This is Leon Redbone in session recorded at the VPRO Studios, Hilversum, Netherlands on the 28th January 1977 for future radio broadcast.
For those unfamiliar with him Leon Redbone is an American singer and guitarist specializing in interpretations of early 20th-century music, including jazz and blues standards and Tin Pan Alley classics.
We have included a link below to a short biography of Leon on starpulse.com. I guess this limited session which features some very enjoyable if not a little quirky material for some, represents an introduction of sorts to Leon Redbone. If he is new to you and this arouses some interest, please do investigate further, I think you will be in for a pleasant surprise, and there is alot more depth to him beyond a solo studio session from way back.
Source: FM Radio
Sound Quality: Very Good stereo mp3@320kbps.
Genre: Vaudevillian, Ragtime, Jazz, Blues
Session: Taken from two separate FM broadcasts, cannot confirm if this was all Leon recorded at VPRO studio.
Set List:
01, The Whiskey Song
02, Way Out On The Wind Swept Desert
03, Has Anybody Seen My Gal?
04, Big Time Woman
05, I Ain't Got Nobody
06, Diddy Wah Diddy
The first four tracks from this session were not broadcast by VPRO until 2001, the final two tracks were broadcast originally in 1978, we do not know in what context these recordings were used on the radio.
Leon Redbone's website is currently asking the following - Do you own original early photos of Leon Redbone you'd like to share? If so, we're looking for any interesting and older photographs of Leon Redbone to include in an upcomming Anthology which we'll be putting together. We can't guarantee that we'll use them but we'll certainly give you full credit and a free Anthology if we use your photo.
See the link to the website above .
One of the great aspects of running a music site is when you receive new music that really is something special and opens up another avenue to explore. Andy Clockwise is new to me, however I guess not so to a reasonable number of Australians and some in Los Angeles.
In 2003, Andy Kelly was homeless and destitute in his home country of Australia. After bizarre circumstances led him to help a friend with recording an EP, Andy fervently poured his passions into his own music. The result was his own debut EP “Song Exhibition,” which Australian radio station Triple J discovered and promoted heavily. From there on out Andy, working from then on as “Andy Clockwise” had his very own career in music, writing, creating and producing what he likes to call “Schizo Pop,” music that is “ever changing” but always emotionally captivating.
Now years later Andy who is also a Los Angeles resident, is releasing his finest work to date. “Are You Well?” is the product of years of refining his craft, as the music synthesizes many stylistic influences into one sound that is warmly familiar and classic yet uniquely fresh.
This is an artist that has struck a chord with Beehive Candy but dont just take our word for it...
“Like the perfect department store, Andy Clockwise has everything under one roof. The only thing more astonishing than how many styles he explores on this album, is how many he gets spot on.” - Bernard Zuel, The Sydney Morning Herald (4 stars)
“While it’s easy to identify his genial baritone voice with roguish lyrical masters like Jonathan Richman, Stephin Merritt and post-modern maestro Beck, Clockwise reveals his uniqueness by writing straight from his own creative heart.” - Daphne Yang, 944 Magazine
“He’s so good it’s almost unfair.” - The Daily Telegraph
Featured Track:Stealing Cars Website:Official, MySpace.
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Devices Disguised is native Floridian Kyle Warden, an enthusiast of visual arts and the self-avowed friend of musicians. His recordings developed as interest in the former gave way and the latter helped him build up a repertoire of sounds and techniques, with enough accumulating that Devices Disguised became a convenient platform for releasing the backlog of solo material. Inspired by a late introduction to MIDI based production by his college roommate, Kyle self-resleased his Yonder EP and a two song single on French label Beko DSL. His most recent material stays percussion oriented while experimenting with more rhythmically sequenced synths sampling, multi-layered ambient soundscapes, alongside altered strings and pianos. The five track True Tides EP is his physical debut and the prelude to a Fall full length.
Beehive's opinion - we love this and want more!
Featured Track: Gravity Taste Test. Website:MySpace. Buy: Due out June 21st via Royal Rhino Flying Records.
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Ok the official PR stuff tells us... Embracing classic pop hooks, throwing in a bit of soul, Brit pop and California sunshine,Loomis & the Lusthas created a top notch pop rock sound that swirls with a light-hearted, fun-time attitude that conjures up visions of palm trees and good times. After releasing a batch of clever, catchy songs in their first EP last year, Loomis and the Lust quickly started making waves, being named one of the “Top 25 New Bands in the Word” by MTV Iggy, winning an MTVU “Freshman” video award, appearing in an online ad campaign for Subway.
