Fassine make their fourth appearance on Beehive Candy with the brand new song 'Bloom' ahead of the third album 'Forge' due in March, the track mixing a powerful chorus with more melodic and beautiful vocals. === Les Flâneurs has released 'Your Days' which features the impressive and delightful vocals of Hanna Turi, plus the fabulously arranged musicianship of Alex Marchetti. === HMS Morris new single is 'Babanod' (meaning Babies) the Welsh language song is passionate and expansive, the music growing in depth, the hooks building throughout.
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Fassine - Bloom.
Fassine’s third album FORGE (March 27), and first on Trapped Animal Records & Cargo Records, is a tribute to the unassuming heroes on the fringes of society.
New single ‘Bloom’, out today, is a response to the obsession of perceived beauty in perfection. Addressing this disconnect, the band asks if something is more beautiful when it is broken.
'Bloom' flips violently between states, from the tranquil verse, where Sarah Palmer’s sweet, manicured vocal is backed by just a propulsive bass, to the apocalyptic chorus of crashing drums and ear-bleeding synths.
Forthcoming record 'FORGE' is bolder than ever, elevating the London trio’s distinctive take on electronic music with heavier, more aggressive instrumentation. Fassine has garnered acclaim from The Guardian, The Independent, Clash and more with comparisons spanning Trent Reznor to Berlin-era Bowie.
Since their last release, Fassine’s XTC cover of “That Wave” appeared on the Sky Arts documentary on the seminal band, This Is Pop. Their track “Whatever It Takes To Help You Sleep” played as the backdrop to Netflix’s first feature film “Velvet Buzzsaw”, and ”Leaves” was featured on Oprah Winfrey’s Queen Sugar.
‘FORGE’ literally means to ‘create something strong and enduring’. And with this album, Fassine have embodied the grit and grime of their personal heroes to weld into existence an industrial and hard-hitting piece of craftsmanship.
"Your Days" follows the trip-pop of “Dark Souls”, released in December, that got attention and airplay worldwide. “Your Days” was born out of the spontaneous collaboration with swedish singer Hanna Turi, whose emotional lyrics and top class songwriting, along with the well-received album “Tracks in the Water” (2015), have led to several performances at South by South West (SXSW) in Austin and gigs at legendary places in New York and worldwide.
Alex Marchetti, the man and producer behind Les Flâneurs' project, remembers his first meeting with Hanna, during her Italian tour: “I met Hanna during a house concert in the place where I produce music, a medieval farmstead hidden in the countryside. When she arrived with her band she seemed to be worried, like thinking: 'where the hell am I? My agent will have to know!' She didn't know I was doing concerts in that place since several years.
The audience sat in silence, mesmerised, during the whole performance, totally taken by the music and Hanna's impressive voice. At the end of the night she told me it was the best show of her tour, because of the respectful and loving attention she got. Then she gave me the most wonderful present: she turned the simple melody I was composing into “Your Days”, a dreamlike naive pop song.
Following a tour of Japan, a Welsh Music Prize nomination and a gig-filled 2019 HMS Morris are back with their new single 'Babanod' meaning 'Babies', will be released on February 7th (Dydd Miwsig Cymru – Welsh Music Day) on Bubblewrap Records. 'Babano d' is the first in a series of singles slated for release in 2020, during which the band will also be developing a theatre show ready for performance in 2021.
The impetus for writing 'Babanod' was the awkward moment in your friend’s wedding when someone feels compelled to reassure you that “you’ll be next”. In that situation, surrounded by married couples and young children, how do you assert your right to a slightly alternative lifestyle, something other than just moving directly from graduation to marriage to parenthood, without sounding like a total dick? Better to smile, bottle it up, and release it in a song when you get home.
'Babanod' will be available digitally from all the usual platforms.
AM Clouds mix and merge rock styles and arrive with a sumptuous and rich overall sound as is witnessed by 'Tune Me In' a fine taster for their 'Rainmaker' album due later this month. === It's been a while since we last shared some new material from AyOwA so 'First Frost' makes for a more than welcome return by the electronic duo and their fabulously individual sound. === On Friday Howie Payne released 'Into Daylight' a gorgeous mixture of alt rock and lovable psychedelic vibes. === Sister duo Delune have a brand new release entitled 'Lavender Too' which put simply is short in duration but absolutely beautiful.
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AM Clouds - Tune Me In.
