Wednesday, 8 November 2017

The Blue Hour - Smoke Season - Brass Box - Life in a Blender - Jon C Butler

The Blue Hour - On The Wall.

Background -  Seattle-based 4AD-styled ethereal folk-noir duo The Blue Hour present their new video for 'On The Wall', the second single from their new album 'Always'. This 11-track offering is replete with swoons whirling the listener into the ether, wisped along with sonic elements cherished by fans of Kate Bush, This Mortal Coil, Marissa Nadler, Dead Can Dance, and Chelsea Wolfe.

The new video was created by Carl Andrén, a young man from Gothenburg, Sweden, whose childhood love of drawing has evolved into a truly unique approach to video production and animation.  The band also recently introduced their video for 'One More Mystery', based on original animation created by Rayhan Khan and produced by Rooster Studio.

'Always' comes on the trail of the duo's 'Kyoto Songs' single, featuring a beautiful rendition of The Cure classic 'Kyoto Song'.

Living near Seattle, Brian and Marselle Hodges have been inspired by their life amongst the moss and mud and the ferns and forests of the Pacific Northwest, their raw mix channeling the purely natural and the esoteric via The Blue Hour.

Blending traditional folk melodies with dream pop, ethereal wave and synthpop, the result is ethereal folk-noir that is unique to them, charged with haunting ambience and some classical structures. This potent cocktail creates an otherworldly and hypnotic effect, focusing on texture and rhythm and beautiful discord ... and most of all magic. WEBSITE, BANDCAMP, FACEBOOK.


We featured a couple of tracks from The Blue Hour a couple of months back and the second single 'On The Wall' & it's accompanying video are a welcome addition.The creative ideas and diversity of styles, ensures the duo keep surprising me, with their unique and fabulous music.


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Smoke Season - Wolves.

Background -  Smoke Season's new single "Wolves" has now been released. LA buzz-band Smoke Season is fresh off their UK tour where they debuted new music. The new material features a shift in creative direction which showcases anthemic melodies, rocksteady grooves and hard hitting beats - including their latest single, “Wolves." 

The indie-electronic duo, once referred to as “Fleetwood Mac with beats" has upcoming singles featuring Mix Master Mike of the Beastie Boys and a collaboration Sonny Diperri (Animal Collective, Portugal the Man).

Los Angeles-based Gabrielle Wortman and Jason Rosen, the duo that comprises Smoke Season, seem to form their own genre of music drawing on electro-pop, rock steady and soul.

In the past 2 years, Smoke Season has independently released an EP with a corresponding short film (which received features at 2017 Cannes Film Festival and 2017 Hollyshort Film Festival), and toured nationwide.  


Their millions of Spotify plays and acclaim from major press outlets (W Magazine, Buzzfeed, Huffington Post, Clash Magazine, LA Weekly, and The New York Times to name a few), are proof that their sound is resonating with fans throughout the country. WEBSITE, FACEBOOK.

'Wolves' has already gained considerable attention which is hardly surprising. The songs catchy electro vibes & melodic vocals will most likely see the "plays" grow a whole lot more.

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Brass Box - Moonlight Desires.

Background - Brass Box presents their video for "Moonlight Desires" The video was directed by Joey Halter, and plays with old school filming techniques. "Moonlight Desires" was originally written by Laurence Gowan, a Canadian pop star from the 80s who now fronts the band Styx. The track was released in 1987 under his solo project Gowan. After discovering the music video for the song was filmed onsite at Teotihuacan (Mesoamerican pyramids) in northeast of Mexico City, Brass Box felt the need to record a cover fo the track, as an homage to the native Canadian and the pyramids (especially after Ammo developed a slight obsession with Teotihuacan after visiting in mid-2013).

With enchanting dream goth/ shoegaze tracks, Brass Box takes listeners on a journey through life, death and the darkness that swells beneath the surface. The inception of this artistic force began with front woman Ammo Bankoff; her obsession with being lost at sea and the intangible as the makeup for her musical expression.

