th, 2017.
Alice Hansen, a classically trained pianist and violinist, and Chuck Blazevic, a studio-obsessed tone-sculptor and monome performer, combine their disparate perspectives to co-curate every element of YNGTH together as equals. After gaining a groundswell of support from fans and critics all over the globe for their 2012 self-titled debut and 2014's 'Adorn', the group caught the attention of indie upstart Yellow K Records (Japanese Breakfast, Eskimeaux) on the strength of their breakout single "Caught In a Time, So Far Away".
The band has partnered with Yellow K for the release of 'Images' in a break from their otherwise staunchly independent ethos. While YNGTH has been reclusive in the past playing only a handful of select festival dates, they are currently planning their first European and North American appearances in support of 'Images' for Spring/Summer 2017. 'Images' will be issued worldwide on Vinyl/Digital via Yellow K and on limited-edition cassette via the band's own Mystic Roses imprint. Website here, Facebook here.
It's less than a month since we first covered this fine duo and the first taste of their new album 'Images'. Last time round we described the track as "a wispy melodic song where the vocals gently float above a rich soundtrack". I think it reasonable with the latest song 'To Be Fair' to make a similar observation. You'll Never Get To Heaven, clearly have the knack for creating ambient, layered and flowing music that really appeals and delights.
Christine Leakey - Walks Like An Angel (feat. Linda Perhacs).
Background from Christine - The video for Walks Like An Angel was shot mostly underwater in the heart of the 1000 Islands where I grew up. I used simple techniques starting with the use of a GoPro on a selfie stick for the scenes of me sitting in the weeds, and the rest of the video was shot with the help of a friend. The scenery of Linda Perhacs was done in Agoura Canyon by one of her friends for me.
The currents were strong during several takes on one side of the island which made it a little difficult and so we moved to the opposite side which I feel made something that fits with the music well. By the end of the shoot, I was freezing. My lips were blue and I was shaking in the shots of me singing in the water. It was the first day of autumn.
The song was inspired by a friend who lost both his parents within a year apart and features Linda Perhacs on vocals. My second solo record entitled, Wanderlust Wishing Well is due out March 3rd. Website here, Facebook here, pre-order the album on Bandcamp here.
This is our third feature for Christine Leakey (our first was a year ago this month) and once again it's an absolute pleasure to have some new music to share. 'Walks Like An Angel' from next months album release 'Wanderlust Wishing Well', is a lush, gentle and melodic piece, drenched (video pun intended) in beauty and imagination. The video is another creative piece in it's own right, with Christine demonstrating just how much she will invest in her art. The album is a must listen as far as I am concerned.
Background - Say g’day to Coastal Lights, a fresh five piece band from the Gold Coast made up of young music lovers who know nothing but the way of music! Formed in July 2016 by lead singer Atiya, bassist Cameron and drummer Jamie, the band cemented it’s full line up in no time thanks to fulfilling David and Angelo’s eager dreams of being in a band.
Despite their individual musical upbringings, these young sound creators found their Indie Pop/Rock vibes and instantly jumped into the deep end by sharing their music to the live Gold Coast scene only two months into forming. Their demo of their first single ‘Weekday’ attracted a positive array of interest when offered gig opportunities by local and national venues such as The Kitchens and the Raw Artists Showcase.
Now they are excited to share their first official release through The A&R Department this January. ‘Weekday’ is a song for breaking free of expectations. The band seeks to convey a sense of, “I’m just going to do my own thing and see where it takes me.” “Life always puts you under fire with negative opinions and judgements, its best to just centre yourself and do what makes you happy,” states the band.
‘Weekday’ was recorded, mixed and mastered at Blind Boy Studios in Nerang by Brad Hosking. This song is about the grinding days we spend locked into routine or schedule without a moment to breathe. All upcoming shows and events will be posted on their Facebook page. With no intentions of slowing down, Coastal Lights are ready to have their music heard on a global scale. Facebook here.