Oregon-based AM Clouds craft adventurous roosty indie rock that traverses both the internal and external landscapes of human experience. Their hometown of Bend offers extreme climate changes and expansive beauty, prompting them to coin the term ‘high desert rock.’ Even their name, AM Clouds, was derived from a phrase that was constantly broadcast across the Oregon weather forecast.
Meshing classic and alternative, the band connects the dots between several eras of rock music, from angular indie to psychedelic noise jams, equal parts Neil Young and Meat Puppets, Tom Petty and Uncle Tupelo. Their debut EP, War of Love, was released in 2017, and was welcomed with open arms by local press, picking up heavy rotation on KPOV and KRFM. “We’re located in a rugged, remote place, where culture has a tendency to be overshadowed by nature,” Moon relates. “I think people really connect to hearing their majestic surroundings captured musically with a bit of cinematic flair.”
Made up of Bruce Troy Moon (lead vocals, lead guitar), Graham Boostrom (rhythm guitar, vocals), Pete Ficht (bass, keys, vocals), and Dan Paggi (drums, vocals), the band is both immediate and relatable, comprised of musicians committed to their individual tone but more invested in serving the overall sound. Since their inception, they’ve played across Central Oregon, sharing the stage with veteran roots rockers the Mother Hips and Portand’s psych rock pioneers King Black Acid.
Their forthcoming LP, Rainmaker, was tracked at the Firing Room in Bend, Oregon with engineer Dayne Wood and mixed by Portland producer Jeff Stuart Saltzman (The Black Keys, Death Cab for Cutie). The album is due to drop February14th.
With the release of electronic duo AyOwA’s new single First Frost on January 31, 2020, it marks the band's first release in English. The single proceeds the coming debut album Amoeba (September 2020).
Since the beginning, the duo has been synonymous with evocative electronic compositions, consisting of Hannah Schneider's spheric vocals and Nicolai Kornerup's significant synth productions. After extensive touring around Europe, the new music has come to life, passing frosty country roads, dark lakes and broken hearts. With First Frost they channel their mutual love of subtle dark pop songs and electronic soundscapes.
The song First Frost is about a couple who has experienced their whole life, and towards the end sets out in the first winter frost to disappear together. It is the sound of a lasting pact, of infinite love and strength. A sound of crackling snow under your feet, and of clarity of the heart.
In September 2018, the duo released their 2nd EP Farvel - a powerful selection of songs about light and dark, break ups and new life. In the autumn of ’18, AyOwA supported Faroese artist Eivør on her European tour. With 14 shows in Poland, Germany, Switzerland, Austria, France, Bulgaria and UK and two more showcases in London in Aug. 2018 on a Notting Hill Arts Club, the duo has expanded its audience beyond the country's borders.
Howie Payne has just released a new single ‘Into Daylight’, the first blast of new music from the former Stands frontman since 2017’s critically praised solo album release, ‘Mountain’. The track arrives just ahead of a sold-out London headline from Payne coming up on February 5, 2020 at the Old Queen’s Head, with further full band shows for 2020 to be announced shortly.
Shifting up through the gears from the blissfully understated songwriting which characterised much of both ‘Mountain’ and Payne’s Ethan Johns-produced 2009 debut, ‘Bright Light Ballads’, the clattering ‘Into Daylight’ buzzes along atop the attack & recoil of darting electric guitar lines (with all instruments on the recording played solely by Payne). Speaking about the lean, self-produced and self-mixed track - which zips by in barely two minutes - Howie says; “The first person I played it to said; ‘It sounds like if Peter Green’s Fleetwood Mac and early Pink Floyd were the same band’...I’m having that thank you very much. It's the first full on electric rock and roll tune I've put out since I was doing The Stands, definitely the most psychedelic, and the first guitar solo I've cut for a while. I've been listening to a lot of rock and roll and rediscovered my love of playing the electric guitar, and of volume and it sent me off in a new, heavier direction. ‘Into Daylight’ is a pure rock and roll song, it’s loud, fast and exciting to play live. I can see us absolutely jamming the shit out of it at the shows down the line.”