After demoing multiple songs, she contacted her long lost friend Neil Popkin to join her after running into each other at a seedy Echo Park bar. The duo had originally met several years prior at an underground new wave/ goth party in Los Angeles. The bands in which Bankoff played (Tête, Black Flamingo) occasionally shared bills with Popkin’s bands (War Tapes, Rituals). Due to their musical connection both musicians naturally collaborated.

Neil then brought in guitarist Matt Bennett (War Tapes) and drummer Pablo Amador (Rituals), to round out the heavy sounds of Brass Box. Since joining forces the quartet has assembled lush compositions of melody and noise while recording in their Downtown Los Angeles home studio. Some describe the sound as a mix between My Bloody Valentine and Cocteau Twins, but you can decide for yourself. BANDCAMP, FACEBOOK.


Maybe it's just the video but 'Moonlight Desires' has something of a psych feel, alongside the mixture of dream pop & shoegaze that compete with each other beautifully as the song develops.


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Life in a Blender - Happy Enough.

Background - For over 25 years, Life in a Blender has been the canvas for singer and songwriter Don Rauf's blackly comic landscapes. The group has released eight albums ranging from screaming punk to orchestrated chamber pop, and has brought the high theatrics of its live act to stages from Berlin to Austin to Toronto to Brooklyn and Seattle.

Don Rauf formed the band with high school friend Dave Moody (then bassist, now cellist), and within a couple of years had acquired the drumming services of Ken Meyer. Guitarist Al Houghton and bassist Mark Lerner joined in 1992, and violinist Rebecca Weiner Tompkins signed on in 1993. While the band's core lineup has remained remarkably constant for the past 18 years, the list of former members, guest artists, and collaborators includes Chris Butler (The Waitresses, Tin Huey), Chris Rael (Church of Betty), Jonathan Gregg, John Linnell (They Might Be Giants), Gavin Smith (Les Sans Culottes), Susan Hwang (Debutante Hour), Brian Dewan, and Olivier Conan (Chicha Libre, Las Rubias Del Norte).

Life in a Blender (featuring Don Rauf of Seattle), squirreled away at Old Soul Studios in the summer of 2016 at Old Soul Studios in Catskill, NY, to record their most personal album ever.  Each CD comes with its own special tissue. In between endless bowls of pale pasta and bourbon from a can, a visibly distraught Blender committed their secrets to tape. Kenny Siegal manned the large recording knob. 

In the title song "Happy Enough," lead singer Don Rauf laid bare the workings of his tortured innards. "Happy Enough is not for cowards," said Rauf, through three-day-old growth (not hair). "I hope you feel as bad as I did when I wrote it.

Some of the better songs are inspired by (not stolen from) other people's works of art. A few of the songs were written for the Bushwick Book Club, a project developed by the shimmering Susan Hwang.  The BBC forces musicians to write songs based on books and other written works. WEBSITE.


The title track & the first of ten songs 'Happy Enough' is a gentle opener. Be prepared for the incredible assortment of sonic brilliance that follows. Sometimes loud & full on, other times crazy, this is a fabulous collection of individual pieces that all battle to be the best!

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Jon C Butler - When The Walls Went Down.

Background - Jon C Butler is a writer and singer from Leicester, England who first came to attention with the classic album Shakespeare Alabama by Diesel Park West at the dawn of the nineties. With a particular awareness of the beauty and richness of sixties American west coast rock'n'roll the band were responsible for a clutch of highly invigorating albums from 1989 to 2011.

'When The Walls Went Down' is a contemporary take being filtered through time. Taken from Jon's  'brilliantly infectious' album Universal Stranger, the song is a sonic shoot along the decades since the Great Society.

“Well, my take on it at least”, says Jon. “I wonder if we could have got things together better than we have? I certainly think so, but you never know! Maybe this actually is the best we can do!” — Jon C Butler

The soul-searching resonance of the lyrics also take us into familiar territory for Jon - wrong turns and the passing of time. A deft reminder of those infrequent moments when, maybe, we should have let our emotional walls come down and allowed our hearts to rule our heads. 'When The Walls Went Down' is available from 10 November 2017 on Strataville. WEBSITE, FACEBOOK.


