Saturday, 6 August 2022

The Valery Trails - Angus MacRae - Pixy Jones - Man The Lifeboats

The Valery Trails - Zancudo.

The Valery Trails announces the release of their indie-rock single, “Zancudo.” Through keenly observed detail, swirling instrumentals, and a spirited melody, “Zancudo” captures the mood of the sleepy little Costa Rican beach community and its people. It’s off the album, The Sky is Blue, out August 12.

“Zancudo” was written after a pre-pandemic spontaneous trip to Costa Rica. The Valery Trails frontman, Andrew Bower says, “I’m always drawn to end-of-the-earth’ locations, partly because you meet interesting people there who tend to have fascinating stories about how they got there, so I wanted to try and write about that.”

On the upcoming album, The Valery Trails takes the listener through a globetrotting exploration infused with energized guitar-walled hues. In 2020 Andrew Bower moved back to Brisbane following an extended period of travel that was interrupted by the COVID-19 pandemic. The album chronicles Bower’s stops around the world, including Jaisalmer India, the sleepy little beach community in Zancudo, Costa Rica, and Brisbane, Australia, where the journey started and ended.

The album was mixed in North Carolina by Scott Solter. He has recorded and mixed an eclectic mix of artists, including The Mountain Goats, Superchunk, St Vincent, and his own avant-garde / ambient projects such as Boxharp and The Balustrade Ensemble.


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Angus MacRae - Single Cell.

British composer and musician Angus MacRae, shares chilling new single ‘Single Cell’, the second track to be shared from his upcoming album Vivarium due out September 30th via Nation of the Sea. Evocative falsetto vocals lead ‘Single Cell’, it is a fantasia of haunting vocal melodies and introspective solo strings, a dark lullaby which culminates in a climax of swirling strings and orchestra. The new track is inspired by the magic and mystery of childhood imagination, with both a sense of danger and wonder running through its seams.

Angus Macrae, represented by Manners McDade,  is a rapidly rising voice in contemporary classical music. His work spans across film, television, ballet, theatre, concert performances and contemporary dance. His many notable collaborations include scores for Olivier Award winning productions performed across London’s West End, internationally touring ballets and contemporary dance shows by some of the world’s leading choreographers, as well as numerous other acclaimed film and theatre projects.  Alongside this, MacRae's innovative work as a solo recording artist expands on his classical roots, pairing panoramic electronic backdrops with intimate instrumental recordings, to create transportive, elegiac compositions of unflinching emotional honesty.  His work has reached a global audience, having previously released two full length albums and a number of EPs via labels such as Deutsche Grammophon, !K7, 1631 Recordings and his own imprint Nation of the Sea.

MacRae is set to return with the new album Vivarium; a spectral and otherworldly journey into the lost worlds of childhood imagination, due out September 30th via Nation of the Sea. Written over the course of a year, the upcoming album is his most ambitious work yet, pairing intimate piano solos with soaring string lines, hypnotic vocal melodies and ghostly orchestral textures. Vivarium breaks down the definitions of classical music, spanning across multiple genres, drawing on a broad range of influences from across the musical spectrum; from Jon Hopkins and Son Lux right through to James Blake. Lead single ‘Amulet’ has received high acclaim from the likes of KEXP, Scala Radio, BBC Radio 3 and Classic FM.


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Pixy Jones - Maureen Dreams No More.

Pixy Jones announces brand new single 'Maureen Dreams No More' which is the 2nd single to be taken from anticipated debut album 'Bits n Bobs' released via Strangetown Records on the 16th September.

El Goodo guitarist and songwriter 'Pixy Jones' has announced that his debut album entitled 'Bits n Bobs' is due for release on 16th of September via Strangetown Records. Branching away from the familiar El Goodo platform, Welsh psych scene stalwart Pixy Jones has himself compiled a truly remarkable collection of tracks that fluctuate from 60's harmony-rich psych pop, to Alt-Country with ringing tremelo guitar.

Pixy had this to say about the release: The album was originally intended as a solo project under the pseudonym of “Wallace Russell”. I recorded it alongside the recording of Zombie (El Goodo) whenever I could get in the studio. There are some really old songs that have always been overlooked for 'El Goodo' albums for one reason or another, a few new ones which I wrote specifically for this, and a couple that would have probably ended up on the intended double album version of Zombie if we’d kept going with the double album idea. 