Payne came to widespread recognition in the early noughties - far beyond the buzzy, fertile local scene of his beloved Liverpool (his brother Sean is drummer for The Zutons, sister Candie is a visual artist & musician) - via his solo-project-cum-band, The Stands. Highly regarded both by critics & musical luminaries alike including the likes of the Stone Roses, Spiritualized, Jack White, Noel Gallagher and Bill Ryder-Jones (the latter two both of which made appearances on the band’s debut album), The Stands toured variously alongside Paul Weller, The Libertines, The Coral and Oasis. The band released two enduring albums (2004’s debut ‘All Years Leaving’ and the following year’s ‘Horse Fabulous’), burning as brightly as they did briefly, before Payne disbanded the outfit in late 2005.
Sister duo Delune are graduates of Columbia University, the NYC based duo is quite incredible. In the past, they’ve been compared to artists like Lana Del Rey, but if you check them out, I’m sure you’ll see they have a sound and identity all their own.
The girls of Delune, Kate & Izzi, lived in Berlin, teaching music in a refugee camp.
They’ve taught songwriting at Rikers Island and in 2018 they released two records and videos “Wild West Side Highway,” and “Those Days.” Starting this week, the duo will be releasing one song a month leading to an August album release date for a concept album titled, Pierrot, in homage to the sad clown in Commedia Dell'Arte: the fool in love, who breaks the fourth wall; constantly trapped in a cycle of falling in love, getting his heart broken, and repeating the cycle.
Barb Carbon shares 'Patience' a fresh sounding indie rock meets roots rock kind of song with plenty of hooks throughout. === Accompanied by a video filmed around the Palace of Versailles Nicolas Godin has just shared 'Catch Yourself Falling' featuring Alexis Taylor, a relaxing, melodic and smooth song. === Less than a month since her first appearance here Lilly Hiatt returns with another new song entitled 'P Town' a powerful and passionately delivered country rocker. === The Modern Society debut single 'Bad Thoughts' is an impressive affair, the young band packing passion and determination both musically and visually. === Malena Zavala returns to Beehive Candy for a third time with 'I'm Leaving Home' a beautiful song with the mixture of Anglo and Latin influences ensuring originality and subtle splendour once again.
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Barb Carbon - Patience.
Barb Carbon is an independent folk/roots-rock musical artist from Atlanta, Georgia, USA. She performs as a solo act, as well as with her musical partner, Arrie Bozeman, in the band The Ain’t Sisters.
Cutting her teeth as a traveling street performer before taking to the stage, she has spent the past 20 years honing her craft. Now, at long last, she is putting her music out into the world. Her influences are evidenced in her beautifully raw and gritty sound. Shades of Shovels and Rope, The Avett Brothers, and Lucinda Williams punctuate her melodies, while her earnest, inspired songwriting was clearly shaped by early encounters with The Indigo Girls and Brandi Carlile. Offering up a catalog of songs that are deeply personal yet refreshingly accessible, Carbon gives us a glimpse into her own experience and then artfully strips away the layers, exposing the nerve and laying her finger on the emotional essence of our shared struggles and hopes.
The Fighter (2019) is the first solo endeavor for the budding troubadour, but as a member of her main outfit, The Ain’t Sisters, Carbon has already begun her ascent. On the heels of their first record, Marrow (2018), the dynamic ensemble has experienced a regional surge, selling out Decatur, Georgia’s renowned Eddie’s Attic, Rattling the walls of Atlanta’s Terminal West, and sharing the stage with such acclaimed acts as Donna the Buffalo, Brad Parsons and Starbird, and Tank and the Bangas.
Garnering the attention of industry legends including Jim Lauderdale, Joe Craven, and Billy Gilmore (The Grass is Dead), the future is certainly bright for this up and coming artist. Keep an eye out for a sophomore effort from The Ain’t Sisters in 2020, and more solo offerings from Carbon in 2021.
Nicolas Godin - Catch Yourself Falling feat. Alexis Taylor.
Following excellent reviews for his new album Concrete and Glass, out now via Because Music, Nicolas Godin has shared a beguiling video for “Catch Yourself Falling”, one of the standout tracks from the album, which features Alexis Taylor from Hot Chip on vocals. The video was filmed in the gardens and alleys Palace of Versailles and features a goofy young king roaming the gardens and generally surveying his kingdom. Of the video director Joseph Bird says: “I had heard Nicolas grew up in Versailles then all I could imagine when listening to the track is a young boy exploring the gardens of the Palace of Versailles, then to make him a young king with red hair sounded even better!”