'When The Walls Went Down' has some thought provoking lyrics that are passionately delivered by Jon C Butler. Emotionally charged the song simply demands to be noticed, the accompanying video adds to the narrative, it's time to go & check out the album.


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Tuesday, 7 November 2017

The Fuzillis - Krief - Nervous Twitch - J Lee and The Hoodoo Skulls

The Fuzillis - UNGAWA!

Background - London's latest and greatest rock'n'roll party band, The Fuzillis, are ready to Blast Off! This non stop, rock’and’roll grind-a-go go machine was formed in London in late 2014 and features the high energy rock and roll twang of guitar player Dan Criscuolo; the sleazy, growly tenor sax-tones of Thomas "T-Mag" Maguire; the thunderous jungle rhythms of Wilco “The Hammer” van Eijk and the low down tones of the boss of the bass, Mr Frankie Fuzilli Sr. (a.k.a. Zig Criscuolo, bass player of MFC Chicken).

They mix up a sleazy atomic age r’n’r cocktail blending Link Wray and the craziest Las Vegas Grind tunes with a large shot of Grady Gaines' Upsetters, a dash of The Fabulous Wailers, a slice of Nick Curran and top it all off with the wildest titty twistin' tunes on the Planet Earth.

Recent live activity includes multiple Spanish tours and two Dutch tours, the Festival del Valle di Tobalina (with Mambo Jambo and The Limboos), headlining The 10th Anniversary Rock and Roll Circus in Amsterdam, Weirdsville (with Big Boss Man and King Salamis), What’s Cookin’, Bule Bule Toga Fest (with Les Grys Grys and Dr Explosion), The New Barcelona Hayride and Funtastic Dracula Carnival, Benidorm (with Guitar Wolf and The Mummies).

2017 has also been incredibly busy with main feature slots at Hipsville (UK), Surforama (Spain), Voodoo Festival (Italy), Montesquiou On The Rocks (France) and The Rockabilly (Rave). In 2016 they released their (now Sold out) debut single Mogul Monster c/w Beavershot on strictly limited 7” vinyl through FOLC Records.

In 2017 they completed the recording of their first LP "Grind A Go Go, Volume 1" at Space Eko East Recording Studios with Alex McGowan (Jim Jones Revue, MFC Chicken, Josh Homme, Oh! Gunquit, Wilco Johnson, Jah Wobble) in the chair. The album features 16 brand new and vintage grind a go go classics. To support the launch of the record, the Fuzillis will be gigging around Europe starting in Nottingham (Blast Off! Festival) followed by Spain (including support slots with Barrence Whitfield and Mambo Jambo), Italy and the UK. They’re also planning a special UK LP London launch show at Weirdsville on Jan 27th, 2018.

The Fuzillis... One word instr-o-mental grind-a-go go party monsters who’ll make you twist till your toes bleed. BAND-PAGE, FACEBOOK.

Tour dates:

10 Nov UK     Nottingham Blast Off Festival
16 Nov Spain     Barcelona  Apolo 2
17 Nov Spain     Castellon Four Seasons
18 Nov Spain     Madrid Funhouse
19 Nov Spain     Segovia Beat Club
20 Nov Spain     R3 Interview Madrid
21 Nov Spain     TV Show Madrid
21 Nov Spain     Valladolid Backstage Bar
22 Nov Spain     Oviedo Lata de Zinc
23 Nov Spain     Burgos Carmen 13
24 Nov Spain     Ubeda La Teteria
25 Nov Spain     Malaga Sala Velvet
26 Nov Spain     Cox TnT Blues
30 Nov Spain     Valencia 16 Toneladas
01 Dec Spain     Zaragoza Casa del loco
02 Dec Spain     Tomelloso Sala Beat
07 Dec Italy     Macerata Terminal
08 Dec Italy     Perugia Urban
09 Dec Italy     Treviso Nasty Boys Saloon           
06 Jan UK     Brixton Stranger Than Paradise
27 Jan UK     London Weirdsville
03 Feb Spain   Torremolinos   


Just one of sixteen wonderful tracks on 'GRIND A GO GO, Volume 1' I have chosen 'UNGAWA!' for you to savour over. I just love this album, as described above the band are "one word instr-o-mental grind-a-go go party monsters." If you are in need of a massive mood lift, or just want to take a discreet and personal cobweb removal session, then The Fuzillis are a remarkable starting point.