I’ve since ditched the 'Wallace Russell' name and gone back to 'Pixy Jones' as I figured there’s no need to have a pseudonym if nobody knows who you are in the first place. Even though I dropped the name I’ve kept the walrus mask for now as it is more photogenic than my actual face.

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Man The Lifeboats - Born Drunk.

Salty seafarers Man The Lifeboats are delighted to launch their brand new album: ‘Soul of Albion’ - confirmed for release on 14th October 2022 via Wood Head Records. Charting a new course with a breeze as stiff as they like their drinks, the quintet lead the way with the rip-roaring new single: “Born Drunk.” A folk/punk firecracker broiling with fiddles, accordions and acoustic guitars played with gusto, it’s a rambunctious drinking song guaranteed to loosen your lips and get your pistons pumping.

Inspired by an unusual tattoo and a Martin Carthy song (amongst a menagerie of other things), “Born Drunk” takes the listener on a voyage through all that makes life’s rich tapestry so rich… and random. Led by frontman Rich Quarterman, it’s a breathless monologue that touches on politics and people, history and healthcare, religion and, well, getting royally rat-arsed. And in what’s got to be a lyrical first, there’s even time to rhyme “Palestine” with acting legend “Paddy Considine” too.

But what does it all mean? Rich Quarterman explains: “Man The Lifeboats played a festival with the great Mr Carthy and he introduced one of his songs by saying: 'this is a load of nonsense, it doesn't mean anything', which I've always thought was a fine approach to songwriting. The title came from a tattoo on an undisclosed person, and the rest of the lyrics are absolute nonsense. Or are they? Maybe there are some kernels of meaning in there somewhere. Paddy Considine features as his name rhymes with Palestine and Northern Line, but also because he's an absolute hero and a brilliant actor. We tried to get him in the video but he was too busy with some TV show called Game of Thrones…”

Recorded more-or-less live at the iconic Rockfield Studios in Wales, the band cite a cocktail of influences including a hint of Hubert Parry's Jerusalem, a dash of Pachelbel's Canon, and slug of that Pogues Whiskey, that when thrown together ultimately get you “Born Drunk”.

Friday, 5 August 2022

Catherine Elms - Karen Harding - Bite The Boxer - Chemical Club

Catherine Elms - Monday Eyes.

Catherine Elms is a dark pop singer-songwriter who combines untamed intensity with softly-defined edges; introspective and fierce in equal measure. Drawing on the raw, heartfelt emotion of Tori Amos and the brash power of Amanda Palmer, Catherine has found an evocative and cathartic style that is all her own. A self-taught non-classical pianist with a soft yet powerful voice, Catherine creates an epic and transcendent sound that explores millennial frustrations with sensitivity and quiet hope.

This third studio single ‘Monday Eyes’ sees Catherine’s rich vocals and haunting piano accompanied by an orchestral soundscape. Her confessional lyrics rail against the falsehood that we exist in a world where anything is possible, if only we prove ourselves to be “good enough.” The cinematic sound elevates this deeply personal and intimate journey into something powerful and universal. ‘Monday Eyes’ is accompanied by a compelling conceptual music video that blends Catherine’s spirited performance with the striking visuals of Scott Chalmers (videographer for Jamie Lenman, Birdeatsbaby, Saint Agnes).

 Speaking more on the meaning behind ‘Monday Eyes’, Catherine says: “I wrote this song during a bit of a quarter-life crisis, when trying to decide what I wanted to do with my life. Like many of us, I had always believed that if I just worked hard enough and proved myself worthy through collecting achievements, everything would fall into place, and success would find me. I realised that this is untrue. I found myself in a job that dampened my spirit, feeling like an awkward impostor, longing for something more, and mourning the future I’d envisaged for myself that never came. I think so many of us can relate to the feeling of getting to our twenties and entering the ‘real world,’ thinking “is this it?”.

 

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Karen Harding - Til The Ocean Meets The Shore.