In its soft ambient pulse and melting minimalism, lead track “The Border” is a perfect entry-point to Godin’s hymns to buildings, arranged and co-produced with Pierre Rousseau. Elsewhere, current single "The Foundation", which features guest vocals from Cola Boyy sees the Oxnard singer and activist brings soul to the righteously engaged track whilst the squelchy synths and buoyant grooves burn slow, allowing the stealthy arrangements and message room to resonate.
While Godin’s vocoder vocals also hark back to Air’s early work, the album accommodates a diverse spread of guest vocalists. Psychedelic soul singer Kadhja Bonet sings with measured serenity over tremulous synths on “We Forgot Love”, while Russian experi-pop artist Kate NV brings a gracefully aching romanticism to the blissful swoon-pop of “Back to Your Heart”. Additionally, Australian conceptual provocateur Kirin J Callinan contributes a vocal of restrained drama to “Time On My Hands”, a midnight-drift soft-pop ballad with a silky allure.
Between its title-track and the sultry, smoky jazz stylings of closer “Cité Radieuse”, Concrete and Glass is an album that truly travels, in tune with its global pitch. For Godin, it marks another milestone in a musical journey that began when Air’s 1998 debut album, Moon Safari, became the sublimely weightless soundtrack of its time. For Concrete and Glass, Godin builds on his storied past with tremendous finesse, charm and fluency, opening fresh windows of perspective at every lovingly executed turn.
Lilly Hiatt is set to release Walking Proof on March 27th via New West Records. The 11-song set was produced by former Cage The Elephant member Lincoln Parish (Lucinda Williams, Lissie) and features guest appearances by Amanda Shires, Aaron Lee Tasjan, Luke Schneider, and Lilly’s father, the legendary singer-songwriter John Hiatt. John’s appearance on “Some Kind Of Drug,” marks the first time the pair have appeared together on one of her records. Walking Proof is the anticipated follow up to Lilly’s breakthrough Trinity Lane, which appeared on many year-end “Best Of 2017” lists including NPR Music, Rolling Stone, Paste Magazine, and more. Lilly also received an “Emerging Act of the Year” nomination from the Americana Music Association.
Following a whirlwind year of touring in support of Trinity Lane, and stripped of the daily rituals and direction of life on the road, Lilly found herself alone with her thoughts for the first time in what felt like ages. “When you’re out there on the road, you’re just kind of living, and you don’t have the chance to stop and think about how everything you’re experiencing is affecting you,” Lilly says. “When I got home, I realized there was a lot I needed to catch up on.” She did what’s always come most natural to her in times of questioning and uncertainty: she picked up a guitar.
As rewarding as Trinity Lane’s success was, the collection came from an emotionally challenging place, and Lilly found herself frequently revisiting the hurt and struggle that inspired it as she spoke candidly to the press about her painful breakup, her struggles with sobriety, and the overwhelming sadness of her mother’s suicide. Rather than succumbing to the weight of it all, Lilly managed to emerge stronger and more serene from the experience, treating it as a foundation from which she could begin the essential work of re-examining her relationships and the world around her. “When I got that little gap in my schedule, it gave me the chance to appreciate some mental stillness,” Lilly says. “I can be a pretty anxious person, but I found a sense of peace by deconstructing all of these interactions and emotions I’d experienced and reconfiguring them into songs. It helped me make sense of everything and learn to relax.”
The resulting eleven songs found on Walking Proof walk the line between Lilly’s rough, rock and roll exterior and her tender, country roots, exuding a bold vulnerability as she takes a deep and unflinching look in the mirror. What emerges is a maturity in her writing, an abiding sense of calm in the face of chaos as she learns that sometimes, you have to let go in order to get what you want most.
Cheshire alternative pop fourpiece The Modern Society have announced their debut single Bad Thoughts, released this weekend. Aged between only 17 and 18-years-old and forming the band whilst still at school, The Modern Society have a unique sound that blends indie and rock with funk and pop alongside youthful and direct lyrics.
Debut single Bad Thoughts, which was produced by Simon Jones (The Verve), opens with subdued pomp before building to a rock chorus backed by vivacious guitars and singer Lucas’ gravelly vocals. Lyrically addressing the dangers of not discussing mental health, the track is backed by a poignant video shot by Cinframe Productions, which features varies guises of the band themselves. The band say;
“Bad Thoughts is about the importance of addressing poor mental health in the 21st century, trying to avoid the distraction from our mental states. The song is accompanied by visuals demonstrating the danger of suffering in silence and how quickly life can turn upside down.”