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Krief - Ordinary Lies.

Background - Throughout his successful career as the lead guitarist and co-writer of the Canadian indie rock band The Dears, Patrick Krief has been busy, and we mean b u s y. 

Touring with the likes of Midlake, Morrissey, Metric, Broken Social Scene in places like the Wembley Arena, Hyde Park, Electric Ballroom, Koko as well as V Festival, Redding, Leeds, Glastonbury, T in the Park to name (not) a few, we can confidently say that sonically Krief knows his stuff.

Signed to Fierce Panda Records, his upcoming new single “Ordinary Lies” unveils a musician with a true eloquence of expression. The intimate piano-based intro, in the style of Cat Power’s “I Don’t Blame You”, instantly grabs both ears with its authenticity (fyi, sounds incredible on headphones). It hits you from the get-go and you just know that this is going to be good.

Krief’s soul-bearing Jose Gonzalez/ Ray Lamontagne-esque vocals begin singing with the soft Whitley-like harmonies joining soon after. David Schiffman’s production (RHCP, Tom Petty, NIN, Johnny Cash) is impeccably modest in its approach, where each part- from synths through guitar bits to piano plonks (all played by Krief himself)- serves its purpose, holds its depth and builds the arrangement’s thematic expansion.

“Ordinary Lies” is taken from the forth-coming Automanic Red + Automanic Blue albums, which according to Krief, are "autonomous in their flow and not meant to be listened to in one sitting. Although releasing one without the other simply wouldn’t make any sense — the plot truly exists within the invisible line that bonds them." “Ordinary Lies” is out everywhere via Fierce Panda Records Now, with the double album Automanic to follow on the 17th November 2017. WEBSITE, FACEBOOK.

UK Tour Dates:

18th November - The Swan, Ipswich
21st November- The Wheatsheat- Oxford City Festival
23rd November- Paper Dress Vintage, London
24th November- Sofar Sounds, London
25th November- Factory, Manchester


Personal and gently developing 'Ordinary Lies' is a captivating song, rich with vocal intimacy, alongside a musical arrangement that drifts up and down with layers of gorgeous sounds. 

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Nervous Twitch - She's So Hip.

Background - Nervous Twitch matched twisted rock’n’roll and punk rock on their previous LPs ‘Get Back In Line’ (2015) and ‘Don’t Take My TV’ (2016). With a Marc Riley 6 Music session under the belts the band return with their 3rd LP ‘I Won’t Hide’ – their first as a three piece.

Nervous Twitch take on both personal and universal themes of alienation, anxiety and adversity transform it into 14 tracks of hook filled fuzzy New Wave Pop – sounding more cohesive than ever before.

This new LP expands on their previous releases pushing their arrangements further whilst maintaining their pop sensibilities, with a range of influences from The Swell Maps to The Crystals, Nervous Twitch take you on a trip through the modern world as seen through their eyes. FACEBOOK.

'She's So Hip' is a small glimpse of the fourteen songs that make up 'I Won't Hide' a feisty affair in part, accompanied by some slower paced tracks. That said the potency, passion and energy is clearly trying to burst out from just beneath the surface throughout the album. It's new wave pop with some clear respect for older new wave, if you get my drift.

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J Lee and The Hoodoo Skulls - 2 Bit Lovers.