We say - you can dance to them, boogie along or whatever, they know a good hook and the featured song reminds me of good Rolling Stones although this is not to 'pigeon hole' them into one category.
Featured Track: Break On Love. Website: MySpace.
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It saves us some work when the artist kindly writes an introduction.
My name is Stephen Luke and I am a guitarist, singer, song writer specializing in a blend of roots and rock music. My unique style of songwriting combines story telling and music generated from of my soul. I have a passion for songwriting and think a good story is worth a great song. I invite you to step into both the music and lyrics of my new CD, “No Man’s Land” and take a journey with me.
Some interesting background to Stephen and mention of an artist we featured last time round (small world)...
Stephen Luke started out on drums but then switched to guitar at age 17. “ I ran into some trouble and was on house arrest for a while. The guitar helped me keep sane.” He began performing at local dances and in the late 70’s early 80’s, he played the bar and party circuit with the group Venus who were chosen for one of the WEBN album projects.
After a long hiatus, which included raising a family, it took a serious hand injury to reignite the musical spark. “I cut two tendons on my index finger while opening a box with a dull knife.” (Always cut away!)
Surgery followed with several months of rehab. His physical therapist recommended picking up the guitar again to help the left hand function. Enter Kelly Richey who reignited Stephen Luke’s guitar world. “She took me from pitiful to powerful in about six months. It lit a fire. I couldn’t stop playing and started writing songs again.” Soon Richey agreed to produce his first CD, “No Man’s Land.” “It’s such an honor to work with Kelly and be associated with Sweet Lucy Records.”
Stephen Luke can be found playing around Cincinnati with the band “Westrock”. He continues to write solo and co-writes with Kelly Richey, John Redell and other Cincinnati artists. Oh and the music is spot on.
Featured Track:No Mans Land. Website:Official, MySpace.
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Theres nothing like a press release that is in your face or what?
Bazaar Royaleis a rock star, a larger than life personality waiting for the mainstream to catch on. The creator of the “Ghetto Metal” movement, Royale has built a new sound that is full of rock optimism, spiked with a gritty dose of reality—the hard times millions of people are going through around the world. On his most recent CD, “The Ride” Royale takes us on a journey of self-discovery; Who am I as an individual and What role do I play in society? If that seems like a grandiose premise, I encourage you to take a moment to press the play button and see for yourself.
Well at the end of the day it's all about the music and this guy has some real talent and real rock music. Dont be suprised if Bazaar Royale surfaces in a good number of other places beyond the Beehive.
Featured Track: Hard Times Celebrate. Website:MySpace.
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How many times will Beehive Candy mention Julian Shah-Tayler ?
Well that all depends on how long he keeps on making excellent albums or E.P's. I do not want to sound like his personal fan club and having seen a good number of references from many other sources I know I am not, however I just feel that his music is to good to keep secret about.
If you read this Julian, I do not want to make your 'head swell', but thankyou for producing some thoughtful, crafted and striking songs that deserve to be heard in the mainstream right now.
His latest release 'Fill Your Joys With Love' is available now and if you like the featured track, then each song on the release is a must to hear.
Featured Track:Beautiful World.
Website: Official.
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Well that's it for this round up which having listened again to all the tracks featured, really does set a high standard for future editions to follow! Featured Tracks:
This is the second of two releases that surfaced on CD as a series 'The Complete Beatles' and captures some of the transistion period from The Quarrymen through to The Beatles.
Material includes some longer home taped improvised instrumentals that are quite listenable however in reality more of a historical collectors item than one for your mp3 player.
The studio material is very good quality and marks another milestone on the road to The Beatles.
Credit and respect should be given to Tony Sheridan who was also clearly part of this era of the bands development, it remains ironic that Polydor Records viewed him as the talent and artist to go with and tended to 'bury' members of The Beatles involvement.
Source: Studio and home (reel tapes).
Sound Quality: Listenable home recording to studio quality mp3@variable bit rates.
Genre: Skiffle, Rock & Roll.
Set: Various home & studio recordings.
Recording List:
April - May 1960: The Beatles - Pauls home and possibly other Liverpool locations.