The Modern Society have been building their local following playing shows in and around Cheshire over the last year, including a recent show at Manchester’s Band on the Wall. They will be performing at the Tivoli in Buckley tonight and the Jacaranda Club in Liverpool on 28th February, with further live dates announced soon. The Modern Society are Lucas Humpheys (vocals & piano), Declan Fowles (drums), Jack Varah (guitar & backing vocals) and Connor Loman (bass guitar and backing vocals).
Malena Zavala has today released new single ‘I’m Leaving Home’, and details of her second album, ‘La Yarará’, to be released April 17 on Yucatan Records. Zavala will follow the release with a headline show at London’s Courtyard Theatre on April 23. The follow-up to her critically acclaimed 2018 debut ‘Aliso’, ‘La Yarará’ cements Zavala as a new Anglo-Latin talent, with a unique songwriting perspective on where she’s from, where she’s headed and where her music can take us.
When you’re born in Argentina to parents with Italian passports, then grow up from a young age in Hertfordshire, it’s easy to feel like an outsider. Who are you? Where are you from? What do you sound like? Spanish language, Latin culture, Home Counties – which is the most you? With the gloriously rich and transporting ‘La Yarará’, Malena Zavala has come home. A beautifully-wrought love letter to the culture in her DNA, its ten songs are vivid, vital hymns to the various aspects, colours and shades of Latin music and culture: cumbia, reggaeton, Afro-Cuban, Afro-funk, Andean folk, Argentine folk, bolero-son. And all sung, in a mixture of Spanish and English, in Zavala’s passport-to-paradise voice.
“When I started making music it was more about expressing my emotions, and learning to write and produce music myself,” she explains. “With my first album Aliso, I had to get something off my chest. But now with this second album, it was about exploring and overcoming my identity issues – about not knowing where I belong. That’s something I’ve felt my whole life.”
After the release of ‘Aliso’ – described as “gently warped and beguilingly melancholy guitar pop” by The Guardian in their 4 star review - Zavala toured all over Europe and the UK supporting Lord Huron, Blanco White, and Men I Trust, before hitting the festival circuit. She then spent three months writing her second album in Tarifa, the southernmost point of Spain.
Zavala and her close circle of collaborators recorded ‘La Yarará’ in two weeks last September at Urchin Studios in London Fields, with Zavala producing and Dani Bennett Spragg (Baxter Dury, The Amazons) engineering. “Urchin is a really beautiful, all wooden studio, which was really important for the sound of this album,” says Zavala. “I wanted it to feel like Buena Vista Social Club. I wanted to play the room, to feel the walls and wooden floors.” ‘I’m Leaving Home’ is out now and ‘La Yarará’ will be released on the April 17 on Yucatan Records.
SHEL have today shared the stirring video for 'Rainbow'. It's related to SHEL's desire to help empower the women of Hope Springz and support their craft shelter, that said it's also a wonderful song. === Originally formed in 1979Inferior Complex today release 'Dome' the bands cinematic sounds resonating beautifully on this instrumental piece. === amini have released their third E.P today which is entitled 'When We Were Kids' a collection of four gorgeous and heartfelt indie pop songs. === Seazoo make their fourth appearance on Beehive Candy with the new song 'The Pleasure' accompanied by a video as the Welsh band once again impress us with their distinctive mixture of indie pop and rock.
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SHEL - Rainbow.
Did you know that in some regions of India, when a woman becomes a widow, she becomes a "bad omen," shunned by friends and family? In fact, Vrindavan, India is home to more than 20,000 abandoned and destitute widows who live in forced exile.
But here's the coolest part--there are locally-run craft shelters like Hope Springz (which was featured in award-winning documentary Beyond Karma) who are empowering the women and teaching them how to support themselves by making jewelry (they're making rainbow colored bracelets for this creative campaign). With their beautiful single and gorgeous video "Rainbow," acclaimed folk-pop outfit SHEL wants to further empower the women of Hope Springz by bringing awareness and telling the world about them.
The video features the women of Hope Springz, and the joy on their faces is unforgettable. SHEL’s Eva Holbrook traveled to India to make the music video for "Rainbow" with a focus on raising much-needed awareness for these vulnerable women. SHEL (sisters Sarah, Hannah, Eva, and Liza Holbrook) hope their partnership with Hope Springz will make a lasting impact.