Background - J Lee and the Hoodoo Skulls are an instantly addictive contemporary blues rock band projecting dirty guitar riffs, stomping swamp percussion, and gut wrenching vocals. The Surrey based band blends Americana with bluesy retro vibes to create their unique brand of urban blues rock. Their unique, innovative sound is typically the stuff of biker rock legend that you'd find somewhere down an American highway, and thus have to pinch yourself to remember that they come from the UK!

Fronted by Jason Lee Barratt of whom has adopted a phenomenal vocal range thanks to the lineage from his father (Shakin Stevens), but also honed his own sound which soars over the driving guitars of Harun Kotch on lead guitar and Luke Sohl Williams on bass, whilst sitting on solid drum grooves by drummer Wayne Riches (has also been the live drummer for Skin- Skunk Anansie amongst others.) Between them, the band have already played on every corner of the globe with international chart success, received national award nominations, and had music used for various advertising campaigns, (including Henri Lloyd and the Mercerdes Petronas F1 Team.)

Off the back of their debut single Woman going viral online and a successful UK tour earlier this year supporting Shakin Stevens, J Lee and the Hoodoo Skulls are now back with their next single 2 Bit Lovers, which is out on Friday 1st December ahead of a debut album release set for Spring next year.

The new video exposes the band members themselves for the first time, performing amidst chunky choppers with gritty smokey surroundings pulling you into their atmosphere of ballsy blues rock! 2 Bit Lovers sits perfectly between a classic vintage sound, and something originally raw...J Lee and the Hoodoo Skulls have smashed it again! WEBSITE, FACEBOOK.


'2 Bit Lovers' just gets on with being a blues rock song that we know is new, however could easily pass for something decades old. It's the modern production that gives the game away, apart from that, this is a timeless blast of full on rock & roll, with more to follow.


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Monday, 6 November 2017

Jordan Klassen - Holly Miranda - Geoff Gibbons

Jordan Klassen - Dominika.

Background - Jordan Klassen is thrilled to unveil his new music video for the song, “Dominika.” “Dominkia” is off Klassen’s new studio album, Big Intruder, out now via Nevado Music.

Klassen says, “For the ‘Dominika’ video I wanted to make something that was playful like the song; silly in an honest way. We were inspired by a lot of late 80s/early 90s music videos where it felt like the artist just shot a bunch of footage of them hanging around and lip syncing.”

Big Intruder is an album about growing up and making adult decisions. The eleven tracks, which Jordan Klassen wrote, recorded and produced himself, venture away from the whimsical soundscapes of his past work and exude themes of growth and maturity, both in lyrics and sound. Klassen previously strived for a cinematic sound, avoiding drum kits but tried to embrace the idea of  'band' on this record. Big Intruder speaks to the dilemma of the overwhelming array of choices available in life, and the doubt and caution that become excuses to avoid commitment. The resulting songs are intimate and personal, guided by a sense of honesty and vulnerability.

Jordan Klassen is a decorated songwriter in his own right who has spent more than a decade quietly crafting music that has been deemed 'unsentimentally sincere' and 'whimsically hopeful'. He recently released his EP, Curses, which was an assembly of brooding pop songs that continue in it's predecessor's exploration of mental illness and hushed vulnerability since his 2016 LP, Javelin. Writing about his life experiences is one of the essential elements in Jordan’s creative process – particularly events that he had deemed as his failures. FACEBOOK.


'Dominika' is refined & melodic with a mature indie pop feel to it. The video is an imaginative nod to music promo's from days gone by, even so it's the song that stands out as hook after hook dig in.


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Holly Miranda - Exquisite.

Background - The new single from Holly Miranda entitled "Exquisite" features T.V. On The Radio's Kyp Malone. “I’ve always been a proponent of not making the same record twice,” Holly Miranda says. “Some people find a niche and go with that, but I need to try something different every time.”

That’s more than apparent on “Exquisite” first new material released by Miranda since 2015.  More than just an artistic step forward, it’s a whole new way for her to make music. “This really is the most collaborative record I’ve ever done,” she says. “It’s first time I’ve shared so much of the writing and the production, the meat and bones of making an album.” This song finds Holly bridging the gap between 2010’s experimental synth laden release The Magician’s Private Library and her stripped-back, soulful self-titled record.