A fresh indie rock feeling continues right through 'Weekday', with the chorus adding extra energy and melody. Vocals and musicianship compliment each other and for a band of such short duration together, the music is tight and professional, as is a splendid guitar break towards the end.
Background - Porshyne are an atmospheric rock five-piece hailing from Brighton. Formed in 2014, early releases from the band such as “Residue” and “Warp” have helped to cement their name within the Brighton music scene, leading to them playing shows alongside the likes of Black Peaks, Valerian Swing, Town Portal and many more. Now, after having burrowed away to record their debut EP “Environmental Music” with Mark Roberts (Black Peaks, Broker, The Physics House Band), Porshyne are set to return with their most heavy, emotive and accomplished material to date.
The contexture of the EP is a sound that sits somewhere between prog, alt-rock, electronic music and post rock. “Environmental Music” is a masterfully dynamic and heavily textured collection of tracks combining melodic vocals with intricate and carefully refined guitar work, which alternates between cinematic and darker, heavier phrases that are intertwined amongst complex rhythms and subtle electronic moments.
“Environmental Music” is an intensely structured body of work, which is as meticulous as it is powerful. Albums that manage to merge such a wide variety of styles and exhibit such a multitude of musical landscapes in such an unabridged manner are rare. This debut EP from Porshyne is a statement of intent and is not one that should be ignored. Facebook here.
The description "atmospheric rock" is pretty much spot on for the track 'Exit'. Powerful vocals and an expansive band sound are hallmarks of the song. From a paced and musically refined start the song builds into a crescendo of heavy vibrant rock'n'roll, it's the sort of track that's hard to ignore.
Background - Last summer Ménage à Trois shared 'South Seas' the first single to be taken from their forthcoming album 'Australia Part III', coming out on French indie label Cracki Records (home to Los Porcos, Agar Agar) late March.
This week the Mancunian synth-smiths have shared another new track and video from their debut album, a swoonsome late-night pop jam called 'Homecoming.' Titled 'Australia Part III', their debut LP will follow their 'Australia Part I' & 'Part II' EP's.
Ménage à Trois represent a subtle meeting point between the indie of Manchester and the R&B of R. Kelly. Inspired by the ocean and the deep abyss, they have a groove and a flowing sensibility.
Like the prism from cut glass this project relentlessly makes us discover our closest feelings, dissolving their music in a soft ray of light. Facebook here.
'Homecoming' is a delicious mixture of melodic vocals and a fabulous soundtrack, formed out of lush synth sounds. Overall the band create a spine tingling feel, and a flowing hypnotic vibe.
Background - Entering an impressive 3rd decade, Dreadzone, one of the most energetic, exciting and powerful live bands to emerge from the post-rave scene, release a brand new album “Dread Times” on February 17th 2017.
‘Dread Times’ is the band’s 8th studio album and the 3rd release on their own “Dubwiser” label. Their old skool dread sound comes bubbling to the surface on this album and it digs deeper into their dub and reggae roots whilst still keeping the beats fresh and the textures electronic. Conscious lyrics, social ills, matters of the heart and mind merge with 21st century dubwise flavours. The album is an eclectic rolling journey that recalls elements from an illustrious 23 year history while always looking ahead to the next phase.
Pioneered by former members of Big Audio Dynamite (and, by inheritance, carrying forward the heart and soul of The Clash) Dreadzone’s two decade plus career has been championed by the late John Peel, signed to the legendary Creation Records and Virgin before finally securing their independence by founding their own aforementioned Dubwiser record label.
Since their inception in 1993 Dreadzone have steadily been releasing underground storms of albums, progressively bettering, refining and perfecting their own unique and inimitable take on dub - mixed as it is with aspects of dance, sublime guitar riffs, folk roots sentiments and breakbeat bass styles - whilst bringing the party to every club, dancehall and field they've shown up at. Always blowing audiences away and steadily earning for themselves the best possible reputation as a live act in the process. Tour dates over on our Tour news page. Website here, Facebook here.