Led by brothers Andrew and Ray Missons, Inferior Complex was originally formed in 1979 . Andrew plays guitar and keyboards and Ray plays bass and is the vocalist. Original drummer Jimmy Faye left the band late 1980 but the band continued with another drummer and later on with a drum machine until the band split in 1983.
The brothers then played in various other bands together until they reformed the group in January 2011 using an online drum machine. In 2015 they added Paul Jenman on drums to complete the current line up.
Their influences are early Factory Records bands including Section 25, A Certain Ratio, The Wake, Joy Division and New Order.
They self released their album “In Your Life” in June 2017 on Bandcamp and hooked up with German Shepherd in July 2017 for wider distribution. A series of singles and EPs followed. We are pleased to announce the launch of a new single called "Dome". An instrumental, this epic track brings a cinematic feel to the bands trademark post punk sound.
Welsh noise-pop experts Seazoo launch newest quirky indie bop ‘The Pleasure’ and announce details around their forthcoming second album ‘JOY’, set for release 3rd April via BIG TERRY.
Following acclaimed lead single ‘Throw It Up’, with its swaggering, anthemic qualities, and sparkling follow-up ‘Heading Out’, the indie five-piece continue to edge further into the spotlight with each offering from their forthcoming record, mixing unbridled positivity with their trademark charisma to sublime effect.
Discussing their forthcoming single, enigmatic frontman Ben Trow explained: “‘The Pleasure’ is about taking time to enjoy small moments that make you happy – I think it’s really important right now as the world goes completely bonkers! For me it’s my love for writing and recording music, something that I never take for granted; but the tune can be about anything really”.
Heavily influenced by the likes of Yo La Tengo, Courtney Barnett and Grandaddy, the fledgling quintet have already attracted significant critical acclaim (Q, NME, DIY, Dork, Clash, The Line Of Best Fit) and widespread airplay (BBC Radio 1, 6 Music), not to mention a glowing live reputation through appearances at SXSW, The Great Escape and Green Man and supports with IDLES, The Lovely Eggs and Circa Waves; with their profile only set to increase further on their April UK tour in support of the album.
Recorded at Big Jelly Studios and produced by Ben Trow and Mike Collins (Girl Ray, Pip Blom), Seazoo’s ‘The Pleasure’ is out now and available via all digital platforms.
Lilla Parasit were featured a couple of times here towards the end of last year and they return today with 'Eirik', a song that sees them continue to explore differing rock moods with imagination. === Los Angeles based trio Rubaiyat have today released 'Breathers' a distinctive and atmospheric alt rocker. === Another band we shared music from twice last year are Union Duke who now have a video for the fabulous and refined roots rock song 'Left Behind'. === Whilst we are on the subject of artists who made a couple of appearances here last year Jennah Barry is another and has just shared 'Big Universe' accompanied by a video, her gorgeous vocals again shining through ahead of her new album due in March.
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Lilla Parasit - Eirik.
Late 2019, Lilla Parasit signed to Stockholm label family Rama Lama Records (Chez Ali, Steve Buscemi's Dreamy Eyes, Julia Rakel etc.) and introduced themselves with the excellent 'Gaslights' which was followed by 'Feather Soul', both receiving praise from Scandinavian and international sources. Today, new single 'Eirik' is released on all platforms, the third cut from the band's forthcoming, self-titled debut mini album which is out in March.
Lilla Parasit may be a new band, but the members are no strangers for fans of the Swedish psychedelic and indie scene. The band is lead by Are, who's band Melby released their debut album last spring to great acclaim, and made complete by Amanda Lindgren (Systraskap), David Svedmyr (Me and My Kites) and Jessica Klingsell.
The project started out three years ago and has since changed both names and members before finding both the perfect setting and sound. The band's grand semi-psychedelic lo-fi folk is now finally ready to reach the world's ears. Eirik showcases the band's bombastic sides and is an absolute highlight from the upcoming mini album Lilla Parasit, out in March 2020.
Are on Eirik: "I started out with this blunt, kind of stupid guitar riff. Didn’t really think it would go anywhere, but then the verse melody came to me and I felt like the contrast between them had something. You could say the song moves between something fragile, almost embarassingly personal and something bold and pompous. And in the long instrumental parts we dive into that contrast. To me, Pelle Westlins saxophone pushes the whole thing to the limit of how many conflicting moods i can take in at the same time. And I think that’s good for a song."