Miranda grew up between Detroit and Nashville, two music towns that would influence her own journey in a very profound way. She began playing piano at the age of six, taught her self-guitar at 14 and moved to New York at 16 to start her professional career. For nearly 20 years, she’s been performing, writing and producing with some of the best talent in the business. She has performed with the likes of Karen O, Lou Reed, The XX, and Lesley Gore. She released two records with her band The Jealous Girlfriends and has co-written and produced a mass of other projects. FACEBOOK.


'Exquisite' is a delightful collaboration with Holly Miranda joined by Kyp Malone. The duel vocals are astonishing, the song exudes atmosphere and feeling & the production is of a very high standard.

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Geoff Gibbons - Ain't Goin' Back.

Background - A trip to the cradle of North American music was a signpost of the journey to the Buffalo Hotel. Geoff flew South to the cities of sound: Muscle Shoals, Nashville and Memphis. "When I got back home I wasn't just inspired, I was altered," Geoff remembers. Echoes of this experience permeate the musical tapestry, most pointedly with the harmonies of The Sojourners, a soulful trio of male backing vocalists who impart an ecclesiastical aura of Southern gospel.

Sepia-tinted panoramas and meticulous song craft: Across the breadth of the 12 songs that comprise his latest release Buffalo Hotel, singer-songwriter Geoff Gibbons breathes life into lyrics with facile economy, metaphoric ease and an ear for conversational proximity.

As verses turn the pages of the stories, Gibbons drops the listener directly into the dramas as he silhouettes a vibrant cast of characters in sheer authenticity. Backed by players from a tight community of first call studio musicians, Geoff's soul deep vocals are imbued with experience and empathy. Against the intimate grain of his voice, the players reflect his themes with subtle flourishes and stellar musicianship.

From Vancouver, BC, Canada, Geoff is a full time working musician and a producer-engineer who has lived his life immersed in music. Geoff Gibbons avows that the tales he tells on Buffalo Hotel are based on real stories that he needed to turn into songs. "As writers we have worlds inside of our brains and there's always something we've not experienced. 'What If I had done this? If I was there what would it feel like?' There's an element of that -- like a lush dream that permeated my consciousness. This is who I am. I have always been true to music. I'd like to have this music come out and affect peoples' lives; to haunt them in the best possible way." FACEBOOK.


The opening song on 'Buffalo Hotel is 'Ain't Goin' Back' and it is typical of the wonderful tracks that follow. Soulful Americana might be a starting point, the album explores differing styles, however always present are the natural heartfelt vocals & the influence of musical styles that can be found much further south of Vancouver. A fabulous collection of material, from a genuine and creative music professional.

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Sunday, 5 November 2017

Simone & Girlfunkle - White Room - Mildlife

Simone & Girlfunkle - Gary Song.

Background - Following on from this year's taster track 'Fight On', North-Perth avant-folk darlings Simone & Girlfunkle are pleased to share their summery new single 'Gary Song'. In celebration of the release, the band will be taking to stages across Perth and Margaret River this month while also showcasing new material from their forthcoming album due out in 2018.

In her ever-so poetic and enthusiastic demeanour, vocalist Bridget Turner says of the new track "Gary Song is inspired by the upbeat-meets-melancholy vibe of bands like Alvvays. It’s an ode to our dead best friends – our pets specifically, one very loving and loved, yet guitar-phobic feline: Gary."

Hailing from the city of lights avant-folk darlings Simone & Girlfunkle were born on one of North Perth’s hazy, sun-drenched afternoons. With a mesmerising combination of three-part female harmonies and delightful arrangements, they produce shimmering, winsome pop-folk perfection that demands attention. FACEBOOK.


We featured Simone & Girlfunkle back in May and it's a pleasure to share the new single 'Gary Song'. It's another top quality indie pop piece, their vocals are gorgeous and the band simmer with musical passion.

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White Room - Cannibal Song.