Dreadzone may be on their eighth album however the creativity and quality show no sign of abating. 'Mountain' is a wonderful genre spanning dub centred song, where everything seems to have been precision engineered and then soaked in heart and feeling. Love it!
Background - Acclaimed Italian producer, songwriter and live performer Clap! Clap! (aka Cristiano Crisci) will release his forthcoming album ‘A Thousand Skies’ on February 17 via Black Acre.
His latest single "Hope" follows on the heels of off-kilter club track ‘Araqis’ and the afro-folk-flecked ‘Nguwe’, which featured rising South African star Bongeziwe Mabandla. Like ‘Nguwe’, ‘Hope’ is also a collaboration, this time featuring Berlin-based band OY on vocals and co-production. The duo, consisting of Swiss-Ghanaian vocalist/musician Joy Frempong and drummer/producer Lleluja-Ha, are one of Clap! Clap!’s favorite bands. On the sparkling ‘Hope’ they fuse glitchy electronics with elements of jazz and avant-hip-pop.
‘A Thousand Skies’ is Clap! Clap!’s second album for Black Acre, following on from his breakthrough 2014 debut LP ‘Tayi Bebba’. Bringing together disparate inspirations and styles onto the dance-floor of his mind, ‘A Thousand Skies’ sees Clap! Clap! create a high energy and inventive kaleidoscopic fusion of sound – drawing on the traditional global rhythms of the old world, Hip Hop, Footwork, UK Bass and House. As with his debut, the album is anchored by a story — this time of a young girl’s journey through the stars — which completes the work. The album will also feature collaborations with fellow Italian beatmaker HDADD, and South African band (and Planet Mu signees) John Wizards.
The now internationally acclaimed producer and performer started his career age 13 in the mid–1990s as a rapper, before picking up the saxophone and performing both jazz standards and jazz/punk fusion with his band Trio Cane. Now, as Clap! Clap!, he’s taking his energetic live shows across Europe and Japan. Following the release of his debut album in 2013, has found a fan in Paul Simon who told Rolling Stone the LP is “a masterpiece. He makes music sound new and old at the same time.”. This led to Crisci to collaborate on the production for this years Number 1 Paul Simon album 'Stranger to Stranger’. Website here, Facebook here, Pre order album here. Tour dates over on our Tour news page.
Comprising of fifteen eclectic and mesmerising tracks 'A Thousand Skies' is a journey of musical ideas, styles and moods. 'Hope' is just a fraction of the whole, and in fairness the album takes the listener in many different and creative directions. It's both natural and artistic and yes the feeling that old and new are combining is a good observation.
Background - Your Name is singer-producer Bernache’s first release. This first track opens slowly giving us a lo-fi hip-hop feel from the late 90’s and early 2000’s. The single and music video was released yesterday.
Bernache (singer-producer Emma) is a Canadian (Quebec) based indie / LoFi recording project. She tells us - I had my debut as a singer and guitar player in my band Men I Trust. It happened two years ago, when I was contacted by the leading members for my soft / grainy / unusual voice. The project brought me in China, where I toured in October 2016 and also in Quebec’s (Canada) nicest music festivals and venues (Montreal’s International Jazz Fest, Osheaga, the FEQ…), got our music in over 40 Hypem features and played over 1.5 million times across the popular streaming platforms.
Bernache is my personal project, where I do the composing and the producing all on my own. I learned composing, recording and playing with virtual synths on Ableton Live. I am proud of now being able to do everything myself, because I always composed avoiding messing with audio jacks and sequencers (I hate it).
Finally, on the topic of my artist name… I’ve been called like this for a while in my close inner-cirle. “Bernache” is a French word for "Goose", which is a bird that also happens to have a crappy little voice. It seemed logic to use this as a nickname for my music project). Facebook here.
'Your Name' is awash with rich and beautiful synthy sounds that have a laid back vibe and beat carrying the song along. Vocals are anything but 'Goose' like (see last paragraph above), they are smooth and flow perfectly with the music.
Rousseau - Desert Road.
Spiral Stairs - Dundee Man.