"Tired from my teeth on edge like razorblades stuck end to end" - "Breathers is about getting caught up in an abusive relationship where you aren't valued and you struggle against the perpetuation of your own self-deprecating negativity. There's always a part of me that can't help but keep loving someone I've loved before- no matter the state of our current relationship or how they've treated me in the past. There's a fine line, however, between acknowledging some abuse or developing a kind of Stockholm syndrome. It can be hard to see someone in a new light when you've known them another way for so long." - Joel Heinrich
About Rubaiyat: Rubaiyat is a three-Piece doom wop/indie rock band based out of Los Angeles, CA. In April 2018 songwriter Joel Heinrich assembled his friends to sing off-kilter songs that take a darkly honest look at his brushes with love. With undercurrents of alternative rock like Pixies or Sonic Youth, Rubaiyat's lyrical content is focused on distilling moments into morsels of insight of life and love’s hedonistic and nihilistic tendencies.
Heinrich recruited Matt Camgros (drums) and Ian Earley (vocals, bass guitar) and the trio began playing shows around L.A., including spots like The Satellite, Hotel Cafe, Highland Park Bowl, and The Love Song Bar. In late July 2018 Rubaiyat recorded their debut EP, “O” with August Ogren at Petting Zoo in Minneapolis.
Inspired as a modern manifestation of The Rubaiyat of Omar Khayyam, Rubaiyat’s music captures the inevitable dichotomy present in romantic love; sonically embodying, through dissonance and harmony, the conflict and confusion of finding love when it seems impossible and the discord between the bliss of romance and the dread of a life without meaning.
“Left Behind is exactly what you think it is: a song about leaving things behind. We were trying to capture the feeling of loneliness and isolation one can feel when they’re far from the one(s) they love - both lyrically and musically. It’s about the distance often forced between us and the longing to be together again.
It’s the only soft-ish song of the music we’ve released over the last year and once we got in the studio with it we had the opportunity to explore some really cool ideas that are pretty new for us. It was a lot of fun building this tune and taking it from mellow and simmering to a driving banjo-driven sing-along…plus lapsteel!" - Ethan Smith
Based in Toronto, Canada, Union Duke comprise Matt, Ethan, Jim, Will and Rob, genuine friends who take influence from the gems of their parents’ record collections and injecting an extra dose of rock n roll attitude, whilst staying to the traditional roots. Five singers; five songwriters; countless reasons for them to be your new favourite band. With three albums, countless festival stages, and hundreds of thousands of kilometres in the rear-view, the band is excited to be touring new music and winning new fans everywhere they go.
In the two years since their last record Golden Days, Union Duke has been steadily travelling and unravelling across the country, and they’re ready to share the lessons they’ve learned with a slate of new music. Having played at at London’s The Moth Club on 28th January as part of AmericanaFest UK, Union Duke put on a high energy live show complete with soaring harmonies, driving rhythm, chicken pickin' guitar licks and banjo at a breakneck speed. Their humour and infectious enthusiasm will put a grin on your face and have you kicking up dust on the dancefloor. Union Duke are five guys, twenty-four beers, and a half-ton truckload of foot stomping folk rock. Left Behind is the final single to be released from their EP, following Atlas of Love; Ladidadida and 1,2,3.
"There was a period in my life where I read my horoscope not matter how goofy the source was. I was circling the drain a bit and was desperate for someone to tell me what to do. The horoscope writer for US weekly did not help me with this. Big Universe is about that.
And despite the confusion I was feeling in the song (Big Universe) I worked with 3 really great women on the music video and had a very life-affirming experience (something that doesn’t necessarily happen very often in the biz). We went overboard with a haze machine and created a storyline for a woman who plays big for no one".
"Big Universe" comes from the gorgeous Jennah Barry LP Holiday, coming March 2020 on Forward Music Group. Majorly recommended for fans of Andy Shauf, whose bandmate Colin Nealis produced the LP, the songs here are built to last, with echoes of those soft-rock classics often referred to as "AM gold." Barry's vocals are warm and weave through the arrangements with so much skill. The arrangements are full and pillowy but always pull up short of being cloying or overdone, more-so than the source material she's referncing.