Following the passion and excitement shared from the first single release of her Upcoming EP, ‘I’ve Got A Secret’, Melbourne, Australia based singer-songwriter, Karen Harding is set to release the second single, ‘Til The Ocean Meets The Shore’ today Friday 5th August 2022.

Written during the Melbourne, Australia Covid-19 pandemic lockdowns, ‘Til The Ocean Meets The Shore’ is a deeply reflective and uplifting acoustic guitar focused story that dives into challenges felt and a realisation of how far we have come, and the determination that we can truly achieve anything we put our mind to, if we do not give in.

The four track EP, ‘I’ve Got A Secret’ is being released one single at a time, each month, and will be available in its entirety by October 2022. The EP is available for purchase at Bandcamp in digital download and CD formats.

Music has always been a part of Karen’s life, beginning piano lessons at the age of 6 and singing lessonsat 14. She has played at many cafes and bars around the north-eastern suburbs of Melbourne, Australia, in a combination of solo, duo and band performances, that have contributed to the sound that you hear today.
Building her repertoire, with 6 single releases under her belt, Karen has been steadily growing her following and name, having won the November 2021 Bendigo Bank sponsored Independent Songwriter Talent Show on Radio Eastern FM in Melbourne, Australia, for her single, ‘Anxiety’, Top 10 winner for the World Songwriting Awards, for her single, ‘Something Special’ and a nominee for Best International Artist on Crags Radio Independent Artist Awards in February 2022.

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Bite The Boxer - Way Out.

Way Out is the third single in a string of dreamy alt-pop releases put out by Bite The Boxer, following on from Forgotten (released in April) and Like A Ghost (June). 

Way Out combines a gritty and melancholic influence from 90s trip-hop with lush synths and vocal production from modern alternative pop to set a mood that seeks to take the listener on a journey to a dark place but in a comforting and familiar way.

Bite The Boxer (AKA Matt Park) often produces his music live on Twitch streams and has this to say of his process: “writing music live with people watching encourages me to trust my instincts and produce by feel; nobody wants to watch me do fine tuning and tweaks for 2 hours. 

I try to avoid over-thinking the process. If I can finish a 2.5 hour stream with the bulk of a song finished, and it sounds good then that’s an ideal result.”

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Chemical Club - Hell In A Heatwave.

Arts & Crafts newest signee, Ottawa duo Chemical Club, are sharing another new single, “Hell In A Heatwave”, with a video directed by their fanclubwallet bandmate Hannah Judge. The new track is an “honest look at who you are and how you can improve upon that,” the band says. 

“Actively seeking self improvement and pursuing positive changes over neutrality and repetition. Leaving unhealthy habits behind and holding yourself accountable for your own actions and behaviors. Staying comfortable and rejecting positive change is usually the easier option in the short term, but to actively pursue growth is necessary for long term fulfillment.”

Chemical Club is the project of Eric Graham (he/him) and Michael Watson (they/them). The duo performs tight, catchy indie rock songs, perfect for road trips or coming of age soundtracks that deftly weave naturalistic lyrics with reflections on love, death, insecurity, and growth. Having grown up around the corner from each other, the pair didn’t truly connect until their teen years when they began playing together in garage bands. 

In 2019, they formed Chemical Club and have since released a series of homespun, self-released singles and EPs that’ve earned them a passionate following over the course of the pandemic. In addition to Chemical Club, both members perform in ascendant indie rock project fanclubwallet, with Watson serving as fanclubwallet's co-writer and producer.

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Wednesday, 3 August 2022

Lukka - Abby Sage - The Fades

Photo - Jen Meller
Lukka - Life In Reverse.

Lukka, the brainchild of German-born, New York City-based artist Franzi Szymkowiak, released her latest single “Life In Reverse” this week, from her sophomore album, Something Human due August 26.

Discussing the track, Franzi noted, “‘Life In Reverse’ talks about the end of a close relationship, as both partners realize that time has changed them. And that one shouldn’t be afraid of that change… 'only a matter of time and you get used to it’” - watch + share “Life In Reverse” via YouTube.