1. Instrumental Improvisation 11.50
2. Instrumental Improvisation 7.45
3. Instrumental Improvisation 11.12
4. That's The End (?) 17.52
June 22nd - 23rd 1961: Tony Sheridan and the Beat Brothers (except track 9 The Beatles) Friedrich Ebert Halle Hamburg.
5. My Bonnie (German Intro) 0.36
6. My Bonnie (lies over the ocean) 2.41
7. When The Saints Go Marching In 3.18
8. Why (cant you love me again) 2.58
9. Cry For A Shadow 2.23
10. Nobodys Child 3.55
June 24th 1961: Track 11 The Beatles - Track 12 Tony Sheridan and the Beat Brothers, Studio Rahlstedt Hamburg.
11. Ain't She Sweet 2.10
12. Take Out Some Insurance On Me 2.53
Links: Wikipedia Quarryman History HERE. Tony Sheridan Wikipedia HERE. Comments:
OK lets be upfront on this, some of this material with careful searching can be found on what appears to be official versions of Tony Sheridan with The Beatles, however the majority seem to be 'imports' or on highly spurious record labels, and the prices for some are outrageous, it is one thing to pay a small fortune for a genuine collectors item, another to cash in and rip off fans.
So we feature some material for purchase below that is nearly all realistically priced (spot the odd one out) and remember you will probably find it is the same or similar songs on each release so please check the track listings. Reloaded - 25/May/2015 - download link in comments.
This is Don Henley live in concert in Los Angeles California back in 1985.
That's according to the limited notes that came with this recording and his comments throughout the show suggest that the location (LA) is correct, and the songs performed are from the right timeline.
However I have a feeling that this may actually be material from more than one gig based only on the sound differences around 'Desparado' and a couple of other tracks, and I am not familiar with the Fox Bowl which the notes suggest was the venue.
Feel free as always to add any comments on this one. All of that said this is a great performance from Don when he was riding high as a solo artist following the initial break up of The Eagles.
Source: FM Radio or Soundboard
Sound Quality: Good stereo mp3@192kbps.
Genre: Rock, Country, Pop.
Set: Full Concert
Set List:
1. Building The Perfect Beast
2. Dirty Laundry
3. Drivin' With Your Eyes Closed
4. You Can't Make Love
5. You're Not Drinking Enough
6. Them And Us
7. Lilah
8. Not Enough Love In The World
9. Desperado
10. The Boys Of Summer
11. All She Wants To Do Is Dance
12. Sunset Grill
13. Talking To The Moon
14. Hotel California
Following the breakup of the Eagles, Henley embarked on a productive solo career, the most commercially successful of any of the Eagles. His first solo release, 1982's I Can't Stand Still, was a moderate seller. The single "Dirty Laundry", a denunciation of tabloid media, was Henley's all-time biggest hit. It reached No. 3 on Billboard Hot 100 at the beginning of 1983 and earned a Gold-certified single for sales of over a million copies in the US. It was also nominated for a Grammy.
This was followed in 1984 by Building the Perfect Beast, which featured layered synthesizers and was a marked departure from the Eagles' country-rock sound. A single release, "The Boys of Summer", reached No.5 on the Billboard Hot 100. The song's haunting rhythms and lyrics of loss and aging, capped by seeing "a Deadhead sticker on a Cadillac," immediately connected with a certain age group. Don Henley also won the Grammy Award for Best Male Rock Vocal Performance for the song. Several other songs on the album, "All She Wants to Do Is Dance" (No. 9 on Hot 100), "Not Enough Love in the World" (No 34) and "Sunset Grill" (No.22) also received considerable airplay.
Henley's next album, 1989's The End of the Innocence, was even more successful. The song "The End of the Innocence", a collaboration with Bruce Hornsby, is a melancholy, piano-driven tale of finding bits of happiness in a corrupt world, and reached No. 8 as a single. The hit follow-up, "The Heart of the Matter", is an emotive chance remembrance of a lost love. Both songs use the effective technique of varying the words in the chorus each time it is sung, to advance the song's narrative. The album's "The Last Worthless Evening" and "New York Minute" were among other songs that gained radio airplay. Henley again won the Best Male Rock Vocal Performance Grammy in 1990 for the album. Also in 1989, Henley made a brief appearance on MTV's Unplugged series.
In live shows, Henley would play drums and sing simultaneously only on certain Eagles songs; on his solo songs he would either play electric guitar and sing or just sing. Occasionally Eagles songs would get drastic rearrangements, such as "Hotel California" with four trombones.
Download links in comments below or click on the picture.