Background - Brighton indie upstarts White Room have announced the release of psychedelic thriller Cannibal Song, taken from their upcoming double EP Eight out later this year via Deltasonic Records (The Coral, The Vryll Society).

Recent signees to the legendary Liverpool label, White Room’s nod to 60s psychedelic rock alongside more contemporary influences (Pond, Temples, Cage The Elephant) is evident throughout their new record Eight, a collection of songs that interlock conceptually, comprising similar themes such as forward thinking, hope, positivity and escape.

Inspired by the current social and political climate of the world and the uncertainty we all live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity.

Discussing the sixth track from their forthcoming double EP, the band stated: ““Cannibal Song has a real childlike playfulness in the music and melody, which complements the more sinister, comedic lyrics. Together it makes a rather pretty little nightmare. For the video we wanted to incorporate inspiration from classic low budget horror films such as Texas Chainsaw Massacre and other 70s slasher movies. The DIY nature of the production and filming process, just us and a few of our mates, really lends itself to that style.”

The band will be heading out on their debut headline UK tour this November, showcasing the record in its entirety as the band envisioned, including new material unreleased at the time of tour. White Room’s Cannibal Song, is out now via Deltasonic Records and available on all platforms. WEBSITE, FACEBOOK.

Debut Headline Tour:

25 Nov – Live At Leeds Big In 2018 Showcase
27 Nov – The Hope & Ruin, Brighton
28 Nov – The Shacklewell Arms, London
29 Nov – Actress & Bishop, Birmingham
30 Nov – The Magnet, Liverpool
02 Dec – The Eagle Inn, Manchester


Third time around for White Room on Beehive Candy this time with 'Cannibal Song' accompanied by a rather darkly humoured  & almost film noir video. The song is melodic indie rock and very catchy, I might just settle for listening to the track in future, less chance of a nightmare that way!


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Mildlife - The Magnificent Moon.

Background - Mildlife have announced their debut album with the premiere of the first song to be taken from it, 'The Magnificent Moon', at Dummy Mag where it was described as a 'masterpiece'. Tom Shanahan of Mildlife has said “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.”

Mildlife take the musical canvas, rip the lids off the paint tins, and throw vibrant splashes of colour into kaleidoscopic jams. Old friends, the Australian four-piece bonded over the desire to push musical boundaries, developing tight live shows bolstered by wild improvisation and a debut record that mines jazz, psych and disco for its irresistible groove. A melting pot of musical sensations, Mildlife combine progressive 70s sounds with electronic krautrock, backed by a mixture of rhythmic funk, house, and dream-pop, to create an addictive atmosphere that’s illustrated perfectly by their first single ‘The Magnificent Moon’, out November 3rd via Research Records. The single comes as an introduction to their highly anticipated debut LP due out early next year.

Taking cues from artistic pioneers such as Can and Herbie Hancock, creating a Mildlife song is a constant process of teasing and tugging, expanding and refining. But Mildlife are adamantly not a studio band. Between 2014 and 2015 they took a year off playing shows to figure out how they could produce as much of their music live as they possibly could without losing its complexity. “It makes the performance, the composition, more malleable,” says guitarist and multi-instrumentalist Adam Halliwell. Bassist Tom Shanahan adds “It feels more authentic. The energy can be in the song rather than sitting on top of it. We wanted to leave a lot of room for improvisation.”

On the first single to be released from the upcoming album, bassist Tom Shanahan explains its entrancing grip further, “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.” WEBSITE, FACEBOOK.


'The Magnificent Moon' is just seconds short of nine minutes duration, and not a moment is wasted. Layers of rich musical sounds twirl & swirl around, as the band morph between genres and create a fabulous sound. The vocals are refined, the rhythm occasionally adding a funk feel, whilst the synths are creatively used. The debut album is eagerly looked forward to.

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Penny & The Pits - Electric Litany - Lydia Luce - Ketch Secor - The Happy Fits

Photo - Nicole Cecile Holland Penny & The Pits - Headcrusher. Penny & The Pits have just shared "Headcrusher" along with ...