Something Human speaks to both the head and the heart. The album’s essence is perfectly captured in its first two singles “Wisdom of the Sun” - a yin-yang ode to finding positivity in even the darkest of situations, and “Life In Reverse” where Lukka finds herself closing one chapter, to start the next. At once an escapist psychedelic synth-rock odyssey and a timely shot of science-based spirituality, the 10-song LP wraps messages of oneness and self-determination inside multi-layered melodicism, cultured retro-electronica, and tastefully effected guitars. “Transmitting the message of love and oneness through music is very important to me,” stated Szymkowiak.

In essence a solo project supported by a semi-fluid band, Lukka’s sound is rooted in Franzi’s early influences growing up near Dresden, Germany – the Rolling Stones, Pink Floyd, the Beatles, The Who, Led Zeppelin – and, more recently, David Bowie, early Brian Eno, Flaming Lips, and Deerhunter. Extensive busking and performing around the world included four years in Australia, where she embraced that region’s new wave of psychedelic synth rock, including Tame Impala, Pond and Unknown Mortal Orchestra.

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Abby Sage - The Florist.

Today, LA/London based alt-pop artist Abby Sage announces her forthcoming sophomore EP The Florist out October 21st via Nettwerk. The announcement arrives with the release of the stunning title track single. 

Abby Sage’s upcoming EP is fueled by a love for character sketches, with each song becoming a tiny play or narrative. Take the new single “The Florist,” and its depiction of a woman who can bring beauty to the lives of others. “I’m someone who’s so protective of their friends,” shares Abby. “When something is broken, I want to fix it. And a florist is someone who through their actions makes a room prettier – because flowers always manage to do that.”

Commanded by a pillowy production, deliberately impassive vocals, and a skittering drumbeat, “The Florist” is an appetizing slice of soulful indie goodness. Gentle and quiet songwriting is at the forefront, with labelmate Boy Willows providing a hand in co-writing a portion of this beautiful and sweeping track that enthralls with notable and radiant power.

Abby Sage’s The Florist EP is a follow-up to her 2021 debut EP Fears of Yours & Mine, a collection of songs that was just the beginning in showcasing her commanding sound and precarious outlook of the world around her. Abby expresses, “The last project was a very personal take of what I was immediately experiencing at the time while this project feels a bit grander scheme and observational. I had nothing that was immediately bringing me either intense pain or joy (I normally experience things in extremes this way), there was something about this period that felt over looming and bigger than myself. I was in London taking the tube from session to session and felt like a sponge. One time there was a particular group of kids next to me and I listened to their conversation for the duration of the journey along with a few other snippets of chatter around me. I wanted to write about the experience of others, the unfamiliar coinciding with the familiar.”



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The Fades - You Follow Me Around.

London based post punks The Fades are back with a new album - You Follow Me Around is the first cut from it & a taste of what’s to come. With DJs like Steve Lamacq, John Kennedy & Marc Riley supporting various releases & glowing write ups in Louder Than War, Fresh on The Net & alike, The Fades are a band who’ve consistently turned adversity to their advantage, finding the best in life while not taking themselves too seriously.

Recorded in Brixton, South London using an array of analogue equipment, You Follow Me Around is a raucous indie post-punk blast of alternative pop, recalling the time when lead-singer Dave Lightfoot was stalked by both an ex-partner & his own cat clambering for affection at home - a sort of dual experience of enforced attention from very different sources. “The song was written at a very difficult time when this ex-partner was seriously harassing me” says Dave. “It made me ill & I lost so much weight but in the usual ‘Fades’ way, I managed to make light of it by linking the song to my cat, who was also harassing me but in a much more loving way. Basically, I took the positive approach to a very stressful situation & then a song came out of it”.

In true punk DIY style, The Fades recorded their debut single above a chip-shop on the Staines Road in West London. It was quickly picked up by Steve Lamacq who played it on national radio & soon a buzz was building around the band. Then explosive gigs with bands like Ocean Colour Scene, Bloc Party, The Mystery Jets & German rockers Art Brut gained them a reputation for raucous mayhem, including a penchant for multi-band clothes swapping on stage! Next up, US indie label Cranky Girl Records arranged for an East Coast tour of the States alongside some American releases, which all culminated in a whirlwind of gigs, parties & scintillating scotoma!

Buoyed on by a new-found enthusiasm when they sold out of their 2020 vinyl album Ragnarok & embracing the ‘new reality’ of working from home during lockdown with many a remote writing session, the band went back into the studio to record upcoming LP Night Terrors, from which You Follow Me Around is taken.

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Tuesday, 2 August 2022

Will Sheff - Pale Blue Eyes

Photo - Bret Curry
Will Sheff - Enstrangement Zone.

Today, Will Sheff known for leading the critically acclaimed indie-rock stalwarts Okkervil River across nine beloved albums announces ‘Nothing Special’, his debut solo album set for release on 7th October via ATO Records.

While Sheff acknowledges that the album’s title opens him up to some cheap digs from music writers, ‘Nothing Special’ is not mere self-deprecation: it’s a record that wrestles with the dream of rock and roll exceptionalism and the realignment of values necessary to move past youthful delusion and give your day-to-day life a more mature sense of meaning and hope.

Says Sheff, “When I was just a kid, I got caught up in the dream of being a rock and roll star. Like so many other young people, I fell in love with the idea of being called to this glorious path outside of ordinary life. And I ended up in a band with people who felt this same call - especially our brilliant drummer Travis Nelsen, who was like a brother to me. We would trade tales of hilarious antics and outrageous excess and tragic death like they were almost scripture. Travis and I fell out painfully, and he died in the early weeks of lockdown. I think a big part of ‘Nothing Special’ centres around grieving for him, grieving for everything my friends have lost, grieving for the rock and rock and roll myth, and trying to open my eyes to a more transcendent reality.”

Sheff sets this emotional journey to arrangements that contain subtle surprises, referencing baroque pop, blurred-lens synth ballads, sci-fi psychedelia and the widescreen ambience of 1970s and ‘80s ECM Records releases. It’s a record that follows its own idiosyncratic yet intuitive internal logic as we follow Sheff — and his expansive list of collaborators — into whatever’s next for us, both individually and collectively.

Accompanying today’s announcement is a video for ‘Estrangement Zone', a song that sets Sheff’s less-than-hopeful vision of society’s decline to retrofuturistic digital timbres more associated with Oneohtrix Point Never or Boards Of Canada than Okkervil River. Directed by Johnny North and prominently featuring Marcus Paek as a character simply called The Youth, it’s a mystical desert fantasy that’s part ‘Dune’, part ‘Stalker’. Says Sheff: “I think of the ‘Estrangement Zone’ video as a kind of magical spell the crew and I were trying to cast — a parable about endings and beginnings happening simultaneously.”

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Photo - Honey Davis Wilkinson
Pale Blue Eyes - Little Gem.

Following the announcement of their debut album Souvenirs, coming out on September 2 via Full Time Hobby (Dana Gavanski, Silverbacks), Devon’s Pale Blue Eyes has today shared a new track from the record. The accompanying video, directed by Dylan Friese-Green and Aubrey Simpson, captures the band on the road, crammed into a Nissan Micra, cruising through the English countryside. Watch it here

Speaking of the track, the band said “Little Gem is about relationships and gardening. We call Lucy [PBE drums and synths] The Emo Gardener. She’d painstakingly cultivate her little greenhouse only to be left distraught when the tomatoes got blight – swearing and weeping by the compost heap. The song is a metaphor for our band's journey. It’s about breaking down, then finding a way around – growing new tunes, cultivating them and sometimes having to start again from scratch.”

Souvenirs was recorded in PBE’s own Penquit Mill studio, just south of Dartmoor, the studio having been funded by a bank loan and endless part-time jobs. PBE are the couple Lucy and Matt Board, crucially aided by Motown-mad bassist Aubrey Simpson. Matt (vocals/guitar) and Lucy (drums/electronics) met at Dartington College of Arts in South Devon, a storied establishment that’s been enlivened over the years by people including Igor Stravinksy, Yul Brynner and John Cage. Lucy’s dissertation was titled “An Investigation into Sheffield's Alternative Music Scene Between 1973 and 1978, with Particular Reference to Cabaret Voltaire.” The PBE album was mixed and mastered by Dean Honer (Eccentronic Research Council, Moonlandingz). Dean has been an integral part of Sheffield's electronic scene and has mixed artists including Róisín Murphy, The Human League and Add N To (X).

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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...